#like the amount that has changed in the past year and a half with this club could make a bitch go mad

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[thiagodasilva]

so. uh.

we’re really going to lose Mason to some other prem club aren’t we

[niennanir]

Listen to your elders

So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.

So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.

But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?

In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.

Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download

Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title: 

No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.

Now you’re going to need some materials:  8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife

You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.

Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:

use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.

Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.

Once the text block is anchored down, take off he binder clips and get out the glue.

You can use a brush but you don’t need one, smear some glue on that raw edge.

Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour

In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock

Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)

Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.

Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine

Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.

Voila:

I’m going to put this baby on the shelf next to the Silmarillion.

The whole process, not counting drying time, took less than an hour.

If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders. 

[literaila]

keeping secrets

gojo satoru x fem!reader

summary: you and satoru avoid each other

warnings: actual fighting, sad everyone, hurt/little comfort (sorry)

last part | next part

*

year four.

"did megumi give you a permission slip?" you ask satoru, leaning against the side of the couch, peeking at his phone. "it's for a field trip, but i haven't seen it. he says he set it on the counter." 

satoru glances at you. then back, and shakes his head. 

"he didn't give you anything to sign?" 

"not recently." 

you sigh. "i don't think he lost it." 

satoru's lip quirks. "you think i'm hiding it?" 

"i don't know. did you accidentally eat it?" 

his eyes roll. "i have better taste than that." 

"well, can you help me look for it?" 

satoru sighs, head hanging back for a moment, then he throws his phone down, groaning as he stands up. after he stretches, he half-heartedly moves a pillow, pretending to look under it. 

you snort. 

but satoru doesn't look back at you, and moves to the table, to look at the stack of papers there. 

and, admittedly, things have been a bit off. 

you tried to ignore it at first--ignore the way satoru avoided your eyes, or kept himself five feet away from you at all times. you tried to pretend that it wasn't happening. that he wasn't giving you short responses, or only joking with you in dire moments (like when something you say goes over both of the kid's heads and they stare at you weirdly).

honestly, you hadn't even noticed anything was wrong until you'd realized that it'd been a week since he fell asleep with you. since he even bothered to come out of his room after putting the kids to bed. a week since he tried to squeeze you to death, or grossly kissed your cheek. 

and... it shouldn't be weird.

no rule says that he has to spend a specific amount of time with you, or cuddle in your bed, or smile at you, or... do anything that your best friend probably shouldnt do. 

but it's weird. 

it's strange because your relationship with satoru has stayed relatively consistent, an upward slope for the past six years. you've grown closer, but never farther. 

and, in the depths of your mind, usually when you're lying awake at night, you recognize that there's one single moment when it switched. that everything changed a specific morning, and you haven't been able to rewind it. to take it all back. 

and you could just blame the alcohol for your confession, you probably should. 

but then you'd also have to blame your sixteen-year-old self, the girl who'd been attracted to satoru in the first place. the eighteen-year-old who agreed to tie her life to his and take in the kids, or you now, still cursing yourself for falling in love with him.

it's not like satoru made you. 

if intoxication is to blame, so is your heart, your soul, for starting all of this in the first place. 

you'd decided to not blame anything at all, in the end. everything's fine. 

"find anything?" you ask him, a bit cold in the room, feeling that same tension that's been there. those unspoken words, infinite amounts of distance.

you try to ignore it, really. 

"just the receipt for tsumiki's violin." 

"tsumiki's what?" you ask, blinking at him. 

"i didn't tell you about that?" 

"satoru, you can't just buy them things on a whim--" 

he holds a hand up, stopping you. "she said it was for school," he says, giving you a quick grin. "plus, she's pretty good." 

"there's no way she's good." 

"you'll see," he says, "when we go to her recital." 

"what?" 

satoru shrugs, then he turns around, organizing the piles of papers into neat stacks. it almost makes you want to check him for a spider bite, a fever, remnants of poison. no way your satoru is doing that. 

not that he's yours. he hasn't been yours in years, hasn't been your anything ever. 

"oh, here," he says, eventually, handing you a paper which he already signed--of course--and shaking his head. "museums," he grumbles. 

but he doesn't give you the chance to respond, turning to walk down the hall--towards his room--before you can even chide him for forgetting about it. 

so, yeah. things are fine. 

*

"where's gojo?" megumi asks, as the two of you walk through the door.

the house is empty without satoru there. colder, dimmer. and, of course, there's no one to irritate the boy right when he walks in. 

you try not to wince at the question, or spiral into your own question of 'where's gojo?'

"uh," you lock the door, then unlock it. then lock it again. "he's on another job." 

"again?" 

you give megumi a bland smile, taking his backpack from him. "guess they think he needs more practice," you say, trying to tease. 

it falls flat. 

"did he get in trouble?" 

"i don't know," you shrug. "probably." 

honestly, it's not like you would know anyway. satoru doesn't tell you anything these days. 

it's probably what bothers you the most, because if he's not saying anything, then neither can you. you can't ask him what he thinks about tsumiki's new friend, or if megumi should be eating more, or if you're just making everything up, probably going insane--

"when's he going to be back?" 

"he said probably tomorrow. maybe the day after if it takes longer. i can't remember where they sent him..." 

megumi looks mischievous. his eyes are bright. "so we can make those miso brownies? since he's gone?" 

you laugh, ruffling his hair. "sure, when tsumiki gets home." 

he nods, satisfied, and turns around. then he looks back at you, eyes trailing over your expression. 

megumi looks at you quizzically, like he knows something you don't. "do you miss him?" 

you roll your eyes. "do you miss him, megumi?" 

he doesn't even think about it. "true," he says, then walks into the kitchen, grabbing something from the fridge. 

maybe you miss him, you think, but only a little bit. it's not like he's been gone long. 

just, you know, forever. 

*

"hey," you lean against the desk in the office. satoru must be filling out a report, which should make you blink twice, but really it's him being out in the open that surprises you. 

most days he goes to hide in his room. he locks his door and makes sure that you wouldn't dare to walk through. that you have no means to interrupt his solitude. 

"oh, hey," satoru answers, not bothering to look up at you. his voice is low, familiar, and creates goosebumps on your skin. 

seriously, why is it so cold in this house? 

"i'm surprised those haven't gone missing yet," you gesture toward the papers, trying to be casual.

he snorts. "yaga said that if i lost them again, i was fired." 

"he said that two years ago." 

satoru nods, still scribbling. you want more than anything to just see his eyes for a moment, for him to look at you and grin like you're used to. 

but you know he won't, so you tap your fingers against the desk. "do you have a second?" 

"sure. what's up? megumi do something?" 

"no, the kids are fine, i, um--" you pause. it feels ridiculous to have to ask him this, to not know the answer. it feels ridiculous to be nervous around satoru. you haven't felt anxious, or worried about asking him anything since you were sixteen and realized that it didn't matter. "shoko texted me about that work 'meeting' that's happening on friday. do you want to go to that? i just need to know so i can tell her..." 

"meeting?" 

your smile is teasing, not that he's looking. "i think she meant party." 

"on friday?" 

"yeah. she said that the booze is free, and i think nanami's going, so i thought..." you hint, not even sure what you mean. 

i thought we could talk. i thought we could go together and maybe everything would go back to normal. i thought that we were friends, if anything, and that you cared about me--

satoru hums. "what about the kids?" 

"tsumiki has a birthday party that night, and megumi likes the sitter from last time," you wince at your accidental mention of that night. "or he can come, i guess, but he'd probably hate it." 

satoru snorts, nodding in agreement. you watch his hands freeze, then resume. 

he's thinking the same things you are, you know. he's thinking about how stupid you are, how ridiculous it is to imagine him being in love with you, caring about who you are or how you feel. 

you just know it. 

"so..." you whisper, after a second. "do you want to go?" 

you feel like you're standing on uneven ground. how can this be the only real conversation you've had with satoru this week? 

how can you miss him this much when he's literally right there? 

"i don't--" satoru makes a face, finally looking toward you. he sets down the pen. "i don't think so. but you can go and i can stay here with megumi," he suggests easily like he's not rejecting you. "we can have a guy's night." 

"megumi hates guy's nights." 

satoru has a cheeky grin on, but it's half-hearted. barely there. 

like a glimpse of him in a peephole, a moment where he's not hiding completely from you. 

he doesn't say anything, though. he doesn't even bother to come up with a better excuse. 

it's clear as day that he just doesn't want to hang out with you, even in a crowd of people.

"that's okay," you hum, eventually, trying to keep your voice steady. "i don't really--" 

"no, you should go. you haven't seen nanami in a while. you can have a night out," he says genuinely, but it sounds more like i need a break from you. 

"yeah," you try to laugh. "i--um, okay. if you're sure." 

he nods, looking away again. he hasn't touched you in weeks. your skin is almost molding, going completely stale. "i'm sure. we'll order dinner, so you don't have to worry about the brat complaining." 

"okay." 

"okay," satoru answers, but it doesn't mean anything. 

and it's not okay. 

*

the two of them walk through the door, and megumi looks... pleasant. he's got the makings of a smile on his face, a little jump in his step. 

it's one of the only times you've seen him look like the ten-year-old he is, instead of someone who's concerned about economic collapse. 

it makes you smile a bit, even if just the sight of satoru sends pangs down your chest.

"hey," you say, hand on his head as he lingers by you, eyes meeting yours in greeting. you look to satoru, who's pretending to wipe away a smudge on his glasses. "where were you guys?" 

"we were--" 

"gojo took me to that old hospital by my school," megumi says, "there were cursed spirits hanging outside. he let me and my divine dogs deal with them," he says this almost excitedly--as excited as megumi gets--and you can see it in his eyes. that little twinkle of pride. 

your eyes widen, but you smile, trying to be genuine. it's difficult because you've been lying for weeks. "really?" you ask, trying not to look over at satoru accusingly. "how'd it go?" 

"good," megumi, moves to the sink, washing his hands. "they're getting better at scenting them out. it didn't take long." 

"that's great." 

"megumi didn't need any of my help," satoru adds, giving you a short glance. "he's got good intuition." 

megumi looks at satoru with a glare in his eyes, but you can tell that he appreciates the compliment. 

you can tell that he's completely fine with this, that the two of them are going to act like it's normal, but you can't.

you try to ignore it when megumi looks between you and satoru, a slight furrow in his brows. he knows something wrong, you know. but you're not going to admit that. 

you swallow. "do you have any homework you need to finish, megs?" 

"uh..." he pauses. "i think so. reading?" 

you smile, hand on his back as you lead him out of the room. "okay, how about you go work on that? i need to talk to satoru real quick." 

he nods immediately, looking eager to leave--both the room and the tension. 

as soon as he's gone, you turn to satoru, narrowed eyes as you observe him. he's already smiling because he knows that he's in trouble. because he knows that you're angry. 

because, even if he hasn't actually spoken to you in weeks, satoru has always read you so well. he's always known what you're going to say before you say it. 

but you can't care about it. it doesn't mean anything to him. 

“you can’t do that,” you say, almost whispering. “not without asking me.” 

“i knew you’d say no.” 

you laugh, looking away from him. “exactly.”

“he’s fine,” satoru reassures. he shrugs, because why should he care about your concern? “he did good, and there’s not a scratch on him. i’m sorry for not telling you but—“ 

“no buts, satoru. you can’t take megumi out on missions like he’s a student. he’s not. and you definitely can’t do it without even telling me," there's a burning in your chest. your head is clouded over with anger. 

just looking at him--at his ridiculous smile and stupid perfect face--makes you clench your fists.

how can he stand there and act like you're a team? 

“it’s not a big deal. i was there the whole time—and he didn’t need me.” 

“i don’t care!” 

satoru rolls his eyes, his arms crossed. “i think you’re overreacting.” 

“i’m not," you say, trying to get him to look at you--actually look--but he won't. it makes your chest hurt even more. "you’re not telling me things—fine, whatever, keep whatever secrets you want, gojo. don't bother talking to me. but you can’t keep secrets from me about the kids.” 

“secrets? i’m not—“ 

you shake your head, hands in the air, trying to clear all of it away. you want the past month to go away, the past six years. “megumi’s just a kid. he’s ten. he can’t be going on missions, not until he’s ready.” 

“i think i’ve already proved how ready he is.” 

“well, maybe i'm not ready. he’s a kid.” 

“yeah,” satoru says, obviously. he scoffs. “yeah, he’s a kid. but he’s also a jujutsu sorcerer. you can’t separate the two.” 

his voice is all-knowing and his stance is firm. you know that you won't convince him otherwise--know that he's right, to some degree, but this isn't about megumi. 

this isn't about cursed spirits or jujutsu. 

“yes, you can," you say, clenching your jaw. "he doesn’t need to be seeing that shit right now. not until he decides he wants to. practice his technique with him all you want, but you can’t just take him to exorcise a curse with you.” 

“like i said, he’s fine.” 

“it’s not about that! it’s about you doing something reckless—again—and acting like there aren’t any consequences to your decisions. he’s my son,” you hiss, “he shouldn’t be going anywhere i don’t know about. you shouldn’t be making decisions about him behind my back.”

you shouldn't be pushing me away, you shouldn't be ruining this--

“so you want to lock him up here?" satoru asks, laughing at you. his teeth are sharp and he is still. "you want to take away his ability to defend himself?” 

you scoff. “are you kidding? you think me saying i don’t want you to get him killed is equal to me—“ 

“he was fine. if anything—anything—had been there that megumi couldn’t handle, i would’ve taken care of it. i wasn't going to let anyone touch him. that’s why i was there! and he didn’t even need me," he's boasting, swearing to you--you can feel it as he rolls his eyes at you.

“you know what he needs, satoru? he needs you to treat him like he’s a little boy and not some experiment for you to play with.” 

“i would never—“ 

you cut him off, “bringing him out into the open, where anyone could see him, could hurt him, and making him deal with your cursed spirit is not okay.” 

“i didn’t make him deal with anything," satoru swears, chin up. 

you snort. the two of you are standing in front of each other, arms crossed, head guarded. your muscles are tense like something is about to attack you. “oh, so he asked you to go?” 

“well, no, but—“ 

“then you made him! you put him up against a monster and treated him like a student, like a 16-year-old, and not your son.” 

the words feel nice to say. some version of the truth that's much better than whatever this version is. if satoru won't talk to you, you'll talk for him. 

you'll make every assumption, every bad perception (because he's supposed to keep you from worrying, he's supposed to be there to calm you down, to save you from that spiraling). but if he's not going to try, neither will you. 

satoru’s eyes grow hard. “what?” 

“why can’t you just let him be a kid? why do you have to push him into these things—“ 

“we talked with megumi about who he is,” satoru grinds, “he knows about the privilege of his strength, and the fact that he has to work to use it—“ 

“a ten-year-old shouldn’t have to work for anything!” 

he laughs at you. you can't see his eyes, but you watch his face as he tries to hide his expression, trying to keep his voice low. the kids are still in the house, so you shouldn't be yelling. but you can't bring it in yourself to really care. 

“what do you think the point of him living here was? why do you think we took him in?” 

you gape at him. “are you kidding?” you ask. “are you serious? we took him, and tsumiki, in because you’re responsible for killing their father! because they didn’t have anyone else, and that’s your fault.” 

“you think i don’t know that?” 

“well, i thought you did," you say, stepping away from him. some part of you wants to push him out, make him leave. the other part desperately wants him to stay--to say he's sorry. "but you just said that the only reason megumi is here is so you can teach him! when i agreed to this i thought you were facing the consequences of your actions, doing the right thing for those kids because you could. i thought you wanted to take care of them! to keep them away from our awful, messed up world.” 

satoru is staring at you with his jaw clenched. 

you continue, without consideration for the consequences of your words. “i didn’t think that you only wanted to keep megumi here so you could train him, like a dog.” 

“that’s not what i said.” 

you shake your head, a bitter smile on your face. “well it’s what you meant, and clearly you have no regard for his feelings or the way that curses might affect him—“ 

“don’t act like i did it just to mess with him," he interrupts, harshly. "it’s not a joke. i want him to be strong, i want him to be able to take care of himself—“ 

“and i want him to have a dad who isn’t so selfish!” 

“what?” 

“did you even think about it? what about the nightmares he’s going to have?" you wonder, rhetorically. "what about the fact that he’s different—that he’s already struggling to relate to other kids in school? what about him, satoru? why is it only about you?” 

what about me? you don't say. 

“i didn’t bring him for me—“ 

“you want a replacement. you want someone else to deal with everything, while you sit back and watch. i know what you’re trying to do—“

“really?" he points at you, the other hand clenched in the air. he's laughing again. "you can read my mind? you’ve already been let in on my plans—“ 

“don’t you wish that you’d had the opportunity to be just a kid?” you demand. “don’t you want that for megumi?” 

he shrugs. “sure. but it’s never going to happen.” 

“well, clearly, because you won’t let it.” 

“he gets to be a kid every day. god forbid i take him to see one curse, to understand how to use his powers, to protect himself, and you treat me like i wanted to kill him.” 

you laugh. your mind is a minefield, and everything he says ruins another part of it. 

all you can think about is him, him as a teenager, him with you, telling satoru you love him and him having nothing left to say--

but you scoff again, shoving yourself further away from him. “do you know how many times i’ve wanted to go back to when i was ten and just got to live my life? do you know how often i think about how everything could’ve been different?” 

“this isn’t about us."

“yes, it is. it is, satoru, because i didn’t get that chance and neither did you. and you just took away megumi’s chance.” 

“i didn’t take anything away," he says, softly, like he's trying to convince himself. 

clearly, you've struck a nerve. 

“he’s never going to be able to look at the world normally, but he doesn’t need the burden of saving people before he’s even in middle school.” 

“why is being strong so bad?” satoru asks you, demanding something more. why am i so bad? “why do you treat it like it’s a curse? like it’s going to hurt him?”

“look at you!” you respond. “look at suguru, and me, and shoko! look at any jujutsu sorcerer and ask them if being strong is worth it—is worth screwing your life over.”

satoru looks taken aback. he steps away from you. 

“god, it’s like you think that we’re a different species," you tell him, never having felt like it's more true. "you’re human, satoru. you might be the strongest, but you’re still human, and you still have nightmares like all of the rest of us.” 

he shakes his head at you. 

“why do you want that for megumi? why push him into this right now?” 

“i want him to be able to take care of himself. so that he doesn’t die like our colleagues, so that he doesn’t make the wrong choice like—“ 

he stops, his voice breaking before he can continue. 

and maybe you know what this is really about, but if satoru doesn’t want to tell you how he feels, if he wants to pretend like it doesn’t matter— 

fine. you will too. 

“it wouldn’t make a difference. he’s already—his life is already messed up.” 

satoru looks at you, his eyes ablaze. “don’t you think that if i was him, if i could’ve been stronger, if i could’ve saved all of those people—don’t you think i would do it in an instant? don’t you think i know that because i wasn’t strong enough, people died?” 

this is the thing you've feared since you were eighteen, a brand new person responsible for two little lives. you've feared satoru's moral commitment since before you met him. since you saw him destroy a curse in an instant and realized he was different than everyone else. 

“megumi isn’t you! he doesn’t need to be taught to take on the responsibility of everyone’s lives—“ 

“you can’t say that i’m selfish, that i don’t care, and then say that i care too much,” he says, shaking his head, unable to look at you. 

he hasn't been able to look you in the eye in weeks. 

“you’re both!" you say, almost yelling. "you’re everything. and you don’t think! you haven’t thought for a moment about what megumi might be feeling, who he might want to be—“ 

“and you have? what about what you want him to be?” 

“i want him to be happy! i want him to grow up better than i ever did. i don’t want him chasing a bunch of cursed spirits around on the weekend like it’s a normal thing—“ 

“it is normal. for us, it’s normal. for him, it’s normal.” 

you sigh, a weight on your chest, a burning in your throat. “well, maybe it shouldn’t be.” 

you're not going to start crying now. not with satoru watching, not when he gets to know just how much you care. 

satoru scoffs. “so you’d just have everyone defend themselves--" 

"i don't know how you're arrogant enough to believe that you can save everyone--"

"--you’d just forget that we’re strong for a reason, that we--“ 

“but you’re never going to be strong enough, satoru. never.” 

satoru stares at you. he doesn’t say a thing, doesn’t hesitate, and doesn’t bother to argue. 

and after a moment he turns around. you reach your hand out to grab him--hold onto him and keep him here, because this isn't finished, and you're not done with him. you haven't even started. 

but you run into a wall. you look down and your hand is dangling idly in front of his arm, stuck in the air. 

you can't see satoru's eyes, but you can feel his heart--your heart--as it skips a beat in realization. 

but then satoru shakes you off, pushes you infinitely farther away from infinity, and keeps going. 

he walks out the door, slamming it shut.

you stand there for a moment, watching. you wait for the door to open again, for satoru to come back, for him to laugh--tell you that everything's fine, that it'll all be fine. that it's okay if you're angry, that he doesn't care. 

but after a minute, he doesn't return. 

and after another, you have to lean against the counter. your hand burns--but maybe that's just your imagination. you're pretty sure that infinity has no drawbacks, that there's no consequence for touching, for not touching satoru. 

pretty sure. 

but you still look over your skin, trying to see if he's left some mark. it would be nice to have some evidence of what he's done to you. you clench your fist, but the feeling doesn't go away. 

and maybe it's not your hand. maybe it's your chest. maybe it's these weeks of feeling separated, feeling miles apart from him, feeling like it's all your fault that any of this has happened. 

you... you can't even remember what you were arguing about. 

you feel like a kid again, hiding yourself in your room just so your parents don't have to deal with you. you feel like that little girl who hid in the cupboards, trying to escape the monsters that no one else could see. you feel like that smaller, reckless version of yourself that left home at the first chance, who knew she wasn't allowed back. 

are you allowed here? you wonder. is it going to happen again? are these monsters--real and fake--too much for your family to handle again? 

you exhale, trying to catch your breath again. none of this feels right, normal, easy. 

should you--should you call him? should you wait for him to come back? 

is he going to come back? 

the slam of the door is still echoing throughout the house when they creep down the hallway, making sure their footsteps are soft, but also loud enough for you to hear. 

maybe you've only been standing there, waiting for satoru to turn around, for thirty seconds. 

but it feels like an hour. 

"mom?" a tiny voice asks, and both of them are turning around the corner, taking hesitant steps towards you. 

you have to swallow. you need some water, an icepack maybe, to get rid of the burning feeling in your throat. the telltale signs that you're going to cry--that you've suffered blows to the core, and you can't backtrack now. 

but you don't want to cry in front of them. you refuse to. if you didn't want to cry in front of satoru, you won't cry in front of the kids. 

so you turn around, swallow again, and fill a glass of water. 

you chug it down, wanting it to wash away that feeling, that ache. 

you can't say anything just yet because then you'll actually fall apart. 

megumi and tsumiki watch you, both of them silent as they wait for your direction. for some solution you should have. 

you take a deep breath, then turn, almost faltering when you see the worried look on both of their faces, the concern in their eyes. neither of them should have to worry about this. 

god, how could you forget that they were there? that they could hear everything? 

how could you make another mistake? 

"hey, guys," you say, clearing your throat. you want to be nonchalant, and casual, but you've never been either a day in your life. 

"where did gojo go?" 

"i, um," you take another sip of water, because that feeling crawls up your throat, makes itself known again. "i think he went on a walk." 

"is he okay?" tsumiki asks. 

"are you okay?" megumi follows. 

"yeah, he's fine. he's good. i--he just needed some space, you know? um... a break." 

"from us?" 

your eyes widen. "no, no, no. of course not, never you guys. he's... just been busy this week. working a lot. and, i, well, he's good. we're good." 

megumi leans on the counter next to you, looking at you very closely. "are you okay?" he repeats. 

"i'm good, megs. it's..." you smile. "it's fine. um, did satoru get you anything to eat while you were out? i'm not sure what we've got, but i can make something if you--" 

"when is he going to be back?" 

you stop, sighing. you shouldn't have taught either of them how to read emotions, or how to eavesdrop. you shouldn't be speaking to anyone, or trusted with anything. 

"i'm not sure, buddy. he'll be back when he's ready." 

"is he going to stay out all night?" tsumiki asks, worried. 

"no, i'm sure--" you stop again. "gojo will be back in time for bed, okay?" 

they're both staring at you, waiting for you to say something profound, something to make it actually okay. 

but you have nothing. is satoru going to come back? is he going to stay somewhere else? you know he'll exhaust himself just to avoid coming home-- 

this is why you shouldn't have moved in--

this is why you never should've agreed to this, allowed himself to burrow a hole in your heart, in your soul-- 

"hey," megumi takes a step towards you. and then, before you can blink the tears out of your eyes, reassure him that it's fine, his arms are around your waist. 

he nuzzles his face into your side, squeezing tighter than you thought a little boy could. 

theres only a second of this before tsumiki's on your other side, and squeezing just as hard. 

your hands fall on both of their backs, and you take a breath that feels more like never breathing again. your lungs won't fill, and your chest is incomplete

but they stand there with you, and eventually, your heart begins to match theirs, and their little hands keep you together. 

you can't cry, but you really want to. 

*

satoru's entire body feels different. 

he knows what it's lacking, the changes he's made in a short period of time--giving himself no time to acclimate, no pause where he slowly adapts to the differences. 

he misses you. 

it's been like this before--when suguru left and satoru couldn't bear to look at himself in the mirror, nonetheless you in the eyes--but it's never felt so severe. 

because you're right there. you've been there every day, waking him up, making the kids breakfast, laughing when megumi bullies him, smiling at tsumiki's attempts at mediating. 

you're there in the morning, in the afternoon, and every night. you're right there for him--and he can't say a word. 

he doesn't want this, this thing to be real. 

denial is his favorite emotion, and recently, he can't even muster the strength to go through with it.

and now, he feels even more hopeless, lacking, never ever enough. 

but he walks through the door because he has nowhere else to go. he has no other home--besides the three of you. 

it's dark outside when he comes back, and the door is unlocked, so he knows that you've been waiting. that you had to deal with the aftermath of shouted voices and scared children who he felt lurking behind a wall before he got the chance to think about any of it.

he needs to talk to you. satoru knows that, he really does. but he's not sure what to say. 

he could apologize for tonight--could tell you that he won't make any more decisions, that he won't wreck this thing you've built--but it's not enough. 

he should probably apologize for the last seven years. for letting himself grow attached to you, and then continue to hold you at arms length. he should probably apologize for being himself, for being less than he could be. 

but those words feel too rotten to say aloud. 

so, when he walks up to your door, waiting to feel your obvious presence--to see it, like he always does, the wall of cursed energy that you are--he feels like running away again. 

you don't even need to know that he's home. satoru could go to bed, and he could probably pretend that nothing happened in the morning and you would follow along. 

but he doesn't want to do that. not to you. 

and he needs to see you, needs to say something before he figures it all out--should he leave, or stay? should he continue to push you away to protect you? should he tell you all of it? 

it doesn't matter, he knows, because he probably won't be able to do any of it. 

and for the first time in years, satoru makes sure to knock before he opens your door. just a small repetition of his knuckles, but he might as well be breaking down a tradition. 

there's no answer, but he's not waiting, so he creaks the door open, looking for you immediately. 

and he sees you, lying in bed. 

and he sees your shoulders shaking slightly, with you curled up in the fetal position, and he can hear the sniffle before the door is all the way open. 

there's no choice, he knows. he's not going to let you cry yourself to sleep without saying anything. he's not going to leave you alone. 

you don't turn around, but satoru knows that you must know he's there. he walks across the floor, sitting at the edge of your bed, waiting for you to turn to him. 

and yell, maybe. tell him to leave again. tell him that you don't want to look at him anymore. 

but you don't move. your shaking is slightly stifled, and satoru can tell that you're trying to keep your breathing low, to keep him from noticing you cry. 

it's foolish, really, because satoru hasn't missed a single detail about you since he was seventeen. 

he doesn't say anything, but it's a natural reflex to tap your legs, to stand and slip off his shoes, gently pushing you off of the edge of the bed, towards the middle. 

and then he's laying there, curling his limbs around yours, arms wrapping around your waist, pulling you into him. 

immediately, there's a release somewhere inside of him. that yearning--that ridiculous need is finally satiated. 

satoru swallows. he needs to say something, he knows, but he's not sure what. should he apologize right now? should he tell you that he hates it when you cry--that he never feels more desperate to be more than in moments like this? 

should he whisper that he loves you, just to get it off his chest? 

but you cough, body shuttering as you relax into him, never pushing him away. and your voice is so small when you say, "you can't leave." 

satoru feels the pieces of him crack into even more. 

he tries to hold you tighter, but you move in his hold, turning so that you're facing him, and you nuzzle your face into his neck--trying to hide, but making sure that he's there. 

your hands cling onto him, leaving marks.

he can feel your tears against his skin, your entire body on overdrive. 

