#like just making the worst decisions back to back to back

[poguehearted77]

Just Another Cliché

Summary: Rafe has been asking to take you out for years and you always shoot him down, after a particularly bad day, you decide things can't get much worse.

<<Here's some fluffy angst for those who need it>>

Shitty was an understatement for the day you had. This day will go down in history as the worst day any soul has ever lived through.

"Oh, you've got to be kidding me." The murmur is bitter on your tongue as you stuff your hands deeper into your warm pockets. The breath of your words were visible in the crisp winter air as you were about to pass by Rafe Cameron who waited patiently outside of your apartment building with a single rose just like he always did.

Since your senior year of high school, every year on the fourteenth of February, he would wait outside your complex, asking you out, then you say no, then he goes home. That's the tradition.

Well, technically you never said no. You'd always make up some excuse. 'I don't have time for a relationship right now' or 'Now's a bad time' are just a few of the examples you've used over the last five years.

It's not that there was anything wrong with him. You actually did find him attractive. Aside from the sketchy reputation he had going for him back in high school, he was still a relatively nice guy.

You just didn't have the time for a relationship, or at least you didn't before.

A small smile forms on his face as he sees you, already knowing what to expect. Another excuse like "Fine," yup, just as he thought- Wait.

"Say that again?" His head shakes in disbelief, blue eyes bulging slightly. Your shoulders shrug under your heavy-duty winter jacket. "My car was towed, then I lost my job, so why not lose my dignity too? Let's go out." You say and his heart begins to bounce off the confines of his ribs.

Not sure if it was the frosty air nipping at his cheeks or his lifetime wish finally unwrapping before his eyes, his cheeks flushed and he blinked a few times. "You won't regret this, I promise." he holds out the rose for you to take, and you finally do. For the first time in five years. You bite back a scoff, not in the mood for empty promises.

"Why haven't you given up yet?" You ask and now he places his hands in his pockets as a chilling breeze sweeps past you. He's rocking back on his heels slightly, "Life's too short to give up." The tiny smile on his face does make you scoff this time but he moves past it, "I'll text you later," is the last thing he says before he walks off.

You look down at the rose, then at his shrinking figure as he heads for the distance. A little pep in his step and you shook your head, immediately regretting your decision.

Great, this is exactly what you needed, another cliché.

-

Just another cliché is exactly what it was. On the lowest day of your life, you finally gave Rafe a chance. Of course, he changes your life in ways you couldn't imagine and leaves you with a dead weight of regret for not giving in sooner.

Your first date wasn't anything out of the ordinary, but it was fun. The two of you were inexperienced skaters failing to skate in the middle of the town square during the heart of winter. With festive lights outlining the rink where you laughed every time one of you fell.

There was even a point in time when you'd both embraced the cold connection with the ice floor and had a deep conversation on the sidelines, watching the other skaters circle the rink.

"Why me?" The question slips out before you can catch it and he licks his lips. He anticipated the query would arise eventually. "You remember that party Hailey Vanderbilt threw back in senior year?"

You hum with a nod, that was a party you'll never forget. Pool toys ended up in the trees, broken windows, jello in the hot tub, fights in the front yard and gambling in the back. "You and a few of the girls were playing truth or dare and they had dared you to start a rumour that I'd shaved my head because my family had joined some cult or some shit."

It took you a second, but the memory came back to you. "You don't know this, but I was fucking wasted behind the couch, but I'll never forget the way you stood up for me to them and refused to do it, and I dunno, I jus' think that was really cool of you." His head turns to you, his gaze softening when he looks at you.

At that moment, you felt the butterflies flap around in your stomach for the first time. He clears his throat, expression becoming more sombre as he continues. "My mom," He starts, taking a difficult swallow to get the words out.

"She was really sick. I got caught up with the wrong crowd to deal with it. Doing anything people said would get me distracted, even for a little, but she got worse and me being high every day didn't help so I quit. Her chemo was taking everything from her and eventually, she just shaved it off, she hated looking in the mirror and it killed me."

