#like the story is boring and the characters are boring and the MC is just as swallow as a plastic easter egg

[atalienart]

Perhaps I'm biased (I write romance/fantasy blend xD) but I don't mind romantic fantasy. At least the idealised idea of it, the concept of a perfect romantasy. But it's certainly different from just fantasy, that's for sure.

To explain it, I like romantic plot lines. Contemporary romances are usually pretty boring to me, but mixing them with some other genre (not just fantasy) creates a much more interesting story. But it must be balanced.

I think the problem is how the other genres are used. Sometimes they're used only as a setting as you said, because it's cool when everything happens in a castle or the character uses some shadow magic to teleport instead of travelling by car or the vampire can seduce the MC with some vampire powers instead of drugging them. Very cool. And everyone can die at any moment because of some magical disease or dragon wars, or murderous uncle who wants the throne so it's "high stakes". In those stories stuff happens without a purpose or a reason other than to make the MC's more badarse and throw the main couple together. And it's very surface level. Even the whole "romance" part isn't good. I mean, what romance?

What most fantasy used to be was adventures of a scruffy, grumpy guy who had many brief sex encounters with random cardboard cutouts of pretty ladies. But yeah, at least there was no romance there, just lore, a lot of lore. Now we have those same grumpy guys but they're hot, have pointy ears and big dicks that shake the mountains. It's honestly hard to like either (I'm talking about my personal taste).

But there's also that ideal blend somewhere that I have a feeling a lot of readers look for, that perfection that has a rich world and complex characters, with plot that grips you and won't let go until you finish the book. Where you get the best of fantasy and romance. There are books that come close to this perfection I guess, maybe xD

Anyway, I'm glad that the genres are separated too. It's always nice to know what you can expect. If you don't like romance plots at all it's a good way to avoid it. I wish there was a way to differentiate between romantic fantasy and erotic fantasy though. (I wrote too much already but I think that what bleeds into other genres a lot is not necessarily romance but dark erotica. And this should have a separate shelf too.)

Why do people write "romantacy"? It's romance and fantasy. Is there a fantacy I don't know about?

[isekyaaa]

Another story idea. One of those basic ass stories where this child is abused by her family due to her sister (adopted) came and brainwashed the whole family into loving her and hating mc. In the end mc is framed for some crime and is ultimately executed. Only after mc dies does the family realize their fault when the whole world becomes destroyed. Following me? Basic ass brainwashing story. Anyway, here's the twist. Time gets reversed, and mc awakens to the point in time ten years before her death. But the twist? Mc isn't the main character. The story takes place from the viewpoint of one of the brainwashed siblings that slowly remembers their previous life.

[bookshelf-in-progress]

How many times do I have to learn the lesson that I should start the story when the story starts instead of trying to tack on introductory worldbuilding?

Seriously. My instincts about when to start the story are almost never wrong. But I always assume the first scene in my imagination requires set-up that people outside of my imagination don't have. So I tack on an intro to set the mood and to set up the plot and characters and world. And it's boring. When I should have just started where I wanted to start so I could weave explanations into a scene where things are actually happening.

[quirinah]

SLAY THE PRINCESS (chewing on drywall)

[no-i-will-not-shut-up]

the hollow/tv gameplay is a lot more fun than i expected, based on the pre-release feedback. dare even say, i look forward to it.

[sunshineandviolets]

The country girl with the designer boots & her new ranch hand that ran away to have a fresh start.

Mandy x Rishi (he/they) // Unbridled

[aroacettorney]

perhaps the reason why aup ended like *that* is because it was not supposed to have a happy ending in the first place, but sayren didnt have the guts to deal with readers' backlash for when they finally kill off the main character so a half baked happy ending is what we get 😔

[yourqueenb]

I remember you saying that MAH would've been better as a short slasher, so are there any other books that you think would also have been improved if they were significantly shorter (like if they cut out a lot of filler chapters/scenes)? Or for that matter, are there books that you think would've been better if they were longer than the usual 16-18ish chapters that Choices usually does (to make the story feel better developed and less rushed)?