"you can't leave," you repeat, voice breaking. satoru feels it against the very outline of his soul. 

"okay," he says, quickly. "i won't." 

"i can't lose you too." 

he pales, body going still. his heart might stop for a moment. "you won't. i'm not going anywhere." he sighs. "i'm sorry." 

"i can't--" you're still crying, and you begin to shake again. "i can't do this without you. i won't." 

"you don't have to." 

"you can't leave, satoru," you say, leaning up to meet his eyes--yours glistening with years full of hurt, a lifetime of secrets and unsaid words. "please don't leave." 

"i won't," he repeats, feeling a bit desperate. what can he say to prove to you that he's not like everyone else? that he would trap you within his atoms, if he could? that he would stay in this bed, holding you, even if it meant nothing, forever? 

there's nothing, he knows. nothing but the truth. but that doesn't come out--it can't, now. it's not the right time. 

so instead, satoru wipes the tears from your face, even though they're replaced immediately, your breath coming in short, short bursts. he wraps his arm around your back, pulling you back to him again. 

"i'm sorry," you whisper against his skin, so quietly that he can barely hear it. 

"i'm not going anywhere," he answers. 

and, just for tonight, it's enough. 

he'll fix the rest of it tomorrow. 

*

next part | series masterlist

[jaesama]

Liam 🌹

The past few days have felt incredibly surreal to me as a longtime fan of Liam and One Direction. How do you mourn someone you didn't know personally, but who nevertheless felt like such a big part of your life? It weighs so heavy on my heart knowing that he was alone before he passed. He never deserved that. He deserves to be here, surrounded by those who loved him. None of this feels right.

It's a strange feeling; I've never felt so much grief and anger at once. It's like a large knot in my chest that tightens with each passing hour, reminding me that he's truly gone.

Liam is gone.

And no amount of apologies from the media or fandom, who treated him so horribly, will bring him back. To say I'm bitter would be overly simplistic. I'm completely furious yet torn at the same time. I could go on about the relentless bullying Liam has been subjected to the past several weeks and how he's been mistreated for years by the same fandom and industry whom he devoted so much of himself to, but it would all be in vain. Nothing will change the outcome. Despite everything that transpired, Liam had a kind heart. He struggled with his own demons, undoubtedly, but that doesn't make him an evil person. He just wanted to be heard. If he was given even just half of the grace and support he's receiving now, I genuinely believe he'd find his way back, but I guess we’ll never know.

I grieve for his son, who lost his father and will never see him grow up. I grieve for his parents, who must bury their child while the media continues to exploit his death. I grieve for his sisters, who will never see their little brother again. I grieve for the boys who've lost their dear friend and brother. I grieve for the life he lost and the future that was robbed from him. And I grieve for everyone who loved him and never got the chance to say goodbye. Liam, I am so sincerely sorry.

No amount of apologies could ever be enough. Even as the world treated you with cruelty, you always chose to be kind. You just wanted to be loved, there's no fault in that.

Even through the most difficult times in your life, you loved your fans so fiercely and without fail. You've touched so many lives while saving so many, but it breaks my heart that we couldn't save yours.

We miss you so much Liam. There will never be anyone like you, truly. Although it deeply saddens me every time I think of you now, I hope that someday I can look back at my memories of you with a smile. Thank you, Liam, for bringing so much light and happiness into my life and the lives of countless others.

Your absence will be felt in the vacant spaces you've left behind and can never be filled. Your memory will live on forever in the hearts of those who loved and cherished you.

I hope your next life treats you with far more kindness and compassion than this life ever did. And if I'm lucky enough to exist in the same lifetime as you once more, I look forward to being your fan again 🤍 Goodnight, sweet Liam 🤍 I pray your gentle heart is finally at peace 🕊

[wood-white-writer]

“Didn’t mean to make your heart Blue” || [1/…]

- OPLA!Buggy x F!Reader

“So, I don’t blame you if you want to bury me in your memories,”

— Mitski, "Goodbye, My Danish Sweetheart"

Pairing: Buggy the Clown (Live Action) x F!Reader

Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Summary: You were an apprentice of Gol D. Roger’s crew in your youth, long before his eventual demise. Along with the Red-Haired Shanks and Buggy, you were a formidable trio; the embodiment of a new generation of pirates yet to come. But times changed, and so did you and your friends. Years have passed since you last saw Buggy following the dispute that you thought ended your friendship. When you finally reunite with the blue-haired menace you once considered your closest friend, it’s under less than “friendly” circumstances.

Warnings: Fem!Reader, Canon Typical Violence, Slight Canon Divergence, Buggy is an asshole, The reader used to go by "Cross-Hairs" in the past.

A/N: I’m basing this primarily on the LA! version of “One Piece”, as I’ve just recently begun to watch the Anime.

Luffy, for his unyielding devotion towards his dreams of becoming the King of Pirates, evidently lacks the sense of foresight required of a pirate to successfully navigate the seven seas. Then again, it's nothing new.

You’ve always known. The kid's been a hazard to society even in his youth; no filter between his brain and his mouth despite the ungodly amount of food he pushes between his jaws. You used to watch him make his proclamations in front of Shanks' merry band with little more than vaguely piqued interest, indifferent to the youthful albeit naive optimism he exhibited.

Shanks, meanwhile, always used to find his demeanor endearing - “He’s a good kid. Let him dream,”

And so you let him. You watched him dream for the next ten years, making sure that his dreams didn't catch the wrong kind of attention until he was old enough to hold his own weight.

However, back then, Luffy's actions seldom warranted any real consequences. Save for the incident with the Bandit and the Sea King, he's rarely been in any real danger prior to his debut as a pirate.

An unruly child spouting declarations of desiring to become the next “King of Pirates” hardly would’ve caused more of a ripple effect than to make other people shake their heads and laugh. And if it did, you were there to make sure it didn’t.

Now, not only has his actions earned you the ire of the Marines by stealing the Map of the Grand Line, but it has also garnered the attention of other opponents. Far more dangerous ones than the likes of Alvida or even that Axe-Hand Moron.

It was only a matter of time.

So when you find yourself waking up in a wooden cage with the rest of your reluctant crew mates, accompanied by a head-throbbing headache at that, your first instinct is to heave an exasperated sigh.

"Goddamn it."

"Oh, you're up." It's Luffy. He looks unharmed, albeit disoriented, not too unlike yourself. "How're you feeling?"

"Like I just snorted a bottle of rum through my nostrils." You get up into a crouching position, eying your surroundings, which doesn't leave much up for inspection considering your cage consists of broad wide planks. "What the fuck happened?"

The last thing you recall before being knocked out was a Jolly Roger in the distance, too far away for you to make out properly. So, not Marines, but pirates.

You can't tell if that's a good or a bad thing.

"Think we wouldn't have told you if we knew?" The swordsman - Zoro - replies with a deadpan look of boredom on his face as he attempts to peek through the cracks in your confinement. You have half a mind to tell him where to shove it but opt for a more quiet approach.

It's during moments like these when you realize you actually miss that scrawny pink-haired kid with the glasses - Koby. He never spoke to you like this. Granted, he was probably intimidated by the way you were always hovering behind Luffy like a silent guardian, but he didn't provide unnecessary comments like Bounty Hunter over there does.

Small blessings and all that. Very small.

You provide a solid kick to the plank on Zoro's right side without warning, catching him off-guard and earning you a short-lived glare. The planks loosen considerably, probably not meant to contain you for long.

Meanwhile, you listen half-heartedly to Luffy and Nami as they discuss the potential identities of your captors.

"They're not marines," Luffy assures her. "Before I got knocked out, I saw a Jolly Roger. We've been captured by pirates."

You glance at him from over your shoulder. "What'd it look like?"

"I don't know, it looked ... like ..." he pauses in thought. "A skull with crossbones, and a red ... dot? It almost looked like a nose, if bones could have noses, but they don't."

The blood in your veins freezes up, as does the rest of your body until their voices blur into nothing.

You've been keeping occasional track of him in the years that's passed since you parted ways, and when he amounted to a considerable bounty on his head, his signature Jolly Roger was hard not to miss on his wanted posters.

-------

"I didn't know there were so many pirates."

You tilt your head at the wall decorated with various wanted posters of different pirates, some more torn and discoloured than others, some more dead than others. You can't find your own amongst them in Shells Town, but then again, it has been some time since last you were on the Marines' radar. More likely than not, your poster is hidden somewhere underneath the several layers of—

"Hey, there's yours!" Luffy damn-near exclaims in wonder and points at— Oh yeah, there it is, right above Foxy's poster, a little yellow around the edges but still holding strong.

WANTED Dead or Alive "Cross-Hairs" 25,000,000

"Oh, wow, a 25-million bounty. That's a lot of berries."

The image is well over a decade old, taken back in your early twenties, and you were much more easy to identify back then. You were sharper in some angles, softer in others, compared to the present.

You look different now. Less robust, a little older, but no less dangerous in the grand scheme of things. Your sharp eyes remain the same, a trait Gol D. used to remark upon with a mischievous glimmer in his own eyes.

"You have eyes sharp enough to cut through steele," he'd say and ruffle your hair. A sense of loss perforating your being at the memory.

Despite being in your thirties, age tends to alter the appearance of most people, and you consider that a pretty good advantage right about now as you're standing surrounded by an army of Marine officers. Given the fact that you've spent the last couple of years away from the sea without a trace or clue, the World Government probably assumes you've died or gone into hiding.

Be that as it may, they didn't even bother to decrease the bounty since last time. How odd.

While Luffy spends a few moments admiring your old picture like a child that just learned their relative is some kind of famous celebrity, Koby is less than enthralled by this revelation.

"T-That's one of the highest bounties in the East-Blue." He is hesitant to look up at you. "What did ... What did you do to earn it?"

"A little here, a little there. Kicked a few asses, stole a bit of treasure along the way. Nothing too bad." You admit with a half-assed shrug as you continue to inspect the various posters.

For the boy's peace of mind, you won't go into the less ... child-friendly details regarding your reputation. About the way you used to fight to the blood with most of your opponents, Marines and pirates in equal measure. How you'd stand victorious atop a pile of broken limbs and pleading sounds from the defeated crowd.

"Yeah, yeah ..." Koby agrees with a feeble nod. "There are way worse pirates on the Grand Line."

Your gaze happens upon a particular wanted poster, and your demeanor stiffens. Not enough to notice from an ordinary point of view, but it does nonetheless.

His sharp cerulean eyes and bright red nose seem to mock you from his picture, and a heavy feeling settles in your heart. A feeling of hurt and betrayal you've long since thought abandoned in the corners of your heart. Not even the loss of your old captain could hope to compare to it

You snap back to Luffy, your voice a little strained as you speak though you desperately try to cover it up. "Are we done here, Luffy?"

------

It's your fucking luck it had to be him of all people to come after Luffy first.

Why him?

Fuuuuuu—

"We don't need to fight." Luffy's voice snaps you back to the present. "I can talk to them, pirate to pirate."

"Not with this one," you whisper more to yourself than anyone else. The only one who seems to catch onto this is Zoro, but the moment he opens his mouth to ask, Nami beats him to it.

A discussion regarding the duality of piracy quickly causes you to lose all interest in the following sequence.

You don't trust either the thief or the bounty hunter as far as you can throw them, and the feeling is mutual in both parts. Sure, they proved useful in getting rid of the Axe-Hand, and have had thus far been tolerable enough for you not to throw them overboard.

Still, Zoro recognized you on the spot where the Marines failed to, and though Nami doesn't, your status as a pirate is enough reason for her to distrust you.

As mentioned, you don't trust them, but Luffy does, and his lead is the only one you'll follow. This is his voyage, and you’re not here to keep him from making mistakes unless you consider them particularly vital. If this bites him in the end, then you'll be there to keep him afloat.

After all, you made a promise to your old red-haired friend.

"Look after the lad for me, will you? Help him achieve his dream."

With no patience left to wait to get the fuck out of here as quickly as possible, you prepare to kick through the planks. Just then, the top piece of your confinements unfold, and what you're greeted with is the pinpoint definiton of a fever dream on acid.

Tightrope walkers swinging in the air, acrobatics performing acts of impressive feats, someone fire-breathing, and-- was that a guy juggling on a unicycle passing you just now?

A circus troupe. You've been captured by a fucking circus troupe.

"Oh, what the actual fuck?" Is all you can manage to mutter, a sentiment Zoro surprisingly agrees with if the nod he adds serves as any indication.

The troupe has an audience, you come to observe in the distance. They're clapping and cheering on cue with the sign being held in the air, yet they look ... wrong. Forced. Puppets with strings embedded in their limbs, so to speak.

You narrow your eyes in distaste at the view. The hell has he been up to as of late?

In the midst of the enforced round of applause, a voice gradually makes itself more and more prominent through the masses. Deeper and huskier since last you heard it, but yet painfully known to your ears.

"No, no, no, NO! Stop clapping!"

And then he appears. The ringleader himself, exasperated as he throws his arms out to each side and effectively silencing the crowd.

"No, stop! This is all wrong!"

You momentarily forget to breathe as you watch him come into view from behind the audience. He's taller than the last you saw him, that's for damn certain. Must've hit a second growth spurt in your absence because, while you were relatively on equal foot in your youth, he now seems to have grown a head or so taller than yourself.

And like yourself, he's changed, and not inherently for the better. It's a relative statement considering that the life of a pirate is oftentimes a hard one, but it's a fact nonetheless. The years have not been any kinder to him than they've been for yourself. He still has the same hair, the same general appearance, but he's changed.

Out of the three of you, Shanks seems to have had it the easiest in recent years, appearance-wise. He never lost his smile or affinity for the brighter things in life, even when he had his damn arm chewed off.

Meanwhile, you lost your dreams, and he seems to have lost everything you recognized about him in your youth. His smile, his laughter, and even his stance had been replaced by some replica that fails to hold a candle to the original one.

This is a show master, not your friend. Then again, you haven't been friends for a long time now.

Still, changed as he may be from an outward point of view, Buggy's eyes have not. They're clear like the seas, just as they were long ago. (And his nose, of course. How could you forget?).

You can't tell if that's a relief yet.

You're not a fearful person by nature, having lost the distinct ability years ago. Now, however, you feel the tremors vibrating through your ribcage at the sight of him. That's why you decide to turn your face slightly to the side for now, hoping to prolong the inevitable.

Fortunately, your presence evades Buggy's notice for just a while longer as he berates his crew. "The spotlight was late! You completely missed my entrance!"

The sound of said spotlight changing its focus can be heard.

"And where, oh where, was the dancing lion?"

Good! While he's occupied, maybe you can find the right moment to grab Luffy and get the hell--

"Hey! I know you! I saw your wanted poster in Shells Town!"

... You want to dig a hole in the sand and bury yourself right about now.

"You're the clown guy! Uhm ... Binky, right?"

Buggy, you scream inside as you suppress the urge to yank Luffy by the shoulders and shake him until all of his limbs drop down on the ground. Fuck Shanks and fuck the promise. He's Buggy the fucking Clown, and you did not have to go out of your way to pinpoint that fact!

In your internal state of dismay, you settle with trying to locate potential escape routes. Maybe a hole in the walls of the tent, or an absent-minded guard by the entrance. You're stronger than most, with years of experience behind you, but you're not capable of fighting your way through a crowd with three tagalongs so seamlessly.

"Buggy," the man of the hour states as he approaches, still having failed to notice you. "Buggy the Clown."

No one says anything, which he takes as a sign to continue on with - what you personally regard - as a moronic long line of titles.

"Buggy, the Flashy Fool." Still nothing. He raises his arms, like a lost puppy begging for scraps of recognition. "Buggy, the Genius Jester."

Seriously, what's with him and all the names? He’s always been … overdramatic, but this cuts the cake even for him.

"Wow," Luffy seems genuinely impressed, a stark contrast to his companions, who would rather be anywhere than here. "You have a lot of names. I bet everyone in the East Blue knows who you are."

A range of gasps echo from the unwilling audience, and you finally snap your head to the front in alarm. Fuck, he couldn't have used a better word than that. Granted, Luffy didn't mean it in that context, or even that word, but it doesn't matter.

Another thing that hasn't changed about Buggy... And that very same thing might as well be what snaps him out of his theatric act.

You thought Buggy finally would've noticed you by now, seeing it as you're finally willing to face him, but his eyes remain eerily glued to the kid.

"What did you just say?" Buggy asks, calmly.

Way too calmly for your liking.

Oh, no.

Luffy blinks in confusion. "Just that everyone knows who you are?"

You notice the clown lunging before Luffy does.

In the span of a second, you plant yourself between them, the only barrier between him and the clown's rage. You don't move an inch even as Buggy closes in with his gloved hand outstretched towards the boy, having not yet registered your sudden appearance until his fingers are inches from your face.

Your eyes finally lock, the blue in his eyes more prominent now than ever. Almost two decades since the last time you saw each other, and Buggy ceases his attempted assault as though time itself freezes.

At first, there is nothing in his eyes but surprise. Anger. Maybe even a trace of admiration towards the one who dared stand against him. Hot and burning beneath his irises, like glowing embers left behind in a dying pyre.

Finally, there is recognition, and the fire reignites warmer and scorching more than ever before.

He doesn't say anything at first, and neither do you, but the glare in your eyes conveys the message loudly enough that even the performers and troupe members alike know not to interfere.

"Leave him be."

You think of what to say, what you can say, after years of being silent. A simple “Hi” will not suffice, and considering the way of which you parted, there is little room for confessions.

Then, Buggy begins to laugh.

It starts out as a whisper of a chuckle, then gradually develops until he's full-out holding his stomach in wheezes, tears leaking from the corners of his eyes and smudging his make-up.

He points his arm up as he tries to contain himself, and the guy holding the APPLAUSE-sign picks up on the subliminal message. Everyone in the place begins to laugh, both the captives and the captors, so loudly this time that it makes you feel small in a way you haven’t felt since you were a child.

You glance cautiously around yourself, sharing brief looks with your companions before the noises abruptly stop, having most likely been forced to do so.

When you look back at Buggy again, he's smiling wider than ever, but his eyes hold no genuine humor. No, there's an unidentifiable emotion swirling in the depths of his blue eyes that you fail to decipher before he speaks.

"Well, well, well! Isn't this an unexpected surprise?" He raises his arm to gesture to you, as if you're an exotic exhibition behind a display case for everyone to behold. The spotlight is now aimed at you, momentarily blinding your vision.

"Ladies and gentlemen! It is my honor to present to you, the one and only, the myth, the legendary 'Cross-Hairs'! The Beast of the East!"

Applause rings again in the air as Buggy continues.

"She was famous throughout all of East Blue for her many endeavors, with a bounty greater than even yours flashy truly." Admitting that fact looks like it physically hurt him, but he prevails. "And then, almost ten years ago, after her biggest heist yet, she just POOFS!" He snaps his fingers and lets them slowly decline for dramatic effect. "Vanishes out of the blue. Leaving the seas for an unforeseen amount of time."

It would seem like you were keeping track of each other all along.

The next words Buggy utters are so hushed that only you hear them, and his smile is gone.

"Then again, you do have a track-record of leaving things behind, haven’t you?"

Oh, the fucking nerve of this guy. You take a step forward, clenching and unclenching you jaw so much your teeth feel on the bring of cracking. How dare he? How fucking dare he?

You’re about to shout back at him, argue, throwing every caution to the wind just to correct him and scream:

("You're the one who left me, remember?")

Before you can, something taps your right shoulder. Thinking it's Luffy, you turn around, and the last thing you recall before it all fades to black is an air of red dust clouding your vision.

[thewalrusespublicist]

omg can you speak more to your latest post about the reverse happening in 1980, I’ve never about the coherence of the narrative actually :O

Yeah an alternate universe would be crazzyy because our main narrator and star witness of the Beatles would be resident shit stirrer … John Lennon.

John

Fucking

Lennon.

The thing with Paul is that he’s kept to a pretty consistent narrative for the past 40 years or so: John broke up the Beatles cause he wanted to move on, army buddies, they loved each other etc. You can criticise it (I certainly do), but it’s coherent. It’s also one that has allowed John grace and promoted love and community as a core message, something that the other last surviving Beatle Ringo is more than happy to support. It works, we get it, it's a good message in many ways.

Whereas John … wooo boy. The only idea we have of what John would have been like is the 70s where he couldn’t even make a narratively coherent sentence.

If you take his comments and put them together, the Beatles break up was because the guys were blokes he got bored of but also the temple he loved too much but also a marriage that had to end but also a mistake in many ways. Simple, right?

And who was Paul again? Oh, well he was his closest friend ever but also someone he was never very close to and a genius but also artistically dead and yeah, he talks to him often but hasn’t spoken to him in a decade and could talk about him for days but also never thinks about him and is his dear one but also a straight and his ex-coworker who he didnt really work with much … wait no fiance/brother that he would do anything for. Whatever emotion John felt at that moment was his new forever truth/cope and that was the shit he was sticking to on record for those five minutes.

 And that’s John in normal factory mode. Now imagine the nuke that would be losing Paul, his Paul. Imagine every extreme feeling and every defense mechanism under the sun all going off at once and right in the interviewer's face like a deranged grief firework show. Then the added mess of Paul being seen as a saint and Paul the person not being there to reality check John’s view of him … chaos. On top of all that, if Yoko is right and John did contemplate an affair with Paul, you think he wouldn’t have spouted that at some point AMONGST OTHER THINGS WE DON’T KNOW ABOUT? 

Trying to work out the whole Beatles saga would be like trying to find Bigfoot but the compass is pointing in every direction and through several detours through an inexplicable amount of orgies, scandals and psychosexual drama.

 Who were the Beatles? God knows, apparently only the best band ever of bffs/coworkers who were so overrated and boring that John couldn’t wait to leave/never wanted to quit. Who the fuck was Paul McCartney? Duh, the most beautiful perfect wonderful genius man who had ever lived, one of the great loves of John’s life whose memory will stalk his dreams and waking hours until his dying day and has seances for on the reg. Oh he's also a sheep fucking devil who was hated and who intentionally and maliciously slept with half of London and wrote 'nogoodsongsshutup' in an evil plot to trick John to make music with him until Yoko freed him from his spell. What was their relationship? ????????? (okay maybe not everything would have changed lol but we would have so many more details on John’s side). There’d be no message from the Beatles tale, no story, no cohesion. Just a free-for-all pile of disparate tales of love, hate, treepanning and heartache to sift through.

In any case, I would love to see the madness that would be their version of Beatles tumblr.

[luv4fushi]

HEYYY🦅

I really likes your megumi drabble. HE SO CUTE😭😭 i kinda wish you write more megumi 🩷

megumi fluff (?) and angst at your service! sorry it took FOREVER i had 478274 exams these past few weeks ughhh sorry & ily thx for the req ~~~

he likes me, he likes me not

jjk fushiguro megumi x fem!reader

all megumi fushiguro does is apologize when he rejects you. everything changes because of your confession.

content: angst, fluff if you squint, all characters aged up to 17-18!!!, misunderstandings, confessions, eventual relationship!, megumi is so bad at feelings, ooc megumi a little sorry, takes place at jujutsu tech high school and shibuya has NEVER happened so life is good, yuji and nobara are your besties

wc: 5.1k

click on my masterlist for more!

“i like you.”

for a moment, the world stills. everything comes to a halt.

megumi is sitting across from you at your favorite cafe, just down the street from tokyo jujutsu high, the school you’ve been attending for nearly two years now.

in that short amount of time, you’ve grown into a person you think the past you would’ve liked. you’re taller now, more fit and lean. you’ve got bounds of experience from your missions piled on your shoulders, the unwavering burden of being a jujutsu sorcerer making itself at home.

you’ve grown in other ways, too. you’re stronger now, you’ve got a good hold on your emotions. you haven’t seen your parents in months, but the sting doesn’t hurt anymore. you’re wiser. older. you’ve got a handle on your feelings.

then there’s megumi fushiguro.

oh, how enamored you’d been.

he’d spared no glance when he first met you. you had trudged into the classroom, eyes darting at the unfamiliar faces. gojo satoru, the undeniably handsome teacher of yours, introduced you brightly albeit the low energy of the room.

you had weaved your way into the jujutsu world, just as you had been able to slither your way into the lives of your newfound friends.

but megumi, oh, megumi fushiguro.

it had taken you laborious months to befriend the raven haired boy. his uninviting attitude hindered your relationship with him for some time, and you had half-heartedly decided to pursue something else, but your near death experience during a particularly difficult mission with him had sent him reeling. he had held onto you the entire time you cried for your mother.

you don’t talk about that day. he doesn’t mention it, either.

“what?” his eyes, dark blue, blink in surprise. his lips are parted slightly. “what did you say?”

your throat constricts. then, the words flow: “i’m in love with you.”

love. it’s too strong of a word. you’re not even quite sure what it means, or if what you feel is actually love.

the cafe begins to bustle with life again. the barista from behind the counter steams some milk—almond—and she glances up at a customer approaching. the music from the overhead speakers filters it’s way softly into your ears. it’s a cheesy love song, and you can’t help but feel like it isn’t the right time for that.

“are you serious?” he says, almost spitting out his drink.

“i mean,” you shrug, “yeah? i wouldn’t bring you all the way out here to fuck with you.”

he blinks again. his lashes flutter perfectly. it’s annoying how perfect he is. there’s a slight hue of pink to his cheeks, but not enough to confirm anything—just speculation.

“i’m sorry,” he begins, breathing it out all in one go. “i’m really sorry.”

if you’re being honest with yourself, you’d seen it coming from a mile away; megumi fushiguro is different. he’s got the composure of a brick wall. the perpetual frown on his face never, ever leaves, not even when he’s with you. he doesn’t crack, doesn’t shake. his soul is hardened from things that he’ll never speak of with you.

“it’s okay,” you say, but it’s not.

you’ve changed—grown into a person you’re proud of, but you’re still stuck sometimes. you’re still a pushover. still just a small shrimp in the vast ocean. still apologizing for your existence.

“i’m sorry,” megumi repeats.

you know he’s apologetic, that he really means it, just from the way his brows furrow slightly. you know him too well for your own good. you don’t think he can say the same about you.

“it’s fine.” your voice breaks. you duck your head in embarrassment. rejection has never hurt you this badly. “you don’t have to apologize for not liking me back. it’s not your fault.”

you wonder why you’re comforting him when he’s the one who has ripped your heart out completely.

“i’m gonna head back,” he mumbles out, hesitating to reach out and dab away your tears with the napkin he’s been wringing around his thin fingers. “you… should come, too.”

you shake your head. “i think i’m gonna finish my coffee.”

he offers a smile. “you can finish mine as well, if you’d like.”

“nah,” you say, scrunching your nose through watery eyes, “black coffee isn’t really my thing.”

“yeah.” his laugh is soft, almost forced, but you can tell it’s genuine. “i know.”

oh, you think. it really hurts.

he knows.

something inside you snaps. your lungs feel itchy. your ribs squeeze. you think that it would’ve been easier to never say anything at all.

megumi leaves the store. the jingle of the bell above the frame rings through the air. you’re left with your cold cup of coffee and megumi’s cup across from you.

the barista gives you a look of pity. you chug down your drink and chug his, too.

it’s bitter.

-☆

megumi arrives to his dorm exactly five minutes after four pm. he slips off his sweater and changes into a pair of sweatpants and a loose t-shirt. his mind is blank, except for the image of your teary eyes.

he swallows nervously. maybe he’ll sleep it off.

“yo, megumi.” yuji slams himself against the door impatiently. “how’d it go?”

megumi sighs, the irritation swiftly making its way into his fatigued body. he opens the door and yuji tumbles in without an invitation.

“what are you talking about?” megumi mutters with another sigh.

“the confession,” yuji says matter-of-factly.

megumi stares. “you knew?”

yuji’s smile slowly removes itself from his lips. “…yeah? it was pretty obvious.”

“what was obvious?”