Your chest tightened at the story, having a sneaking suspicion of where this was going, "So when you shaved your head..." You trail off and Rafe nods along, turning away from you as a stray tear falls. "It was for her. You sticking up for me meant so much more than you know."

So there you both sat, on the ice with your backs against the wall in silence while the faint Christmas music chimed in the background. The date had taken a sad turn but you're glad it did, it sparked the beginning of your forever-evolving bond.

That was only the first date of many. Dozens and dozens of dates had flown past you and with each one you hated yourself a little more for letting him stand outside of your complex for five years rather than invite him inside.

"This is a nice place." He compliments as he takes a look around before settling himself on the couch with you beside him. "Thanks, it used to be a lot nicer when I could afford it. Had to sell some stuff to keep it after I lost my job."

He chuckles, "That explains why we're facing a blank wall and no television." and you pinch him. "Sacrifices had to be made. Who needs a TV anyways when there's so many other things we could do to keep ourselves busy." Your wandering hand gently runs down his firm thigh and you can feel the muscles in his leg tighten.

This was unchartered territory for you. You'd been dating for almost three months now and have never been intimate in that way, but Rafe knew the kind of person you were. A perfectionist, you need to be sure of everything before you try it.

Based on how fervently you were currently kissing along the length of his neck he could assume he had a pretty good idea of where your head was at. "Baby, baby--" He struggles to keep you at bay so he can lock eyes with you. "Are you sure about this? We don't have-" You silence him with the passionate attack of your lips against his.

Nearly tackling him onto his back, your hips straddling his as you demonstrated your certainty to him.

-

The months went on and sleepovers became more frequent. Even when Rafe had that tired look in his eye which was more often these days, you kept him up with your bright eyes and wide smile as you explained to him the newest conspiracy that intrigued you.

He tried his best to listen to what you were saying but he'd often lose himself in the labyrinth of his own mind. You were just so cute when you were talking about what you were passionate about. Especially when you wore the glasses you cursed so much, opting for contacts during the day.

"Why don't you wear your glasses more often?" He asks and you frown, "Rafee, did you hear anything I just said?" He nods, "Of course I did. I heard every last word.... up until about five minutes ago." You whine and he hugs you tight as an apology, placing a sweet kiss on your forehead.

You couldn't stay mad at him. That was proven time and time again when even your biggest fights would be resolved within 24 hours. Rafe insisted on talking things out, no matter how hurt the both of you may feel. He never wanted to go to sleep without making things right. "Life's too short," He would say.

You both had your shortcomings, but that goes without saying. Rafe was short-tempered and you were stubborn, a bad combination for an opinionated conversation. Things can quickly spiral out of control but when it came to apologies, Rafe outdid you every time. Flowers, or a small gift to show his feelings.

Even now, as Rafe leant against your kitchen island as you transferred the flowers he'd gifted you 'just because'. A weak smile graced his lips as he noted the way you did everything with such intensity, putting your all into everything you did.

Leaning forward onto his crossed forearms he watches you. "You're staring, babe." You say and he can only hum. "Can't help it. I like what I see," His words elicit a soft warmth to radiate in your chest.

"I love you, y'know that?" You're startled as you feel his arms wrapping around your waist from behind. "You tell me only every day, Rafe." He comes down to peck your cheek before you're rotating in his hold to face him. "But I love you too." You're unable to contain your smile as you say it.

It wasn't the first time but every time the words left your mouth, it gave you a little bubbly feeling. Security blossomed within you anytime your eyes grazed over his features.

"Let's go out tonight, yeah? Let's go dancing." Rafe declares without thinking and you laugh, tilting your head to look at the time over the stove. "It's almost midnight, nothing's open at this hour." You reason, but he doesn't back down.

Holding you by the hand, he twirls you. "Not a problem, we'll just do it here." That night your apartment was filled with laughter and soft jazz. Rafe hardly ever had this much energy so late but you loved it.

