#like the idea of them saving the world just not being the right people to do it

[joemomrgneissguy]

via @iamthepulta

When I was around 13 or so, I got introduced to a friend to Christianity after being brought up in a mostly atheistic household. My parents had also just gotten divorced and my Dad had coincidentally decided that then was as good a time as any to start going to church again, and so would start taking us because we seemed interested in it.

As a pretty lonely kid with a big desire to fit in or have community, it was a formative time in my life, and I took to it quite quickly.

But the thing about a lot of evangelical spaces is, there is no room for nuance, and, perhaps more crucially, having doubts is seen as a crisis. If you are saved by faith alone, the thinking seemed to be that faith must be total and absolute.

For teenaged me, that meant not questioning things too much, at least not openly, and just accepting what was said at face value like anything I had learned in school up to that point. There were limits to this, like when my church brought in a guest speaker that claimed evolution wasn't real and that the dinosaurs had survived Noah's flood, but on the whole, I didn't have enough of a basis to dispute anything I was told.

Enter 'Mark'. Mark went to the same middle school as me and the same highschool I attended freshman year, and he was a really annoying and combative atheist. At some point he clocked that I was Christian, and he started arguing with me all the time. Most of it wasn't all that substantive. We were young teenagers, after all. But it often got heated, because how dare he question this stuff that is obvious truth?

I realize now that me getting into arguments with him so much was based out of a certain emotional immaturity, and a desire to justify to him and myself that I was right in making a decision that I myself was unsure of. It was performative, to an extent, so I didn't actually hate the guy when everything was said and done.

That beef died down after a year or so. The arguments were getting nowhere, and Mark turned out to be a pretty good guy with perhaps a bit of an antisocial streak. We started hanging out a bit more, and talking about things other than religion, and were eventually at least nominally friends.

This same thing played out with a friend that was Jewish, and another that was Mormon. This was all around that same time in my life. We bickered over things for a while, and then eventually religion just wasn't a factor in our relationship.

These pointless arguments made me realize the simple idea that arguing over religion, trying to convert people to your side, is ultimately a pointless endeavor because it is unprovable, and that I could just as easily be "wrong" with my beliefs. They had just as much 'evidence' as I did. So no matter how hard I 'believed' in this stuff, I just had to accept that some other people never would, and that's okay.

That is somewhat heretical in an evangelical context, since the whole idea is to evangelize, but it opened me up to there being space for other religions and belief systems in the world, and that they were comprised of good people who deserved nothing but love and respect.

This seed of openness and maturity was ultimately what allowed me to change when I moved for college, where I was exposed to stuff like the actual science behind evolution, friends who were LGBT, and programs challenging ideas of creationism.

I owe my life now to those conversations. My career, my friends, my outlook on life could have never occurred without them.

And it's why I now could never return to the same spaces I grew up with, because I can now see them for the toxic, hateful places they are.

I don't know how to navigate faith these days, but I am eternally grateful to "annoying" atheists in my life, and for the patience people had when I was still figuring myself out.

We need the obnoxious atheists back. I know they engineered their own destruction by being annoying and pretentious, but it has become apparent how essential to the ecosystem they were. The religious fanatics have become too bold without their natural predators. Jesus wojaks would have been torn to shreds in 2011.

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[azurefaire]

concept for a pepper ann amphibia au, i'm going to call it pepper ann-phibia

what the shows have in common are both dysfunctional trio of friends and a main character with a similar name, but thinking on how it would work is truly interesting. the characters all have different household lives, and considering their friend dynamic it is truly interesting.

it's based on the blink and you miss it pepper ann cameo from amphibia and the line from the guardian on people who misused the stones. the story also would take a lot of cues from early amphibia in order to fit the roles better. this also is sorta dark for pepper ann, but i really like the idea of this story. especially a "failed timeline" so here you go. not satire. pull up a chair. mostly a rough idea. OKAY a very rough idea. there is several timelines to this story as well.

ridiculous ted talk: crossover au addition. makes more sense when you've seen both series

the story: late 90s/mid 00s. in the summer of 8th grade, pepper ann pearson wins an all expense paid trip via sweepstakes to somewhere in california and is allowed to bring her friend's nicky little and milo kamalani.

lydia pearson (pa's mom) is allowed to chaperone them and comes on the trip being so far from hazelnut, but understands that this is for the kids special trip. so she spends a lot of time at the hotel taking advantage of the perks and gives them all cell phones, emergency contacts, meeting spaces etc

nicky's birthday is coming up on this trip, and she usually spends her birthday at home with family. not having any parties, though she's secretly always wanted a special birthday party, a surprise party especially. pepper ann and milo want to do something special for her or get her a special gift. knowing how obviously nicky wants to have a cool birthday- its written all over her face. unfortunately, nicky is really hard to shop for gift wise even with tips. after searching a long time on their trip the music box appears. given everything that happened in seventh grade with frog dissection it was a good inside joke, and hey! nicky likes music right? the motivation comes from a simple gesture of kindness from characters who can often be unintentionally selfish. nothing weird is happening, they are just celebrating nicky's birthday right?

when celebrating nicky's birthday, pepper ann gives her the gift and she while attempting showcasing all the uses it can have ends up transporting them all to amphibia.

the twist is, is that they all end up different places and take on different roles in amphibia. in fact, calamity powers end up being split between the characters and the role of sasha and marcy is split between nicky and milo. and each gets a piece of heart wit or strength. this causes an instability, which causes the three stone deity/guardian with the help of other dieties to "erase" this timeline, something the guardian had nevef had to do. in some timelines they are aware of the power split and try to fix it, but they were never meant to wield the gems to begin with.

pepper ann: you'd think pepper ann would end up in wartwood, but she actually starts the story in newtopia to contrast her hometown. she also has no access to the calamity box. however, no one in newtopia is kind to take her in at first and she struggles a lot. she ends up wandering around for a while and finds found family in "carmello", a young stern frog shopkeeper estranged from their own family who is the only one who takes her in. carmello's real name is... weed, like the amphibia pilot. cause its funny to me she tells him "i cant call you that!" i imagine lol. but i also like the idea of a frog trying to assimilate in newtopian culture so let's leave it at that. eventually, they leave newtopia in sight of wartwood. in hopes of finding the others and for better opprotunities. we also see the friends of carmello and an arc of carmello reconnecting with their old friends and new opprotunities. her lesson is to be less selfish but also to listen to others. she has mostly heart powers, but also strength. when she has to work on her powers, they all need to be evenly seperated to work because otherwise the powers are unstable. her journey is from newtopia to wartwood in act one, which speaks to her own desire to get out of his mess.

milo: takes the role of marcy as she was in pre production. he's a wanderer, lost in the lands of amphibia relying on whatever he has for survival and also meets up with other survivalists... who do it for fun... he has powers of wit, but does he really deserve it? after all there is no "creativity" calamity gem. he becomes a master of witchcraft in the rural woods of wartwood. he takes a bit of heart in his powers, sometimes acting up in unexpected ways. he makes creative breakthroughs with natural materials.

his journey leads to him to find nicky, who has been made into a soldier of the toad army. milo is tested when alone, but meets unexpected friends. he learns to listen and to slow down and be mindful, even if that doesn't come easy or naturally to him.

nicky:

nicky is the least adjusted to amphibia out of the three. she believes it to be a dream and tries to rationalize being there a lot. she is captured by the toad army and the calamity box is seized from her. when proven useful- let out of prison and recruited to the toad army were she is a capable but loyal soldier. but on her face, she is dazed and confused- almost in a dissociative trance like state. eventually nicky is able to desert the toad army and cross paths with milo and is able to eventually reunite with pepper ann. even though she is sasha here, grime is not her ally.

nicky goes through a lot throughout the journey, as the duel roles sasha and marcy. she has the desire to be controlling but wants the best for the friendship overall and wants to protect herself. but she has very little loyalty to the others she meets and struggles to trust others. she eventually is taken advantage of by the newtopians and andrias with the desire to get home overtaking everything else. she will eventually be assimilated to the core, but she certainly isn't as trusting as marcy. nicky, who in many ways has been sensitive- going emotionally numb would be a prominent part of the story.

you might be thinking nicky is so fitting for marcy so why give her the role of both marcy and sasha? especially since she's not really strong. nicky does have strength in many areas, she has a lot of arm strength but presumably doesn't have a lot of core/body strength. she's also an overachiever who uses a treadmill and exercises often. nicky was also raised with very high standards to the point of absurdity, her arc would focus on this a lot. her arc would focus on her advocating for her needs, trust, and self sacrifice, and her bonds with her friends. the "betrayal" from andrias would be cruel fate, but eventually nicky would be rescued from the core sooner than marcy was. overall it would be a very different true colors. very much so.

