#like its not even the most Out There unrealistic trope but its funny to me like bitch just pull out

[pawbeanies]

where are all the mysterious holes in walls that bitches in h*ntais are always getting themselves stuck in. logically where would one find a hole in the wall at dick height large enough for a person to get stuck in. where are these mysterious wall holes. asking for a friend

[iixioria]

If you don't mind me asking, who are your favorite romantic relationship's couples in books/ manga/ anime/movies/tv series (can be canon or non-canon)? And why do you love them? Sorry if you've answered this question before......Thanks....

HI OMG IM SO SORRY FOR THE VERY LATE REPLY, IVE BEEN VERY BUSY BUT SURE! And since I'm a multishipper, I'll just list my top 5 ships out of fandoms I've been in

FengCui: Feng Xiao x Cui Buqu (Wushuang/Peerless) - The reason I love this ship so much and is my top 1 out of all the shows and books ive read and watched is because I'm so in love with their dynamic, development, and interactions with each other. They first start of as rivals then gradually start to fall for each other with each case they work and time they spent togther. I also loved the fact that the author didn't use stereotypical tropes with the main cp. While its enemies to lovers, to me, it's enemies AND lovers because when they do get together, their dynamic didn't change and they still remained the same. And that's one of the reasons why I love this pair so much.

2. Cezhou: Shen Zechuan x Xiao Chiye (Qiang Jin Jiu/Ballad of Sword and Wine) - I honestly debated if this should be my top 1 but I ultimately decided this would be my top 2 mainly bc I prefer fengcui's dynamic more, But of course, that doesn't make this ship any less great and amazing! In my opinion, this is enemies to lovers with sexual tension done right. I used to hate the trope enemies to lovers because of experience and personal things... But this ship changed my perspective on it a lot. Even though they got together early in the novel, they're still the ship that has the most amazing development and growth I've seen in such as a long time.

3. Hualian: Xie Lian x Hua Cheng (Heaven Official's Blessing) - Ah yes... the classic. I had to put them at my top 3 because TGCF and hualian is what mainly got me into danmei and to this day, I still adore them with all my heart and I'll never ever forget how they made such a huge impact on me... They're like romeo and juliet but done right. They're also the couple that made my standards so unrealistic to the point that I think I'll never ever be able to find someone to love as much as how much they love each other... As much as they're unrealistic, they also made an impact on how I view love in general. I also relate to hua cheng when it comes to appearances because dawg... I am also so insecure of that as well... and when Hua Cheng is insecure about it and Xie Lian is just telling him that he's gorgeous and not ugly like he thinks he is just makes me want to cry because that validation and comforting words is what all of us insecure people need. Just having the reassurance that we're perfect just the way we are...

4. Lucathy: Lucas x Athanasia De Alger Obelia/Athy (Who Made Me a Princess) - I LOVE THEM SO MUCH! Athy is so precious to me and I will protect her at all cost! And I love how their relationship just naturally progresses on the time the spent together and isn't just immediate love at first sight. And I also love how lucas went from "I'm going to watch this bc this is entertaining" to "If you ever hurt her, I'll destroy all of obelia" and bro... LUCAS IS SO WHIPPED FOR ATHY ITS SO FUNNY AHAHAH (Also reminds me on how Xiao Chiye is so whipped for Shen Zechuan but that's another time). And not only that, but I love how Lucas got back from his quest, heard about how Athy got humiliated, bro was like: "Should I kill him?" like bro did not care if it was her father, if someone did shit to her, he would deal with them.

5. LoidYor: Loid Forger x Yor Forger (Spy x Family) - BRO I IMMEDIATELY FELL IN LOVE WITH THIS SHIP!! Assassin x Spy? OH HELL YEA! I've honestly been waiting for this kind of trope for such a long time lol. Not only that, but I low how yor is such a girlboss and protects her family even if it isn't real. I honestly really like their progression so far and I hope that they honestly become a family in the end... I have nothing really much to say about this ship because I haven't been keeping up with SXF but I really love them and they're trope because I haven't seen Assassin x Spy trope in fandoms I've been in.

So here are my ships! There are a lot more than these but I just decided to pick which ones that I really love the most and rank them by that. Anyways, thanks for reading this blog!

[batmanisagatewaydrug]

i think you're onto something with the romance novels world and plot points needing to mirror the kind of outlandishness of the love story. bc the main characters are already inherently acting absurd just by falling madly in love in a month or whatever and then if you add in the contrivances of romance tropes, it starts to feel like whiplash trying to pretend the characters live in any sort of grounded "normal" world. Like when the author adds in a family conflict subplot where the MC is like in absolute shambles because her mom said something slightly passive aggressive at lunch. that reads as more jarring to me than like conflict being something ridiculous that her mom doesn't want her being a marine biologist bc they come from a long line of fishmongers. Give me absurd drama to match the over the top dialogue and character emotions, I knew it would be unrealistic it's a romance novel! I guess this applies more to romcoms, but the same would apply I think to an analogous serious scenario. Or at least that's my take on it

okay so having just finished genuinely the most boring romance novel I have ever read in my LIFE I'm going to expand on this a little so thank you for sending an ask that gives me such a great platform to do that

I personally generally prefer a romance that just gets fucking silly with it, like really outlandish. A Lady for the Duke (Alexis Hall) is obviously the dream, being a whole swoony historical trans-affirming fantasy, but contemporary fake relationship stories can also be fun in their sheer ridiculousness, like Love, Hate, and Clickbait (Liz Bowery), which I actually liked, and Unfortunately Yours (Tessa Bailey), which I did not like but was very funny. and let's not forget queen Helen Hoang's Bride Test, which has a premise that dances perilously close to human trafficking but all works out in the end!!!

BUT HAVING SAID THAT. I don't think that something needs to be totally implausible to be a good romance. two of my very favorites romance novels anywhere ever are Helen Hoang's Heart Principle (no one should be surprised Hoang is on her twice I adore her) and Akwaeke Emezi's You Made a Fool of Death with Your Beauty. both of these books are very grounded in reality but with very uncommon situations to heighten emotions and add urgency; in Hoang's case it's a character's adult autism diagnosis + death of a parent and in Emezi's case it's a very sudden and #problematic attraction coming out of absolutely nowhere. the stakes are very real, mostly centering around being true to yourself v disappointing your family, but the circumstances are still wild enough to make you say "god DAMN" and keep turning pages. hell, I'll even be extremely generous and include Mistakes Were Made (Meryl Wilsner) which is kind of a flop but does have the intriguing premise of "what if you were fucking a milf but her kid was YOUR BEST FRIEND and it was a secret?"

those are like the two sweet spots TO ME, and this book I just read (which was Thank You for Sharing by Rachel Runya Katz, I feel so bad putting it on blast but I know people are going to ask) really solidified it for me because TYFS didn't fall into either of those categories. I'm going to say something absolutely insane, which is that multiple times while I was reading it I found myself wishing that the book was fanfic, because on its own it just... didn't bring a lot to the table? it falls into the grounded category but doesn't really bring any of those heightened stakes to the story, it's just 330 pages of people in their late twenties complaining about dating and their office jobs. if I wanted that I could just ask my group chat! there's nothing particularly particularly gripping about watching made up strangers do it!

but then I was like oh hang on... if this was two fictional characters who are usually fighting with swords or throwing cars at each other or something this would be so gripping. it's literally the coffee shop AU principle, right? like seeing people in a very mundane setting having an office job and going to a bar is very shrimpteresting when they're normally defusing space bombs. I was explaining this to my housemates and I couldn't think of a straight couple to apply it to (the book is m/f) so I said Naruto and Sasuke, which is crazy because I've never seen a single episode of Naruto, but like. idk Naruto being a museum curator who has to work with Sasuke, a marketing specialist who he had beef with a summer camp 14 years ago, sounds kind of compelling, right? definitely more than just two people I don't know.

there's a post on here that I think about a lot that talks about why advertising a story with tropes doesn't work for original fiction as well as it does for fan fic because knowing the tropes is more helpful when you already have a sense of investment in the characters and their personalities, and I think this is related to that! I think sometimes you NEED to have a wider sense of scope for the characters for them to be interesting in a very mundane setting!

ANYWAY. much to consider, etc.

[writing-for-life]

Oh, I love/hate tropes (both as a reader and writer). Thanks for the tag, @tickldpnk8

Rules: How much do these tropes affect your decision to click on a fic?

• -10 -> very dissuaded

• 0 - don't care either way

• 10 -> very enticed

• nope -> if it's a hard no and you'd never click on a fic with that tag or or you even have the tag blocked or you'd insta click out of the fic if it wasn't tagged

Bonus points for explaining the rating and whether it's conditional.

Age Gap: -5

Really depends on context. As long as it’s two consenting adults, I’m generally good, but I don’t find it a particularly interesting trope to read if the whole story is build around it.

Codependency: -2

Really depends as well, but I generally lean more negative. There’s a difference between bonding over past experience (which I love) and being codependent. There’s also a difference between devotion, commitment and codependency, but maybe I’m just a hairsplitter.

Enemies to lovers: -7

I’m sorry, I find this one of the most boring ones to read and write. I know a lot of people love it, but I just don’t. Mr Darcy can go home 😂

Enemies With Benefits: -9

If I don’t like enemies to lovers, I have even less reason to like enemies with benefits.

Fake Dating/Relationship: 0

Don’t care either way. Sell it to me via a good story, and I’m in. On its own, it’s not enough to get me interested.

Found Family: 2

Could be interesting if well written.

Friends to Lovers: 2

I don’t know. I like the idea in general, but I feel it’s always so utterly predictable that I get bored quite easily. Do it well though, and I’m in.

Friends with Benefits: -1

Meh.

Hurt/Comfort: 6

Yes! Comes with my job I guess.

Love Triangle: -1

Really depends on the story, but I’m leaning meh.

Mistaken/Hidden Identity: 6

I love writing these, so it’s only fair that I also love reading them.

Monster Fu... Relationship: -9

I was that close to writing “nope”, because it’s one of the only ones that really interests me 0 and usually has me click away. But never say never. Generally speaking, I want human, or at least human-presenting.

Obsession, Possessiveness, etc.: -6

Nah. If it’s well written and there’s some type of catharsis, maybe, but it has to be really good.

Opposites (like grumpy x sunshine, etc): 9

Yin/Yang rules. Always. There are many more that fit into this trope than just grumpy x sunshine.

Poly: -8

Not really for me.

Pregnancy: 0

If it fits into the story, why not? I’ve written it myself, but on its own, I don’t care much. It has to feel real, and many writers write pregnancy so badly and uninformed that it can be really off-putting and unintentionally funny. Never forget that women with kids might read it ;)

Second Chance: 8

So much potential. I generally like it a lot.

Sex to Feelings: 2

Meh territory, can work if the rest of the story is well-thought out.

Slowburn: 9

Yes! What writer/reader doesn’t live for (sexual) tension that is dragged out?

Soulmates: 6

It’s terrible and somewhat unrealistic, but I really like it. Guilty pleasure.

Tagging: @rey-jake-therapist, @raspberryjellybrains, @tryan-a-bex and @tleeaves just because I know you either also write, or because you recently started to follow me and I'd like to get to know a fun thing about you. If you have already done this, just ignore. If it's not your thing, no worries at all. If anyone else wants to play, just join in

#tag game

#fanfic tropes

[accidentalalien]

Finished "Suppose a guy from the last dungeon boonies moved to the starter town?" the other day, and my internet wasn't working so here's my favorite part:

(lots of spoilers)

this is a cool fight and he can do magic now suddenly BUT WHERE IS THE DETAIL THAT HE HAPPENS TO BE ABLE TO SUMMON RAIN

THAT'S MY EMOTIONAL SUPPORT DETAIL PLEASE

THE SCALE i think the way they use scale is one of my favorite concepts from this anime The "fight-time anime characters are insanely powerful so we are just gonna start out like you have all this cultural base knowledge built up and just run with that so you're going to be fighting a new demon lord every few episodes" and by the end it's like "these god-like beings hanging out and filming Loyd killing monsters like overly-excited family members on a field trip" the animosity/grandfatherly affection from a guy who is an Archetype made flesh trying to end the world so he can CREATE A NEW HERO TI FILL THAT ARCHETYPE AND FINALLY DIE CUZ HE'S BEEN AROUND SINCE THE CREATION OF THE WORLD and like oh my god

the relationships that immortal beings have with mortals and the scale they are working on is so fascinating to me like this guy is manufacturing an apocalypse and becoming The Big Bad and being eeeeeviiiiilllll so Loyd can defeat him, but he'd got the vibe of "La La La! look at this lovely camping trip I'm planning, my grandson will love it so much, what a fun adventure!"

And it works in other concepts like it takes the idea of "this random ass man is suddenly the most important guy ever and everyone loves him- even the king -and so many people in super unrealistic stations" and that's super fun and turns it up to 5 million and burns the dial into dust.

like, its so funny because, of course this guy is important, because fucking gods are paying attention to him and trying to give him enrichment. Like a lot of the anime i watch where you have this really bland guy being so powerful is because it's a power fantasy and the guy is you (and they don't know you so lets make him as vague as possible), and that's super fun, but they take the ideas and tropes that arise from that "you get to be the most important and most powerful but still a normal guy" situation and go "what if we made a reason for all of this nonsense to be what actually makes sense to happen?" like like :3 Suppose a guy from the last dungeon boonies moved to the starter town?

[ghost-with-a-teacup]

any favorite fanfics you'd recommend c:

Oh my gods there is literally no limit on how many Alcina fanfics I literally adore! (I read too much, at this point I'm starting to think it's an issue lol). But I can recommend a few :))

For one, my all time favourite is Safety by DemonOfPuns, you can find it at this link below! It's a classic for me, and is sooooo well written. For one, I really love how they author wrote Alcina, because they bring out both the softer sides of Alcina (that we love!) while also not forgetting that she is indeed a vampiric countess who can be harsh and cruel. I think they find the perfect balance between canon and fanon Lady D, which makes reading this fic that much more enjoyable :))

Oh! And the author doesn't forget the daughters either. The OC Sasha has a sort of parental bond with them that just makes my heart warmmmm 🥺🥺

Lastly, I really adore the fact that the author includes a lot of issues that are present in society today. The main character, Sasha, is nonbinary, and the author writes into the story the struggles of being enby, or even queer regardless of whether it is in a village stuck in time or in modern cities that exist today. It's a story of struggles and acceptance, hurt and comfort, love (and smut!) and everything perfect all enclosed in one fic :)) Find it here!

