#like the first encounter with the meta

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

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Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

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Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[desultory-novice]

Silly question, BUT! What if, humor me for a moment please...

One of Adeleine's old bullies/people who tried to poison her and Noir, somehow ran into her on Popstar and discovered she not only is a well known hero, BUT ALSO has a bunch of terrifyingly overpowered creatures as friends?

Apologies Adeleine is not the type to hold a grudge. If such a person showed up, rather than publicly indicate to her giant hammer-wielding penguin friend that this was the person who broke her stuff and made her sad (and in an extremely roundabout way led to the death of her brother but SHE has no way of knowing that...) she would probably privately give them her best frown before BOOPing them on the face with her magic paintbrush and call it payback.

Then she would return to the people she cares about the most while leaving them stunned at how things have shifted since those days. (You get back what you put in!)

Adeleine's friends are, in the end, not tools of vengeance to flaunt to those who hurt her feelings back in the day. Her friends are there to celebrate the good times with her. (That said, big softie or not, King Dedede could be quite intimidating for her when needed. XD)

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Now, White-Haired Noir has some... stories ...from their past that Adeleine never knew. Stories that if they were to become known, ought to make the people he killed feel lucky their bodies are lost deep beneath the permafrost when the group reached Shiver Star.

I doubt much shocks Meta Knight, and Kirby, Waddle Dee, and Ribbon would probably be more sad than anything, but King Dedede? Who finds himself growing paternally protective of the siblings in either universe? That revelation would not be pretty...

[cliveguy]

when you get into something new and want to fill the dash with it so you follow a bunch of random blogs indiscriminately. only to witness forms of fandom brainrot you thought went extinct in 2015.

[moongothic]

Personal dragon-crocodile break up song “go find yourself or whatever” by carly rae jepsen “tell me that your mind’s been changing, i tell you that im no good at goodbyes” “I feel safe in sorrow and you feel safe on an open road” “so go find yourself or whatever i hope it treats you better than i could do…and I’ll wait for you” “tell me that we’ll meet up someday, i tell you I’m no good at telling lies, maybe when my hearts done breaking then I can forgive what you tried”

Y'all are so cute and wholesome with your song choises omg

Okay so I'm not one to really make playlists for my faves or anything, it's on very VERY rare occassion when I listen to a song and think to myself that "ah yes, this gives me X-vibes"

Anyway Roots by In This Moment is my Dragodile Divorce song (if the Divorce was Bad, specifically)

[trickstercaptain]

       also though while i'm thinking about tattoos and the symbolism of them, i also laugh to myself that i frequently describe Jack as not a romantic when the following things are true:

• he says in tpof that he has read "most of" shakespeare's poetry, and considering his poetry is almost entirely comprised of the sonnets, some of the most famous love poetry in all of human history.... and while you can say that it might have been pure coincidence that Jack happened to obtain a book of poetry over some of his plays while he was younger.... the indisputable fact is that Jack still read them.

• the bandana and the sash are both gifts from lovers and pieces of his clothing that he is inseparable from, and the majority of other effects and trinkets are sentimental gifts/keepsakes from people he's cared about and places that he's been.

• likewise, his method of gift-giving is to randomly pick up things on his travels and spontaneously give them to people. like a crow.

• literally falls in love with his ship on first sight and is therefore guilty of the most cliche romance trope of all, and does so in spite of the fact that she was in a poor condition and in desperate need of tlc, because Jack always sees past the surface level of the things and people around him.

• and speaking of his ship, everything that he has ever done for or because of her would be worthy of any romance novel if the Black Pearl were human, i'm js.

[thejolteonmastertj]

Hello the fact that Legend’s apparently been carrying a tempered version of the Master Sword and nobody—not even Sky’s seemed to realize it yet actually broke my brain.

The Master Sword of the Downfall Timeline

As promised in my last post, here it is! My little deep dive into Legends sword and how I think it will affect the story going forward.

(Also, I loved reading everyones thoughts on that post. Thank you so much for sharing!)

(art is from Nintendo Player's Guide (SNES) for A Link to the Past, pg 17. AND Jojo's LU comic, Divine Dark Reflections pt7)

Sorry this took a little longer then planned, but I came across some new interesting details while researching this and it took me a bit longer to compile my thoughts.

Let’s quickly start off by discussing some points that were brought up by others on my last post.

Is it possible for two Master Swords to coexist in the LU?

YES. In fact it's happened in canon before!

“At the end of Skyward Sword, because of the time travel involved, the Goddess Sword and Master Sword exist simultaneously. The Master Sword is within the Sealed Temple while the Goddess Sword is up in Skyloft.” —https://zelda.fandom.com/wiki/Master_Sword

Is the Spirit of the sword still in Legends sword?

Again, I would say yes. Not only is this supported by the Tempered Sword glowing in response to the Master Sword after Legend regains his human form, but also if BotW is the ending point for all the timelines then that means the spirit of the sword lives on, as it's HEAVILY implied that Fi is the one who tells Zelda that Wild can be saved.

— 

Ok, now let's jump into the predictions and theory!

First, gotta start off with some context.

This actually all began when I came across this old quote from Jojo while making my The Chains Secrets post (and my thoughts just kind of spiraled from there...)

“they know a Hero before failed, it’s nothing personal to them, it’s simply the world as they know it. But it gives weight to their responsibility seeing as the Hero of Hyrule’s home is still suffering the consequences. but this did give me some good ideas so Thanks for this Q!”

