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jemmo · 11 months ago

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Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

#wow look at me writing actual kinda thought out meta #also something something about how the pen being in his pocket wasnt a pen given to him by the author its a pen that was his the whole time #look even if this isnt the right interpretation as intended by the author i just kinda adore this headcanon ive come up with and i cant wai #to rewatch the show again through this lens and see if it holds up #i just adore the idea of this whole thing being this manifestation of a flawed doubtful person trying to navigate through their own messy #nonsensical thoughts to find their own happiness #bc yes thats what triggered me thinking of this whole thing. me seeing that post and thinking yeah that doesnt make sense7 #but then again when you tell yourself things an put your own mental blocks in the way they dont make sense either but you still have to fin #the ways to work around them in order to find happiness #like those things dont go away we just find the loopholes or the ways to overcome them that mean we can be happy #the game is your own mind - deal with your own existential crisis as you wish #anyway this is only part 1 in what i hope will be a very extensive meta analysis of this show - stay tuned #love for love's sake

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accirax · 1 month ago

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Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

#project eden's garden #p:eg #fanganronpa #damon maitsu #kai monteago #cassidy amber #jean delamer #eva tsunaka #i don't think i talked about anyone else in enough detail to warrant a tag #also i have seen various people bring up issues with this fangan (specifically the behavior of its crew) online #while i am highly sympathetic i don't currently feel like it's enough of a reason to boycott this project for me #however if seeing content of the game makes you uncomfortable please skip this post and/or block the tag! i don't want to upset anyone #and of course i'll assess more in the future if more issues arise (or if i learn of more damning evidence. i know basically nothing #about this drama other than that it exists. i hope the dev team can chill out tho. heard they were bashing other fangans :/)#my theories #anyways i'm excited to start my incredibly one-sided beef with Jean /j

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