#like the s2 finale is what really HIT me you know?

[mymitochondriaforpresident]

For me YR exists in two parts: before the s2 wille speech, and after.

Aka The Dark Days and The Light Days, respectively.

[animeshotsh]

Moms | Jinx x Fem!Reader | Arcane ¤

Summary: You are worried since your girlfriend has dissapear since Silco's death. Only for her to show up at your home, but not alone.

Warnings: SFW - SOFT - OFF CANON IN TERMS OF TIME - Worm joke - grammar mistakes - spoiler s2 - sad!reader - mentions of alcohol -

Even since the big explosion that took place in the uppercity the undercity had gone into a crisis of gang fights and just more violence.

No one really knew what had happened, there were rumors of Silco being dead, but who attacked the uppercity?

Well, since Jinx your girlfriend was a fan of gadgets, guns and bombs, and how she had stopped coming to your home to visit you, you connected the dots.

Then when her face was in a wanted poster it became real.

God you were scared for her, where was she? Was she safe? You did check her usual hideouts and the ones that were secretly for the both of you so no one would target you. But nothing. You were left with zero trace of her.

You had to push yourself out of your home to work and put a fake face of not caring when someone mentioned her, or when you saw the enforcments go around.

~~~~~~

Your day was long, so when you finally got home you left yourself fall on the old couch. Dust covered the place even if you have tried many times to clean it.

Just like any other night you started to feel sad, memories of you and Jinx coming back. How you met her, how she seemed curious of you at first and how you had felt like her experiment, then your first kiss with her, the cuddles, doing her hair and nails....

And so you started to cry again but your spiral of depression would have to wait since a knock at your door alerted you.

Now, you were born and raised in the undercity, you knew how dangerous it could be, thats why you have trained yourself on being able to use knifes and be quick on your feet.

You swiftly took out your blade going in silence towards the door, the knocking continued, being more frenetic.

Your heart went up fast your brain already thinking on vitals points to hit and a back door from the apparment complex till you hear it.

"No! Im not shooting her door"

That voice...

"Well because she is nice? You will love her, but no more than me"

You went quickly and opened it revealing a figure under a cape, but you could see the blue hair and pink eyes.

You were fast on pulling her in, no noticing the small kid that followed by her hand.

"Jinx! Fucking hell, are you alright? Wait, thats blood? Its not yours right? I need to get you cleaned, hold up"

Just as you were going to go and look for something she pulled you back and kissed you, it felt different, like this was a kiss that was more to ground herself than anything.

"Just...just shut up. And its not mine"

Jinx said getting away a bit. She could see your worried expression and by the look of your aparment and the alcohol bottles she could tell you had been dealing with a lot.

Fuck, why did she hurt anyone who got close?

Her mind stopped when she saw you go down on your knees and see behind her leg.

"Why do you have a kid with you?" You asked seeing the dirty kid who looked back at you then at Jinx then at you.

Jinx and the kid seemed to talk without saying a word, then with a nod from her the kid went to you and hugged you.

You were suprised and a bit taken back, but hugged her back.

"Suprise! You are a mom now, I know you have said how you wanted to adopt a kid if you could"

You gave a Jinx a pointed look then separated from the kid who had a different look now, a look of...fondness?

"Jinx...I- Im not even going to ask. Im just glad you are fine"

Her heart broke at your honest words and loving smile. She did swear no one would take you from her.

~~~~~~~~

Jinx insisted on you moving to her hideout, saying that someone could have seen her and your house was not safe anymore.

Honestly? You thought she was trying to make her own world there. A place where she, Isah and you could live under colors, see insects fights. Play hideout and just....be a family.

When Isah went to sleep you went to Jinx who was messing with her old gun, not getting it back together just...moving pieces.

"Jinx, you know this cant last forever" You had started to say slowly getting her to stop messing and look at you.

"Dont tell me you agree with lefty?"

You snorted at the nickname she had gave to Sevika.

"No, well maybe a bit. Look i dont want you to be a vigilant or anything, i want you to be whatever you wanna be. But, we are in difficult times now, and you Jinx" You said taking her hands in yours "You are what is keeping the others together, something i have never imagined"

"Because I jinx everything, right?"

You moved your head and made her look directly at you.

"You dont do that. Stop saying that. You met me, and we are together right? We have been together for so long, i dont plan on going anywhere".

"...Even if i turn into a worm?"

"Yes Jinx, even if you turn into a worm. I will still be at your side, loving you  and caring for you. But i wont let you be on our fights, sorry but you would be a loser"

And with both of your laughts the bitter reallity seemed to go away at least for now.

[uzurakis]

hi :D can you do jjk boys doing like a tiktok prank and telling reader to shut up but they've a really bad day and either get mad/really sad? angst with or w/o comfort plz

CAN YOU SHUT UP FOR A SEC?!

featuring: gojo satoru. fushiguro megumi. itadori yuuji. geto suguru.

n. some comfort and some w/o comfort lol. thanks for the req babes, not breaking my angst writing stride. if you could understand why i wrote gojo like that, then you paid attention to s2. enjoy </3

GOJO SATORU. you dropped your bag by the door and took a deep breath, hoping to find some comfort in his presence; finding your boyfriend lounging on the couch, his eyes glued to the tv screen.

“satoru,” you said, voice tinged with fatigue. “i had a really bad day today. the higher ups are a fucking pain—“

“shut up, babe, i’m watching tv. see?” without looking away from the tv, gojo cut off your words.

you froze, the sting of his words hitting you harder than you expected. you stared at him in disbelief, feeling a mix of hurt and anger rising within you. “wow. thanks for that. really needed it today,” you said laced with passive aggression.

gojo finally turned his head to look at you, but it was too late. you could feel the tears welling up in your eyes, and you didn’t want him to see you cry. you pivoted and exited the living room, displacing him in the process.

as you retreated to the bedroom, you could hear the faint sound of the tv continuing in the background. the reality of the situation settled in, and you felt the tears spill over, silently streaming down your face. you sank onto the bed, burying your face in your hands.

moments later, the sound of the tv stopped, and you heard footsteps approaching the bedroom door. it opened slowly, and gojo stepped inside, looking all confused and a tad concerned. “babe,” he said softly, “seriously, what’s going on?”

FUSHIGURO MEGUMI. “can’t you see i’m busy? can you shut up for a sec?”

you froze, his words hitting you like a punch to the gut. your shoulders slumped further, and you felt a knot form in your stomach. “i don’t need this today. just leave me alone,” you muttered, turning on your heel and heading towards the door.

megumi’s head snapped up as he realized something was wrong. “wait, hold on,” he called out, but you didn’t stop. “hey, i was just joking. come on, talk to me.”

your pace quickened as you left the dorm room, but you remained silent. you needed to leave before you totally lost it because you could feel the tears starting to burn in your eyes. megumi's voice could be heard calling after you as you went down the corridor; growing more concerned with each attempt.

“please, wait!” he shouted, tone now filled with worry. “fuck, i didn’t mean it like that! it’s a tiktok prank, babe!”

you kept moving, the door closing behind you as you stepped outside into the crisp evening air. you leaned against the wall, taking deep breaths to calm yourself. the last thing you needed was more pain on top of an already unbearable day.

ITADORI YUUJI. anger flared within you and your eyes widened. “why would you say that to me? what’s wrong with you?” you snapped, voice sharp as a knife.

yuuji’s gaze moved to look at you, and he immediately saw the pain in your eyes. his expression shifted from surprise to regret. “wait, wait, baby, i’m so sorry! it’s just a tiktok prank. i swear i didn’t mean it like that. please, forgive me.”

“a tiktok prank? do you think this is funny?”

he scrambled off the couch and came over to you, face earnest and pleading. “no, no, it’s not funny. i thought it would be harmless, but i can see now that it wasn’t the right time. i’m really sorry…”

“forgive me, please?”

you took a deep breath, trying to calm down. the sincerity in his voice and the worry in his eyes made it hard to stay mad at him. “yuuji, i’ve had a really bad day. the last thing i needed was for you to tell me to shut up.”

your boyfriend nodded vigorously, looking like a guilty puppy. “i know. i messed up big time. can we start over? we’ll order your favorite takeout and watch a movie? my treat!”

GETO SUGURU. your frustration, already simmering beneath the surface, boiled over. “excuse me? you don’t get to talk to me like that, geto suguru. especially not today!”

“whoa, hey, calm down. it was just a tiktok prank. i didn’t mean it seriously.”

“and you think that’s funny?”

the guy stood up, hands raised in a placating gesture, trying to approach you cautiously. “okay, okay, i get it. not funny. i’m sorry. how about we forget about it and i make it up to you?”

you could see the genuine concern in his eyes, but you weren’t ready to let it go just yet. “you really don’t understand how bad my day has been, do you? and you choose today to pull something like this?”

suguru sighed, taking a step closer to you. “i do understand. i’m sorry i made it worse. i was just trying to be playful. let me make it up to you.” he dropped his voice to a softer, flirtatious tone, a small smirk tugging at his lips. “you know i can’t stand it when you’re upset with me.”

“you damn flirt,” you huffed, trying to maintain your anger, but the familiar charm in his voice made it difficult. “you can’t just flirt your way out of everything, geto suguru. i’m still mad.”

he stepped closer, gently taking your hands in his. “maybe not, but i can try. let me make it up to you tonight. we can do whatever you want. i’ll be on my best behavior, promise.”

@uzurakis

[warblogs17282]

Blitz and self-hatred, plus his self-forgiveness journey.

Aka, watch me try to make sense of the massive lore drops in ghostfuckers. (Long post alert, my first meta post after ghostfuckers dropped)

Section 1: The roots of Blitz's self-hatred.

The circus fire. We know what Blitz's actions were that day, he saw Fizzarolli, and tried to call for help, but then he realized that Tilla was also caught up in the fire, and instantly rushed over to attempt to save her the moment Blitz realized that fact.

We know that Fizzarolli getting severely hurt in that fire affected Blitz very deeply, considering that it was one of the memories in that slideshow.

If you look at this frame by frame, you can see some sort of face in the fire when Blitz is rushing to save Tilla from the fire. The face in that fire looks like a mix of an angry face and a screaming face at the same time. Signaling that Tilla has been consumed by the flames. That she's dead.

There's an interesting detail within the hallucination sequence as well.

"This is your life." The fact that the fire in this sequence starts right at Blitz's hand is really telling. It tells us that Blitz still blames himself for accidentally causing the fire. Blitz blames himself for the fire that severely hurt Fizzarolli, and the fire that killed Tilla. Blitz feels like he hurt Fizzarolli and killed Tilla, his own mother.