Two days after that night of dancing, you woke up to an eerie silence that felt too heavy for the morning. You went about your routine, still buoyed by the memory of Rafe's laughter filling your apartment. You checked your phone—just the usual notifications, a missed call from an unknown number, and a message from Sarah that simply said, "Call me."

You barely had time to press dial before she picked up, her voice trembling. She tried to speak, but only the sound of soft, choked sobs came through. Finally, she managed, "I’m so sorry…"

The words hit you, but you didn’t understand them. You wanted her to stop, to say something else—anything else. She kept speaking, her words blurred and distant, as though you were underwater, drowning. Somewhere in her explanation, you heard the words, "peacefully… in his sleep." But it didn’t feel peaceful. Your mind raced, demanding answers. Why hadn’t he told you? How long had he known?

Over the days that followed, Rafe's family gently filled in the pieces: he’d been sick for years, silently enduring, doing everything he could to hide it. Every date, every moment spent laughing with you, was a deliberate choice he made to live his last days fully, in love and joy, with you.

He hadn’t wanted you to know because he couldn't bear to see you suffer for him the same way he was once familiar with in his senior year. Even in the end, he kept the truth locked away, shielding you from the loss he knew was coming.

The weight of his choice tore you apart. You wanted to be angry, to hate him for leaving you out, but in his silence, there was also a strange kind of love. A love that had given you a few precious, unburdened moments together. Still, the pain settled deep within you, refusing to ease.

The anger, hurt, and ache became constant companions in the days that followed. But in his absence, you began to understand just how much he’d given for you.

He'd shared with you how hard it was for him to deal with that eerie state of loss. The stage where the person isn't gone but you know you'll lose them. It alters you in a messed up kind of way and he wanted you as far from that reality as possible. He was protecting you from his own condition till the very end.

Helping his family to clear out his apartment was easily the hardest thing you'd ever done. You couldn't do it without tearing up with every belonging of his you touched.

His favourite hoodie that he never let you wear but loved when you did. The polaroids in his drawer that you took from your first date, taken from the floor of the ice rink.

You noticed he'd scribbled writing on the back of the photo.

She finally said yes.

That was all it took. The last bits of your composure were stolen from you and you wept on his bedroom floor. Everyone always told you it would get easier but it never did. How could things get easier when the other half of your heart was buried six feet below the ground?

You learned to live with the loss, forcing a smile when in the company of others and taking deep breaths every morning when you woke up. Mildly disappointed the realm beyond the living hadn't reaped you during your slumber.

Very slowly, you begin to adjust to this new reality. It’s not the life you imagined, but you learn to live with the loss, carrying him with you in the smallest, most tender ways. His favourite hoodie becomes your comfort on cold nights, wrapping you in his memory and his scent.

Just because he was gone doesn't mean you'd end all of your traditions. Each year on the fourteenth of February, you visit his grave, placing a single red rose on the stone as a quiet tribute.

Though the ache remains, you hold his spirit close, carrying him forward into every milestone and memory yet to come, honouring the love you shared while finding the strength to continue onward.

In some ways, your love story turned out to be just another cliché—until it ripped your heart out from your chest, leaving you with the unbearable ache of everything he left unsaid, every unfulfilled promise, and the haunting silence of a future that will always belong to him.

Somehow, even in the quietest, most heart-wrenching moments, you never gave up on finding the silver lining, because life’s too short.

[dadbodbuck]

WE'RE BREAKING UP

WHY WOULD YOU SAY THIS TO ME.

WHY WOULD YOU TYPE THIS WORDS WITH YOUR FINGERS AND THEN PRESS POST.

