#like their faces are a parallel

[danielslaw]

DANIEL LARUSSO AND CHOZEN TOGUCHI COBRA KAI SEASON 3 EPISODE 5 // COBRA KAI SEASON 5 EPISODE 5 "if it means anything, chozen, I forgive you." "it means a great deal." "(not a waste of time) nor is helping friend."

[bakedbeanchan]

Drawing from a mini comic where the timeline is reset but Zuko still has all his memories

Minicomic here

[thebctman]

I’m going feral over how Mel and Viktor’s parallels with eachother are rooted in magic. Both saw magic as their salvation and their prayers.

Mel is born with magic whereas Viktor sought it artificially. Mel is from privilege and born in wealth. She could see the sky as easily it was to breathe. She grew up in a culture that emphasized on physical strength. Viktor was born in poverty and Zaun’s inability to breathe set his life with a countdown. Zaun also valued adaptability and intellect instead. Mel and Viktor casted aside the mentalities set upon them by their mentors to fight for their own.

Both desired and dreamed to create their own paths with their own ambitions. Both saw and used Jayce as their way to do so.

[eddiediaaz]

something something #i think i've seen this film before

[pocketgalaxies]

It feels good to be able to help. (for @overnighttosunflowers)

[hinamie]

domain expansion

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[spicyvampire]

THE HEART KILLERS (2024) EP. 7 // EP. 8

[tritoch]

one thing I find neat about Emet-Selch is that his chauvinism is so intense that it actually prevents him from making the strongest possible case for the unique moral goodness of the ancients, and that this same mental distortion ties into his classic final fantasy need to turn into a Horrible Final Form Monstrosity for your final fight

(for my part I think any minor unique moral goodness the ancients possess they have due to their status as demigods living in eden before the fall. even if they really are morally/intellectually/spiritually/magically/etc. superior to every modern eorzean on a 1:1 level it still doesn't change anything because 1) they are mythical and impossible, that's the whole point and 2) even if they weren't, they still have no particular claim to existence that is superior to anyone else's, no matter how good they are. but the point here is the case Emet-Selch is trying to make, which is that they are more "worthy" of life.)

when he's setting you up for the final amaurot sequence, Emet-Selch hits you with this one:

it's a solid line! stops the party cold for a second.

it's also...not that impressive. do I think if we called a big world meeting that half of everyone would just jump up to be chosen? maybe, maybe not. but, sorry: we're having a big world meeting? are we also demigods with their every material need fulfilled in this version? do we have a one world government that almost everyone seems to fully trust telling us that it knows for real a way to stop the meteor heading towards earth? because honestly i think as soon as we start creating structural similarities like that, it becomes a lot more likely. and every step you take towards making the comparison happen on level ground makes the idea that the ancients were possessed of some unique moral fiber that made them capable of this sacrifice (as opposed to the undeniable abilities in magic and global governance that actually enabled it) seem less and less likely.

and especially if you consider it in the context of what actual people are like. human (and presumably eorzean) history is replete with examples of people sacrificing themselves to save others, even though none of us are immortal wizard philosophers. i don't know how the white-room thought-experiment "will half of you die to save the others???" turns out. but do i think, across a grand rolling catastrophe, that half our population would sacrifice itself to save the other half in a million individual acts of sacrifice to save a parent, a child, a lover, a friend, a stranger? that seems significantly more plausible. altruism and sacrifice for others is even pretty frequent in animals! it's not a very unique moral behavior!

(stanford encyclopedia of philosophy on biological altruism)

but that's not the only sacrifice the ancients made. roll the tape, hythlodaeus!

...Yet oh how the star had suffered. So many species lost. The land was blighted, the waters poisoned, and even the wind had ceased to blow. Once more did our people give of themselves to Zodiark. Another half of our race sacrificed to cleanse the world; to ensure that trees and grasses and myriad tiny lives would sprout and grow and flourish.