This quote is regarding Hyrule and Legend’s knowledge of the death of a previous hero. They haven’t mentioned it yet to the others (and I highly doubt they realize that the Hero who died was an alternate version of Time), but it’s not like it’s never crossed their minds… for instance, I bet you anything that when Twi was discussing the Master Sword with Legend that the thought of the previous hero’s fate crossed Legend's mind.

It’s a small but important detail. Legend is aware of the fate that met the hero before him, but hasn’t said anything about it yet. I’m not entirely sure why, but I can see how this knowledge would weigh heavy on him.

So how does this relate to Legend's version of the Master Sword?

Strap in, we're diving into a lot of lore!

As I delved further into research for this theory I noticed something very peculiar about the Master Sword in ALttP that I have never noticed before.

The Master Sword changes forms when pulled from the pedestal.

Now you might be thinking, Binkus, come on... the developers had to simplify the sword cuz originally it was like the size of the player. And yeah... true. BUT while looking into official art for the game I noticed that the sword is also depicted in two different ways from when it's resting in its pedestal VS Link wielding it. Take a look.

See how the sword is depicted in the pedestal in comparison to outside of it? Even the box art and the games title screen feature the two different versions of the sword.

To my knowledge, there's no in-game explanation for this. It just happens.

(quick side note... I am once again floored by Jojo's attention to detail here! She took elements from various depictions of the Master Sword when designing her version of the sword that Legend finds. There's the shape and coloring of the modern depiction of the sword, the lack of a spike on the on the cross-guard and the different rain-guard on the ALttP version of the sword in the pedestal, plus the cloth/leather wrapping from the golden hilt version. Just amazing.)

Now, it's not unheard of for the Master Sword to take on different forms. It has slight variations in all the games it appears in, with the largest changes to its design happening in Skyward Sword, Wind Waker, and (of course) A Link to the Past.

Ok... but why? Why change forms upon being pulled out of the pedestal? And specifically why change to look so beat up? Is this the swords true form? The sword in the art with the golden/orange hilt isn't looking it's best. Just look at the sword on the box art for the game, it's all dinged-up.

(This is probably why Legend tempers the Master Sword in the first place)

But you know, Legends Master Sword reminds me of another— the Master Sword from BotW. Specifically it's depiction in the final memory.

During that last battle, Wild is dying and the state of the sword reflects that. He wasn’t suddenly struck down with a surprise killing blow. He was struggling to even stand and was running only on adrenaline and determination to protect Zelda. The moment she accesses her powers and saves them he just collapses.

Zelda's dialogue in the game also implies there's a connection between sword and master.

“We pray for your protection, and we hope that… that the two of you will grow stronger together, as one.” — Zelda (Breath of the Wild)

So it seems that if the sword's master dies, there's a negative impact on the Master Sword itself.

Even though Wild was brought back through the Shrine of Resurrection, the Master Sword is definitely not in the best of shape and constantly breaks (and the BotW 2 trailers further support this with the sorry state of the sword in those previews)

Now, remember what happened to the swords previous master before Legend?

He died...

And the Master Sword's true state after being pulled from the pedestal in ALttP reflects this.

Legend inherited the burden of a suffering kingdom and a dilapidated sword mourning for its lost master.

"Thank you, Master Link. May we meet again in another life…" — Fi (Skyward Sword)

Time was only the swords second wielder— Fi finally got to meet her master again, however this time he was only a child. The spirit of the sword probably did what it thought was best by putting a young Time into a seven year sleep, but unfortunately we know that decision didn't turn out too well in any timeline...

One he's essentially erased from and Ganondorf returns, another he regains his lost time but dies full of regrets, and the last (which Legend is a part of) he dies fighting Ganon.

Maybe it would have actually been worse if the sword had never put him to sleep, but we'll never truly know...

Ok, so where can this take the story in regards to LU?

Well... there's two character's in particular that I've already mentioned that I believe could be impacted by both Legend and his version of the Master Sword; Wild and Time.

And perhaps part of the reason Legend has yet to mention the nature of his sword is just for story telling purposes. You know...for the ✨DRAMA✨

I've touched on Wild's complicated feelings towards the sword in a previous theory, and we know that he's currently struggling under crushing guilt at the moment.

Legend is probably not someone's first choice when seeking out comfort, but I believe Legend's unique experiences could help him understand what Wild is going through. Legend knows that Wild is not the only Hero to die. He knows what it's like to not be able to save everyone you care about. He knows what it's like to wield a battered sword. He knows what it's like trying to save a barren land. He knows that none of what happened was Wild's fault, and that the blame falls solely on Ganon.

I'd love to see these two have an interaction where they open up about their experiences.

With Time, I ponder the possibility of his views on the Master Sword changing slightly. Or maybe just healing the spirit of Legend's sword. He would never willingly use the sword that Sky currently carries, but imagine a circumstance where he unknowingly takes up Legend's blade, and he wields the sword that has been mourning his death for centuries. This could be an interesting way for everyone to find out more about their weird timeline split. (plus Time finding out he died in one of them is delicious drama/angst)

Having said that however... Seeing how the Hero before Twi (AKA Time) left the sword in perfect condition in the woods where he grew up PLUS the fact that the Hero's Shade carries the Master Sword's scabbard when teaching the 5th Hidden Skill leads me to believe that Time's feelings towards the sword may soften up a bit.

I'm leaning more towards the Legend & Wild interaction theory more so then the Time & Legend's Sword theory, BUT let me know your thoughts! I always love to hear them.

Also, if you like my long rambling then feel free to check out my other LU Theories!