but honestly, even if she's smart- brilliant- she resists the core. nicky is not a fantastical character like marcy, she has a hard time imagining things for herself

overall i love the idea of a marcified sasha, which fits nicky a lot. its like if u put anne sasha and marcy in a blender. thats nicky little

the story would focus on these characters overcoming their own barriers in their relationships. for them to realize where things however there's one important part of this tragedy

in the last episode, everyone sacrificed their all to save amphibia. in every version of this timeline, even the good ones where they able to stop the invasion and- nobody was able to sacrifice themselves and stop the calamity to amphibia that happened in the ending. sacrifice, for these kids was wrong- and the gems themselves found the wrong host. the guardian realizes the error and diverges the timeline with the help of other cosmic deities. the original kids are alright and they are able to reset and get a normal gift for nicky but versions of them end up in sort of a cosmic liminal space and in some timelines there are "artifacts" of them, like ghosts that appear in some timestreams with slight difference. (thats what the cameo of pepper ann is)

there is no timeline "loop" and no one is affectively dead, but sometimes the timelines still leave their mark on the others. the kids who never went to amphibia might have dreams of there. needlessly depressed 7th graders meet the weirdest dream i ever had 8th graders.

here's some of the things i would like to explore in the story:

pepper ann is a very silly human world. so putting them in a "serious" version of the frog show is the obvious choice. surreal dark fantasy like what inspired the series of amphibia. still weird tho

nicky and milo's dynamic with them working together and milo and pepper ann coming together for a friend in need

do the characters fight? badly in the beginning. they do what they can, and eventually get training. and then when things get tense they do fight. many verbal arguments and intense moments

the relationship issues stemming from a lack of openeness and codepedency for social survivial, about how their percieved by others...

reunion with pepper ann and nicky...

milo and nicky switch weapons, nicky gets the crossbow and then milo gets the swords.

when they all return to newtopia, milo and nicky are able to enjoy themselves and have fun a little. pepper ann is happy for them, but sad because this place was incredibly isolating and hurt her friend.

yunan and olivia having a dynamic with the trio. both yunan and olivia being really annoyed with pepper ann even with character development but liking nicky and milo a lot

no sashannarcy cause this is freaking pepper ann and milo is soley platonic but like... nicky crushing on pepper ann like sasha does for anne.

no lief no plantars or they are reimagined. different origin for calamity box. possible fake calamity box in the main story timeline

what does pepper ann have on her when coming to amphibia. does she have her skates?

pepper ann, never keeping a journal before makes one for amphibia. nicky, never keeps a journal makes one too. milo in some ways never really had a journal but does write things down in places

calamity box used like a pawn by the older characters instead of the characters themselves just being the pawns. like people are attempting stealing it and stuff. the calamity box isnt just a metaphor for the relationship and way home but for their childhoods

we see the families worried, questions.... investigations... the community is really worried about everyone. 3 kids going missing on a prize vacation trip... not good. i just realized what conclusions could be drawn but i didnt want them to be in hazelnut sooo... hazelnut is a quieter, dreary, grey place. one thing to be old and die, another to be young and go missing

there's a timeline where lydia teams up with dr jan to try and go there save them all some how. but we don't see what happens. there is a "main timeline"

do the characters get punished for buying a gift for their friend? no, but in hazelnut sometimes your punished for like... breathing. so like yeah. that's the catalyst for wanting to bring them to amphibia. after all, to know someone is different to understanding them. and bad things happen to good people sometimes...

*bows and falls off the stage head first into the audience*

[clytemnestradidnothingwrong]

I've got thoughts on this article that I'm going to share whether anyone likes it or not.

"When my first son claimed he was trans, I eagerly ‘affirmed’ him. When his three-year-old brother decided he wanted to be trans, too, I realized I’d made a terrible mistake."

Gay and "transgender" are opposing concepts, and this is one of the many things that prove it. When a sibling comes out a gay, you don't usually have another sibling following.

"My friends and I felt like we were the cool kids, on the vanguard of the revolutionary wave that would change the world. We were going to achieve what people in that milieu call “collective liberation.”

I used to think this was admirable and that people like this were just misled, but the more I gain exposure to these types, the more I think no, they're not really that well intentioned. A lot of this modern "social justice activism" just seems to be unearned hero complexes. Are you really so self-absorbed that you think asking people to say pronouns is truly going to save the world?

"Having children and experiencing the love and devotion I felt toward them, was a game changer for me. I began to experience internal tensions. My thinking was split between what I felt instinctively as a mother; and what I “should” be feeling and doing as a white anti-racist social-justice parent."

As much as SJW types annoy me, I do think it's a real shame that "social justice" has just become another sniff-your-own-farts movement instead of I-actually-care-about-other-people movement. Just feeds into my theory that humans by nature are not good. I'm also sick of everyone asking us to repress our instincts in favor of embracing whatever narrative is trendy.

"Because I’d felt victimized by my parents’ rejection of my sexuality, I wanted to make sure to honor my own children’s “authentic” selves. In particular, I was primed to look for any clues that might suggest they could be transgender."

This is what everyone's doing now, and it's disturbing. Fake woke parents like this who immerse themselves in faux social justice are convinced "trans" people are the world's most oppressed group, and are thus constantly on the alert for any signs of being "trans". If "trans" people hadn't killed the feminist movement and gay rights community, these kids would just be allowed to be themselves. Especially because a lot of traits that everyone believes now means "transgender" actually mean gay. Whether they realize it or not (and tbh I think many do deep down), these pretend liberals have primed everyone to sniff out signs of homosexuality so that modern medicine can "fix" it through "gender affirming care".

"My spouse and I raised our sons with gender-neutral clothes, toys, and language. While we used he/him pronouns, and others called them boys, we did not call them boys, or even tell them that they were boys. In our everyday reading of books or descriptions of people in our lives, we did not say “man” or “woman”; we said “people.” We thought we were doing the right thing, both for them and for the world."

My coworker does this. She has a son and she calls him "he", but she won't ever refer to him as her son or as a boy. People have deluded themselves into thinking this does something good, but all it does is make it harder to acknowledge reality.

"Even when our first son was still young, he already struck us as different from other boys—being both extremely gifted and unusually sensitive. By age three or so, he started to orient more toward the females in his life than the males. “I like the mamas,” he would say. We started to attribute some of this difference to the possibility that he was transgender."

To me, this reveals the inherent misogyny of trans activists. The idea that a boy can't prefer being around girls instead of others boys is misogyny.

"Instead of orienting him toward the reality of his biological sex by telling him he was a boy, we wanted him to tell us if he felt he was a boy or a girl. As true believers, we thought that we should “follow his lead” to determine his true identity."

"Trans" kids are like vegan cats - they are made, not born.

"At the same time, I was taking a deep dive into the field of attachment and child development. This made me understand that attachment is hierarchical; and that parents, not children, are meant to be in the lead. This obviously conflicted with my insistence on letting my child decide his gender. Sadly, it was the latter impulse that won the day."

You would think anyone who is familiar with child psychology at all would understand the child should never lead, but that would be underestimating the power of group think.

"I told him, “When babies are born with a penis, they are called boys, and when babies are born with a vagina, they are called girls. But some babies who are born with a penis can be girls, and some babies born with a vagina can be boys. It all depends on what you feel deep inside."

Every time I hear or see this "what matters is how you feel!" bullshit, I wonder what less individualistic cultures think when they read it. Because when you take a step back and look at it objectively, it comes off as incredibly self-centered.

"He continued to ask me what he was, and I continued to repeat these lines. I’d resolved my inner conflict by “leading” my son with this framework. Or so I told myself."

Rationalizing the irrational. If she had taken a step back, maybe she would've realized she only made him more confused, which is what leaves children vulnerable to the abuse that is "gender affirming care".

"His question, and my response to it, would come back to haunt me. In fact, I remain haunted to this day. To the extent I was “leading” my son anywhere, it was down a path of lies—an on-ramp to psychological damage and irreversible medical interventions. All in the name of love, acceptance, and liberation."

Again, I'm beyond disgusted about how twisted the "progressive" movement became. I'm disgusted by how ALL well intentioned movements so quickly descend into something evil.

"On the way home that night, I resolved to put all my own feelings away and support my transgender child. And that is what I did."

A "trans" kid of your own making.

"We told him he could be a girl. He jumped up and down on the bed, happily saying, “I’m a girl, I’m a girl!” We—not our son—initiated changing his name."

I wonder if you (or any trans activist) ever considered that maybe he was so excited to be a "girl" because you told him he could be after he spent years asking you what he was.

"We socially transitioned him and enforced this transition with his younger brother, who was then only two years old and could barely pronounce his older brother’s real name."

That's pretty fucked up that you tried to force this crap on a 2 year old, actually.

"When I look back at this, it is almost too much to write about. How could a mother do this to her child? To her children?"

I ask myself this every time I see a mother "transition" her child. The answer is almost always CLOUT.

"Once we made this decision, we received resounding praise and affirmation from most of our peers."

See?

"One of my friends, who’d also socially transitioned her young child, assured me that this was a healthy, neutral way to allow children to “explore” their gender identity before puberty, when decisions would have to be made about puberty blockers and hormones."

From an outside-of-the-cult standpoint, this makes no sense. He's not exploring anything. You've locked him in.

"We sought out support groups for parents of transgender children, so that we could find out if we’d done the “right thing.” It hadn’t escaped my notice that our son hadn’t exhibited any signs of actual gender dysphoria. Was he actually transgender?"

No. Nobody is.

"At these support groups, we were told, again, what good parents we were."

There's that clout as a reward again.

"We were also told that kids on the autism spectrum (which our son likely is) are gender savants who simply know they are transgender earlier than other kids."

