#like that's everyone else's problem if they're bothered

[acoustic-tenor-ball]

"I grew up- I've always been- Fuck."

Sol huffs and starts over. "Life has always been strange for me. Not just because of my," she gestures vaguely at her ears," condition, but in general." He takes a breath. "Socializing is hard. I don't get people. Growing up I spent a lot of time in nature. Classrooms were a little too loud and way too fucking bright. The kids couldn't keep their hands to themselves, and I didn't care to be polite about it. Who cares if I hurt their feelings, you know? Whenever lunch or recess would roll around, I'd wander off. Find myself ways away from campus, far from flickering lights and prying hands. Was like that 'til...middle school-ish?" She scrunches her nose, staring up at the ceiling, but continues. "The teachers put a stop to it, obviously. I don't blame them. They said I needed to 'connect with my peers'. I'd been doing alright academically, so I guess that's the only real issue they had with me. Luckily for them, I had the perfect plan. I thought-!" He inhales deeply, no use in getting worked up so early. "I thought, 'What better way to make friends than to show off this cool power?' The hearing wasn't so bad then. I could hear maybe...400 feet in each direction? Just a bit longer than a football field."

[Not that I knew that at the time.]

"It's practically nothing, compared to now. Still, more than enough to impress a couple people. Y funcionó. Casi demasiado bien." "There was this girl," [Jayla? Jaelin? Jaslyn?] "She was pretty, popular, outgoing, and a perfect target for my little 'social experiment'. Paired up with her for a project and told her I could hear anything she said from across the room, even if she whispered." Sol waves a hand around lazily. "She didn't believe me, of course. Not until we tested it. Then. Then it became public knowledge. Suddenly, everyone at school wanted to talk to the girl with 'super hearing'. It was tame, at first. People would whisper things from down the hall for me to hear. They'd go further and further, testing the limits of what I could do. We tried spying on the teachers a couple of times. We even got one fired! It was fun." He shrugs. "Of course, a few kids tried to mess with me. They intentionally made loud noises; I think they liked to see me jump. They learned their lesson pretty quick, though. Violence never scared me, and I defended myself just fine. That didn't bother me," she scowls, "No. The problems came once people realized they could use me for gossip." [In hindsight, it's obvious. They're middle schoolers. I don't know what I was expecting. Kindness? Ha.] "I didn't mind it at first. It felt great to be a part of something, and I can't say knowing everything wasn't exhilarating. My friends would ask me to eavesdrop on conversations and tell them what I heard. A lot of it was petty drama, failing 2-week relationships, and the like. It didn't matter to me, I'd successfully socialized like they'd asked me to, and that's all I needed. One day I listened in on the wrong conversation and told the wrong people. And, well. I went from the 'kid with the cool powers' to 'invasive' and a 'freak'." Sol laughs something bitter. "I still had 'friends', technically. They just...needed to use my powers- curse- whatever- whenever they wanted. It's the only way they'd keep me around. I was a tool first, and a friend second. Who cares if I'm sad or tired, or if every noise was too much and I couldn't breathe? Every little way I was different would be scrutinized if I didn't comply. I would be alone again. I'd disappoint them. I hated it. I hated it so much, Morgan. It wasn't even that bad but I-" Her voice started to rise ages ago. She doesn't care. "I just- I hate being treated like an object. I have feelings, opinions, and needs. I am a person. I may not be the smartest, or the nicest, or the prettiest, or the most functional. I may not even be a good one, Dios sabe que nunca lo seré, but- I am a fucking person just like everyone else. Hell! I don't even like people! But you can't just take that away from me. You can't."

The following silence is almost a relief.

Sol knocks harshly on the door.

"Morgan? Morgan, open up!"

He takes a deep breath. A futile attempt to calm her already fraying nerves.

" I can hear you. I know you're in there."

"Alright, alright. I'm coming, jeez."

Morgan grabs their shirt off the back of their chair and shoves it on. They stumble a little as they make it to the door.

They unlock the door, swinging it open. They raise a brow as they take in Sol's disheveled appearance.

His clothes are wrinkled, and the bottom of her jeans damp from coming through the grass. He's breathing heavily, as if he'd been walking for a while.

"The hell happened to you?"

Xe usher her in.

[septimus-heap]

Smth abt the concept of marcia having been like 6000 times more visibly autistic before the whole. Supreme custodian/double assassination thing. Hm. <3

[beanghostprincess]

Why are Shuggy haters so inclined to justify their disliking of the ship by attacking us saying "you are delusional"? Like no, girl, you are if you think I give a fuck about your opinion on an innocent ship that actually has canon content that you refuse to acknowledge or forgot to read. And even if it didn't have any sort of canon content... What happened to fun and whimsy and joy in fandoms? What happened to shipping characters that weren't even on the same show? What happened to happiness and being nice to each other?