Thanks again to everyone who read up to this point! You're the real Heroes! <3

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[dcxdpdabbles]

For the Danny=Ra's Al Ghul thing. Danny comes from a world that only looks like ours on the surface level until you get alternate names like Lake Eerie while we have Lake Erie or the alternate histories like Pandora or even Vortex

Now in our world, Sherlock is used sarcastically whenever someone points out something obvious. Danny might come from a world where Sherlock Holmes isn't as popular and the word "Detective" is used in place of Sherlock. Cue him using that word often and using the same context when dealing with Bruce or Tim to really sell that he's an alternate Ra's

"No shit, Detective"

The words slipped from the boy's lips in such a deadpan tone that for a second, Bruce half thought he imagined it. There was one thing to be told that an alternative version of Ra's al Ghul was caught battling it out with Green Arrow; it was another to be confronted with a teenager who spoke in the confusing lingo of his kids.

Bruce had seen Child-Ghul lose his mind over Go-Gurt alongside his friends- the assassins so dangerous they all earned the nickname of demons- when they happened to come by it in a regular grocery store. They had appeared like normal teenagers visiting the United States for the first time.

In fact, Bruce had yet to be aware that he was observing Ra's. He had been running around Gotham attempting to find the visitors and had accidentally overlooked them because of their genuine glee at finding tubed yogurt.

Even Dick and Damian had seen the same group but also dismissed them. It was strange to fit a version of Ra's Al Ghul, who was happily using hoverboards in the park while his friends recorded the great mass murder thousands of years old.

Tim was the only one who figured him out on sight. Bruce wonders if that was due to his son being incredibly intelligent or if Tim's hatred of Ra ran that deep. If it was the latter, Bruce would bet that even in his next life, Tim would clock Ra's in a crowd.

Red Robin had tracked Child-Ghul and his crew to an old cemetery, where they had been busy cleaning up gravestones. They had even fixed up broken stones and placed the proper offerings for each person.

How they knew which person followed which religion in life was a mystery.

Tim suspected they were attempting to rob another grave. Maybe they had known the people buried there- with Ra's being as young again- or they were trying to do some weird magic thing to save the planet again.

Bruce wasn't so sure.

He observed that the highly trained children cleaned up the cemetery and occasionally had random bursts of dance parties between the graves. He didn't think they were trying to steal anything- instead, they seemed to be suffering from mental illnesses.

Sometimes, one of them would speak to the air, asking it for an opinion on a new grave site. They might have been just regular people in their own world- Bruce had encountered civilian versions of himself and his kids before, so why no villains?- but the idea that Ra's Al Ghul had meta powers, any version, made him paranoid.

It didn't seem possible that Ra's didn't abuse his powers somehow. What could the strangers possibly be doing if it wasn't for world domination?

He got tired of watching and waiting for answers that weren't coming. Batman would force the children to tell him. He waited until the Child-Ghul wandered far away from his group, a bucket and brush in hand, and he arrived at a giant moss-covered stone.

Bruce watched as he greeted the air before sliding to his knees and scrubbing the moss away. His form was all wrong.

That was not a perfect crouch or position that would generate a fast reaction in case he needed it. In fact, the way the boy curved over the stone indicated he would suffer from backache if he sat like that for too long.

The Ra's Al Ghul would never have been caught dead in a similar weakened posture.

Did that mean this version of Ra's had no formal training?

"What do you think you're doing? " He growled, stepping out of the shadows. The boy jumped a good foot in the air, checking another box in his theory of not being trained.

He watched as Child-Ghul spun around, brush held in a sloppy throwing form, before freezing at the sight of him. At once, the tension eased out of his shoulders. He didn't seem afraid of Bruce, which was rather strange.

He built this entire persona to intimidate people at first glance. Yes, he had redesigned himself after learning kids were afraid of him, too, but the original design survived long enough for him to wield his fear tactic as a weapon.

"Ugh, what do you think you're doing walking around looking like that?" the boy sasses, gesturing at Bruce's whole being. "You look like a three-year-old drew you."

That was.....a rather creative insult.

"What are your plans here" He demands, ignoring the comment.

The boy raises a brow. His face twists into an expression he saw on Ra's Al Ghul before, and for a moment, Bruce wonders if Tim had made a mistake. How could Ra's look so humble. "What do you think I'm doing with a brush and a bucket of soap water?"

"You're cleaning the gravestone."

"No shit, Detective"

The phrase was like cold ice water pouring down his back. His pronunciation, facial expressions, and body language were exactly like Ra's.

Tim was right.

"Why?" He demands, stepping closer to tower over the boy.

"If you don't get out of my personal space, Imaginary Vampire Grandpa, we will have a problem." Child-Ghul hisses at him. For a moment Bruce is reminded of Damian.

"Try me."

Child-Ghul's grin is sharp and mad as he yells. "Escort this man to the door!"

Bruce raises his fist, ready for anything, only to literally feel invisible hands grab at him, dragging him out of the cemetery. He is flung out of the gate with the watching teenagers snickering.

Bruce bites back a curse. Of course, a child version of Ra's has ghosts working for him. He'll have to call the Justice League Dark for this. He hopes Zatanna is the one who answers and not her husband.

[radiance1]

If you asked Danny how he found himself in this situation, he wouldn't be able to give you a short answer. For you see, Danny was a Prince, heir to the throne that will never be his (and thank the Ancients for that) and an ageless being who will stay around for eons to come.

He out-lived his family, friends, entire town. Except for Vlad, that man wouldn't die so easily to something like old age, much less when his empire still stands.

Regardless.

Danny has been summoned only a handful of times, all of which were either mistakes or some mortals who wanted to summon something for shits and giggles.

He liked the last ones, they usually have pretty good food.