Well, this explains how they justify butchering autistic children. Talk about rebooting the Indigo Child.

"At one of the support groups we attended, we were also told that transgender identity takes a few years to develop in children. The gender therapist running things told us that during this period, it’s important to protect the child’s transgender self-conception—which meant eliminating all contact with family or friends who didn’t support the idea that our son was a girl. I believed her."

This is such an INSANE thing to tell your clients, holy shit, that therapist should be FIRED.

"Looking back, I now see her comments in a shockingly different light: this was part of an intentional process of concretizing transgender identity in children who are much too young to know themselves in any definitive way. (One set of parents attending the group had a child who was just three years old.) When identity is “affirmed” in this manner, children will grow up believing they are actually the opposite sex."

Exactly. There's no "exploration of gender" or "finding yourself" at all. It's creating a "transgender" child out of thin air.

"The therapist endorsed the same approach that many adolescents use on their parents, who are urged to write letters to grandparents, aunts, and uncles to announce the child’s transgender identity. In these letters, the conditions of continued social engagement are made clear: Recipients must use the new name and new pronouns, and embrace the new identity, or they will be denied contact with the child."

Can someone who isn't in the trans cult explain to me how this ISN'T manipulative, borderline abuse?

"His claim to be a girl became more insistent when both brothers went to school part-time, because their program included pronoun sharing. Why could the older sibling be a “she” when the younger sibling couldn’t? Our younger son became more insistent, and we became more distressed."

He saw the attention and affection his brother was getting and wanted it for himself. That's it. That's the explanation.

"We made an appointment to see the gender therapist whom we’d met at the support group. We truly believed that she would be able to help us sort out who, if anyone, was actually transgender. To our shock, the therapist immediately began referring to our younger son as “she,” stating that whatever pronouns a young child wants to use are the pronouns that must be used."

Oh honey, their livelihood depends on transing people. They're never going to say "no, you're not trans".

"When I pushed back and asserted that I wasn’t yet convinced our younger son was in fact transgender, she told me that if I failed to change his pronouns and honor his newly announced identity, he could develop an attachment disorder."

Oh, I'd love to see the evidence for this claim, because it sounds like bullshit.

"For the next two years, my partner and I dug deeper, agonized, and then continued digging again. Everything we thought we knew or believed that had led us to socially transition our older son began to unravel."

Feels like leaving a cult, huh?

"In the days following my first conversation with him about going back to his birth name and pronouns, during which I told him that males cannot be females and that we were wrong to tell him he could choose to be a girl, he got very mad at me, then sad. Then, the next day, I felt my son rest. I felt him release a burden, an adult burden that he, as a child, was never meant to carry."

You'll never convince me there's such thing as a "transgender child". Only an abused child.

"Since that time, we’ve all been healing. My son is now happy and thriving. We’ve watched him come to a deeper peace with himself as a boy."

What these evil, greedy butchers don't tell you is that if you had never been exposed to the regressive concept of "transgender", this never would've happened, and these "trans" kids would've just grown up to be unique boys and girls. "Transgender" takes the innocence and health away from children, and I'll never forgive those demons for inventing it. Good for her for getting her and her family out of this cult.

"I feel like someone who’s escaped a cult—a cult whose belief system is supported by our mainstream culture, the Internet, and even the state."

Cults aren't just confined to small towns or ranches in the middle of nowhere.

"I fear for the future—the future of sensitive, feminine, socially awkward boys. I fear what the world will tell them about who they are."

The fact that gay and disabled kids are being led down this path of medical experimentation and lies absolutely disgusts me. You can call me mean, you can say I'm awful and hateful, but at the end of the day, I'm not the one telling people they were born wrong.

May this mother and her sons find peace.

By: Anonymous

Published: Oct 16, 2023

When my first son claimed he was trans, I eagerly ‘affirmed’ him. When his three-year-old brother decided he wanted to be trans, too, I realized I’d made a terrible mistake.

I was a social-justice organizer and facilitator before social justice took over the progressive world. I was at the nascent movement’s forefront, introducing the concept of intersectionality to organizations and asking people to share their pronouns.

My friends and I felt like we were the cool kids, on the vanguard of the revolutionary wave that would change the world. We were going to achieve what people in that milieu call “collective liberation.”

Within this context, I came out as a lesbian and identified as queer. I also fell in love, entered a committed relationship, and gave birth to a son. Two years later, my spouse gave birth to our second son.

Having children and experiencing the love and devotion I felt toward them, was a game changer for me. I began to experience internal tensions. My thinking was split between what I felt instinctively as a mother; and what I “should” be feeling and doing as a white anti-racist social-justice parent.

Because I’d felt victimized by my parents’ rejection of my sexuality, I wanted to make sure to honor my own children’s “authentic” selves. In particular, I was primed to look for any clues that might suggest they could be transgender.

My spouse and I raised our sons with gender-neutral clothes, toys, and language. While we used he/him pronouns, and others called them boys, we did not call them boys, or even tell them that they were boys.

In our everyday reading of books or descriptions of people in our lives, we did not say “man” or “woman”; we said “people.” We thought we were doing the right thing, both for them and for the world.

Even when our first son was still young, he already struck us as different from other boys—being both extremely gifted and unusually sensitive. By age three or so, he started to orient more toward the females in his life than the males. “I like the mamas,” he would say.

We started to attribute some of this difference to the possibility that he was transgender. Instead of orienting him toward the reality of his biological sex by telling him he was a boy, we wanted him to tell us if he felt he was a boy or a girl. As true believers, we thought that we should “follow his lead” to determine his true identity.

At the same time, I was taking a deep dive into the field of attachment and child development. This made me understand that attachment is hierarchical; and that parents, not children, are meant to be in the lead. This obviously conflicted with my insistence on letting my child decide his gender. Sadly, it was the latter impulse that won the day.

At around age four, my son began to ask me if he was a boy or a girl. I told him he could choose. I didn’t use those words—I imagined that I was taking a more sophisticated approach. I told him, “When babies are born with a penis, they are called boys, and when babies are born with a vagina, they are called girls. But some babies who are born with a penis can be girls, and some babies born with a vagina can be boys. It all depends on what you feel deep inside.”

He continued to ask me what he was, and I continued to repeat these lines. I’d resolved my inner conflict by “leading” my son with this framework. Or so I told myself.

His question, and my response to it, would come back to haunt me. In fact, I remain haunted to this day. To the extent I was “leading” my son anywhere, it was down a path of lies—an on-ramp to psychological damage and irreversible medical interventions. All in the name of love, acceptance, and liberation.

About six months later, he told my spouse that he was a girl and wanted to be called “sister” and “she/her.” I received a text message about this at work. On the way home that night, I resolved to put all my own feelings away and support my transgender child. And that is what I did.

We told him he could be a girl. He jumped up and down on the bed, happily saying, “I’m a girl, I’m a girl!” We—not our son—initiated changing his name. We socially transitioned him and enforced this transition with his younger brother, who was then only two years old and could barely pronounce his older brother’s real name.

When I look back at this, it is almost too much to write about. How could a mother do this to her child? To her children?

Once we made this decision, we received resounding praise and affirmation from most of our peers. One of my friends, who’d also socially transitioned her young child, assured me that this was a healthy, neutral way to allow children to “explore” their gender identity before puberty, when decisions would have to be made about puberty blockers and hormones.

We sought out support groups for parents of transgender children, so that we could find out if we’d done the “right thing.” It hadn’t escaped my notice that our son hadn’t exhibited any signs of actual gender dysphoria. Was he actually transgender?

At these support groups, we were told, again, what good parents we were. We were also told that kids on the autism spectrum (which our son likely is) are gender savants who simply know they are transgender earlier than other kids.

At one of the support groups we attended, we were also told that transgender identity takes a few years to develop in children. The gender therapist running things told us that during this period, it’s important to protect the child’s transgender self-conception—which meant eliminating all contact with family or friends who didn’t support the idea that our son was a girl. I believed her.

Looking back, I now see her comments in a shockingly different light: this was part of an intentional process of concretizing transgender identity in children who are much too young to know themselves in any definitive way. (One set of parents attending the group had a child who was just three years old.) When identity is “affirmed” in this manner, children will grow up believing they are actually the opposite sex.

The therapist endorsed the same approach that many adolescents use on their parents, who are urged to write letters to grandparents, aunts, and uncles to announce the child’s transgender identity. In these letters, the conditions of continued social engagement are made clear: Recipients must use the new name and new pronouns, and embrace the new identity, or they will be denied contact with the child.

After about a year of social transition for our older son, our younger son, who was by now only three years old, began to say he was a girl, too. This came as a complete shock to us. None of the things that made our older son “different” applied to our younger son. He was more of a stereotypical boy and didn’t show the same affinity for the feminine side of things that his older brother did.

The urge for “sameness” is a primal attachment drive in many family members. We felt that our younger son’s assertion of being a girl likely reflected his desire to be like his older sibling, in order to feel connected to him.

His claim to be a girl became more insistent when both brothers went to school part-time, because their program included pronoun sharing. Why could the older sibling be a “she” when the younger sibling couldn’t? Our younger son became more insistent, and we became more distressed.

We made an appointment to see the gender therapist whom we’d met at the support group. We truly believed that she would be able to help us sort out who, if anyone, was actually transgender.