[lesenbyan]

Sitting in the parking lot with doors open really shows you how fucking weird (neutral to derogatory) people can be

[unproduciblesmackdown]

thirty tags generally never being enough: LOS-307 also having a perfectly neurodivergent time manifesting as their having a distressing/harmful experience that goes ignored (as does their talking about it, from [forewarning] to [increasingly urgently remarking on it]) b/c no one else shares it, and their efforts to help themself out by requesting a break from a task that's overtaxing them or trying to cool the room to cool themself are thwarted b/c [not continuing to overheat for their own current wellbeing And to avoid its exacerbation and an outright crisis] is dismissed for [i do want to keep playing this game to win it though] and [i would be uncomfortable if cold]. also that when it's way too late it's like oh ok Now um well just cool down it's fine lol. just like irl. iconique autistique

[minakoaiinos]

Animating this season like you can't have the slightest bit of jest and god forbid jesting about yaoi

[luulapants]

Rating the birds in my backyard by tendency toward violence

Northern Cardinal, 4/10

I'm sometimes worried the male is sexually harassing the female but I'm pretty sure they're just doing some elaborate public pickup roleplay. The rest of us didn't agree to participate in your kink, guys.

American Robin, 1/10

Literally just some dude hanging out. Never bothered anyone but worms. Big fan of the way you just stand there in the middle of the grass like you forgot what you were supposed to be doing.

House Sparrow, 10/10

You're a gang. You're participating in gang violence. There's ten billion of you living in a single wood pile and it's been civil war for three years now. When will the bloodshed end?

Tufted Titmouse, 1/10

A shy baby. A pretty little guy. I saw you on the neighbor's garage roof and time stopped. There were anime sparkles around you. Come back.

European Starling, 9/10

Why is it always you? Listen, I know, I KNOW the sparrows are the problem, and YET. When the fighting starts, it's always you in the middle of it, provoking them and then screaming like you're an innocent bystander defending yourself. I'm onto you.

Carolina Wren, 3/10

This rating is not for physical violence, which you don't engage in, but for your role as an incurable narc. A tattle tale. I know they're fighting again, okay? I see it. Our yard has been a warzone for years, you don't have to make a big announcement every time someone misbehaves.

Eastern Wood-Peewee, 0/10

If this were "birds who think they're better than everyone else," you'd get 10/10.

Red-bellied Woodpecker, 6/10

It's a utility pole. It's not a tree. You're surrounded by trees that are full of bugs. But there you are, on the utility pole. Committing vandalism.

American Crow, unrated

For who am I to cast judgment on the actions of La Famiglia? I assume you are doing what is best for the neighborhood. If I could, though, without criticism, make a single observation. That when large numbers of you gather in the ominous dead cottonwood - no? No, you're right. None of my business.

Great Crested Flycatcher, 5/10

Frankly, I think you could be doing more. I think your name implies a great potential. I think you should massacre the insects. I think your beak should drip with viscera.

Stay tuned for more criminal activity!

[jnece-maharlika]

Amity parkers are feral and insane

-Gothamites.

Somehow, someway, Casper high finds their selves in Gotham.

It could be a field trip or a ghost shoved them in a portal, doesn't matter, they're in Gotham.

As they arrive in Gotham, the Casper teachers decide to turn this into something educational and hire a tour guide from Gotham Academy (or was it Gotham university? I forgot) GA agrees and also Sends some of their students to partner up with the amity parkers as a sort "buddy" and to hopefully teacher em the ways of surviving in Gotham.

To the gothamites, the amity parkers look like children who have never been exposed to crime in their life, never been mugged, never been been kidnapped.

But the truth is, compared to the BS amity is used to, Gothams issues are like kindergarten.

First thing the tour guide hears when she greets Casper high Mr lancer telling them to, "Please don't walk into danger, please don't try and provoke the joker, I know he's a bitch but still. If you find yourself in a tricky situation, do not hesitate to punch yourself to freedom, but ABSOLUTELY NO CRITICAL HITs these are NORMAL people they're not like us or the ghosts, they will not survive. Please do not give phantom problems, He's already failing in class he doesn't need more problems"

Its important to keep in mind that:

amity parkers and ghosts are buddies now.

The Ambient ectoplasm gave them a form of super strength, also making it so that they are able to touch ghost.

They join the ghost brawls everyone in a while and has some wins.

Most, if not all are liminal in a way.

Everyone knows that Danny is phantom but have signed an NDA that says they aren't allowed to tell anyone who isn't a native amity parker who he is.

Things is, The gothamites don't know about this and take it as if Mr lancer and the students are underestimating Gotham. So as a from of pettiness, all the Gotham students decided to bring their amity partner to the most dangerous places they can think of.

Niky has lead sam into a park that poison ivy frequents. Of course, poison ivy is there but instead of running away in fear like niky expected, Sam runs up to ivy, complements her and joins the path of eco terrorism.

Tucker and his partner Vic finds himself in the middle of a riddler attack, locked in a room with no way out, a countdown timer with 20 secs remaining and a riddle in a computer.

Vic is panicking as he tries to figure it out, he looked to tucker for help. Tucker just shrugged and hacked the computer, not even bothering to solve the riddle. It worked and Vic is baffled and the riddler is frustrated.

Danny find himself in the hands of the joker, (his partner ran the moment joker was seen) hanging upside down on top of a large pool of acid, because, it's classic for joker. He is also being live streamed.

The teachers in GA are panicking, the bats are panicking.

Casper high teacher took one look at the stream and shrugged. "Eh, he'll be fine." They also called the number that joker has displayed on the screen, just to say, "Daniel Fenton, make sure your back before in GA 6 pm or else were leaving you to find the hotel on your own."