Look at Blitz's hand during this memory, you can very clearly see that it's quite badly burned, including some that haven't even fully scarred properly yet, placing this memory very shortly after the fire happened. During this scene, Cash hits Blitz, and it's very clearly a memory that still deeply affects Blitz, a memory that most likely reinforced Blitz's own self hatred, because he's blaming himself for Tilla's death and Fizzarolli's injuries at this point, and his dad is just rubbing that in a lot by getting extremely pissed off with Blitz and hitting him because of the circus fire.

Plus, just look at Blitz's reaction to this memory, look at Blitz flinch, look at Blitz starting to struggle against the chains the moment this memory comes up. Blitz's reaction to this just proves how deeply it affects him to this day, and also proves that Cash hitting Blitz added to Blitz's self-hatred over the circus fire. Also, just how many times did Cash physically abuse Blitz like this over the course of his life so far?

Finally, we have the memory of Cash keeping Blitz from seeing Fizzarolli at the hospital. "But they told me you didn't want to see me.", Cash lied to Blitz and most likely the hospital staff as well considering the 'they' used, saying that Fizzarolli didn't want to see Blitz again, having strong implications to Blitz that Fizzarolli hated him. He also lied to Fizzarolli and said that Blitz never even visited him in the hospital. Further adding to Blitz's self hatred over the circus fire.

Section 2: Everything that has reinforced Blitz's self hatred, and is important on Blitz's self-forgiveness journey.

Let's start with Loona, we see her two times during the memories sequence.

The first having this exchange of dialogue.

Blitzo: Because, I adopted you! And that should mean something!

Loona: Oh, what does it matter?! You're not my real dad! I was almost eighteen!

Blitzo: It still counts!

Loona: Well, it shouldn't! I didn't need you then, asshole! I don't, now!

Notice the word 'need.', it's something that Blitz has internalized by now, Blitz thinks that if the people in his life don't 'need' him, they'll just leave him. Another thing that this shows is that Blitz is worried about if Loona hates him.

And it's very clear that Blitz is still effected by this exchange in s1 e3, even quite a while later. In s2 e2, we see Loona kick Blitz right in the balls, and just look at Loona's face in this scene, what Blitz sees here is his fear that Loona hates him, which is why it's in the memory sequence, and there's also these pieces of dialogue to consider.

Loona: If I'm so terrible, how about you just grow a pair and replace me?

Blitzo: Okay, well, maybe I- Maybe I might.

Blitzo: Oh, Loona, my sweet baby girl! I'm so sorry, I'll never replace you no matter what you--

Blitz is still concerned that Loona hasn't forgiven him/hates him for saying that he might replace her, hence why he instantly says he'll never replace her the moment Blitz sees her again, and that face and kick in the balls definitely fed into Blitz's fear that Loona hates Blitz.

And this fear that Blitz has about people who he cares about hating him seems to be something that applies to a lot of different people.

We see this fear in Fizzarolli, because this is one of the memories that comes up in that sequence. The malice-filled stare Fizzarolli gave Blitz during Ozzie's, and we all know Cash was the reason why Fizzarolli hated Blitz for so long, because he lied to Fizzarolli and said he started the fire on purpose, and said that he never visited him once. Alongside other things like Cash making Fizzarolli the golden child. So even all those years later, Cash is still contributing to Blitz's fear of the people he cares about hating him.

Don't be mistaken as well, just because they made up in s2 e6 doesn't make this fear of Blitz's go away, doesn't make the pain of the malice-filled stare go away, which this memory being brought up proves.

And, as I've said before, Blitz still blames himself for accidentally causing the fire that severely hurt him, also adding to the fear and self-hatred.

Barbie Wire, we can see this fear play out with her as well.

"I never wanna see you ever!"

Looking at both Blitz's face at the time and the fact that this scene made it into the memories sequence, it just shows us that Blitz has this fear for Barbie Wire as well, just like how he had it for Fizzarolli. The fact that Barbie Wire doesn't even want to see Blitz again just confirms that fear he has, that Barbie Wire hates him, and the memory of it also confirms just how deeply her saying that effected Blitz.

"Are you worried I may have enough of it one day as well?"

Truth Seekers, the fact that this is Blitz's subconscious telling him this is proof of the fact he has this fear that Moxxie will get tired of Blitz's behavior, that Moxxie will hate him and just, leave.

And the sequence with all the dead Millies and her appearance in the memories sequence also confirms that Blitz has this fear when it comes to Millie as well. Plus, the sequence with the dead Millies also tells us quite a few things, but I think the main ones are the insecurities Blitz has that he 'keeps fucking people's lives up' and 'leaving them worse and more broken than he found them', which both add to the fear that the people in Blitz's life who he cares for hates him.

The last person, Stolas.

There's three memories in ghostfuckers of him I'd like to bring up here.

The first being the All 2 U song memory, just look at how angry Stolas looks to Blitz in this specific memory, while singing lines like "'Cause I don't think it meant a thing at all!"

This one, Stolas was literally just crying a moment ago with all the makeup streaming down his face, but Blitz doesn't seem to remember that fact, instead, he's more focused on what Stolas said, more specifically, "You! Why are you here? I don't want you here, go home, please! Let me not feel so sad!"

And the final one, Stolas and the BTB guy. It's not jealousy, it's god damn heartbreak, especially considering the 'I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?' Which shows us that Blitz thinks Stolas deserves a better partner, and then a guy literally with a shirt named 'Better than Blitzo' came in, with them dancing and enjoying each other, something that Blitz most likely wished he could do.

Plus, it had been around 24 hours since Stolas' confession to Blitz, and to Blitz, Stolas is already with someone else, someone 'better' than him. With the moment of the BTB guy kissing Stolas being all the confirmation Blitz needed, that he'll never be enough for Stolas, that Stolas has found someone better than him. That he's unlovable.

With all these three memories just massively contributing to Blitz's fear that Stolas hates him, and his self-hatred in general.

(Obviously Stolas doesn't hate Blitz, and that the BTB dude is a one night stand at most, but I'm speaking like how Blitz sees things rn)

Something else that's also relevant is this memory of Verosika, and the reason why this is specifically in the reel is because this was the moment that Verosika said "A reckless, heartbreaking freak!", all while Stolas was watching, which is something Blitz very clearly noted in his memories of the event, showing how much this effected him as well.

And to show that even more, this is the exact point that gets Blitz's tears flowing.

Another thing I want to quickly mention is that Blitz struggles to understand concepts and such of love, outside of a transactional context. Like, correct me if I'm overthinking this, but the 'unconditional support' card is yet another example of Blitz doing this kind of stuff. Everytime they give Blitz 'unconditional support', Blitz punches a hole in the card, with the one at the end being that Blitz has to leave M&M alone for one date, like, my babygirl, that isn't unconditional.

I also suspect that this has roots with Cash as well, considering that Cash was 100% the type of person to only see their value as 'how much money they can make him', and that the less they make for him, the less that Cash will 'love' them, something that is extremely clear in the difference that Cash treated Blitz and Fizzarolli on multiple occurrences. Like, here for example. Plus, there's also the fact that Blitz was bought by Paimon to be friends with Stolas as a kid.

And well, I think we all know what the biggest example of this kind of relationship has been throughout the show, it being something that only ended a few episodes ago.

Of course, I have to mention "I believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but… also crave it as well.", which is something that is extremely intertwined with this subject, and the best example of this is probably s2 e8.

Something else in the memories sequence that this line from truth seekers also heavily applies to are these memories.

It shows us very clearly that Blitz is rather envious of the relationship that Moxxie and Millie have, because Blitz craves proper intimacy, so what Blitz sees is something he wants, but something he feels like he can't obtain.

Finally, the last subject I'd like to talk about is the fact that Blitz, hasn't really been able to see much of the good things he's done for the people he cares about or that he straight up doesn't know, by just being himself.

Blitz saved Moxxie from a life with Crimson and also busted him out of prison, Blitz gave Millie a life, a husband, and a purpose, Blitz gave Loona a home and a loving father, right before she was about to get kicked out the system, and Blitz gave Stolas the courage to stand up to his abuser, to allow him to choose for himself and get that divorce.

But, the sad part is that Blitz doesn't really see much of that.

Section 3: The progress Blitz has made on self-forgiveness journey so far.

S2 E6, the fact that Blitz and Fizzarolli was able to make up after so long removed a huge roadblock in the way of Blitz's self-forgiveness journey. The fact that Fizzarolli no longer hates Blitz. While there are still memories about Fizzarolli that still haunt Blitz, as I've shown in this post, this is still a huge step forward for Blitz being able to repair his relationships.

The first real heart-to-heart Blitz and Millie conversation, a lot gets brought up here, just exactly how Blitz has improved Millie's life for the better, confirmation to Blitz that Millie never hated Blitz and the fact that they're best friends. Of course, there's also Millie's apology to Blitz, with this conversation being something that Blitz desperately needed to hear, and I really hope everyone else eventually tells Blitz just how much he's changed their lives for the better.

And the second conversation between the two, the first thing that Blitz mentions is Millie's best friend comment, and that is huge for Blitz, because it signals the start of Blitz learning that people in his life can care for Blitz unconditionally. That Blitz can just have friends in his life, as the line "I- I've never had a real friend that I didn't want to fuck."

(hit the image limit, so time for timestamps!) Timestamp 24:31

(Timestamp, 24:45) "The bird got to you that bad, huh?", it just means so much to me that Blitz has finally admitted the fact that Blitz has feelings for Stolas, because it shows that Blitz is slowly, but surely starting to open up, and this is gonna be a huge thing for Blitz's relationships, including when Stolitz finally gets back together.

[sixstepsaway]

so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

[maddragon15]

Hermitaday Day #14 - Doc

Heh I think you can tell when I hit a favorite hermit because how much it gets rendered lmao. Definitely not an ethogirl and doc fan no siree /sarc.

But no I just wanted to spend a little bit more on Doc's day because it'll help later with finalizing his design in the headcanons. This is pretty close to what it'll look like. Also wanted to test out a theory of lessening details in shadows by combining values together, plus fully rendering metal. Also also this is technically a redraw from like 2022.

Original and Variations down yonder!

I really like the first variation because it's just the flats over the finished piece. It works really well by itself but I'm a sucker for colors and hue shifts so the final product will always reflect that. The second one is just me messing with tonal curves then it goes pre-rendered shades and then flats.