To our shock, the therapist immediately began referring to our younger son as “she,” stating that whatever pronouns a young child wants to use are the pronouns that must be used.

She patronizingly assured us that it might take us more time to adjust, since parents have a hard time with this sort of thing. She added that it was transphobic to believe there was anything wrong with our younger son wanting to be like his older transgender sibling.

When I pushed back and asserted that I wasn’t yet convinced our younger son was in fact transgender, she told me that if I failed to change his pronouns and honor his newly announced identity, he could develop an attachment disorder.

We were unconvinced. But, again, we wanted to do what was right for our son and for the world. We decided to tell him he could be a girl. And that night at dinner, we told him that we would call him “she/her.”

Right after dinner, I went to play an imaginary game with him, and I wanted to be affirming. So I put a big, warm smile on my face and said, “Hi, my girl!”

At this, my younger son stopped, looked at me, and said, “No, mama. Don’t call me that.” His reaction pierced me to my core. I didn’t turn back after that.

For the next two years, my partner and I dug deeper, agonized, and then continued digging again. Everything we thought we knew or believed that had led us to socially transition our older son began to unravel.

I continued to study the attachment-based developmental approach to parenting and learned more about autism and hypersensitivity. We decided not to socially transition our younger son. Not only was he not transgender, we now realized, but our older son probably wasn’t either.

He was just a highly sensitive, likely autistic boy who saw a girl identity as a form of psychic protection. It also provided him a way of attaching to me through sameness.

My spouse and I decided that since we’d been the ones who’d led him down this path, we were the ones who needed to lead him off of it.

A year ago, just before our older son’s eighth birthday, we did just that. And while the initial change was hard—incredibly hard—the strongest emotion exhibited by our son turned out to be relief.

In the days following my first conversation with him about going back to his birth name and pronouns, during which I told him that males cannot be females and that we were wrong to tell him he could choose to be a girl, he got very mad at me, then sad. Then, the next day, I felt my son rest. I felt him release a burden, an adult burden that he, as a child, was never meant to carry.

Since that time, we’ve all been healing. My son is now happy and thriving. We’ve watched him come to a deeper peace with himself as a boy.  

Our younger son is also thriving. Once his older brother became his older brother again, he happily, and almost immediately, settled into his identity as a boy.

I feel like someone who’s escaped a cult—a cult whose belief system is supported by our mainstream culture, the Internet, and even the state.

I fear for the future—the future of sensitive, feminine, socially awkward boys. I fear what the world will tell them about who they are.

But no matter what the future holds, I will never ever stop fighting to protect my sons. I am no longer a true believer.

[radioactive-earthshine]

Writing tips for long fics that helped me that no one asked for.

1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.

2.) Stuck with wording the action? Just write the dialog then revisit it later.

3.) Stuck on the whole scene? Skip it and write the next one.

4.) Write on literally any other color than a white background. It just works. (I use black)

5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.

6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.

7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.

8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.

9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.

10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.

[boowritess]

part 2 lol

so apparently it's really fucking hard to get into the SAS. and ontop of that I've been getting tiktoks of people going around an army base asking why they joined. most responses were to pay off student loans, bills, school, (someone said there's was 6 years of prison or school and *mental note for idea*), the recruiter lied or spoilt them, barracks bunny.

141 (poly?) x notsobaddasssoldier!reader

and now i can't stop thinking of soldier!reader. who really half-assed their way through everything - only doing the job for the money and to pay off student loans + they had nothing better to do.

who somehow ends up being adopted by Price (kinda like Gaz i guess ???) all because reader happened to be in the right place at the right time and saved Price's ass while managing to complete a mission the Task Force were doing.

and it's not that you saved his ass or completed the mission that makes Price go *this is mine* - it's the fact that afterwards all you can say is-

"this shit is so not worth paying off my student loans."

"oh fuck i forgot to cancel my subscription. fuckk- waste of fucking money"

- all the while a building is burning in front of you but yeah just not at all concerned about what had just happened. so price just *grabs you by the back of your neck and holds you up, claiming you as part of his task force now.*

(lol you probably can't do that irl but this is fiction sooo suck my ass.)

and laswell's just like no... they are very much still green john. way too green. no.

but it's too late. he's already introducing you to the task force. singing your praises and you're just like

"man he promised to pay off my student loans and give me food." basically how ur recruiter got ya ass.

enough said. you get the whole off the books speech, saving the world by doing things others wouldn't like. but u couldn't give a rats ass - you should but nah...

and like... you know you're the rookie... you're still green... but some of the shit 141 do you just...

"so you just gonna kidnap the wife AND the child...? right... kid, you wanna watch bluey? here..."

"and you do this often...? crazy."

but you don't exactly protest. how could you with how much you get paid. you kinda just side-eye and look away when it's geta a lil crazy. *bombastic side-eye*

and the other 141 guys - oh my days. become just as enormed as price and want to start really trying to amplify your skills. but every time, they start explaining how to do things - the best way to go about a situation or how to fight a certain way.

you pull this face. like your top lip pulls back, your eyebrows scrunch together, and there's a slight frown on your lips as they speak. like you look confused/disgusted. but you don't even realise cause-

"why're you pulling that face?" 141

"that's... that's just my focusing face..."

"oh..." 141 feels bad

then when they do take you in feild you're shaking your head no. like you haven't been around that long. what the fuck? now you're bout to infiltrate an enemy base!?!?!

"can i just wait in the car?"

"no." price

"i'm gonna vomit."

"aim at the enemy." ghost

people think that because you're suddenly in this badass task force that surely they're just using you for your assets.

they all think you're the 141 barracks bunny. and maybe you should be pissed or annoyed or grossed out. but all you can do is sigh and pause from the burger price got you, and let out a long exhale.

"fuck... maybe i can just do onlyfans or be a pornstar... shit maybe it's not too late..."

"military is bascially sex work - selling my body..."

"not that different from what i'm doing now. body being used, check. body sore in the strangest places, check."

your tone so empty, blank and nonchalant, but there's a serious look in your eyes that when you grab your phone out to maybe do a little research on how you could do that, your phone is snatched from your hand by one of the guys and they walk out the room without a second look back.

with an annoyed huff, you go back to eating your burger. but suddenly, you turn to the person who genuinely thought you were a barracks bunny.

"hey you think if i be a barracks bunny i get out of missions and shit?"

"...that's not how it works..." rando.

"fuck."

and maybe you try...

like you go to price's office and the guys are already in there, chatting about something that you should really pay attention too but you can't be assed. instead you unashamedly start to speak...

"if i suck ya'll dicks can i get out the mission?"

"no. you still have to join." gaz says amused

"even if you-" *que long sigh from price* "even if you suck our dicks."

"that's fucked up. i should've done porn."

and with the most hurt and broken-hearted look on your face, you leave the office, closing the door with a dramatic sigh. the guys just stare at the door in... confusion, amusement, and maybe arousal if ya'll dig that

idk man just gimmie more soldier!reader who just really ain't the fucked, there for money, lowkey hungry and doesn't know what the fuck is happening. kinda a pet or little sibling energy that the 141 love.

bonus*

"wait so they aren't sucking our dicks?" *soap says getting slapped in the back of the head by ghost

a/n: brain is rottinnggg. i should be doing so much other shit but... cod just consumes my brain 24/7

[an-ruraiocht]

90% of the time when i see reviews and posts saying "this book needed editing" i don't think the reader have any idea what editing actually entails. usually this is actually code for one of several "problems" with the book:

it's too long, or it's slower paced than this reader's preference. they believe "editing" would mean making it shorter

it has a heavily descriptive style, which the reader doesn't like. they believe "editing" means paring every sentence down to hemingway-style prose with no adverbs

it doesn't follow the very rigid "save the cat" style 3-act story structure, disrupting the reader's sense of narrative tension. an editor, they believe, would've made sure it did

there were a few typos or formatting errors, and they believe it's the editor's job to catch these (it's not, it's typically the proofreader and the typesetter who have responsibility for that kind of thing)

and finally, most often:

the author had different narrative priorities than the reader, who thinks an editor would have made the author change their priorities.

the thing is, there are actually issues with editors in trad publishing being overworked to the point where things aren't getting the thorough, thoughtful editing that they need to be the best version of themselves. there are plenty of badly-structured, poorly-researched, and clumsily written books out there. moreover copyediting is typically freelance and perhaps because of that, this is the area where i see the largest number of issues: continuity issues, grammar issues, factual errors etc that someone should've spotted and didn't.

but this is not typically what people's "this needed an editor" reviews are focusing on. most often it just means they didn't like the book and they've decided editing is an all-powerful force that would have transformed it into a book they liked. but that's not how it works. and disproportionately what this comment means is that the book doesn't match what current fashions have decided is The Correct Style to write in

"this book needed an editor" if it's traditionally published, it had one. like. by definition. it was an editor who bought the book. that doesn't mean the editor did a great job but they definitely existed. there were probably at least two (acquiring editor who does the dev edits; copyeditor who does copyedits), and the proofreader, and a bunch of other people besides.

also i think people think editors are the ones who like. implement the changes. but they don't. they give comments and recommendations and ask questions and the author is the one to act on them. the editor will not rewrite the book. they will not fix the problems themselves, they will highlight the problem and the author will figure out a fix for it, or they will decide they don't agree that it's a problem and leave it as it. and a lot of the sentence-level style stuff is entirely on the author so if they don't have an ear for the rhythm then nobody's going to fix that for them. editors do a lot less than people seem to imagine they do, tbh

anyway

for reference—

structural/developmental edits: is this chapter in the right place and does the plot make sense and is the characterisation consistent and effective

line edits: is this sentence in the right place and is it as stylish as it could be

copy edits: is this sentence grammatically correct and consistent/factually correct within the story/its world and do the spellings follow the publisher's stylesheet

proofreading: are there any typos in this sentence and was the formatting preserved correctly when it was typeset

[pankomako]

dude not me thinking about post-gang war arc gang's bay aughghgh the character design ideas i have are so GOOOODDD

[tsuutarr]

Yandere!Hero (Chosen One) x Saint!Reader

Being the Hero – the Chosen One – means that the world’s fate is on Elias’ shoulders. He’s long since forgotten how to live for himself, his life belonging to everyone but him. He’s merely a puppet that’s being strung along by the world for the sole purpose of saving it.