GET AWAY FROM ME

hi jack unfortunately we got married when you weren't looking so you have to pay for an attorney :/

anyway

Buck texts him I need to talk to you and Christopher knows it’s going to be a bad day. He was actually thinking about coming home over Thanksgiving break—it’s not as clean as going back over Christmas, but he misses Denny (who’s been telling him a lot about his cool new sister during their nightly meme exchange), and he misses his school friends (even if they’re exhausting to be around sometimes), and worst of all he misses his family. He misses his dad, he misses Buck. He even misses Tommy—despite only having met him a few times, he knows he’s been good for Buck and for his dad. 

He liked seeing his dad smiling so much when he first started hanging out with Tommy, before her. He liked the way Tommy talked to him like an adult with his own thoughts and opinions. He liked the way Tommy talked about Buck, even though it was kind of gross seeing a grown man swoon that much.

But then. I need to talk to you. And it all comes crumbling down around him. Buck even has the nerve to follow it up with Can I call you? like some sort of therapist or school administrator. Chris opts for a video call, because he’s not eighty years old, and when Buck picks up, his eyes are bloodshot, his face is pale, and he’s nestled in his bed like a stereotypical teenager girl after she gets dumped.

Oh. Oh no. “What,” Chris says, and he kind of regrets the video call now, because Buck flinches back like he’s been physically hit.

“Uh, hey!” Buck says, trying to recover and failing miserably. The smile he plasters on his face looks so forced it’s painful, “How’s Texas in November treating you?”

Chris looks at Buck and decides to play nice. Just a little. “Not that I’m not happy to see you, but you sounded like you had something important to talk about.”

“You’re right,” Buck sighs, “I’m procrastinating. I just wanted to let you know that Tommy and I have decided not to see each other anymore.”

And, yeah, Chris is pretty sure he knew this was coming, but it still makes him want to cry, or bite something, or throw his phone into the lake. “What happened?”

“Well—uh—Chris, I don’t—the details really aren’t important,” Buck says, with a wince, “What is important is that I love you, and your dad loves you, and just because Tommy won’t be around doesn’t mean you won’t have our support. I’m really sorry, bud. I know you liked him.”

It blindsides Chris, and he doesn’t know why. He should’ve seen this coming a mile away. He shouldn’t have gotten attached. He never should have sat down to watch The Batman with his dad and Tommy and stolen Tommy’s popcorn and talked shit on Buck’s taste in Star Wars Prequels. 

“What did you do?” Chris asks, feeling a startling rage building in his throat. It’s familiar, now. He doesn’t know how he knows, but he knows this is Buck’s fault. Buck looks like a dog that pissed on the carpet and is waiting for you to step on the wet spot.

Buck clears his throat, and visibly weighs truth and comfort in his mind. “I asked him to move in with me. It was—it was too fast—”

“You asked him to move in with you?” Chris balks, “He has a house!”

“I wasn’t thinking!” Buck hisses, “Listen, I know I fu—messed up. I’m sorry. You have no idea how sorry I am, Chris. But it—it was the best decision for both of us.”

“You’re lying,” Chris seethes, because he knows so, so intimately the look of an adult lying to protect his innocence. “He made you happy. He made dad happy.”

Buck looks away, chin trembling, and Chris feels bad for all of three seconds before the rage consumes every other feeling in his chest. “Call me back when you find someone who wants to stay. Otherwise, keep your love life away from me. And maybe you stay away from me too.”

Chris ends the call, and two seconds later Buck is ringing him again. Chris doesn’t pick up, just sets his phone on his desk and buries his face in his arms. He doesn’t want to cry. He did too much of that after he got to El Paso the first time. But he’s going to miss Tommy. He’s going to miss seeing his dad smile like that. He’s going to miss the dopey lovesick way Buck moved through the world.

When Chris finally composes himself, he sees two more missed video calls from Buck, and a string of texts:

Love you, buddy. Sorry you’re upset. Call later to talk? Or call your therapist?

I really am sorry. I thought Tommy was going to stay too.

Text me pls? So I know you’re ok

Chris texts back: im fine. we’ll be fine. i need some time and gets a response almost immediately.