Side note: If anyone cares I've gone through the majority of the star wars movies and I'm now on to Etho's s2 of his lets play series. I'm currently on episode 122 and or 17.

Another side note: Yes the little lines on his right pec his inspired from recks au Etho. If anyone was wondering. I just really like how that looks.

Also please let me know if you guys enjoy these more rendered pieces or lineart heavy. I like both but rendered takes like 2-3 days if I'm super busy where the lineart ones I can get done closer to a day.

[arcanecor3]

Sister parallels.

Okay so, this is me trying my best to explain my view of the parallel between these 2 scenes

Firstly, a little thing to keep in mind is that in this parallel, s2 Cait represents s1 Vi and s2 Vi represents Powder 

A big fight just happened, s1’s was the Vander rescue mission and s2’s was find Jinx, and both ended up going wrong because of someone who was supposed to help (Powder; s2Vi). After everything goes down at the s1 warehouse, we see Vi screaming and she is angry (i’ll come back to that later), and then Powder shows up with the “my monkey bomb finally worked” line we all know, and on s2 we have Caitlyn being the angry one because Vi didn’t let her shoot.

a little parallel with the lines:

“you did this?”-s1vi to powder

“you stopped me”-s2cait to vi

“i was saving you”-powder to s1vi

“that was a kid! what if you missed?”- s2vi to cait

Now, both s1 Vi and s2 Cait are blinded by anger and grief, so even tho the other person (Powder; s2vi) is explaining themselves (in Powder’s case it wasn’t the greatest explanation, but she does states that it was an accident, and s2 Vi was being rational), they don’t really listen because of all the anger.

then, Vi slaps powder, making her fall, and that’s when Powder desperately asks: “why did you leave me?” to which Vi answers: “because you’re a jinx! do you hear me? mylo was right". Now on s2, basically the same thing happens, just in a different order: s2 Cait says: “I keep telling myself that you’re different. but you’re not. it’s her (Jinx’s) blood that runs in your veins”, then Vi asks her: “then why are you the one acting like her?” and Caitlyn hits vi, knocking her to the ground. AND IN S2 WE EVEN GET A SHOT OF ANGRY CAITLYN LOOKING AT VI CRYING, JUST LIKE S1 VI LOOKED ANGRY AT POWDER CRYING. LIKE HOW SICK AND TWISTED IS THAT.

Then both s1 Vi and s2 Cait walk away, leaving the other one crying alone on the floor. 

The thing is that crying is the exactly what we expect from Powder, since that’s how she was during the entire scene, because that’s how her character is. but not Vi. Because during the entire of the s2 scene vi wasn’t actually crying, in fact, Vi barely cries in the whole show, the only time we see her actually sobbing is during the bridge scene from s1e1, when she saw her dead parents. And since then, she has trained and fought to become a person who can protect those she loves. And even when everything goes down at the s1 warehouse, we only get to see her a glimpse of her crying before she tried to go back to powder, but she’s mainly angry, that’s the way Vi usually reacts to these situations. She gets angry. And she tries to do everything in her power to go after who hurt her/the people she loves.

But this s2 scene is different. She simply has nowhere to go. Once again, she lost everything. Her family? dead. you might argue there’s Jinx but as Vi herself said: “my sister is gone”. the last person she had was Caitlyn, and she left, and Vi now feels like she ruined everything again, because that’s how she is, she burdens herself with the guilt and blames herself. So when you see Vi just, on her knees, crying, it’s just so devastating when you think that she is like that because her life is essentially over. All there’s left to her is cry. Just like Powder in the end of s1e3, s2e3 Vi lost everyone.

But that’s when the parallel ends, because it’s when Powder was in that desperate state that silco came, and even though his character divides opinions, you can’t deny that he took care of and loved Powder (who became Jinx).

Vi doesn’t have anyone to come and save her, to wipe away her tears like she had done so many times before for Caitlyn and before that for Powder. She is alone.

thank you to whoever read this entire thing for contributing to my arcane obsession, and shoutout to my amazing friend who helped me put this together @crzytoogetherr 🥰🥰

[dandylovesturtles]

I should be asleep lol

Immediately post-S2

———

Donnie grew up in the sewers, so maybe he has no room to judge, but Draxum’s apartment is pretty terrible.

The first night - after they defeated Shredder, with their home so destroyed they couldn’t return, Draxum had (only a little begrudgingly) offered them a place to stay - Donnie had been so tired he hadn’t given it a second thought. He’d collapsed in the nest of blankets and sleeping bags they’d made and slept blissfully through the night. He learned the next morning that Raph had not gotten much sleep at all, too keyed up and full of adrenaline, but the rest of them had conked out immediately.

The second night, Raph had joined them in sawing logs. And they’d all slept soundly through the third night, too. But now it’s night four, and Donnie’s finally well-rested enough to realize that everything is very wrong.

The sheets are a different texture. The thermostat is set too low. The ambient sounds of the apartment building are not the ambient sounds of the sewer.

His dad’s snores from the couch and Raph’s deep rumble are familiar, at least. Both of them are out, Splinter the first to fall asleep that evening in front of Draxum’s crummy TV. Even Leo is asleep again, his insomnia yet to rear its ugly head, and Donnie can’t help but be a little jealous.

And of course, Mikey can sleep anywhere and anytime, so Donnie knows without even looking that he’s asleep. It’s just Donnie awake, then, staring at the ceiling and trying to will away the persistent itch of incorrectness.

At least, that’s what Donnie was thinking, until he hears a distinct sniffling noise from the pile of sheets that is his little brother.

Donnie goes as still and quiet as he can, listening closely. Maybe he just misheard? No, but that was definitely another sniffle… and the mound of sheets is quivering, now.

Mikey is crying. Donnie’s little brother is crying, and he may not be the one who usually handles these things, but Donnie is still a big brother, and more importantly he is the big brother who is awake.

He sits up, blanket draped around his shoulders, and carefully scoots himself around Leo’s tangle of limbs. Then he flops down next to Mikey’s mound, reaching out to lay a hand on top.

“Mikey?” he whispers.

There’s some shuffling, and then Mikey’s face peeks out from under his sheets. His eyes are wet, visible even in the dim light of the room, and he keeps snorting. Donnie makes a gallant effort not to flinch at the sound.

“Dee?” Another sniffle. “Did I wake you up?”

“No, I was already awake.” He rubs at the mound, for all the good it will do. “Are you okay?”

Mikey snorts hard, then blinks furiously to banish his tears. It doesn’t work. “I’m fine,” he insists, but it comes out hoarse and stuffy.

Donnie holds up a finger, then pushes himself to his feet. He pads across the apartment to the coffee table they’d shoved aside to make room and retrieves a box of tissues that he brings back, setting it pointedly in front of Mikey.

Finally, Mikey sits up, letting the sheets pool around him. He pulls out two tissues and blows his nose as quietly as he can - it’s still pretty loud, but Splinter’s snoring covers it up.

“Thanks,” he whispers once he’s done, tossing the balled up tissues to the side. Donnie pointedly ignores them (no matter how gross) and focuses on the matter at hand.

“What’s wrong?” he asks, not giving Mikey an out this time.

Mikey chews his lip. “It’s just… hitting me finally, I guess.”

Donnie tilts his head. “What is?”

“That… that the lair’s really gone. That we’re not going back.” New tears spring to his eyes, and Mikey grabs another tissue. “It’s just… I mean, we saw it yesterday, but… I don’t know. It’s l-like I didn’t really g-get it until right now.”

His voice is wobbling hard by the end. He chokes off a sob, rubbing his nose furiously with the tissue. Donnie knows that there’s definitely snot on Mikey’s fingers and probably his arms, too, but he can’t watch this anymore. He offers Mikey a hug, his arms barely open a second before Mikey is throwing himself into it.

As Mikey holds onto him and cries, Donnie thinks about the day before (well, really the day before the day before - it’s after three AM, now). They’d gone to the lair, to see what they could salvage. Everyone had been subdued; even Leo wasn’t managing to joke like he normally would. Only Mikey was still upbeat, able to see the silver lining in every cloud, cheering over every item they found that was still intact enough to bring with them, encouraging them to come back later and look for more.

Maybe they’d been a little too complacent that Mikey was going to be okay, after all that. But of course he isn’t; he loves their home as much as the rest. Sewers and all.

“We’re homeless, aren’t we?” asks Mikey after a minute or two. Donnie hasn’t really thought of it like that, but now that Mikey has said it, he knows he can’t refute it.

“In the technical sense, yes,” he says, and regrets it when Mikey bursts into a fresh round of tears. For the first time in his life, he abhors technical correctness.

But while it may be correct in the technical sense, what about other senses?

Donnie pulls Mikey down onto the sleeping bag, then works the sheets and his blanket over the both of them. Finally, he snakes a hand around to grab another fistful of tissues for Mikey, passing them over without dislodging Mikey from his hug.

“Do you know what I think Dr. Feelings would say, if he were here?” Donnie asks, once they’re both settled.

Mikey blows his nose again, then peers up at Donnie. “What?”

“I think he would say that home is where the heart is. As long as you’re with me, and Leo and Raph and Dad, you can’t be homeless.”

He delivers this with a great amount of conviction, so he can’t help but be a smidge irritated when Mikey laughs.

“Hey! I’m trying to help!”

“I know!” Mikey giggles, burying his face against Donnie’s plastron and lightly head butting into his chin. “That was a really great Dr. Feelings, Dee. Thank you.”

“…Hm, well, I was just passing along his recommendation.”

Mikey hums. There’s still a bit of a wheeze from breathing through a stuffy nose, but he sounds like he’s stopped crying.

“Hey, Donnie?”

“Yeah?”

“Love ya.”

“I love you, too.”

Sleep doesn’t find Donnie that night. But it finds Mikey, and he considers that a win.

[writersblockedx]

Dependency Problem

Pairing - Conrad Fisher x Fem!Reader Summary - When you return to Cousins this year, you find that Conrad has picked up similar bad habits you once had. Warnings - Use of drugs and alcohol, good bit of angst, NO SPOILERS FOR S2 Words - 2.6k

A/n - Possible part two if people want? Let me know!

Masterlist

Every Summer was spent in Cousins. And every Summer, it was spent with the Fisher and Conklin clan. It was always refreshing, that slow drive back up to the house. The air was sprinkled with salt and the skies seemed always clear, a blue-painted ceiling that you could bathe in all day if you so pleased. But, the most important part of the drive was the reunion.