At first, he was honored to be chosen as the Hero – it’s a privilege most don’t get. But everyone expects too much – everything – from him. His life is carefully shaped into what others want of him, people only looking at his role and not him as a person.

Now, he fights and saves people due to duty, not desire. There is no sparkle of pride when he helps villagers. Instead, all that is left is another thing checked off of his mental checklist. Now, he just wants to rest. He just wants things to be over.

So that’s why he despised the idea that some Saint from the Church would be his “helper.” Traveling with someone else is only going to slow him down. Not to mention the fact that he doubts the Saint has ever seen bloodshed and disease like he has.

But when he actually meets and travels with you, the Saint, he realizes that you’re actually not that bad. You’re actually kind of nice. He’d expected you to turn your nose at the commoner population, refusing to heal them, but you actively seek them out to help. You’re kind and gentle, but headstrong. Even when you’re visibly exhausted, you do your best to keep going. 

It’s… kind of impressive, actually. He had misjudged you, perhaps.

Even now, you’re helping the knights that were attacked by bandits (which Elias had vanquished), healing not only their bodies but their souls, too. He can’t help but look at you, a raw beacon of kindness that he hasn’t seen before in his travels. 

Once you’re done healing the knights, you look up at him, before a gasp escapes your lips. “Elias!”

He blinks at you, curiously.

“You’re bleeding!”

“Ah.” Elias looks down at his hand, blood dripping down his fingers. He had instinctively grabbed a knife by the blade earlier because he wouldn’t have been able to dodge it in time. “This is nothing.”

“Oh, shush!” you say, approaching him. You push him towards a tree stump, forcing him to sit, which he allows. Carefully, you take his hand in yours, frown deep set on your mouth. Your hand is so warm that it makes his heart burn.

“You’re tired,” he states, bluntly. He doesn’t tug his hand out of yours. “You’ve healed too many people.”

“I can–”

“No.” He shakes his head. “Rest for now, Saint. I am fine.” And he’s right – he’s the Hero, after all. His wounds heal much faster and better than a normal human being. He doesn’t necessarily need your healing.

“Still,” you murmur, looking up at him. “Can I at least clean and bandage it?”

It’s pointless, really, but Elias says, “Do what you want.”

So you do. You disinfect and clean his wound, before carefully wrapping his hand with bandages. For some reason, his heart squeezes painfully as he watches you tend to him so gently. He doesn’t remember if anyone’s ever treated him this kindly.

“There.” You look proud of yourself. It’s kind of cute.

“You didn’t have to,” he mutters without really thinking about it.

You give him a smile that makes his brain stop. “I wanted to. I want to support you.”

For some reason, your words almost make him want to cry. He’s not sure why – he’s seen so much death and destruction to the point that his emotions have become numb. Yet, you bring flickers of his feelings back to him – happiness, sadness, anger, love. 

You make him feel like he has an existence beyond just being the Hero. You make him feel human.

So, how can he let you go? He can’t – and he’ll do everything he can to make you his. Even if it means he has to destroy the world.

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[pickingupmymercedes]

A bit mushy - Lewis Hamilton

Let's see how Lewis and his wife do in a Couple's Interview.

pairing: Lewis Hamilton x Reader!

warnings: none

wordcount: +3k

a/n: Fun and light Lewis for the win, again thanks a million times to @greedyjudge2 for the idea and for some of the questions, I know I don't usually write carefree Lewis but it's my favorite ❤️❤️

As always, I'm open for feedback, come say hi!

_______________________________________

The room was buzzing—cameras being adjusted, light stands tweaked and a handful of crew members chatting as they waited for everything to come together.

Lewis sat comfortably on the low-slung, cushy armchair beside his wife, his hand resting casually on the back of her seat tracing lazy circles on her back. They looked impossibly relaxed, as if the cameras were invisible, and this was just another day at home.

The director, a laid-back guy with a coffee stain on his jeans and a clipboard that looked way too serious for the vibe of the shoot, strolled over.

He was juggling his phone and an energy drink, clearly a man trying to keep his cool while wrangling two of the most charismatic people in motorsports.

“Okay, so this should be easy” he started, his voice overly casual like he almost didn’t want to disturb the couple’s chemistry “No serious stuff. No PR-approved answers. We’re here for the real deal. Just answering a few questions about each other, nothing too scandalous. Think... fun, but, y’know, juicy enough to make people smile.”

Lewis’s wife, legs crossed and leaning slightly into her husband’s space, raised an eyebrow. “Define juicy” a sly smile tugging at her lips.

The director chuckled, rubbing the back of his neck. “You know, like... light-hearted scandal. Stuff people don’t already know. Maybe embarrass him a little—" he motioned to Lewis—"but in a cute way.”

Lewis shot the director a mock glare “Right, you don’t really need to ask her that” he said, his voice dripping with good-humored sarcasm.

His wife snorted, turning to face him with a grin. “Promise not to dig too deep. Unless we’re talking about those sneakers you wore to the beach...”

Lewis groaned, tilting his head back dramatically. “Not the beach sneakers again! One time and I’m branded for life.”

The crew around them snickered, and even the sound guy adjusted his headphones to cover a grin.

There was something about the way they bickered that had the whole room leaning in, as if everyone was witnessing the most intimate, casual conversation between two people who just fit.

The director, fully entertained, motioned to the cameraman to get ready. “Alright, alright. Let’s save the good stuff for the shoot. Remember, it’s just you two being yourselves. No need to put on a show.”

His wife reached over and squeezed Lewis’s hand. “No promises.”

As they shared a quiet laugh, the subtle touches and glances between them were enough to make anyone nearby smile. There was no need for grand gestures—the way they leaned into each other, how their conversations flowed effortlessly, said more than any scripted moment ever could.

They had that kind of love that made everyone else feel like they were in on something out of ordinary, just by watching.

The cameras zoomed in slowly as the couple got comfortable in their seats. Lewis leaned back, his arm still slung casually around his wife’s chair, his body slight angled so he could face her better, and she tucked one leg underneath her, turning toward him like she always did when they were in the middle of one of their many quiet conversations.

Except this wasn’t quite so quiet. The cameras were rolling now, and the world was about to get a glimpse into how they were with each other.

The director's voice came through, just loud enough to hear but never intrusive.

“Alright, let’s get this rolling. What embarrassing fashion trend did you take part in?”

Lewis immediately leaned forward, rubbing his hands together as if he was preparing for battle. “I’ll own this one. Bandanas. Wore them with everything back in the day. Thought I was some kind of rockstar or something.”

She tilted her head, eyebrows shooting up. “Bandanas?” she asked, feigning surprise. Her eyes glimmered with mischief, and she leaned closer, as if letting the audience in on a secret. “You sure it wasn’t the Timberlands?”

Lewis threw his head back with a groan, already knowing where this was headed. “Not the Timbs,” he mumbled, shaking his head like he was in actual pain.

“Yeah, the Timbs” she said, fully grinning now. “Let me remind you, you used to wear them with everything. Jeans, tracksuits, shorts, suits—”

Lewis raised a hand, stopping her, though there was a smile pulling at the corner of his mouth. “I still stand by those, alright? I don’t care what anyone says. Timbs are timeless.”

She rolled her eyes playfully, patting his leg. “Sure, babe. Whatever helps you sleep at night.”

The banter between them came so naturally, it was easy to forget there were cameras pointed right at them. The crew standing around had mostly stopped what they were doing, some watching the couple with amused smirks, others clearly touched by how playful yet undeniably affectionate they were towards each other.

“Okay, next question: What first attracted you to each other?”

Lewis’s wife leaned back, narrowing her eyes like she was trying to come up with something profound. “His sense of style,” she deadpanned, lips twitching as she fought back a grin.

Lewis blinked, his head cocked to the side. “Seriously? You were just attacking my Timbs? That guy’s sense of style?”

For a moment, she held her ground, lips pursed in mock-seriousness. But after a few seconds of staring at him—his bewildered look, the way he was just waiting for her to crack—she broke. Her laugh wasn’t exactly loud but it filled the room.