However, the last summon he's answered, a mistake, was done by a handful of wizards who weren't exactly happy with the results they got, so he made fun of them severely for their mistake and then their master- who was apparently watching in case things went wrong- turned him into a cat after he could a bit too... excited.

So, how did it escalate from there?

It was a simple thing, really, he encountered a few injured cats, and then nursed them back to health. Then those cats kept coming back to him, again, and again, and again, the first few times with injuries, but later they came just to be around him and chat sometime.

Then they started bringing other cats around him, skittish ones they were, not exactly keen on letting him take care of him the first few times, but just like the ones before, they soon came around to consider him as a friend of sorts.

Then that repeated, and repeated, and repeated.

Then suddenly, he found that he had acquired a family of sorts, one made of feral cats that were as chaotic as his own, previous, family was and more. It was... nice, when he realized that, that he had a place, a foothold, in the mortal world and not just as Prince of the Infinite Realms.

Although, the amount of grandpa jokes when he revealed his age- 150 is still young, he'll have you know- was something that took getting used to. But it was nice to know they were comfortable enough to call him that.

There were some special cases among his little Familia. A few of them had what this world called meta-abilities, ranging from such like superstrength, enhanced durability, super speed to things like telekinesis, teleportation, flight, etc, etc.

One of them even had the ability to separate their body parts.

He kept an eye on those that had these abilities, no doubt that multiple people would try and kidnap them for nefarious purposes. Though they were incredibly small in number, caution is best to be kept, especially in a city as dangerous as that of Gotham.

He's never really made himself known to anyone other than his little Familia and a certain cat-themed criminal. He preferred to stay in his little warehouse, watching the days pass while taking care of a few kittens here and there, sleeping, eating, managing to use that Tv and computer he stole that one time to watch whatever thing is one.

It was a very calm life, all things considered.

Of course, then came a disturbance in said life, when the apparent rival Familia's wanted to meet him for one reason or another. Helpfully supplied by the first to have join his Familia, a cat with an immortality ability that he named Kevin.

Of course, he never knew Kevin had was immortal, but seeing him die one too many times and watching him get back up was prime evidence that he had one.

Apparently, his Familia was regarded as a relatively new one in the city of crime, and the other cats that were considered 'Heads' wanted to meet him for quite some time, especially when is got as big as it did and Kevin, glorious, glorious Kevin, has been going in his place to said meetings, and this district of Gotham they occupied was considered their territory.

Danny was blissfully unaware of this until today. But he decided that Kevin, sweet, hardworking, death-defying young Kevin, can continue engaging in cat politics, he wants no part in such things and Kevin has proven himself capable of handling it!

As much as he didn't want a part in this, he was persuaded to go at least once and can then leave everything up to Kevin. So he goes there, does things, talk to other 'Heads', being very vocal in his body language about how he couldn't really care less about being there.

Of course, he had to care when he sees Batman being thrown through a nearby wall and seeing as how he's heard about him from a friend (Catwoman has made it very clear how she felt about him on numerous occasions whenever they met.), he wasn't exactly keen on seeing him being smushed into a paste, so he went ghost, pure black fur being replaced by glowing white.

And then slammed right into a battle with Bane.

Kevin he swears to the Ancients if you for some reason try to get into this fight and die again, he will treat you like a kitten for the next three weeks.

[blazingstar24]

RIGHT! Because we have to remember in his notes, his desire to be Ruidusborn comes before he even made contact with Predathos. Even before something found him in dreams and before he did the ritual that destroyed Molaesmyr, he wanted to be Ruidusborn.

Solely out of spite and hatred for the Gods. It had nothing to do with power nor Predathos yet. There is something to be said about the fact that Ludinus fully admitted to desperately wanting to be part of a people, that have throughout history been hated, shunned, and called a curse. That does not speak to someone who wants power. No power hungry mage wants to be hated or shunned. Every Arcanum mage collapsed under their own hubris and need to be worshipped and revered. Ludinus was fine with being a villain, something Vespin Chloras the most infamous Arcanum mage couldn’t stand to be.

Ludinus needs power, yes this is true. But also Ludinus rarely ever takes the spotlight. The only time we have seen him do something was at the Key. Even now on the base of his operations, not a soul talks about seeing him doing something meaningful. The recruits know Liliana, they know Otohan. They know Ludinus in the sense that he’s the boss but who has seen him on Ruidus doing anything of great import?

Need vs Want is such a huge part of his character. And man I can’t wait for Matt to give us more insight into his character.

the fact liliana is the vessel of predathos and not ludinus, and he bears no ill will toward her and in fact seems to revere her for it, is yet another sign he wasnt lying when he said he finds power to very simply be a tool, & detests it. i assume he now needs power tangibly as an addiction due to the harness and to survive long enough to see his goals through, and he has a subconscious need for his goals to go exactly as he plans, but he has never once in all the campaigns wanted to really be the Man. he's doing what he does because he feels he needs to. liliana is sacrificing, as he is.

[empty-movement]

Empty Movement's 2023 Revolutionary Girl Utena UPDATE

Fashionably late? As always. 2023 was a HUGE year for Empty Movement, so much so that to confess, we did a big fail in actually keeping up with sharing the stuff we did! OOPS. So finally, we proudly bring you: all the Revolutionary Girl Utena content we dropped in 2023. Essays, artbooks, CD information, you name it. Click below for the entire site update, or get it at the source, as always, at ohtori.nu.