(every time I read this speech and hit the ff1/3/5 ref about the land and waters and wind i become mylongestyeahboyever.avi)

this is the step beyond, and it's what separates the ancients from modern humans. they viewed themselves as stewards of the star and really meant it; whatever other criticisms you might level, you can't doubt the depths of their commitment. and this i think really does make them morally distinct from modern people, or at least raises that possibility in a much more compelling way than the first sacrifice. half of the living population sacrificing itself not in a moment of duress and apocalypse but in a moment of calm? when the sacrifice isn't for anything but plants and animals and some tiny proto-eorzeans? that kind of cold, calculated, long-term altruism, aimed at people and living beings that are nothing like you...that does feel like something a little more unique, more worth preserving. even in just the text of the game, we can say with real certainty that the ancients were at least more capable of facing their problems and had greater moral integrity and care for the world than, say, the people who made ra-la.

but emet-selch can't ever say that because rejecting and dishonoring the decision the ancients made as stewards of the star is his primary goal.

like, "my people were uniquely morally good. half the living population sacrificed themselves not for their loved ones or for the survival of their people but simply for the world. for the trees and grasses and the wind and the water. for the humblest insects and for the summer breeze and the tides." that fucks! damn, you got me there! i watch enough people throw aluminum cans in the trash on a weekly basis that i find this sincerely moving and beyond the seeming abilities of my own brethren! oh no, i'm being persuaded by the fascist immortal space wizard!

"and therefore, because they are uniquely morally good, we are going to sacrifice and kill the very things they gave their lives to save, so we can have them back :)" well, shit. i'm experiencing some dissonance here.

but you can't actually lie to yourself as long as emet-selch without distorting your understanding of the truth. you cannot choose to see the world falsely half the time and clearly the other half. in committing to self-deceit and willful ignorance regarding the value of the modern world, emet-selch blinds himself not just to the world as it is but to the ancients as they were. if he could describe accurately the ways in which the ancients were genuinely noble and benevolent, he would also have to able to see clearly how he has entirely deviated from that ideal. and he cannot do that and stay on the path he has chosen, so he simply chooses not to see things accurately.

i cannot help but link this blindness of his to his trial. here, at what seems to emet-selch to be the last stand of the ancients, he says to you "to be clear this fight IS a metaphor, and in that metaphor i stand in for the Entire Unsundered World."

and yet, in standing against you, he betrays both the customs of the ancients and his very title, itself a direct signifier of the mission he was charged with as one of the convocation of fourteen: "to ensure that all is right in creation, that our star may know a brighter future." contra elidibus, for whom remembering his duty to the ancients is one and the same act as remembering his name, emet-selch declares his own to be mere pretense. and that's before we even reach the matter of his transformation.

emet-selch believes the only way he can save the ancients is to betray their principles, forget their greatest triumphs, and abandon their trappings. he renounces almost everything of the ancients, save for his pale and sad and faceless amaurot, in the hopes of bringing them back.

i am reminded a little of borges's three versions of judas, a short story which uses the lens of fictional literary criticism (appropriate for a story as interested in competing narrative interpretations as shadowbringers is) to recast the betrayal of christ by judas not as the greatest of sins but as the greatest of sacrifices.

The ascetic, for the greater glory of God, vilifies and mortifies his flesh; Judas did the same with his spirit. He renounced honor, morality, peace and the kingdom of heaven, just as others, less heroically, renounce pleasure. With terrible lucidity he premeditated his sins.

and, in turn, the sardonic footnote to that very same line, which unsettles that sentiment as soon as it has been presented:

Borelius inquires mockingly: “Why didn’t he renounce his renunciation? Or renounce the idea of renouncing his renunciation?”

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[starlingstalk]

He‘s back and torturing me with an overly complicated design. Color palette is rlly fun tho. Cool and warm greens + grey are like an invitation to purple to me. Also the arm??? So cool so awesome. I hope s3 treats him well.

[kingslionheart]

A good King relies upon good advice, Uhtred. I speak only as a man who has made mistakes before.

[mettywiththenotes]

It's about love and goodbyes

[moliathh]

take responsibility

[fluentisonus]

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.