“Okay, fine!” She reached out, her hand landing on his thigh, fingers curling into the fabric of his pants. “It was your eyes.”

Lewis’s eyebrows shot up as he gave her a soft smile. He just stared at her, thrown off by her sudden honesty.

She smiled, her gaze softening too as she looked at him. “They’re intense, you know? Like you see things really deeply. The way you look at the world... it’s impossible not to notice.”

Lewis was quiet for a beat, his usual witty retorts momentarily forgotten. His hand moved instinctively to cover hers on his leg, squeezing it gently. “Well, damn” he finally said, his voice quieter than before, almost reverent.

The room around them seemed to still. There was something about the way they looked at each other that made it feel like they were the only ones there, like everyone else had faded away.

“Next one—‘On what occasion have you lied to me?’”

Lewis’s eyes went wide, a mischievous grin spreading across his face as he glanced at his wife. “Uh… Remember when I blamed Roscoe for loosing up your house shoes?”

Her mouth dropped open as she stared at him in disbelief. “No. You’re telling me you wore my house shoes, Lewis?!”

He winced, trying to play it cool. “I mean… It was just that one time! They looked comfy, and my feet were cold. I didn’t think you’d notice.”

“Oh, I noticed,” she said, crossing her arms. “I just thought Roscoe had lied on them, not that your big feet had wrecked them!”

The crew chuckled, sensing the playful tension building between them.

“Roscoe was the perfect scapegoat…” Lewis defended himself.

“My poor baby” she sighed dramatically, shaking her head. “You threw him under the bus!”

“He didn’t seem to mind,” Lewis replied with a smirk, leaning closer to her, his tone turning softer. “But hey, I bought you new ones”

She raised a brow, clearly amused but still pretending to be serious.

“Have I ever made you jealous?”

Lewis leaned back, arms crossed over his chest, a playful smirk creeping across his face as he quipped in before she could. “She has, yes.”

His wife’s eyebrows shot up in surprise. “Oh? When exactly?”

He didn’t answer immediately, taking his time like he always did when he wanted to build up the suspense. She leaned in; her curiosity evident in the way her lips quirked. “Come on, give me the details.”

Lewis shook his head, clearly amused. “The silver dress” he said, voice low.

For a second, she didn’t react, clearly trying to place the memory. Then, like a lightbulb flicking on, her eyes widened in recognition. “Ohhh, that night!”

Her laughter exploded from her, loud and sudden, catching even the crew off guard. She leaned back in her chair, clutching her stomach slightly as she laughed, while Lewis sat there, arms still crossed, trying his best to look annoyed but clearly failing.

“That night was something” she said between laughs, her eyes shimmering with tears of amusement.

Lewis sighed, shaking his head. “I’m glad you think it was so funny.”

“Oh, babe, you were so grumpy” she teased, nudging him with her foot.

Lewis didn’t respond immediately. Instead, he just looked at her with that mix of exasperation and fondness that made it clear that, no matter what she did, she was always going to get away with it.

“What’s a song that reminds you of each other?”

This time, she didn’t even hesitate. “A Life Like This by Nao.”

Lewis’s face softened immediately. “Why that one?”

She smiled, but it wasn’t her usual teasing grin. This one was softer, more intimate. “Because... before you, I was just going through life, you know? Things were just happening, and I wasn’t really... present. Then you came along, and it was like everything shifted. It was like my Saturn return was finally over, and I could just... breathe.”

For a moment, Lewis said nothing. His face betrayed him—no amount of his typical coolness could hide the way her words hit him.

He leaned forward slightly, his hand brushing a strand of hair behind her ear. “You’re really gonna get me emotional, huh?” he murmured, his voice so low only she and the mic could pick up on his voice.

She just smiled; her eyes full of love. “That’s the plan.”

The crew exchanged looks and quiet smiles. It was impossible not to feel the connection between them, like they were watching something precious unfold right in front of them.

“What’s something you wish you did more often?”

Lewis leaned back, thinking for a moment. “Lazy mornings.”

She smiled, nodding. “Yeah?”

“Yeah” he said softly, his eyes on her. “No alarms, no schedules, no meetings. Just us. Laying in bed, talking, laughing... not worrying about what we have to do next.”

She nodded again, her smile turning wistful. “Yeah.”

Their eyes met, and once again, the room seemed to shrink around them, leaving just the two of them in their little bubble.

“Okay love birds, next up ‘What is the most treasured possession that the other has given you?’”

She paused, tapping her chin as if she really had to think about it, though the answer was clearly already on her mind. “The necklace you gave me on our third date.”

The director blinked, looking between them. “Third date?”

“Oh yeah” she nodded, leaning back in her chair, eyes sparkling as she shot Lewis a teasing look. “He was whipped by then.”

Lewis rolled his eyes, though a smile tugged at his lips. “You make it sound like I was proposing marriage.”

“You weren’t far off, though” she teased, reaching for the necklace hanging delicately around her neck. “He gave me this beautiful pendant, that he designed himself, by the way, and I remember thinking, ‘Okay, this guy is serious.’”

Lewis chuckled, scratching the back of his neck. “I knew what I wanted.”

“That you did” she teased, nudging him with her elbow.

“Yeah” he grinned. “No point in playing games.”

She looked down at the necklace again, her voice softening. “It’s not just the necklace though. It’s what it represented. He was showing me he wasn’t just there for fun—he was there for real.”

Lewis met her gaze, his smile quieter now, filled with affection. “I meant it then, and I mean it now.”

“When did you first know that you were in love?”

This time, she was the one to hesitate, a mischievous glint in her eye. “In love with whom?” she asked, biting her lip to keep from laughing.

Lewis groaned, leaning forward and pinching the bridge of his nose. “Oh, don’t start.”

She giggled, clearly enjoying every second of his exasperation. “I knew I loved you when we went through about a dozen paint stores in Milan looking for the perfect shade of gold for that painting.”

Lewis raised an eyebrow, intrigued. “Oh, didn’t remember that.”

“Yeah,” she said softly. “I could’ve just mixed the colors myself and gotten something close. But you were so invested in finding the exact match that I just... I kept going. And I knew it then. I knew I loved you because you cared about the little things, the details that most people would overlook.”

Lewis stared at her; his face unreadable. Then, slowly, he smiled—a soft, genuine smile that seemed to melt the room around them.

“What’s your favorite memory of the two of you?”

Lewis leaned back, rubbing his chin thoughtfully. “That time we missed the flight in Paris.”

She let out a groan, breaking the feeling in the room, she already knew where this story was headed. “Nooo, not that!”

“Yep,” Lewis said with a smile. “So we were in Paris, right? And someone—” he pointed at her playfully, “—was absolutely convinced that the subway would get us to the airport faster than any car could.”

“It would’ve!” she protested, already laughing. “The traffic was insane!”

“Yeah sure” he replied, his eyes twinkling with mischief. “So there we were, dragging our bumps through the subway stations, hopping from one line to the next. Every station was like a maze, and we were so lost. I kept telling you, ‘Let’s just get a cab,’ but nooo, you were determined.”

She shook her head, smiling. “It was an adventure!”

“It was chaos and we missed the flight by hours” Lewis corrected, his voice teasing but fond.

“But honestly? It’s one of my favorite memories. You were so carefree, so determined, so in the present. We were lost in Paris but we weren’t lost within ourselves.”

Her smile softened, her eyes holding his for a long moment. “You never told me that was your favorite memory.”

“Yeah” he said quietly, his voice more sincere now. “I felt like we could just... slow down. Be present. No pressure, no expectations. Just you and me.”

For a moment, they were silent, the weight of his words settling between them. The room around them was so still that the soft hum of the cameras was the only sound. The crew watched them closely, as if holding their collective breath.

She leaned over, resting her head on his shoulder, and whispered just loud enough for the microphones to catch “I think that’s my favorite memory now, too.”

Lewis smiled, pressing a soft kiss to the top of her head, and for a few seconds, it was like the cameras weren’t even there. It was just them, lost in a shared memory, a world of their own.

The director, sensing the intimacy of the moment, cleared his throat gently.

“Alright, now to wrap this up ‘When can we expect little Hamiltons running around?”

Both Lewis and his wife exchanged quick glances, and almost in unison, they burst out laughing—only this time, their laughter had a bit of an edge, like they knew something the room didn’t.

Lewis leaned back in his chair, rubbing his hands together. “Ooooh, good one.”

“You had to go there, didn’t you?” she added, her eyes wide with exaggerated innocence. “Real smooth.”

The crew, sensing the couple was playing coy, leaned in just a bit, waiting for a juicy response. But instead, Lewis leaned forward, lowering his voice as if sharing a secret. “Well, you never know, right?”

His wife smirked, glancing at him sideways, playing along. “When you least expect it”

The director, not quite satisfied, pressed on. “Any plans in the near future?”

“Oh, besides, like, tomorrow’s plans?” she quipped, keeping the teasing energy alive.

Lewis chimed in again, grinning like a Cheshire cat. “We’ve got a lot of plans. Travel, Roscoe’s bath time…”

The director chuckled, shaking his head. “Dodging the question, I see.”

Lewis gave a knowing look to the camera, adding one final, cryptic comment. “We’ll let you know when it happens... maybe.”

And with that, they both smiled at the cameras, their laughter filling the air as the director called “cut” for the final time.

