#like if you want to be critical of the guy that's cool

[stevieschrodinger]

Part One Thirty

Couple of things - I've been going through it lately and just wanted to get this bit out. I do have more planned but I need a break after this. The Carpenters song referenced is 'all you get from love is a love song' and if you don't know it you can give it a listen and then you'll get the 'broken arm' joke.

They squish together into the phone booth, Steve hitting the numbers almost on reflex now, going through the motions of briefly speaking to Robin’s mom.

He angles the receiver so that Eddie can hear too, their cheeks practically touching, “Steve! Chrissy’s here-”

“Why?” Eddie cuts her off immediately, “not time to close the shop,” he almost sounds a little critical when he says it, making Steve smile.

“I know I know,” Chrissy says, “but he came back!”

“So we waited for him to leave, and we followed him,” Robin adds enthusiastically.

If Steve couldn’t hear for himself that they’re both at Robin’s place, and they’re both absolutely fine, he’d be panicking now, maybe he kind of is, because he’s sort of snippy when he says, “Robin what the fuck, it’s not safe, you two aren’t- you’re not Cagney and Lacy for fucks sake.”

“Steve it’s fine,” Chrissy tells him, “he went to Starcourt, so we went home and called Hopper right away.”

“Good,” Steve breathes a sigh of relief, “okay, so what now?”

“We don’t know,” Robin admits, “we’re just waiting to hear now. See what happens?”

“Okay we could...Eddie, you want to kill some time in town, and we can call again later?”

“Yeah” Eddie pulls back his sleeve to check his princess watch, “...lunch. And shopping?”

“Sure thing baby.”

Chrissy squeaks down the phone, “oh you’re both just too cute together.”

“Oh my god don’t encourage them.”

“Oh!” Chissy starts, “I met El and all the rest of the kids, isn’t she just, so cool? She made some pens float around!”

“El is the fewest bad kid. She’s quiet,” Eddie agrees, but Steve is absolutely certain Eddie’s warmed to the kids a lot over the last couple of months, so he knows Eddie doesn’t really mean it like that.

“Least,” Steve corrects softly, “she’s the least bad. Probably.”

“Best of a bad bunch?” Robin hazards.

“Maybe,” Eddie tells her, “we can come home soon?”

“Errrr…I mean, see what Hopper says, I guess? We might know later, but you guys shouldn’t come back today anyway, it’s a few hours drive, and you’ll need to pack up and everything, right?”

Steve frowns, as Eddie, very briefly, looks sad, “maybe tomorrow,” he says to Eddie more than the girls, “is that okay?”

“Yeah,” Eddie nods, “I...like the flower shop?”

“You miss it?”

“Yes, and Chrissy. Miss them. I know they’re not gone but...they’re not here.”

“Oh Eddie honey, I miss you too, okay? And when you get back you can come into work, there’s stuff to catch up on,” she whispers then, “Robin isn’t good with the flowers like you.”

“Hey! I’m trying my best here-” but she gives up, everyone else laughing over her.

The payphone starts to beep, “we’ll call later okay!”

Steve’s pretty sure Eddie’s jar will be empty again after today. He’s bought four more records, more Led Zeppelin, plus a Dio record because ‘Rainbow in the Dark’ was playing when they walked in and Eddie really liked it. Steve absolutely certain that the girl with a green Mohawk wearing a Dio shirt sealed the deal, but he's not going to tease Eddie about it.

Eddie comes out of the changing room of the second hand clothes store, showing Steve the jeans he’s trying on. He’s been making do all this time with Steve’s draw string sweats and jeans with a very cinched in belt, so it’s definitely time for Eddie to choose his own things but...Steve wasn’t expecting Eddie to choose anything quite so tight.

“Stevie? What do you think?”

Steve swallows thickly before he answers, he swears Eddie’s only getting away with wearing them because his dicks on the inside, the thing would get strangled otherwise, “you look really good Eds. You like those ones?”