In Analysis (Fan Essays): • seebee's essay The Power of Living an Embodying Narrative is about more than Utena, it's about the fandom--including us. We were both interviewed for this piece, and the result is an absolutely beautiful essay that has helped inform how we do Utena stuff going forward. Thank you so much for letting us be part of this! • seebee's VIDEO essay FILM CUTS BACK | transfeminism in utena absolutely blew our minds and it's so good we're listing it. Look at the title. Just go watch it, it rules. • Nicole Winchester's essay No Choice But To Become Witches: The Bishōjo-Demonic Phallic Mother Dichotomy in Revolutionary Girl Utena catches you up to speed on the academic discussion around what might best be described as the shoujo manga iteration of the Madonna-Whore complex. Then, naturally, it finds plenty to say about Utena. Great work that was well worth the coding!

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In From the Mouths of Babes (Translated Meta/Creator Content): • Cross X Talk, A Round Table Discussion Commemorating the Second Musical Utena GOGAI FUCKIN' GOGAI. Nagumo and friends bring us the final untranslated part of the 2019 Black Rose Musical's program guide: the monster interview with Ikuhara and the director of the musicals, Yoshitani. INCREDIBLE content here that 100% lives up to the first musical's similar encounter! A must read!! • The Rose Apocalypse's Ei Takatori Interview The director of the mysterious 1999 musical (yes the machine gun one, and YES WE HAVE MORE INFORMATION ABOUT IT COMING) interviewed in The Rose Apocalypse book. This...is that. Thank you so much to iris hahn for translating, and I can't wait to bring you more of this mythology!!! • The Utena Dossier Animage Magazine's June 1997 supplemental, this 36-page Utena tome has ben translated by Nagumo with editing by Ayu Ohseki. Because so much of the content is in its visual presentation, I worked the translation into the original scans! Check it out! (PS. Yes that is an entirely different gallery on the emptymovement.com domain, no this won't stay there, yes it has been a weird couple years.) The Dossier includes two long interviews that are also worked into html pages for easy viewing! The Auspicious Joining of Manga and Anime: Saito and Hasegawa For Whom the Director Smiles: Ikuhara and Kitakubo

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In Historia Arcana & The Bibliothèque (Untranslated Resources): • There are a lot of changes happening in this arena!!! How and where to place different materials has been a moving target, so I'll do my best! The sites don't quite reflect this yet, but Historia Arcana will be for cover to cover Utena media, including special magazine publications. Something Eternal's gallery, the Bibliothèque, will be for magazine articles, clippings, and other things. Major artbooks will likely be in both places, cross referenced. New books in Historia Arcana: • The Rose Spiral: Reflections on the Mythology of Utena While not strictly official, this is a fan published book of in depth analysis of Utena, circa 1998! Yep, cover to cover. • Revolution Dictionary (OST 1 First Press Bonus) Cross-referenced from Audiology, this is the bonus dictionary you only got if you grabbed it early! Cool! • Revolutionary Girl Utena Making of Visuals Book Art of UTENA I am mentioning this for completions sake and because I already uploaded it, but this is a cover to cover high resolution, uncleaned scan of the 1999 Art of Utena artbook. I am going to clean the scans, and ultimately be posting the official artbooks elsewhere. • Revolutionary Girl Utena Photobook: Rose Memories This special Animage bonus could be purchased for 700 yen, and back then, was probably a great way to keep the anime in your pocket! It's entirely shots from the TV series, though, so there's nothing specifically new. But I scan it all, baby. New books in the Bibliothèque: • Chiho Saito's 1999 Revolutionary Girl Utena Original Illustration Collection HI THIS IS A VERY BIG DEAL. Read more about why when you visit! TLDR? Here's some of the best artwork of Utena, rescanned and remastered by yours truly to be the best big big scans of big big beautiful Chiho Saito Art. This is a feast. I even made myself a calendar! (Note that the price is such that I don't make a profit on these, so if you're looking to donate, definitely go by other routes, haha.) You will find multiple ways to obtain the scans, and in more than one size. Either way you soak up the rays, enjoy 'em! New articles and clips in the Bibliothèque: • H! Rockin' on Japan Magazine Saito X Oikawa This fashion music magazine's July 1999 article has ALREADY BEEN TRANSLATED? Like, I am going to add the translation officially to the site of course, but holy hell Nagumo is amazing!! This article is actually the origin of a Saito art piece that uh, well. Now we know she went to a love hotel with movie Akio's VA. Cool! Anyway check it out! • Comickers Magazine, August 1997 This absolute monster find is an industry-focused magazine with this gorgeous spread and interview with Chiho Saito. It gets into how she does things. The making of Utena. All kinds of stuff. I'd LOVE to know more about this one!! • Comickers Magazine, June 1998 Again, an industry-focused publication, this time it's exploring the manga and the anime and how they compare. Again looks like a tasty meal!! • Volks Magazine, Spring 2022 YEP SCANS OF THE BOOK OF THE DOLLFIES. For a lot of us, this is at close as we get to these ludicrously gorgeous dolls. I included a few extra pages because they were just fuckin' cool and felt relevant. • Sega Saturn Magazine, December 1997 One of two grabs I got recently on Yahoo! Japan! This appears to be the first look announcement of the 1998 Utena video game! (Yes we have more on it, yes we will eventually post links.) • Sega Saturn Magazine, April 1998 This feature brings attention to the voice actors, who are all returning for the game! • Dengeki G's Magazine, January 1998 Another gaming focused magazine, with frankly a more adult edge, cheaply lets the readers know about Utena. These three game magazine moments are just a bizarre reminder of how we did things before the internet, LMAO

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In Audiology (Music and CD Information): • Complete information about the STAR CHILD - Girls Character Song Best album! You also definitely can't grab the two new remix tracks there. • Did you know there was a first press bonus dictionary for the first OST? I DIDN'T UNTIL RECENTLY. Now I know all about it, and so can you. Check it out! Obviously, scans available, both here and in Historia Arcana. • I FINALLY acquired a complete set of the Utena CD singles!! Check out complete track lists, scans, and information for ALL FIVE Utena singles. Yes. Including the movie Akio guy's one.