To see them little differences that had changed in everyone in between the last ten months. For Susannah, she had chopped a good bit of her hair off as her golden locks hung close to her shoulders. Laurel had started wearing less make-up, settling into a more comfortability with herself. Your mom had been the opposite, she was experimenting with makeup and style like she was a teen again; you blamed it on a midlife crisis. Belly had hit puberty, no longer plagued by a pair of glasses. Steven even more relaxed that he had been the year prior, and slightly taller. Jere's hair had grown, giving his curls the space to spiral over his forehead. And then there was Conrad - you noticed it instantly.

It was a familiar essence that was loitering over him. The unironed hoodie he had crowded his more lean figure into. His eyes were dragged down by the black bags, irritated with patches of red within the whites of his eyes. His posture was low, tired, aching. And his expression, while uplifted with a smile of welcome, was a facade. You caught it in a moment.

"Finally!" Jeremiah called as he rushed over to his friends, capturing Steven in a bro-hug first, then Belly and leaving you for last. "Good to have you back." He told you as his head sat on your shoulder before pulling away.

From there, you met Conrad's gaze.

You ignored the way your heart felt heavy. You weren't sure what had happened between now and when you had last said goodbye, but you felt far than enough sympathy. "Hi," You breathed, trying to not let out your surprise at the changes the boy had made.

He greeted you in reply with a, "It's good to see you." And took you into an embrace. It was loose and short-lived, leaving you desperate for more once he finally pulled away.

As the first day back went on, it soon all started coming out. Conrad had left football, barely sailed anymore and, as of this moment, wasn't doing anything at all. Compared to Steven and Jere who already had part-time jobs lined up. Something was wrong and you were beginning to wonder about would you could do. Such was confirmed after dinner came to an end. The boys rushed to play video games and Belly went upstairs to catch up with her friend, Taylor.

Which left you and the mums, clearing up the plates from the dining room table and taking them into the kitchen to be washed. For a moment, you stood alone at the kitchen sink while the others grabbed what was left at the table. And there, your eyes wandered to the window which looked upon the pool. There sat Conrad, legs dangling in the flickering water that reflected the moonlight. His eyes were down, his back facing you but even so you caught the cig he placed between his lips, lighting it and letting his lungs inhale the smoke.

It was there you felt that sympathy, that desperation with the lingering feeling of betrayal. The same exact thing Conrad had felt all of last Summer; it was a role reversal.

"He could really use you right now, you know?" That sweet voice almost made you jump.

A part of you felt flushed as you turned to face Susannah who was standing in the doorway; you'd just been caught staring at her son. "Hmm?" You resulted in responding.

The blonde let a smile grace her lips for a moment, "You two bring out the best in each other." She stated like the wise woman she was. "I think he could really use that right now."

You nodded in understanding, "I'll talk to him." That was a promise.

Once the table was cleaned up, the moms travelled towards the living room, wine glasses and blankets in hand. It hadn't taken them very long to get comfy as they switched the tv on. Though, it was made for only background noise, as their chatter rose above it. It left you with that nagging curiosity, the question that you hadn't stopped asking yourself since you had arrived: what had changed?

Before you could stop yourself, your feet were dragging you to the outside, where Conrad had thought nobody was watching. He didn't care enough to jolt when he heard the back door rattle open. Rather, he simply turned his head and huffed before looking back at the pool and the joint in his hand.

You didn't say anything. Not for at least two minutes as you occupied the space next to him, dipping your bare legs into the water below, almost close enough they could brush along Conrad's. "Theres about a hundred things I could repeat that you told me last year." You didn't look at him when you spoke, you didn't dare glance at the expression you were sure painted his face.

"But you're not going to?" He questioned, brows raised, plucking at his never-ending wonder when it came to the girl he had grown up beside.

You shrugged, swallowed the lump that was growing in your throat and finally looked over at the boy you had known since childhood. "What's the point?" You said, almost with a laugh you ended up suppressing. "You know it's not good, you know everything wrong with it. You're making the decision to do it anyway."

His expression was blank. It didn't seem as if there were many thoughts being processed. "Then what are you doing sat here?" There was a snap in his tone, a way to protect his bad habits from any helping hands.

The answer for you was simple: "Because I care for you, Conrad." As easy as that.

But such statement had prompted an incentive you hadn't meant it to. Rather than something thoughtful in reply, Conrad had started leaning in. You were too close and he was too fast for you to stop it. Within a moment, the sentiment you had just said had been cut off by the boy's lips as he met your own in a deep, yet rushed, kiss.

One hand reached his shoulder, tearing his lips from you. You breathed like you had been gasping for it and looked him in the eye. All that stared back at you was a regret that wasn't fading. "You're high." You reminded him.

"I didn't mean to-" Your other hand took the joint that was still caught between his fingertips. An action which made him shut up as he followed your hands quickly. "What are you-" Once in your grip, you chucked the substance into the pool, making it impossible to smoke again. "What the hell Y/n!"

When you stood, so did he. "Please, just go to bed." You advised him. Though, you highly doubted he would listen. You never did.

"You're not my mother!" His voice rose.

And you didn't step down, "No, but I'm sure she'd tell you the same thing." You took a breath to fight off the fury that was bubbling within the pit of your stomach. "If you can't go the rest of tonight without smoking the rest of that joint, then maybe accept you've got a dependency problem."

He scoffed as he took a step closer. "You can say all you want, I'll just call you what you are: Hypocrite." His tone was laced in more than just a snappy manner, now it was toxic, it wasn't a tone you ever saw Conrad use and it pained your heart to have it aimed at yourself.

You sucked up the tears that were brimming at your eyelids and made your last statement of the night, "What have you turned into?" You left him with that, turning your back before he could spit any more insults your way, making a B-line for your room again.

There, you let the tears fall. You wondered yourself, who had replaced the gentleman, sweet boy you once knew? You wondered if he was okay, if he would go back to normal? Truth being, you couldn't be sure. The year before, Conrad asked himself the same things. You had been just as angry, just as snappy, with a bad temper that could blow at any given moment. It was like living with weights on your back that tired you into a shell of a person until you felt utterly transparent in this world.

You didn't much talk to Conrad after that encounter. To be fair, Conrad hadn't really been talking to anyone other than the odd grunt if you were lucky. It wasn't until Belly's birthday when things got shaky again. This year, the birthday girl had taken the decision for everyone to go to Nicole's party. Nicole who also happened to be Conrad's not-girlfriend.

As much as you lied to yourself, being in her home felt wrong. Being on her territory knowing what Conrad had done two nights prior. The lingering ghost of his lips had never felt more prominent than right in that moment as you stepped foot into her house. You felt guilty being there. And not just because of the kiss, but because you had been yearning for Conrad to kiss you for a long time now. You just hated the fact such a big moment was ruined by the stench of weed on his mouth that soon caught onto your own.

Steven budged your shoulder, "You alright?" He asked, a sweet smile hanging from his lips, breaking you from the oblivious stare you had been making.

You nodded forcefully, "Yeah, yeah I'm good."

Steven wasn't convinced but a feminine voice broke him from his concern, "Steven!" His head spun around and his lips twisted even further upright like a Cheshire cat.

"Shayla." And like that, the boy was gone.

With a sigh, you followed in Taylor's footsteps to get a drink. She filled herself a cup of some red beverage and then grabbed one for you too. She huffed and you watched as her eyebrows raised, "Well look how quickly we've been forgotten." You would have been annoyed if she hadn't been right. Belly had left her for Nicole as had Conrad left you for her too.

You raised your red solo cup, "Cheers to that." Your tone was flat but Taylor clinked your cup anyway.

You weren't sure what the night had planned, but you could tell something was brewing.

Three or four hours later, a good few drinks down (you had lost count) and you were on the hunt for another one. The night was still lively, music blaring through the house, struggling against the volume of eccentric, drunk teenagers. When you reached the kitchen, you became hungry for something that wasn't tequila and juice. Thinking the kitchen was empty, you waltzed in. Only then to find yourself face-to-face with the one person you were avoiding.

You came to an abrupt stop as your gaze clung to one another. He was leant against one of the counters, his own glass in his hand, so casual in his checkered shirt and wavy hair. A thousand pictures ran through your head. You almost became nervous that Conrad could see you replaying that kiss in your mind. It was all you had been able to think about all night with the booze and having him dancing around you all night.

It took resilience for you to tear your eyes from him as you continued around the kitchen, searching the cupboards for something that suited your tastes better. It took a minute of you shuffling through cereal boxes and plates before Conrad spoke up. "Top right." He nodded to the cupboard he was talking about and you dared to catch a glimpse of him.

You nodded and pushed yourself from the floor to your tip toes as you opened the cupboard. A selection faced you of liquors and beers. You took the bottle of your choice and poured it into your red solo cup. Conrad didn't let his eyes leave you. "You're not gonna say anything this time?" He pushed.

You thought about whether it was best to reply or whether he was just picking another argument. "Why? So you can yell at me?" You raised your brow at him, and let your hip fall to lean on the counter as you faced Conrad, a good three meters between the two of you. But you cut it short, taking a step as your eyes narrowed with your next words, "Or so you can kiss me again?"

As if he were scared of the very word, he stepped from the counter, "Don't-" His finger was lingering towards you as he bit down on his tongue.

"What? Scared your girlfriend's gonna overhear it?"

"She's not- my girlfriend." He almost couldn't say it. "I didn't mean to do that." Once again, you found you lied to yourself thinking you weren't hurt by that fact.

You swallowed that pain and looked him right in the eye, "I'm not gonna argue with you if that's what you want. But, if you ever just want to talk, you know where I am."

You stared at him, waiting, willing, for him to say something. To do as you had offered and talk to you like a human being, to open up about whatever was driving him to make all these reckless decisions. The moment fell and you realised he wasn't going to say anything. You accepted it and went to leave, "Okay, I'll see you around Conrad." Said so disinterested.

You were almost out the door when his voice stopped you again, "Wait." It was hesitant but, somehow it was sure it was the right decision to make. When you met his eyes, they were like a child's. Somehow filled once more with innocence, but mostly, desperation. "I don't wanna talk, I just-" His gaze flickered to the floor for a second. "I just want you to be there...please." This time, he was the one on the edge of tears.

Once that left his mouth, you were in front of him, taking him into your embrace. He had never hung on so tightly to you like he didn't dare let go like you were keeping him afloat. Partway through the hug, you heard him sniffle, causing you to rub his back. "It's okay," You soothed. "It's okay."

"Conrad?" The voice cut through your's and Conrad's bubble like a blade.