The time is 5:30 pm.

It takes 25 minutes to walk from Joker to GA.

Danny sighs, might as well start walking.

He uses intangibility to free himself and fall into the vat of acid.

The Gothamites are shocked and screaming, the bats are shocked. Amity parkes went "oh" and continued placing bets on how fast Danny will get back.

Danny then proceeds to swim out of the acid pool, punch the joker in the face, knocking him out in a single hit and then proceeds to casually squeeze out the acid from his Casper high "I am a proud amitian" shirt as if it's regular water.

All of this was done in 5 minutes.

All of this was caught on stream.

The Gothamites are passed out, the bats are questioning everything. Batman is searching up everything he can about acid side effects and about Danny but ends up with nothing.

The amity parkers just raised their bets even further.

Danny somehow makes it back 10 minutes late and Wes wins the bet.

[genderqueerdykes]

one of the most evil parts about me being told that i needed to lose weight before i could get my diseased gallbladder removed was that without telling me at all whatsoever, the physician's assistant who was responsible for my surgery consult silently gave me a referral for bariatric weight loss surgery. she told me that i'd have to get my gallbladder removal surgery with that department as well because they're used to working on bigger bodies.

she told me this, but that's not what she meant. she wanted me to get bariatric weight loss surgery all because i told her that i have poly cystic ovarian syndrome and that it's hard for me to willingly lose weight. when i called the bariatric surgeons about scheduling my consult for my gallbladder removal, they were extremely confused and were like "well is this for the bariatric surgery referral or the gallbladder removal referral?"

without my permission, without me asking, the physician's assistant silently signed me up for weight loss surgery that i never consented to. i never once mentioned wanting this surgery. i never once mentioned that my weight is affecting my health or bothering me. this person saw this as a mandatory step in order to get the surgery to remove my diseased organ. as if there were no other options. i never want to get bariatric weight loss surgery because i know it will completely devastate my health. this PA was so stuck on my weight. she could not get over it, she was literally obsessed. she did not care about my health, safety or well being, she was just obsessed with her hatred of fat people

she saw my weight as a higher priority than my diseased gallbladder. she was so stuck up her own ass that she was convinced that my weight was doing more damage to me than my gallbladder was. she wanted to keep blaming me for eating a high fat diet (i'm a vegetarian- i don't eat a high fat diet) and mocking me for being fat. she literally saw me being fat as a bigger issue than the fact that i had a literal rock stuck in the neck of one of my organs. if you ask me, if the surgeons and anesthesiologists have problems working on fat patients, that's a skill issue on them. that means you're a bad surgeon or anesthesiologist and you need to try to improve your skills. this is a literal skill issue, it's not the patient's fault that the medical professional fucking sucks at their job!

i can't describe to you how evil and insidious that is. the fact that she looked at me and went "oh my fucking god it's your weight that's the problem just go lose weight you fat asshole" just showed how much disregard she has for her fat patients. it's like she relishes torturing us or leaving us to be sick or die. there's no reason to behave this way. there's no reason to FORCE someone into weight loss surgery. my health is NOT being negatively impacted by my weight- gallstones are not caused by being overweight, and you can't give yourself gallstones. no matter how much fat you eat you can't give yourself gallstones- this is something that happens outside of your control

i hate medical professionals who are proudly fatphobic. they wear the fact that they let people remain sick and die as a badge of honor. like they're doing the world a favor. like staying sick or dying is better off for the patient. like the patient somehow doesn't "DESERVE" to be in good health. fat people DO deserve to be in good health. we DON'T have to "EARN" surgeries or life saving procedures. we are alive and human just like everyone else. this qualifies us for being cared for medically, no matter what. leave your prejudices at home. you can't just kill fat people because you don't like that we exist.

[cipheramnesia]

The Dungeon Meshi character I think about the most, not love the most but think about most, is Chilchuck. He is much more Some Guy than anyone else, he's got a wife and kids and he's gonna open a store. He's a little dude with sharp senses who knows about locks and traps, and it's all very straightforward compared to like, really anyone else in the manga.

But why I'm fascinated is that his whole core essence revolves around organization and function, around safety not in the sense of cowardice or excess caution, but in the sense of a deeply rooted belief that everyone deserves to live and everything has a place. One day he'll open a shop and retire but right now his people are being exploited and he needs to plan for his future, so he's unionizing half foots and reducing risk and that functions for society because it's dumb using the guy watching your back as bait. It's a broken system he has to fix.

And it's like that with Laios and Senshi and Marcille and Falin. Falin dies, it's a broken system, she was a vital component that kept the group healthy. Eating monsters departs from the system, it's wrong to him, but then he figures out how Senshi has created a new system with better survivability. Senshi interrupts his trap hunting and he goes ballistic because that's not how the system survives. Itzutsumi drives him bonkers because she refuses to be a part of his system. Laios' lack of people skills frustrates him because Laios' charisma has made him a leader. A leader needs to know how to see how people feel, and Laios can't do that.