“that she likes you…?” yuji tilts his head. “and you like her back, right? so i figured you guys would be all cuddled up in here.”

megumi doesn’t say anything. the gears in yuji’s head begin to turn as he looks around the room, noticing the comfy attire megumi has on.

“you said that you liked her back… right?” he raises an eyebrow. “because it’s not a secret that you do.”

“i left.”

“you left her there?!”

“i didn’t know what else to do.”

“so you said ‘yes, i’d like to be your boyfriend’ and then dipped out on her?”

“i didn’t say yes.”

yuji pauses. he looks at megumi, then at the made bed, then back at megumi.

“for fuck’s sake,” he groans, running his hands through his pink hair. “i’m gonna go.”

megumi stands there, appalled. the door is shut harshly and the hinges squeak. he’ll have to scold yuji about that later. for now, he wants to take a nap.

maybe he’ll feel better about everything when he wakes up.

-☆

on the other side of the building reserved for dorms, yuji crosses his way into the girls’ section. it still feels wrong no matter how many times he’s made this trip before.

he meets you on the way there. you’re dragging your feet, headphones strapped on your head, and lips quivering.

“hey,” he calls out, tapping your shoulder. “you okay?”

he waits until you hang the silver headphones on your neck. they’re megumi’s, he realizes as he sees the fading stickers on the metal plate.

“hm?”

“you okay?” he asks again. his eyes scan you for any signs of distress, and he can practically see it radiating off of you.

“yeah,” you hum, “i’m cool.”

“want me to grab nobara?” he suggests with a grin.

“sure,” you say.

the sun feels hot on your back. you hate the way the school is so widespread for having such a small population.

“i can grab some ice cream,” yuji rambles. “and i’ll get us a notebook so we can write shitty things about megumi.”

you pat him on his back, but his sturdy body almost sends you flying backwards. he catches your wrist just before you fall, and he’s laughing at your expression with glee.

“you’re so funny,” he says through his fit of laughter. “you’ve gotten scrawnier. you needa eat more! i’ll get us snacks, too.”

you pout. “shut up, yuji. not everyone can be as buff as you and todo.”

“oh, todo is a whole different story.”

“tell me about it,” you say, playfully rolling your eyes. “i’ve seen him beat you up into a pulp.”

“hey! in my defense,” yuji says, his hands coming up to the sides of his ears, “i couldn’t do much against him!”

you’re nearing nobara’s dorm, which is right across from your own. you like how homey hers is compared to yours. she’s got a knack for interior design, or so she claims.

she swings the door open the moment you reach the inside of the building. you’re halfway down the hall when she sticks her head out from the frame of her room. her black roots are showing more than usual.

“how was it?” she asks once you’re close enough so that she can whisper.

you want to tell her that there’s no point in keeping it a secret. you had told yuji about your feelings far before you even mentioned to her, mainly because yuji had been your first friend at jujutsu high. megumi isn’t here, either, so there’s no reason to whisper when everyone knows.

“bad,” is all you reply with.

her eyes soften a considerable amount, an expression you’ve never seen on her face before. she takes a small breath and pulls you into her room by your arm.

you’re met with her fragrances, vanilla and strawberry—a nobara kugisaki signature scent. she had begged gojo to buy her shelves to place her k-pop albums on and sure enough, the white furniture stands proud at the far corner of the room. there are fake vines hanging from her ceiling right above her desk, where she has an organizer messily places over a few books.

“you wanna dye your hair?” she jokes, looking back at you. “my roots are coming in so we might as well dye yours while we touch up mine.”

“is orange all you have?” yuji’s nose twitches. “i don’t think she’d look good in orange.”

“gee, thanks,” you sarcastically respond.

“sorry.”

nobara clicks her tongue. “wanna unpack?”

“kinda,” you say, your body going limp once you’re at the foot of her bed. you sprawl yourself on the silky sheets and stare up at the ceiling.

“get out, yuji,” nobara demands. she doesn’t even acknowledge his downturned lips.

“i know everything already!” he whines. he shuts the door behind him with much more care than he had with megumi’s.

“still!” she insists. “i wanna have a girls’ talk.”

“i’m one of the girls.” he crosses his arms.

nobara’s shoulders sag. “fine, but you need to go buy ice cream.”

“was planning on that already,” yuji replies. he taps quickly at his phone, presumably asking gojo for his credit card.

when yuji leaves the room, he promises that he’ll get your favorite flavor. once nobara senses that his presence is completely gone, she turns to look at you.

“i’m sorry for making you confess,” she whispers. her tone is comforting, genuine, soft. she takes you into her arms and squeezes your shoulders. “i really thought he liked you back.”

“it’s not your fault,” you reply earnestly. “i chose to do it out of my own selfish feelings.”

“you can cry,” she says, patting your head. at times like this, nobara seems years wiser than you are. her touch is warm.

you bite your lower lip. “don’t wanna. i think i’ll be fine.”

“okay,” she says, and you feel her chest vibrate with the word. “you’re allowed to cry, though. megumi would’ve been a shitty boyfriend, anyway.”

all you can do is let out a watery laugh. you don’t tell her that he would’ve been an amazing lover. he would’ve taken you out on dates at your favorite places because he’s observant like that. he would’ve known your favorite foods, though he knows them even as friends. he would’ve kissed you tenderly because that’s the type of boy he is. he’s the type to love carefully, like he’s afraid he’ll lose someone forever if he doesn’t.

“i’m up for dyeing your hair,” nobara pipes up after the silence that penetrates the room. “yuji’s right, though… i don’t think orange would suit you… ha.”

you giggle. “let’s just touch up yours, yeah?”

yuji’s footsteps can be heard from outside the door when you’re a third of the way done with nobara’s roots. she complains about how long he’d taken, but there’s no real malice in her voice. he explains that he had ran into trouble obtaining gojo’s card (“i had to beg him for it!”).

the ice cream is all melted. it’s gooey and delicious and makes you smile. as you look around your friends, your crinkled eyes say more words than you ever could.

“you’re welcome,” yuji says into your ear. “you don’t have to thank us for any of this.”

-☆

the next morning comes by quicker than you want it to. you mentally prepare yourself for seeing megumi in class at eight in the morning. you haven’t made a mistake as bad as confessing your dying, unrequited love on a wednesday afternoon quite like this before.

nobara had suggested walking with you the night before, but you’d sternly told her that you could handle it. looking back, maybe you should’ve agreed with her offer.

megumi isn’t in class when you come in. he’s usually there at least five minutes before gojo starts teaching. something inside you tells you it’s because of yesterday—as much as you hate to admit it.

he walks in through the sliding doors a few minutes late, but gojo pays him no attention. megumi has privileges like that—at least, with gojo. he’s practically your teacher’s son, and though you’ve never heard of the full story, you’re well aware of gojo’s slight favoritism.

the class is short. all jujutsu sorcery classes are. they mainly consist of typical real school lessons, only because under the law, jujutsu tech is still a high school. the other, much bigger portion of class with gojo is focused on maintaining cursed energy and providing yourself with the best possible victory in battle.

when it’s over, you don’t know if you should be relieved or upset. you won’t be able to see megumi after this, assuming that he’ll avoid you for a good month or two. however, you think you’d rather die than attempt to make conversation with him.

“don’t do anything stupid,” gojo warns, signaling the end of class.

you hear yuji snicker quietly and say, “yeah, nobara.”

the bickering brings a smile to your lips. from the corner of your eye, megumi shifts in his seat.

you decide that it’s best to let the feelings marinate, as stupid as it sounds. it’s an infinitely better choice than moping around and begging megumi for a chance. you may be soft, but you’ve got pride.

“see you guys,” you announce, more to yourself than to anyone.

“alright,” yuji calls after you, “see you later.”

you can’t help but feel a little disappointed with the lack of clinging when it comes to you. your absence doesn’t seem to cause a ruckus like it does for most people. you wonder if it had been yuji retiring early; would everyone else ask him to stay a minute longer?

that’s how life is for a while.

you attend class, spar a little, and sleep. some days you go out into the city with nobara. you avoid the cafe, even though it’s your favorite. perhaps it’s because you’re still embarrassed by megumi’s rejection. on other, slower days, gojo takes you all on outings because he’s basically everyone’s replacement father.

it’s still as tense as ever between you and megumi.

the boy doesn’t make any effort to reach out. you don’t blame him, though you should. he steals small glances at you, particularly when you’re smiling and forget to cover your teeth with your hands. that’s all he takes from you, and he can’t be the only guilty one, because that’s all you give.

on this day, gojo takes you all out to the fair. it’s annual, taking place in the beginning of summer, and it’s a great way to practice forming barriers and such. the fairs always bring out a few nasty curses that need to be exorcised—the four of you are already used to being dragged out here for that sole purpose.

as if gojo knows, he sends you out in pairs. of course, you’re paired with megumi fushiguro. at first, you open your mouth to reject gojo’s demand, but you notice the way megumi doesn’t seem to care and your resolve hardens.

“it’s really awkward around you guys.” gojo pretends to act busy, flicking something from his nails. he’s got his sunglasses on and the ladies around him fawn.

“huh?” you and megumi look at him with accusing glares.

“is something going on between the two of you?”

“no,” you say almost entirely too quickly.

“right,” he drawls, a smirk forming on his face. “anyway, good luck out there. get rid of the little ones and then—i don’t know/-meet up with yuji and nobara if there are gross ones that’ll kill you.”

megumi nods. “okay.”

“this was what i was talking about,” gojo mutters as he walks off. “it’s soooo awkward…”

megumi gives you an apologetic look. “for the record, i don’t think it’s awkward.”

“it’s fine,” you say. you find that you’ve been pardoning him quite a lot. “you don’t have to lie.”

his face flushes. “i’m not.”

“i confessed to you and you don’t like me back, so there’s really no need to tiptoe around it anymore,” you rush out. “just treat me like normal. i don’t really care.”

he looks hurt, and you want to laugh.

you discover that, in those days of being alone, you’d rather megumi treat you like a friend again than be completely ignored. at least then, you’d have a part of him. at least then, he’s not slipping through the cracks of your heart, becoming a distant memory.

you want him to be anything but a memory.

“you want me to treat you like normal…?” he repeats your words. he paces himself just a few steps behind you when you begin to walk away from the conversation. “what does that mean?”

“i think you know what being friends is like,” you attempt to joke, but it comes out harsher than intended.

the fair is getting more crowded by the second. the shopkeepers are yelling out cheap deals and there are children that snake in and out of the lines of people. paper lanterns are hung at the front of tents to attract foreigners—it seems to be working because there are more people surrounding shops with lanterns than without.

megumi takes a breath. “how could i do that?”

your steps falter. “what do you mean?”

“how can i go on to treat you like normal,” he says softly, “when i know you’re in love with me?”

you bite the inside of your cheek and taste blood. “i don’t know. you’ve done it before without knowing my feelings. you can do it all over again, right?”

you look over your shoulder to see his lips part. he’s given up on the cool-guy persona. his vulnerability begins to show through the dents in his personality.

“you’re saying that you’ve liked me for that long?”

“yeah,” you admit. something about this is more freeing than you could’ve imagine. “i think i always have.”

a man shoves himself into you. he’s older with a beer belly and a scruffy beard attached to his face. he barks at you to move out of the way as he drags his young daughter through the sea of people. megumi’s warm hands come to rest on your waist, pulling you aside and closer to his toned chest.

you do your best to ignore your beating heart.

“i’m not,” megumi starts shakily, “lovable. i don’t know why you like me.”

your body goes cold. it's even worse than when he'd rejected you.

“curse,” you say, detaching his hand from your body. “i feel it around the back alley.”

the night ends. nothing is solved. you go to bed and curl into yourself.

-☆

loving megumi is weird. there’s an odd sense of comfort to it, like you’ve known him for longer than you actually have. he makes you feel safe even though he's gruff and a little mean about it. maybe that's just part of his charm, though, because it makes you love him even more.

he seems to have taken your words seriously; he starts to treat you like normal again. he doesn't avoid you anymore, and the obvious tension surrounding you two has disappeared for now. he lets you take a few of his sweaters when you forget to do your laundry and he buys you your favorite snacks sometimes.

it gets to be too much. you almost wish he'd go back to ignoring you. the grass is always greener on the other side.

summer goes by slowly. it's the prime time for bad feelings to manifest into curses. you push away your lingering feelings, convincing yourself that you've gotten over it. it's been more than enough time now, coming up on two months since you've confessed. you don't want your resentment, if you can call it that, to form any bad curses—you'd hate for them to be attached to megumi. that'd be a burden too hard to carry.

a few missions involve partnering up with megumi. gojo thinks you two work well together; there's a sort of synergy that you have with each other that is hard to come by sorcerers nowadays. you don't mind the compliments, or at least you pretend you don't.

the missions aren't difficult, but maybe that's because you've grown stronger. megumi has, too.

summer passes. it still hurts.

"you're confusing me," you whisper.

you and megumi are shopping for a surprise birthday party that gojo is forcing you guys to throw for nanami kento, a good coworker of his. you've met him more than once, and you're not really sure if he'd appreciate such a last minute party. regardless, you and megumi are tasked with finding enough balloons to fill the poor man's office.

megumi doesn't allow you to hold any of the bags. he lies and tells you that it's out of habit—nobara makes him carry her shopping bags every time they go out—but you know he's doing it just because he wants to. you're perfectly strong enough to carry a few paper bags, and he doesn't carry nobara's bags like he claims he does. megumi doesn't even go shopping with her unless yuji's there and even then, yuji holds the bags.

"sorry?"

"why are you doing this?" you refuse to look at him.

"doing what?"

"this," you say, gesturing at the two of you. "why do you act like we're close enough to do this?"

you cringe at yourself, aware of how hypocritical you're being. you had wanted this, wanted him to go back to being a friend, to treat you like he had before you went and ruined everything. why are you angry? why do your eyes well up with tears as he steps closer to you?

"we aren't close?" he asks. his arms fall to his side.

passerbys give you curious glances. he takes off his sweater, the one he always wears depsite it being humid out, and wraps it around you. the paper bags filled with confetti and paper plates are set down by your feet. he pulls the hood over your head to hide your wet eyes.

"we are," you mumble out sorely, "but not like this."

"i'm sorry," he says, and you're brought all the way back to the day you had told him about just how much you liked him.

"'s not your fault." you sound like you're trying to convince yourself and not him. "i'm being an asshole. you can forget about this."

you don't want him to feel guilty. he can't help how he feels, after all. you don't want him forcing himself to love you.

"what you said that day," he coughs out. the bags crinkle as he lifts them from the pavement. he continues, "what did you mean by 'always'?"

you squeeze your eyes shut and he pauses next to you. you can feel his soft gaze on you and you're glad you can hide behind his sweater, the cloth draping over you like an oversized blanket.

"i don't know..." you tilt your head up to look at him. he looks like the boy you think you'll always love. "i think i was doomed from the start."

"doomed?" he says, a little amused. "loving me is dooming? how sweet of you."

you need to remind yourself that he's not playing with your heart; this is how he copes—and how you cope, too. he must know you better than you had thought.

you nearly scoff. "it's because you're you. you're so good at being you that it hurts."

megumi slows. you hadn’t even noticed that he'd been guiding you down the sidewalk the entire time until now.

"i think it applies to me, too," he say quietly.

"what?"

"'always' applies to me, too." the clarification does nothing to settle your nerves.

"i don't understand," you blurt.

he gives you a look, as if to say, "really?", but he keeps talking, "i think i'm used to this feeling because it's always been there."

"what feeling?"

he shrugs. "you pissed me off when i first met you. you're really stupid, you know?"

your face morphs into an irritated expression. "thanks. you're pretty great yourself."

he laughs and it sounds like music to your ears. "i wasn't finished, dummy."

"sorry."

"you're pretty... a lot more than you think you are," he admits shyly, "and i guess that annoyed me because i kept feeling all weird around you. i got used to it, i think—that weird feeling. but it's always been here. it never left."

you stumble, tripping over your feet at megumi's statment. you don't want to interpret it the wrong way, but with how he's looking at you, you can't help but maybe think that he likes you too.

"this isn't how i wanted to tell you, but," he breathes in sharply, "i don't like it when you cry."

it's awkward. perhaps a little funny, if you really look at it, but it's megumi and you can't hate him. you'll never find it in yourself to truly hate him.

nanami's surprise birthday party isn't much of a surprise. though gojo nor nanami say it, you all know yuji is a favorite of theirs, and no one is surprised when yuji says that he had accidentally revealed the party a few hours prior.

gojo has fun. even shoko, who never shows up to any of these events because of her busy schedule as a doctor, seems to enjoy herself. nanami pretends like he's not entertained, but he has on a fond smile that looks weirdly similar to the way megumi smiles. you're all old enough to party now, as gojo puts it, so it's a little less like a classroom celebration and more like a familial one.

it's the third of july, nearly two months and a half after your confession, when megumi hints that he feels the same way about you.

you don't know what to make of it.

-☆

"i like you."

you're in the middle of getting ready to go out with nobara and her favorite upperclassman, maki, when megumi tells you he likes you back. your eyes widen and the mascara you've just finished putting on smears on your lid.

megumi hands you a makeup wipe as if he's done it a million times before. (he hasn't, but he just knows.)

"w-what?" you stutter out, your breath catching in your throat.

"it took me a while to figure that out," he says.

he's flat on your bed, covering his face with his arm. his t-shirt rises with each of his nervous movements. according to the rules set by gojo, he shouldn't even be here in your dorm. he shouldn't be on your bed and listening to your playlist through your shitty speaker gifted to you by yuji.

"are you joking around?"

"what?" he sits up and turns to you, frowning. "why would you think that?"

"is this you pitying me?"

"i just," he sighs, frustrated, "i needed to tell you before i chickened out. i meant what i said the other day, you know?"

"about you getting 'used to' the strange feeling?"

he nods and then slouches back against your pillows. if it had been any other day, you would've felt shy about sleeping in his scent.

"yeah," he says, running his slender fingers through his jet black hair. "i really did mean it. i think i just—i don't know—pushed you away because i was afraid."

you've given up on applying your makeup by now. your hands are shaking too much, anyway.

"i'm scared sometimes, too," you reply, catching his eyes in the reflection of your vanity mirror.

you see the side of his lips turn upwards. he looks as handsome as ever. he's gotten older since the first time you met him, and it hits you harder now that he's on your bed, his features sharp and his body lanky and tall. there's a sort of intimacy that you sense between the two of you.

"i'm not afraid anymore." his legs swing over the bedframe and he easily reaches the ground even though your bed is raised. "i'll be brave for the both of us."

oh.

"what do you think?" he tilts his head.

you stay home that night.

-☆

"so are you guys dating now?" yuji exclaims.

you both freeze.

"fuck off," megumi says instead of answering the question.

"god," yuji huffs out. "finally! all those peptalks and you don't even tell me that you got the girl?"

megumi blushes from beside you. neither of you had expected yuji to be awake to witness you two watching the sunrise on the hill beside the school.

"you know," yuji grumbles, "it took a lot of convincing to have you realize that you've been in love this entire time, megumi. the least you could've done was tell me."

megumi ignores him and snuggles further into you.

"why are you up so early?" you ask, shuffling underneath the blanket that is covering you and your boyfriend.

"instinct." yuji's shoulders drop, defeated. "'k, i'm gonna leave you guys to be romantic and shit up here. have fun explaining this to nobara later."

nobara almost wrings your neck out when she catches megumi holding your hand that saturday morning. she tells him that he needs to make up for the months he left you feeling sad. he says he's already forgiven, and he's not wrong (because you're weak when it comes to him, just like he's weak when it comes to you).

you think that you would've chose to love him no matter the outcome. loving him is easy like that.

a/n: oh my god. this was a word dump and not proofread. i am so sorry this took forever to come out but i ended up changing the plot like a billion times cus it wasn't good enough.. LOL. hope u enjoyed this!!! thx for making me write more megumi because i love writing him (he's been my fave character since the anime came out three years ago hehehe). ngl it was kinda rushed bc i wanted to get this out but i think it turned out fine!!!! ok thx once again ily muah xx

[hysteria-things]

✿ PROMISE? ✿ PART SIX.

ʚ♡ɞ 𝐋𝐀𝐒𝐓 | 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 | 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓 | 𝐍𝐄𝐗𝐓 ʚ♡ɞ

𝐩𝐚𝐢𝐫𝐢𝐧𝐠: chris x fem!reader

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: you and chris hang out after what feels like forever, and he finds something personal of yours under the bed. because he’s nosy, he can’t help but open it.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: swearing, that should be it :)

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 2,034

𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞: changing up some things…

(dividers by @strangergraphics)

𝐂𝐇𝐑𝐈𝐒 𝐒𝐇𝐀𝐊𝐄𝐒 𝐇𝐈𝐒 𝐇𝐄𝐀𝐃 𝐈𝐍 disbelief, the nostalgia hitting him like a truck. nothing and he means nothing has changed about your house from when you guys were little. hell, there still was the wall by the doorway where it had your heights written in pencil. it faded throughout the years, but it’s still visible. his heart hurts when he realizes it stops at age ten.

the both of you talked as if you guys didn’t stop talking at all. “let’s chill out in my room.” you say, grabbing his hand and guiding him up the stairs.

although he was in here the other day, he didn’t get to really look around until now. your room captures you perfectly. you sigh, sitting down on the mattress that is filled with stuffed animals. you pat the spot next to you for him to take, and he does. “sorry if it’s messy.” you bite the inside of your mouth before speaking again. “now what? i was never a good host.”

“whatever you want to do.”

groaning, you get up and wipe your palms on your pants. “what i want to do is go pee. i’ll be right back.”

walking out of the room, you leave chris there alone. he rose himself off the bed and slowly walked around. he laughs to himself. he realized you became more comfortable with him again in the short hours you’ve been together, despite recent events. next to the closet door, there’s a bookshelf with a ton of books on it. the same bookshelf that was filled with dr. suess and harry potter. now, it’s filled with… interesting.

he leans down, reading the spines with furrowed brows. twisted games? the nanny? icebreaker?

stay curious for this one, chris.

next to the flatscreen TV on the wall, you have a lot of other stuff hanging up, one being your varsity award for volleyball. two pictures however stood out to him — besides the dinosaur with sunglasses painting you also have hung up. one of them is a polaroid of you and nate, recently took at the local fair. chris makes a face at that.

the other photo is of these two kids, roughly the age of seven. they look like twins; boy and girl. the rest of your family doesn’t live here, hence all of the pictures of them. because chris does nightly facebook searches to keep up, he noticed these are your cousin’s twins.

smiling softly, he thinks about how much you love your family. you’ve always been a family person, even if they aren’t here. he understands what that’s like. being in L.A. while everybody else is in boston sucks, but luckily they got a few months to be back home.

as he turns around to sit back down on the bed, he sees a notebook sticking out from under it. he doesn’t want to look through your belongings, but curiosity got the best of him. he bends over to pick it up and open it while lowering himself to sit down.

there is a note on the inside of the cover.

he skims through the pages to see how much you wrote and it is a good amount. he stops when the handwriting suddenly changes, meaning that you stopped writing for a while. the other entries had smudges on them except for the ones he landed on. this one must be new.

so, he started to read.

dear journal,

i’m sorry i ditched you for about a year and a half. i don't have an explanation for it, but lately, i’ve been itching to write. i remembered i had this journal - thanks to my cousin bethany for getting you for me for my 9th birthday. i know you’re an inanimate object, but i forgot how relaxing it is to write down my thoughts for nobody except myself.

i can’t help but cringe at what i wrote in the past, and i sincerely apologize.

“i can’t wait to marry kevin one day!”

“omg, he talked to me today!”

“i think we’re going to be together forever!”

i’m gagging just rethinking that moment. come on now.

anyway, life has been crazy lately. shoutout to the sturniolos for ditching me and acting like we didn’t grow up together! appreciate you guys for real. i’m exhausted.

the thing is, i always had trouble sleeping. i know i just said i’m exhausted, but it’s 3 AM and suddenly it feels like i’m wide awake. i just know i’m going to be grumpy for the next few days. a lot has happened ever since they left. i’ve changed, and i hate/love it at the same time.

i’ve been going out more, doing shit i shouldn’t. (don’t tell my parents…) something also happened a while ago that’s still a blur. i can’t put my finger on it. all i remember is that the police came to my door and asked me a ton of questions about somebody.

anyway, life has been happening too fast. i would appreciate it if it slows down a tad. on the upside, my mom said the rest of the family is coming here soon. i don’t know when, but soon. bethany would for sure be happy to hear i’ve started writing here again.

my thoughts are draining the second i write things on this paper, so i’m going to try and get sleep. i’ll update you whenever i can.

- y/n

⋆⁺₊⋆ ✿ ⋆⁺₊⋆

dear journal,

me again: at approximately 4 AM. today has been something else, let me tell you. my mom came up to me yesterday and told me some unfortunate news. can you guess who’s back in town? if you guessed my lovely besties, you’re correct! and do you know whose birthday it is, meaning i have to go to the party? you’ve guessed it! my BFFs!

doesn’t help that i’m on my period right now. i can’t do this shit.

either way, i had to be there for nate. he’s the one that stuck around. marylou will forever be the original best friend in my opinion. she stuck around, too. it’s her children i got a bone to pick with. (except justin. he’s cool.)

seeing them in person for the first time in so long had me tweaking. i admit that i was a bitch to them at the party, and not to be a bitch now, but they deserved it. however, when i saw chris, my first thought was about how he’s such a cutie still. i hate my mind for that.

i tried to ignore them for the rest of the party, and it was semi-successful.

- y/n

⋆⁺₊⋆ ✿ ⋆⁺₊⋆

dear journal,

you will not believe this. nick messaged me on instagram saying how sorry they were and asked to meet up at my house. for whatever reason, i said yes and they came over. we sort of cleared everything. key word, sort of.

they said they wanted me back in their life and apologized for what they did. i still need to give it time, but we do want to start hanging out again soon. i missed those dorks.

that’s until chris stopped me and asked for the note he wrote to me when we were little. the note he promised me to keep, and i obviously did. i’ll tape it here.

this little piece of paper is my favorite thing anybody ever gave to me.

- y/n

⋆⁺₊⋆ ✿ ⋆⁺₊⋆

dear journal,

sorry, i left you hanging for a few days, a lot happened in such a short amount of time.

long story short, jaiden and claudia invited me to a party. chris texted me while i was there. he seemed a bit weirded out about why i was at finn yaw’s party, but i hope he knows i wasn’t there for any specific reason. i do appreciate that he cares about my well-being, even after the downfall.

i got home not long ago and he’s texting me as i’m writing this. he just asked me to hang out tomorrow which shocked me a little, but i said yes.

not going to lie, i’m excited to hang out with chris, even though i have no idea what we’re doing. hopefully, it goes well.

- y/n

chris snaps out of it as he hears you walking back into your room, making him shove the book back under the bed. he feels kind of honored to be a part of your little notebook. “sorry, that took longer than i wanted. i had to deal with something.” you say, sitting down on the bed with a sigh. you furrow your eyebrows at him. “why are you smiling like that?”

“smiling like what?”

“like… that,” you say, circling your finger that was pointing at his face.

“no reason.” he shrugs “anyway, what’s next on the y/n agenda?”

you look around the room while biting the inside of her cheek. “are you hungry? my dad made ribs last night and it’s to die for.”

jumping up from the bed, you motion him to follow you. you walk into the kitchen, flicking on the four light switches that are on the wall. you waltz over to the fridge and open it, going on your tippy toes to grab the container on the top shelf. “how many do you want?” you ask, going on your tippy toes once again to grab paper plates in the upper cabinet.

“three is fine. do you need help?”

you shake your head. “no, i got it.”

chris stands by the island that separates the kitchen from the dining room. he leans against it, watching you plop three ribs onto his plate and only one on yours. you take his plate in your hands and reach up to the microwave. you stick your tongue out and groan. you’re struggling because of how short you are since the microwave is on the wall above the oven.

“i got it.” he chuckles, grabbing the plate from your hand and sticking it in the microwave. his hand grazes the side of your arm as he puts in two minutes and presses start. you cross your arms without looking at him. “i could’ve gotten it.”

“yeah, right.”

sitting there for two minutes feels like ten before the microwave finally goes off. you start running to the microwave but he stops you. “i don’t want you to hurt yourself by reaching for it. i got it.”

he takes the plate out and feels a rib with his finger. he nods. “it’s good.”