You spilt from one another, turning to the doorway to find Nicole standing there. There was a familiar look on her face; the same one you had been wearing all night. You could only imagine what she must have been thinking.

Nicole left, taking half the girls with her. And, not long after, so did you and Conrad. Maybe you were drunk and he was drunk, or high, or both, but it didn't matter. He had let that shell open only slightly and because he had asked for you to be there, you would be. That night, you found yourself in his bed, soothing him as he fell asleep in the crook of your neck. It pained you to see him with the same habits you had once plagued yourself with. And, as tonight had shown, it had only gained him consequences. Ones of which you would worry about another day. For now, you would be there for him.

[blueikeproductions]

The Trigger collab animation came out and it’s the best thing Transformers has done in the current decade.

Truly a love letter to Transformers from G1 to EarthSpark, it squeezes in everything it possibly can from most media. However the catch is that it’s only animated media and the live action movies, the comics (any assorted manga, Marvel, Dreamwave, IDW & Skybound) aren’t referenced, while some Japanese exclusive stuff gets a lil’ bit more attention (understandable since it’s, y’know, Japanese fans being nostalgic about the anime they grew up with).

Transformers Go, Q-Transformers, and the Beast Wars anime got particular attention.

This shot of Liger Megatron and Green Lion Lio Convoy is especially cool.

I think initially I was expecting a Trigger animated greatest hits from select moments from each show, and while they still technically do that in spots…

It’s mostly a mega crossover with different characters interacting otherwise.

And it’s all the better for it.

I mean where else are you gonna find TFA Optimus about to smash Masterforce Overlord’s face in?

There’s no real narrative, it’s just random cool shots though the closest thing to a framing device is the PV opening with Vector Prime looking down on Cybertron across all time lines.

Regarding EarthSpark’s contributions to the short, they’re minimal. The Terrans and Mandroid don’t appear at all, which is a little bizarre.

ES Megatron appears among the other Decepticon leaders instead of being with ES Optimus on the Autobot leader side.

You’d think Mandroid would be there next to BWII Galvatron instead, but I guess not. Sadly they omitted RiD15 Steeljaw too, instead using RiD15 Megatronus Prime’s floating head.

SatAM Robotnik voice: Ah well, life is not perfect.

The main ES rep are the Maltos.

This just reinforces ES needed to be 2D, because they actually look good. Roche’s style doesn’t work in 3D.

Anyway the human cast they chose for this final shot amuses me.

Love seeing my favorite Clays being included. The lack of RiD Steeljaw (G1 Steeljaw did appear with Lio Junior and RiD15 Aerobolt though) is forgiven.

Anyhow, the specific use of the Clays, the (S3) Witwickys, the Maltos and the Onishis (this is especially funny since Koji’s mom never met her universe’s Optimus) is somehow very random, but also kinda appropriate. Like I get Spike and Dot’s families, since it serves as bookends, but the Clays and Onishis still feel a bit random. Still, including both Robots in Disguise families is a nice touch in my book!

The short ends with a different bookend as mentioned.

What starts out as G1 Prime & Megs transitions to ES Prime & Megs shaking hands. The old with the current series. It works~! I admit I’m surprised they didn’t include TFONE somehow. I know it’s technically not out yet, but there’s enough material to have had Orion and D-16 have some kind of tussle. It would’ve been an interesting way to tie it into the above scene and this one:

When it comes to general rep, the stuff that gets the most focus is G1, Beast Wars, Animated, & Galaxy Force. Cyberverse doesn’t really get anything beyond the leader shot, but there is this awesome but very random shot of Croaton over looking Holi’s Rescue Patrol walking on a beach littered with the dead bodies of the generic Decepticons from “War Dawn”.

Sucks to be you guys.

It also occurs to me the Rescue Bots cartoons appear to be omitted along with BotBots, but that might partly be due to them not having Japanese releases? I’m not sure, but it’s funny how Q-Transformers is acknowledged of all things, but not Heatwave or Burgertron. Maaaaybe that’s for the best on the later…

Still the PV is a blast and is pry the most earnest passion project that GETS Transformers vs what we’ve been getting post Aligned cartoon wise.

I still hope this leads to a proper TF anime series made by Trigger, like what happened with Gridman. We need a return to good 2D animated TF shows and not more CGI slop like WFC or S2 ES. That Beast Wars and Machines are still superior despite being retro by today’s standards says something…

The catch however is the original video is region locked…

but some fans have ripped it and posted it on their YT:

So go check it out while you can! It’s pure Energon-y goodness!

[blueraith]

Vi Analysis Pt 2 S2 Act 1

Alright, let's continue this Vi analysis. Here's the link to the first one if you're interested in reading it.

https://www.tumblr.com/blueraith/770117290888986624/its-wild-to-me-just-how-badly-vis-arc-is?source=share

I'm sure this will end up very long, so here's the obligatory cut:

One of the things I very rarely see anyone mention in any post or analysis about anyone in this show, not just Vi, is that Viktor's whole speech about there being two sides to the coin of humanity is that that entire theme encompasses the show from the very start.

S1 shows every character at their arguable best. Despite all the tragedy present even in S1, this is. You see this most starkly with Caitlyn, she starts out naive, sweet, and determined to uphold real justice, only for her to lose those aspects about herself once her grief, rage, and drive for vengeance replaces those traits until Act 3.

Well, Vi's very similar in that regard. We see her in S1 as someone who is strong, tenacious, and fierce. But in S2, she really starts to lose those parts of herself.

Act 1 is where it starts. Post rocket attack, Vi is a little lost. She's wandering about Piltover, only really staying in one place long enough to be there for Caitlyn. She doesn't know what to do with herself beyond that. I think this is where we really start to see the results of Vi's incarceration. She has nowhere to go besides the Kiramman mansion. No home. No family besides her sister. Only Caitlyn.

And we can debate until we're blue in the face as to whether or not that's a good thing, but I don't know what the alternative really is for her realistically. Every member of her family besides Jinx is dead, and Vi is grappling with the idea that maybe the sister she loved is dead as well and replaced by this monster.

I want to really dig into the notion that Vi was indeed just as traumatized as Caitlyn was by the kidnapping and tea party. Seemingly so few people want to even admit that Caitlyn suffered trauma from that event, but as if this hole in the fandom's grace or awareness or even empathy—I don't know—couldn't get any worse, virtually no one ever talks about Vi's trauma from that night.

Like, she's also kidnapped, she bears her soul out to Jinx about thinking about her every night in Stillwater as she suffered in there, and Jinx—who I am not condemning or at least not in a manner that reader should assume I dislike her character—I enjoy her character and see her trauma too—returns that moment of vulnerability with blame and accusations. That Vi created Jinx, that she put her own sister on this path of madness and violence.

When, of course, in reality their relationship and the tragedy within it is the result of the cycle of violence that Vision-Silco and Jinx finally voice aloud verbatim. Again, this is yet another theme in S2 that can be traced all the way back to S1. The seasons were written one after another, after all, and I just really wish more harsh critics would think about what that actually means for the entire show and every character's entire arc.

Then after that, Jinx further twists the knife by frightening Vi with the idea that she's about to serve the severed head of her not-yet-girlfriend demanding Vi murder Caitlyn herself so they can finally be alone with one another.

I mean, do I really have to spell out just how messed up that is? Evidently I do, because I occasionally see extremely unreasonable Jinx hyperstans insist that Vi is a bad sister, that she causes or caused all the toxicity in their relationship, and that Jinx deserves better.

No, Vi should not have hit Powder and called her a Jinx that night. But some of you are condemning a teenager who just survived something almost indescribably horrific for the rest of her fucking life. It's insane.

But again, I know why Jinx feels abandoned and betrayed, she did suffer—if not more admittedly seeing as she set off the bomb—from losing Vander, Mylo, and Claggor that night.

This is why violence is a cycle. She did not have to chose the way she responded with the tea party. Yes, she's high on Shimmer, but there's some rationality there when she cheekily states "I'm not that crazy" after tormenting Vi with the cupcake.

And I know I'm rehashing more of S1 when this is supposed to be a post about S2, but I'm finally getting there. Jinx perpetuated the cycle of violence herself that night by creating a monster in Caitlyn.

Vi doesn't quite realize this yet, but all that trauma she suffered at the tea party does make her temporarily give up on Jinx. What is she supposed to do with all that, after all? How does she look at her sister the same way after going through all the fear, terror, and pain that Jinx inflicted?

But that blame Jinx put on her sticks in at least some way. Vi feels responsible for creating Jinx, for not doing enough, for placing Jinx in Caitlyn's life, for Jinx killing Caitlyn's mother. These things are not directly stated literally, but I think we can safely assume these are thoughts going through her mind.

The aimless wandering, her expression after Tobias angrily asks what she's still doing at the manor, accepting that badge Caitlyn gives her at all.

And we start to see the beginning of Vi's spiral in Act 1 when she starts drinking and meets Loris for the first time. I don't know how many of you have struggled with alcohol, but the portrayal of Vi's drinking at this point in the season is almost comical. But for those of us with experience in either alcoholism or flirting with that point, there's a bit of a sinister undertone to it. Like, you don't start drinking like that unless you want to take the edge off something. Guilt, grief, trauma, Vi has plenty of that in spades.

She turns to alcohol primarily because Vi does not know how to ask for help. The oh so enduring and traditional fatal flaw of all parentified elder sisters. You take care of everyone. You make sure they're alright. You are supposed to be there for them.

Who is there for you, in the end?

Caitlyn, in Vi's case. I mean, at this point in Act 1, I do think Caitlyn had a lot of her empathy remaining to try and help Vi with her own issues. But Vi, of course, is going to take one look at Caitlyn's own grief, decide she deserves to be comforted more, and buries all of her own suffering.

And that results in Vi losing one of the most important tools she would have had to counter a lot of Caitlyn's own spiraling. One of the reasons their relationship worked so well in S1 is that Vi could challenge Caitlyn's biases and preconceived notions and force her to see issues and people from a perspective she did not previously consider. She's able to push, prod, tease, and taunt Caitlyn so easily out of her comfort zone. And in return, Caitlyn's empathetic nature allows herself to be open for changes to her opinions and an ability to see Vi's pain.

Both of those things disappear from each of them in S2 Act 1. It's basically the kick that snaps the back of their relationship at this time.

Vi feels she can no longer push Caitlyn to think about what she's doing and thus goes along with Caitlyn's plans to use the Gray, to become an Enforcer, to hunt down her sister who she will—in reality—never be able to kill.