I am now realizing this will be a pretty long post hhhh. Oh well!

Another one of my favourites is I'll Make You Sing by tabtab317, also on AO3. This is a modern AU where Alcina is a choir professor at University and with one thing leading to another, you end up becoming one of her students (and more!) along the way :))

This again is a fic that is really well written. I think as a general, AO3 has really well-written things lol. It gives everything that we love about our lovely Lady Dimitrescu, while also placing it in a timeline a tad bit more realistic (as unrealistic as it still is. Please don't get with your professors y'all LMAO). It's spicy, soft, funny, domestic, it's just UGH. So perfect 😆 You can find it here

Alternatively, if you're not the type to like longer fics (like me for a while if I'm being honest, I have the attention span of a literal child sometimes which sucks cause I love reading), a fic with a similar premise as I'll Make You Sing called Retablo by DemonOfPuns is also really good! Find it here:

OH, OH MY GOSH. I TOTALLY FORGOT ABOUT THIS ONE FIC I JUST STARTED READING HHHHH. It's called Prove Your Kindness to Me by AaviNova on AO3, and holy GODS is it spectacular.

I know I've said this a few times, but the writing for this fic is phenomenallll. It has such a flow, and is quite literally a piece of art with the way the author uses words to tell the story.

Its almost fantastical in itself, with witches, vampires, and the lot haha. The buildup is quite similar to fantasy books with lots of world building, but its soooooo beautiful.

It's full of hurt and comfort (which is my favourite trope, I'm not even going to lie), but everything is sooo worth it. I'm not gonna give away too much because you guys need to check it out, but it is truly a wonderful piece of writing. Here's the link!

If you need a good laugh, I Saw Mama Kiss A Claus always makes me giggle. It's just fluffy domestic times with Alcina and her daughters. I know it's not Christmas but that's okay! Fic!

Finally, not to be that person but I'm gonna self-promote a bit lol. I do have a collection of fics, one of which is a longer one called For All Eternity :)) It's not the typical maiden trope with Alcina, it's about the reader having to find the inner strength to save her family, the ones she loves most, even if that means losing herself in the process :))

On top of that, there are also a bunch of Lil one-shots sprinkled around. If you'd like, please check it out! Series here

[violetlunette]

Why Bakagou’s slapstick doesn’t work for me

Below is basically me saying why I don’t like Bakagou’s slapstick. This isn’t me calling anyone out, it's just a view of an opinion. If you find the angry porcupine funny I won’t judge you.

That being said, below does have anti-Bakugou elements and Bakugou Critical. If these bother you, I suggest you spend your time elsewhere.

Let’s get this out of the way; Comedy in itself is subjective to each person. Mineta is a perfect example; some people laugh at him along with his antics, while others don’t. Whether his actions may be funny to some, others who have suffered sexual harassment won’t laugh. (Personally, I don’t think the violence is harsh enough to make his antics funny, but more on that later.)

Nowadays, a lot of people don’t find physical violence funny. I am not one of those people. I love physical comedy—if it’s done right.

These are the official rules of slapstick comedy—Though they come from a mime school, so YMMV;

Pain without real consequences.

Editing to turn a situation more unrealistic.

Impossible situations.

Those are mime rules, but here’s mine;

The person that receives the pain must have done something to earn it.

The pain must be because of a direct action of the recipient.

Pain without real consequences. (We share this rule.)

There are a few exceptions, as I’ve seen nice characters get hit with slapstick, but because rule three is in play, I still laugh. Like with Courage the Cowardly Dog from the show of the same name. He is the sweetest and bravest thing, but he still suffers a lot of slapstick. Usually, though, the pain goes away right away, so most viewers laugh as it’s “pain without real consequence.” When the pain stays for more than a few scenes, it’s serious.

As I mentioned earlier, I wouldn’t mind Mineta too much if he received more punishment for his perverted acts and said punishment was more cartoony violent. I recognize his character type as a typical anime trope and because their actions earn the violence, I laugh when they get their just desserts. When Kota kicked Mineta off the wall, I laughed. When Jiro stabbed his eye, I laughed. And so on. As a person, Mineta doesn’t connect to me (though there was potential), when it comes to his slapstick, I’m all for laughing. His pain is funny to me because it’s earned by actions he consciously makes and there’s no lasting damage. Better yet, no one ever just waves off his action as ‘that’s just Mineta.’ More often than not when he acts like a perv others call him out and react properly--usually.

A character I do like that suffers is Monoma. Most of the BNHA fandom hates him—mostly Bakagoustans—but I find his antics funny, as well as his pain. The reason Monoma’s pain is funny to me is simple; he acts like a jackass and is punished for it.

Monoma is Class-B’s Bakagou, but unlike Class-A they don’t ignore his actions. When he does something rude or annoying, Monoma is called out. They tell him straight out that what he's doing is NOT okay, and they don’t agree with him. If he continues, then Monoma is knocked out. Class-B even goes the extra mile and apologizes for him. They acknowledge that Monoma’s actions are wrong then they do something about it.

Now, to be fair most of the scenes played for comedy with Bakagou technically fit the slapstick rules;

Pain without real consequence- Debatable, but we don’t usually see any physical scars from his actions.

Editing to turn a situation unrealistic and impossible situations- During these scenes, Bakagou’s face gets cartoony as hell, and the way he causes pain isn't usually something we see in everyday life. 

So, yeah, I can see why some people laugh at him as he follows the rules technically.

This is where the subjective comes in. Now just a reminder, this is all my opinion, therefore there will be a little pettiness. Ye have been warned.

First of all, Bakagou seldom receives punishment for his asshole tendencies. He can yell at people, insult them, and physically attack others, but no one does anything. Once in a while, we’ll get a “knock it off Bakugou” or Class A will be appalled, but that’s it. If Bakugou showed he was irritated by getting ignored, then maybe it would be funny. But no. He yells, he hurts someone, then it’s brushed aside.

Cartman of South Park fame is an asshole, but I can laugh at his actions as the narrative never says that his horrible actions are right. Even when he gets away with it the show states, “yeah, we know this is wrong, but so what?” Because of that I’m not annoyed with the story and can laugh. See, if the horrible action is at least somehow acknowledged in some way, I’m more likely to laugh.

There’s also the fact that the people Bakagou attacks usually have done nothing to earn his ire. Bakagou’s just being an asshole. (Monoma’s an exception, but again, his slapstick is funny.)

Izuku is the most common target of Bakagou’s tantrums and he NEVER does anything to deserve it. He’s just doing his own thing and Bakagou will get jealous before attacking, verbally or physically. And Izuku just takes it! Even when Izuku isn’t even talking to him, Bakagou will attack him!

“But more often than not, Izuku is okay, right? So wouldn’t the ‘Pain without real consequence’ rule come into play?” Not in this case. Why? Because of their history.

I don’t like to throw the word “abuse” around unless it fits. The reason for this is that it takes away its power and seriousness. I also believe that there’s a difference between being a jerk and an abuser. To me, in anime or cartoons at least, a dope-slap here and there isn’t abuse.

I have no idea about the full story and said story seems to be changing to manipulate views, but what’s clear is this; Bakagou bullied Izuku.

I’m not clear when bullying passes the line into abuse (please forgive my ignorance of this at this time), but whatever Bakagou did had traumatized Izuku. I won’t go into it here, but there are several posts out there that prove Bakagou’s actions left lasting mental and emotional wounds on Izuku that affect him and his actions throughout the story.

There’s too much unpleasant history between Izuku and Bakagou for the latter’s actions to the former to ever be entertaining. Bakagou bullied Izuku throughout their whole childhood and belittled him. After so long of Bakagou’s actions being played seriously, I’m supposed to see it as a joke now? Nuh-uh. No way. Nothing’s changed.

Bakagou still jokes about Izuku dying, belittles him, and attacks him whenever he gets a little attention. Just like he always did. Whatever development he may have got, Bakagou is still a brat who throws a tantrum when he’s not the focus.

The only difference is that instead of reacting to it, Izuku’s gotten used to it. He’s numb to it all. That’s not funny at all. It’s sad.

When Izuku was flinching, at least his body was instinctively trying to protect itself. In that subtle way, it was acknowledging that something was wrong. By not flinching, or doing anything to defend himself, Izuku is no longer acknowledging the actions are wrong. The worse thing about it? No one else is either.

Sure it wouldn’t be in character if Izuku yelled or fought back, but others in Class A could. They don’t even have to do anything major, just along the lines of what Class B does.

Another thing is that the people Bakagou yells at or attacks are people who won’t or can’t fight back. Izuku, Fuyumi (who has lived with an adult version of Bakagou all her life), and Shoto. Shoto is a little better because Bakagou never hurts him or bothers him and Shoto ignoring Bakagou’s tantrums leads to the latter getting annoyed which is kinda funny.

All that said, to me Bakagou’s antics always have been and always will be bullying, and they are NOT something I can laugh at.

However, as many others can this just proves that humor is subjective. Take everything I said with a grain of salt.

[juiceastronaut]

Okay so. I watched Q-force. And I have no idea what I think about it.

Imma just be rambling so I'll break down the characters and my likes/dislikes about them before giving my plot breakdown at the end. Only the main/prominent ones because I don't have time.

Steve Maryweather-Easily the best character out of them, with Deb being a close second. He could've very easily fallen into the trope of being someone who was incompetent but expected the world anyway, but he doesn't. He graduated top of his class, and despite his quirks is a genuinely competent team leader, and wants the best for his team. He wants to prove that he and his team are competent enough to get recognition, and has a genuine faith in the people around him. It was refreshing to see him hold his team in a genuine high regard, where a lot of times it's like "We're shit but lets do this thing now" He's a genuinely well-rounded character, and (and forgive me if this isn't the best way to frame this) it feels like being gay is an important part of his character, without encompassing the whole thing. I thought Benji and his relationship was super cute and I was sad when they broke up. I was afraid he was going to be, like a second but worse Twink with the stereotyping but gladly fell away from that.

Deb-I thought her and her wife were super cute (though I hate how the wife is designed ngl adjafkldajfd). I liked Debs character, but I feel like she had a lot of racial stereotyping that wouldn't be inherently obvious unless you were looking for them, her being the strong one, and also the "mama" type at the same time. No one treated her with disrespect, and her lesbianism seemed to be more authentic but I feel like there wasn't a lot of thought put into what these tropes were and why they were bad. Her being black and making her the mama type, as well as the big strong type could be read as tasteless. Again, I really liked her character but these were some things I noticed while watching.

Twink- You know, I didn't really like him at first, I thought he was the epitome of all the bad stereotyping (though I'm just glad him and Mary didn't get put into the same category). His humor isn't my taste, and it just kinda seemed like someone for half of his lines went "what twitter stan language can we put in here?" And sometimes it was a bit too random for my tastes. However! I do like that his drag was considered important and was an integral part to a lot of missions they went on, and not just "Ah look at that dumb gay trying to find reasons to dress in drag." His talents and expertise were both respected and, save for Buck (which his whole point was supposed to be offensive anyway) no one undermined Twink for his femininity. His back story is also kinda random but did play a role in the missions as well. Still, personally think he's the worst character. Plus, he's French so minus four-twenties amount of points.

Stat-You know, in a show where everyone was stating what letter they were every few seconds I was surprised that I had to look up that Stat was trans. I...liked her character for the most part, except the part where she was fucking a robot. Kinda weird ngl, outta left field, and with her being trans I wonder if her having that sort of relationship is problematic for her. Love her design tho, love me a hacker girl. She's also listed as "ambiguously gay" tho showed to have mostly girl love interests but, okay.

Buck-He's the straight guy, emotionally repressed haha and he's bigoted. Did think it was funny later on when he was more "accepting" but managed to be even more infuriating about it. Tied with Twink as worse character but you know they tried to do stuff with him.

Vee-Really liked me a boss lady, but kinda weird how they bait-and-switched us with her actually being a lesbian, then go "no she's straight tho" in regards to Karen. I thought her and Mary's relationship was cute, wish I saw more of it. But she did feel like a random plot device in later seasons, what with her disappearing and reappearing when it was plot relevant. (Tho she HOTOHOTHOTHOT bikini episode WOOOWEEEE)

....

Okay, so now the plot....which. it had one?

It felt like it was flip flopping back n forth about whether it wanted to take itself seriously or not, and it seemed to decide on serious more towards the end, but then it would have this random plot element that would be so out of left field it would pull me out of my suspension of disbelief. See the whole "Back cracking to unlock memories" plot point. This back and forth on whether it would be a comedy or not I think weakened both categories it tried to play into.

If I had to compare the show to anything it would probably be Futurama, but the thing with Futurma is, its set in the future, so you're suspension of disbelief is allowed to stretch a bit more because all the wacky quirky stuff can be attributed to future shenanigans. Q-force, to my knowledge, is set in the modern day, which makes the wacky stuff that much wacker, because it's set in our modern times, which you apply the rules of everyday life to.

A lot of the problems that I had with Q-Force is, in the attempt to write specifically about the "gay experience" revealed that the writers have really only had a very specific experience of interacting with gay ppl, what I call the "Urban Gay" experience.

The fact they're in West Hollywood, and all the things that were listed as "universal gay experiences" but were only things that you'd be exposed to if you were in the city. I think a flavor of "white gay" can be implemented here too, which Q force has exactly one black woman, who manages to be the only lesbian.

That coupled with the fact that, there's a difference between having Twink naturally being a drag queen, the whole team being gay to some degree, and the fact they interact with the gay community often without Drawing Attention to all of those things and self-congratulating itself on concluding it. Funnily enough, Q-Force had examples of doing this right and doing this right. Right way: In the second or third episode where Mary found that guy with the flash drive to the uranium in it and seduced him in the gay bar. Relevant that it was gay without overtly drawing attention to it. Wrong-Way: Having Pride go on while Girl Boss was trying to take over the world.