Bachelorette Party definitely would’ve been better as a mini book instead of a regular length one. And I’m really not sure why that wasn’t something they considered. There was no reason for it to go on as long as it did, especially because it was neither entertaining nor funny. It was just really stupid imo. Courtney was annoying as hell, and her smiling sprite was terrifying. And I couldn’t stand Aisha and that damn briefcase. IIRC, that was the main reason the story dragged on for so long. The best thing to come out of that book was Ash Tanaka, but I feel like people forget about him because he was unlucky enough to be a part of BP.

Witness and MTFL both had the issue of an unlikeable MC. But I feel like that issue wouldn’t have been so pronounced if both books were shorter as well. All Witness MC and Cassian did was screw and argue for like 25 chapters. And they literally had MTFL MC wait until the 100th damn chapter to decide who she wanted to be with. Not to mention that god-awful first person narration along the way.

I think this last one is controversial, but Immortal Desires was also far too long. It just dragged week after week because the first 9 or 10 chapters were the same thing over and over again. Hang out with Cas. Hang out with Gabe. Oh no, our Mom’s sticking her nose where it doesn’t belong so we have to stand trial in front of the council again! Rinse and repeat 🙄 If they hadn’t wasted so much time on all of that, the ending wouldn’t have been so rushed and awkward now that they’ve decided to make a book 2

[paro-art]

I'll be back here soon ( have to relearn how to draw humans bc all I've been doing is hand-drawn vfx and puppet animation )

but damn, I'm so sorry I got Honkai star rail brainrot and I want to draw fanart of it I'm so sorry guys

[here-there-were-dragons]

all modern writing advice is optimized towards creating the most digestible and marketable mass-appeal piece possible, which everyone has decided is The Only Way To Do Art Right for some reason. i hate it, i fucking hate it so much, i had to stop listening to movie and art concrit videos because it became infuriatingly clear that literally no one has opinions of their own, they're just parroting from a list of How To Make The Most Marketable Thing that they heard from other criticisms, taken as gospel of The One And Only Way To Be Right, and have put no real actual thought into it themselves.

literally all of them now just boil down to "here's how this did/didn't follow the Standard Marketability Checklist to the exact letter. also at least a third of this essay is me randomly interjecting about how much i want to suck off puss in boots 2"

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[mariesoliver]

Jail time for all y'all that hyped up fourth wing like it was a gift from heaven

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[rui-drawsbox]

remembering the most memorable mc's (with canon appearences) from the otomes i played

all of them are phone games btw. and looong rambling about the games after the cut!

Mystic messenger has been in my radar since i was in elementary school but i played it for the first time after the spanish traslation came out (2017 i think?) Seven shaped my type in such a specific way that im not really sure why loved him so much (it was the whole "he loves you in every route" stuff). I like a lot the default mc, most of the fandom did and that was enough to won me over

Rosa is top tier protagonist tbh, Tears of Themis has really good story and characters (as far i played, not a lot but i enjoyed it) The reason i'm not that much of a fan is bc the game is expensive asf and not very free to play friendly. You're either lucky or have a big wallet with the gacha

i miss my wife man(Marius)

Ephemeral has to be one of the best free to play otomes i've played tbh (if my memories aren't tricking me, it's been years) Good artwork, good storyline, good characters and as far i remember you can unlock one chapter of the character route per day (mabye two days, idk) and the mc's background has an important role in every route (she's a zombie! she's pretty now but eventually will fall apart, aaaaand her story gets expanded in one of the routes!) ((shes also adorable)) There's also a sequel, if you wanted more of the boys! never finished it but i'd recommend it