OK. Take the time you need. Your dad says if you decide to come back and you’re still mad you won’t have to see me if you don’t want to

Chris, always being left behind, feels a sick surge of satisfaction at the prospect. He could be the one who leaves. He can cut his losses before they’re fatal, he can amputate the limb before it goes septic. He texts Buck a single k back and does not examine the way something in the back of his head tells him, quite viciously, that this isn’t the first time that Buck’s been left this week.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[justinspoliticalcorner]

Dan Pfeiffer at The Message Box:

Poring through the aftermath of a brutal defeat, Democrats are now in their worst position in at least 20 years. Republicans have the White House and the Senate and an excellent chance to capture the House. Trump is only the second Republican since 1988 to win the popular vote, and he made huge gains across the country, building a multi-racial working-class coalition.

For many of you, I imagine this is painful to read. Trust me. It is even more painful to write. Most of my career has been spent within the machinery of the Democratic Party. I worked in the White House and Senate leadership. I worked for Democratic governors and other party organizations. It pains me to see the party in this state of disfavor only eight years after Barack Obama left the White House. The coalition that Obama built has crumbled. There are millions of reasons why we are in this position — COVID, inflation, an unpopular President, several political miscalculations, and a failure to adapt to a changed media environment. Ultimately, I am less interested in how we got into this mess than in how we get out of it.

The press continues to second-guess and Monday-morning quarterback various tactical decisions of the Harris campaign. I am also not particularly interested in that debate. Two things can be true at the same time. Kamala Harris ran a great campaign in a brutal political environment under an impossible timeline, and Democrats just got their ass kicked by a failed President and convicted criminal who could have been sentenced to jail if he lost the election. Where Democrats go from here is a conversation that will be an ongoing part of this newsletter in the months to come. There is no singular or simple answer, and many strawman arguments are being offered up on Twitter and cable. The solution is more complex than being more left or centrist or less woke. I don’t have the answers. Like the rest of you, I am still processing what happened on Tuesday. As part of my personal therapy, I wanted to do a bit of brain dump on the road ahead for Democrats as we confront another four years of Trump.

1. Recognize the Scale of the Problem

On one level, Trump’s win isn’t that big. His popular vote margin will end up being lower than Hillary Clinton’s when she lost the Presidency. This was far from a landslide. It looks nothing like Reagan’s victories in 1980 and 1984 or Obama’s win in 2008. But we shouldn’t sugarcoat the size and scope of Trump’s victory. Trump improved on his 2020 performance nearly everywhere in the country and with every type of voter. There was a six-point shift to the right in the country from 2020. Trump did 10 points better in Democratic strongholds like New York, New Jersey, and Rhode Island. He gained ground with men, women, Latinos, Black voters, and voters under 30. If the GOP can maintain that coalition post-Trump, Democrats will have no shot at the White House or the Senate for the foreseeable future. We are in a deep hole, and because of that, it is essential that we contemplate radical solutions about how we communicate, campaign, and govern. Every option should be on the table and every prior should be questioned. Yes, it was a brutal political environment, but this failure was a long time in the making.

2. Understand Why We Keep Losing on the Economy

Post-COVID inflation is the biggest factor in this election. It’s why incumbent parties all over the world have been getting slaughtered in election after election. It’s almost impossible to win an election when, according to the exit polls, 68% of voters rate the economy negatively, 75% say inflation caused them harm, and only 24% of voters say their financial situation is better off than four years ago. But if Democrats just blame inflation for voter distrust on the economy, we will be whistling past the graveyard. Democrats have lost economically-focused voters in every election since 2012. Even in the 2018 and 2022 midterms, which saw huge Democratic gains, we lost the voters who said the economy was their top issue by an average of 36 points!