And, for the show that promoted itself as representing the gay experience, there were...two gay men, one lesbian, one trans person, one straight guy and...no bisexual people. Also no nonbinary people. Like of course it's unrealistic to include every single identity but you're one bisexual person who appeared for one episode and was promptly blown up. And also showed to be...more off than the other characters, what with the stealing of silverware and all. Just, bisexual people are already forgotten enough as it is and not including them in the show, but you include two gay men just kinda reads as tasteless to me (as a bisexual person, obviously).

Which makes it so weird that Stat was left "ambiguously gay" when she could've easily been bisexual (which still would be problematic because of the robot-fucking but at least you got the B in there somewhere in the main group)

Overall, it tried to market itself as the "be all end all" of what it was like to be gay, but ended up excluding the exact people that get excluded in real-life lgbt spaces. This combined with the indecision with what kind of show it wanted to be managed to make it fall short. If you arent the very specific type of gay person who lives in a city environment and doesn't fit the stereotypes showed you're not going to feel "seen" by the show.

Weirdly though, I didn't hate watching it, and I would probably watch another season if they managed to make one. The parts that did work, I think worked really well, and even the bad parts just read as tasteless, and not actively terrible. If they focused less on making "hey I'm gay" jokes every three seconds and just let each character be what they are I think the show would be stronger for it. And I think they'd find less problems overall if they did that too. In the mean time I'll just be here side-eyeing the whole thing.

Edit: I forgot to mention, and this is a problem a lot of adult TV shows fall into, that because they got the clear to show nudity/sex they felt like they *had* to show nudity and to a lesser extent sex every episode. So just that whole "Haha adult=sex obviously."

Oh! And this generally goes for the whole "shove it in your face" part, but a lot of the characters who are bigoted were shown to be. Very blatantly so. And not to say there isn't blatantly bigoted ppl of course they are but I don't think that's where you see a lot of bigotry nowadays. This was sort of touched on during the show but more of a jokey manner, but I think it would've been more realistic if we had more "girl with a gay best friend" kinda bigotry as opposed to the "I'm literally hurling slurs at you" bigotry, especially since they're in Cali.

[jubberry]

oohkay let's go tua with those ship asks: fiveya, horrance and alluther.

thanks el i love you

Send me a ship and I'll answer three questions based on if I ship it or not.

fiveya obvs i ship this since this is 90% of my tua drawings lol

1. ill wait ill wait (to be the one) by georgiestauffenberg made me ship it cause holy fuck dude. I dont know if i ship them romantically when i saw them onscreen cause first of all, age difference is kinda weird lmao. Second, they dont rlly interact much outside literally the first couple of eps. But he was so soft for her, and i felt like they had so much unexplored history.

so i looked at fanfics cause i was wondering if ppl still ship it, then i liked the description of this one so i gave it a go.

Basically the premise is that vanya dates a much older man who seems to know a lot about her. And it was amazingly in character and just provided their characters some depth that u wouldnt find outside of a romantic relationship between them. (The implication of five pining while she doesnt know who he is, their missed chances when he time travelled, fives missed chances of living and having a 'normal' life bec of his own hubris, vanyas insecurity and being able to open up bec shes with someone whos known her since childhood). Its so sweet and thats how i was like, oh yep i can do so much more with these two, and what has kept me interested in drawing them etc.

2. My favourite things are the shippers cause i made some friends in the fandom who are super cool and supportive! I dont get super involved in fandoms and usually just watch from afar so finding people to talk to and muck around with in this tiny fandom is super cool 😭

Though thats not to say I havent come across some bad apples in this fandom and things that I dont like. I think thats the importance of carving out a place for yourself and ur friends in fandom tho.

Another thing I like about the ship itself, i just like the grumpy person whos soft for one person trope. Its so cute. I like all the little clues in canon on how their relationship as kids is quite warm, which is interesting cause five is basically the star student and he can be quite cold vs vanya who is the black sheep of the family.

I also like how five likes her powers even when she caused the apocalypse he spent the majority of his life in lol. Like its a popular hc that five is just a wife guy and i love that.

I see vanya as the type who has a lot of love to give, and she sometimes has unrealistic expectations of what her partner can give. Betrayal and lies really angers her, but also when her partner cannot meet her expectations of love she gets very upset bec its also an indication of how shes not good enough, or not loveable enough to be able to have this in the relationship (her insecurity means every failing always comes back to her, even if its out of her control).

I feel like five would be a level-headed person enough in the relationship to not be afraid to say 'vanya ur being stupid' (ie. the s2 confrontation lmao). Also, five's personality means she will never have to doubt his actions bec she knows hes the type who will not give u the moment of the day if hes not interested.

Not to mention they also have the whole apocalypse vs. saviour, hero/villain thing. Theres just a lot to explore!

3. I probably have several. But mostly I dont mind five being a dick to vanya bec first, even if the appeal is hes soft to her hes already kind of a dick in canon lmao. Also, vanya isnt a child. Shes grown and she can handle petty af things like five telling her shes not good at cooking lol. I also dont mind it cause I feel like people are getting too afraid to write... conflict for fear or portraying an abusive relationship or smth. Like, chill. Conflict is fine, resolving it is how u get a story. However in saying that, nobody should be obligated to write any way unless you want to! Fanfic is for comfort so if what your doing is making u happy then its good enough!

horrance which i also ship but i love the platonic and romantic relationship equally:

1. I came in tua in general not shipping anything so Im honestly not sure. I do remember someone doing a meta before s2 came out that was basically how ben acted weird when klaus summoned dave in s1 that made me go 👀 Otherwise, tua s2 rlly made me like them cause tua FED horrance shippers. Like..... the fact that klaus didnt want ben to leave him, and ben knows thats why he stayed 😢 or the fact that klaus was all over him for some reason???? Somebody also mentioned gay ben once and I resonate with that deeply. Like i get that jill exists but i resonate with gay ben deeply.

2. I love their bickering, theyre so cute together. I just like ben being angry bec hes self aware that hes got both shit and amazing taste. Shit bec he cant believes he likes Klaus (and also amazing also bec Klaus). I think the idea of them being kind of underdogs, theyre not rlly leader types and dont want to be, helps them bond together even in platonic horrance. They're both down to earth, and even tho they can annoy each other, they also know if they want a space to feel comfortable its with each other. Theyre not pressured by rivalry over leadership, or any sort of competition.

I love the idea that even tho ben is like klaus's ''conscience'', hes also down for chaos and bitchy. I feel like klaus rlly enabled that side of him, its not exactly a good thing but its p funny lol

3. I know some people think their dynamic is unhealthy but i dont care lol

alluther. So id say i dont ship this, mostly due to the fact that im not invested? Just like all tua ships so far I rlly came out not wanting anything but platonic relationships cause I feel tua doesnt do romance very well. With alluther, theyre so cute but im not super invested in either of their chars so they havent stuck for me. I appreciate seeing them and talking about them tho, and I'm def open to exploring them further.

1. I think tua canon romances are just so lackluster 😔 Idk who writes the romances but I was just like 'nice' but afterwards I dont really think about them. I love their dance scene and the message behind it! Otherwise, theyre sweet like most of the tua romances but im not super invested, same with all the non canon ships.

2. I really feel like tua needs to decide on what their relationship is. Like, just say its incest or not and stick with it 👀 Or if you wanna support it or not, just make up ur mind. I think I would've liked it better if I found the characters more interesting. Allison especially I feel like suffers from the fact that tua just doesn't want to make her ''mean''. They want to make her supportive and are less interested in making her flawed (ie. she should've had a conflict with Vanya in s2, but the writers didnt want to write the girls fighting which is stupid imo and not what that conflict is about).

In regards to Alluther, the scene where Allison gets annoyed at Luther for sleeping with someone else felt out of line. Like, how are you marrying other people and moving on but Luther isn't allowed to? But honestly, I don't mind if they actually just acknowledge it and make it a deliberate part of Allison's trait that Allison can expect a certain loyalty automatically from other people (which can tie in to her childhood being a star, and the rumour).

Luther is a big simp for Allison, which is sweet, but at the same time it would be nice to have him explore himself for a bit, and who he is outside of the academy. Then maybe they can rekindle their relationship again as new people and see where they go from there.

3. I don't hate them, but they're ok. I'm not super invested in them, just like all the tua canon romance. But I wouldn't mind making content for them if I were a bit more invested in their characters. I love their dance scene in s1 and I feel like its super a underrated portrayal of what their relationship is meant to be. I know no one talks about it but it's just such a great scene, and I'm pretty sure the choreographer was into interpretive dance? The scene had a lot of meaning that I don't see people dig around with.

Essentially I'm pretty sure the fairy lights are obviously a throwback to their childhood together, spending time outside of Reggie. So the dance scene kind of symbolized that pocket of space they made for each other in their life (even if theyre far away, or with other people, they will always have that space for each other).

The way they danced was more like playfighting than dancing, which means their relationship isn't sensual. It's more ''pure'', and romantic. Its basically two kids rekindling their love as adults. I also think this is a response to the incest, cause in s1 tua klaus literally said that 'thank god Regg is not their real father' right before Allison and Luther meet lmao. So its kinda like saying Allison x Luther isnt supposed to be 'ohh step sibling hot' but two people who experienced the same trauma as kids and finding comfort with each other (and rekindling that love after many years).

[nomoregoldfish]

I Promised You The Moon rant

Just binged it and this was from the episode by episode reaction/discussion with my partner in crime @glossyboy.

First of all, Oab stole the show, singlehandedly, which he's not supposed to. I don't think anyone expected it including himself. In the very top post when I searched his name on tumblr, he said this lol

But the truth is he played one hell of "villain" that required a very nuanced performance and he delivered it in a believable and graceful manner. Jai became the catalyst of the entire season and his rather complicated relationship with Teh was the highlight of part 2.

EP 1

From the very beginning it's clear that part 2 is very much a Teh's story rather than a balanced story about two young people's journey as a couple in the next chapter of their lives. It makes me uncomfortable they made Oh-aew clingy and pessimistic without giving him any character development.

The best part is probably the opening scene where they went paper-rock-scissors to decide who's gonna buy condoms. It felt authentic, the expectation, the hesitation, the mischievous act, all fits their characters well. Other times ep 1 was more like two adult kids playing house, literally in an empty giant ass upper middle class apartment.

EP 2

It's great that they poked the femininity vs. masculinity issue through Oh-aew, but stopped right there at the surface. Missed a perfect opportunity to go head-to-head with the controversial topic, start a debate, crush the stigma of femininity, bring something new, be a real game changer of the BL genre, and most importantly give Oh-aew some concrete character development. Part 1 showed us a gay character that's very comfortable with his sexuality and femininity, that's almost revolutionary in Asia, not as a comic relief but a leading role. Oh-aew questioned his own sexual identity once in that bra wearing scene, it's straight out of comfort zone, BOLD, and transgressive. So I expected more from part 2.

That's it? And they're already sophomores? Can't believe Oh-aew's character has been marginalized like this. It's pathetic.

But I love the brutally honest conversation at the end where Teh vented his rage and despair regarding his frustration of acting. He was acting like a dick because he's disappointed, and scared. Teh again was not afraid of showing vulnerability, making the reconciliation very realistic and touching.

EP 3

Dare I say I freaking love ep 3! The unresolved (partially sexual, but not entirely) tension between Teh and Jai was over the roof! And the built-up to their kiss was very authentic, which paled Teh and Oh-aew's much sidelined storyline, including the long anticipated sex scene (still can't believe it happened right after Jai explicitly instructed Teh to do it after the two spent a whole night bonding, like wow! Totally TRANSGRESSIVE and to some extent, kinky.) Teh looked up to the senior, idolized him, wanted to be good for him and make him proud, thirsted for the validation from him, which was mixed with affections. The workshop diary was a brilliant idea to let them open up to each other and eventually bring them close. This was what a meaningful arc of a story looked like. By contrast, there isn't a single moment between Oh-aew and Teh in part 2 that made me go "Damn it's soooooo hot!"

I know Jai/Teh wasn't the endgame but I appreciate the storyline so much. It's a very bold move considering it broke the over-glorified "one true love in one's life" fantasy of its target audience, mostly young cis women. The popular narrative of "you can only love one person through your life/one true love" in romance fictions/chick flicks was totally smashed. And it wasn't written just to stir up things between Teh and Oh-aew, it wasn't a silly fling. Instead, it's meaningful, complicated, natural, and realistic, delivered by nuanced and excellent acting from two young actors. It's hilarious that fans hate Jai with a passion and call him names.

And big news, Jai is bi?! Bravo! He's radiating bi vibes since his first appearance.

I kind of gave up at this point, the season wouldn't do Oh-aew any justice. Like my partner in crime pointed out, the costume design literally threw some "incongruous female fashion pieces" on Oh-aew, made him dye his hair red, without...making any actual point of his personality or his character development. Wardrobe was supposed to make a point in storytelling. Yes, PP wearing pink is cute, and? There's nothing else for Oh-aew. Unfortunately he's reduced to this sulky, crying, and wronged partner in a failing relationship.

EP 4

Oab again was killing it. The tension between Jai and Teh...from the rehearsal in front of Oh-aew to the dressing room pep talk, was incredibly intense and hot AF.

Was it a manipulative relationship after all? Oab was so good at conveying a character with many faces. Jai's a mentor to Teh, also a good friend, their relationship was genuine. He's also ambitious with his own goals, he used, challenged, provoked Teh in a way that benefited them both. It made sense the title of part 2, I Promised You The Moon, was from Jai's script. He promised Teh what the junior wanted the most, a bright future in acting. Teh's unconventional and unspoken feelings for Jai was the best part of the entire season in terms of creative writing, it's complicated, fragile, delicate and completely heartbreaking.

The after talk in the hallway was so well-written. It's funny (Teh joking about playwrights always write about their EXs is gold), intimate yet meticulously controlled, no one lashed out or wept. Both knew what they signed up for and Jai particularly made it clear about his motive and the purpose of the "special workshop" beforehand (or right away.) Yet it's no one's fault that Teh got carried away. He's younger, he's immature, he's more into it, it's totally natural. It's so romantic when Teh's singing karaoke in the bar with Oh-aew, yet he couldn't help but desperately staring at Jai on the floor, knowing he and the man who just turned him down were never gonna happen, they were done, but he's still madly attracted to him and his talent. He fancied Jai, at least the idea of Jai, a playwright, a director, someone knew him better than himself. That hurt beautifully.