And Caitlyn slowly loses her ability to empathize with what Vi's feeling. Their first kiss, I honestly do not watch very often because it has that tragic element to it. Caitlyn is trying very hard to give Vi what she thinks she needs in that moment. Reassurance that she's not changing, that she'll always be there. But she's already changed by Ep3. She's already unable to realize that Vi will never be able to truly harm Jinx. She cannot see that Vi is only in this strike team to soothe her own guilt.

Vi's "I'm done blaming myself for your mistakes" is a lie. Just like her telling Caitlyn to take the shot if she had an opening is a lie. She's not consciously lying, of course, just like Caitlyn wasn't when she promised she wouldn't change, but S2 is aaaaallll about these characters completely losing themselves.

(Although, Jinx is a parallel and exception in that she spends so much of S2 finding herself.)

Then the Jinx/Vi fight happens. They start out fairly brutal, but around the time when Jinx hits one of the pillars and Vi catches her before she can land, the emotion and violence of their fight changes. Like... they're full on sibling squabbling after that, not even realizing it. Vi starts to hesitate in landing a killing blow on Jinx even before Isha steps in.

Once Isha does jump on top of Jinx, it completely snaps Vi out of it all. She and Jinx share that loaded as fuck stare down as they each realize their sister is still there.

But Caitlyn does not see this. She's twisted in her rage and grief. She's an only child. She has Jayce in her life, but the show itself never makes an argument that her and Jayce's relationship hits a level of intimacy that would help her empathize with what Vi's going through right now. (I'm not saying that Caitlyn and Jayce don't care for one another, they very much do, and I'm not trying to argue that their relationship is not valid, but it is very different than what Vi and Jinx have.)

So the breakup happens. Vi realizes she cannot kill Jinx or allow her to be killed—perhaps not fully consciously at that point, but she latches onto the excuse Isha's presence gives her and she does not let go.

We can argue that Caitlyn would not have missed, I find that debatable, she's stumbling about, her breathing is rough when it was previously controlled in every shot she takes before this, and I mean... look at how wild her eyes are. One even gets magnified for us lol.

But I think the greater point and the one that Vi was more concerned about is that Caitlyn of S1 would have never taken the risk of hitting a child. This situation would not have gotten so bad if this was Cait of S1, Vi is looking at Caitlyn and realizing that the one person she trusted to stay the same has completely changed. Right in front of her, and seemingly without her realizing it or perhaps not wanting to admit it.

They get into their fight, Caitlyn snaps completely for a variety of reasons that do not excuse her actions—and I am honestly really annoyed that I have to say this here because I can speak on Jinx all day long and most of you will assume that myself and many others are automatically sympathetic towards the horrible things Jinx has done due to her trauma, and yet very little of that same grace is ever given to Caitlyn.

Whatever.

Anyway. Caitlyn hits Vi, it's a parallel to Vi hitting Powder, one that's so obviously framed visually that we all clocked it the moment it happened. I don't know if Vi realized the parallel herself in character, but we are meant to.

What's it mean?

Well, let's look at them both.

Vi had just watched Vander die right in front of her. She saw Mylo and Claggor's bodies. She's just lost over half of her family and was orphaned. Again. Powder running up and joyfully exclaiming that her bomb finally worked was simply too much. The anger, the fear, the desperation, and the failure hit all at once and she lashes out.

Caitlyn has been blown up twice, kidnapped naked out of her own shower, forcibly dressed in some way, likely tormented to get the Cupcake nickname out of her—

I mean, do y'all wonder how Jinx even learned about 'Cupcake?' Vi does not call Caitlyn Cupcake in any scene in which Jinx is in earshot for throughout all of S1. She got it from somewhere and it was probably Caitlyn. Caitlyn whose pride and tenacity likely loathed submitting to Jinx and suffered quite a bit of humiliation if that is indeed what happened.

Caitlyn also suffered through a mock execution, Jinx holds her gun up to Caitlyn's head for quite some time and looks eager to shoot her. Like, go back and look at the tears and terror in Caitlyn's eyes throughout this entire scene. She probably thought she was going to die. Cherry on top, she fails to take the shot she had at Jinx to prevent her own mother's death.

She also lashes out. Especially after Vi accuses her of acting like Jinx. In her mind this is inconceivable, this is the highest of insults, how dare Vi compare her to that monster, right?

I don't know how as audience we can claim that Caitlyn was acting from a place of police brutality, but whatever.

Domestic violence? Maybe. I don't know. I frankly don't think that was the intention the writers were going for, or if they were they're no more saying it was okay than they were when Vi hit Powder. Both hits had severe consequences for the characters involved all around, nothing about either scene is glorified. It's intentionally depicted as horrifying and uncomfortable. There is nothing in either scene with Vi and Powder and Vi and Caitlyn that suggests that these hits were justified or proper reactions to what happened.

What they are meant to be is shorthand for human suffering and the violence that so often happens when we are pushed to our limits.

Again, the Cycle of Violence and humanity and our emotions being capable of our greatest good and greatest evil as Two Sides of the Same Coin are themes that are littered throughout the entire show. Not just when they're brought up in the moment. We are meant to take these themes in and attempt to spot each way they are used throughout the work.

Okay. Yeah, this post is also turning into a Jinx and Cait analysis, but Vi is to intertwined with them that you really can't properly discuss one without all three. Especially in this season.

Alright. That's Act 1.

Actually, you know what, let's leave it here. It looks like I'm going to be writing a fucking book over Vi and the characters around her. I'll pick up next post with an Act 2 breakdown.

[spop-romanticizes-abuse]

arcane s2 - review

okay so now that i have given my two cents on caitvi and i've had enough time to digest s2 of arcane, what do i think about the rest of it?

overall, i have mixed feelings about it. i didn't hate it but i feel like a lot of the themes and ideas were poorly executed, especially compared to s1.

(huge spoilers to arcane below!)

but let me start with the positives:

the animation OBVIOUSLY. huge props to the animators, s1 was already phenomenonal and s2 lived up to the hype, animation-wise. the fight scenes especially were just *mwah* chef's kiss.

the character designs were great. caitlyn looks a lot prettier with the middle parting. vi's emo phase is really hot. jinx's designs in the alternate universe and the finale were iconic. jayce's beard and disheveled look was just chef's kiss. jesus viktor was hot as fuck.

the voice actors did an amazing job obviously, and i didn't expect anything less from them.

jayce's and viktor's relationship was so good despite not having all that much screentime when you think about it. they interact in the beginning when viktor wakes up from his hex-coma and then reunite and fight and make up in the final few episodes. but because of their relationship that was built up in the first season, it all worked out smoothly and made for a very natural progression in their relationship.

jinx's redemption was pretty good. not the BEST but it was carried out well enough, especially in just 9 episodes. i didn't feel like it was rushed or undeserved. her sacrifice in the end was heartbreaking but it felt natural and not shoehorned in for some added angst.

and now for the negatives:

1. the pacing was really bad, in my opinion. they had only 9 episodes but they stuffed in so many subplots into this season that it felt overwhelming.

maybe i'm just stupid but i couldn't keep up with half of the stuff that was going on and some parts of the finale didn't make a whole lot of sense to me.

like the whole storyline with mel and ambessa and the black rose was a blur to me. i honestly don't know what happened in the end after ambessa dies.

the whole deal with singed and vander and whatnot was also really murky. like i get the overall premise but it was really hard for me to grasp every single detail.

maybe this is just a me problem and i'm too dumb to follow more than two storylines at the same time. but s1 already had a lot going on and it was still a tad bit easier to follow.

s2 was just crammed with a whole bunch of different characters pursuing different goals and facing different obstacles, 9 episodes weren't enough to give all of it a satisfying conclusion. and as a result, some of the arcs felt rushed and unfinished.

like what happened to the whole found family thing with sevika, jinx and isha? they were beginning to get closer and form a good relationship but then suddenly, sevika is pushed out of the image and we never see how she reacts to jinx and isha's death.

2. while i don't think that caitvi is abusive, i still don't think the ship was great. it was just super rushed and there is a grain of truth to what caitvi antis are saying.

like yeah, caitlyn being an enforcer and seeing nothing wrong with it was.. questionable. wasn't the whole point of s1 that enforcers were ruining the lives of the people in zaun? wasn't police brutality and classism the main theme of this series? how come vi's parents were killed by enforcers and she was unfairly imprisoned for years by enforcers, but somehow she ends up dating an enforcer?

before s2 came out, i expected caitlyn to give up her job after realizing how corrupt it was. i thought that would be the natural progression of her arc, especially since she's seen how much the people of the undercity has suffered at the hands of enforcers. but nope, she keeps her job and it's never addressed in the end.

i don't think that caitlyn hitting vi once out of frustration and once out of necessity makes her a domestic abuser. but i do think it's kind of icky for vi to end up in a relationship with an enforcer, and for the show to frame it in a semi-positive manner. it's not entirely romanticized but the problems with it aren't really addressed either.

3. i feel like the themes of classism wasn't as well addressed in this season as it was in the first one. the first season had a strong message and it stuck to it. the second season was all over the place and then suddenly, there's viktor and the whole glorious evolution or whatever, and the conflict between piltover and zaun is pushed aside.

i like that sevika becomes part of the council in the end but is she the only one representing the undercity? is one person enough to speak for all these people in zaun? at least it's true to real life, i guess.

overall, i felt like the message was a lot more murky in this season. this ties to my first complaint because while s1 had a lot of storylines too, they followed a common theme. war, classism, and how privilege and the lack thereof affects people. s2's storylines are just all over the place and none of them seem to follow a theme. at least some of them could have been discarded.

4. i briefly mentioned this before but the fact that jinx stops experiencing her hallucinations never made sense to me. especially after she accidentally killed silco, shouldn't they get worse? it is implied that she has schizophrenia and c-ptsd so i really don't understand how silco's death suddenly got rid of most of her symptoms.

she still sees and hears the hallucinations from time to time and her mental state is definitely far from stable, but it was still such a huge jump from her psychotic breakdown in the s1 finale.

so yeah, these are my thoughts about arcane s2. there were more pros than cons but the cons still outweigh the pros, simply because of how much impact they had on the plot.

i'm generally not one to demand more seasons or episodes out of a series where the writers have already told the story they wanted to tell, but arcane s2 was so rushed and so filled to the brim with different characters and storylines, i couldn't help but feel like it would have benefited from having more episodes to play everything out more slowly.

i still liked this series a lot and i enjoyed watching it, but i'm not blind to its flaws and i try not to be biased.