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In The Doujinshi Gallery: • Several dozen dounjinshi were uploaded earlier in the year, and can be found listed on the Site Update archive here.

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That's all for now, folks! There's so so so much coming. I have the episode 18 and 20 (!!!!) storyboards to scan, as well as a fully translated scanlation of The Duelist Bible. We're planning to do something for Anthy's rare LEAP YEAR birthday coming up, probably a musical stream or something! Love!

[happybunny999]

Yandere Batfam x neglected OP Meta outskirts reader and Ymir fritz

Part 1

Summery:Ymir Fritz and reader are reborn in the outskirts of Gotham after leaving the void from their world and are with their new mom a kind woman who took great care of you and Ymir in their small village but after her death they are taking to Gotham and what will happen when the Batfam and villains take a sudden liking to them after neglecting them.

(Ymir and reader are twin sisters with Ymir being born first and reader is shy and extremely meek while Ymir is is the same with appearance but has black hair instead of blonde and is reckless and short-tempered when something is not fair and will speak her mind and protect reader from the Batfam and villains that bother them)

As I woke I realized that something was strange instead of the coldest of the void me and Ymir were used too I was met with warm sun and laying in a comfortable crib with Ymir right next to me I look around as I sit up from where I was laying next to Ymir and see that not only were we in a comfortable and colorful crib but the room we are in has a big window and soft on the eyes wallpaper with toys already on the ground and a dresser with photos of myself,Ymir, and a woman with beautiful and kind eyes and long hair and a man who I could tell by standing near the woman that they were in love from what I could tell from where I was sitting in the crib As I was still looking around the room Ymir began to start waking up and when she sat up and took one look around and snap her head at me with a wide smile and before she could speak the door of our room opened to reveal a beautiful and pleasant woman with gorgeous hair, a warm smile As she made her way over to us and picked us up from the crib and as she held us close to her we realized that we must have been reborn from the void and now have a change to live a normal life and this woman is our mom from the pictures on the dresser and the guy next to her looks like our stepdad but not our real father After some time we spend with our mother and stepdad every thing was going good and did get better when our mother discovered that we had powers like her when we are 5 and she started to train us into hiding our powers Everyone in the village loved us and we’re ok with our powers and we helped them with a problem they were struggling with

Everything was going so good

But then it happened Our kind and loving mother and gentle and kind stepdad were killed while they were in the city getting groceries for us I was heartbroken and cried in Ymir’s arms as she held me close while she was just mad at who did this After that a man in a suit and with bright blue eyes came to get us in his private jet and take us to Gotham Ymir didn’t trust the man named Bruce claiming to be our father and she kept me close to her Once we arrived at the manor things only got worse

Dick would barely notice us and would never spend time with us which makes Ymir mad Jason hates us and would glare at us when ever we past by each other his green eyes always scared me and Ymir would glare back at him and even sneered at him once when he gave me a black eye when I got to close to him by accident Tim would just act like we don’t exist and being too sleep deprived and just walk past us Damien is the worse because the very moment we stepped into the manor he made it his life goal to make our life much harder as he cut my cheek with a knife after our first encounter and Ymir was beyond mad and tried to attack Damien which ended up with Bruce yelling at us to go to our room after breaking up the fight and of course he and the others(and cass and Stephanie ) took Damien side and gave us glares and disappointed looks that made Ymir even more angrier and ended up yelling at the others cussing them out before slamming the door our bedroom behind us.

Ymir was beyond frustrated and her eyes started to glow red and she was about to use her powers and promises to kill the family with malice in her voice I quietly calmed her down tears in my eyes from the family’s harsh attitude for us as i clinging onto to Ymir as she held me tightly in her arms as we both drifted off to sleep.

[scoobydoodean]

I have 2 spn accounts, a Deancentric blog that ships Destiel and another account that unintentionally follows a lot of Samgirl blogs. So one blog follows majority Deangirl blogs and the other incidentally follows a lot of Samgirl blogs. And here's the major difference I've noticed on the different dashboards.

Deangirl dashboard: Great meta analysis. Beautiful art. Level 1 and 2 headcanons (largely based in canon). Pro-Dean. Stumble across reblogs of Deancrit. Bitter Deangirl blogging. Generally fair portrayal and discussion of the positive and negative traits and actions of Dean, Sam and Cas. Deanhater anons.

Samgirl dashboard: An entirely different pool of beautiful art. Whole lotta woobie!Sam art where Dean is his abuser. Deancrit about Dean being an abuser. Bitter Samgirl blogging about how people will find any excuse to hate Sam. "How can anyone be Samcrit he has done nothing wrong ever." Level 5 headcanons (you literally ignored canon to make that up). More about how Dean is Sam's abuser. So many posts about how awful Samcrit is. "Do Deangirls really think that Dean cries himself to sleep at night thinking that ppl thinks he doesn't know how to read." I have yet to see any actual Samcrit posts (not even links or reblogs from Sam defenders), not even after literally searching the Samcrit tag for it. The Samcrit tag is full of Samgirls crying about Samcrit and no actual Samcrit. "Samgirls are feral, but we need to be bc of the hate ppl throw Sam's way."