EP 5

Teh/Oh-aew endgame at this point was pretty meaningless. Oh-aew as a leading character never got any solid character development over a span of four years. What happened between Jai and Teh wasn't just "cheating", though they surely made it look that way, like Teh's empty promise of "I won't see him again after the show ends". No matter how Oh-aew and Teh eventually reconciled, there's no emotional connection, no sparkle anymore between the couple.

But I knew for a fact they had to. Otherwise it's too much of a risk financially for the series. The creators had to take the easy way out like most traditional romances—one of the most contrived and formulaic trope where the male leading character made a mistake (usually cheating) and realized he's wrong, he deeply hurt the female leading character (Oh-aew was merely a girl substitute in part 2), then he completely changed for hell knew what reasons, started doing every nicest thing in the world to try to "win" the female character back. It has been feeding the emotionally-deprived cis female readers/audience who are frustrated with heterosexual relationship irl for decades. The formula that made romance outsell other genres of fictions combined in the 60s and 70s still sells today, under the name of boys' love. It's pathetic to see Oh-aew confess to Bas that he always "lost" to Teh. Love shouldn't be some kind of game or competition, there isn't winner or loser in love. Love is spontaneous. Oh-aew didn't lose because Teh developed feelings for someone else, and he didn't win when Teh begged him for reconciliation. People change, people move on.

And as predicted, they went for it. The ending was so absurd and tedious.

Overall, Jai's probably the hardest villain to play, he needed to be REALLY GOOD to be "the bad guy", to make his role conceivable. Oab absolutely nailed it with his talent and experience. He's not even my type or extremely good looking yet I'm 100% SOLD. I immediately re-watched the scene of him kissing Teh back hungrily at the end of ep 3 like I used to re-watch Teh/Oh-aew's steamy make out session at the end of episode 3 part 1. Coincidence?

I like some parts of both seasons for the same reason, each challenged and tried to break some outdated/contrived narratives in the BL genre. Part 1 took on the sexuality taboo by showing two same sex characters sexually attracted to each other, no more "I'm not into boys, I just happened to fall for someone of the same gender" or "pure love" bullshit. By staying true to the characters' sexuality and actually showing it with explicit, intense (and beautifully shot) scenes, the gay characters were normalized. They weren't just pure and innocent, no one was. And it created two of most unconventional gay characters in Asian pop culture, Oh-aew, a beautiful boy who's very comfortable with his own sexuality and femininity, not passive at all, taking initiative to pursue what he wanted; and Teh, a sensitive, caring and vulnerable boy who cried a lot, he's confused but also sweet and brave.

Part 2 tackled the "You can only love one person through your life" trope with a very nuanced story of "cheating". Yet neither carried out what they started. Part 1 fell short of a revolutionary piece that stayed true to "adolescent sexual turmoil", dismissing bisexuality and becoming a typical unrealistic BL fantasy in the end. And Part 2, ugh, forced a "happy ending" that almost no one digs. I understand it's extremely difficult and risky to disrupt the established norms of a genre. But sometimes being transgressive and progressive could be the same thing. A story, an artwork, has to challenge something in order to create something new and compelling.

[livefordrama]

Reviewing Dramas I Have Watched Part 6

It’s been a while; I haven’t been able to watch a lot between school and just life. Not to mention the time I do have is spent doing buddy watches of kdramas I have already seen with my friends and family (On teleparty of course.) Again, here is my rating system:  1- Did not like, 2- Enjoyed but probably wouldn’t watch again, 3- Enjoyed and would watch some episodes again (or for movies may watch again), 4- Enjoyed and would watch again, 5- Loved

Korean Drama

Melting Me Softly: 3/5

Melting Me Softly is about a guy and s girl who get cryogenically frozen for an experiment for what was meant to be only a day. Unfortunately, something happens, and the 24-hour experiment turns into 20 years. Now they have to deal with the changes of not only their family and friends but the world and society as a whole all while trying to uncover the darker secrets behind the experiments.

I gave this a 3 because while the earlier and later episodes were amazing and hilarious, the episodes in the middle of the season bored me. I am not much of a romance person unless it is either subtle or played out a specific way and the romance in this wasn’t my personal cup of tea so it just got boring for me. On its good episodes though, it was funny, sad, and cute. I really did like the dynamic between the two main characters and the romance is pretty good, just a little slower in the middle of the series. The relationships with the family members of the two were so cute and so sad, I loved the all the scenes where the mains got to interact with their families. I did feel awkward and weird about the second-lead, I’m not sure if he counts as a second lead but for lack of a better term that’s what I’m calling him. I love Choi Bo-Min as an actor, and it had nothing to do with his acting, just the whole situation was uncomfortable to me. That other guy who doesn’t even deserve to be the second-lead, if you watch it you know, the stalker one, I despise that man. Not once during the entire show did I like one of his scenes. That could be why I didn’t enjoy the middle scenes as much cause he found a way to worm his way into almost every scene and I would get so annoyed with him. This show does have its good points and bad points, so I would recommend it for those who like romance with a little bit of suspense and humor.

Welcome to Waikiki (season 1): 3/5

Welcome to Waikiki is about a group of friends who own and attempt to run a guesthouse together. When they find a baby left behind in one of their rooms, they have to find out how to take care of her and find her mother. This becomes even more complicated when the mother returns in tears saying she had no where else to go and didn’t want her baby to suffer. After hearing about her troubles, they decide to take the two in, in exchange for help working at the guesthouse. It follows the group and mother as they try to figure out how to take care of a baby, save their failing guesthouse, and achieve their own dreams, all while falling in love.

This show was hilarious, I watched it because everyone was talking about how funny it was and I agree. I especially love how it focused on all the characters instead of picking just one or two and focusing on them. I love when shows really work on all their characters and this show played it out so well. Not one was neglected and I didn’t feel like any of them were underdeveloped by the end, and Sol was super cute! I loved every single one of her scenes, she was so funny and sassy and I know she is just a baby but she is amazing. I watched some episodes on the tv and my sisters even made comments on how cute she was when they looked up at the TV, even though they didn’t watch it. I enjoyed the ending and how it all played out and tied together nicely. 

It was a delight for the first two thirds of the season. However, yet again that romance hit and the humor kinda dissipated to be replaced by the romance for a good few episodes. While it was admittedly cute, and I adored the romance scenes in the last few episodes, most romance scenes gave me such second-hand embarrassment I had to pause the show for a while and gain the courage to restart it. I did enjoy it but would probably only ever rewatch the first two thirds and maybe the last two or so episodes. It reminds me of Love With Flaws in the second-hand embarrassment romance scenes, so if you enjoyed that show, definitely give this one a chance. If you like romance, humor, and can handle the second-hand embarrassment stuff I highly recommend this one! It’s super cute and hilarious!

Missing Nine: 5/5                                

Trigger Warning: Plane crash, Blood, Injuries, Suicide attempts, Murder

Missing Nine is about a girl who gets hired as a stylist for an arrogant and cold idol. On her first day, the plane they are all riding on to an event crashes on a vacant island. Only nine of them survive the crash and must now fight to survive and be found all while struggling with the betrayal of one of their friends who began to murder them one by one.

I really enjoyed this one, it was my perfect type of show; angst, suspense, subtle romance, crime, found family. The only issue I had with it was the unrealistic ending, I just don’t understand how it is possible and don’t know how I even personally feel about it. I am also probably one of the very few people who didn’t watch it for Chanyeol, don’t get me wrong I am an Exol too, but like really new Exol. You can skip this parenthesis if you want, it’s a kpop tangent. (I am a huge multistan. I love all the kpop groups I have listened to so far and have all the dalcomsoft games minus Gfriend even though I love them, cause I feel like it’s going to be a BTS superstar and get deleted so it’s not worth my time or efforts. Feel free to talk to me about any group and any member. If I don’t know them, I would be happy to find new ones so even if they are not well known or new, don’t feel worried about squealing to me about them, I would love to make kpop/kdrama loving friends.) I watched for Jung Kyung-ho and only when I started did I see Chanyeol which was cool to find. This also means POSSIBLE SPOILER ALERT I wasn’t disappointed or biased after a certain episode like many of the people I saw raging in the Tvtime comments, not saying this in a bad way just stating that since I am neutral on certain events, I will be focusing on specifically the plot and how I felt about said plot versus how I feel about characters. SPOILER ALERT OVER

Overall I really loved this show, it was certainly an emotional roller coaster. I felt that it could have had a second season or a spin off to tie up that last little cliffhanger but I personally and satisfied with how the main issue wrapped up, other than that one weird ending scene. If you like angst, suspense, crime, and a little romance seen in an enemies to lover type of trope then I highly recommend this show. I gave it a 5 cause I personally loved it and am already planning on rewatching it with my friend. It does have a lot of blood and injuries so if you are sensitive to that, I wouldn’t recommend it to you. 

Because this is my first life: 5/5

Trigger Warning: Sexual Assault, Attempted R@pe (but it didn’t get far at all, just be careful)

Because this is my first life is about a woman (Ji-ho) who has to find a new place to live as her brother is getting married and her parents gave the son the apartment that they had bought for both their children. Because of many misunderstandings and coincidences, she accidentally rents a new apartment with a very strict and stoic man (Se-hee). Due to more problems, the two come to an agreement that they should get married since they both can gain something from it. The woman gains a place to stay and the man gains a tenant to help pay the bills, no more, no less.

Okay, so while I said that I didn’t like romance this is the exception, much like Shopping King Louie, it was just a really cute slow burn that I thoroughly enjoyed watching. Many people in the fandom, on TV time at least, were giving Se-hee a hard time and saying he was using and manipulating Ji-ho but I didn’t see it that way. She consented and never voiced anything other than that and the deal was for her to stay in the apartment since she needed a place to live and he needed someone to help pay bills. He didn’t ask for anything more, she was already following his schedule before the marriage issue and was just fine and accepting when they decided to get married. Neither had any expectations of falling in love, they just both needed something that marriage would help them gain and both consented to it. Later on, Se-hee even asked her if any advances were okay and backed off when they weren’t with no questions asked which I find admirable. Okay, rant over. It was cute and at times annoying cause you just want them to get together already. I laughed so hard in so many episodes and cried in a few too. The cat was so adorable and I love the interactions the main’s had with the little fluff. The best, and sometimes most painful, bonding moments between the main’s were the ones that dealt with the cat. I wasn’t too fond of the love triangle but was pleased with how it actually played out with the two women actually accepting each others presence instead of being horrible to each other for the most part. Highly recommend it to any romance lovers, and especially to those who are fans of shows like Shopping King Louie as mentioned above.

Flower boy next door: 3/5

Trigger Warning: Stalking, Panic Attacks, Sensory overload, Bullying, Teacher Crushes and Manipulation of Such

Flower boy next door follows Dok-mi, a young woman with crippling social anxiety to the point she never leaves her apartment. From her window she watches her across the street male neighbor every day, taking note of his entire schedule. This all comes back to bite her when her neighbor’s brother comes to visit from Spain and catches her. What starts as an attempt to make her stop stalking her brother, quickly progresses into a mission to help her overcome her past, anxiety, and to get out of the house and adapt back to a healthy social life. As this mission goes on the two begins to realize they have feelings for each other, but Dok-mi’s own next-door neighbor has his own mission of getting her to stay inside and fall in love with him. He has been writing a web comic about her being a modern Rapunzel and has been in love with her for many years.

I enjoyed this one, I watched it cause the actor from Psychopath Diary starred in it and it was really cute. The romance was adorable, and the whole telepathy thing was a great addition that made me laugh. I love the whole adorable dork male with quiet cold girl trope so much. I didn’t like the whole stalking situation very much, it’s just kinda weird and was something that made me really uncomfortable during the first few episodes. I wasn’t a huge fan of the next-door neighbor, he just seemed like an enabler to me and I found myself angry through most of his scenes, as well as through most of Dok-mi’s childhood friend’s scenes. Other than those two characters, I enjoyed it well enough. I know some people can get annoyed by each characters flaws but I usually am good with morally grey characters as long as they learn from their mistakes. Some did in this show and there was a lot of character development and some didn’t which is realistic but makes me kind of sad. I recommend it to people who like a cute romance show with some angst and don’t mind morally grey characters.

Web-drama/Mini-series

Ghost Vros: 4/5

Trigger Warning: Suicide, Death, Some gore, Jump scares.

Ghost Vros follows two young men who are trying to start up a business where they hunt ghosts using virtual reality software. The main character is able to sense the ghost through his ears turning red and his friend programs the virtual realty to make sure the main has everything he needs to catch the ghosts.

I liked this one, it was fast like many web dramas are, but really interesting. I did attempt to translate it myself with my, admittedly little, Korean knowledge before finding the English subs (which you won’t be able to find now that Youtube has rudely removed community subs, unless it’s uploaded somewhere else. If someone finds it please let me know.) I was always engaged during the show and wasn’t bored at any point. It did have some confusing points and I wish we got more backstory as there was mentions of some interesting things that was never explored further, but it is a web drama, so that is more than likely too much to ask for. Recommend to anyone who enjoys a quick comedy ghost story.

 Cats Taste and Cat Bartender: 5/5

Cat’s Taste and Cat Bartender follow three cat gods who run a bar at night to make money for their injured owner. At this bar, they give upset humans cocktails which enable them to either posses said human or go into a dream world, this isn’t really clear, and correct the issue in exchange for items the cats find interesting on top of the alcohol cost.

This show was so cute, I absolutely loved and couldn’t stop smiling. I got the first season, Cat’s Taste, on my youtube recommend and decided to watch it since I was bored. I am so glad I did, I got super excited when I saw that there is a second season as well and spent forever trying to hunt it down before a kind person on MyDramaList put a link to the English subs in a comment (if anyone needs it, I will be happy to send it.) Both seasons were amazing, and I am hoping for a season three as the ending looks like it might be set up for one. The way they showed the bartending moves was so pretty and satisfying and I liked how all three cats got to show their moves instead of just the one.  I don’t like alcohol, have tried many kinds many times to but just don’t, however this show makes me want to drink the mixed drinks even though I know I would hate the taste.