[marvel-starwarsfangirl]

The Impact of Tech's Death: Was it necessary? Was it in vain? Why did Tech have to die?

Disclaimer: This will be a very emotion fueled rant and I'm sorry if my personal feelings get in the way. I love my boys, but there are times when I just sit there and shake my head. I do my best to understand their circumstances, but sometimes the Crosshair girlie in me really can't make sense of things.

The short answer: NO, it wasn't necessary. With S3 now behind us and my rewatch of S2 at its conclusion, it hit me just how little weight Tech's death had on the overall plot.

Let's breakdown the finale a bit:

The lead up: Tech found out that his long-lost brother Crosshair was captured by the Empire and sent to a shady place where no good was to come. He also discovers that Crosshair sent a distress message, warning his brothers to hide. Realizing that Crosshair was in danger, Tech decided to rally the others on a mission to find and track Hemlock's ship, hoping it would lead him back to his brother. The mission is a complete failure, with Tech being forced to sacrifice himself in order to save his family.

The Aftermath: the Batch is discovered by Hemlock, Omega is captured, Hunter cuts his losses, and Crosshair remains a prisoner

Here's the part that really messed with me: Tech's death DID NOT affect Hemlock's capture of Omega and it DID NOT change the ability to track the ship. The only impact it had was that Hunter decided to cut his losses and pull an early retirement. And even when Hunter is like "we're going to get Omega back," he doesn't mention Crosshair once.

Tech died to save Crosshair. Period.

(and the others I know, but this mission wouldn't have happened if Cross wasn't in trouble)

Which brings us to S3 where Tech is hardly mentioned, Crosshair himself is never shown on-screen learning of what happened, and there is no moment where anyone (except maybe Cross) processes their feelings about it. Why kill off a beloved character when their demise has almost no impact on anything? The only thing it really impacts is the speed of which things get done and Crosshair's mental health. It makes no sense. I think there was an interview where DBB said they tried to keep Tech alive, but couldn't write a script where that was the case. Ok? Then go back and talk some more about the plot. Or if you can't avoid killing him off, then show the characters processing it or why Tech's death mattered. The cynical side of me says Tech died in vain. I'm being brutally honest here. Tech could've survived and Cid would still sell out the Batch and Saw's detonators would still destroy the ship and tracker. From a story POV, it's pretty bad when a main character's death barely leaves an impact.

In CW, Fives' death enabled Rex and Ahsoka (and Maul by extension) to all survive Order 66. Satine's death led to Mandalore being thrown into chaos, thus leading to the Siege of Mandalore.

In Rebels, Kanan's death crippled Thrawn's Tie-defender project, made Pryce look bad, and taught Ezra important lessons about sacrifice. For Hera, we got to see her grieve the loss of her lover. Kanan's death mattered. Also, the buildup to Kanan's sacrifice was him becoming Caleb Dume again after everything he went through.

The buildup to Tech's death was great too because it was about the Batch trying to find Crosshair. And while the mission is a failure, it showed that they were willing to go back for someone they lost. They hadn't given up on him. But everything after falls pretty flat and only makes Tech's death even sadder.

Why did Tech have to die? Because he probably would've found Tantiss a lot quicker than everyone else. I really think that's the case and that's pretty bad writing if you ask me. I still love TBB immensely, but I'm willing to call it out when it falls short.

It also really pisses me off as a Crosshair fan that Hunter just completely throws him under the bus. I will let my biases speak for me because it really bothers me and I'm sorry if you disagree. I value your opinion too. I don't know if Hunter subconsciously blamed Crosshair for Tech's demise, but I would've felt a whole lot better if he decided to honor Tech's wish of saving him. Hunter was always going to go after Omega, so why not add Crosshair to the mix? Was it because he still thought Crosshair could be lying? I understand cutting his losses in the moment due to the pain of losing Tech. I get that 100%. But after, he just doesn't bother to think about Crosshair. Would he even have gone after Crosshair if the original last-minute retirement plan came to fruition? Crosshair suffered immensely and who knows what would've happened if he just got left there with no one coming for him. Tech was the only one who supported Operation: Rescue Crosshair. No one else suggested that idea except him. (I know Omega also supports it, but I'm talking about the boys). Yes, I know I'm being harsh and perhaps unfair, but it hurts ok? I know Hunter has no clue what's going on with Crosshair.

But here's why it bothers me so much outside of Crosshair getting the short end of the stick again: It makes Tech's death feel even more in vain because the reason for why Tech died is just forgotten about.

Let that sink in. Tech's death doesn't leave ANY lasting impact on the plot post-incident.

It makes even more frustrated and just heartbroken because of how cruel and unfair losing Tech really was. Had we gotten more time of the Batch processing emotions or taking something meaningful away from it, then that's different. But no. That's not what we got and I am heartbroken by it. At minimum, we should've gotten one scene in S3 where Crosshair (or anyone really) talks about it in a meaningful way. (No, "CF99 died with Tech" doesn't count). Yes, Tech's legacy can be seen through Omega's actions but that's not enough.

All and all, the only real weight Tech's death had was on Crosshair's mental health. And even then, it's only implied instead of said straight out. If Tech hadn't died, then Crosshair probably wouldn't have decided to enact Plan 99. (Or he would've due to other reasons).

In conclusion: Tech never had to die nor should he have died.

[warblogs17282]

Still thinking about the Truth Seekers line where Loona said,

"Blitzo was using a total of zero euphemisms, innuendos, or swears. That means it was serious, which means I don't open it until--"

And now, I'm thinking about all the different emotional and heavy-hitting moments from Blitz, but from the lens of that statement, and I'd like to explore that in a little more depth.

Because I feel like looking through some key moments of Blitz through the lens of that statement helps to add another layer of depth to what Blitz has been saying.

S2 E9:

Blitzo: No, I just- This was the final stop on the apology tour I've been on today.

Stolas: Oh, yes, I recall. Everyone but me is getting your cheap apologies tonight, hm? Well, you certainly have your work cut out for you.

Blitzo: Look, how I acted this morning... It was fucked, okay?

Stolas: This morning? Ugh, why did you show up there? Why'd you show up here?

Blitzo: You already asked that, but look, I-I just really need to... To talk to you, to- to explain.

Stolas: Oh?

Blitzo: I've always been real shit at sorries, 'kay? They're for pussies and no one fuckin' deserves them anyway, but I felt maybe you actually needed one.

Stolas: Ooh, lucky me!

Blitzo: Oh, shit. Okay, what I mean is, I said sorry a lot today and, honestly, didn't really mean any of it. Because the only one I wanted to say it to... Was you, Stolas. I just... This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?

Stolas: Blitzo. There is a crowd full of people here, who cared so much, they'd throw an entire fucking party about hating you, every year! Do you know how much you have to care to do something as stupid as that?

Blitzo: Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me.

'I mean you're a fucking prince.' Blitz is technically correct here, but if we consider the Truth Seekers statement, I believe it tells us that Blitz, at least subconsciously, sees Stolas as more than just a prince during this scene, he sees Stolas the man here, not just Stolas the prince. And honestly, that probably makes it hurt more to Blitz, since he's still in disbelief/denial that Stolas has these feelings for him at this point.

Especially considering what it's followed up with, which I'd like to mention doesn't have a single swear word in it whatsoever, telling us even more just how sincere Blitz is when he said that final line.

Verosika: How do you think I felt? When the fun guy I was dating decided to just bail on me because I made the shitty mistake of saying I love... Ugh! It was the most embarrassing feeling. To be vulnerable for once and... you really just know how to send a message in the shittiest, fucking way.

Verosika: The worst part is you still make me feel like a bad person for being angry at you now.

Verosika: But, hosting this party, for everyone else you've dicked over? At least I can help others cope with the shit you did. What? No snarky comeback?

Blitzo: No. You're right. I actually am, ya' know... sorry. I-I don't want to be this way. Not forever.

Verosika: Looks like Stolas is having a good time.

Blitzo: Yeah, well. He needs it.

Again, just pay attention to the fact that Blitz didn't swear once during the part of the conversation I just showed, showing once again even more just how sincere Blitz is being here, to not be the way he is forever, to let Stolas have his good time at the party.

S2 E8:

Blitzo: What?! FUCK you, Stolas! You spring this feelings bullshit on me, are you fucking kidding? Can I get a FUCKING minute to think after everything you put me through, you pompous, rich ASSHOLE?!

Blitzo: Treat me like one of your little butler imps?! You can't just dismiss me like that! I mean, you royal fucks think you can do this EVERY TIME, like you can just play with our feelings because we're smaller and not as IMPORTANT! Well, I'm not letting you, BITCH! LET'S GO!

Stolas: Blitzo... I think so very highly of you... I didn't realize you think so low of me...

Blitzo: Stolas, wait! I'm s-

You know, the amount of swearing in that part of the episode tells me something, that what Blitz said during the peak of his outburst was exaggerated a little. Does Blitz make some completely valid points during that outburst? Yes. Is what Blitz said during said outburst a bit exaggerated because he was in the heat of the moment? Yes. Both of these can coexist, and I do completely understand why Blitz said what he said during that argument. (I'm not choosing a side on who was in the wrong in the full moon argument here, btw)

And, the lack of swearing when the realisation hits to Blitz of what he's just done, right as he tries to apologise to Stolas just further tells me that Blitz did genuinely mean that 'I'm sorry', he said right before Stolas teleported Blitz out.

S1 E8:

Blitzo: Fuck, Fizz was right. I'm gonna die alone, aren't I? Just a wrinkly, old, withered, waste. Will you be there, Loonie?

Loona: Be...where?

Blitzo: I dunno, jus- ...lonely... Die alone...

Loona: I'll be there, Dad.

Loona: Now go the fuck to sleep... okay?

Blitzo: Millie... Moxxie... Stolas...

Again, pay attention to the lack of swearing in that part of the conversation, minus one 'fuck' at the start of it, it just adds to showing us just how raw and genuine Blitz's emotions are during this scene, showing us that Blitz genuinely believes that he's gonna die alone, and also showing us just how much Blitz still cares about Fizzarolli, Loona, Millie, Moxxie and Syolas.

S1 E7:

Stolas: You know, I have some more wine in the house. Octavia's with her mother this weekend. So, we could--

Blitzo: I'm not fucking you tonight, okay? I'm really just I'm really not in the mood, Stolas.

Stolas: We could talk, or... watch a movie, or... maybe cuddle?