The room gradually came back to life, the hum of equipment being packed up and crew members chatting quietly filling the air. The couple stayed seated, though, still caught in the gentle pull of their shared moment, almost unaware of the bustling scene around them.

Lewis exhaled slowly, his shoulders relaxing as he glanced at his wife, his arm instinctively pulling her a little closer. She smiled, still leaning into him, her head resting against his shoulder, fingers absentmindedly playing with his fingers.

“That was a bit mushy, wasn’t it?” she murmured, a teasing lilt to her voice, though there was warmth in her eyes as she gazed up at him.

Lewis smirked, brushing his thumb gently against her arm. “Just a little. But you started it.”

She chuckled softly, nuzzling into his shoulder. “Tou’re not usually one for getting all sentimental on camera.”

He shrugged lightly, but there was no real defensiveness in his posture.

She smiled, her heart swelling at the softness in his gestures. “Good. I like you better that way.”

She sighed softly, sitting up a little and stretching her arms out with a satisfied groan. “People are going to think we’re a pair of softies.”

Lewis chuckled, the sound low and rumbling in his chest. “Let them.”

She smiled, sitting back in her chair and looking at him with a tenderness that only deepened as she reached out, her hand cupping his cheek for a brief moment. “I guess it’s not the worst thing to be.”

He leaned into her touch, his eyes closing briefly before he opened them and looked straight at her. “Nah, it’s not.”

Unbeknownst to them, the cameras were still rolling—just a little, a behind-the-scenes shot meant to capture those moments of candidness. The crew tried to keep their distance, giving the couple their space, but every now and then, someone would glance over, a quiet smile tugging at their lips. There was something undeniably magnetic about Lewis and his wife, the way they moved around each other, the way they fit together.

Without thinking, he stood up and extended a hand to her, pulling her up from her seat. As she stood, she let out a small laugh, one that was soft and filled with affection. But before she could fully straighten up, Lewis slipped his arms around her waist, pulling her into his chest in a gentle, protective embrace.

For a second, she stiffened—more out of surprise than anything—but then she melted into him, wrapping her arms around his neck. It was a simple gesture, nothing extravagant, but in that moment, it was everything.

“Alright, lover boy” she murmured, her voice laced with contentment. “What’s all this about?”

“Just holding you” he replied simply, his voice low and soothing, the kind of tone he used when it was just the two of them, no audience, no pressure. “Feels like we haven’t had a minute to ourselves in forever.”

She smiled as she found her place on the crock of his neck, her fingers absently tracing circles on the back of his neck “You’ll get them,” she promised quietly. “We’ll make time.”

Eventually, Lewis pulled back slightly, just enough to look down at her, his eyes twinkling with mischief. “You know,” he started, his tone teasing “about those Timbs.”

She groaned, playfully swatting at his chest. “I thought we agreed to leave the Timbs in the past.”

“I never agreed to that” he grinned, tightening his arms around her playfully. “I’m still rocking them, remember?”

She rolled her eyes, but the smile on her face betrayed her. “Well, at least one of us has evolved.”

He laughed, pressing a soft kiss to her head. “Maybe. But you love me anyway.”

“I do,” she said softly, the sincerity of the words wrapping around them both like a warm blanket. “I really do.”

______________________________________________________________

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[glow-in-the-dark-death]

Him (Them)

( So I decided 'fuck it' pitch pearl babyyy, I've seen other people do this ship and decided well why the hell not right. Anyways have fun!)

~

Phantom and his council were finally in the end processes to a peace treaty with Earth,

As years went on from what was once only the USA with their Ecto-Acts got worse. The GIW began opening in other countries without them truly realizing what they were allowing, until the Infinity Realms were at the point of declaring war on all of Earth itself.

The only reason that managed not to happen was because of Phantom finally being able to contact the Justice League and sit them down to have an actual conversation about everything that was going on.

That's where they were right now the world leaders, the 3 founders of the JL , and High King Phantom with his council arguing back and forth the peace treaty.

Phantom turned as one of the men stood up

" And just how are we supposed to truly trust you and yours to not take over or cause harm to our people?"

Others began chiming in, arguing that there was no true guarantee in what Phantom was saying.

Until a voice towards the back called out an idea

" Marriage! To truly unite our worlds in peace King Phantom must marry one of our own!"

Phantom subtly tensed the idea of a loveless marriage to a complete stranger made his core tremble with rage.

He glanced around seeing the looks of the people around him, he saw their greed for his power and status, their point for the marriage would be to control him or at least give them an advantage.

Phantom tuned out the arguing between the JL and the rest.

Thinking of what to say to get out of this situation without risking the treaty.

Snapping back to attention holding back a sharp smirk.

" Gentlemen if what you fear is the safety of your people then do not fret I have protected and saved your people and world since my creation, as for your request of a marriage to unify our world then I have wonderful news for I am already married to one of your people and even have children with him."

Phantom looked at the shocked faces around him, a couple grimacing or frowning at their missed opportunity to have control and access to him by one of their chosen.

A rather stupid man for what else could he be with what he said next.

" Then divorce him and marry someone that we find more suitable!"

Phantom's form distorted around him as he processed what he had just heard.

" Divorce? You wish for me to Divorce my husband, the one who I cherish above all else, the one I have shared my core the very being of myself with. The one who I gave my very being and soul to create our children. The one who is half my being, the one who if not for him we wouldn't be speaking at this moment because it was only his word that kept me from declaring war on your world."

"Make no mistake I do wish for peace between our worlds, many of my people are from this world and would like to continue to stay or visit especially for their loved ones, and I would like that for them without the danger of being hunted and torn apart."

"For if I wished war your planet would not stand a chance for what is a few million of your soldiers compared to my infinite soldiers that only would continue to grow as yours died."

"For him I fought and won against the previous tyrant King for daring to to cause him pain, the very King who only was defeated previously by the combined efforts of the strongest in the Infinite Realms, The very same King I defeated alone."

"So please do continue talking against my husband."

"..."

"What is his name?"

"Danny Fenton."

~

Just an Idea

[heavysighing-dreamyeyes]

His Name | Soulmate!AU

~1.1k words

Jason Todd. That's the name that etched itself on your thigh the night of your sixteen birthday. Which is great, you have a soulmate. The issue is that you know– knew a Jason Todd. He happens to be six feet under the dirt in a graveyard you visit every Saturday. Which is not so great.

Being soul bound to a dead person gets you a lot of pitying glances from the people you know. You tell them there's more than one Jason Todd in the world. It makes your family shake their heads. You try not to dwell on the heartbreak on their faces when you tell them that, when they think you can't see it. They saw you and Jason together when he was alive. There won't be another Jason Todd in your life.

It's something you've slowly come to terms with, when no other Jason Todd finds their way to you, the idea of never seeing your name permanently marked on someone else's skin. The fact that you might never really have the person that's supposed to be yours.

That's why you might have reacted kind of poorly when Red Hood brings you up to a quiet rooftop, tugging off his leather jacket in front of you, dragging the material of his suit up and over his forearm to reveal your name on his skin.

You weren't even doing anything dangerous to get here, just at the wrong store at the wrong time, while some third-rate rouge went on and on about conquering the city. Standard Gotham experience.

What wasn't normal was Red Hood crashing through a window, brutal and efficient with every movement until each person with a gun was knocked out and beaten on the floor. Sure, you were aware he wasn't exactly a crime lord anymore, labeled a 'turned vigilante' by the press, but press also said he doesn't tend to leave crime alley. And you definitely weren't in crime alley. None of news stories of him saving people exactly calms the adrenaline coursing through you when he picks you up like it was the easiest thing in the world for him, hoisting you like you're made of glass over his shoulder and grappling you both to a nearby roof. You're alone before you even have time to process it.

You stumble back when he gently, so gently it makes your heart stutter, sets you on the ground. "Who do you think you are? You can't just grab people–" your biting words cut off as you register the black lettering across his skin. Your name. Your name is there. On Red Hoods arm.

You reach out to touch it before you can stop yourself, fingers trailing down his forearm and over each letter of your name. He lets you, not speaking words, only sighing in what sounds like relief. You force your gaze from the mark you could stare at forever to meet the glowing eyes of his mask. "You're- Jason Todd?"

He nods, every nerve of his body completely locked on you. It doesn't clear anything up. He can't be Jason Todd, at least, not the one you buried.

You make a face and step back, crossing your arms, "Yeah right."

He seems to blank, arm still held out, showing your name permanently engraved on his skin. "Yeah, right?" He echos, deep and robotic through the modulator of his mask.

You set your jaw and nod.

He tilts his head, lifting his arm higher to make you see the mark. To see your name. "Do you think I faked it?"

That makes you falter. Why would he? There's nothing to gain by pretending to be your soulmate. "Well, no. But you still could have the wrong person."

He exhales a laugh, breathes out your name with more fondess than you've ever heard. "Always so stubborn."

Your frown. Sure, maybe you could be stubborn but he doesn't know that.

He says your name again, reaching up to tug his hood back, reaching for his mask.

It makes you freeze, eyes going wide in shock when you make out his face. Jason. Your Jason. "How–" You start, but can't quite manage to finish, eyes darting over the face that's so familiar, only older, more tired, more scarred. But his eyes are still the same. Intent and focused and bright when everything around him is dark.