Also, is it just me or does Ms. Hana remind anyone of Johnny from NCT? I don’t know if she looks like him or what, sometimes someone reminds me of someone else and the two look nothing alike. Don’t know what that’s all about but let me know because I could not shake the feeling that she reminded me of Mr. Johnny from Chicago. Anyway, tangent aside, I highly recommend to someone who like a quick but cute drama.

Korean Movies

Beautiful Vampire: 3/5

Beautiful Vampire is about a female vampire who tries to avoid people due to her nature, but has all that shattered when she runs into her landlady’s son one night and begins to fall in love.

This movie was pretty good, but a little confusing. I couldn’t even write a proper plot explanation cause I was just so confused. I honestly felt like a fever dream, though a relatively interesting fever dream. I wish we had more information and backstory cause it just kinda felt like a rollercoaster ride of pining. It ended okay; I mean I was bored at the time, so it was something to do. If I am bored in the future, I might watch it again. I agree with most on TvTime when they say, it wasn’t bad, but it wasn’t good, it was just something to do. I feel like the story line needed more work done and that it ended too fast and progressed in such a way that it was hard to follow. If you are bored or have nothing to do, give it a try, you might like it more than I did.

Chinese Drama

Take My Brother Away: 3/5

Trigger Warning: Alcohol Abuse

Take My Brother Away is based on a web comic about two siblings living with their alcoholic, debtor father in China, after their mom filed for a divorce and left. It follows the two as they go to school, work, and try to live a normal life. The sister hates her brother for being lazy and not being able to help her get what she wants, and the brother gets annoyed at the sister for always getting violent with him and nagging him.

I loved this one, it was really interesting to see the dynamic between the family. I felt that the brother should have been given more credit in the beginning for all he does for his sister and I felt really sorry for the sister because she just wanted to be like the other students who could afford to read web comics or go on trips. Some episodes were hilarious, some were heartbreaking, some were admittedly annoying, some gave me secondhand embarrassment. I just love it all, the only reason I give it a three is because I wouldn’t watch all 50 episodes again, I loved it but some were more on the boring side like filler episodes and I just, don’t think I’ll ever watch the whole series again. I can defiantly say however, I will probably watch most of the episodes again. I enjoyed the ending though it was admittedly on the strange side, and felt it was wrapped up nicely. There was a lot of character development too which is always great. I recommend this to those who enjoy some dysfunctional family humor and some angst and who are able to commit to long seasons.

 Part 1

Part 2

Part 3

Part 4

Part 5

[beyondstupidityblog]

On March 13th 2021, two friends and I did what never could have imagined possible, I watched Freddy Got Fingered for the ninth time, and it will by no means be the last. I’m explaining this to you, dear reader, so you and I have an important understanding between us. You will be reading the ramblings of one whose brain has curdled like milk left out in the hot afternoon sun. Now that introductions are out of the way, let us begin.

Freddy Got Fingered is a 2001 Comedy starring and directed by Tom Green as the Non-Titular Gordon Brody; an aspiring animator who goes to California to realize his dream, only to be constantly crushed under the weight of his father’s expectations. Sounds tame at first, but what lies beneath the veneer of mediocrity is truly impressive. Completely bombed,  audiences hated it, and critics loathed it. Roger Ebert got angry, saying “it isn’t even below the bottom of the barrel” and “Green should be flipping burgers somewhere.”. “Tasteless”, “appalling”, “offensive”, “gross”, and “poo poo,” are just some of the things people have had to say about this film. Animal genitalia can be seen on screen for much longer than anyone could have expected, Tom Green swinging a baby akin to a morning-star with its umbilical cord, said umbilical cord being stolen and taped onto his stomach, gratuitous caning of a nymphomaniac paraplegic, and the dissection of a deer carcass. It is an abrasive experience that leaves a terrible taste in the mouths of those who mention it. Nonetheless, I love this movie. 

You ever see a contemporary art exhibit that has a piece that just looks like garbage somebody left out but in actuality is a tongue-and-cheek allusion to the pitiful state of modern art? That garbage is Freddy Got Fingered, and that exhibit is Hollywood. At face value it just seems like a poorly done film by a comedian trying to use his name to get a few butts in the seats before his irrelevancy arrives, but when scrutinized as a commentary of comedy films do the pieces start to fall into place. Tropes like the Protagonist being an unremarkable honkey, gross-out designed to get some cheap quick chuckles, side-characters who occupy the space solely for comedic relief, a shoe-horned romantic side-plot, and an equally as shoehorned in happy ending are all present in a mocking fashion. So many of these Hollywood schlockfests that this movie is paying homage to abuse tropes in some vain attempt to trick the audience into thinking they’re having a good time, when in reality it just reminds viewers of films that they’ve already watched before and could be enjoying instead. All of the awkward and uncomfortable scenes of gross-out and romance are purposeful, because nothing is quite as awkward and uncomfortable than a film disengaging the audience with its own mediocrity. “This is what it’s like to endure this trash!” Drunkenly screams Freddy Got Fingered atop the tallest piece of furniture in the room, while also exposing its genitals to keep you from getting too comfortable around it. Unlike the films it is parodying, its obsession with making a fool out of audiences rips them away from the comfort of the cinema, making them genuinely ask if it is worth wasting their time watching a film called Freddy Got Fingered. Even the title is an intentional slight, as it seems to be completely untethered to the actual plotline and is instead a reference to a seemingly inconsequential scene. But then again, that is the point of it all. Tom Green is an artist, and on his canvas is a portrait of Hollywood with all of the ugly little imperfections that cause a movie like this to be created. But this is just the meta-narrative of Freddy Got Fingered, something that you could find all over the internet. Why do I resonate with it so much, and what about it makes it so exceptional that led to this unhealthy fascination?

    Every instance that I’ve rewatched Freddy Got Fingered has always brought about a new side to it, and in the process leaves me craving for more. Gord is an interesting take on the average leading man. He is on the surface bland and inoffensive, made so in order to allow the majority of the audience to immediately identify with him, said group being 20-something skater guys with unrealistic expectations of themselves. Made especially ironic when after the introduction of Gord as an adept skateboarding rebel escaping from authority, he starts to show that in reality he is an unlikeable, bratty, entitled, and all around unpleasant person. Barely a scene passes before we see him masturbate a horse while exclaiming he is a farmer to his father who is not present, seemingly a crude gag but is in reality an insight into his low self worth caused by his imposter syndrome stemming from distant paternal relationship. I would like to remind you, dear reader, that I am still writing of Freddy Got Fingered, in case you were beginning to think I have lost my mind (The answer is yes by the way). All throughout the film Gordon Brody puts on masks for different situations, never allowing himself to be who he is. When infiltrating the Animation studio where he wishes to pitch his cartoons, he pretends to be a mailman to get past reception and then impersonates a police officer when the former stops being effective. Donning the visage of a British Bobby, he dashes into the restaurant where the man he is searching for, Mr. Wallace, is eating. Showing him his cartoons, Wallace is impressed with the potential they have, but says that they are incoherent and lack real substance. Upon rejection, Gord puts a pistol in his mouth before Wallace stops him and advises what he should do to improve. Gord was genuinely ready to blow his brains out the back of his skull if he wasn’t able to get his show greenlit, and it hit me in that moment that he isn’t just some random jackass, but a victim of detrimentally low self-esteem.

The origins of his complex are made apparent when he goes back home to Oregon and are reintroduced to his Family. We see that his father Jim, played by Rip Torn, is disappointed in his return and begins to sneer at him for his failure. This father and son dynamic always has tension in every scene from this point onwards. Gord, who just wants to be accepted for who he is and not judged by what the world expects him to be, is always at the receiving end of Jim’s wrath, who values his idea of a successful life over the happiness of his sons. From here it becomes little wonder why Gord is the way he is, all his life he was told that who he was is not good enough, he has to be what his father wants if he is to be considered worthy of not only love, but being treated with a modicum of dignity. Whenever Gord acts eccentric or divulges his interests to his father, they are met with either resentment supplemented by verbal assault, or physical violence. After a late-night skateboard outing to escape from his father’s wrath goes awry, he visits his convalescing friend in the hospital, whereupon he meets one of the more interesting characters in relation to Gord, the love interest Betty.   

A horny wheelchair bound temptress may not seem like it upon first glance, but Betty is actually the most interesting character out of the entire cast. She feels genuine, introduced as a bored receptionist flipping a coffee creamer idly. Gord immediately strikes up a conversation, whereupon he and the audience find out she has an interest in physics, and apparently an interest in him as well. Betty is strangely well written for what most considered at the time to be a crass sexual joke, so much so that she would actually be a better protagonist than him. She is everything Gord is not, she’s smart, funny, ambitious, and  kind to a fault. Even her side plot to create a rocket powered wheelchair makes for a much more unique plot than the one given. Even Gord reciprocates this sentiment in their meeting, lying that he is a stockbroker in an attempt to impress her. In fact, sectioning her off as just the dull protagonist's love interest is a jab at how women in these movies are only there to serve in the development for the male protagonist, just nothing more than their muse. Nonetheless, without this relationship the movie would lose a lot of its soul. Romantic chemistry in comedy films is always hit or miss, but Gord and Betty do seem to have it surprisingly. They’re both silly and impulsive, creatively driven to a fault, but just different enough to eek out the best and worst in them. Gord  thinks that what he wants to do with his life is wasteful, but Betty doesn’t. Now I don’t mean that she directly affirms that he is worthwhile like most poorly written love interests would, stroking their lover’s(and by extension the director’s) ego, rather she confronts him with her optimism. He asks if she would feel stupid and like a loser if her experiment failed. Taken aback at first, she questions why she would, relaying that her failures are just as important as her successes. Gord’s self-worth is directly tied to his ability to succeed, whereas Betty doesn’t need this affirmation. Their dialogue further cements how detrimental his father’s overbearingness was to his outlook, and how he is slowly beginning to realize how destructive that mindset is. 

At their dinner date, Jim sees Gord and Betty across the restaurant, then reveals that Gord was lying to both him and her about his office job while poking fun at her disability, leading to a father-son scuffle that throws the entire floor into utter chaos. Cops show up, Gord and Jim are detained, and Betty bails Gord out. Most mediocre comedies at this point would have the love interest be upset that her significant other lied to her, leading to him having to make things right to repair their relationship before the happy ending. Breaking the mold, Betty does not get angry with Gord even a smidgen, choosing to be understanding of his situation now that she caught a glimpse into his home-life. She just plain likes Gord, willing to put up with him more than she really should, but still chooses to look past his lies and self-destructive nature for who he truly is, someone who just wants to be accepted by the world around him. Someone just like her.

Right after that enaction of social terrorism performed by the Brody father and son duo, they decide it would be best to go to family therapy and assail the audience with what I fondly refer to it as, “The Scene.” “The Scene” is Freddy Got Fingered’s statement to the world, it is what instills a man with the impetus to rewatch a glorified stoner daydream for the ninth time and leave him wanting more! Gord accuses his father, in a final act of defiance, of molesting his younger brother Freddy. During the ensuing confusion Gord picks up a bust of Sigmund Freud and throws it into the glass window pane, allowing him to escape into the evening sun. The authorities take Freddy away and send him to The Home for Molested Children, and the family slowly unravels from then on. Besides the heavy handed metaphor of Freud’s theories being used as a way for Gord to escape his predicament while simultaneously discrediting them, “The Scene” also recontextualizes Freddy, innocuous of a character as he is, as Gord’s foil. He is in the movie very little but when he is it is to serve one of two purposes: To be compared to Gord, or to be treated as an object. During breakfast much earlier in the film after a fight between Gord and Jim, Freddy tries to explain to his brother that he should grow up. Gord, surprisingly, talks down to him and halts the conversation.

Gord: “He's driving me insane.”

Freddy: “No. No, you're driving him insane. You're older than me and you still live at home. I have a job, you know. I pay my own way.”

Gord: “You work in a bank. Should I be dazzled?”

Freddy: “Well, at least I don't live at home!”

Gord: “No, you live in a tiny shithole and you come here to eat for free.”

With these lines it is plain to see that despite Freddy’s idea of success directly lining up with his father’s, he is even more pitiful than Gord. What little we know of him is to show that his acquiescence to his father’s expectations has left him bereft of not only genuine personal success, but of dignity itself. When child protective services come to take him away, he is half naked, mouth agape, watching open heart surgery on television, a palpable indication of emptiness. He isn’t treated as an adult either, as his protests to the police fall on deaf ears as both them and the psychologist infantilize him. Why would Tom Green name this movie after a character like Freddy, whose lack of presence and characterization make him little more than an afterthought when looking back on the story? Or did I just answer my own question? Freddy is not a character because he is not allowed to be one, he is just too passive and accepting of his circumstances for him to stand out. All he can be is a doll that Jim uses to dress up as the perfect son, and this passiveness leads to Gord, the “failure,” to both pity and resent what he let himself become. That’s why Gord accuses their father of molesting him, after all he does narratively violate Freddy’s autonomy by consistently making decisions for him. Evidently enough, as soon as Gord dons a suit for a quick bit Jim is elated because he believes that his son finally gave in to his demands for him to get a job, because he is acting more like his obedient brother. In this sense Freddy is the most tragic member of the Brody clan, a literal manchild whose growth was stunted by overbearing guardians. When I think of him, a bonsai tree comes to mind. Sure, it looks healthy, but when you realize that it could have grown into a much bigger plant if it were not for its small pot, that realization of wasted potential comes with a tinge of melancholy.

I want to end this essay with a moral that I took away from Freddy Got Fingered, as strange enough as that sounds, and what it has to say about art as a whole. Put simply, this is a story about revenge. Despite and because of his Father’s harsh ways, Gord managed to take from the trauma he sustained throughout his life and sublimated it into his animation. Creation not only lets him heal, but also acts as retaliation against Jim once he becomes successful. So long as you have the drive to prove everyone’s doubts and admonishments wrong by persevering out of wicked spite, you will have the last laugh. Freddy Got Fingered is a story about revenge through artistic expression, and I think that is quite beautiful.