President Biden passed a bunch of very consequential and popular policies. Yet, his ratings on the economy worsened over time. While I think we should revisit our policy agenda to look for new, bolder ideas that better speak to people’s concerns, this is largely not a policy problem. It’s a brand problem. When you do a blind taste test, our policies are more popular. This is why ballot initiatives like raising the minimum wage and allowing collective bargaining often pass in very Red states where Democrats have no chance of winning elected office. On economic issues, Democrats have a cultural problem; regardless of our policies, voters in the toughest economic situations simply don’t think Democrats care about them, and they haven’t since Barack Obama left office. Republicans have done an excellent job — with some inadvertent help from Democrats — branding our party as the party of elites even though the GOP standard bearer is a wannabe billionaire who offers tax cuts to other billionaires in exchange for campaign contributions. There is little question that we would benefit from more full-throated populism.

3. Close the Communications Chasm

Democrats are losing the information war. Trump and the Republicans are relentlessly communicating their narrative to a wide swath of the electorate, while Democrats are mostly still playing by an old set of rules. The Right is dominating the information space. In the battleground states where Democrats could spend more than a billion dollars communicating to voters on TV and digital platforms, Trump gained three points over his 2020 performance. In the rest of the country, which saw no paid Democratic messaging, Trump gained six points. This means that Democrats got absolutely battered in earned and social media. An average American who just turned on their TV or unlocked their phone or tablet was getting much more pro-Trump and anti-Democratic messaging. This situation is not unique to the Harris campaign. It’s been a problem for Democrats for more than a decade. Democrats cannot reach the wide swath of voters who don’t actively consume political news. According to polling from Data for Progress, here’s the statistics showing how people voted based on the amount they paid attention to political news:

a great deal: Harris +8

a lot: Harris +5

a moderate amount: Trump +1

a little: Trump +8 -

none at all: Trump +15

If you read the New York Times or watch CNN, Democrats know how to reach you. The problem is that we already have those voters. It's very clear that most of Democratic communications is a circular conversation with the people who already agree with us on everything. The rest of the electorate can’t hear us. They are getting no countervailing information to counter the Right Wing caricature of Democrats. Because of Fox News and other Right Wing outlets, Republicans have long had an asymmetric media advantage. However, in recent years, Right Wing messaging has come to dominate non-political online spaces centered on topics like comedy, gaming, gambling, and wellness.

Most Democrats continued running the same communications playbook for the entire Trump era despite massive changes in the media ecosystem. We haven’t incubated our progressive political media enough nor have we been willing to go into the non-political spaces where the most critical segment of voters are getting their info.

Dan Pfeiffer has yet another home run column on how the Democrats can roar back from their shock 2024 losses.

[alliebirb]

some “>:( HYAHH” links from the dying bird app

[dykedvonte]

Why do you think did Curly let Jimmy go before the crash? I've seen the theory Curly briefly thought about crashing too but didn't expect Jimmy to go through with it

I generally believe it was shock and a bit of denial.

It’s the sort of thing where Curly knew Jimmy enough to know he blows up at things but he never would’ve expected him to go through with something so crazy. He gives Jimmy way too much benefit. It’s just his nature and the dynamics he has with Jimmy. They have a stable relationship as friends but it’s stabilized by the unhealthy toxic aspects that keep him in it. He’s like this with Anya, taking the gun is something he really shouldn’t have kept off the record, so is Swansea’s feigned hostility toward Daisuke. He doesn’t want to get people in trouble and doesn’t want to believe anyone would cause trouble other than to themselves. He’s a very lenient man.

I think the words were hollow in his head. Said but not really meant like all the times Jimmy lashes out and says something cruel to him or others. He never means it, if he did why would he still be Curly’s friend? Curly’s head wasn’t in the right space in that moment, he just got through panicking with Anya and if the sound design is anything to go by, was panicked and preoccupied going to confront Jimmy. I mean, the flash of the warning signs before he runs back are identical to the dissociative episode of sort he has when going to talk to Jimmy to do his Psyc eval.