“Yes. Black, like my tail. And look,” Eddie scratches at the ripped fabric, his knees on display, “see my knees. I like to see them, they’re new.”

Steve bites his lips briefly to suppress the chuckle, “you should definitely be proud of those knees, you did grow them yourself.”

Steve frowns at the sight of Eddie in a leather jacket; it’s so very far removed from everything he’s been wearing. It’s so different from all of Steve’s clothes, but Steve can’t deny he’s making it work. It definitely suits the look Eddie’s starting to cultivate. He’s very much leaning towards darker colors, and he was really pleased when he turned up a Led Zeppelin tee shirt out of a pile.

The difference between the Eddie that comes out of the dressing room and the Eddie that went in is startling, Steve’s pullovers and polos all tend to be lighter colors, so all the black is very different.

“You like it?”

“I mean, as long as you like it, sure, you’re the one who has to wear it. But yeah, yeah I do like it. You look good.”

Steve has to stand by while Eddie rummages across a tray of cheap jewellery, “they’ll turn your fingers green,” he warns vaguely. Eddie shrugs, probably not understanding what Steve means as he tries things on, he likes the shiny silver ones that definitely are not silver, “you’re such a magpie.”

Eddie chooses two chunky rings that are so cheap he will get change from his last five dollars, but he clearly likes how they look on his fingers; he doesn’t even take them off to pay for them. Steve knows he’s just here to hold the bags, but he doesn’t mind. Eddie’s worked hard for this money, he should spend it on the things he wants.

Steve meanders through the store, it’s mostly second hand furniture and ‘antiques’, but Steve figures that term is being used very, very loosely. As near as Steve can tell it mostly looks like house clearances and that sort of thing. He spends a little while at the glass cabinets, staring at all the little figurines. 'Dust gatherers,' his dad calls them. There’s some tiny little jade ones, big tall porcelain ones and everything in between.

He’s distracted away from them by the sound of twanging. Bad, uneven twanging on an acoustic guitar. Steve follows the sound, finding Eddie just fiddling with the strings, the guitar still lying on it’s back. It doesn’t have a case, and looks pretty beat to hell to Steve, covered in stickers and all scratched up, but Eddie is entertained by the noises, and he looks up, smiling, “you going to buy it?”

Eddie shakes his head, “not enough left.”

“How much are you short?”

Eddie checks his pocket, and then the little label hanging from the neck, “six dollars?” he hazards.

“Okay, well, I’ve got four left on me, so maybe you can haggle the guy down.”

“I’ll try,” Eddie grins big, taking the change from Steve.

They’ve dropped everything off at the car and, with nothing left to do to kill any more time, they head back to the phone and smush into the booth together.

“He wasn’t there when Hopper got there,” Robin tells them, and Steve sighs, disappointed, “but! El looked into my head real quick, and she says he’s called Doctor Owens. She knew who he was, and she says he’s...nice.”

“Nice,” Steve repeats, deadpan, “a man who facilitated experiments on little kids. Nice.”

“Well...I mean maybe as nice as he could be given the circumstances. I got the impression he never...he wasn’t cruel about it. If you know what I mean.”

“I guess,” Steve hazards, “Eddie?”

Next to him, Eddie’s kind of staring into space, frowning, “Owens. Yes. Remember that word, maybe?”

“Okay. Okay, so what are they doing now Robs?”

“Well, Hoppers keeping an eye out and he’s going to try the Motel right now, but if he’s not there he’s going to start doing drive bys of Starcourt and stuff, and hopefully he turns up,” Steve can hear in her voice that she's shrugging, “but Hopper says since no one else is asking any questions, he’s hopeful that it’s just this guy working alone, you know?”

“Yeah, yeah okay.”

Eddie listens to his new record while Steve makes dinner. He has his guitar over his lap, and occasionally plays a note or two. He understood the mechanics of it already, but Steve figures he must have seen someone with a guitar on TV at some point.

Steve’s absorbed in what he’s doing, and doesn’t notice at first that the twanging noises have stopped. The record ends, but it feels like it’s been a long time of quiet, and Steve looks over to find Eddie, expecting him to be flipping it.