[unidentifiedflyingfks]

Movie: FINAL GIRL (2015)

Cast: ABIGAIL BRESLIN of Little Miss Sunshine and Zombieland

WES BENTLEY of and The Hunger Games, Yellowstone, and my personal favorite P2

ALEXANDER LUDWIG also of The Hunger Games and Vikings

This movie has literally kept me up all night with questions. Mainly how did they get Abigail Breslin, Wes Bentley, and Ragnar Jr. all to agree to be in this awful movie? Then, answering my own question, can literally anyone with $$ make a movie and pay reasonably well known actors to play in it? Then, is everybody fucking with me?

***Side note: the term ‘final girl’ is a common trope in horror referring to the last girl left alive, or the survivor. (Ex. Jamie Lee Curtis in Halloween)

The director, Tyler Shields, is better known for his photography career and before that professional inline skating, funnily enough, where he worked alongside the likes of Tony Hawk and other pro skaters. His photography seems to be centered around shock value with works including items like black guys lynching a KKK member, Lindsay Lohan as a vampire, a crocodile biting a crocodile skin purse, and more recently a photo of Kathy Griffin holding what looks like Donald Trump’s severed head. (Spoiler alert: Donald didn’t take it well) Basically all playing off of easy to reach social issues that will exploit controversy without offering anything other than surface level discomfort IMO. Final Girl was his debut film and while I will credit its high production value and actors I soo wanted to like, that’s where it ends.

(Tyler shields and his infamous photo)

The movie begins with Wes Bentley’s character interviewing a child (young Breslin) who just lost her parents under seemingly violent circumstances. She demonstrates puzzle solving skills and seemingly photographic memory as well as a apathetic view of death—as when she says “death happens” right after the death of her parents. So Bentley recruits her for **something** hard that most people can’t do. He also reveals his wife and child were killed by **someone** (not the villains the whole plot centers around because if they’re seniors in high school at the time they would have been about 6 when his wife was killed assuming it was recent to the death of Breslin’s parents since we’re…. ah doesn’t even matter. Too stupid.)

First of all, I love Abigail Breslin. She’s beautiful, funny, and I especially like her as #5 on Scream Queens. Buttttt, let’s keep it real she was horrible for this role. It was never believable that she was an elite agent trained since childhood to mirk people with her bare hands. That being said, her training basically consisted of talking yourself up, choking Bentley, and taking DMT (Also, what?) so it’s not all on her. I would have even been with it if she used her aforementioned puzzle solving skills and smarts to beat the boys, but instead were treated to unrealistic fights scenes with Breslin’s character takes multiple punches to the face while looking the daintiest I’ve ever seen her.

Stop there if you’d like, you have the jist, but there is a little more.

Anyway it all starts when she’s launched on her mission. Is it the first mission of many, or what she’s been training for her whole life, we don’t know. Breslin befriends a girl in a 50’s style diner with instant milkshakes and they start talking about their love interests. The girl has the hots for a guy other than her boyfriend, and Breslin has the hots for her mentor/dad (basically, right? It’s Wes Bentley I get it, but it’s still kindaaa weird right?) That encounter amounts to very little then Breslin meets Jameson, Alexander Ludwigs of ‘Vikings’, who dresses for prom and invites her out. (Yeah, that’s all I got too)

They meet up with Jameson’s three dumb friends and they’re all wearing their prom garb too. Then they drive out into the wilderness to some teenage drinkin and fuckin couches in the woods—again, not that you’ll see any fuckin’ inthis movie, killin’ motivated crimes only for these teen boys. Breslin’s pops out some DMT laced liquor for the boys and they start playing a game of truth or dare out of a bag for some reason. After a weird spiel from Jameson about a rabbit he feels bad about letting die slowly, Breslin conveniently draws ‘get tied up’ from the truth-or-dare bag. She’s tied behind the back, not that it really matters because she gets out instantly. Then they tell her their plan for the four of them to hunt her down ‘The Most Dangerous Game’ style. They give her five minutes to run, but one guy is too eager to kill her and runs off before the five minutes is up. Luckily he’s tripping balls by now in the way only people who have never tripped any balls imagine tripping balls is like, so while he’s battling two deadmou5e-like apparitions Breslin can steal his axe and kill him with it. Now she’s armed, oh never mind she left the axe in that guy’s chest.

Then she kills another hallucinating guy after taking a couple blows, then she goes after the third guy. Number 3 is also clone kid #7 from UltraViolet, his worst fear is that his girlfriend, the one from the 50’s diner, is fucking Jameson—which she is—and also that she will find out about their “hunting trips” and he will have to kill her for it. After hallucinating all of this, including a fist fight with Jameson who apparently isn’t even there, it is revealed to be Breslin’s character encouraging his hallucinations the whole time. She then kills UltraViolet-child-actor with a rock to the face in the the best kill scene of the film.

(See?)

The only one remaining at this point is Jameson, who incidentally is the only boy who didn’t take the DMT laced drink. Breslin is beat up and exhausted by the time Jameson encounters her. Before THEIR fistfight they engage in a game of wits (not For realz). They each answer each other’s questions with Breslin revealing she enjoyed killing the boys and Jameson AKA Ragnar Jr. admitting they’d already killed 20 women the same way. He then asks her to join him and continue killing together, but she declines, they fist fight, she chokes him like she choked Bentley in the beginning, and drugs him.

(This is the high school goof supposedly responsible for 20 murders. I just can’t get over this. As an avid reader of true crime, numbers like this are unheard of for a guy of his age. Also are we supposed to believe 4 guys in Tuxedos in this seemingly small town have killed 20 women and no one noticed? GTFO)

When Jameson wakes, he’s in a noose on a stump teeter tottering for his life as he starts to hallucinate. He satisfactorily begs Breslin for mercy, then is overtaken by his worst fear—the ghosts of his victims who startle him off the stump and to his death by strangulation.

After Ragnar Jr’s dead, Bentley walks out of the forest with a sniper rifle and I almost freaked TF out. I don’t feel good about comparing it to LOTR, but it’s like Gandalf calling in the giant eagles to take Frodo home after he’s travelled a third of the world to get there ON FOOT. What. Was. The. Point. Seriously. (Actually seriously—would the birds have been corrupted by the ring of power, or is that just like a major plot hole? And was Breslin on hard drugs for a little while and I didn’t hear about it?)

Anyway, after that Breslin and Bentley go to a diner, order pancakes, agree that they taste terrible, and that’s it. The end.

I know you may be thinking ‘yeah unidentifiedflyingfks, but your missing the deeper meaning—they all took the DMT and it made them face their worst fears!’ Yeah—I get that, but it still doesn’t mean it works. I would have literally rather it be magic than DMT. They’d probably all have different reactions and probably not even be incapacitated in the ways depicted in the movie. For it to expose everyone’s ‘worst fears’ is fucking magic anyway so let’s go ahead call a spade a lazy, half baked plot line, m’kay?

What really irks me about this movie though, is it could have been good. Have Breslin act within her skill set and find ways for her to use them that make sense, or at least give her some boxing classes and have her lift weights for Christ’s sake. Also these teens have killed 20 girls already? Where did they even come from? Also Bentley knew and this was the best way he could come up with to take them down? And who told him to act like a total weirdo creep in every scene? I don’t expect much. If you can’t make it good make it funny and this was neither. I wanted to like this movie, I still like Breslin and Bentley, but for as many reviews I read that wanted to give it 0 stars and couldn’t, I will. Never forget…. Oh never mind forget it all.

***0/5 FF’s, first certified TERRIBLE MOVIE!!

Here’s some user comments I found 😂😂 ->

[medicifm]

*  not  me  actually  writing  an  intro  the  night  before  like  i  always  mean  to  😳  hennyway  hey  biddies  ,  i'm  chloe  ,  im  in  the  snowy  part  of  pst  ,  &  i  use  she / her  pns  .  i’ve  been  . . . . . . .  scouring  the  tags  for  an  rp  like  this  so  im  so  excited  to  bring  this  newish  muse  of  mine  here  !   im  here to  do  the  honours  of  introducing  my  himbo - on - the outside , manipulative - shit - on - the - inside  . . .  oscar  🤡

(  twenty  three , cis  man , he / him  ) ✉ ― hey  babes , have  you  met  OSCAR  MEDICI ?  they’re  working  here  as  THE  HEAD  CHEF  AT  LORENZO’S ,  a  few  villas  down  from  where  you’re  staying  .  you  might  hear  them  singing  ALRIGHTY  APHRODITE  BY  PEACH  PIT  playing  from  their  villa  ,  it’s  their  favourite  song  .  yes  ,  they  hear  that  they  look  like  JACK  GILINSKY  a  lot  ,  actually  -  it’s  really  uncanny  .  their  friends  back  home  in  SYDNEY , AUSTRALIA  say  that  if  they  were  on  a  tv  show  ,  their  trope  would  be  THE  WOLF  IN  SHEEP’S  CLOTHING  ,  how  funny  is  that  ? ✎ chloe , 22 , she/her , pst

𝐢  .

pinterest  |  wanted  plots  |  

𝐢𝐢  .

name  :  oscar  gabriel  medici

age  :  twenty  three

dob  /  sign  :  december  4th  ,  1997  /  sagittarius  sun  ,  leo  moon  ,  libra  rising 

pob  :  sydney , australia

gender / pronouns  :  cis  man  &  he / him / his

career :  head  chef  at  lorenzo’s  ,  full - time  heathen  ,  professional  disappointment  for  mothers  everywhere  .

drinking / drugs / smoking :  yes / more  often  than  he’d  admit / never .  

religion  :  jewish  background  ,  currently  non - practicing .

physical  :  jack  gilinsky  fc ,  dark  brown / black  longish  curls  (  reference  )  ,  dark  brown  eyes  ,  canon  jack  g’s  tattoos  ,  no  piercings  ,  6′2″  ,  175  lbs  ,  lean  but  strong  .  tattoos  a  la  canon!jack  ,  pearly  white  smile  that  he  may  . . .  or  may  not  . . .   use  crest  3D  white  strips  weekly  to  maintain  .  lots  of  burns  &  scars  from  kitchen  mishaps  on  his  hands  &  arms  .

traits  :  hard - working  ,  flighty  ,  intelligent  ,  hedonistic  ,  charismatic  ,  intense  ,  volatile  ,  

other  :  speaks  weird  french  (  aussie  accent  tings  )  ,  tans  easily  but  wears  sunscreen  nonetheless  ,  works  hard  parties  harder  ,  can’t  read  a  lick  of  french  but  spends  a  lot  of  his  free  time  with  a  coffee  &  a  new  paperback  ,  has  a  bit  of  an  internal  vendetta  against  rich  people  (  for  no  real  reason  ,  he  just  doesn’t  like  most  of  them  )  ,  has  ins  with  a  bunch  the  local  farmers  &  visits  them  weekly  ,  pretends  he  isn’t  lowkey  addicted  to  nicotine  administered  via  a  puff  bar  ,  liquor  of  preference  is  tequila  or  red  wine  ,  drives  a  lil  vespa  around  town  for  the  gag  of  it  (  loves  seeing  it  haphazardly  parked  amongst  a  bunch  of  luxury  cars  )  ,  

character  inspo  :  jess  mariano  (  gilmore  girls  )  , gordon  ramsey  🤡 ,  patrick verona ( 10 things i hate about you ) , ferris bueller ( ferris bueller’s day off ) , han solo ( star wars ) .

𝐢𝐢𝐢  .

oscar’s  arrival  was  as  unwanted  to  his  parents  as  could  be  :  a  father  whose  tendencies  leaned  towards  alcoholism  &  abusing  whoever  was  in  arms  reach  ,  a  mother  whose  life  was  more  or  less  spent  at  the  nursing  home  she  worked  as  a  nurse  at  ,  evading  home  .  he  became  a  self - inflicted  loner  ,  preferring  to  do  literally  the  exact  opposite  of  what  was  expected  or  wanted  from  him  .  he  had  a  few  friends  he  ran  with  ,  but  watching  them  all  go  off  &  study  or  prepare  for  university  solidified  in  oscar’s  mind  that  the  non - traditional  route  was  for  him  .  growing  up  by  the  water  ,  oscar  always  felt  more  drawn  to  skip  school  &  head  to  the  beach  than  he  did  obeying  his  parents  wishes  .   

one  of  his  solaces  was  his  grandfather  ,  gabriel  ,  who  owned  an  italian  restaurant  in  a  beach  town  north  of  sydney  .  whenever  the  weather  was bad  &  oscar  felt  like  ditching  class  ,  he’d  head  over  to  his  nono’s  restaurant  where  his  ass  would  be  put  to  work  as  soon  as  he  set  eyes  on  the  restaurant  .  it  was  tough  work  ,  but  challenging  in  a  way  that  fanned  the  flames  in  oscar’s  heart  ,  rather  than  dimming  them  .  by  the  time  he was  a  teenager  he  was  working  in  the  restaurant  everyday  after  school  , an  agreement  between  him  &  his  grandfather  framed  on  the  back  wall  that  stated  that  as  long  as  oscar  kept  from  flunking  out  ,  he  was  allowed  to  spend  as  little  or  as  much  time  in  the  kitchen  as  he  pleased .  

his  absolute  defiance  of  anything  traditional  &  following  the  rules  made  him  unpopular  with  adults  ,  but  lowkey  cool  with  the  girls  .  by  the  time  he  was  sixteen  ,  he  was  losing  his  focus  on  the  restaurant  &  his  grades  &  spending  more  &  more  time  chasing  after  girls  .  his  nono  tried  to  get oscar  to  come  back  &  focus  ,  but  as  always  ,  anything  he’s  asked  to  do  quickly  becomes  the  thing  he’s  running  from  the  most  .