There is this sort of assumption in fanon that Curly was the idealic person for the job and simply failed. None of them were the idealic people to be there, it’s Curly’s entire concern with the ladder he chose. I see more interpretations of him being purposefully ignorant where I see him as just always looking the wrong way or not in a place where he can see it. There’s something different about seeing something than being told about it in the human mind. It may just be the psych student in me but Curly def has some sort of cognitive dissonance just like Jimmy but when it comes to his role as a Captain vs who he is.

They blur in his head to where if you ask him if he was acting as a Captain or a friend or himself to his crew he couldn’t answer. Not with confidence even if he did. There are many times we see that Curly himself is not in the right headspace to lead the Tulpar and that’s outside of anything with Jimmy. He’s spacey, he’s not sleeping, he’s deeply unhappy with himself and life. It’s why there’s believability he crashed the ship. Maybe the others saw it, or maybe Jimmy heard enough of it to spin it in a way that made Curly seem suicidally depressed.

So the tdlr is I think it wasn’t so much letting Jimmy go, more so not seeing the severity of what he was allowing to transpire. In his mind it’s just another one of Jimmy’s bluffs, cruel words, off words but just words. Jimmy rarely ever acts, why would he now? Maybe he’s never seen it because Jimmy hides those actions? Either way, he just never thought he’d really do it.

[reel-fear]

Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:

The queer people he has actively admitted he will never show any representation of in the games.

2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]

3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.

4. The fans who critique him. [He blocked me for doing so lol]

5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]

Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]

At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]

6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.

7. The Bendy fans who can see he is actively lying to them. To their fucking faces.

He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]

8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!

So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.

Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?

So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.

I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.

The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.

anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.

As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.

Also the books, the books slap.

[barbrububble]

Mouthwashing spoilers

I really like how the game makes the player feel when playing Curly and still thinking he crushed the ship. I kept looking for signs that he is unwell enough to decide on murder-suicide. He is dishonest on his psych eval. He has a lot of trouble sleeping. He complains a lot. The stairs to the cockpit stretch almost to infinity - does he not want to be there? Does he not trust himself in there? (What's with the sea of blood?) Oh he does want a change of career... but is also wary of it. Now they're all fired. "I just want to be in a place I don't want to fucking escape from! "

And then no, Jimmy did it. All the inner turmoils of Curly were just that and were only "telltale signs leading to the tragedy" in my eyes because I already "knew" what was going to happen. Now it feels both like a play on my expectations as a player and a portrayal of rich inner troubles still being within normalcy.

And also why I dislike people blaming Curly for not recognizing Jimmy's potential to fly off the rails. The clear signs are only clear postfactum. A person can even be toxic, can be capable of harm and assault (which yeah, Curly didn't properly recognize) and still snap in a way that surprises you - or never snap that hard after all.

[firstfullmoon]

does anyone have an ereader and read lots of poetry and/or pdfs on it and if so which ereader would you recommend

[dailykugisaki]

Day 347 | id in alt

Kugisaki hasn't been around Gojo enough to gaf about him LMAO.

[faerociousbeast]

unpopular opinion but i dont care that homestuck throws away a lot of its own writing to instead make fun of the fanbase. like yeah honestly its deserved

[magnusedom]

i want to quit my job bc of mental health reasons but then my mental health will get worse if i don't have a job

[whentherewerebicycles]

.

[holographicbutch]

Ok I'm actually looking into all this drama with watcher and this shit is insane lmao

[galacticlamps]

in the club bathroom straightup pondering it. and by "it" haha well let's just say, 'whether or not i should attempt to finish & share a fic i've been working on for nearly a year now'

[the-ipre]

[id: a digital drawing of Faiden and Zol, two Star Wars ocs, as they hug. Faiden is a blue Theelin with a large fluffy tail and puffy orange hair, wearing a flowy top and white armor with orange paint on her hips. Zol is an orange Zabrak with a few broken horns, wearing all black with long pointed gloves. He has his face buried in Faiden's shoulder as he hugs her, hands balled in her shirt, and she hugs him back just as tightly /end id]

these siblings will be the death of me