Honorable mentions! Huellitas Mágicas is a great game! has a really good cast with well fleshed arcs for all the characters, even the scondary ones! The game shines more for the development of *all* the characters rather than just the protagonist/ml. The main theme is overcoming insecurities! Each love interest has a different way of helping our (very insecure) protagonist and helping different characters with their own struggles :DD

10/10 i recommend this game if you want something cute and can be finished in a few hours, if i remember right. It also has a sequel! with like- 12 new love interests, also never finished it bc i didnt found a guide that worked for me but ñek

A3! is my canon event as a gacha player. Discovered the english/global server, tried it and got bored, left it for a few months, tried it again and fell in love, noticed the game was going to shut down bc low sales -HAHA :(-. This is not a otome btw, this is here bc Izumi has to be one of my favorite protagonists in gacha games ever

last but not least! Obey me! Shall we date? oh dear, what have they done to you :(. The original had intense powercreep to force you to pull cards -multiple times bc that makes them stronger- and even now, the company showed a lot of favoritism to some characters, leaving others to dust bc they don't make the same money. Not to say, they released a new game with the same cast and new main story (ignoring all what happend before). And let me say: THEY LITERALLY WANTED TO KILL THE ORIGINAL GAME.

Nightbringer might be a decent game but i don't trust the devs anymore, i still remember what happend with Asmo's birthday right after the release, and honestly i don't want to sit there watching how they disrespect my favorite characters again and again and again. Loved the characters hated the devs. 5/10 you can play it if you want but i don't recommend spending money on it, it's not worth it, just search #obey me here in tumblr and enjoy the amazing fanworks that i can assure you have a lot more love than the game itself

i miss my wife man (mammon and levi)

[etheries1015]

TWISTED WONDERLAND MASTERLIST

Character's revolving around the story will be highlighted in RED. NSFW section below the SFW one.

link back to OG masterlist

Link to Twisted wonderland Masterlist Pt. 2

SFW

A little more to love - Lilia x Reader HC

Happy Fathers day - Crowly shit post

Secret relationship and the wing man- Malleus X reader

Finding out your real name - Platonic Multi (seperate)

Beating the shit out of a student- Platonic Multi (Together) [TW: assault, but MC is a badass]

Rejection hurts- Lilia X reader [Angst, no comfort]

Rejection hurts pt2 - Lilia X reader [Angst, slight comfort?]

When you wish upon a star- Malleus X Reader

Magic Catastrophe- Twst X Obey me crossover

Magic Catastrophe pt2 - Twst X obey me crossover

Your first encounter - General Lilia x Reader shit post

An apology mug - Malleus X reader

How could you love that...?- Malleus X High energy/gremlin reader (lowkey shit post)

When he began to fall in love- Lilia x (slightly traumatized) reader [TW: Depiction of panic attacks, mentions of PTSD, reader does not like being startled by the mischievous vampiric fae :( ]

Domestic kitchen moments- Trey, Rook, Malleus, Lilia X Reader

What a shame- Bi Lilia X Bi Reader shit post

The school Therapist- Working Adult MC HC

The promises we made- Malleus X reader Angst/fluff rolled into one...

Our popular prefect! - Headcannon on MC's daily life as the ramshackle dorm prefect and their precious students.

Endless Marriage proposals- General Lilia X reader (angst no comfort)

Endless Marriage Proposals (ALT ENDING) - General Lilia x Reader (Fluff)

Glorious Masquerade- MC Solves the problem!

Glorious Masquerade- The... interesting dormmate... (answer)

A dragons infatuation - Malleus X reader HC

When they snore - Mallus, Rook, Azul, Riddle, Vil (Separate) X Reader

When you cuddle them like a Koala- Housewardens (separate) X reader

A fearful realization - Malleus X reader

A fearful realization pt. 2- Malleus X reader

Lonely together - Malleus X lonely reader

The swearing issue - Lilia HC

The dreaded reunion- shit post (king!Malleus, his spouse MC, and a few other special guests.)