tw  :  death  ,  cancer  .  around  his  eighteenth  birthday  ,  his  grandfather  suddenly  fell  ill  with  a  rare  form  of  cancer  that  took  his  life  six  weeks  after  diagnosis  ,  which  rocked  oscar’s  world  .  he  felt  overwhelming  guilt  that  he  hadn’t  spent  more  time  with  his  grandfather  ,  which  manifested  itself  as  oscar  dropping  out  of  school  a  year  shy  of  graduation  to  commit  himself  fully  to  perfecting  his  grandfather’s  techniques  ,  learning  all  of  his  recipes  (  read  :  pouring  over  dozens  of  handwritten  cookbooks )  in  some  failed  attempt  to  get  back  some  time  with  him  .  oscar  hadn’t  been  close  with  his  parents  in  years  ,  more  or  less  seeing  them  as  wardens  of  a  prison  he  wanted  nothing  to  do  with  .  his  grandfather’s  will  left  him  the  deed  to  the  restaurant  ,  with  an  ask  that  oscar  would  promise  to  act  on  whatever  he  felt  called  towards  ,  rather  than  doing  what  others  expected  of  him  .  to  be  candid  ,  this  whole  situation  crushed  him  .

eventually  ,  he  decided  he’d  had  enough  of  the  stifling  community  he’d  grown  up  in  .  he  sold  the  restaurant  to  one  of  the  regulars  ,  a  wealthy  man  who  he’d  come  to  acknowledge  as  somewhat  of  an  uncle  ;  a  safe  pair  of  hands  who  would  treat  his grandfather’s  legacy  with  as  much  passion  &  respect  as  oscar  himself  would  .  so  he  packed  a  bag  ,  texted  his  mom  that  he  was  going  traveling  ,  &  got  on  a  flight  that  evening  .  he  traveled  all  around  -  first  through  central  america  ,  then  through  europe  ,  throughout  asia  &  africa  ,  &  spent  a  few  months  driving  a  van  across  the  continental  united  states  &  canada  for  fun  . 

eventually  ,  he  started  getting  low - ish  on  money  ,  &  decided  to  settle  in  one  of  his  favourite  places  he’d  visited  :  southern  france  .  he  arrived  in  early  2018  ,  taking  on  whatever  menial  tasks  he  could  while  learning  french  until  he  got  a  position  as  a  line  cook  in  an  italian  restaurant  .  a  few  years  later  ,  he’s  made  his  way  up  to  filling  the  head  chef  position  ,  an  honour  he  takes  with  pride  .  he’s  implemented  many  of  his  own  recipes  while  using  flavours  he’s  learned  from  his  travels  ,  with  ingredients  straight  from  local  farmers  .  he’s  earned  the  restaurant  a  two michelin  star  rating  ,  &  is  constantly  striving  for  more  to  get  that  last  star  (  both  for  his  own  ego  as  well  as  a  secret  debt  to  his  grandfather  )  .

𝐢𝐯  .

ok  but  that  vid  where  gordon  puts  two  pieces  of  bread  on  someone’s  head  &  calls  them  an  idiot  sandwich  ?  that’s  oscar  .  intense  as  fuck  in  the  kitchen  ,  &  best  nobody  catch  an  attitude  about  it  bc  he  will  not  hesitate  to  hand  them  their  ass  on  a  silver  platter  .

another  gordon  reference  :  you  know  how  he’s  the  spawn  of  satan with  adults  ,  but  the  sweetest  ,  most  helpul  guy  with  children  ?  that’s  oscar  with  his  staff  vs  people  he  wants  something  from  .  whether  its  to  sleep  with  them  (  usually  his  first  instinct  to  be  fair  )  ,  their  money  or  clout  ,  or  to  get  into  some  wild  adventure  some  random  resort  staff  wouldn’t  dream  of  getting  into  ,  he  can  turn  on  the  charm  whenever  needed  .

can  go  from  absolutely  demoralizing  someone  in  the  kitchen  to  stepping  out  into  the  lounge  to  schmooze  with  his  friends  or  cougars  who  leave  phat  tips  in  0.2  seconds  .  the  speed  at  which  his  mood  can  completely  180  is  one  of  the  seven  world  wonders  (  last  i  checked  )  .

his  love  language  is  absolutely  acts  of  service  .  catch  him  actually  falling  in  love  once  in  a  blue  moon  &  making  it  his  mission  to  cook  her  extravagant  meals  everyday  .  

the  wolf  in  sheep’s  clothing  label  epitomizes  his  nice  ,  helpful  ,  charismatic  exterior  ,  while  ulterior  motives  &  disdain  for  those  who  grew  up  with  more  money  than  he  did  lurk  beneath  the  surface  . 

he  can  be  MEAN  when  someone  fucks  him  over  or  pushes  him  farther  than  he  wants  -  isn’t  afraid  to  go  for  the  low  blows  or  send  someone  home  with  an  identity  crisis  if  it  protects  himself  .

lowkey  alcoholic  but  he’s  not  ready  for  that  conversation  yet  .  he  sees  it  more  as  perks  of  the  location  &  atmosphere  he’s  found  himself  in  .

also  lowkey  falls  in  love  HARD  ,  like  this  man  is  a  closeted  romantic  but  self - sabotages  all  potential  relationships  before  they  can  get  to  that  point  out  of  fear  he’ll  be  unable  to  live  life  of  his  own  volition  (  takes  a  flaky  philophobic  sagittarius  to  know  a  flaky  philophobic  sagittarius  🤡  )  .  has  probably  only  had  a  few  real  relationships  besides  flings  bc  he’s  afraid  .

𝐯  .

check  out  my  wanted  plots  tag  listed  here  ,  as  well  as  my  pinterest  wanted  plots  board  here  .  here   are  some  other  suggestions  hehe  :

best  friend  /  ride  or  die  :  someone  who  knows  about  his  past  ,  keeps  him  grounded  when  he’s  lk  spiraling  &  wants  to  drop  everything  &  flee  to  some  far  flung  corner  of  the  earth  .

actual  relationship  :  it  was  fast - burn  with  deep  feelings  (  not  them  thinking  they’re  soulmates  after  dating  for  a  month  . . .  pete  &  ariana  type  beat  )  but  completely  unrealistic  .  they  have  their  own  life  ,  he’s  pretty  much  tied  to  the  restaurant  ,  not  to  mention  his  lack  of  sharing  anything  about  his  childhood / life  back  home  .  they  loved  &  cared  for  each  other  ,  but  crashed  &  burned  fairly  quickly  because  of  how  idealistic  it  was  .  they  can  either  be  on  bad  or  good  terms  now  .

hateship  with  sexual  tension  😈

summer  flings  !!

fake  boyfriend  :  he  shows  up  on  her  arm  to  her  family’s  events  where  she’s  expected  to  have  a  partner  .  it’s  not  a  real  relationship  ,  but  her  parents  don’t  need  to  know  that  .  he  plays  the  part  &  satisfies  her  parents  beyond  the  bare  minimum  ,  &  in  return  she  invites  him  to  parties  ,  takes  him  out  on  her  family’s  yacht  ,  etc  etc  .  we  luv  some  symbiosis  

i  can  always  use  more  fwbs  hehehe

squad  :  a  group  of  people  who  do  everything  together  ,  have  a  chaotic  group  chat  ,  have  nicknames  for  one  another  ,  are  utd  on  each  other’s  sex  lives  ,  party  all  night  then  show  up  to  brunch  hungover  together  .  

cat  &  mouse  :  someone  he’s  pursuing  who  isn’t  quite  giving  in  ,  &  vice  versa  .  maybe  it’s  been  going  on  a  few  years  ,  everytime  they’re  in  st  tropez  they  have  this  weird  lil  flirtationship  thing  goin  on  until  she  leaves  ,  they  forget  about  one  another  ,  then  pick  it  right  back  up  when  she  returns  .

confidant  :  preferably  someone  from  a  working  class  background  who  understands  his  plight  of  being  a  worker  amongst  people  who  expect  to  be  waited  on  .

enemies  :  they  don’t  like  his  attitude  ,  &  he  doesn’t  like  them  in  return  .  lots  of  eye  rolls  ,  shit  talking  ,  &  tension  between  their  mutual  friends  .

we’re  sleeping  together  but  we  shouldn’t  be  but  that’s  half  the  fun :  for  whatever  reason  they  became  friends  ,  starting  hooking  up  despite  it  not  being  a  good  idea  (  read  :  he’s  exes  with  one  of  her  friends  ,  her  parents  want  her  focused  on  career  ,  they’re  part  of  the  same  friend  group  ,  etc )  . . . but  now  they  can’t  stop  .  lots  of  stolen  glances  across  rooms  ,  squeezing  past  one  another  in  a  crowded  club  just  close  enough  for  a  quick  touch  to  the  back  ,  quietly  leaving  one  another’s  places  the  morning  after  &  playing  dumb  to  anyone  who  asks  . 

[drama-and-tv]

First half of 2020 tv shows/dramas completed

SO apparently, my original blog “may contain sensitive media” (how my original blog contains them, I have no idea because I don’t think I have ever written nor posted anything that is inappropriate) so here I am, making a new one even though there are just so so many thoughts I poured in that blog since the beginning of 2018. 

I wish I could put all of the contents from there here. But since I don’t know how to do that, I shall only put up my thoughts on the things that I have completed watching this year (2020) that I have put up from there.

With that being said, here they go... most of them in the original words that I had typed/written from last time. My only change will be the rating (now I shall use the numerical rating since I have figured how to rate things properly in numbers now) :

Season 2 of Sex Education was such a delight to watch! While I do feel that it lacks some Otis and Maeve’s interactions (and wtf is that cliffhanger?), I feel that the other characters are given the opportunity to flesh out and have really good story lines. Definitely a step up to Season 1!

FINAL RATING: 9/10

Bad news: The third part/season of Chilling Adventures of Sabrina is the worst part of the show that I’ve watched so far. Good news: I still somewhat like it.

The main issue of this new-released part is how messy it is story wise. There are far too many things going on that it felt a little bit too chaotic - like there’s the Pagan storyline, there’s that Faustus storyline etc etc. It’s just too much.

What makes me still enjoy it is because of its characters. I am attached to the characters and I wanna see their journeys in this show. For instance, Ambrose and Prudence are probably the standouts in this season because they are just super badass here.

Overall, it’s okay. I would still watch this show when the new set of episodes are released.

FINAL RATING: 6/10

Honestly, Chocolate would’ve been better or ranked higher if they cut down the number of episodes - from 16 to maybe just 8.

Despite its melodramatic tone and ridiculous story line, I actually really enjoyed the initial episodes. I mean okay, the time jumps are a bit too much but I was sold on the emotions and the characters. It’s a melodrama, for crying out loud - it’s not meant to be realistic.

But then, for some unknown reason, it got draggy around the second half of the drama. And it affected my love for the drama. It was like they put a brake on the main plot and save for it the last episode (which it did).

This does not mean that it’s not a good drama. For the most part, I actually enjoyed it and I was invested in the characters’ journeys.

Just that it could be better.

FINAL RATING: 6/10

Honestly, Black Dog was not a drama I thought of watching. The posters and the plot did not make me feel compelled to watch it because for some reason, I thought this drama would be something like those corruption dramas or corporate dramas - while I can enjoy those kind of dramas, I do have to be in the ‘mood’ to watch them.

It was only when I started seeing some gifs/images over Tumblr that I started to consider it. And when more and more people raved about it, I knew that I just have to check it out.

And just like what these people said, it was good. A really good drama, actually! I think what I love about this drama is how realistic it really is. I like that I can actually relate to the world and the characters in the drama. While Haneul and I don’t share the same type of field, I can empathise with her struggles in obtaining/maintaining her employment and sitting for the certification exam. I can empathise with how she tries to navigate the world of school and teaching.

All I know is I have definitely cried or teared up in some of the episodes. (that’s really a feat cause the last time I cried like this in a tv show/drama is season 3 of Anne with an E and we all know how I feel about that show.)

I also love how there is a good balance between drama and comedy in this drama. While this is primarily a drama, I like that it doesn’t feel heavy. It makes it easier to watch multiple episodes in one sitting.

If there is one minor problem with this drama, it is that it feels like the main drama ends with 12 episodes and the remaining 4 episodes are the epilogue or extra episodes. While the remaining 4 episodes are still pretty good, it has somewhat cooled my love for this drama. However, I do appreciate it and it gives a good look at what happened after Haneul’s first year of teaching.

With that, I have contemplated on whether to give this drama the best rating I could give in the drama or the second best. Considering that there is barely any flaw in this drama, I shall give it...

FINAL RATING: 10/10

Season 2 of Kingdom did not disappoint. It maintained the same energy and intrigue that it brought in the previous season. There’s the excitement, there’s the high-quality production and there’s never really a chance for it to falter or drag. Its pacing remains consistent and I remain hooked to the end. I also like that this show does not end in an agonising cliffhanger - it wraps up the main plot that was introduced in the first season and at the same time, teases on what is to come in the possible season 3.

Overall, a really good season!

FINAL RATING: 9/10

I gotta admit, Crash Landing On You was a pretty nice watch! I initially had quite low expectations for this drama - I have hard time being truly engaged in big budget romcoms because they tend to be unrealistic and too fluffy (and I like my dramas pretty realistic).

But to my surprise, I actually really like it. The episodes (particularly the first half of the drama) were candies to the mind and to the eye! Yes, this drama is hella trope-y and there’s a lot of moments which are very unrealistic and are there to be flashy and amp up the romance. But you know, something about this drama just works.

Of course, like a lot of k-dramas, the second half of the drama is less addictive to watch. But it was still a pretty good watch. I mean, it got my mum really addicted and my brother to finally watch a k-drama beyond Kingdom after all these years.

FINAL RATING: 8/10

For someone who doesn’t know shiz about baseball, Stove League was still a very good drama to watch. It has that underdog story (in this drama, the under-performing baseball team for 2 years in a row, Dreams) that makes it easy to root for. It remained tight and consistent throughout its run. Its tone is very balanced - has good balance of serious and comic relief.

And most importantly, it’s not very hard to like the characters that matter.

Overall, very solid drama!

FINAL RATING: 9/10

When the Weather is Fine is really a good drama to watch at the moment, during the midst of this current pandemic. Even though initially (the first episode) it did not win me over due the drama’s slow pace, I gradually enjoy watching it regardless of its pace and eventually, I was hooked.