“okay.” you say with a low tone. he looks towards you to see you staring at your rib that still lies cold on the plate. “what’s wrong?”

“i don’t think i want this anymore.” you quickly open the container, plop it back in, and stick it back in the fridge.

⋆⁺₊⋆ ✿ ⋆⁺₊⋆

𝐀𝐅𝐓𝐄𝐑 𝐇𝐎𝐔𝐑𝐒 𝐎𝐅 𝐓𝐀𝐋𝐊𝐈𝐍𝐆 𝐀𝐍𝐃 sitting in your room, matt had to come pick his brother up. you and chris are currently standing on the front porch, having one last word with each other. matt is waiting in the van at the end of the stairs.

“it was nice hanging out with you again,” you say shyly. “we should get everybody back together soon.”

“i agree.” he smiles “i’m sure i’ll text you later.”

getting closer to him, you pull him into a hug. it was abrupt, but he hugged you back of course.

then, the horn of the van beeps causing you to jump and pull away. “can you hurry the fuck up? nick is waiting for us at home and is obnoxiously annoying. mom also made dinner.” matt screams from the window.

“i’ll see you around,” chris says, jogging down the stairs. he gets in the passenger seat and grabs the seat belt to strap himself in. matt waves to you, which you graciously return.

⋆⁺₊⋆ ✿ ⋆⁺₊⋆

𝐈𝐓 𝐃𝐈𝐃𝐍’𝐓 𝐓𝐀𝐊𝐄 𝐋𝐎𝐍𝐆 𝐅𝐎𝐑 them to get home. they live close to your house, and the duration is no longer than five minutes. he takes off his shoes at the door as his phone vibrates from getting a text.

y/n😶‍🌫️

thanks for today

i had fun :)

𝐭𝐚𝐠 𝐥𝐢𝐬𝐭!

@bunbunbl0gs @lexisecretaccx @thy-mission @angelic-sturniolos111 @sophssturn @mattsneezing @janiellasblog @blahbel668 @meg-sturniolo @mattslolita @sturnbaby @imwetforyourmom @tillies33ssss @sturnifyed @raysmayhem-72 @ripmattitude @p1xieswrld @alorsxsturn @txssvx @sttzee @multiluvr @delilahprentiss @matthewsspecial @sturnolio-luvs @sturniolho @suga-daddy-69 @tworosesblackthorn @luckistar-posts @gnxosblog @junnniiieee07 @sturnioloslurps @tylerthecreatorsrealwife @flowerxbunnie @imaslut4kehlani @sturniolosandmoree @hertvgirl @whoreforchrissturniolo @hearrtsturns @stars4matt @freshsturns @loverrsposts @sturnlcvr @elliesturniolo1 @tpvmz @user283926392 @lalalands86 @sukiipjs @sturniologirl813 @leahrab @chrissturniolosslut @h3arts4harry @sturnioloblogs @creamoncreamoncream2 @ivyyyyyysposts @mirxcle1 @iluvm4ttsturni0l0 @catalina-island @mbsbaby @mattsdollie @pinkfarts @slut4mattsturn @thesturniolos @vickeyzloserz @nononopenono1 @bitchydragonparadise @gdsvhtwa @hrt-attack @bellasfavbisexual @dwntwn-strnlo @venusbabysblog @meerkatzthings @crazychrisl0v3r @maggieflms @strtuniolo @mutualsafe @riasturns @sturniolowhore @antpile00 @ashley9282828 @stingerayyy2 @sturnsjtop @luverboychris @yapperchris @imaslutforoldermen @madisonlovesyouu @poetatorturadaa @chr1sgirl4life @hiimolivia @jo-777 @sturnskiss @st4rgrlll @mattyblover07 @sm-ec @mattluvsmarni @knowingnothingnoel @mattsgirlfrieeend @bambi-slxt @sturnstvr @sturnclouds @bernardsbendystraws

[pedgito]

𝐓𝐖𝐎 𝐈𝐒 𝐁𝐄𝐓𝐓𝐄𝐑 𝐓𝐇𝐀𝐍 𝐎𝐍𝐄

summary | both the miller brothers had a thing for you and you had a thing for them. they give you an ultimatum and you don't like that. so, instead of one, you choose both. [9k]

pairing | joel miller x fem!reader x tommy miller

content warning | 18+ content, as always: no use of y/n, au/no outbreak, age gap (sort of, it's not specificed by tommy & joel are late 40s/early 50s and reader is labebled as younger) bar owner!joel, bartender!tommy, 3somes, flirting, soft!joel (in the beginning), tommy is a little bit of an asshole, oral ( f & m receiving) unprotected piv, aftercare, joel is selfish

author’s note | joel and tommy have no interaction together in this, at least to that extent. so heed the tags and don't read if you don't like, xo.

“Actin’ like you ain’t never gripped a damn bottle in your life,” Tommy grumbles over your shoulder, fingers wrapping around your own until you have a secure hold on the neck, “tight–alright?”

Your lips pull together tensely, forcing down the urge to roll your eyes as he guides your hand through the motions as you fancily flip the bottle upside down to pour out the liquid into the glasses on the counter in quick, careful precision as you filled each one to a certain amount before moving onto the next, but somehow keeping up the swift pace Tommy was asking for.

Or, really, demanding.

He nods quietly behind you, staring back to admire his handiwork, knowing most of that was his own doing and his ability to perfect his showmanship over the past several years of heading the bar under his brother Joel, who owned the bar. 

Your relationship with Tommy was…tricky, but Joel—that was an entirely different mess.

He passes the shot off to a few waiting customers enjoying the show, and you have half the mind to think that Tommy is getting off on the fact that you’re openly embarrassing yourself in front of the patrons, but really, he’s just an asshole.

Though, you’ve come to understand that was how Tommy showed his fondness and if he was being overly nice than you’d know something was up—hell would freeze over, pigs would fucking fly, and you might actually accept his advances for once. Not today. Not with him breathing down your neck as he motioned for you to repeat the process on your own.

You take a deep breath, lining up the shot glasses uniformly and turn your wrist to grip the neck of the bottle, finding Tommy in your peripheral as he nods, “Tighter,” He mumbles, “don’t need that thing slippin’ out of your hand mid-rush and Joel chewin’ my ass out over a wasted bottle of bourbon.”

“I dunno,” You tease playfully—

Tommy surges forward and tightens your grip around the bottle.

“Think you’d know a thing or two about a good grip but goddamn.”

“If you keep this up I’m talking to Joel,” You threaten lightly, an airiness to your voice that shouldn’t feel as menacing as it does, but Tommy backs off slightly, grumbling something under his breath, “—good boy.”

Tommy rolls his eyes in annoyance, rolling his shoulder backwards as he rests his hands against his hips. You continue, swinging the bottle around less clumsily than before and pouring out the shots in quick succession—no mess, no spill. It was perfect.

Tommy scratches at his jaw, slightly dejected now as you turn back to look at him.

“What’s next?” You ask with a flashy smile, shoving the bottle square into the middle of his chest.

-

Joel catches you near the end of that day, shoving a few things away in your assigned locker, thick fingers curling around the open door, subtle smiles gracing his features as he greets you with a nod.

“It’s been a few months,” Joel reminds you, thinking back briefly on how much has changed for you in such a short time—you had friends, a solid job, a place to live, and two boys who you couldn’t help but fawn over—it was natural luck you ended up in this position, “how you holdin’ up?”

And while Joel wasn’t as forward as Tommy in his attraction, you sense it in the way he looks and speaks to you in private, no watchful eyes to spy on you. Besides, Joel seemed private and reserved, so it wasn’t that odd that he felt comfortable approaching you in private.

“Okay, I think.” You answer truthfully, playing with the curled paper of the calendar taped to the inside of your locker, your own fingers curling underneath Joel’s own, pointer fingers touching but unmoving, you glance at him hesitantly before averting your eyes to somewhere beyond him, following the eyeline of the bar as you watched Tommy wipe down the front of the bar.

“Tommy ain’t givin’ you anymore trouble?” He asks, “I know he’s technically your boss and all—”

“And you aren’t?” You chide playfully, eyebrow raised slightly as you pocket your phone and grab your bag, slinging it over your shoulder. “And yeah, but…no more than usual. I can handle Tommy just fine, you know?”

“I know, I know,” He laughs softly, hand moving away from the locker to pat at your shoulder, squeezing gently at your bicep—touches were so familiar with Joel. A hand on your back, a subtle touch of his fingers in the dip of your neck. He had respected your space in the beginning, even with how witfully you charmed him with ease. You enjoyed touch, viewed it as a language of love and didn’t mind when Tommy initiated it either. Often finding your own subconscious movements to cling to and touch the people you conversed with or felt comfortable around—he doesn’t mean much by it, you think, “but, he does still have to listen to me. I am his boss.”

“I pulled that card on him today, actually,” You admit, hand rising to rub at his elbow comfortingly, “he simmered down pretty quick.”

Joel sees the hold you have over his brother, both with your personality and general attraction Tommy felt with—well, most of the people Joel hired to work under him. But, Tommy is teasing with you, testy, and he’s not like that with the others. He’s comfortable enough that he can come off like an asshole knowing you won’t take it personally.

Joel chuckles, glancing back over his shoulder at Tommy before turning back toward you and rubbing a comforting finger under your chin, “Good girl.” He comments sweetly, it has your stomach doing flips no matter the context. It was a normal sort of endearment from Joel, but given the context, it feels like a praise rather than an outright compliment.

You smile shyly and shove his hand away.

“You know, we’re cooking out this weekend if you wanna swing by,” Joel offers, “it’s, uh—for Sarah.”

Sarah. You didn’t know much about her aside from the fact that she died young, around thirteen—it’s been close to twenty years now, but Joel still celebrates her birthday.

You nod half-heartedly, “Yeah I’ll—I’ll try to swing by.”

Joel smiles warmly, before pointing an accusatory finger at his brother across the bar, “Keep his ass in check, alright?”

You smirk, an underlying feeling of…something, feeling dizzy from how openly Joel adored you when it was just the two of you, “Always.”

-

Austin heat is sticky and humid, clinging to the bare skin of your legs exposed by the short summer dress you wore, strappy and flowy and—while it wasn’t an unusual sight to the Miller boys, they didn’t see it as often as they liked. So, of course, they gawk.

You shove the case of beers into Joel’s waiting grip, a subtle wink as he acknowledges your presence. Quickly crowding in by Tommy who’s already a few beers in, just by his loose nature as he slings an arm over your shoulder, squeezing gently. He sips generously on the last bit of his beer before allowing the rim to hang slack between his fingers.

“Tommy,” You acknowledge graciously—there was always a slight tinge of annoyance with him, not the type that made you angry or upset, but frustrated. Whether just plain frustration or sexual, you couldn’t put your finger on, “already starting the party without me?”

“Come on now,” Tommy teases, “you know it wouldn’t be a real party ‘til you got here.”

“Is anyone else showing up?” You ask curiously, leaning subconsciously into Tommy as your eyes spot Joel several feet away in the kitchen, unpacking the beers. “Tess? Bill?”

The bar was closed today. Always was. It didn’t matter what day Sarah’s birthday landed on. 

They had food, drinks, a cake—it was a real party, only missing its esteemed guest.

You’ve only seen Sarah through pictures and heard through stories told by word of mouth, but Joel has never cared about anything more in his life, not until the bar and long after Sarah’s death. He’d named the bar in her honor, a simple but beautiful nod to someone so special in his life. The Monarch.

She loved butterflies. And know, whenever you see them—it’s a little reminder of her presence.

“They can’t make it,” Joel speaks from the kitchen, his mouth downtrodden in its usual scowl, his natural resting face, “so—looks like it’s just us.”

“Can you handle that?” Tommy whispers teasingly in your ear and you elbow him gently in his side, “Hey—she’s already hittin’ me, Joel.”

“Stop pissin’ her off then,” Joel offers, “mind helping me, sweetheart?”

He nods toward that back and you nod quickly in response, but not before pressing a quick hand into Tommy’s side as you pinch him playfully and earn a pitiful shout, giant grin growing on your face as you depart and follow his older brother, giving Tommy an eyeful of your swaying hips, dress barely dipping past the bottom of your ass.

She’s a friend dammit. That was it.

But, it didn’t stop Tommy from crushing on you. Hard. Even at his grown age.

You follow Joel outside with a spark in your step, meeting him at the grill situated on his back deck as he flipped some of the cooking meat, an open beer in his left hand. 

“What did you need?” You ask curiously, noticing that he wasn’t speaking now.

“Nothin’,” He admits, “just like having you around.”

You smile softly, wrapping your arms around his bicep, feeling the muscle flex under your touch instinctively, his head turning to glance at you. He huffs out a soft laugh through his nose before returning his attention to the open grill, meticulously flipping the meat.

“Think if I kiss up enough to the boss he’ll give me the day off tomorrow?” You ask curiously, a hint of mischief gracing your tone as you train your eyes where he was looking, even if his gaze flicks toward you for a brief moment.

“Depends.” Joel responds gruffly, setting down the utensil to close the lid of the grill.

You huff a laugh at his ease to respond to your subtle attempts at flirting, completely harmless, but the unspoken tension lingered like a constant. 

“On?”

“If you’re being’ literal or not,” Joel offers and it sends a tingle down the base of your spine, his knuckles brushing against your hip from where you’re hanging off of his arm, “cause that can be arranged.”

There’s a brief moment where you think he’s being serious—and in Joel’s mind, he is. But, the slight widening of your eyes as the words leave his mouth have him worried, like maybe he read into this wrong.

He smirks, “I’m kiddin, sweetheart. Long as you can find someone to cover your shift—“

You interrupt him abruptly, calling out to his brother.

“Tommy!“ You half-shout over Joel’s shoulder, causing him to wince and chuckle at the suddenness of it.

Tommy’s trying to pretend like he hasn’t been staring this entire time from across the kitchen, eyes locked on your figure as you draped yourself over his brother, face lighting as you talked and the subtle touches that should be him—at least, he wished it was him.

He clears his throat and heads toward the back door, head popping out before the rest of his body, “Y’all need somethin?”

“Can you cover my shift tomorrow?” You ask, a saccharine smile and a look that Tommy fell for every time, finding you hard parted from Joel now, he notices how your hands smooth out the dress that barely covers your thighs. “Please?”

“Is this what you two are doing now?” Tommy asks, now fully in view as he closes the sliding glass door behind him, “Plottin’ against me—you can’t give her special treatment, you know—“

He points an accusatory finger your way that you swat away, both of your eyes locked on Joel who seems less than interested as he sips on his beer.

“She’s gotta find someone to cover her shift,” Joel explains, “same as everyone else.”

Tommy calls bullshit, knowing Joel would figure it out himself or cover for you—it wasn’t like you did this often, but Tommy was more than aware of all the times he came to your rescue, almost like you were using it against him. A ploy. A devious plan to get under his skin.

He knew Joel liked you—but dammit, he did too.

And even in his steadfast attempt to deny you, you reach out and grab his hand, uncurling yourself from Joel as you approach him—sad eyes and a fake pout.

“Stop that—“ Tommy warns, his voice soft and anything but demanding, but you only lean in closer, and as strong of the man Tommy thinks he is, he breaks, “—god, Fine. I’ll cover your shift.”

You smile wide, right on the edge of celebrating before Tommy is snuffing the joy out.

“On one condition—“ Tommy holds up a finger, and you have to physically stop yourself from rolling your eyes, knowing there was always some sort of but coming with anything Tommy agreed to, “remember that date you flaked out on?”

It was one time—within the first week of you working at a bar. Tommy didn’t waste any time and given your eagerness to try new things, you didn’t shut him down.

But, you psych yourself out and cancel.

Tommy’s always remained slightly jaded by the ordeal and part of that has contributed to your hot and cold relationship and willingness to tease each other but still have no restraints in your frustration toward one another.

“Hey—that’s not,” Fair dies on your tongue, his shoulders shrugged in a firm response, “—fine, yes. I do.”

Tommy raises his eyebrows in obvious question.

Date?

You scrunch your nose in annoyance but quickly relent, “Okay—but I’m picking the place this time. No fucking bars, Tommy.”

Joel listens to the conversation with a scowl, completely unassuming since it was his usual state of emotion.

Tommy holds his hands up in defeat, “Yes, ma’am.”

“Glad y’all got that settled,” Joel interjects with a tone that pulls your attention back to him, “if you’re done flirtin’ with each other I need some help.”

You and Tommy appease Joel quickly, helping him with the food and when you’re finally through dinner, spending a quiet moment around the cake. You don’t sing or anything—Joel hates it. But, he does light a candle and blows it out, signifying another year of her absence.

There’s a quiet moment with Joel toward the end of the night—Tommy is off somewhere in the backyard, presumably cleaning up the grill for he and Joel’s shared space. They were both unmarried and found that living together and splitting the pay was easier than anything else.

“Hey, don’t worry about that,” Joel tells you, slipping the dirty dishes from your hands as he discards them in the sink, “we’ll handle it.”

“You sure?” It felt like the least you could do.

Joel nods, shrugging as he sets his half-drank beer bottle on the counter—he’d lost track of which one it was. Enough that he feels a faint buzz in his system as he thoughts run and he admires your curious face as you tilt your head, wondering why he seemed so…lost.

But, really—it was just that kind of day. It was never good for him, as much as he tried to act like it was. Yet somehow, with you here, he feels more at ease.

“What?” You ask curiously, a playfulness to your tone. “Keep starin’ and I might just have to give you those kisses, Joel.”

And really, it didn’t sound like a bad idea.

Joel gradually moves closer, looking back briefly over his shoulder at Tommy.

He smirks slightly as he turns back to you, catching that soft, familiar smile on your face.

“Don’t think he’d be too happy about that.” Joel tells you, playing with a bracelet clasped around your wrist, his front nearly pressed against your own, so close you could reach out and slip your hands under his flannel, touch the bare skin and finally find out what those older women at the bar were talking about—Joel didn’t get around, but he wasn’t a stranger to a casual hook-up.

“Maybe I want to,” Your eyebrows scrunch together in confusion, “what does Tommy have to do with that?”

“Sweetheart,” Joel breathes and you can’t resist, slipping a few trailing fingers under his shirt, which he quickly grabs with his own hand, tightening around your wrist, “I’m your boss, I can’t.”

The buzz of alcohol impedes you both, smart decision making out the window now.

“Like you don’t already give me special treatment,” You reply flippantly, teasing his obvious weakness, “....Joel.”

You.

Joel kisses you suddenly—you’re only half-expecting it as his large hand rises to cup your face, the other locked firmly around your wrist and he presses his lips firmly against your own.

He tastes like beer and the sweetness of frosting as you lick into his mouth, the hand not held tight in his grip finding its way into the front of his shirt, bunched into the fabric as you sigh into his mouth, the kiss quickly divulging into a battle of who could hold purchase on more of one another, hands exploring as Joel hands find their way over the back of your dress, the tips of his fingers grazing bareskin as he grabs and squeezes your ass, your teeth grazing against his bottom lip as you pull away suddenly, but not by your own doing.

It was Joel, his face flush from the alcohol in his system but also the intensity of the situation. There’s so much unspoken there and both of you want to speak and Joel nearly does before Tommy is shattering the moment, announcing his re-arrival into the house. You chew at your bottom lip thoughtfully as you glance between the two brothers, feelings and thoughts battling in your head.

Tommy was wild and unpredictable and you craved that.

Joel was practical and determined and that’s what you needed.

And selfishly, you wanted them both.

-

The conversation that happens later that night between Tommy and Joel is anything but civil.

“She agreed, Joel—it’s not like I’m forcin’ her,'' Tommy argues, “She could’ve said no and I wouldn’t care. She knows I like her, ain’t my fault she seems to like me back.”

“You’re still her boss.”

 As if he had any leverage, it pops Tommy out of his chair and toward Joel with an accusatory finger.

“And you? You’re my fuckin’ boss so how is that any better? ” Tommy asks and Joel looks away briefly in annoyance, fists curling at his side, “Think I didn’t catch you two earlier? Cut the shit, Joel.”

“This ain’t high school, Tommy,” Joel retorts, “We aren’t fighting over her.”

“Yeah, you made that pretty fuckin’ clear when you decide to make a move on her in the kitchen and then you’re standing here tellin’ me I can’t have her—how about you treat her like a normal person and let her choose, Joel.” Tommy retorts, “Or is that too damn hard for you? Not getting what you want?”

It sparks a deep fire inside Joel. Tommy too. And you really have no choice but to give them an ultimatum—besides, you wanted both. You were getting both.

-

It isn’t like they planned it, but somehow they manage to coincide and corner you at the same moment—Joel coming out of his office and Tommy rounding the door into the backroom, your frame bent over a box of bar snacks. When you look back, your eyes widen slightly.

“Shit—am I—are you firing me?” You ask, deeply concerned. You weren’t the best bartender, but you tried.

Tommy and Joel share an equally confused look.

“No—no why would you think that?” Joel asks.

You wave your hand vaguely between them both, a serious and concerned look on both of their faces. It wasn’t out of the norm for Joel, but for Tommy, it was unsettling. 

“Then, what?” You ask, only slightly annoyed. “We’re not exactly slow on customers right now—”

Another shared look, this time tense. Which one speaks first—it feels like race.

“Look, I already told Joel—” Tommy begins.

“Sweetheart, you need to know somethin’—” Joel interjects.

And it clicks quickly. Very quickly.

The shared look of frustration as they both purse their lips in a tight line, identical hands resting against their hips. This was ridiculous—the fighting, the silent arguing without actually sharing words.

“I’m not choosing.” You tell them forthright and their reaction is less than ideal, like two sad puppies who’ve just been scolded for bad behavior, but they both stay quiet and hang on your words, seeing that you weren’t finished. “If that’s what you’re expecting me to do.”

“No, that’s not—” Joel tries to argue, his voice fairly level for how distraught he seemed.

“I want you both,” You shrug, rising with the box in your grip, “so, if I can’t have that—then no.”

And you leave them with that, stewing in their own thoughts. Their gazes follow you as you walk, shoving past them gently.

“I’m not givin’ up.” Joel tells Tommy instantly, a look of defiance from his younger brother is thrown his way–Tommy was just as stubborn as Joel, if not more.

“Yeah, neither am I.”

-

Of course, you already knew how you wanted this to go.

You spoke to them both separately, promising a proper date at a specified place on a specific day and time—they wanted you and you wanted them. But, you were doing things your way.

And that is how you end up at the Miller’s brothers home again, a few weeks later, both of the men dumbfounded at how you mastered this plan. They were both wholly faithful to you, agreeing to go along with your plan to lie to the other brother so they wouldn’t get suspicious or upset, but really, you just wanted them both chasing their own tails.

They didn’t realize what was going on until they found themselves both getting ready at the same time that day, something lingering in the air that they couldn’t put their finger on until you were knocking at the door, a wide smile on your face. Joel answers, but Tommy isn’t far behind.

It’s how you end up on the couch later that night, squeezed together and eyes droning into the movie playing on the television screen, lingering touches like burns against your skin. Joel and Tommy are trying to avoid each other, but sometimes they’ll bump fingers and shoot a scowl at each other, but then you’re adjusting yourself to find another comfortable position and their attention is quickly drawn back.

Some of it is spent against Tommy, head resting against his solid chest but Joel’s hands never stray too far, a warm and comforting presence against your shoulder or thigh, a tender rub of his thumb into your sore muscles. Tommy likes to run his fingers along the shell of your ear, his chest shaking with a laugh at the movie every so often—there was little conversation happening and you blamed that on the obvious tension in the air.

When you trade Tommy’s touch for Joel, he’s ready for you.

You tend to like wrapping yourself around him, arms snug around his own like you’ve done a million times before, but you find your fingers dragging along the length of his forearm and he’s more shifty than usual, socked feet crossing and uncrossing as your touch grows, all the while Tommy’s hand firmly on your thigh, squeezing when you squirm a little too much, feet hiked up and resting in his lap. His thumb circles your ankle and rubs, a gentle massage to your bare feet as you sigh and that—that is what catches their attention.

“That feel good?” Tommy asks casually, a genuine question.

You weren’t one to complain about sore, achy feet and muscles from long shifts at the bar, but you weren’t going to turn down a nice massage or welcoming touch. You nod and Tommy smiles, allowing his deft and strong fingers to dig into the muscles of your foot, pulling another sated sigh from your lips. Joel hears the soft release of a breath from your lips and turns his head toward you, a subtle smile pulling at your lips as he stares at you more unabashed and open than usual. It’s the same look he gave you before kissing you the night of the party and you feel it, see it before it happens.

And somehow within the shared exchange, Tommy’s hand has climbed higher along your calf as he massages tenderly until he’s nearly at your apex, supple muscle pliant other his skin as he squeezes. Joel whispers something to you as he leans in, feeling the shift in the environment.

“This alright with you?” Joel asks quietly as you look over at Tommy, who despite himself looks just as eager if not more, like they weren’t completely turned off by the idea that you wanted both of them

Possibly at the same time.

“I think I should be asking you two that…” Your voice trails as Joel’s free hand slips to cup the back of your head, fingers molding with the shape of you as he tilts your head back, allowing him the lead willingly—and Tommy is there, right there at the apex of your thighs and you want is so fucking bad it pains you, physically and mentally.

“Oh, darlin’—there’s a few stories I could tell you,” Tommy offers, fingers lingering over the button of your jeans until you nod, quickly popping the thread apart and allowing his fingers to curl around the waistband of your jeans, tugging gingerly, “but that’s not important.”

Joel mouths at the line of your jaw instead of capturing your lips immediately, dragging out your suffering longer as you assist Tommy in his tug at your jeans, kicking the denim of your ankles as his large hand settles of your clothed pussy, panties damp at the center despite how hard you’ve tried to ignore the instant pleasure they’re touch gave you.

“No, no tell me.” You nod furiously, feeling Joel grins against the side of your face.

“It was a long, long time ago, sweetheart.” Joel defends, “Back in high school and college when Tommy just couldn’t go off and have his own things, always wanting everything his brother had.”

Tommy scoffs, scooting closer to you as he drapes a leg over his lap, spreading you wider for him, his hand following a slow path back and forth—all the way down to the apex of your knee before gradually back up to your pussy, throbbing underneath his touch as his fingers press into the sticky, wet fabric.

“That’s a stretch,” Tommy scoffs, “Anyways, darlin’—we used to, uh—”

Tommy doesn’t know why he feels ashamed to admit. So, Joel does it for him.

“We like to share, sometimes.” Joel explains. “I mean, I’m not in favor of sharin’ you but if that’s what you want…”

You nod furiously, the press of Tommy’s fingers grow stronger as he slips them past the side of your panties, touching the bare seam of your pussy, covered in the copious amount of sweet slick that had accumulated between your thighs.

“Oh, that’s what she wants,” Tommy surmises, a small chuckle hidden within his speech as his mouth hangs open slightly, watching yours grow wider as you gasp, his bare touch like a spark, “isn’t that right?”

You nod again, but that isn’t what he’s looking for.

“Need you to say it, sweetheart.” Joel demands, his hand squeezing at the thigh that wasn’t stretched out over Tommy’s lap, the other resting against your neck now, squeezing the muscle gently under his grip, his lips only a few millimeters from your own now. “Say you want this.”

“I do—fuck, I do,” You whimper, a single digit slipping past your entrance and into you, the stretch not quite what you’re looking for but the touch alone—from Tommy, is enough to drive you mad, “I w—want it. Both of you.”

“I think we can make that happen.” Joel agrees easily, capturing your lips in a searing kiss—heated in a way that has your stomach doing flips and your free hand gripping his grown out hair, peppered with grays but so fucking soft between your fingers.

Tommy slips in a conspicuous second finger in the midst of the heated kiss and it surprises you how good it feels, just graced by the thickness of his fingers but you need more. Want more.

There’s a subtle snarl to the way Tommy admires you so openly, his eyes dragging along the slow rise and fall of your chest and the way you cunt sucks his fingers in with greed and nothing else. He wants to taste you. 

There’s a brief look he offers as you break apart from Joel, breathless as you turn your head toward him, Joel’s following as his eyes trail toward the point where Tommy’s fingers are buried inside of you.

“Use those words,” Joel whispers against your cheek, a smirk growing on his face, “don’t be afraid.”

“Whaddya need, darlin’?” Tommy asks enticingly, removing his fingers in an anxious anticipation, wet fingers dragging along your thigh. “Gonna let me taste you?”