The secret ingredient - Lilia X Reader (lowkey shit post)

A sacrifice worth making- Malleus X reader

A "normal" therapy session - Multi (shitpost HC)

When you cry- Malleus X reader

His first and last love- Lilia x reader

Boring lectures - Malleus X reader (pretty much platonic)

Finding out you're trans masc- Malleus, idia, kalim, Riddle X trans masc reader

Biting and accidental courtship - Lilia, Malleus, Leona, Ruggie, Jack, Rook X reader

Defending your lover- General Lilia x Reader

His unique magic- Jack x Reader

A different way of fighting- General Lilia and Gremlin reader HC

Dancing in the kitchen - Lilia X reader

Writing each other letters - Lilia X reader (2 scenarios)

His birthday present- Lilia X reader

Your dream and a wish- No ship, just your dream regarding Chapter 7.

Finding you sobbing - Malleus, Lilia X reader

Chaotic Prefect - Ask/Answer

Long lived/succubus (kind of) Yuu and their infatuation with humans- Ask/answer, platonic! Baul and General Lilia

Not particularly good at baking - Lilia X reader

Lilia shit post

Your importance - Lilia X reader (short)

Flower crowns- Meleanor X reader

A heavy farewell- Lilia X reader

An interesting fascination - Pomefiore X reader who is fascinated with scars (ask/answer)

A genius feat! - Technologically challenged reader X Idia Shroud

Learning human legs- Malleus learning to form a human body HC

Being allergic to them - Octavinelle and Savanaclaw

Sleep somewhere else!- MC allergic to cats and Grim headcannon

A messy confession - Floyd X reader

Half baked confession - Malleus X Flirty/shamelessish reader

Happy birthday, Malleus! - Malleus x reader

Happy birthday, reader! - General Lilia X reader

They throw you a birthday party - Diasomnia X reader

Prefects muse- Azul, Riddle, Idia X flirty reader

Prefects muse- Jack X flirty reader

The fae with a dream - General Lilia X Fae reader (angst) TW: death, emetophobia

your jealous lover- Lilia X reader

Raising a child and his interesting parenting style - Lilia X reader

when you're sick - short Silver X reader headcannon

Missing the "girly" things - Twst (Multi! Platonic!) X Fem! reader

Day dreaming - (Short) Lilia X reader headcannon

Oblivious old man- Lilia X reader HC

When he fell in love- Vil X reader

You're pregnant! their reaction? - Vil, Malleus, Azul, Lilia X Afab reader (no pronouns)

A flowers meaning- Lilia x reader

Cuddling his Tsum- Lilia X reader

Do you regret it? - Lilia X reader

NSFW

18+ MINORS DO NOT INTERACT

A little bit of everything - Malleus Draconia relationship HC

Getting Drunk - Lilia X reader

Would they wait until marriage? - Multi (separate, lowkey shit post)

His little human toy- General Lilia X reader

Midnight dirty thoughts- About Dragon Malleus [tw monsterfucking]

Size kink HC - Malleus Draconia X reader [ tw monsterfucking]

A faes hidden desires- Malleus Draconia X reader

General Lilia Vanrouge thoughts - General Lilia x reader (short)

Pretty little pregnant you - Lilia X fem! Reader (tw: pregnancy)

Lilias praise - Lilia X reader (More suggestive than NSFW, but I placed it here anyway.)

Taking his virginity - Lilia X reader

Birthday head- Malleus x reader shit post

The unfortunate shower incident - Lilia X reader (only suggestive, not very NSFW)

living out a fantasy - Lilia X reader (TW hair pulling, slight mentions of blood)

General Lilias stress relief - Lilia x reader (TW slight non-con)

Hot spring mischief- Lilia & Malleus X reader

Guiding Malleus thru his heat- Malleus & Lilia X reader

[yourqueenb]

Overall though Roommates with Benefits is another book that just tries too hard imo. So looks like it’ll be another diamond mine for me