I think a lot about how his approach and personality are so nicely interwoven with his skill at traps and exploration. Everyone else has big weird personalities, but Chilchuck, well he's not a cool head per se, but his weirdness is less grandiose. He's a puzzle guy, a problem solver, and everyone around him is a moving part he's trying figure out. People ditch the party early on and he's not bothered because that's mechanically sound. Laios and Marcille go back and he has to come too because they're more than friends, they're a part of something that works and survives and even missing a part, he knows he can keep this little machine running. But they won't thrive without him, and he won't work as well alone.

[hitoshiyoshi]

~ 𝐘𝐎𝐔 𝐇𝐀𝐕𝐄 𝐀 𝐒𝐄𝐂𝐑𝐄𝐓 𝐀𝐃𝐌𝐈𝐑𝐄𝐑 / 𝐂𝐑𝐔𝐒𝐇

synopsis ↬ the mha boys reactions when learning you have a secret admirer

pairing ↬ gender neutral!reader x mha

characters ↬ izuku, bakugou, shouto, kirishima, shinsou, sero

+ MIDORIYA IZUKU will become a nervous little broccoli. He'll probably realize that you have a secret admirer way before you even notice; his detective skills are strong. He's not afraid to confront this person if they're making you uncomfortable because if it is a problem for you, it is also a problem for him as well. Terrified that you would actually leave him for this person and can't help but feel insecure. He'll compare all of his attributes with them and will probably easily feel inferior. Of course, you reassure him that you would never leave him and give him a huge confidence boost please reassure him. If you don't, imagine him being extremely anxious and shaky every time he sees that person around. Will politely tell that person to leave you alone if they are bothering you too much since he doesn't want to be rude.

+ TODOROKI SHOUTO pretends to be unbothered but is actually really bothered and insecure as well. He won't tell you too much about how he feels about it, he's mostly concerned whether you are uncomfortable with it. Like Izuku, he would find the identity of this person pretty quickly. Neglects his own personal thoughts on this person which probably causes him to spiral into a battle with his self-image and confidence. Although he's very pissed off about this, he silently tells this person that you're taken by being close to you all the time. Does a few death glares in their direction if he notices that person staring at you. He probably isn't too big on PDA and you quickly take notice of his changes. Unhappy and very sulky every time he sees this person around you. He'll eventually spill his feelings to you and apologize like he always does for keeping his emotions inside.

+ BAKUGOU KATSUKI would be the most bothered out of all of them. He probably isn't too obvious that you two are dating, people naturally put two and two together. When he finds out that you have a secret admirer, he's highkey offended. Wasn't it obvious that you two were dating? Well, no... Now, he goes out of his way to make sure everyone knows that you're in a relationship. Sticking to your hip, his arm around your shoulder, holding hands, eyeing up anyone that steps too close, and other things until people know. It would get annoying to others after some time, but he doesn't care. Somehow manages to track down your admirer and curses them out until they leave you alone. Destroys all the gifts and useless stuff that they've given you.

+ KIRISHIMA EIJIROU also acts unbothered but seriously hates it deep down. Instead of acting nonchalant, he would convince himself that it isn't a big deal and you won't leave him. Unfortunately, doing this is harder than he imagined. He also has an unwavering feeling that you would leave him for this person because he wasn't good enough or couldn't take care of you. Competes with this person for your affection and will do the most chivalrous manly acts to prove his love for you. Gets so uncomfortable when he sees the gifts or other presents this person gives. He probably won't go out of his way to confront them, but if he catches them leaving notes or gifts for you he'll just announce himself as your boyfriend and proceed to ask them to leave you alone.

+ SHINSOU HITOSHI observes and watches your interactions with this person very carefully. He's so wary that this person has other motives with you, more concerned about your wellbeing than anything else. He doesn't seem like the type that would be jealous but rather looks at things rationally. Randomly stumbles across them leaving love notes and gifts for you and gets so uncomfortable just from watching. He is not afraid to brainwash this person if they bother you too much; doesn't care if that sounds bad. If brainwashing doesn't work, he would just intimidate them into stopping. And if that doesn't work, he would bluntly tell them to leave you alone in the harshest way possible.

+ HANTA SERO is the king of being unbothered and actually IS unbothered. It's not that he doesn't care, but he trusts you enough to know that you won't leave him for someone else. He has no reason to be worried about this person unless he's given one. Communicates his feelings very well, doesn't hide anything. In fact, he's pretty blunt about how he feels about it even if it sounds harsh. He also doesn't actively try and figure out who you're admirer is because he could care less about that person. Only values your opinion and offers to help once he realizes it's going too far. Proudly displays himself as your partner until this person finally understands that you're taken and stops.

[a-little-ray-of-fantasy]

An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.

[collecting-dustbunnies]

The longer I play Obey Me, the more I feel like Obey Me is a story about how the MC, in their quest to seek acceptance by the people they care about, ends up destroying themselves in the process and losing the very thing that made them so special and loved in the first place.

In the beginning of OG, they started off as just a normal human who got whisked away to a weird ass world where literally nobody respects them. Despite this, they recognised from the beginning that these demons and angels were not so different from humans. MC's ability to see the demons as actual people and not just beings controlled by their sins was what allowed them to form close bonds with them. They had good intentions to reunite the demon brothers who had undergone centuries of misunderstanding, resentment, and pent up grief. Even though they were excessively nosy, MC's unique position as a complete outsider allowed them to see just how much love the demon brothers had for each other, and how they can become closer if everybody would just better communicate with each other. Serving as the bridge to better improve the brothers' relationships was what convinced the demon brothers to also see MC as a member of their family.