"It's a long story." He says softly, before starting to ramble, nervous to upset you, to lose any chance of knowing you again. Any unease you felt around Red Hood fades as you recognize the boy you grew up with in him. "Maybe I could tell you? Over coffee? I have safe house nearby. But, only if you're comfortable. Or we could meet during the day, if thats better?"

His voice sounds more familiar without mask, and you study him, almost accusing. "You didn't have to kidnap me to tell me you're alive. Or that you're my soulmate, you know."

He stumbles over your words, taking half a step closer to you. "I didn't! I mean, I wasn't trying to. I swear– I just couldn't take all of this off down there." He gestures to the mask, a little frantic to gain your approval.

It brings a small smile to your face, and he stops still at the sight of it, breath catching in his throat as you speak, "I'm glad you're here, Jason."

"I'm glad you're safe." He exhales out, eyes softening and tension draining from his muscles in relief.

You can't quite fight the urge to reach out for him, so you do, taking his hand and gently flipping it over so you can read your name again. You have questions, absolutely. Gripes. Proably a lecture that he should have come seen you sooner. But you settle on how right this feels in your bones, how your soul feels like its missing piece slotted into place. "Do you have creamer?"

"Creamer?" He asks, voice airy and memorized by the feel of your skin against his hand.

"For the coffee?" You prompt, smiling a little wider at his dazed expression, his eyes following your hand, like he can't believe you haven't run screaming for the hills.

"Yeah. Course. Anything you want." And when he focuses back in your face, you know in the very essence of what you are that he means it.

"Coffees a good start." You say, a little fond as you pull away your hand away, and he reluctantly lets your fingers slide from his.

"Coffee it is." And it is a good start. To know your other half again, to follow the warm, soothing feeling in your soul when you touch him, you'll try as many starts as it takes.

[obsessivevoidkitten]

Ghosted

Male Jock Yandere Ghost x Gender Neutral Nerd Ghost Reader

CW: Reader death, ghosts, spirit world, manipulative yandere, stalking, general yandere behavior, consensual sex

Word Count: 801

(Trying to get back into the habit of writing, this is the result, hope you like it! I consider a demented ghost as still being a monster and therefore still teratophilia.)

You had died in college. One moment, you were being your nerdy self, rummaging through your binder, and the next, you were on the ground. You didn't really remember much, all very fuzzy. Was it a stroke? A brain aneurysm? You had no idea.

Once you were brain dead, though, you stepped from your body and appeared on the ghostly plane. A fog filled realm that somewhat mirrored the world of the living. Though spirits could make alterations, there were spaces untouched by the activities of the still living. 

There were a lot of ghosts. Many of them wandered aimlessly or were stuck in a loop of denial, acting out behaviors as if they were still alive. Others lashed aggressively, unable to regain their grip on their sanity. 

You mostly kept to yourself. Like Jonesy taught you. He was a former jock about your age when he died in the late 80s. He still wore his letterman jacket. You weren't limited to the clothes you died in, but you figured it was a symbol of how he was still attached to his old life.

Jonesy had taught you a lot of things. He had pretty much been your mentor since you had died. He was there waiting when you passed. He said he had sensed someone might die as he was wandering the halls of the college, where he had also died years ago. 

Jonesy said he was stuck in a loop. Being alone had made him lose his mental stability. But when he sensed you were about to die, it snapped him out of it. He said you saved him, so he wanted to get to know you and help you navigate the land of the dead. 

Plus, being together would help prevent the two of you from getting mentally frail. 

It was a bit of a paradox. Jonesy taught you to avoid most spirits, but communication and relationships were essential to staying sane. 

"You just have to know the right types to befriend. Many of the people here have a darkness in them and can drag you down if you're not careful."

He also told you the other secret to remaining stable. 

"You have to keep busy, do stuff. Don't get too bored."

There was a surprising amount you could do as a ghost. You could go to stores and yoink whatever you wanted, eat whatever you wanted, play video games, there was even a ghost version of the internet! 

Getting infinite free popcorn at the movies was your favorite thing. Jonesy always did that lame pretend yawn thing that ended with his arm wrapped around you. It was nice, though. Made you feel safe. You had been touch starved in life.

The transition to him being your boyfriend was so seemless and natural that you barely noticed that it had happened. You had never stopped any of his advances. Cuddling you, holding you, and smooching your cheek.

You didn't even question it when chaste kisses led to him kissing you hungrily before carefully taking off your clothing, like he was removing the wrapping from something delicate. 

Soon you found yourself laying ass up on his bed with him pounding into you, drinking in all your lusty moans and unabashed calling of his name.

He gripped your hips firmly as he came deeply into you; the pleasure made you see stars. His girthy cock stretched you wonderfully. You felt so lucky and special that this jock spirit had taken an interest in you, a lowly nerd.

Jonesy felt lucky too. He hadn't been in a loop. For a year before your death, he had been haunting you, It was difficult to peek into the living world, but once he found you, he was addicted. 

He loved watching you read books, study, and watch anime. He especially loved watching you shower, fervently jerking hinself off as he did so. 

It wasn't enough though. He needed to have you with him! You had been so perfect for him. You were kindred souls in a way. You were always alone and starved for attention. You'd fall for his affections easily, and you wouldn't just crossover beyond the purgatory the two of you were now in, you were too depressed for that.

Influencing people who were still alive was nearly impossible, but decades of being alone had made Jonesy angry and bitter. He used those emotions as fuel and tried many times to trip you down the stairs or get you to stroll into traffic absentmindedly. Finally, the jock was successful in busting something in your head.

At long last, you were with him. As he held you tightly, after making love several more times, he knew he'd be able to keep you there forever and he'd never have to be alone again. 

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[thehollowwriter]

I'm ngl, I think the Spider Verse movies are the best depictions of Spider-man. They embody the very concept of Spider-man perfectly, and I believe this because of the explosive fandom reaction to them, especially the sequel.

So many people from so many backgrounds all over the world started making their own "spider sonas", their own ideas of a spider person. Sure you can just say it's a trend, but people are still doing it now. I've seen disabled Spideys, queer Spideys, Spideys from any country you can think of, Spideys with vastly different designs, aesthetics and personalities, Spideys who are deeply rooted in the creator's culture, yet who are all unquestionably Spidey.

Never before has the message of "anyone can wear the mask" been so true, and never before have so many people believed it.

People saw themselves represented on screen whether it be through the mc or side characters, they saw the limitless potential of so many different dimensions and universes, they saw Miles reject the "canon" and the idea of what Spider-man "has to" be (which is quite clearly at least partially inspired by egotistical and bigoted Spider-Man "fans" who believed there was only one Spider-man and only one way his character could be depicted and only one way his story should be told) and they understood that yes, they were included in the phrase "Anyone can wear the mask"

Spider-man was always such a successful character who everyone wanted to see for a reason. He isn't the same as many other heroes who were all adults and seemed to be in a place most viewers couldn't dream of seeing (rich, a god, a super soldier, etc).

Peter Parker starts out as just some guy, an everyday middle or lower class person who does everyday things like go to school or miss the bus or get fired. Peter was no smooth and classy ladies man, he wasn't a sports star or anything. He was an awkward and shy guy who liked "nerd" stuff.

He, in the words of MJ, "just happened to get bit." It was an accident, a spider bite. He wasn't in the military or creating a powerful suit or anything. He's some guy who got powers and decided to use them to protect people. Just your friendly neighbourhood Spider-man.

Most importantly, he was the first superhero of his kind. Before Spidey, there was no "teenage superhero." There were only adult superheroes, and teenagers only appeared as sidekicks. When Stan Lee suggested a teenage superhero, he was told it was a terrible idea, and nobody would want to see that.

Well, I'm sure all of us in 2024 where the Spider-man IP is worth over $27 billion with ten movies starring Spidey as the mc, and several more where he makes an appearance as a side character, and where Spider-Man: Across the Spider Verse set several box office records and was the sixth highest grossing film of 2023, can see how wrong that was.

Since his conception, Spider-man was a character who defied how things "should be" and took that leap of faith, and it led to greatness. Just like Miles' entire story of becoming Spider-man being completely different from what we've seen so many times before. Just like Miles defying Miguel and carving his own path, even with the threat of "breaking the canon" (which I personally think can be interpreted as a representation of the idea some people have that if you make Spidey "too different", you'll destroy him as a character)

Together, the two Spider Verse movies managed to prove that yes, anyone can wear the mask. You don't need the "right" skin colour or gender or backstory or plot points. Those are not what makes Spider-man who he is, and those are not why people fell in love with his character and concept.

What made Spider-man who he was, was his actions, his compassion, his relatatability, and how he inspired people. He's a hero whose entire appearance is covered by his suit, and yet is not doubted as a hero by those who were saved (plots where the writers want to make him suffer more exluded/hj).

So yeah. I really love the Spider Verse movies. Not just for their animation, music, story, and voice acting, but also for how they managed to embody and challenge the idea of Spider-man and potrayed just why Spidey was so loved.

(I mainly focused on Miles in this lil rant because he's the mc, but if ya'll want to discuss other characters like Gwen please comment or reblog with your thoughts, I'd love to hear them!)