#like she works so hard

[tscsunlover]

ok but I wanna know why she said the kickstarter people get the first twp chapter early in 2024 (freaking out screaming crying as we speak) and why that’s WAY earlier than everyone else is getting it… when is twp coming out cassie hmm… why is it WAY after 2024

[hinamie]

10 years later

[tiniest-hands-in-all-the-land]

Carry me home

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[umblrspectrum]

how do lighting and shading work

[swordmaid]

need a light? 🚬

that visual of the noir lady lighting the detective’s cigarette but make it marina and neve hehe

please zoom in to see all the details…!! 🥲🫶

[o3o-lapd-o3o]

people be wondering why there's no appearance from hades in any of the sagas, especially the underworld saga (even if he wasn't in the odyssey itself) i have a theory!

spoilers for vengeance saga and future ithaca saga!

do you not understand how busy that poor guy/god is during odysseus' terrible, horrible, no good, bad journey home™

first he has 7 freshly made pancakes men (14 if you count the club smash noises in survive, but we'll go with 7 for this) sent by chef polyphemus, appearing one after the other.

not long after that, you have 550 very soaked (drowned) men pop through in the blink of an eye, no thanks to his younger brother, mr ruthlessness himself, poseidon.

then while he's still counting/organising the paperwork for them, a young man appears, who happens to be very drunk (talking about pig men?)

not long after that, somehow a warship filled with mortal men breaks into the underworld, ALL ALIVE, and the (king? leader? captain? he's not too sure at this point) starts singing outside his front door about becoming a monster????? but before he can sic cerberus on them, they leave on their own

finally he thinks he has a break when 6 men holding torches (are some missing limbs?!?) have now joined the party down under (granted they're all in no mood to party, they weren't expecting to become snacks for a sea monster)

and just as quick as they'd arrived, in a flash (just like the snap of lightning that took them out) 36 crispy/fried men (gods damn it zeus) appear, weapons drawn like they were about to attack someone (how does that one guy at the front swing such a big sword?)

at this point hades is wondering what the fuck is happening upstairs, because ain't no way these 600 men are all from the same fleet/island under one guy's command (turns out the captain's name is odysseus)

he thinks his prayers are answered because he has had peace for 7 years, just the normal flow of souls into the underworld- (wait whats that chanting)

suddenly those previous 600 souls are flying their way outta the underworld (he didn't know they could do that) while singing "six hundred men! (six hundred)" on repeat

they return though (thank the gods, he didn't need to go soul hunting) and once again he thinks everything will be calm

(he also found out from zeus, that their brother got his godly-ass handed to him by that MORTAL odysseus! WHO USED HIS OWN WEAPON AGAINST HIM (something to help make him laugh over spring & summer and while he waits for his beautiful persephone to return home))

he finally thinks his time with odysseus and the souls that come from him/being around him is over. when in minutes of each other, the souls of 108 men appear, all killed in gruesome ways. then they tell him that they were killed by beggar who then revealed himself as king odysseus, from trying to marry his wife and take over his kingdom (ok very understandable murder then)

at this point hades doesn't know whether he's excited for, or dreading the day he actually meets odysseus in the distant future (yes distant, i don't care about/ don't accept the telegony. let the poor man enjoy the rest of his life with his son and wife!!!)

but yeah, understandable why you don't hear from him throughout the sagas

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[magicpiano]

Bruce Wayne had a child that was somehow kidnapped right out of the hospital just hours after being born. He of them ever stopped looking despite how cold the trail had grown.

Years later there is some rouge attack and a civilian child was injured and taken to the hospital. Bruce does a DNA test on the blood found at the scene and concludes that the child is actually his long lost kid.

Dani was planning to sneak out of the hospital the moment the doctors stopped looking at her. Then Bruce Wayne of all people comes in and claims that she is his long lost child. She knows that this is very impossible because she is a clone, but Bruce won't listen to her and she really doesn't want to explain the clone thing to a "normal" stranger.

This does brings up a lot of questions about how Danny ended up living with the Fentons though.

[teratomatica]

you always land on all fours

[clancyycat]

oh you don’t listen to pop music? should we tell everyone? should we throw a party? should we invite bon iver

[critterbitter]

Introducing! ELESA, the new kid on the block! She's a tiny bedraggled child from Sinnoh and not all that familiar with Galarian, the spoken language in Unova. (One day she'll be amazing. Right now though, she just wants to go play in the mud. And maybe get a better set of hearing aids.)

When not bitterly lonely, she’s scheming to run back to her old home. Or chasing the local patrat. Or watching nervously from the sidelines as other children play on the swings. Oh elesa. (loosely inspired by @/noxstrages' incredible comics about elesa's origins! Ty for the food.)

Masterpost to my submas comics!

[somnimagus]

very cool rat from my sketchbook that i colored like a year ago and forgot about

[id in alt text]

[hipsternumbertwo]

You're a Nepo Baby, Angela!

[wherewolf]

the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.

i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.

it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.

at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.

so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.

her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.

so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.

she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.

so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.

he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.

siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.

and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.

so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.

[inkedinserendipity]

one of the reasons i think that the murderbot diaries’ emotional moments hit so hard is because of a scarcity effect that the author has set up really, really well.

because, like—murderbot, as a character, is an answer to the question how do you “show and not tell” emotional moments from the lens of a character who point-blank will not acknowledge any affection directed their way. or, instead of overtly stating that characters are friends (“tell”), how do you demonstrate it with text (“show”)? well, most authors go ham on characters smiling at each other, laughing, joking, expressing reciprocal loyalty.

murderbot does none of those things. murderbot probably never smiled before preservation, and definitely didn’t laugh. (this is only partially an exaggeration.) telling jokes? hell yeah, MB’s funny as fuck. to other people? hell no. that would require conversations and it’d rather die, thanks.

add that to the fact that murderbot treats any expressions of affection toward it—internal and external—like being bit by a snake.

so you have this character + writing style that bars most conventional ways of establishing relationships between characters. you also have this character who is basically incapable of feeling any sort of reciprocated, positive emotion toward itself. so what do you do?

you work around your character. murderbot will never pick up on affectionate body language. it hates hugs. every sentence it hears passes through about fifteen different filters of self-loathing. so you make your relationships clear, and when you hit, you hit hard.

you summarize snapshots of characters panicking about the main character getting hurt. you drop your character’s performance reliability (and their walls) and have them banter. you have your character walk in on the tail end of conversations that expose concern for it.

and then you do things so overt that even your shit-self-esteem character can’t talk its way out of. you have its friend tell it directly that it can’t lose it too. you have its friends accommodate it and understand it without it directly expressing a single need. you have its friends stand up for it in conversation when it is too tired to do so. and then, when you really want to hit, you have your character pretend to be physically compromised rather than have to feel one (1) positive emotion toward itself.

positive emotions toward itself can’t really pass through murderbot’s walls. so you have to establish relationships by beating your main character over the head with them. and it can’t be all the time—because that’s not how relationships and emotional recovery, yknow, works—but it can be sometimes, and it can be very powerful, and that is why i think murderbot diaries in particular is very, very effective.