“Please, god—please.” You whine pathetically, watching as Tommy dicends without question, removing your panties with a swiftness that deafens the task at hand. It takes a moment as you untangle yourself from Joel to settle more central on the couch, squealing softly as Tommy manhandles your thighs over his shoulder, settled on his knees and his palms pressing flat over the tops of your thighs.

Joel settles solidly behind you after some maneuvering, a sturdiness to his chest that takes the brunt of your weight as you relax against him, his hands quickly finding their way under your shirt and pulling it up until the fabric is bunched under your skin, bare breasts on full display as he runs a gentle, testing touch over them with his palm, eyes closing at the overwhelming sensation of both of them surrounding you. You don’t even have the guise to feel shy that this was the first time they were seeing you like this–it felt normal, like this is what was supposed to happen.

Tommy floats a hot breath against your skin, kissing a line up the inside of your thigh before he speaks, “I got you, darlin’,” He assures you, “—tell me what you need and I’ll give it to you.”

You nod shakily, looking up hesitantly at Joel over your shoulder and he can only offer a grin, though his eyes harbor something much darker. “Tell ‘em, baby.” He urges, “You want him to eat your pussy, right?”

You nod obediently and Joel grabs ahold of your chin gently, guiding your gaze back toward Tommy, feeling the heat of his gaze burn into you.

“Need your mouth, Tommy,” You beg, earning a gentle squeeze of acknowledgement from Joel against your chin, who leans in with a gentle whisper of tell him where as you exhale an even shakier breath than before, “on my pussy—please—”

Tommy snickers softly before he obliges, a slow, languid lick of his tongue through your folds as he starts, ripping a quiet gasp from your chest as your hand instantly finds his hair, overgrown like Joel’s but stark black and gelled back like usual, never a hair out of place.

That wasn’t going to be the case much longer, fingers fisting into his hair and using it as leverage, the slow licks between your lips quickly exploring inside of you, teasing dips into your hole as he chuckles a soft breath which each and every squirm you offered, all while under the intense gaze of Joel, who was clearly holding out—he wouldn’t kiss you as hard as you tried, trained on your face as you challenged his eye contact, not daring to let it go unless he physically forced you to look away. His hand still lingered against your chin but occasionally fled for a comforting touch when things got intense too quickly and you were almost teetering over the edge, but he quickly brought you back down.

And within that, you’re so blinded by pleasure to not realize that he’s instructing Tommy the entire time, only catching onto the last few commands as Tommy devours, making his own selfish noises as he groaned when you pulled a little too tight on his hair, mumbling praises of depravity and a ‘so fuckin’ sweet—always knew you were, darlin’ and the occasional, breathier ‘come on baby—use my face, fuckin’ take it.’.

Joel speaks to Tommy directly, despite keeping his eyes on you.

“Oh, you’re right there, huh?” Joel asks you goadingly, “Need more?”

You nod eagerly, despite how good Tommy’s mouth feels, he was lacking in one important aspect—you couldn’t blame him, he was a little overwhelmed with everything, as were you. But, Joel, he seemed the most-level headed and you were so fucking thankful for it.

“Want him to play with your clit, sweetheart?” He asks, “S’that what you need?”

“Ye—Yes.” You stutter, the gentle squeeze of your breast under Joel’s grip causing you to clench around Tommy’s tongue and he flicks his eyes up toward you both and there was no telling how pathetic you looked, but Tommy seemed just as equal on that playing field.

“You heard ‘er, Tommy.” Joel tells him, “give our girl what she wants.”

Our girl.

It doesn’t take long when his tongue presses against your clit, circling maddeningly until you have no other choice but to grip onto the couch and moan, the tightening, agonizing feeling in your stomach bursting at the seams as you come against his tongue. Joel captures your mouth to swallow the moan, not trying to give Tommy the satisfaction just yet while his brother greedily licked away at your pussy, cleaning up the mess you’d made, a gentle smile on your face as you finally came back down, allowing Joel to lick greedily into your mouth before you chanced a glance at Tommy, his pupils blown out in pleasure.

“Think we should move this to the bedroom?” Joel asks preemptively, a soft laughing bubbling from your chest.

“Yeah—yes, please.” You agree, but your legs feel weak, unable to bear your weight.

“I got you, baby.” Tommy assures, helping you to your feet gently, a comforting hand on your waist as he led you toward what you could assume was Joel’s room–considering he had the bigger of the two, Joel following closely behind. 

The deafening click on the door is both a promise and a warning.

This was a secret held within these walls and whatever took place could not be reversed.

You were willing to take that risk though, selfishly.

And you were sure the Miller brothers shared the same sentiment.

-

And for some reason, you didn’t think it was that important you come again. Not after the first, seeing as how they had proved their point in wanting you, nearly brought you to tears with your first orgasm and maybe—maybe you could just blow them both and it would be fine, even the playing fields and leave it at that. 

But, no. That’s not what they wanted. Or planned for.

Joel eats your pussy for fun, he doesn’t even try to make you come. You manage to convince Tommy out of his jeans early, using the fist you have wrapped in his shirt as leverage as you hover on your hands and knees, gripping his thick cock in your free hand and giving it a few slow tugs, knowing that if he was this big, there was no telling what Joel had to offer. 

He’s uncut and girthy, thick veins lining his cock as you lapped teasingly at the head, pulling the foreskin back as you took him into your mouth, a moan reverberating over his cock as Joel ate you out from behind, ass high in the air as he settled on his knees. It wasn’t an ideal position, but Joel wasn’t complaining and neither were you.

Joel had always stripped at some point, still clad in his boxers but devoid of everything else. He’s much wider than Tommy but not nearly as firm—where Tommy has a more chiseled chest and stomach, Joel carries a softness that still beckons with strength. 

“Fuck, darlin’,” Tommy sighs, “got a goddamn mouth on you, you know that?”

To some extent, you did. He knew you liked to argue at every possible opportunity, throw back witty remarks that sometimes he didn’t even have a response to but this—this is more than he could imagine. Wet, hot heat surrounded his cock in a way that could have him coming within a few strokes, but he was determined.

You nod with your mouth latched around his cock, taking him to the base until he nudges that back of your throat, trying desperately to ignore how it makes your eyes water, hearing Tommy groan deeply with the feeling of you swallowing around him.

“I’m gonna cum,” Tommy warns, “—go on, baby, pull off if you wanna.”

You shake your head defiantly, feeling Joel chuckle against your cunt from behind you.

“She’s greedy, brother,” Joel comments slyly, “You should know that.”

Tommy comes with a low groan, fingers wrapping around the arm still gripping his shirt, thumb rubbing against the skin to soothe himself and keep him anchored here, feeling like he might teleport to another goddamn dimension with how eagerly you swallow down his cum.

You pull off with a soft pop and look at Tommy, grinning proudly. He can’t even hide his adoration, chuckling behind a toothy grin as you pull away from Joel, turning in Tommy’s lap and pressing your back against his chest.

“You think I’m greedy?” You ask Joel teasingly.

“Look at you,” Joel comments snidely, though there’s a playfulness to his tone, “couldn’t settle for one of us so you’re gettin’ both—that seems pretty damn greedy to me.”

You nod mawkishly to his words, watching as he grew closer, shifting on his knees as you leaned forward slightly, feeling the gentle press of Tommy’s palm against your back, his spent and softening dick, pressed against your bare ass. He knew it wouldn’t take long, just a few minutes and he’d be even harder than before, unable to resist you.

“And if I want more?” You ask curiously.

“More what, sweetheart?”

“Well, for starters—I want your cum, Joel.” You tell him honestly, “Can you give me that?”

“Dunno, you think you deserve that?”

Tommy’s watching the exchange with an amused grin, feeling it was a well-deserved punishment to Joel with how often you and him argue this way. Joel was finally getting a taste of the medicine he so often mocked Tommy for complaining about.

“Come here.” You beckon, grabbing lazily at his wrist and pulling him toward you.

He seems hesitant at first, but he leans over you, sandwiching you between him and Tommy as you press your lips in a featherlight touch against his own.

“Kiss me.” You demand.

“What?” He asks curiously, like his brother hadn’t just come in your mouth.

And that’s exactly why–it doesn’t make your skin crawl, in fact, it only turns you on more.

“Please, Joel,” You pout, “just a little peck and then I’ll let you fuck me while Tommy has to watch–that’s what you want right? Wanna pull some claim over me while your brother can’t do anything about it, am I wrong?”

Joel kisses you so intensely it forces you back against Tommy, a small mmph leaving your mouth as Joel quickly gained the upper hand and wraps his large, rough hands under your ass and scoots you further down the bed until the back of your thighs press against the top of his and you moan as he licks into your mouth, knowing that the lingering of Tommy’s headiness touches his tongue and you bite down harshly on his bottom lip as he pulls apart for a brief, lingering moment. 

Here it comes—the questioning consent, the lingering wonders.

“I’m covered, Joel.” You assure him, “We don’t need them. I trust you both are clean.”

Assuming that Tommy was going to fuck you too—which, god, you fucking hoped.

That’s all Joel needs, nodding before he grabs ahold of his shaft, dragging the tip of his cock through you wetness, gathering it in a slow teasing trail before he presses inside slowly, watching the stretch of you around his cock. You can’t help but keep your eyes locked on the same point either, because what Joel lacked in slight girth he made up for in length, feeling the numb press of him inside of you before he was even fully sheathed.

“Goddamn, sweetheart,” He says, voice strained, “that’s a tight fuckin’ fit. Think you can handle it?”

You laugh brokenly, Tommy’s hands comforting over your shoulder before they trail to your breasts, teasingly rubbing a nipple between his fingers, watching it pebble underneath his touch.

“Do you want a pat on the back or something?” You retort, “Fuck me, Joel.”

“There she is,” Tommy comments in amusement, “I knew you were in there. Give it to ‘em, darlin.”

“Shut it, Tommy,” Joel snaps, “Know what, sweetheart, I got a challenge for you.”

Joel moves his hips slowly, pulling out slowly before pushing back in even more agonizingly slower. “No touchin’, how’s that sound? Think you can handle it.”

You shake your head. Honestly, Joel could respect it.

“Fine—Tommy, hold her hands.” Joel settles and part of you expects Tommy to argue.

He doesn’t. In fact, he looks just as greedy about the idea. And he knows if you were uncomfortable with it you would speak up, because secretly—it was exactly what you wanted. Render your power and your own autonomy for a brief moment and give yourself over to them equally. Tommy holds his hands out in wait, wiggling his fingers teasingly.

You hand them over with a soft sigh, feigning annoyance. He guides them to wrap around his waist behind you, arms stretched over your head as Joel has a solid grip on the underside of your thighs, hips still moving slowly throughout, so slow that you forget he’s actually seated inside you until he snaps his hips once, twice, his resistance snapping when he sees you settle.

Tommy settled on his own knees, though sat deeper into the bed, his hands a tight, mindful presence against your wrist as you squeeze and claw at his skin as Joel pistons his hips with a ferocity that seeks vengeance, or something there of. 

“Squeeze my cock, sweetheart,” Joel goads, feeling you do just that as your eyes roll back, “yeah—don’t act like this wasn’t what you planned from the beginning.”

“Our girl’s good at that,” Tommy comments, staring down at you with a mischievous smirk, “playin’ us both—kinda like it though, I’ll admit.”

“Shut up,” You groan, “Both of you.”

You pointedly pinch at Tommy’s skin and he tilts his head in both amusement and confusion.

“I think she’s gettin’ a little upset,” Tommy acknowledges, “You don’t think it’s fair, darlin?”

You almost have the courage to reply when Joel’s thumb drags over your clit, rubbing in quick and determined circles to match the intensity of his thrusts, using his spread knees to keep your thighs wide and open for him, eyes locked on your cunt as you squeeze around him repeatedly, moaning wantonly into your bicep as you turn your head to the side.

But, Joel doesn’t appreciate that. He grabs your chin quickly, and clicks his tongue in disapproval, “Nuh uh, sweetheart. You keep those eyes on Tommy. Let him see how good I make you feel, alright?”

You pout slightly, biting harshly at your bottom lip as Joel shifts his hips slightly, but it feels earth-shattering, one hand planted into the mattress to allow for him to reach something deeper inside of you, if that was possible.

“I’m right—right,” You sigh, eyes tearing up as you looked at Tommy, clawing gently at his sides, “fuck–I’m right there, Tommy.”

Despite Joel being inside you, his name slips out. It shouldn’t turn him on as much as it does. And he wants to give you relief but really, he’s just eager to be inside of you too. He knows the quicker Joel finishes up that he can have you, so he encourages his brother. And Joel is too desperate for his own release to argue.

“Ask him, sweetheart.” Joel notices your eagerness for approval from Tommy and plays into it, feeling the familiar feeling building in his gut as he grits his teeth.

You nod furiously in understanding, eyes trained on Tommy. “I need to—can I come, please?”

“Go on, baby.” He agrees softly, rubbing a gentle hand over your chest as he feels your body shake with your orgasm as Joel swiped a thumb over your clit before everything goes white, gasping sharply at the intensity, but you don’t have much time to recover before Joel is pulling out and allowing Tommy to assist as you sit up slightly and feel the press of Joel’s cock against your lip, the blurriness in your eyes quickly clearing as he comes in long, forceful spurts over your tongue.

You lap greedily, swallowing visibly as Joel squeezes at his cock and forces out the last few bits of cum he had to offer, rubbing the tip against your tongue as you giggled softly, kissing his cock head gently.

There’s a brief second where you think they might allow you a break, a moment to collect yourself, but Joel is staring at you with his head cocked to the side, palming his softening dick as he glances over you at his brother.

“I dunno if she’s up for it,” Joel offers, “I think that might’ve taken it out of her.”

A shame, really. But, your eyebrows furrow in defiance as you quickly shove Joel, gently and not at all enough to really move him more than a few millimeters. It causes Tommy to chuckle.

“He’s just playin’ around, baby.” Tommy comforts, “You think you can handle it?”

You nod eagerly, turning on your knees as you rise to meet him with an eager kiss, something you haven’t had the chance to do all night. Tommy kisses with more eagerness, more passion—it’s less experience than what you feel with Joel. Tommy has so much he wants to match with you; the curiosity and unity in the way you touch him. You kiss like new lovers and it feels your body with warmth, both of you laughing softly against each other’s lips.

“I can handle it.”

Tommy eyes you seriously, following your playful gaze.

“Get to the edge of the bed.”

And—oh, that’s…different. Like a switch and you can barely recognize him.

Joel and Tommy switch with a trained ease as Tommy guides you to the end of the bed, the top of the mattress pressing at your waistline and giving you easy leverage to lean against and Joel is right there, in perfect view and waiting for you. He seems softer now too, more relaxed.

You think Tommy might give you a moment but he’s already hard again and eager, sliding inside of you in one go—hard and sharp as your hands press into the mattress between Joel’s thighs, gripping the sheets tightly.

=

Tommy grips tightly at the back of your neck and pulls you upwards, pressing his face into the side of yours and speaking tensely against your skin, “Why don’t you be a good girl and give my brother a taste of what your mouth can do, huh, baby?”

You nod obediently, shivering at the way Tommy mouths at your skin greedily before forcing you back down against Joel, his hands spread out beside him, cock hard against and resting against his belly.

He’s almost positive he won’t be able to come again–not this soon, but he isn’t going to deny himself the taste of your mouth, watching as you move with eagerness to please him and Tommy. The sharp snap of Tommy’s hips makes it a little difficult and Joel wants to scold his brother’s eagerness and lack of restraint, but he knows—Joel knows how good you feel and he can’t even blame him. 

He offers a guiding hand as you swallow him down, swirling your tongue around the tip a few times, repeating the process with his hand resting gently against the side of your face, thumb rubbing tenderly at the joint in your jaw, feeling him stretch you and heightening the growing ache that will linger for a while.

“Fuck, our girl’s got such a sweet pussy, don’t she?” Joel comments snarkily, eyebrows furrowing when you take him a little too deep, “Can’t get enough of it—just like this goddamn mouth.”

You moan pathetically and Joel can’t handle it, gripping your face between his palms as he presses his lips to yours forcefully, swallowing the whine that leaves your mouth as you feel Tommy’s hands roam and tightening against your body, soft expletives leaving his mouth as he fucks into you and hand gradually arriving at your shoulder and tightening around the skin, pulling him back against your harshly.

Joel rubs his thumbs against your cheeks, eyes locked on yours, “Yeah—think you can come again, sweetheart?” A third? Not a fuckin’ chance. You shake your head weakly, ‘You can, I know you can,” And there’s Joel’s soothing voice, the one you hear so often at work, “You keep your eyes on me, alright? Nowhere else.”

“Listen to ‘em, baby.” Tommy interjects after a long bout of silence, too lost in his own head as he relishes in the squeeze of you around his cock, committing it to memory. “Gonna make sure you feel us tomorrow while you’re at work.”

Joel chuckles at that, the slow trail of Tommy’s hand as it finds your clit and begins slow circles, easing into it, “Yeah, how ‘bout that,” Joel comments teasingly, “maybe we just can’t resist ourselves and we can take turns fuckin’ you in the back office. But, you’d like that wouldn’t you?”

You moan sheepishly, eyes falling shut up.

Joel tsks, “Eyes on me means you keep ‘em open too, baby. Answer me.”

“Yes—yes, fuck—I would. I would.” You rush out, feeling Tommy’s pace quicken and the ache in your stomach builds and builds, tears building in your eyes as you keep them locked on Joel. 

Despite his demands his face remains gentle and you find yourself sobbing softly into his hands as Tommy snaps his hips one last time, coming inside of you with a deep, guttural groan as he tips you over the edge too. It’s too much, overly-sensitive and your muscles burning with more ache than when you started you let out another sob, falling against Joel.

“Go on, get somethin’ to clean up,” He tells Tommy over your shoulder, “I got her.”

You fall slack against him, feeling him adjust himself on the bed until you can sit properly, leaning you against his body as he hands run along your back, soft sobs wracking your body.

“Hey, you still with me?” Joel asks hesitantly. “Was it too much?”

You feel yourself start to calm under his touch, quickly shaking your head.

“Just…overwhelmed.” You admit, “Too much.”

“Too much?” Joel echoes with an endearing chuckle. 

“Yes,” You admit amusingly, “I guess I wasn’t expecting…that.”

“That’s fair,” Joel offers, gripping your hand in his own and intertwining your fingers, “this doesn’t—we don’t usually do this. We haven’t in a long time. I don’t want you to think this is something you're bound to now.”

“Like he could fire you if he wanted to,” Tommy interjects with a sly grin, somehow managing to redress amidst your talk with Joel, just a pair of dark colored briefs but it allows what just happened to settle in more deeply, “come here, darlin.”

Joel switches off, pulling his own underwear on somewhere near the other side of the bed. And you welcome the warmth of the washcloth as Tommy drags it between your legs, hissing only slightly, “I know, you’re pretty sensitive—m’sorry.” Tommy mumbles, gingerly cleaning you up, dragging the wet wash cloth along your thighs as well, tender from his and Joel’s teasing bites at your flesh. “Better?”

“Thank you.” You say softly, his free hand gripping your waist tenderly.

Joel offers up your clothes silently, eyeing his brother wearily as he bounds around the room, gathering his own clothes and re-dressing, though Joel stays in his nearly bare state of undress, briefs allowing him some modesty.

“I’m gonna check the bar,” Tommy offers, “should only take an hour or so.”

Joel nods, “Alright, just…keep me updated, I guess.”

He isn’t ushering you out either, his lingering presence by your side as you pull your underwear up your thighs, a gentle touch of reassurances as you wobble on unsteady legs. Tommy chuckles lightly at the sight, winking when he catches your disgruntled gaze, nose scrunched up in annoyance. 

“No fun without me.” Tommy jokes.

“Tommy—” Joel says steely as his brother throws his head back over his shoulder, slipping on his boots, “get the fuck out of my room.”

Tommy offers a mock salute and does just that, leaving you alone with Joel for the first time that night.

“I’m guessing the same rules apply to me?” You ask, shoving your arms through the holes in your shirt, yanking it over your head and you catch Joel shaking his head, pulling you to your feet with a hand when you finally look at him.

“I got you all to myself now,” Joel says quietly, “think I deserve to be a little selfish.”

You wince at the thought of any more sex tonight, but are thankful his hands down stray from your side when they settle there.

“Joel, I can’t—”

“Sleep here tonight,” He offers, “I’ll cook breakfast in the morning."

“I think you just want to keep to yourself all night so Tommy can’t have me, don’t you?”

Joel grins, leaning in for a gentle peck of your lips, “You’re damn right, sweetheart.”

[theperfectquestion]

TWENTY YEARS TO MIDNIGHT

The Venture Brothers starts out as a show that makes fun of the past, but lasted long enough to be one that truly understands it.

So I rewatched The Venture Brothers in one big splurge over the course of two weeks, from Turtle Bay to Baboon Heart.

One of the most charming things about the show is a product of its lengthy creation process and the fact that it was written almost entirely by just two people. The story nearly has a tight continuity, so if you take it at its word then all the events of the story take place over a period of two and a half years, while the actual show was made over a period of twenty years.

The outcome of this curious time dilation is that we follow the Venture Brothers, Hank and Dean, through those difficult years between 16 and 18, but we also follow the writers, Jackson Publick and Doc Hammer, through the difficult years between their twenties and their forties. The show begins irreverent, contrarian and cruel and changes, cell by cell, into something wiser and more profound.

The treatment of Rusty Venture, former boy adventurer and long-suffering heir to the poisonous Venture legacy, is a fascinating thread to follow. In the very first episode he steals his son's kidneys like a ghoul, and his various addictions and neuroses are firmly treated as quirky objects of pity. I don't know much about the personal lives of the writers, but I imagine a certain amount of tragedy would have found them over the course of twenty years. A certain empathy for Rusty's position kicks in around the second season and develops strongly throughout the years. By the time the writers have reached the age that Rusty is when he is introduced, there are delicate attempts to reach out to the poor man, to understand and maybe counteract some of his own personal tragedy, though careful not to smother the comedy that such a character brings to the table.

But the thread I enjoyed following the most was that trailing behind Action Johnny. If you have ever heard of The Venture Brothers, you already know that the show began as a parody and deconstruction of the 1960s Hanna Barbara cartoon Jonny Quest, which was itself an attempted relaunch of the Edisonade craze of the 1910s, riding on the coattails of the far more successful and popular Tintin and Uncle Scrooge comics.

Jonny Quest was the son of a world famous scientist and adventurer, Doctor Quest, who led an extraordinary jet setting life where he accompanied his father to exotic places to experience exciting, often racist, science-themed thrills instead of going to school. He was watched over by his lantern-jawed bodyguard, Race Bannon, and joined with his adopted brother, Hadji.

The Venture Brothers stole this set-up entirely, and Rusty's backstory is a carbon copy of Jonny's. We are first told that this is something more than a swipe early on in the first season of The Venture Brothers when Race Bannon appears, as himself, as a secret agent belonging to the same organisation as the Venture family bodyguard, Brock Samson. It's a clever shorthand for saying that boy adventurers are not singular in this world, they are a type, one which occupies a distinct social strata along with their bodyguards, enemies and other supporting cast members.

The way that we are told this fact, in the seventh episode of the first season, is peak 2004 adult swim: beloved cartoon character Rave Bannon drops out of the sky, lands in front of one of our characters, dies, then shits himself. This was vaguely subversive at the time, but twenty years of Robot Chicken and the like have rendered it a tired, hoary gag. Venture Brothers itself has proved that this moment is at least a wasted opportunity. There was undoubtedly more comedy and interest to be mined from having Race Bannon around as an older counterpart to Brock Samson. But there was fun to be had with squandering opportunities and biting the hand that feeds for writers in their twenties in 2004.

When Jonny Quest himself appears in 2006's season two episode, Twenty Years to Midnight, things aren't much different. Jonny is found haunting the bathyscaphe from the cartoon, injecting heroin, waving an antique pistol and ranting about his father. He has a teardrop tattoo and missing teeth. He is discovered by Rusty's brother, the overachieving but naïve Jonas Junior. It's a much better gag in execution than the Race Bannon one, despite being essentially the same beat, but there is some pathos thanks to Brendan Small's delivery. Jonny is left alive, unlike Race, but the capper to this scene is somehow more humilating and tragic than when Race's corpse shat himself: Jonny is brought on side by Jonas Junior who, pressed for time and not as accustomed to being threatened and menaced as Rusty is, is unable to apply superscience to this situation and simply offers Jonny a supply of heroin.

The entertainment industry's relationship to its back catalogue of intellectual property has changed a lot in the last two decades. Characters like Jonny and Race were embarrassing curios in Ted Turner's garage in 2006. Why not dust them off and kill them in a cartoon to make college kids giggle? Why not give them a crippling drug habit and have them collapse to their knees, bellowing, "I'm in real pain!" But within ten years the media behemoths realised they could spin their old straw into gold, and instead of selling sheink rays at a yard sale, so to speak, they were putting the Flintstones in ads for Halifax bank.

So the Venture Brothers show renamed their tragic, adult Jonny Quest to 'Action Johnny' and in doing so was forced to consider him as a character rather than a skit. And the colossal strength at the heart of the Venture Brothers is in taking ridiculous things like boy adventurers seriously. Jonny Quest was allowed to become a valuable (?) piece of IP, forever a child, forever innocent and marketable, while Action Johnny could live his life unfettered by the parent company's fears.

Action Johnny appears two years later in Season 3, sober but shaky, doing a favour to Rusty by running a seminar for his ill-fated summer camp. He undercuts the spirit of the event by warning the children of the long term effects of adventures on the psyche and unravels into rants about his father. It's a solid bit by itself, especially when contrasted with a neighbouring table from the Pirate Captain (who, despite being an important recurring character, the show refuses to give a name) about the joys of being part of the 'rubber mask set.' Though the world of the Venture Brothers is nominally organised through a bureaucracy of licenced 'protagonists' and 'antagonists,' the biggest tension on screen is between the characters who chose the life, like the Pirate Captain, and those who had the life forced upon them, like Action Johnny. It just so happens that the former tend to end up as tortured, resentful good guys and the latter wind up as joyful, carefree villains.

Bringing that point home in the same episode is the appearance of Doctor Z as the summer camp's headliner. Doctor Z is the final borrowed character Jonny Quest, and one who the writers clearly take the brightest shine to, probably because he has the funniest voice to imitate. Doctor Z also represents the goals of show's resplendent second half - having deconstructed the boy adventurer genre in the early seasons, the Venture Bros very carefully puts the pieces back together into something wholly new.

And so Doctor Zin, the generic yellow peril villain of Jonny Quest, becomes Doctor Z, the retired and contented former archfiend of the Venture Bros. Doctor Z is treated by the other characters as something like a national treasure, a beloved old star who made the game his own. The joke of Doctor Z is that he seems genuinely bemused that his lifetime of villainy seems to have had a lasting negative effect on people. When he appears at Rusty's summer camp, all theatre and terror, he is delighted to meet his old foe Action Johnny, while Johnny is thrown into a whirlwind of trauma at the sight of Z, one that will drag him down into further troubles.

Doctor Z will become more of a feature than Action Johnny over the following years as the show becomes more interested in its older cast members - the ones whose personalities shaped the world, and who have sunny memories of the days that were so painful to Rusty and Johnny. He is part of a larger rehabilitation arc on the meta level, where characters with reprehensible aspects to them are held up for the audience to inspect so that they may find some empathy with them. Sargent Hatred is the poster child of this era, who is a repentant paedophile who joins the main cast as the Venture Brothers' new bodyguard. He's a whole other topic, but Doctor Z has the same function as Hatred, but on a metatextual level. His ancestor, Doctor Zin, is a hideous racial stereotype of the sort that makes modern revivals of the adventure genre so unpalatable. In its first deconstructionist half, the Venture Brothers show would simply wave Doctor Z around as shock tactic - 'look how racist Jonny Quest was, and by extension the company that made it and, logically, its audience!' and then maybe give him a violent and undignified death to wash their hands of the whole matter. But the reconstructivist Venture Brothers show embraces Doctor Z, and takes him beyond his tawdry origins to become an integral part of its story.