But as the MC became more involved in the Devildom's problems, they started to adopt the same toxic traits that had created wedges between the brothers in the first place. From relying heavily on their pacts to subdue the brothers, to allowing a curse to control Barbatos (even though they had the ability to break it), to going along with the brothers' manipulative scheme to trick Satan into reconciling with Lucifer when Satan ran away to the human world -- it's almost like MC has unconsciously picked up on some of their loved ones' behaviour. Gone are the days where MC brings in a new perspective to problems. Now, they just embrace the chaos and their more darker traits, for that is what is expected of them to survive in the Devildom. And since everyone within their circle puts them on a pedestal, this further affirms to the MC that this is how they should be.

Dealing with the affairs of the Devildom had also caused the MC to grow more apathetic. In the beginning, they had been actively taking steps to form pacts with the brothers and were generally very invested in freeing Belphie from the attic. They remained true to themselves and insisted that they form a pact with Satan based on mutual trust and understanding, and not just as a means to smite Lucifer. Despite being in a helpless situation, MC never refused to give up their agency. But the longer MC gets involved with these shenanigans, the more they grew... numb to everything.

Solomon bringing me back to the Devildom unannounced? Oh, sure. Diavolo and Solomon hiding the reasons for my sudden return? Not my problem.

Simeon facing a problem to the point of having a quarter of the cast acting as his bodyguards? Eh, I'll just ignore it until I can't anymore.

Watching and waiting. That's what they have resorted to doing.

And that mindset of kicking problems down the line until it lands on MC's doorstep and they have no choice but to act -- that's exactly how they have been acting when they were stuck in NB, hasn't it? MC didn't bother forming pacts with the past version of the brothers until they were given an ultimatum, and even then, they simply relied on the convenient timing of each brother struggling with an inner crisis to swoop in, resolve the situation and tick them off their checklist.

MC in NB seems like an unfortunate culmination of everything they faced so far. They're too apathetic to care about getting sent to an unfamiliar place once again, too desensitised to life in the Devildom to reclaim their agency, and too desperate to earn the love of their former family to even think about anything else. They became so co-dependent to the demon brothers that they seem to think they cannot live without them or their affection, even if the ones they are living with in the past are different people from the ones they grew to love in the present.

The phrase "You either die a hero, or live long enough to see yourself become the villain" fits way too perfectly for the Obey Me MC. After all, MC keeps getting rewarded every time they try to get themselves killed (or even when they actually got killed). Maybe that's the only way they know how to resolve problems.

So if they can't die as the hero, they'll just learn to live as the villain.

[demonpiratehuntress]

the only one

Portgas D. Ace x F!Reader

summary - Ace was always a flirt in whatever bars you went to, but once he's in love with you that changes.

warnings - none

a/n: i forgot to add this part in "marry me" so i just decided to make it its own fic. it was haunting me

When you first met Ace, he was perhaps the biggest flirt you had ever come across in your life. Anywhere and anytime, if you were in a bar he would be chatting up almost every local woman he met. It never used to bother you when you were just friends, but once you developed a crush on him it became a bit of a problem.

Most nights you would end up going back to the ship alone, and even though he wouldn't do anything with them - as evident when he returned to the ship after you alone - it still ate away at you. Made you feel things you didn't want to feel, unpleasant emotions that had you crying and sobbing into your pillow late at night when no one could hear.

Or at least, when you thought no one could hear.

Ace's room was next to yours, and every night he was absolutely crushed to hear your sobs. He was never sure what caused them, but he knew you wouldn't tell him. So he set out to discover the cause himself, and did as such on another island trip.

Noticing the way your face fell when he left the table to go talk to some girls at the bar, it instantly hit him that you were hurting because of him. And that was his first sign that you liked him.

That's when everything changed.

Once Ace was sure you had a crush on him, he stopped trying to suppress his feelings for you. They came out in full bloom, and his behaviour in bars and pubs completely changed, noticeable to everyone who knew him.

When Ace decided to show he was deeply in love with you, you noticed.

Every bar you went to after that involved him sitting right next to you the whole time, drunkenly flirting with you and you alone. Telling you how pretty you are, how cute you looked when you were so red, and how sweet you always were to him. No matter how many pretty girls were in the bar that day, he was glued to you.

"Ace," you would giggle and push his head off your shoulder. "Those girls in the corner are eyeing you out, they're pretty."

The raven-haired commander pouted, not even shooting them a glance, "But (Name), no one is prettier than youuuuu." He smiled, dropping his head back onto your shoulder. His breath reeked of alcohol, so you just dismissed it as drunken rambling, your face bright red.

But then there were times when he didn't drink at all, and still ignored anyone other than you trying to get with him.

"Sorry, can't talk right now."

You watched him dismiss yet another pretty woman as he made his way back to the table, handing you another drink. He plopped down in his seat next to you, offering you his goofiest grin yet.

"Ace, you just-"

He shrugged, still grinning at you, "I didn't do anything."

"But that girl-"

"What girl?"