I literally have to block so many people on the incidentally Samgirl dashboard bc I'm not on Tumblr to randomly stumble across a post on how Dean is a toxic stalker who abused Sam by changing Amelia's number in his cellphone. Do you have any idea on why Samgirls seem to feel so attacked all the time even though I literally only ever see *them* attacking Dean?

If you dig deep enough into any fandom, you will encounter people who fetishize "helpless victimhood". Some fandoms attract more people with those particular proclivities than others. Supernatural and Sam in particular attracts people who hold those sorts of aesthetic interests because of his relationship toward accountability versus Dean's.

Dean is a character with an overactive sense of responsibility. He blames himself for the Lindbergh baby and unemployment and every child murdered by a shrtiga from 1990 to 2005 because he went to play an arcade game when he was 10. He also blames himself for things like Jessica dying and Sam not being in school. Other characters pile on this blame frequently. John blames Dean for Sam getting hurt (1.18). Ruby tells him (and Sam) that Sam is a weak baby who won't psychologically survive without Dean there to protect him (3.11). Meg alleges that Dean is "dragging Sam everywhere" (1.16). Sam rewrites reality from 1.05 to 1.21 to make Dean responsible for his burning desire for revenge. Cas and Zachariah and Gabriel blame Dean when Sam breaks the last seal because he didn't stop Sam in time. Sam blames Dean for him drinking demon blood first because Dean wasn't there to protect him and then—in a complete 180—because Dean is smothering (4.04, 5.05). Dean generally absorbs blame when it is piled at his feet because he has been blamed for things he couldn't control for most of his life and thus he feels guilty and responsible for things even when him being responsible makes no logical sense. He's never a victim of anything—everything is always on him.

Sam, on the other hand, tends to eventually deflect blame because he can't handle the gnawing bite of it for long. It reminds him too deeply of being left isolated and alone as a child and the feelings of otherness and wrongness he developed through that neglect. When his actions ultimately have consequences he didn't foresee and/or that he finds undesirable, it makes him feel ugly and unaccepted and he can't face it so he eventually finds a way to make what happened someone else's fault—usually Dean's fault. Nothing is ever on him. He's always at least a little bit of a victim and Dean always carries at least partial responsibility for his decisions (1.21, 1.08, 4.04, 5.05, 8.23, 11.01)

In other words, Sam has an under-active sense of responsibility and Dean has an overactive responsibility and that dynamic—driven by their childhood experiences—places them into a vicious cycle of blame being cast onto Dean for Sam's decisions and Dean absorbing it. Dean absorbing it reinforcing the narrative for samgirls with a victimhood fetish that Dean deserves blame and that Sam truly is a helpless baby. They never watch what actually happens on the show to see whether this narrative that Dean is responsible for everything and Sam is a helpless baby lines up with the actual events that occurred onscreen because why would they? That would ruin their enjoyment. Sam isn't interesting to them outside of his capacity to be mourned as some sort of helpless martyr. And yes—they will cry and moan about how horrible and unfair Sam's suffering is, but it isn't because they're having a bad time. They're having a great time. They love thinking about Sam that way. They wouldn't be here blogging about it day in and day out for the last 20 years if they didn't actually want to see exactly what they're seeing.

Related tags of note:

#sams motivations

#taurus sam in the flesh

#In which Sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea

#sam the hunter

#sams follower/leader false dichotomy

#parentification

[frownyalfred]

my headcanon is that the first couple of times Clark tried to rescue someone trapped underneath debris they bled to death because his instinct is obviously to just lift whatever’s crushing them. he then realised (or was told) he needs to cauterise the injury with his heat vision. he has since sliced off many limbs with his abilities and most of them belonged to people begging him for help.

This is very Homelander esque, wow. It reminds me of that scene in the first season (I think) of the Boys where Homelander and Maeve go to save a plane full of civilians and Maeve begs him to lift the plane up and carry it to safety (a la Superman) and Homelander laughs in her face and says if he did that, he’d rip the plane in half and everyone would die.

There’s a lot of places where Homelander/the Boys make indirect references to Superman like that. Because yeah, all it takes is for one writer to say “wouldn’t him cauterizing that wound be really risky if he ever lost focus?” and suddenly it’s a Thing.

This is why Bruce has contingencies and rides the Supers/metas so hard. Because he’s thinking of the worst case scenarios that haven’t even occurred to them yet, and probably won’t unless they encounter them themselves…

[yes-these-obsessions-are-healthy]

Rook isn’t a Dragon Age protagonist. Rook is designed to be a stand-in for people who never played Dragon Age, don’t care about diving deep into the lore, and aren’t interested in the romance mechanics. Rook is designed to be said bland avatar so that non-DA fans (who for some fucking reason decided to pick up and play Dragon Age 4 FIRST) have a pawn to control and navigate through the world in the most superficial and rudimentary manner possible. The way Solas is positioned in this game—which was originally pitched as him being the central antagonist all those years ago,—is evidence of this. Your Rook is deeply unconnected to Solas emotionally, mirroring how disconnected and uninvested a newbie player would be coming into this story blind at the climax of this decade long story. Even non-Solasmancers had a deep connection to Solas, whether as a friend or annoying thorn in their side.

The way that Rook is set up—someone who has no connection to Solas and can thus ‘do what’s necessary because sentiment is not clouding their judgment’—is coincidentally reflected further in the meta in that Rook, you, also end up functioning as having surface-level shallow connection to everything else in the game and world. You exist technically, you interact with it, but the world is rendered so bland, the dialogue so basic and repetitive and uninsightful, the roleplaying so limited, you might as well not truly exist in the Dragon Age world.