In 2009, Action Johnny helps Rusty to articulate this in the episode 'Self-Medication' from Season 4. Johnny and Rusty are in the same therapy group for former boy adventurers, a premise that would later be stolen wholesale by the She-Hulk show. A trail of tenuous clues leads the group to Doctor Z's house in the middle of the night. Johnny forces a confrontation with Z, accusing him of murdering their therapist to perpetuate the spiral he has been in since he saw Z take the stage back at Rusty's day camp. Doctor Z immediately groks the situation and invites the former boy adventurers into his home for tea with his beloved wife, who proudly proclaims herself to be his beard. Doctor Z is proud of what he has done in life, and so has the ability to put the past behind him. Sat between Z and Johhny, who is unable to move on, Rusty realises that he has more in common with the antagonist in the room than the protagonist. Rusty has many such insights throughout the length of the show and they lead him to an interesting end point where he seizes the nettle and becomes a parental figure to the whole weird superscience community.

The final encounter between Action Johnny and Doctor Z takes place nine years (!) later in our timeline - 2018's 'The Terminus Mandate.' Doctor Z is retiring from active villany and, according to the ceremony-obsessed fraternity of organised supervillans, that means he must menace his archenemy one last time. Action Johnny's father is long gone, so Johnny inherits that dubious honour.

It's the first time that we see Doctor Z not being fully committed to the bit. Johnny is resident at a posh rehab clinic and Doctor Z is conflicted between genuinely wanting to see Johnny again but unsure of how to interact with him in a way that doesn't cause actual, lasting harm. Doctor Z even brings a prop from a Jonny Quest cartoon as a gift, in a sequence lovingly reanimated to translate Jonny Quest's vocabulary into the Venture Brothers' language. The sequence chosen is virulently racist, almost too racist to be believed: a mask of the god Anubis lands on top of Johnny's dog, and Doctor Z's Egyptian henchmen suddenly believe that the mask is a vengeful god come to punish them and so abandon the young Doctor, giving the advantage to Johnny's team. In the lobby of the rehab centre, in the late to evening, Doctor Z struggles to articulate why the Anubis mask means so much to him and Johnny cringes at the memory while enjoying the act of reminiscing. He offers to go and run and hide, so that Z can find him, and they both discover they are delighted by the idea.

It's a touching, uncomfortable and deeply weird scene that, to me, is the pinnacle of The Venture Brothers as a creative endeavour. Behind it is a group of people who have been mulling over the implications of Jonny Quest as a short-lived but impactful cultural phenomenon for most of their adult lives. They have been mining the absurdity, the legacy, the implications, the pathos and the bathos of those 26 half-hours of cartoon and found incredible treasures. It starts with finding a silly old thing in the attic that you want to ridicule and it ends, twenty years later, with you acknowledging the attachment one has formed to that silly old thing, and how it has informed your life, for better or worse, in ways you can't deny.

[reasonsforhope]

No-paywall version.

"You can never really see the future, only imagine it, then try to make sense of the new world when it arrives.

Just a few years ago, climate projections for this century looked quite apocalyptic, with most scientists warning that continuing “business as usual” would bring the world four or even five degrees Celsius of warming — a change disruptive enough to call forth not only predictions of food crises and heat stress, state conflict and economic strife, but, from some corners, warnings of civilizational collapse and even a sort of human endgame. (Perhaps you’ve had nightmares about each of these and seen premonitions of them in your newsfeed.)

Now, with the world already 1.2 degrees hotter, scientists believe that warming this century will most likely fall between two or three degrees. (A United Nations report released this week ahead of the COP27 climate conference in Sharm el Sheikh, Egypt, confirmed that range.) A little lower is possible, with much more concerted action; a little higher, too, with slower action and bad climate luck. Those numbers may sound abstract, but what they suggest is this: Thanks to astonishing declines in the price of renewables, a truly global political mobilization, a clearer picture of the energy future and serious policy focus from world leaders,

we have cut expected warming almost in half in just five years.

...Conventional wisdom has dictated that meeting the most ambitious goals of the Paris agreement by limiting warming to 1.5 degrees could allow for some continuing normal, but failing to take rapid action on emissions, and allowing warming above three or even four degrees, spelled doom.

Neither of those futures looks all that likely now, with the most terrifying predictions made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse.

Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.” Personally, I find myself returning to three sets of guideposts, which help map the landscape of possibility.

First, worst-case temperature scenarios that recently seemed plausible now look much less so, which is inarguably good news and, in a time of climate panic and despair, a truly underappreciated sign of genuine and world-shaping progress...

[I cut number two for being focused on negatives. This is a reasons for hope blog.]

Third, humanity retains an enormous amount of control — over just how hot it will get and how much we will do to protect one another through those assaults and disruptions. Acknowledging that truly apocalyptic warming now looks considerably less likely than it did just a few years ago pulls the future out of the realm of myth and returns it to the plane of history: contested, combative, combining suffering and flourishing — though not in equal measure for every group...

“We live in a terrible world, and we live in a wonderful world,” Marvel says. “It’s a terrible world that’s more than a degree Celsius warmer. But also a wonderful world in which we have so many ways to generate electricity that are cheaper and more cost-effective and easier to deploy than I would’ve ever imagined. People are writing credible papers in scientific journals making the case that switching rapidly to renewable energy isn’t a net cost; it will be a net financial benefit,” she says with a head-shake of near-disbelief. “If you had told me five years ago that that would be the case, I would’ve thought, wow, that’s a miracle.”"

-via The New York Times Magazine, October 26, 2022

[leclsrc]

more than anyone ✴︎ cl16

genre: childhood friends to enemies to lovers (a mouthful), smut, humor, Fluffff!!!!, angst

word count: 13.7k  

You moved out of Monaco at fourteen with an unrepaired friendship hanging by a thread. Ten years and a whole lifetime later, you’re forced to work with him confront it all over again.

auds here… hi hi hi!!!! HAPPY 4k to us guys!!!!! i am so insanely thankful for all of u and i will make this a longer note when i wake up tomorrow because i have so much to say but have this for now. i hope u like it,i love love love u guys forever also i changed the banner because i wanted to

nsfw warnings under the cut!

18+ because... penetrative sex, semi public sex, praise central, size kink (pretty tame smut in auds world)

You know it’s bad when your assistant-and-friend-aka-friendsistant (her vernacular) Rachel walks in with a free coffee without a quip about how dependent you are on this exact order of coffee (she’s a millennial, so caffeine and lack thereof are in her arsenal of Funny Jokes). You fear you didn’t correctly anticipate just how bad it was going to be when she stays instead of leaving to work on your schedule, combing a few fingers through her fringe and sitting herself on your couch stiffly. Maybe you’re intuitive, maybe you spend too much time with Rachel and you can spot the way she scratches at her eye, maybe both—but it’s bad.

You don’t take a sip from the Starbucks that sits idly on the coaster, opting to watch the latte sweat instead. You do stare, though, at Rachel’s stagnant posture, scrutinizing her every movement. She takes a few deep breaths and drops the bomb.

“David sent me to tell you he has good news. But there is, um. Bad news.” Dread writhes through you at the mention of your manager with bad news, and you clear your throat to compose yourself.

“What’s going on?”

She purses her lips. “He’s on his way over here. Just…” She cocks her head sharply to the glass door of your home office, expression antsy. “Sorry. Wait for him. I can’t tell you anything yet.”

You take a swig from the pity coffee. “Am I getting blacklisted?”

“God, you dumbass, no—” She makes an incredulous noise, but before she can open her mouth to elaborate, your manager walks in with an excited expression on his face, pocketing his Juul to take a seat by your table. His smile is the radiant one of a man over forty with a comical amount of Botox.

“Rachel told me you had”—you stifle the adjective—“news.”

“That I do, yes.” He hums, tracing the edge of your table. “Did you enjoy Paris Fashion Week?”

Beside the brash Frenchmen, God-awful timezone differences and consequent calls at half past three, hungover show attendances, posing for pictures until your ankles blistered, and a temporary diet of black coffee, cigarettes, and stale croissants—sure, it was fun. It was your job to attend anyway, your obligation to shake hands with important people and be photographed in designer clothing and benefit from the PR, but how often could people call work fun? 

“Sure.” You take another gulp off your coffee. “It was… fun.”

“Well, since your movie’s doing well,” David pauses and hums, “how do you feel about another few weeks of fun?” 

“Like Paris Fashion Week—weeks… this month?” You frown, eyebrows knitting together. Is this a new Vogue thing? You’re not sure how many updates they give the schedule, but you wouldn’t mind too much if you could travel again for a little bit. “So soon after spring? Did Anna want this?”

“Iiiit’s, er, Vogue’s new project. Capsule shows in Europe, coastal and summery. She wanted an exclusive guest list. She asked for you by name,” David says smugly. “Well, she called my office, granted. But to ask for you—”

“Are you fucking serious?” You stand up, and if you hadn’t had some fix of coffee you would’ve gotten dizzy. “David, tell me you’re serious.” Time seems to have suspended itself as you await his answer—which, if affirmative, would be a pretty big deal to you. 

“Yeah, I am.” He plays off a grin. “She loved your movie with Greta, and would love to send you to Europe to do PR on a few shows and pair up with some guests on a couple features. Exclusive stuff.”

You sit back down, mouth slack. “Oh, my God. I can’t believe it.” Your eyes dart to Rachel, who’s caught between a smile and an awkward purse of her lips. “Fuck! This is huge, David.”

“Yeah—okay, yeah, it is.” David shifts in his seat and crosses, then uncrosses, his legs, then his arms. He stutters for a second. “Good and bad news, remember?”

You blink a few times. You’d nearly totally forgotten the fact that this good news—and it is overwhelmingly good—comes with a bout of bad news, so bad apparently that it’s noteworthy enough to state alongside this massive deal. But it’s. Fine. It’s whatever. Worst case scenario, you’re going to need to fucking swim to Europe sans oxygen canister.

“So… the shows? Events, and shit?” He watches, waiting for you to signal that you follow. When you nod, he continues, averting his gaze to the face of his Patek. “They’re all in Monaco.”

Wrong.

“Monaco.” You repeat, deadpanning your delivery. It’s not out of the ordinary, the glitz and coast of the city being a perfect venue for high fashion. But Monaco is different for you, vastly different, and you tend to avoid the place to the best of your abilities. “Monaco. Are—you’re sure?”

“Mmm,” he hums in affirmation. “I know, I know you’re not exactly privy to Monaco because, bleh, childhood shit, whatever. But this—like you said, this is huge! And I don’t think we should jeopardize that.” He pulls a piece of paper from the folders tucked in his arm and waves it around.

“Well—yeah, I suppose. I’ll deal with it.”

“Yeah.” He sucks his teeth, eyes gliding over the scenery of L.A. that your window offers. “Okay, that’s it, so. Byeandhaveagoodlunch.” He slams the paper onto your desk, jostling you a little, but as he makes his exeunt, Rachel raises her arm to stop him.

“Is that it, David?” She asks, an edge to her voice.

You pick up the paper as they make hushed, stifled conversation, and find that it’s a call sheet of sorts, listing all the collaborators traveling to Monaco and what or who they’re in charge of, or paired up with, there. Models, athletes, celebrities, influencers—all making TikToks, or appearances, or brand deals, or interviews, or YouTube videos, the whole shebang.

“Yeah,” says David dismissively—nervously? “That’s it.”

You search for your name. “Okay. Um, hey.” Rachel turns to you, trying to catch your eye, which is busy scanning the sheet. “Did, um—did David mention you’re paired up with Charles Leclerc for a feature? Because you are. Paired up with Charles Leclerc for a feature, I mean.”

David sucks his teeth. “Thank you very much for graciously reminding me of that, Rachel.” 

Still half-distracted and growing increasingly worried with the exchange happening in front of you, you make haste in your search—eventually, you find your name, printed in plain letters beside one you’ve wished to never read over ever again.

“Wait, my Charles?” You pause and look up, suppressing a yell as your eyes widen, and you blunder over a pathetic self-correction. “I mean—no, sorry—Charles, as in Charles Leclerc? I can’t work with him, you know this!” 

“Wh—well, Vogue apparently wanted a really good Monaco-born pair and they seriously lucked out on you two. Also,” Rachel says, adamantly defending herself, “you’re always saying you can work ‘with anyone’!” She raises two comically vigorous air quotes to further her (moot) point.

“I didn’t ev—I never say that,” you lie straight through your teeth, mouth dry. You definitely do. You can place all the exact moments. “I would’ve known if I did. Rach—David—I cannot, absolutely cannot work with Leclerc. He’s my… we…” You shut your eyes and sneak two fingers upward to massage your temple, slowly caving into defeat.

David makes an oh well face and shrugs passively. “Fine. Then it’s either Anna Wintour’s special job that will help the Academy campaign or not meeting the ex-bo—”

“—friend.” You look up to cut him off, eyes narrowed. “Ex-friend.”

“Alright, kid. Suuuure.” David leans against the back wall of your office as Rachel comes to comfort you, her eyes already sympathetic and droopy. It shouldn’t be so bad, right? She asks sweetly, nudging the latte closer to your catatonic figure. You have seen him since, anyway.

With a despondent gaze, you just remain silent, refusing to state the negative aloud, opting to stare at the latte. At your disagreeable silence, Rachel continues, tone anxious: You have seen him since. Right?

You moved out of Monaco at fourteen, right after the school year finished and your father had gotten the opportunity to transfer out. The whole thing would’ve—should’ve, even—been a sentimental affair, full of tears and dramatic caresses of your bedroom wall, whispering thank yous to the city air in French and Italian, but it wasn’t. Months prior, you’d been preparing yourself for this kind of goodbye; but when it came to it, you merely kissed your extended family goodbye and slept en route to the airport, silk sleeping mask pulled taut over your shut eyelids. The only thing you left in the city was a letter written only to Gi and Cha about how much you’d miss them, with your email address scribbled at the bottom for an added touch, in case they felt like sending you longer messages.

“Do you two at least get along?” David asks, noting how genuinely aghast you appear.

“It’s not that simple.” You tap a nail against your desk a few times. “But I think it’ll be fine. I hope, at least. We used to be… good friends? As teenagers.”

You feel like an alien hearing yourself talk about it, talk about him and the whole circumstance a decade later. Your friendship with Charles was the only thing that mattered to your adolescent self, all lemonade stands and long car rides and stealthy conversations about your futures (racing and acting, respectively). It was happiness, in what you consider to be its truest form, it was lovely and real. And it ended abruptly, no goodbyes, no nothing.

“So it’s a no.”

“I’m just saying it’s impossible for me to work with him, and in Monaco no less?!” Your eyes are wild with frustration and anxiety at the prospect of your past whipping you in the face, full-fledged. “I don’t even talk about the guy or the city, how can I spend time with him there?”

“Are you seriously going to junk this amazing fucking opportunity just because of some petty childhood fight?” David’s tone is comparable to that of a dad’s, scolding and horrified, almost. “Look. If you don’t take this, career-wise, it doesn’t mean much. You get paid a shit ton, you’ll survive—you’ll do well. But emotions-wise? Maturity-wise? Be the bigger person and do it—I mean it.”

You stare back at him because you know he’s right. “Maybe it won’t be a big, long feature?” Rachel offers as some advice, some comfort. “If you reject it, his team will know, and so will he.”

And yes, you were fourteen, and yes it was petty and unexplainable even for fourteen—but there was a catalyst to all of this, a reason why the move became easy and forgetting childhood memories became second nature. A reason why you’re selective with who you make contact with from home. A reason why Giada and Charlotte are selective with topics they choose to bring up with you.

So, fuck it, really. That’s how you end up in Monaco, booked for the next three weeks, sharing a studio and public appearances and a 24-hour shoot with the last person you’d ever want to be in a room with. Ten years later—the person still is, and no doubt will always be, Charles Leclerc.

—

“MAMAN!” Charles’ voice was loud, loud, and so incredibly loud. You followed not far behind, legs running at full speed to try and leap onto his lanky figure and wrap an arm around his head to quiet him. It’d been futile: he ended up at the dining table facing his family with a victorious smile on his pink face. He breathed heavy, waiting for everyone to turn their attention to him.

“Charles,” you chimed in warningly, breathing even harder with the effort you had exerted to chase him from the sidewalk to here. “Don’t.”

“Guess who got the lead spot in the recital.” He slowly turned to point at to your angry face, and then bent, rifling through his already messy, grubby knapsack for something that he raised with glee: a headress that read…

“But-ter-cup.” Hervé sounded amused when he looked at your fuming expression. “You?”

“Yes, Papa! Maybe, just maybe,” he sing-songed, using the term wrong yet again, “she got the titular role!” He walked over to you and placed the headress square on your head, beaming. 

“There is no titular role in a school recital,” you seethed, burning with embarrassment. Your stellar academic record had apparently granted you incentive to be centre stage during the routine year-end recital, where years were lumped into twos or threes (in your and Charles’ cases, Years 8 and 9) and the student body would dance or sing a variety of teacher-selected music.

In your case, it was Build Me Up, Buttercup, complete with choreography you’d be practicing over the next month and a half. Charles laughed at your pouting expression, didn’t stop laughing even when you’d both sat down and twirled through forkfuls of spaghetti, didn’t stop chuckling even when Lorenzo got the turn to speak and he started talking about how Bringing Up Baby was his movie of the month.

You allowed him to laugh—even laughed yourself at some point—because all day, you’d been absently wondering how you’d break the news about your moving away to him.

—

Charles is not okay. He’d gotten off a red-eye from a short vacation stint, and now he’s back in Monaco, sleepy and a bit jetlagged, being briefed on brand deals and press junkets he has to accomplish by three p.m. today. “On the dot, sharp,” said his assistant, like the two didn’t just mean the same fucking thing. He’s patient, though, smiling through the exhaustion, through the dressing room, the tape around his waist and legs to measure clothes for this fashion… thing.

“A meeting for Ferrari, two TikToks, a vlog for your personal YouTube channel, three stories by noon… oh, and in the next few weeks, you’re going to film a Vogue-sponsored 24 Hours With… with—”

“D’accord, thank you,” he cuts in, already exhausted from the spiel alone. He’s a professional; no matter what people believed or what gossip rags liked to say about him, he maintains a well-kept reputation of being polite and kind to people he works with. Maybe it’s the jetlag, maybe it’s the lack of sleep, maybe it’s the heat outside, but today he just wants to close his eyes and sleep for days.

But the assistant follows, clipboard and Excel sheet and all, still spouting all his media obligations lest he forget (and mark his words, he definitely will). “Sorry,” he says. He’s new, probably assigned as a part of the Vogue team, lanky and tall and nervous looking. “I’m new. I’m Greg.”

Briefly, Charles is left alone to stare at his tired reflection while the assistants reconvene and connect. There’s several of them, each assigned or already committed to a different celebrity. Charles should know more details, but there’s only so much reading of a call sheet he can do before he’s conked out on Ambien; he trusts he’ll be around people much more famous than he is, probably American or English, actors and athletes alike. He’ll figure it out.

Yeah, she’s almost ready. Is Charles here? One of the assistants says, a bright-eyed American. They need to be introduced before 11. Her voice is quiet, quick and hushed, and Charles has to focus to hear what she’s saying. Greg chips in with something he can’t decipher; in response, the American whispers, Yeah, I’ll get her to sign it for you. Bring Charles out in five.

In five, he is indeed being brought out to the lobby of this hotel; the outdoor area is decked out with models, cocktail tables, Vogue signage and a carpet for pictures. It’s even busier inside, wait staff and event coordinators conversing in angry, aggressive French—table settings, mineral water, extra forks are needed. Greg keeps a steady pace transporting Charles through the indoor throng, and at 10:59, Charles is outside, by the pool.

“Um, right, yeah. Okay, uh—wait here. Your partner—not really partner, but like, mate? Fuck, definitely not. Um, partner. She’s on her way heeere…” He checks his phone. “Okay. You caught her name, right?” Charles nods to fend him off. “Okay. So, wait here.”

There are cameras taking pictures of him when Greg departs, some microphones waved his way; in the distance he spots fans waving crazily, sporting Ferrari merch. Charles is doing what he’s told (waiting, maybe posing a bit) when an even bigger crowd appears, surrounding one person; with their arrival, ameras click even faster, and an uproar follows. Greg waves him over, pointing at the person frantically, so Charles smiles, extends a hand, and when the crowd parts—

There you are, in all your glory. Pink dress, hair clipped into a bun, a tanline on your exposed skin, lithe hand coming up to shake his. Your eyes are flat but the lack of expression doesn’t inoculate them from beauty; they remain sparkling and pretty all the same. Cameras snap the interaction, seemingly innocent, seemingly the first.

He fights, he really does, to keep his hands shaking yours. He forces himself not to hug you, press a kiss to your cheek even if that might look friendly, caress a hand across your cheekbone, brush the tendrils of hair out of your eyes. It’s a valiant effort.

A valiant effort that pays off because, as soon as you’re ushered into a room by yourselves, your smile turns into a scoff; your hands are kept to yourself, slipping a pair of sunglasses on, and; underneath them, your eyes begin to roll. “I need a drink,” you huff, not even looking at him. 

You’re on two couches opposite each other, in what he assumes to be a foyer to a hotel room that’s much bigger than the one he was in earlier. A-list fame and that. The girl he’d seen earlier scurries off, mumbling something about a martini. Greg, beside him, goes: “Do you need a drink, too?” But he shakes his head.

“Are you voluntarily working for this guy, Greg?” You refer to his assistant by name, offering a sarastic, honeyed smile. You adjust the strap of your dress and he blinks his gaze away.

“Oh, no. I mean—yeah. Kind of. I was assigned to him.”

“It’s okay, I don’t expect you to do it of your own will,” you joke, crossing your legs.

Charles laughs dryly. “Who asked?”

“So he speaks…” You ping off his retort without missing a beat, a sardonic smile playing at your lips. 

“In the two minutes we’ve been around each other, you’ve insulted me and my assistant. I’d prefer silence, your highness.”

“Aww, did my joke and asking Greg a question piss you off?” You suck your teeth. “You must be fun at parties.”

“Do you two, um. I don’t want to, like, overstep, but do you know each other?” Charles notices that Greg’s forearm is signed by you and realizes he has no allies here, with an inward grimace. “Or if you don’t, like, are you two just… not in good moods or something?”

The girl comes in then, saying here’s the martini and catering you a sweaty glass with a smile. You offer up the empty space beside you, patting the white leather for her to sit down on. Your eyes meet his again briefly, catty and a bit challenging, before you turn back to the girl. “Sit.”

Maybe Charles spends too much time with Max, because he’s starting to become more and more inclined to getting the last word in lately. “Bossing people around, eh? Fame really does change you.” He offers a smile of his own.

“She’s my assistant, Rachel,” you say sweetly, but your smile is gritty. “We need to check my schedule.”

He wants to slap himself. “Too busy to open your calendar?” Nevermind, he’s a god.

Your sarcastic smile drops. “And what’s on yours? P6 this week, P7 next, DNF after?”

Fuck. The tension is so thick at this point, it’s almost steaming hot. Both the assistants stare at you, waiting for Charles to wedge something in, but he bites himself back. Thankfully, right as the silence just begins to settle like oil on water, the door swings open and one of the coordinators steps in, noisily rattling off the week’s plans and proclaiming you’re both free for the remainder of the day before things pick back up—Schiaparelli show at noon, both of you, front row—tomorrow.

The four of you filter out of the room, and you make a quip about your autograph on Greg’s arm, which grants your assistant some face time with Charles. She turns to him, combing a hand through her hair and furrowing her thick eyebrows. “Hey, I’m Rachel, by the way.”

“Charles.”

“I know,” she says sheepishly. “Listen. I know you two have history, she—we—she’s, um, told me about it before. I don’t know the whole story, and I’m not… like, I’m not saying I do, so I respect it, whatever it is. But I hope you can find it in you to work with her properly. It’s a huge gig for you both. So—yeah, uh. Great job, and good luck.”

She smiles with a nod before exiting the room, leaving Charles alone and stirring with thoughts and memories woken from wild unrest.

—

“Alors,” Charles had said, not turning from his position in front of your vanity mirror. He’d been picking at his face, stopping only when you tsked at him not to. “What is the problem?” His eyes flicked over to you, your lying figure on the bed exhaling little puffs of frustrated air to the ceiling. “Are you missing the recital?”

“Quoi? Non.” You gnawed at your lip, accepting your defeat. You couldn’t lie for much longer, not when you’d been keeping this under wraps for two months. “Listen. Charles.” He nodded, clearly preoccupied with something. “Charles.”

“Hmm?”

“Can you ple—look at me.” Your voice hardened.

He’d noticed it then, the curt cutoff of your voice, the absent look in your eyes. He knows you even through a mirror, even in the low light of your room. “Desolé. This pimple won’t go away.”

“Charles,” you said, groaning but allowing yourself to laugh. “Listen.”

“Okay.” He turned to face you, a spot on his chin red from how long he’d been scratching at it.

You shrugged then, suddenly scared to deal with the realness of it all. You didn’t understand why you felt so torn. “It’s something to do with me,” you said.

“Yeah.”

“I’m moving.” You rubbed at your nose, the cold draft coming in through the window causing you to sniffle. “Out of Monaco.”

A beat. “What?”

You closed your fingers around your necklace, scratching absently at the divots of the pendant. One, two, three little dips in the gold locket, tiny but comforting. “Yeah. In a few months, like, after school. It’s Papa—his job. It’s a whole thing.”

“Europe?” You shook your head. America.

“What… well, what does that mean, then?” His expression didn’t waver but if anything did, it was his eyes—desperate, seeking more answers, wanting them with a guttural, belly-deep desire. You’re his best friend, so if he has to let you go in this life, he at least needs to know everything about the move. 

“We’ll keep in touch,” you reassured, kicking your leg to further your point. “You were bound to get busy with karting anyway, so it’s like. Ça revient au même.”

“It isn’t the same,” he said, his voice thin and cracking. 

“You’ll be fine.”

“You have a very misguided idea of who I am.”

“Shut up. Come off it,” you laughed, sitting up straighter. “We’ll call everyday, and I’ll meet all the famous people who’ll get me a real acting job, and I’ll come for the holidays or summer or something. Things won’t change. Not that much, at least.”

“Maybe, just maybe.” He pauses. “Will you be here for my birthday, at least?” He’d made a big deal all year of his turning sixteen on the sixteenth.

“Charles,” you sighed. 

“No, yeah. I get it.” He looked down, rubbing his thumbs together, like he’s just been hit across the face. He will tell you one day it felt infinitely more painful than that. But at the time he shook his head and looked up at you, reached his pinky to yours, a thin slip of paper around the finger that matched your interlocked one, and didn’t say anything else.

Just: “We’ll be okay.”

—

You could pin a lot of adjectives on Monaco: picturesque, without a doubt; warm, glamorous, but you’d sooner die than pin the word home over it. The city is sprawling even with the little surface area it possesses, and only few things seem familiar. Your lodging is a hotel in Monte-Carlo, a penthouse suite that requires you to travel very little. It feels like a vacation.

And you embody the role of a vacationer very well—the first five, six days of your stay in Monaco went great, mainly appearances that lasted a few hours at most and several junkets to promote Vogue and your latest film, before you were free to do whatever you wished. You’d gone the touristy route already: shopping more times than you could count, trying your immense luck at the casinos, and eating at Michelin-starred restaurants; eventually all the fun blurred into each other and you found solace in naps instead.

Your troubles are not far behind, however, and they finally come after you on Day 7. The event coordinators had informed Rachel, who in turn informed you, that the first of next week’s agenda would be a photographed tour of the Musée Océanographique de Monaco, a grand seaside building right at the edge of the water. Today is, apparently, a day for you to “fraternize with” Charles, which meant you would once again need to put a façade over your less-than-kind appearance toward him.

Those are the concluding words of David’s very firm text, encouraging (read: coercing) you to settle things with Charles into some approximation of civility. You resolve things by calling him to skip over the awkwardness that comes with texting. It takes you all of twenty minutes and twice your body weight in courage to press the green telephone button.

“B’jour,” he goes, his voice quick. French people (he will hate that you called him French, even if it was just in your head; you relish in this) always talk rapidly. After some silence, he clears his throat: “Hello?”

Butterflies—some form of them, whatever—flutter in your stomach. “It’s me.”

He drops formalities and adopts a disinterested voice. “Huh. What do you want?” The butterflies have rotted to death.

“I need to talk to you.”

“To insult me again?” He sounds a little amused even over the phone, a breath of laughter landing in your ear. “Bah, I get it. We are enemies. You have no interest in reconnecting, et cetera. C’est tout ce que tu as à dire? I gotta go.”