He was staring at you, awestruck by your beauty. His eyes were only ever on you these days, and nothing changed that. He didn't look at anyone else, never finding the need to, since he was so hopelessly in love with you. Even when you went to go get drinks for the group, Ace would watch you go and come back, his eyes stuck on your figure. He would stare with the most loving, adoring gleam in his eyes, feeling butterflies each time you returned his smile.

You were still oblivious, "Ace, I think you should talk to one of them. They seem to like you, and you need a girlfriend."

"Well I don't like them," he replied, suddenly leaning forward, "And I already know who I want as my girlfriend."

"Oh." Your face fell, but he was quick to make you smile again.

"(Name), you're so dumb."

"Am not!"

"Are too! I stare at you in every bar and all you think about is me talking to other girls!"

You blushed hard, stuttering and stammering out a nonsense reply, but you found it difficult to argue with that.

"Ace, you deserve better than me. And they're prettier."

"If I really thought that," he leaned in so close that your lips almost touched, "I wouldn't be sitting here with you, would I?" He grinned again. "You're the most beautiful woman in this bar, and every other bar, so I'm happy right where I am."

Then you started dating, and all Ace would do in bars was show you off. To both men and women that approached him, even if it had nothing to do with the conversation.

"Did you see my girlfriend?" He would ask them, drunkenly. "She's the HOTTEST-" Marco would usually have to drag him away before he spilled something more explicit.

Any time a woman would come up to him, Ace would hightail it out of there and do one of two things. One, he would hide behind you and grip you so tightly as he points you in the direction of the daring woman. Two, he would perch himself on your lap and kiss all over your face with his arms around your neck. Each one depends on how drunk he is.

"No thanks, I have a girlfriend."

"My girlfriend's right over there."

"My girlfriend is prettier than you."

"(Nameeeeeeeeeeee), come and tell them that you're my girlfriend!"

He's so in love that he doesn't even pay attention to anyone but you wherever you go. If you tell him to drink less than last time, he will. If you tell him to stay at the table, he will. He will sit you on his lap and lock you in his arms, not allowing you to move for the rest of the evening. He usually falls asleep against your neck, but you don't mind.

But, generally, when Ace is with you in a bar he will keep you glued to his side so everyone knows that he is taken. The brave ones who still approach will usually have to deal with you, and he loves to watch.

Once you're married, you best believe this man is going into every bar yelling to anyone who will listen that he's married, that he has a wife, or that his wife is the hottest person in the universe. He clings to you and makes sure people know you're married, even if they are just passing by and have no intention of talking to either of you.

"How times have changed," you teased him one day, sitting on his lap in yet another bar. "A while back you'd be flirting with every woman in this bar."

"That was before I knew you liked me!" He protested, blushing in embarrassment. "And anyway, that's what happens when you find the one."

"The one?" You blushed.

"Yessss," he smiled happily, pecking your lips. "You're the one. My one. The only one I will ever want and ever need." He peppered your face with kisses. "To me, you're the only woman in these bars."

"Good."

[in-case-of-grace]

Alternatives to "GM" in TTRPGs

Spurred by a recent post from @imsobadatnicknames2 that found its way into my feed by way of @anim-ttrpgs' addition (this post got too big to be a reblog sorry), I've been thinking about the influence of the terms we use for the host-and-narrator role in a TTRPG. Each tends to carry some connotations and implications as to what the role might entail, and these can influence how people play your game.

At best, this may enforce your intended roles for the game, alongside its themeing. At worst, your chosen term for this role may create false assumptions, and lead to people approaching it in a way that makes it unfun for them.

There's also an aesthetic component to consider! Having a term that matches your genre and vibe can go a long way! It's gonna be a balancing act— does the term change how people interact with your game enough to become a problem? Does it match and enforce your themes and aesthetics strongly enough to balance some of those problems out?

Below, I'm gonna go over a couple common (and uncommon) terms for this role and what I think their connotations, implications, and best usecases are here. These are gonna be beholden to my own biases, of course— and you may see different connotations entirely! Maybe it'll help folk think more about what terms they want to use!

---

"Game Master" is very gamey. It implies that this person is setting up a bunch of specific, pre-made mechanical challenges-- like an obstacle course. I will admit that it does have the weakest connotations of all the commonly used terms I'm aware of, though-- simply by virtue of it having become so commonplace across all sorts of games.

I think it works best with chunkier, mechanically heavy games. Due to it having a weak connotation, though, it won't hurt your game if you use it elsewhere, it is kind of the baseline these days, after all.

---

"Storyteller" implies that this person is sitting everyone down and telling them a story. Like putting on a play. There's an implication that they are going to be controlling most of the narrative here-- and that the players don't have as much say in it.

It's also technically incorrect, given that...well, the players are storytellers too! The point of these games is to tell a story together!

It can work for more narratively focused games, it has some lighthearted, cutesy vibes that can be a good fit for some-- but its connotations can lead to this person taking more control than you may actually intend for them to have in your game.

It's one that I don't think accurately fits a lot of games, and is chosen more for its aesthetics and vibes. (Something I have done before, and with time it bothers me more and more.)

---

"Narrator" is the opposite of Storyteller-- it implies, to me, that this person has less say in the narrative than the players. They are there to impartially narrate and describe the world's reactions to what the players do, little else. A passive observer, almost.