Blitzo: Stolas, don't act like what we have is anything but you wanting me to fuck you, okay? You make that really clear all the time. But, I just, I-I can't do it tonight, okay?

Blitzo: I'm sorry.

Stolas: Okay. Goodnight, Blitzo.

Blitzo: Night.

What I find interesting here is that the two times the word 'fuck' is used throughout this scene, it's used to replace the word 'sex', so thinking about this scene through the lens of that statement, it shows us even more just how much Blitz believes in what he's saying, especially when he says "Stolas, don't act like what we have is anything but you wanting me to fuck you, okay? You make that really clear all the time."

Finally, S1 E6:

Moxxie: Do you remember what you said to me after my first day with the company?

Blitzo: ...Not really.

Moxxie: I remember. You told me I did a good job and that you were proud to work with me. I feel like you wanted to say something more judgmental, but... you said that because I needed it... And it helped.

Blitzo: Look, I'm hard on you, because I know what you're capable of, Mox. You care too much about what everyone thinks except for... me, because, y'know, my opinion is correct, but just... keep doing a good job. 'Kay? You shoot 'n kill good, you escape things easy... you can be strategic and cold-blooded when you need to, aaaand don't expect any more compliments; I'm maxed out.

Moxxie: Thank you, sir.

Blitzo: You know my name... Use it.

Moxxie: Thanks, Blitzo.

No euphemisms, innuendos or swears, showing us that when Blitz was talking to Moxxie in this scene, that he was 100% being serious in what he said.

So in conclusion: I have shown multiple examples where if you think about them through the lens of the statement "Blitzo was using a total of zero euphemisms, innuendos, or swears. That means it was serious, which means I don't open it until--", you start to see more depth within those examples I have shown in this post.

[ii-meeple-confessions]

Honestly the way Mephone's contestants react to him in general and them realizing "Oh this guy is kind of messed up" is so funny to me. Because as much as Mephone tries to hide it through the host persona he pushes onto himself to seem normal, it really doesn't work.

Even before everything (This was in 2016, for reference! -- And this is one of my favourite things ever -- Fan, on his blog, wrote what is essentially a Mephone4 Fanfiction (The link is here: it's on his blog! If you care to read it in full..... https://www.tumblr.com/inanimateinsanityfan/150341850210/fan-blog-confessions-i-confess-i-forced-someone?source=share) (sorry the link doesn't actually work when you click on it) And one of the lines was: "M: Alright.  I just kind of have trouble verbalizing what I really want to say?  So a lot of my thoughts just come out as these little attacks." Continuing into "M: Yeah... they’re just so second nature to me, I say them to fill in the gaps... otherwise I wouldn’t really know how to chime in."

And I think its genuinely so funny that Fan read him that well. Be it fanfiction and projection or not, Fan is right here! Mephone has trouble verbalizing and complimenting others. (Probably because he himself wasn't often complimented by Cobs--) and it leads him to ruining potential relationships. He stokes flames of distrust between him and other people to keep himself safe and entertained, and then gets upset when he's all alone because he can't build meaningful relationships with people.

And people realize this really quickly. For another example, take Mepad. Who quickly comes to see Mephone is wrong in his judgement towards Toilet and in his treatment of the contestants. Or Suitcase, who comforts Mephone multiple times-- I'd have to lag my computer into oblivion to get the exact quote/s, but she's very keenly aware that Mephone isn't alright at that time, and she verbalizes that. The final 4 of season 2 AND season 3 all seem to be aware of Mephones mental health declining.

And again, he DOES try to hide this. When he's upset over Mepad quitting / doesn't know how to handle it, he jumps into his obnoxious host persona to hide his true feelings on the matter. He pushes and shoves and lights a ring of fire around himself, sacrificing his relationships in return for the safety of his host persona.

Right out of Meeple, some of his first memories of freedom, ARE of being a host. He was basically immediately (unknowingly) enlisted by Cobs to be a host. In escaping Meeple and the persona he had to take on to appease Cobs, he fit himself right into another persona. Another set of rules to follow on how to behave to, in his eyes, stay safe.

It fucks me up so bad because the entire personality he constructed for himself ruins so many of his relationships and thus sinks him into a deeper pit of loneliness. At its core, it's self-sabotaging, and I think it's clearest in "Truth or Flare" (S2 E15) when Mepad quits. I mentioned this before!! But GOD it hits so hard. The way Suitcase says she legitimately hates him and he justs stands there stupidly grinning "I'm a scamp for drama!" No sir you are a scamp for ruining your relationships!

All of this rambling is to say Mephones persona is really one of his undoings. Forcing himself into the mold of reality show tv host isn't... Good for him. And it becomes his safety net when it really shouldn't. It hurts me, to see him so earnestly playing it up when we see him interviewing Box. Trying to seem like a seasoned professional, unbothered, but perking up when complimented. But as the series goes on, that host persona becomes a much more angry and unlikeable person. Hardly any good comes from his insults and comments. And he ruins many of the chances he has to make genuine connections with people-- which is something he so desperately needs.

Sorry if this is a little unstructured! I didn't begin this thinking it'd get so long, so it's a bit all over the place. Can you tell I think about Mephone a lot? Anyways, good night! -2G Anon

.

[slytherinshua]

THE ONLY ONE

genre. fluff. warnings. kissing. takes place after the events of the s2 finale, but there's not really many spoilers. pairing. husband!go won x wife!reader. wc. 1.1k. request. no. a/n. finally writing for the loml in aos, prince go won <3 i'm surprised it's taken me this long cause damn 😭 i've been meaning to write a fic for him forever, especially since @blue-jisungs and i both go crazy over him teehee. if the self indulgence of this fic isn't clear from the way i write the kisses, idk what will make it clearer cause i absolutely would do anything for this man ‼️ i'm as delulu as you can get

“How did you know that I was the one for you?” You asked curiously. It was a dreary day— a perfect one to stay indoors and laze around with your husband; which is exactly what you were doing. You rested your head on his shoulder, hugging his waist as he read a spell book. But he wasn’t really paying attention to the words anymore. The book was a lot less interesting than you, or the questions that your brain prompted you to ask. 

It had already been a year since you were married to Go Won. Your wedding anniversary was just around the corner, and as the king of the country; Won made sure that only the most luxurious of parties would be planned as a celebration. 

“I believe there were many factors to that, my love.” He hummed in thought and you hugged him just a little tighter. “Of course, you know that Jin Buyeon recommended you to me. I probably would not have met you if it weren’t for her. Have I ever told you that I used to test you?” He turned slightly to look at you, a cute grin on his face.

You laughed in disbelief, “Really? I assume I passed those tests since I’m here with you now?”

He agreed, “Of course you passed them all. There were only 3, and they were all quite simple. Firstly, I needed to make sure you were more reasonable than I was. Secondly, you needed to make my heart flutter. And finally, my turtle needed to like you.”

You giggled at the last one. You remembered clearly how shocked and thrilled Won was when he first introduced you to his pet turtle. It had also been one of the moments where you realized you truly loved him. He was a simple man, but he cared deeply for his people and his country. His turtle was probably the most precious thing he owned, and he still cared for it to this day.

It had practically ran to you (as fast as a turtle really could run) when you had first met. As funny as it sounded, that was all Won needed to know you were the right woman to marry. Apart from your attractive wit and breathtaking beauty— you had a good soul; and that Go Won knew from his turtle.

“I guess I should thank him for bringing us together then, hm? He should get his own spot at our anniversary banquet.” You mumbled mindlessly, lazy smiles present on both your faces.

“If that’s what you wish, then I shall see it done.” Won replied happily, shooting a grin towards the fancy water dish that his turtle was kept in.

Truly, Buyeon had not lied when she said it possessed good energy. It never seemed to stop giving Go Won good luck. It had separated him from Jin Mu, brought him closer to Jang Uk, and found him a wife all within just 2 years. 

“Did I ever tell you that I love you?” You asked, smiling against his skin, your face buried in the crook of his neck. He smelled sweet, but it wasn’t any less regal than you would expect from a king. It suited him perfectly. He embodied everything sweet and lovely and playful. From his bright eyes to his slight dimple when he smiled; your husband only knew how to love you with his entire being. He couldn’t love you with anything less even if he tried.

“Daily, darling.” He whispered, too caught up in the feeling of your warm breath hitting his neck. Your lips hovered over the skin as if you were still thinking about whether to kiss it or not. But when you finally let your lips fall to meet his soft skin, he found himself smiling, leaning into you in hopes of being closer.

“It’s comfortable like this. I want to stay here all day.” You told him. You would never get tired of this feeling— this pleasant buzzing in your chest that felt so right. Only Won could ever summon the feeling, and you found yourself often thinking about how perfect it was. You would love him for the rest of your life, and even when you died, he would still be the only man you kept in your heart.

“I don’t have anywhere to be. It would be impossible for me to leave even if I did when you’re holding me so tightly.” He said the last sentence in a teasing whisper which caused colour to rush to your cheeks. He wasn’t wrong, and though you could hardly be asked to stop, you at least loosened your grip around his waist. You would hug him for the entire day if you could. 

Go Won could tell by the way you shrunk your head down to rest on his back instead of by his neck that you had gotten flustered. You were always one to shamelessly flirt with him until the second he commented on it or flirted back. Your cheeks would grow hot and you would shy away from any affection that he attempted to give you. He thought it was adorable.

“Don’t get all shy on me now. What happened to the neck kisses you were giving me a minute ago?” He teased. Your arms were loose enough now that he could easily turn around to face you— something he had been wanting to do for a while.

You hid in your hands, too embarrassed to show him your face. He cooed at you, gently grasping your hands to move them down. He cupped your cheeks in his warm palms, only worsening your problem. He gave you a smile; a bright one that showed off his dimple and made his eyes sparkle with the love they held for you.

“Don’t look at me like that…” You mumbled quietly.

“Like what?” 

“Like… I hung the stars in the sky or something. You look… so in love.” 

“I am so in love, and I won’t stop looking at you.” Came his only response. It was a heart-fluttering one, one that you could only expect from your husband. He had always been expertly charming.

He leaned down to kiss you, almost as if completing his statement. And if you ever forgot how much he truly loved you, you were reminded of it every time his lips found yours. Whether it be short pecks or these longer kisses, his love was always displayed in both. When you kissed Go Won, it was as if you got entirely lost in the feeling of him. The rest of the world did not matter when his lips were on yours— it was just you and him, so very in love with each other.

↳ k-drama taglist: @yeonjuns-redhair,, @wolfmoonmusic,, @edensgardenn,, @cosmicwintr