Your face warms at his accusatory tone. “Wow, leave it to a guy to be charming, huh?”

“Why should I be charming with you?”

“At least be polite,” you taunt, but your voice lacks its usual edge. On the other line, Charles lets his own defiant tone ebb downward.

At least be polite. It’s the least he can owe you after ten years of forgetting. It wasn’t as if you two had a mutual agreement then, in 2013 when you moved away, to stop becoming friends. For months before you moved out, he completely stopped talking to you, like he’d forgotten you two were even connected, were even friends. What little words you two shared became petty and abrasive, and suddenly Monaco lost its color. The closeness you had with him, which for so long you’d convinced yourself was once-in-a-lifetime, was ripped from you, robbed from you—by him, no less, which hurt all the more. You’d given up on finding out why at some point. You waited for him to reach out. Maybe, you told yourself, just maybe, it would take a few months, a year.

Ten years of radio silence. He owes you that: politeness.

“It doesn’t matter,” you say to nobody in particular, in an effort to segue into the topic of your choosing. “Look, we’re supposed to be friends. In… on camera, at least. It’s disastrous if we look like we, you know, hate each other. We need to be professional.”

“For the cameras,” he says back, solemn.

“Yeah.” You wind a finger through your hair. “Just… for the sake of civility.”

You hear his little hums of consideration. “D’accord,” he says after a few minutes. “Truce, then.”

“Sure.” You smile a little. “I have to go.”

—

You were halfway through your mess of clothes when your mum peeked through your door, her hair held back by a headband. “Call you yet, poppet?” 

“Non,” you said, decimating your voice to a monotonous murmur. You looked up from the dress you’d been folding and offer a half-hearted, sardonic smile. “Je t’ai dit qu’il ne le ferait pas.” You were right: he wouldn’t call. What difference did a month make, anyway? This time, though, the usual victory of being right settled into an ugly disappointment in the pit of your stomach.

You wanted so badly to be wrong. To clamber to the telephone, to your Skype, to your cellphone, any of the three, and see his name flashed across the helm or his voice in your ear. Maybe he was dialing your number now, to ask if you wanted to grab dinner after the year-end recital, or to update you on karting, or to tell you Pascale wanted lunch.

She could tell, as all mothers can, that you’d been upset. The knit in your brows that didn’t go away, the bottom lip being chewed, the tight clutch of your fingers over the already-folded dress. She sighed. “I’m sorry, baby.” 

“It’s fine.” Your voice came out sharper than you intended and you have to roll it back, recede it, to sound more relaxed, more at ease. “It’s… fine. I’m fine.” She knew better than to pry, closing the door softly to continue packing up the living room.

You heaved a dry sigh to express the nausea that came with his absence. It began a month ago, two days after you first told him about it and poked at the zit on his chin. He’d buried his head in your shoulder until tears seeped into the cotton sleeve of your shirt, and you let him. You felt guilty, after all, for keeping it a secret for so long. You would leave in September, you told him. We have time.

Two days later he walked you home as always, on the “dangerous” side of the street, lanky legs skipping to the tree in front of your house. You pointed at the beginnings of clementines on its dewy branches, smiling, inviting him in, but he remained leaning against the trunk, playing with his mop of hair that covered his forehead.

“Bah, trop dramatique,” you said, poking fun. Lorenzo had showed you both some art house films he studied in class, and with the bout of French cinema, you and Charles had grown obsessed with making fun of overdramatic stills that often included the classic leaning-against-a-surface. “Come on, Mum made bouillabasse, I smell it.”

“We need to talk,” he eked out awkwardly. “I have something important to tell you.”

You dropped your knapsack, leather scratching against the concrete of the steps to the front door as you walked over to him. “Ouais?”

“I…” His lips moved, wobbled, but nothing left, so he shut them and his eyes, like he was considering something. His breathing slowed into one rhythm you find yourself unconsciously matching, just two kids looking at each other in the dusky breeze of Monaco, the orange sun casting shadows over the clementine tree. You closed your hand over his, a tight clamp over his knobby wrist with certainty. “I…”

“Say it.”

“I want to.” His eyes were shut. Exhale. Inhale, open. “I… I’m going… going home.”

You breathed out apprehensively and relaxed. “Oh.” You blinked. “That’s it?”

“Ye—ouais. Yeah. I gotta.” Already he was climbing to the gate, waving a half-hearted goodbye. “Save some for me, oui? Bye.”

“Charles,” you warned after him, voice tinged with concern. “That’s it, promise?” Your hand flexed around air.

“Cross my heart!” The last thing he ever said with any bit of something genuine.

—

You reunite with Charles at a meeting; under the guise of your truce, he makes the barely-necessary small talk. The rest of the staff file out of the restaurant in due time, but you both stay. You ask about Lorenzo and Arthur, leaving out questions you’d rather not listen to him answer, and he tells you they’re both alright. That his mum asks about you sometimes. That makes you smile. He asks if you’re still dating the guy you’d most recently been partnered with in Us Weekly.

“God, no. We never even dated, the… um, tabloids always make shit up.” You purse your lips. “Anyway. Is Lorenzo still in film?” You ask, turning your head a little. You don’t think you’ll ever forget his affinity for cinema.

“Not professionally, but I still sit through hours-long… you know, reviews, and stuff.” He laughs when he sees you laugh, eyes half-closed and meeting the ceiling.

“He introduced me to some of my favorite movies, especially when I got into acting and I was kind of… like, I wanted some inspiration, acting-wise. But not my actual favorite movie.”

“Which is?” He segues into a more personal topic. “Is it still Bambi?”

“Oh, it was, for the longest time!” You almost squeal with excitement. “Not anymore, though. It’s been dethroned, ha ha. I think it’s… I’d say it’s maybe Casablanca now.”

“How American.”

“Shut up.” Your face warms. “It’s so romantic. When he says—when he goes, um. We’ll always have Paris. And then, God—when Ilsa goes, I said I would never leave you—and Rick goes, And you never will… isn’t it so classic? Romance movies nowadays are—I, I, I… I get scripts sent to me that are just so bad, and they’re either too idealistic or too pessimistic, or too indie or too commercial, and.” You sigh. “It’s like nobody gets love right anymore.”

“Us Weekly disagrees,” he says weakly, after a period of silence.

“Stop,” you laugh warningly. “And don’t act like you’re not being paired up with different girls, too.”

For a minute you sit with the realization that you’ve both been keeping tabs on each other all these years, even just a little bit. It’s a bit jarring, it’s a bit warm, it’s a lot confusing. You make a move to ask for the bill but Charles is quicker, opens his mouth to implore your presence.

“Come see me tonight.” He says it like he didn’t mean to, like it escaped him on a whim, a blurted out confession born out of your memories and conversation. His voice is dreamy, faraway. “Earth to…?”

“Wh—sorry. Fuck.” You clear your throat and deduce your next words. “Where?”

“I’ll text you. A club, near your hotel.”

“Yeah… yeah, sure.” You hum an affirming noise. 

—

Your name is on the list, though you’re sure it doesn’t matter whether or not it was. No ID is needed, and paps catch a bouncer being dispatched to guide you through the nightclub toward the elevated area with significantly less people. It’s low-lit, smoky, vaguely blue and purple, smelling of flows of alcohol and fresh ice. An Azealia Banks song is playing, pounding through your head.

Tabloids don’t care about nightclubs. They care if you come out drunk or with a smidge of snow under your nose, neither of which have happened to you; entering is fair game, a fun affair, especially in a district like Monte-Carlo. You don’t have any explaining to do, not even to questions like are you clubbing with your professional Vogue collaborator, Charles Leclerc?

The collaborator in question is the first to greet you, getting up and approaching you with a smile so obviously tense. The picture in front of him is like if he’d conjured up a forlorn fantasy of his to life—your hair fell loosely over black lace, a hand pinched around the hem of your dress. “Hey.”

“Hi.”

“So.” He realizes he’s in charge of the socializing, and turns to properly introduce you. “Um, guys, this is my—friend—you already know”—he fusses over your name, which everyone in the world knows, anyway—“and these are my friends. Pierre, Alex, George, Lando, Daniel… you know Joris.” He points to each guy's face as he goes, eliciting a beam every time he gestures.

You wave with a polite smile before you station yourself beside the only one you know: Joris, with whom Charles shares a longtime friendship. He greets you first, with a side hug. “Long time.”

“Yeah, it’s been.” You watch him turn toward the low table, and back around with two shots, offering them to you with haste.

You thank the Lord that he makes quick, dextrous work of it, and before long you’ve downed a glass or three of some strawberry four seasons thing, socializing with the different people around the table. One of them, Lando, talks about your latest film for five whole minutes (“I rated it five stars on Letterboxd. I left a review, if you wanna see”) before he leans close and asks: “Are you his girlfriend?” His is obviously referencing Charles, and you pull back from the proximity to shake your head.

“No,” you holler to emphasize it. “We used to know each other. I grew up here.”

“Oh shit! Native!” He whoops, offering you another glass. This must be your fifth, maybe, fifth G&T or Cosmo or something or other of the night. You take it, drinking as you walk, planning to collect your bag to take with you to the bathroom—another hand takes yours, though, dragging you down the steps. Halfway through, you realize it’s Charles.

“How’s the drink?” He asks, brows straight.

“That’s all you wanted to ask?” You raise your voice above the bass. “Someone needs to teach you fucking… proper small talk.” A laugh involuntarily bubbles past your lips, eyes crinkling. 

He laughs, too, despite himself. “Non, I was—I was just asking. We should—I brought you over here to—so we could…” He realizes he’s been talking too fast without getting to the point and pauses, resetting himself with a pinched sigh. “Dance.”

Your heart pulses. Dance? You hear yourself ask. For wh…Why?

“For the sake of the truce.” His voice is light. “We should try being closer.”

“We were close once,” you say, loose. “Did you forget?”

He’s looking right at you, and you’re warm all over. “How could I?”

It feels too real. Not the words—yes the words—but the alcohol, the alcohol is what you’re referring to, and all those shots and drinks suddenly seem not as harmless as they’d seemed earlier. You scan the periphery for the WC sign and try your best not to look deranged on your way there, offering the same pretty smile to recognizing passersby. Behind you, Charles calls out; but you wave him off, heaving dryly.

The restroom is clean because the nightclub is outrageously expensive; you push yourself into the available stall that’s in your direct path and crumple above it. You heave. Heave some more. Nothing comes. The nausea rises and recedes, so you decide to wait it out.

The bathroom door hauls open, bringing with it a few seconds of noise before it swings heavily onto the frame again, sealing the sterile silence. The momentary return of the bass from the dance floor sends your head spinning all over again and you freeze, willing yourself not to wind up hurling your guts into the toilet. It’s a futile effort, though, because you’re feeling nauseated beyond your limit again, and you need water and maybe a salve or something.

“This stall is open,” somebody says, a chipper American voice that grows in volume as it nears you. A gasp follows, and then: “Oh, my God. Are you okay?”

You turn, your face flushed and lips parted. “I’m so sorry. I just—I’ve been nauseous all night.”

“I have water,” she answers, reaching her arm outward, as if seeking it. “Carmen, the water!” A bottle of Evian is thrust into her hand by another girl (Carmen, you presume), and she doesn’t hesitate to bend next to you to feed it into your mouth. She stares for a second, then goes: “On the off chance I’m lucky, and you’re the famous actress, by the way, I just want to say I’m a huge fan of your work.”

Eyes wide, you lock eyes with her and pull away from the water. “Oh, God. Yeah, that’s me. I’m so sorry—this is so humiliating.”

“It’s not—it’s normal,” she assures, nodding. “We’ve all… y’know, puked into a club toilet before.” From the stall doorframe, Carmen nods. “What’d you drink?”

“Fruity stuff,” you recall, eyebrows knitting at the memory. “And shots.”

They both grimace at the same time, knowing the exact feeling, the exact taste, it seems. “Are you heartbroken or something?” Carmen asks; Lily shoots her a look that can only really mean don’t ask the world-famous actress if she’s heartbroken. But you laugh it off, shaking your head.

“No. There’s a guy, though, and he’s… we’re… it’s a lot. I think I thought alcohol would absorb all of it, but… clearly, it did not.” Your lips simmer into a straight line and you’re quiet for a few moments before remembering you’re on a dingy club floor being supported by two nice girls who are strangers. “Anyway! Sorry. I’m clearly, um, delirious.” You get up on semi-wobbly feet, swallowing the nausea as you go. 

You walk to the sink, and behind your back, the girl and Carmen share a telepathic exchange (should we ask her to elaborate? Yes! Should we really? Fuck, no.) You rinse your mouth out, washing your hands and focusing on your reflection—your tired eyes, your smudged lip gloss, your fussed-up hair. You turn after rinsing, offering a small smile. “Thank you.”

“It’s nothing,” says the first girl, offering her hand and a tube of lip gloss. “I’m Lily, by the way. And just so you know—I’m so sure that guy has nothing on you.” Carmen, beside her, nods in solidarity, and your heart blooms.

Your smile grows as your hand shakes hers, accepting the lip gloss. “You’re too kind. Thank y—” 

“Lil? Baby, are you puking?” Comes a disembodied male voice from the door, ajar ever so slightly. Lily visibly cringes and walks over to the door, pulling it open further. On the other side—the detective of sorts—happens to be Alex, who you’d been introduced to a few hours ago. At the sight of you, his eyes widen with recognition. 

“We’re fine. Leave us alone,” replies Lily in a conspiratorial whisper. “Carmen and I have a new friend.” She doesn’t even need to drop your name; your face alone is enough to make people recognize who you are.

Alex, however, refuses to admit defeat. “Try harder next time.” He pumps his eyebrows. “We were introduced earlier.” He looks up and waves to demonstrate his truth; when you smile back, Lily’s jaw drops as she turns to her boyfriend again, aghast.

“What the hell? How?” A pause. “No offense. It’s like. Two levels of fame, right there.”

He makes a pinched face. “She’s Charles’… friend? I don’t—coworker? Something, something. They were both vague about it. Actually, George and I were talking about it, and we both think something is up. With them.”

“Wait—you might be right.” Her eyes are hyperfocused, and her voice drops to a whisper for a second. “Let’s talk about it at the hotel.”

You and Carmen watch their hushed exchange, and eventually Alex leaves you three alone again with a loud goodbye, which allows Lily to rejoin your conversation. “Sorry,” she says with a smile. “That was my boyfriend, Alex. I didn’t know you two were introduced! He told me you knew Charles?”

“Oh.” Your shoulders relax. “Yeah, um. We knew each other as kids, but I moved away and we kind of—we drifted apart, so. I’m here on a business trip, and he’s just welcoming me.” You try to reduce the decade-long mess into a sentence.

“So you’re friends?”

“Yeah.” You feel like vomiting all over again. 

—

The sky’s a searing blue at noon, silver clouds lining the horizon. Charles has to press a finger to the high point of his cheek to test if he’s sunburned from the heat, and the cameras catch it; he doesn’t doubt the fans will spin that into something cute later. You’re somewhere else on the property, this big, massive thing of a museum that’s crashed into by the waves.

He remembers Andrea first telling him about this whole arrangement. He and the team had deliberately left out any mention of you, like they could predict the immediate veto. He wonders if you knew, or if you, too, had been surprised when seeing him, a ghost of your past looking into your eyes. He wonders if you, too, are now in this endless emotional turmoil. Inside there’s a photoshoot ongoing, with you but also with some models in varying aquatic-related poses to convey the intent of the building; he’s done his share of pictures already, just needs to sit down with you for an interview. 

“And a B-roll of you guys, um, like, walking, like—around?” Greg’s voice invades his head again, the nervous man beside him running through a to-do list like this is boot camp.

You’d left him hanging at the club—he couldn’t blame you though. A truce hardly called for the bringing forth of memories you two are now supposed to have buried beneath you. Memories he buried first. But alcohol had loosened him, and maybe you had, too, your eyes in the vaguely bluish light and your smile.

He wishes to apologize. He makes up some excuse and finds you nursing an Evian by a faraway corner, against a screen of stingrays. Your eyes widen when you see him, in recognition. He waves and then, with a thumb, gestures to the catering outside.

You end up by the water eating one of the caterer’s churros, a recommendation he deems “very special.” (“Have you worked with these caterers before?” “No.”) It’s also his excuse to cheat on his diet and eat a churro or three—chocolate dip included, always. You rave over the taste, smile, enjoy the view. Charles realizes this looks deceivingly like a date, and at the same time realizes he would not stop to correct someone if they assumed so.

“Our truce seems to be working.” You say in-between chews, voice flat but eyes bright.

“It seems so. I owe that to my personality.”

You really laugh at that. “I didn’t know you had one. It’s very fit for someone as unapproachable as I am.”

“Who said that?”

“No, noth—nobody.” You comb a lock of hair behind your ear. “Aw, putain. I’m ruining my lipstick. Pat’s going to kill me. I look awful.” There are no reflective surfaces around you to affirm your statement, but you sound so sure of yourself.

He smiles. He enjoys the illusion, the mask that you two seem to wear, albeit involuntarily. The chocolate syrup he squeezes on your little paper box of churros. The muttered back merci when he’s finished. Your flushed face, eyes darting from the delicacy to the ocean, eyelashes fluttering, lips smiling, curving into a laugh at some random realization. Briefly he imagines what he might tell somebody if they stopped to ask if you were dating.

Some old woman, French accent and short in stature. You two are so cute. Si mignon! And she would ask how you two met. Charles would tell her the story. But that is imagination. He blinks out of it and focuses on the beauty in front of him, so very real.

“No. You are very pretty, you know.” He says then, and it’s taken him all his nerves and then some just to wrangle it out of his mouth and past his lips. Anticipatory, he watches you, waits for your response.

You comb the hair out of your face messily, licking over the cinnamon sugar on your lips; then you smile up at him, turning your head in question. “Sorry,” you laugh, and his heart’s frozen because it’s the prettiest sound he’s ever heard. “What did you say?”

The wind roars in his ears, so Charles barely hears himself when he says, stuttering, “What? Nothing, I said nothing.”

You make a face—confused, suspicious—but all your allegations quell once you bite into another churro, stepping yourself a path along the area. Having blocked off the building, production staff and models are all that populate your surroundings, big headphones and even bigger cameras, rolling around racks of monochrome and Hermés, Birkins to match Loro Pianas. It’s easy to get lost in a crowd—in a city—where everyone looks the same, and knows the other’s name. Perhaps that’s also why, even at fourteen, you were excited to leave, he thinks.

“The coast was always my favorite part about the city.”

He notices. The way your eyes have softened, become more fond than when you’re in the centre of it all, in the bustle. Here it’s busy, but less busy; the distinction, perhaps, matters. Your gaze is not one of distaste, of disdain. It’s nostalgic, homesick, yearning. He supposes he describes this gaze so well because it’s the way he catches himself looking at you over the week. 

“I wanted to…” He trails off. “I wanted to talk to you because, ah. I’m sorry. It was foolish of me to put you on the spot last night. I should’ve been more… yeah. I’m sorry. I hope you’re okay.”

You stare at the sea and nod quietly. Instead of responding, you launch a story: “I always…” You’re clearly lost in a different sphere of thought, and you have to fall quiet while finding the right words to say. “I remember, um. In Year 3, we—I came here with my mum. And I was super mad, because I got, like, three mistakes on my Maths paper?” You laugh and he does, too, but more because your storytelling is so effortlessly enthralling and funny and he needs to shut himself up.

“Anyway.” You pace around again, and he follows. “So, I’m mad, and she’s trying to cheer me up, buys me glace and everything, but no. So I go sit myself on a random bench. It must’ve been around here, I think.” You look around and point at an empty area. “There. But it’s—they must’ve ripped it out. Whatever. So yeah, I’m sitting there, and moping, and all of a sudden All You Need is Love by The Beatles comes blaring into the entire area.”

Charles’ eyebrows knit confusedly. “What, the bench area?”

“No—the whole pier, I guess? Like, it was loud, I almost jumped. And then this guy comes in holding this huge—this, um, board? Sign? Poster? And he’s got half the pier in on his whole thing, and I’m totally… it was just… yeah.” You smile. It’s the biggest smile he’s seen on you since you got here and the fact that he’s even around to see it gets him all warm.

“So what happened?”

“It was a flash mob. You know those—yeah, they’re usually insufferable, but that one was a little calmer. Nobody was, you know, dancing and yelling. It was just a bunch of people cheering and all, and the guy was actually proposing to his girlfriend. It was so cute.” You sigh a little, a brief exhale of air, and it turns into a smile. “I’d love that.”

He raises his eyebrows and, despite himself, laughs. “Vraiment?” 

You turn to him, ready to defend yourself, mid-laugh. “Heeey. Everyone says they find big, romantic gestures cheesy, but I think deep down, if you trust the person enough, you’ll like it. Maybe not a proposal, though—can you imagine the pressure?” You pause. “But I don’t know. There’s something so nice about just knowing that person loves you so much they think it’s worth it to share it to everyone around you. So even if it’s cheesy, I wouldn’t mind much. You?”

“It’s cheesy for me,” he disagrees, shrugging. “But I see your point.” Truth be told, he didn’t see you as a romantic type—but all he’s ever seen you do lately is work, and even back in childhood, all you ever did was study. He likes learning these little facts, ones you wouldn’t share in interviews—likes knowing you feel comfortable enough to share with him. “Dancing is a bit overboard.”

“Oh, definitely.” You throw your head back to laugh, eyes half-shut and crinkled and reflecting the sun. Would you look the same if he was dancing to The Beatles, proclaiming all the words he hasn’t had the courage to say?

—

Next question is who your first love was—we’re rolling in three…

“First love?” You laughed a little, facing the camera to continue your Screen Test interview with W. The questions had been candid and lovely, but they were about your career, which you answered with familiar ease. First love is different—uncharted, private territory. But you’d realized all this too late, and the director called go, and you let words spill out of you like a bag popped open.

“I want to be funny and witty and say acting, but that would be a lie. Um, my first love was a childhood friend. We lived near each other, our parents were friends, and I… I really did, I liked him a lot. But these—there were so many factors at tension with each other, like me moving away in 2013—that’s, what, six years ago now? And us being young and not really knowing how to communicate. When you’re a teenager, you’re kind of just like, oh, no worries, um, that’ll sort itself out, and then you grow up and look back and realize, these things never do. But I miss him a, a, a… a lot, and I think of him always.” Your smile didn’t reach your eyes when you looked at the camera again. “We learn a lot from childhood loves.”

Cut. Lovely. Just lovely.

“Thank you, Lynn,” you said with a small smile. A pause as silence creeps up onto the room, and then, quieter: “Could we omit that? I—sorry. I could answer anything else. First kiss, or something? I’m sorry, I just. Sorry.” For the first time in five years, you realize, you’ve conjured his memory again.

—

“Okay. What else do you remember?”

“I… do you remember the recital song?”

“Of course I do! The dance is… that’s a different story.” You’d been at Charles’ hotel room earlier to go over some video shoot regulations for a 24 Hours With video you’re doing in a few days. You stayed because—that’s beyond you at this point, and you’d rather not delve into the rationality of it all. You’re content with thinking about how nice this conversation is, a trip down memory lane.

“The dance, mon dieu, the dance.” He smothers a hand over his face, smiles fondly. “You were at the center!”

“Stop. Stop,” you protest, letting laughter settle into quiet. “It’s crazy, you know? How we… like, we share a life. Not—but like, we had a whole childhood together.” 

“And nobody knows.” It’s not something you keep a secret on purpose—it’s just that neither of you feel like name-dropping the other. Some stories have surfaced, but none of you have fully commented. Somehow, that’s a good thing for you.

“Do people ask?”

“People ask, yes.” His accent is a reminder of your past—you’d once had the same thick wraparound, the loose reign over English you’ve now grown to master. Now your accent is a lot thinner, to the point where it’s barely perceptible, and if it is, your coworkers and fans call it cute, chic, use it as a jumping off point to ask where you grew up. But in this hotel room, legs folded underneath you and glass of wine in hand, you have no coworkers or fans, it feels like; no one to perceive you but Charles. Charles and his accent, nostalgic and so very his, which you wouldn’t describe as anything but home.

“What do you tell them, then?” Quickly, you add: “The truth, or…?”

“That we knew each other as kids,” he says, smiling absently. “That is the truth, no?”

You cover a smile with the rim of your wine glass, nodding. There’s no revisionist history in that statement, but it hides a lot of the truth, the nitty gritty of it. You know it, he knows it, you both know it. “What would you want me to say?” His voice is soft and thin and imploring, so different from the boisterous voice he uses in public, from the slurred voice you heard in the club. This sounds real. This sounds like a conversation you would’ve had years ago in your childhood bedroom before everything went—

“Nothing, that’s fine.” You cut your own reverie off, clearing your throat. You even laugh, to alleviate the tension, but he sees right through you so many years later. “Unless you’re privy to telling people how we didn’t talk for months before I left.”

He blinks, smothers a palm over his face again, and sighs, eyes meeting yours. “I’m sorry. I don’t—I… I’ve wanted to bring it up.”

“I’m not mad.” It’s a half-lie. “Okay, no—I am, a bit. It just—it would’ve been nice to hear it two weeks ago.”

“I know.” He doesn’t even need to say it, but him saying it sends a low thrum of reassurance in you. Charles has found, in the two weeks of being in your company, that he accomplishes a sense of self—a sense of quiet, a sense of privacy—when he’s alone with you. Perhaps it’s your natural ability to bring out the best in people, to talk and loosen tongues and make everyone around you feel safe. Or, and this is on a likely front, maybe he misses being one of those people. 

He pretends he’s back to last week after another club rendezvous left you tipsier than the first time, dropping you off at your hotel room with two hands taut at your shoulders, one pinching a keycard. You’d been muttering something under your breath, stumbling as you went—you weren’t tripping too much, really; he didn’t need to hold you, but he told himself he had to—and leaning against the doorframe of your room, staring at him blankly. When he met your eyes, you said: maybe, just maybe. Just those three words. If he tries to remember right, you’d been smiling, but he was sufficiently tipsy, too, so he could just as well be wrong.

He does remember a few things right. The eyeliner smudged across your lower eye, lipstick smacked to a point where it looked like you wore none, beads of salt by your lip, your hand wrapped around your necklace. 

The silence is anything but awkward; still, he resolves to break it. “When you were drunk last week.” He looks up. “You said—you kept saying, maybe, just maybe.”

A laugh escapes you, stilted and a bit nervous. “Oh. That was—yeah, okay.”

“What’s it mean?”

“You seriously don’t remember?” You’re laughing for real now, your hair bobbing with it, eyebrows furrowed to emphasize your confusion. “Oh, my God. Charles, it’s all you ever said in Year… what, 7? I don’t… anyway. But when we were maybe twelve, I…”

Momentarily, you’re stunned by the memories of him—you’d forgotten they were even there. You press a few fingers to your lips and clear your throat. “Sorry. Yeah, I, um—I think you heard it in a movie or read it somewhere, and for ages it was your favorite saying. Maybe, just maybe.”

“I don’t underst—”

“—You were always just saying it,” you cut in, laughing, your voices layering as you discuss the origin of his former favorite term. “No, you really—”

“I don’t—I do not ever remember say—”

“—Well,” you say,  “I remember.” He stays silent for a few seconds, the intensity of your stare and the little smile on your face and everything beating down on him. For a split second he thinks of opening his mouth and getting on his knees and telling you everything, all the apologies, all the things unsaid in the months and years you became strangers. He seriously does. The pressure is almost physical, beyond overwhelming.

“I have to go.” You swallow the lump in your throat, disentangle your legs and clamber off the couch, setting the empty glass on his coffee table. “Good?”

“Yeah,” he says, blinking. “Yeah. Take care. Should I drive you?”

“God, no.” You laugh breathily. “I’ll see you tomorrow.” 

He closes the door after you leave, stares at it, as if that will conjure you back to him. It occurs to him, jolts him almost, that he’d almost let slip a quiet utterance of love you as you slipped out. His stomach boils. With thankfulness over not having said it, he wonders—or with regret?

—

“Best friends now, are you?” Lily, Carmen, and Rachel look up to the sound of your voice, their serious faces breaking out into smiles. If you could chart the time you spent here, there are definitely people you’ve spent the most time with—these three are at the top of the list. You hang your coat and drop your Chanel bag on the entryway seat, already picking up on the British noises of Love Island UK from the telly.