For a character so layered and so intriguing, Solas is sidelined and all greater access to him cut off. The golden opportunity to truly give us that Bioware levels of character exploration we saw in Trespasser by having us interact and speak frequently with this ‘Dread Wolf’ Solas—to interrogate him, to converse, debate, question— was never adopted in favor of…I guess flashy combat and pretty set dressings.

Elden Ring pulled off this angle of “late to the party” gimmick because Elden Ring did the heavy lifting of jamming several games’ worth of history and world-building into it. Veilguard plays both sides: “Eh, you’re a returning player so we’re not gonna go into much detail. You know how it is.” and “Eh, you’re a new player. Don’t sweat yourself on the actual in-depth history and nature of things established by the prior media. We know you’ve rotted your brain with a pure diet of MCU and tiktoks for at least a decade, so we’ve gone and removed the thoughtful nuanced spices and unique properties of the story so you can dive right in to the generic fantasy action rpg moba-like slop’.

Rook is the least real protagonist I have ever encountered in a supposed RP-heavy RPG. There are faceless boys in harem anime with more personality and weight and presence in their worlds than Rook.

[knuckleblaster]

On some level I understand the rejection or outright denial of V2's death: it was jarring and brutal, especially for a character who, at least in laws of traditional video game rivals and the rule of thirds, seemed like it'd stick around for longer. This said, inferring from in-game lore as well as dev statements, I believe V2's death, tragic that it is, is not unwarranted; and that it is commonly pigeonholed into a characterization it does not fit into due to its assumed role within the game.

This is long, so it's going under the cut.

Considering its name, it's easy to assume V2 is a new and improved version of its predecessor; but it is more heavily implied that it's simply a version of V1 with thicker plating, and nothing more. [1] V2 was an attempt at salvaging V1's design after war became irrelevant, to capitalize on the resources wasted on a highly advanced war machine by rebranding it as an adaptable worker, for security and (theoretically) other peacetime activities (...not an innuendo). This was a failure; there's no reason to invest in something so refined when a handful of lesser machines could do the same job [2].

If V2 is contextualized within its backstory, it makes a lot more sense why it ate shit so quickly. It is, out of any in-game machine so far, one of the least suited for survival in Hell. Sentries and Streetcleaners were created for war. Swordsmachine(s) and Mindflayers are scrapheads, constantly adapting to create (and protect) their perfect, lethal body. [3] If anything, it's on the same level as a Drone, able to defend itself in a limited capacity, but not intentionally programmed or built for combat. Faced with V1, something built for perfect, swift destruction, a machine made for peace would stand even less of a chance than normal, even with an equal level of mobility and build.

V2 is also doomed, in a very literal sense, by the narrative. In a meta sense, it does not matter to the game story whatsoever [4]. V1 is the butterfly whose wing flaps set Gabriel's story in motion, but V2 has no such connection to his story, and is thus irrelevant. Even its lore entry is overshadowed by information about V1/its connection to V1. A third fight, as well, was never in the running, not necessarily due to anything in the game lore, but because its first and second encounters are all it needs: a third rematch would be repetitive and messy [5]. The reason for its extremely violent death sequence is to ensure there was no question as to its fate [6].

In regards to its personality; it is oft-headcanoned as loud, irritable, and competitive, but this characterization is more likely due to its color as well as its assumed role as a "rival" to V1; rather than based upon its in-game actions. Although its initial intentions are up to interpretation [7], comparing its actions and mechanics to other enemies fully rationalizes its anger. Although it's fairly easy to enrage in-fight, the criteria for its enrage state is much more specific than other enemies, and it's quite easy to not trigger it at all. Cerberi will enrage after one of its kind dies, Malicious Faces and Mindflayers after a certain amount of damage has been dealt (on Violent). Most notably, as the only other character with a rematch, Gabriel begins his second fight enraged after his first defeat [3], which can imply by extension that even though V2 is taking its second fight more seriously [8], it is still not outwardly angry. Its enrage state is only triggered when its patience is depleted (the player avoids it for too long), or in its second fight when it has been punched with the Knuckleblaster. These can be interpreted as indicators that V2 likes it when the fight is "fair": when it's not being avoided and picked at from a distance, or being hit with its own arm; which is frankly pretty fucking mean. A side note: Returning to its creation, it can also potentially be inferred that V2 was intentionally programmed with a rational, controlled, and even marketable personality, easily suppressed or overwritten for ease of use.

In another game, or if V1 was the protagonist, perhaps V2 would not be dead. Instead, V2 is doomed by its creators, both in-game and in reality. It mirrors V1 in action and Gabriel in mind, but unlike them, it has no place in this story beyond a truly fantastic duo of fights. Although its story has any number of potential rewritings or epilogues [9], its doom was always intended. It's easy to mourn lost potential, and its end is intensely tragic; but I believe it is a tragedy that meshes nicely with the rest of the game's story. V2 is dead, and not a second too soon.

Footnotes:

1.

Along with the lore entry for V2:

V1’s planned production was cancelled and an updated model, V2, was developed instead, using the standardized plating, since durability was far more important during times of peace when no bloodshed was necessary.

2.

twitter.com/HakitaDev/status/1538313328715513857

3. in-game lore entries, can be read on ultrakill.miraheze.org or here in one document: steamcommunity.com/sharedfiles/filedetails/?id=2245904838

4.

5.

twitter.com/HakitaDev/status/1538336055681863680

6. "And then V2 dies as hard as anyone could possibly die to make sure people understand he's fucking dead and is not coming back" - dev commentary, 05:08:09 (youtu.be/kaImho5JioI?si=v4_m90nfLOY-DyEZ&t=18489)

7.

8.

9. Notably, Dream's End Come True / v2isdead.com.