I think it can still work fine for plenty of games-- especially those with contemporary settings. It's the sort that, to me, feels more suited to sandboxy games that are more focused on providing a bunch of simulationist tools for players to poke and prod the world with, rather than on telling a structured narrative.

---

"Dungeon Master" is particularly genre-limited. It carries a lot of the same implications that GM does, but for fantasy games in specific-- especially dungeon crawlers.

Only making a special note of it here since it is tied to A Particularly Big Game in the community. Its connotations are much stronger than GM's, though, and it feels out of place in rules light games— unless they are specifically set in a dungeon.

---

"Director" is one that can have drastically different implications depending on the background of who reads it. If they're a film buff, they'll think it implies that this role has final say on everything, and retains high levels of control that the players do not share. Very much akin to Storyteller.

However if the person reading it is more familiar with video games, and the Left 4 Dead series (and games inspired it) in particular, they'll see the Director role as something more reactive and behind the scenes. They may think this person is responsible for improvising and presenting the players with challenges and scenarios that match their current situation— be it narrative or mechanical.

There may have been a specific plan made ahead of time, but it is filled with a ton of contingencies, with an expectation that improv will fill in the gaps.

Though like Narrator, the L4D type of Director implies a somewhat passive, observer role that isn't meant to have a say in the story.

I think most people will see it with film connotations rather than the Left 4 Dead connotations— which is unfortunate, considering that the L4D type of Director is actually really well suited for certain types of TTRPGs. I think "Game Director" vs "Director" may help alleviate this somewhat, but I'm unsure how effective it'd be as I don't think most people share the L4D brain association I do.

---

"Referee," "Arbiter," "Judge," and "Moderator" all share the same problem as Narrator-- but 10 times worse. These are all heavily laced in passive connotations-- and imply that this person is there simply to determine the outcomes of mechanical situations, but has no say in the narrative.

They can work nicely with like, sports or competition TTRPGs in specific, though.

---

"Master of Ceremonies (MC)" implies that you're not playing a game, but that this person is about to lead you through an awards ceremony, drop some bars, or host some stuffy 500 year old regal event called "the Ceremony of the Ballet Fish" or something.

I don't think this one fits in TTRPGs like, at all, frankly. I just cannot imagine someone in that role being referred to as an "MC" unless we're talking about a game that is specifically about a ceremony, or rap.

---

"Caretaker" implies that this person's role is to maintain and care for the world, game, and story. It implies that they not only facilitate the garden you're all playing in, but that they also trim or rearrange it to suit everyone's needs-- including their own.

I actually think this one is very nice. It doesn't imply that they're an absolute monarch, nor does it imply that they're a passive observer. It also manages to encapsulate the amount of background work the role can often require, without taking away their say in the resulting narrative.

A Caretaker has agency in the story, while remaining cognizant and receptive of the players' agency, too.

This works really well for games focused on telling collaborative narratives, but I think it can also work fairly well for mechanically focused ones as well. It feels pretty versatile!

This one is new to me and I honestly might start using it for my games going forward, unless someone knows of a common connotation I'm unaware of!

---

"Facilitator," and "Host" both imply that this person provides the space and tools for the game, and nothing else. They handed the players the keys, told them to lock up after they're done, and left to go do sick flips in their motorcycle or something nerds do.

To me, the term by itself implies this person has very little to do with the actual game. I don't think these work any better than, say, GM, without a thematic justification.

Host could be amazing for some sort of bio-horror game— or for a game show RPG. Facilitator feels DoA to me. Both, however, could work if your game really is set up so the Facilitator/Host just provides tools to the players and does little else.

---

"Guide" implies that this person takes on a fairly hand-holdy role in leading the players through the game and its narrative. Maybe not quite railroading, but they definitely do a lot to keep the players on track.

This one, I feel, carries some "teacher" connotation— as if this person is responsible for teaching the players the rules. It's on them, not the players, to read and remember the actual rules.

I feel that this connotation largely ruins what good this term could do.

But, it can still work well in certain cases. If your game really is meant to have a focused, linear narrative, it can work quite well. The same goes for specific genres or settings— such as anything dealing with camping, national parks, or tourism.

---

"Overseer" taken at face value, actually could be pretty apt. They'd be someone who oversees the game and does what they can to keep things fun.

Unfortunately, due to the word's use in workplace environments and dystopian fiction— it has some pretty heavy cultural connotations that turn it more into a dictator role. They have complete and total control over the game and its narrative, even if the players disagree with their choices.

I think it can work well for games that deal with dystopian or corporate settings, where this person might actually be meant to have more control, or simply for the flavor— but not a ton else.

---

"Producer" is vaguely similar to the film-style Director-- in the sense that it comes from film. However, unlike the Director, a Producer coordinates and works together with the players to tell their story. It's a more collaborative role that shares power and agency more evenly with the table.

This also somewhat accurately implies the amount of work that goes into the role, much like the Caretaker.

However, given its origins, it doesn't imply they're playing a game— I can't entirely explain why, but it feels similar to MC in this sense. The term is very heavily entrenched in its origins, and carries strong film connotations— even though, yes, video games have producers too!

I think it'd be rad to see games using this, though. In time the strong film connotations may shake off! Like Caretaker, I think it's fairly versatile and could be well suited for a wide variety of games.