This drama has a very calming and “healing” aspect to it even though the subjects dealt can be serious. I like that even though there’s some serious issues here, the drama remains well-balanced and still has plenty of light-hearted scenes. Lim Hwi (the male lead’s younger sister) is definitely my favourite character in this drama as she brings a lot of sunshine to the table with her innocent teen self. Also, the comforting presence of the community (whether it being the Good Night Book Club member or the people/families in the neighbourhood etc) along with naturally serene setting make the drama feels warm.

With that, I recommend watching this drama, especially to anyone who wishes to seek comfort and feel warm.

FINAL RATING: 8/10

Netflix’s Never Have I Ever was an unexpected treat for me. I did not know the existence of this show prior to its release. I did not see any of its promos/trailers etc. So there was no expectations whatsoever prior to watching it.

My brother and I only happened to stumble upon it when trying to find something to watch on Netflix. So you can say that this was a present that came out of nowhere because as soon as I just went into it (within the first few minutes), I already really like it!

This show was funny. It was relatable as someone who comes from an Asian background. And most importantly, it has plenty of hearts. Trust me, I was tearing up when watching the last two episodes of this season (I sincerely hope that the show will be renewed for the next season).

Definitely a really nice show to binge quickly as it only has 10 half-hour episodes.

FINAL RATING: 9/10

Find Me in Your Memory was a pretty decent watch. Yes, it is a very standard kdrama in the sense that the plot is very very generic and there are so so many obvious tropes here. However, its characters and the chemistry of the main leads still made it worth a look. This drama might not be the most unforgettable or unique drama out there, but it is very easy to watch and it makes a good addition to anyone’s watchlist if you want something straightforward and not complicated.

FINAL RATING: 6/10

Man, A Piece of Your Mind could have easily been this perfect drama that I’ve ever watched this year had it only retained its original length. It is not to say that this drama is not good - it is as of now, actually one of the top dramas among the dramas I’ve watched this year.

This drama basically fits the type of drama I typically love: a realistic drama which examines more on its characters and focuses on emotions etc. Yes, I know people have complained that it is very slow but to me, that was part of its charm. I love slowly getting to know its characters and how they are feeling etc. I like being emotionally connected to them and follow on their journeys.

So I’m just sad the drama was cut from 16 episodes to 12 (reason being because of its low number of audiences). While the drama did its extreme best in making it work and it does not affect the main plot of the drama other than speeding things up nor does it really diminish my enjoyment for this drama, I’m just sad on what could’ve been if they were able to keep the extra 4 hours to the story. Like, we could’ve gotten better exploration on the characters etc (especially for instance that character who was played by the evil mother in law from Search: WWW and the Eunjoo’s Homestay residents and even frigging Hoon, Hawon’s colleague... like why was he even in the grandma’s house in the countryside?) . Things would’ve been more... organically unfold.

Despite all this, I still really enjoy watching this drama and I still remain invested in the characters’ journeys etc. Our main leads’ relationship feels warm and comforting. The vibe of this drama is just my kind of taste. And most importantly, I feel comforted watching it until the end.

FINAL RATING: 9/10

With that being said, those are some of the shows/dramas that I have completed up until now. Others that I have completed are season 2 of The Sinner (5/10), ITV’s Belgravia (6/10), Netflix’s The Circle France (soooo entertaining with plenty of drama and strategies, 8/10), season 18 of American Idol (8/10) and most recently, Netflix’s Extracurricular (I will eventually share my thoughts on it soon).

Stay tuned.

[serialreblogger]

You want to talk more about the bigotry in Harry Potter? Go ahead! I've actually heard stuff like that before, but have yet to do much research on it personally and it's been a while since I read it, so I'm interested.

WELL

Before we begin I should start with a disclaimer: this analysis will be dedicated to examining as many bigoted aspects of Harry Potter’s writing as I can think of, so--while I personally am more or less comfortable balancing critical evaluation with enjoyment of a piece, and strongly advocate developing your own abilities to do the same--I know not everyone is comfortable reading/enjoying a story once they realize its flaws, and again, while I think it’s very important to acknowledge the flaws in culturally impactful stories like Harry Potter, I also know for some people the series is really really important for personal reasons and whatnot. 

So! If you’re one of those people, and you have trouble balancing critical engagement with enjoyment, please feel free to skip this analysis (at least for the time being). Self-care is important, and it’s okay to find your own balance between educating yourself and protecting yourself.

On another note, this is gonna be limited strictly to morally squicky things to do with Rowling’s writing and the narrative itself. Bad stuff characters do won’t be talked about unless it’s affirmed by the narrative (held up as morally justified), and plot holes, unrealistic social structures, etc. will not be addressed (it is, after all, a kid’s series, especially in the first few books. Quidditch doesn’t have to make sense). This is strictly about how Rowling’s personal biases and bigotry impacted the story and writing of Harry Potter.

Sketch Thing #1: Quirrell! I don’t see a lot of people talking about Quirrell and racism, but I feel like it’s a definite thing? Quirinus Quirrell is a white man who wears a turban, gifted to him by an “African prince” (what country? where? I couldn’t find a plausible specific when I was researching it for a fic. If there’s a country which has current/recent royalty that might benevolently interact with someone, and also a current/recent culture where turbans of the appropriate style are common, I couldn’t find it). Of course, it wasn’t actually given to him by an African prince in canon, but it’s still an unfortunate explanation.

More importantly, ALL the latent Islamophobia/xenophobia in the significance of the turban. Like, look at it.

“Man wears turban, smells like weird spices, turns out to be concealing an evil second face under the turban” really sounds like something A Bit Not Good, you know? If you wanted to stoke the flames of fear about foreignness, it would be hard to do it better than to tell children about a strange man who’s hiding something horrible underneath a turban.

Also, Quirrell’s stutter being faked to make you think he was trustworthy is a very ableist trope, and an unfortunately common one. “Disability isn’t actually real, just a trick to make you accommodate and trust them” is not a great message, and it’s delivered way too often by mass media. (Check out season 1 of the Flash for another popular example.)

Sketch Thing #2: The goblins. Much more commonly talked about, in my experience, which is good! The more awareness we have about the messages we’re getting from our popular media, the better, in my view. 

For those who haven’t encountered this bit of analysis before: the goblins in Harry Potter reek of antisemitic stereotypes. Large ears, small eyes, crooked noses, green/gray skin, lust for money, control of the banks, and a resentful desire to overthrow the Good British Government? Very reminiscent of wwii propaganda posters, and in general the hateful rhetoric directed towards Jewish people by other European groups from time immemorial. 

I’m also extremely uncomfortable with how goblin culture is handled by Rowling in general. Like, the goblins were a people that were capable of using magic, but prohibited by the British government from owning wands. That was never addressed. They also had a different culture around ownership, which is why Griphook claimed that the sword of Gryffindor belonged rightfully to the goblins--a gift isn’t passed down to descendants upon death, but instead reverts to the maker. This cultural miscommunication is glossed over, despite the fact that it sounds like Griphook’s voicing a very real, legitimate grievance.

To be honest, apart from the antisemitism, the way Goblin culture is treated by the narrative in Harry Potter is very uncomfortably reminiscent to me of how First Nations were treated by English settlers in North America, before the genocide really got started. The Goblins even have a history of “rebellions,” which both raises the question of why another species is ruling them to begin with, and more significantly, is eerily reminiscent of the Red River Rebellion in Canada (which, for the record, wasn’t actually a rebellion--it was Metis people fighting against the Canadian government when it tried to claim the land that legally, rightfully belonged to the Metis. But that’s another story)

In sum: I Don’t Like the implications of how Rowling treats the goblins.

Sketch Thing #3: Muggles. Ok because we’re all “muggles” (presumably) and because I’m white, talking about this might rapidly degenerate into thinly-veiled “reverse racism” discourse, so please y’all correct me if I stray into that kind of colossal stupidity. However, I am not comfortable with the way non-magical humans are treated by Rowling’s narrative.

The whole premise of Harry Potter is that Evil Wizards Want To Hurt The Muggles, right? Except that it’s not. Voldemort’s goal is to subjugate the inferior humans, rule over non-magical people as the rightful overlords, but that’s hardly mentioned by the narrative. Instead, it focuses on the (also egregious and uncomfortably metaphorical) “blood purism” of wizarding culture, and how wizards would be persecuted for their heritage.

But muggles, actual muggles, are arguably the ones who stand to lose the most to Voldemort, and they’re never notified of their danger. We, the muggles reading it, don’t even really register that we’re the collateral damage in this narrative. Because throughout the series, muggles are set up as laughingstocks. Even the kindest, most muggle-friendly wizards are more obsessed with non-magical people as a curiosity than actually able to relate to them as people. 

I dunno, friends, I’m just uncomfortable with the level of dehumanization that’s assigned to non-magical humans. (Like, there’s not even a non-offensive term for them in canon. There’s “muggle,” which is humorously indulgent at best and actively insulting at worst, and there’s “squib,” which is literally the word for a firework that fails to spark.) It’s not like “muggles” are actually a real people group that can be oppressed, and like I said this kind of analysis sounds a bit like the whining of “reverse racism” advocates where the powerful majority complains about being insulted, but... it kind of also reeks of ableism. People that are not able to do a certain cool, useful thing (use magic) are inherently inferior, funny at best and disposable at worst. They suffer and die every day from things that can easily be cured with magic, but magic-users don’t bother to help them, and even when they’re actively attacked the tragedy of hundreds dying is barely mourned by the narrative. 

It gives me bad vibes. I don’t Love It. It sounds uncomfortably like Rowling’s saying “people that are unable to access this common skill are inherently inferior,” and that really does sound like ableism to me. 

Either way, there’s something icky about consigning an entire group of people to the role of “funny clumsy stupid,” regardless of any real-world connections there may or may not be to that people group. Don’t teach children that a single genetic characteristic can impact someone’s personhood, or make them inherently less worthy of being taken seriously. Just, like... don’t do that.

Sketch Thing #4: The house elves. Everyone knows about the house elves, I think. The implications of “they’re slaves but they like it” and the only person who sees it as an issue having her campaign turned into a joke by the narrative (“S.P.E.W.”? Really? It might as well stand for “Stupidly Pleading for Expendable Workers”) are pretty clear.

Sketch Thing #5: Azkaban. Are we gonna talk about how wizarding prison involves literal psychological torture, to the point where prisoners (who are at least sometimes there wrongly, hence the plot of book 3) almost universally go “insane”? This is sort of touched on by the narrative--“dementors are bad and we shouldn’t be using them” was a strongly delivered message, but it was less “because torturing people, even bad people, is not a great policy” and more “because dementors are by their natures monstrous and impossible to fully control.” 

“This humanoid species is monstrous and impossible to control” is, once again, a very concerning message to deliver, and it doesn’t actually address the real issue of “prison torture is bad, actually.” Please, let’s not normalize the idea that prison is inherently horrific. Of course, prison as it exists in North America and Britain is, indeed, inherently horrific and often involves torture (solitary confinement, anyone?), but like--that’s a bad thing, y’all, it’s deeply dysfunctional and fundamentally unjust. Don’t normalize it.

Sketch Thing #6: Werewolves. Because Rowling explicitly stated that lycanthropy in her series is a metaphor for “blood-borne diseases like HIV/AIDS”. The linked article says it better than I could:

Rowling lumps HIV and AIDS in with other blood-borne illnesses, which ignores their uniquely devastating history. And Lupin’s story is by no stretch a thorough or helpful examination of the illness. Nor is its translation as an allegory easily understood, beyond the serious stigma that Rowling mentioned.

That Lupin is a danger to others could not more clearly support an attitude of justifiable fear toward him, one that is an abject disservice to those actually struggling with a disease that does not make them feral with rage.

This definitely ties into homophobia, given how deeply the queer community has been affected by HIV/AIDS. Saying a character with a condition that makes him an active threat to those around him is “a metaphor for AIDS” is deeply, deeply distressing, both for its implications about queer people and their safety for the general population, and for the way it specifically perpetuates the false belief that having HIV/AIDS makes a person dangerous.

Sketch Thing #7: Blood Ties. This isn’t, like, inherently sketch, but (especially for those of us with complicated relationships to our birth families) it can rub a lot of people the wrong way. Rowling talks a big talk about the folly of “blood purism,” but she also upholds the idea that blood and blood relations are magically significant. 

Personally, I’m very uncomfortable with the fact that Harry was left with an abusive family for his entire childhood, and it was justified because they were his “blood relatives.” I’ve had this argument with ultra-conservative family friends who genuinely believe it’s a parent’s right to abuse their child, and while I don’t think that’s what Rowling is saying, I do feel uncomfortable with the degree of importance she places on blood family. I’m uncomfortable with the narrative’s confirmation that it is acceptable (even necessary) to compromise on boundaries and allow the continuation of abuse because “it’s better for a child to be raised by their Real Family” than it is to risk them to the care of an unrelated parent.

Genetic relations aren’t half as important as Rowling tells us. For people with a bad birth family, this can be a damaging message to internalize, so I’ll reiterate: it’s a pretty thought, the love in blood, but it’s ultimately false. The family you build is more real, more powerful and more valid than any family you were assigned to by an accident of genes.

I can think of one or two more things, but they’re all a lot more debatable than what I have here--as it is, you might not agree with everything I’ve said. That’s cool! I’m certainly not trying to start a fight. We all have the right to read and interpret things for ourselves, and to disagree with each other. And again, I’m not trying to ruin Harry Potter. It’s honestly, as a series, not worse in terms of latent bigotry than most other books of its time, and better than many. It’s just more popular, with a much bigger impact and many more people analyzing it. I do think it’s important to critically evaluate the media that shapes one’s culture, and to acknowledge its shortcomings (and the ways it can be genuinely harmful to people, especially when it’s as culturally powerful as Harry Potter). But that doesn’t mean you can’t or shouldn’t enjoy it for what it was meant to be: a fun, creative, engaging story, with amazing characters, complex plots, heroism and inspiration for more than one generation of people. 

Enjoy Harry Potter. It is, in my opinion, a good series, worth reading and re-reading for enjoyment, even for nourishment. It’s also flawed. These things can both be true.