“Wait, so she’s hooking up with him?” Lily asks, confused; her train of thought is cut off by your flopping onto the bed. “Hiiii. Where’ve you been?”

Muffled by the bedspread: Charles’ place.

Silence. The television switches off and you hear the precarious preparation of three girls readying themselves for a debrief-or-sobfest of a lifetime, a noise you’ve heard and partaken in countless times over your life. You suddenly feel too watched, too spectated; you break the quiet by looking up, displaying your tear-streaked face.

“Talk to us,” Rachel encourages, her voice raspy with unuse (Love Island will keep one occupied and quiet for hours on end). Three of them are touching you in some way or other, reassuring grips on your hair or shoulders. “Did you two fight?”

And, oh Christ, fight? It’s not like you’re dating. You aren’t even halfway to that (not that you want to be, but that’s a discussion for another time). The idea of a fight with him is so terribly juvenile, so horribly reminiscent of secondary school and Monaco and being together and being friends. You can’t fight with a guy who’s not your boyfriend. You can’t fight with a guy you’re not close to, for Chrissake. You squeeze your tears out of your eyes and breathe hiccups out.

“Do you want gelato?” No, no.

“Love Island?” In a minute.

The truth is, you want both, but you really just want to sort everything out with Charles. It was no use—hating each other was futile, but pretending everything was fine in some pathetic attempt at a “truce” seemed even worse. You just want to talk everything out, even if it excavates feelings you’d once been able to suppress.

“What kind of crush doesn’t disappear after ten years?” You ask through tears. It’s almost funny, but the question comes straight from the heart. “I’ve dated guys, lived across the world, started a whole new life pretending he never—pretending we were—fuck. Pretending he didn’t exist. It was—I’m not lying, it was easy, pretending. But one glimpse—I see him one time and suddenly it feels like all of it was in vain. It’s the same crush I had before, coming back, like it’s never going to leave me alone.”

“Maybe it’s not a crush,” says Lily, slowly.

“So what is it then?” You ask, hopelessly. What is this—this revival of memories? This little feeling, this sense that no matter where he is or what he’s doing, you’ll be just as in tune when you reunite even if it takes a decade? A decade spurred by months of being given the cold shoulder? What kind of magic is that?

She doesn’t answer, because you already know.

—

“Hey Vogue—I’m here with Charles Leclerc, and we’re here to take you along with us on all our little adventures here in Monaco.” Your smile is rehearsed, the perfectly-orchestrated blend of fun and serious, and when the cameraman calls cut, it falls into a more natural resting face. It’s the one Charles turns to and observes for any signs of a grudge.

The day is busy, which is precisely why it was chosen as the film day: three shows in the morning, press junkets for your movie and Charles’ season in the afternoon, and then a gala in the evening, hosted and attended by Anna Wintour herself.

The day’s business is only trumped by its tension, which reaches its crescendo in the janitor’s closet of the fourth floor of your hotel. It’d begun with a fight over the color palette, then a fight over last conversation you shared, then a fight over him fucking up the color palette, and then kissing against the door. Ironically enough, this floor houses a fair number of honeymoon suites.

It’s ironic beause hardly anything about this is or should be romantic—it’s a temporary fix, a pause from the turmoil, his hand squeezing your thigh. He’s gentle but you feel his possessiveness, lingering longer, higher and higher up until he’s playing with the high hem of your skirt. You knot your fingers in his hair, smell the shampoo and hairspray and cologne in the wispy curls there.

He kisses your jaw, then downward, until he’s licking, nipping at your throat. Charles.

“Yeah?” His voice is rough against your pulse point.

“Make it—we gotta—quicker.” Your hands tremble, heart hammering loud and bold in your chest. His voice is sure, gravelly, quiet, and you have to focus on something—so you centre on his hands, up your thighs and slipping under the lace of your skirt, bunching the fabric up around your hips. His hands, big and calloused, fingers resting on your hipbones, on your ass.

He’s hard against your thigh, straining against his jeans. You could cry. “I want more.”

“I know, baby. I know.” The pet name, so new but so natural, sends you into a dopamine rush.

You squirm when he doesn’t let up on his touches, over every inch of your body, groping you. He wants to take his time—he hates that he can’t—and counts on the possibility of a next time. You pull him in for a spit-slick kiss, needy and whimpering, sloppy and tongues knotted. It feels good—fuck, it feels like this was all you were ever made for, his touch. 

You buck your hips into the air desperately. “We really—fuck. We don’t have time.” Cameras, a shoot, a video; reminders ring in your head like alarm bells. He nods, goes I know, and you pick up the strain in his voice as he tugs his jeans down just enough to rub his clothed cock under your entrance, hard and drooling through the fabric.

You moan softly. “Please, I can take it,” you breathe. You’ve never been this wet, this worked up, this teased. You need to feel him, be full of him; he presses you flush against the door with a hand at the small of your back to keep it from aching too much, and drops forward as he pushes into you. Your noses brush and he goes deeper, air thick and muffled with little moans and whimpers.

His mouth is against your jaw, thrusting slowly to get you used to the size of him. The angle gets you dizzy, draws a burst of wetness out and gets you clenching around him. You’re flushed and sweaty, moaning. Feels s’good. So good, Charles, so, so good. He fucks harder, the door rattling, dirty talk cooed from his lips to your ear: Yeah? Feels real good? You’re so good for me, baby, come on.

Your needy voice, needier movements, are driving him crazy, getting him to fuck you harder, licking over his lips as he watches you fall apart on his dick. Relax, he slurs. You squeeze around him and moan, wretched and raw. Oh fuck, fuck, fuck. You’re so big. You’re getting his dick wetter and wetter with every thrust, shiny and drooling with cum.

Yeah? He says it so well, the best kind of reassurance. Come on, we don’t have time, baby. Let me feel you cum.

I know— you whine. I’m cumming—it feels too good—

You cum first, thighs shaky around him and lip curling into your teeth. You lean forward, mouth to his shoulder, and bite at the cotton. Fuck, he grunts, and releases then, a groan spilled into your hair. You watch, laughing breathlessly, and feel the world click into something different. 

You two will do anything, apparently, but talk this all through.

—

The gala is big and extravagant and you’re seated not with Charles this time, but with a roster of celebrities straight out of an LAX red-eye. Anna is at the table adjacent, andy you were able to talk to her about the experience, though not without leaving out bits with Charles in them.

You’re beside Florence and she’s talking about something, about a new movie she’s working on, and you chip in with jokes and laughs but your smile doesn’t really reach your eyes. You’re still caught in a web of fragile confusion. “I need to excuse myself for a moment,” you say after a while, after you’ve done nothing but smile and push broccoli puree around on your plate.

Consolation comes with isolation, at least tonight, at least right now. You find an empty balcony on the third floor, stare into the black sea. You try and try to remember what life was like three weeks ago, but it’s irrevocable now, the change that’s come since then. You tap the glass of your beer bottle against the marble banister, solid and probably expensive—a match for the rest of the hotel, you realize. It’s starkingly clean and smooth, and white, the kind of things you’d only say about a marble banister when you’re trying to avoid an adult introspection.

Behind you: “Are you okay?” 

In response, you say, “We shouldn’t have had sex.”

Charles settles himself into a spot near you, not totally beside but not too far—he, too, holds onto a bottle of beer. There are fancier drinks around, but somehow the dry taste of ale is all that brings you comfort right now. Your gears turn and, without prompt or question, you spill yourself forth.

“It was hard, when you didn’t… when we didn’t talk, and you didn’t ever tell me why, so I didn’t know anything. I keep remembering it, even now, what—ten years later, ha ha, even after… I don’t know, after the fact. We’re supposed to have moved on from shit that happened to us when we were fifteen but I’m finding it to be the hardest thing in the world. It was so… like, I had no trouble saying goodbye to anything else but you. And I’m famous now, my life is a whole thing, a—this whole party, and I’m supposed to… fuck.” You shut your eyes, and you can feel, through the thick fog of embarrassment and delirium, the tears that stain your cheeks. “It’s like. You know when you’re a teenager and you see all of it in movies and TV, this, like, moment where you’re staring at someone from across a room, and you’re smiling and talking to other people and you’re happy because you know in a few hours, you’ll be with that person anyway? At home, rearranging furniture, feeding the dog, eating leftovers? That… I always thought you’d be that person for me. Maybe because you were the only—you know—the only love I ever knew, and now, what. Four? Boyfriends and ten years later, you might expect me to feel differently—hell I expect myself to feel differently, but, unfortunately for you and me, I don’t. Sorry. I’m not—I’m not drunk, or anything.”

He stares at you, his expression soft and unreadable. It feels like it’s just the two of you in the world today, twenty-somethings, ten years later, unearthing all you left buried. “I…” he says, before pausing. “I’m sorry for leaving.”

You nod in response. 

“I always thought you would forgive me.” His face is sullen and handsome and your heart seizes. “I wanted to be your person.”

“How could I forgive you without an apology?” Your voice comes out fragile. “I leave in three days. You’ve fu—you’ve… you’ve kissed me, had sex with me, flirted with me. You’ve done everything but that.”

“I did apologize. I don’t think it was enough, but—”

“But you didn’t,” you reply, a jagged response. “You never said anything.”

“I wrote you.” His eyebrows knit. “I wrote you.” 

“You wrote me.” You repeat, deadpan. Your head spins with it. “What, a letter?”

“An e-mail. Before your first film came out—2014? A year after you… yeah.” He’s quiet and timid and nervous. “I forced Gi to tell me your address.”

“I didn’t… I wasn’t using that e-mail anymore. I haven’t in years.” You pinch your nose and let the silence settle like fine dust onto the room, an unspoken bomb that explodes over the both of you, raining regret and unsaid words. “I have to go.” You push yourself off the banister, turning already to the doors of the balcony. He stops you before you can step any further, a hand closed over your wrist, rough and warm.

“If you find the message,” he says, “will you read it?”

“I don’t plan to,” you lie. “Goodnight.”

—

From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>

Date: 14 October 2014

To: You

Subject: Urgent!

hey buttercup, I asked Giada for this email address. my bday in 2 days. Will you be home for Xmas this year btw? ill show you some new places that open ed + we can bike around. mum misses u a lot too. parfois je souhaite que tu ne partes pas… not sometimes but always. i think i need to edit this a little let me try ag

From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>

Date: 14 October 2014

To: You

Subject: Buttercup

j’appellerais mais je ne pense pas que tu veuilles répondre. it’s been more than a year since you moved out, in two days i’ll be celebrating my second birthday w/o you. i’ve been karting a lot, things are looking up, just like we always said they would :) just want to say i miss you a lot, and i hope you’re doing good. i would say i hate radio silence but i know it’s my fault all this happened in the first place. i’m sorry i stopped talking to you last year when you were moving away. i was being childish, but the truth is it was the only way i could handle it - by pretending we werent friends at all… i don’t want to make you pity me or anything (ne pense pas que je suis) but yeah you’re my best friend and you always will be. i’m sorry for being a knot head.

i was always scared to tell you but it’s been there since forever: i love you. i should’ve enjoyed your months here instead of leaving you in the air. i know i ignored you but it’s the 1 thing i regret. should’ve done a lot more, i know.. but i didn’t. we have a lot of promises i broke because i was being selfish. i kept the paper ring to remind me. remember that? we had a “playground wedding” when we were 5/6?

tu ne me dois rien - i just want you to give me a chance to make you happy, even if it’s just in the way we’ve always been (as friends). if you write me back i’ll try and fly there. mum is always asking me if we’ve talked yet. if not, that’s ok. i love you all the same and i will love you as you reach your dreams. this will never change. 

charles

p.s: est-ce que je te manque?

p.p.s: call me if you can and wish me a happy birthday?

—

“Rachel, I would sooner die than wait another two hours for the tarmac to clear again.” You try to up the firmness in your voice but it fails, only serving to make you sound less angry and more agitated. When all you get in response is a muffled I’m coming! you grumble and hang up the phone. Your plane was delayed all of three times, and the instant it arrives and is scheduled to take off on time, your friendsistant is nowhere to be found.

Lily and Carmen had thrown you a goodbye party the night prior, with sprinklers and music and cocktails, and promised to be on the next flight to L.A. Vogue and David had emailed you for a job done spectacularly, and to watch out for the videos and interviews’ release dates. Twitter is raving about your movie. Everything should be good, and yet, it’s not.

You check your inbox. IM COMJNG LILTIERALLY IM RUNNING THRU AJRPPRT!!!!!! You scoff again, hoping the plane doesn’t somehow take off for the fourth time, and take a seat on the VIP waiting area sofa again, shaking your now-empty chai latte. The room, sectioned off from economy and business, is fairly full.

A woman paces over to you, a bright grin on her face. “Hi. I’m a huge fan.”

“Thank you,” you smile, despite your tiredness.

“This is so embarrassing—but do you happen to have the time?”

“Sure”—you tap your phone open—“half past four.”

“Great,” she says. “Thanks, Buttercup.”

You’re opening your mouth to say you’re welcome, but it catches like cotton in your throat. You watch her depart like nothing happened, a strange feeling settling in your chest. You have barely any time to answer it, because a flight attendant is tapping you on the shoulder, addressing you by name, thankfully. She maintains a tone of professionalism all throughout her announcement that the aircraft under your name will have to evacuate the runway in ten minutes or less.

“I know, I know—I’m just, um. I’m waiting for somebody. She should be near now, though.”

“Tremendous. Merci, Buttercup.”

“Wh—” You stutter, blinking and watching her leave. “What?”

She doesn’t turn, walking to the kiosk to exchange information with her coworkers. You look around the airport, for a camera hidden somewhere maybe. Perhaps you’ve been unknowingly listed in some Impractical Jokers skit.

Rach hurry you text instead, leaning back and hoping you’re in some grandiose delusion. Your phone dings. Omw promise! It reads. Then: Look up buttercup

Your head snaps upward faster than you can register what you’ve just read, matching the opening notes of a song you’ve grown all too familiar with in your lifetime. The opening beat to Build Me Up, Buttercup flows like honey through the room’s intercom and floods it with life.

Mouth agape, you watch as the staff and guests perform the routine you’d learned at fourteen, complete with hops and turns you were too embarrassed to do even then. They’re smiling and whooping themselves and each other as they go, finishing the entire first verse before turning collectively to the entrance of the room. There, in all his glory: Charles, wearing an entirely too-small headdress that reads Buttercup, worn dusty from years of being stored away.

He’s dancing, too, closer to you. You refuse to budge for the express purpose that he dance some more, which he complies with, though not without an eyeroll and an exasperated sigh. Your heart beats with something irregular and warm. You’d told him about this before. He’d listened.

The music settles for a little and the dancers do, too, so he takes the time to raise his sign. Will you forgive me? It reads. No pressure. Except kind of. You laugh, throwing your head back at the gesture, at this entire affair that must have taken some amount of effort to prepare. As the lyric comes on, so does his sign: I need you… more than anyone, darling.

He drops the sign when you approach him, arms crossed over your torso. He removed the headdress and places it gingerly on yours. “I believe that belongs to you.”

And, hyperaware of all the eyes and yet the complete lack of cameras—you’re grateful for it—you finally, finally, finally pull him in for a kiss. You’ve kissed before, done your worst, but still means volumes to the both of you.

In-between kisses and cheers (from voices belonging to Lorenzo, Rachel, Lily—so many familiar ones), he says it again: “I’m sorry. I’ll make it all up to you.”

“You better,” you tease into his lips, smiling. “I know. I love you.” Ten years later—your person still is, and no doubt will always be, Charles Leclerc.

[sayruq]

Biden's visit has concluded. Israel has spent his entire visit trying to muddy the waters of what happened to Al Ahli Hospital and despite their cartoonish efforts, it hasn't worked

The Global South and especially West Asia know who is responsible for the bombing and no amount of AI voice recordings of 'Hamas operatives' can change that.

Israel war crimes continues to backfire on them even in America

Biden backing Israel has had an impact on America's image. Here's a Wall Street Journal article warning that America's continued support is turning countries towards Russia and China which is code for turning countries against America

An EU official said that the EU will pay a heavy price in the Global South for its continued, unabashed support for Israel

There's also speculation that the Biden administration knew about the bombing before it happened.

Countries that were/are allied with Israel continue to distance themselves from Israel like Russia. The reason I keep highlighting Russia is because the West has been running out of ammunition due to the Russia-Ukraine war and that includes Israel which is rumoured to have sent 80-90% of its ammunition to Ukraine. If this conflict lasts a long time, Israel will need to buy weapons and ammunition and Russia would be one of the countries they would turn to (same with China)

So, where are we in terms of the conflict? After days of waffling over a ground operation in Gaza, Israel postponed it until some time after Biden's visit and now we're back here again

Now I'm no military expert but constantly going back and forth on whether or not you'll invade Gaza is bound to do damage to your troops' morale. No wonder they're dealing with mass desertions while their citizens demonstrate on the streets. The Israeli leadership has no plan besides bombing Gaza.

I've seen people on twitter say that the hospital bombing was done deliberately to normalise IDF soldiers to mass civilian deaths in places like hospitals, schools, places of worship, etc. I don't know if I believe that - I think they wanted to push Iran and Hezbollah's buttons before hiding behind Biden. I don't think these people are thinking strategically.

As far as the possibility of regional war is concerned, all indicators show that the West preparing for the war to escalate

Seems to me the Israel has seen what Ukraine has received in just a year and a half of war. They're done receiving a paltry 3.8 billion every year and now prepared to drag out the conflict and I can't say I blame with Biden proposing a 100 billion package for both Ukraine and Israel. This will stretch America too thin as far as funding in concerned. Cracks are already showing

There are parts of the US government that is unhappy that the Ukraine war is losing attention. During the Ukraine war, you had parts of the government that wanted focus to shift from Russia to China. Because of that, the US government has spent the past year alternating between hostility to Russia and threatening to go to war with China over Taiwan. When Niger expelled France from within its borders, America was preparing to join that conflict until Mali and Burkina Faso declared they would fight with Niger. Now they're entering a third front in West Asia. In short, the mighty empire is expending a lot of resources right now and it is not the threat it was when it invaded Iraq and Afghanistan in the early 2000s.

At any rate, the ground invasion of Gaza won't go the way Israel and America hopes it will

The coalition of Palestinian resistance fighters are still patiently waiting for the IDF to come meet them. Their allies aren't backing down either

The reason I keep making these posts is to remind people that, while the genocide of the people of Gaza is horrifying, the war for the liberation of Palestine has not yet been lost.

Do not lose hope. From the river to sea, Palestine WILL be free

[ghostofhyuck]

NCT Dream when they realized that you're a biker gf with tattoos.

AN: This request is specific, reader is supposed to be a modest girlie because of her upbringing, so there's another side of her that dreamies were surprised to see. Also i don't know anything about big bikes lol

Mark Lee

Mark will be surprised when you show up to your date with him riding your big bike. It's like that slow-mo scene where you take off your helmet and you just flipped your hair gracefully that Mark's jaw dropped to the floor. LMAO. He'll be very flustered at first but when you smiled at him, he realized, "oh that's my girlfriend!" :D When you explained to him that you just usually wear your casual outfits (consists of pants, and sleeved blouses) was because that's how your family raised you, Mark understands it very well! He was just surprised that you have another side of yourself!

Huang Renjun

Renjun found out about your tattoo accidentally! It was when he walked into your room, and you were changing your clothes. He was flustered because you two have been dating for two months, but what surprised him more is that you have a HUGE tattoo on your back. It surprised him that his gf who dresses like a cottagecore girlie has a huge tattoo. When you explained to him that your tattoo is a secret, Renjun promised you that your secret's safe with him. You only smiled because he didn't judge you. "Wait until you learn about my big bike," you said. "oh that's fine --- wait, you have a big bike!?"

Lee Jeno

Jeno would be SHOCKED. Eyes wide when you two went to your house and when he notices the big bike parked near the garage, he asked if your dad uses the bike. "oh, that's mine," you said casually. He'll malfunction for minute then starts with, "Really!?" you only laughed at his reaction and then proceed to tell another thing about you, Jeno wasn't able to react when you pulled up your baby blue sweater and revealed that you have a tattoo on your stomach area and on your underboob. He probably have to sit down and think that his supposed sweet, modest girlfriend is FARRRR different from what he thought.

Lee Donghyuck

Haechan initial reaction was that he was surprised when you show up to your picnic date wearing a leather jacket and shorts. What's more surprising is that you have a lot of tattoos both on your thighs. There, you confessed to him that you're not really of a modest girl, that's just how you usually show to stranger because it's easier. So showing this side to your boyfriend took a lot of guts and courage for you. BUT what surprises you is that Haechan sulks jokingly at how it took you half a year before you told him this side of you. 

Na Jaemin

Jaemin knows that you ride big bikes because he caught you one time arriving to the uni driving it. It didn't suit you because you were wearing a cotton slacks and polo blouse. SO when he finally sees the other side of you, trust your man that he'll lets out that whistle. You're wearing your biker outfit and as soon as you took of your leather jacket, revealing your tank top and the insane amount of tattoos on your shoulder and arm area. Jaemin would compliment you nonstop, telling you that you look so fucking hot, and how lucky he is that he has a girlfriend that can do both. LOL

Zhong Chenle

Another boyfriend that will praise you nonstop! Chenle would be surprised when one date, you told him that you actually drive around town using your big bike as a past time. Chenle wasn't convinced at first because he's used to your modest outfit consists of cardigans and long dresses. You explained to him that's just how you were raised, so you have to show him the pictures of your ride. He'll be EYES WIDE to see you leaning against your big bike, arms crossed and looking so pretty. When he accidentally swipe right, it showed a picture of you getting a tattoo. He'll be surprised too! he'll ask where is it and you pulled down your sweater to reveal the tattoo on your back area. 

Park Jisung

Oh, Jisung will be flustered by the thought that you ride big bikes and have a lot of tattoo. He thought that you were demure and modest! You also radiates that energy when you two are getting to know each other, so he was surprised when you show up to his dorm wearing a different outfit from your usual! It didn't stop there because the tattoo peaking on your stomach surprised him even more! "Want to see my other tattoos" YOU HAVE OTHER TATTOOS!? I feel like once it sinked into him, Jisung will be fascinated about the thought that his gf is so cool! Would definitely touch your tattoo and ask if it hurt you during the process. 

[bonny-kookoo]

Does someone older JK spoil the OC sometimes? Like surprise her with something which he considerd to be nothing it would mean so much to her?

Oh he does, ALL the time! Warnings for a bit of angst, beginnings of a panic attack but Kook handles it well

"...we can go there again, maybe before new year's if I can get a table on short notice." He simply says as he drives you both back to his place, radio playing quietly in the background.

You're still a little overwhelmed.

He does things like this a lot- expensive dinner dates in restaurants he either knows or wants to try out, randomly buying you clothes or jewelry he finds online and deems pretty, or he just changes things in his house to adjust it more towards you and your preferences. Like the pillows in his bedroom, the by now multiple pairs of thick socks for your cold feet, or the baking supplies he bought for you now stacking up in his kitchen.

It's things like that you're not used to. In the past, it has always been you who needed to adjust and do things for your partner- not the other way around. So now, you feel almost guilty whenever he does something- like a bank account draining, slowly going further and further into the negatives, red numbers piling up and making you anxious as to when he'll want it all payed back.

"Did you not like it?" He wonders, taking your silence as a sign of discomfort as he pulls up on the expressway. "You don't have to lie." He chuckles, reaching out to hold your hand.

"No, it's not that." You deny, letting him warm up your cold fingers. "It's just.. it was a little expensive, no?" You wonder, and he shrugs.

"Was it? To be honest, I don't think it was considering what we ate." He just brushes off. "I've been to steak restaurants that were a lot more expensive and half the quality. And the service was great too, so I didn't mind." Jungkook explains, and it's now that you realize once again that you and him live in quite different worlds. Or at least, used to.

For him, money isn't an issue. He's made and is making enough of it to live comfortably, he doesn't have to really worry about running out of it anytime soon, even if his company was to go bankrupt next week. And he's also got enough saved up, has invested with good tactics in mind, so it's really no wonder he doesn't see a problem in spending the amount that he does.

But you aren't used to that. You have been living paycheck to paycheck with barely anything left over at the end of the month, needing your bonus desperately as to not fall behind on any payments you have to make regularly. You've lost your apartment before, had to sleep at friend's places to get by, and even ate only at the company cafeteria to save money usually spent on groceries. All of this feels almost excessive, and you also worry.

What if Jungkook starts spending too much on you? He shouldn't fall into a habit of mindlessly throwing money out.

"What's on your mind, darling?" He wonders, lifting your hand to kiss the back of it, before he changes lanes.

"I just.." you fidget a little. Jungkook isn't a bad guy. He won't get mad. He won't scold you. You won't have to endure being lectured for the rest of the ride- you know all this, and yet again, the past haunts you and makes your breathing pick up as you begin to chew on your lip.

Suddenly, you realize he's pulling up to a gas station, parking on the side. He gets out to get something from the backseat, before he walks around the car to open the passenger door where you sit, unbuckling your seatbelt. "Here." he offers the bottle of water, having opened the cap for you. "Put your legs out like that- there we go. Breathe baby." He gently tells you, squatting down a bit to make himself look smaller. "Take your time."

You feel embarrassed. How do you explain to him that you were feeling like a kid about to confess a bad grade just now?

"We can keep it a one-in-a-month thing, maybe, if that makes you more comfortable." He proposes. "I didn't take into account that it might be overwhelming to you- I'm sorry." He apologizes, but you shake your head, looking down at your knees.

"I just.." You mumble, unsure how to really explain. "I feel.. back then, you know.." You sigh, having trouble finding the proper words. "Talking in the car makes me.. anxious." You admit. "Because you know, when you get mad.. I can't escape.." You say. "I can't get away from it."

Jungkook kindly takes the bottle away from you to put it on the backseat again, before he's back in front of you.

"Thanks for telling me. I had an idea it might be that, but I wasn't sure." Jungkook says, hands on your knees. "I promise you I'm not mad. And I'm in no position to be mad at you for having opinions or personal taste that might differs from mine. We're two different people-" He chuckles. "-of course we'll have different views on things."

"But I really liked the dinner too." You say. "I just.. I don't want you to start.. spending so much money on me to the point of, I don't know, losing sight of it." You confess. "And maybe, we should keep stuff like this a bit rare? So it doesn't become routine. I want to keep it special.." You say. "I'm not.. I don't really know much about this stuff, because I never had enough money to go to these fancy places, and get designer clothes, or plan vacations in different countries and all that. I feel.. stupid sometimes?" You spill, making him lean his head a bit to the side. "Like, what if you one day take me to a company gathering or something, and someone asks me something and I can't answer or I say something dumb-" You rant. "-or maybe you won't ever take me because I'm too young? Maybe Eve is right and I'm not really the kind of-"

"Baby, darling, stop-" He chuckles, pushing your shoulders back a bit to look at him. "-take a good breath. You're panicking." He worries a little, but tries hard to stay composed as to not make you spiral any further. "Eve is wrong. If you're okay with this, of course I'll take you to company events. Why wouldn't I show off such a beautiful women at my side? I'd never pass up a chance to make those stuck up geezers jealous." He jokes, making your crack up a little. "Let's keep the dinners to special occasions. Keep it special, like you said." He offers, holding your hands now. "And I'm also.. the fact that you worry about me makes me feel.. very special." he chuckles. "I appreciate you looking out for me."

"I always look out for you.." You mumble. "..I just don't want to overstep any lines. You know. Since you're older than me-"

"Just because I'm older doesn't automatically mean that I know everything better." He reassures you. "Our age gap has nothing to do with any sort of power balance. Please don't think you can't speak your mind just because I was born earlier than you."

"..okay." You nod, and he leans forward to peck your lips, before he closes the door for you after you pull your legs back in and buckle your seatbelt, him getting back into the driver's seat to do the same.

"You know.." he starts, as he pulls out of the gas station to continue the drive back home. "..I'm really falling in love with you." He chuckles, dimples of his cheeks showing with how hard he smiles.

"Huh?" You wonder, taken aback by the sudden confession.

"I mean it." He nods. "I really am."

"I'm glad then." You admit. "..cause I am too." You admit, making him grin before he reaches over to hold your hand again.

Knowing that he really won't ever let you go again.