---

Niche terms such as keeper, warden, overlord, president, deity, and fixer are always worth considering, too! These tend to just be one-offs used in a specific TTRPG, that suit their setting and tone in particular.

Now, each can and does have its own implications and connotations to consider— weigh those against how well it serves the vibes of your game before you lock in!

---

"Host and Narrator (HAN)" implies the same things that these terms do separately-- but combines them to offset (some of) their downsides. This implies that they host and provide the tools needed for playing the game, yes, but also that they actually stick around to narrate and respond to the players.

When Narrator is combined with Host here, I think this also transforms into something a little closer to the Caretaker— as the Host and Narrator both, they have more of an active role in maintaining the space (and story) they've provided.

It feels similarly versatile, as a result. I just made this one up and don't know if there are any games that use it already, it could have legs— it is a little dry and flavorless, though. This may give it a potential leg up on Caretaker, which does have a lil bit of a lighthearted vibe that may feel off in, say, a horror game.

---

Honorable mentions - Scenestress - Conductor - SOUP (Story Overseer United (with) Players) - Their Majesty - MOMMY (Mediator Over Making Mythic Yarns) - JOE (Joe Ojoe Ejoe) - Representative (REP) - Doormat

---

Again, these are all just according to the implications and connotations I find in these terms— you may find others! What you pick is going to depend on you, your game, and your intended audience!

I don't know if perfect terms exist, and it's wise to explain whichever you use within your rulebooks— just to ensure that someone else's biases and assumptions don't lead to them misinterpreting things.

Is there anything I missed? Any terms you like to use? Do you have a vastly different set of assumptions for one of these terms? Please share!

[harunayuuka2060]

Twst Unveil Event: The goddess of love's blessing Part 2

Yuurin: *in this dress and hairstyle*

The Savanaclaw students: ...

Leona, Ruggie, and Jack: ...

Savanaclaw student A: L-Little sis? You're gorgeous and all, but are you going to class looking like the goddess you are?

Yuurin: To be honest, senpai, I don't want to.

Savanaclaw student B: Then why not change to something else? We've got cooler outfit for ya—

Yuurin: The nymphs dressed me.

The Savanaclaw students: ...

Savanaclaw student C: Shit. We can't do anything about that.

Leona: ...

Leona: Looks like we have no choice.

Leona: Ruggie, Jack, and I will accompany you.

Ruggie: Nope. Jack and I will accompany Yuurin.

Ruggie: You stay here.

Leona: Why?

Ruggie: You're going to beat up every student who looks at her.

Leona: Oh yeah? And what's the problem with that?

Yuurin: Leona-senpai, I'll be fine. After all, not everyone knows I'm actually a girl.

Leona: ...

Leona: Yuurin, people are already hitting on you even though they believe you're a boy.

The Savanaclaw students: *nods in agreement*

Yuurin: ...

Yuurin: I've got the strength of Hercules.

The Savanaclaw students: ...

Leona: ...

Leona: Promise me that you'll punch them hard in the face if anyone tries to be funny.

Yuurin: Yes, Leona-senpai.

Riddle: Y-Yuurin?

Yuurin: Good morning, Riddle-senpai.

Riddle: ...

Riddle: *clears throat* What are you doing here?

Yuurin: The headmaster hasn't allowed me to attend any class today.

Riddle: Is it because you're not wearing a uniform?

Yuurin: Yes.

Riddle: Hm. Yuurin, you're not the type to violate dress code. So I assume there must be a reason why you're wearing a dress today.

Yuurin: *nods*

Riddle: I see. Anyway, I'm glad you decided to visit Heartslabyul.

Yuurin: It's one of places I know where no one will bother me.

Riddle: Then... How come you didn't return to Savanaclaw?

Yuurin: ...

Yuurin: My godmothers are preventing me from going back to my dorm.

Riddle: Godmothers?

Yuurin: Yes. They are nymphs.

Yuurin: They're urging me to go to other places instead.

Riddle: ...

Azul: So Yuurin can't go back to Savanaclaw dorm because of his current state?

Leona: Yes. And not only that, he can't be accompanied by anyone from Savanaclaw. That includes me.

Vil: Oh dear. You must be really annoyed by that, Leona.

Leona: How would you feel if Epel is not in your sight, huh?!

Vil: ...

Idia: Okay, mom, dad. Let's not fight here.

Leona and Vil: Shut up!

Idia: ...

Azul: Anyway, Leona, are you here to ask us to accept Yuurin into our dorms just in case?

Leona: Yes. Although Yuurin has his own money, I'll be the one paying for his accomodations.

Vil: I don't need your money. Yuurin can stay in Pomefiore anytime.

Idia: Same thing in Ignihyde.

Azul: I'm running a business so I'll be accepting a payment. Thank you.

Riddle: Where are you planning to go now?

Yuurin: To Pomefiore. Vil-senpai has a room for me there.

Riddle: *sad frowns* I'm sorry. I wish I could offer you a room, but Heartslabyul already has too many students.

Yuurin: Don't worry about it, senpai. I have enjoyed chatting with you.

Riddle: *chuckles* Please come again whenever you have a free time.

'He's cute.'

'But he's short. Cross him out.'

Yuurin and Riddle: !!!

Riddle: Wh-What was that?!