He isn’t.

Steve turns off the stove, covering the two pots he’s been carefully nursing. Eddie isn’t in the cabin; Steve finds him on the dock. He’s just...standing there, in the near dark. Just...staring out across the lake.

“Eddie? You okay?”

Eddie looks around again, “heard something. Had to check it’s safe.”

“You could have said,” Steve comes up close, wrapping a hand around Eddie’s hip. Eddie turns in reflexively, looking for a quick, soft kiss, which Steve is happy to give.

“Think the trees look like The Upside Down.”

“Do you?” Steve looks around; all the trees have leaves on, they’re dense and alive and nothing like the dead twisted things that litter The Upside Down, “I don’t think they do.”

Wind moves through the trees, the susurration of leaves is kind of loud, “sounds like bats. Many many bats,” Eddie shifts closer, pressing himself against Steve.

“You okay?”

“I don’t...I think I don’t like it here.”

“Oh...well,” Steve makes a decision, “since they’re pretty sure it’s just the Owens guy, how about we go home tomorrow? I mean, you might not be able to go to work and stuff until they find him-”

“Yes. Home tomorrow.”

Steve looks around again, tries to see it through Eddie’s eyes. Tries to see what reminds him so much of The Upside Down. Maybe the panic attack in the shower knocked some stuff loose; Steve doesn’t know. Eddie’s been making do with strip washing from the bathroom sink the last couple of nights, and that’s been fine but not ideal. Eddie’s hair needs a wash.

“Okay, we’ll call when we go through town, okay, let them know?”

“Yes...take my book back.”

“You finished it?”

“Almost.”

“Lets go inside, I can finish dinner and you can tell me what it’s about?”

“So they’re...stealing treasure from a dragon?” Eddie nods, his mouth full of dinner. “Okay, fair enough.”

Eddie swallows, “I want to read The Lord of The Rings.”

“Okay, I’m sure we can get it at the library.”

“You promise dragons aren’t real?”

“Yup. Definitely not real, and there’s no hobbits or wizards or- or elves or any of that stuff. And magic isn’t real- well. That kind of magic isn’t real, at least,” Eddie frowns like the book committed a crime.

“But...dinosaurs. Dinosaurs were definitely real, you have those in your book?”

“Yes...dragons can fly though. And breathe fire.”

“Well...some dinosaurs could fly, and they were big like a dragon, some of them.”

“Really?” Eddie’s eyes go wide, “I thought from my book like...cow sized?”

“Hu uh,” Eddie excitement is actually palpable, “definitely a dinosaur book next, some of them were like...as tall as trees,” Steve doesn’t actually know, he was most definitely not a dinosaur kid, but he’s pretty sure at least some of them were tall like that.

“All the time, used to do this. When I had a tail,” Eddie’s voice is muffled where he’s bent over the kitchen sink.

“Yeah...I guess I did,” and it’s true, Steve was washing Eddie’s hair pretty much every other day when Eddie still had a tail. He feels the back of Eddie’s head almost reflexively at the memory, following the ghostly, barely there ridges with his fingers through the suds, “it’s getting so long again already.”

“Good. El said Max makes nice braids when it’s long enough.”

Steve snorts a laugh, “oh yeah? That’s going to look great, now eyes and mouth closed, I’m gonna’ rinse.”

Eddie has his head resting on Steve’s tummy while Steve plays with his hair, hand buried in his curls, massaging his scalp, “what you doing baby?”

“Hear.”

“Hear? Oh what, you’re listening?”

“Listening to Stevie’s inside.”

“Anything interesting?”

Eddie nods, his cheek dragging against Steve’s skin, “funny tummy noises. And bumping.”

“Bumping? Oh, beating, my heart right?”

“Yeah. Stevie, we can definitely go home tomorrow?”

“Sure thing babe, we can get packed up in the morning,” Steve yawns, “you want to go to sleep?”

“Maybe. There’s bad dreams here.”

Steve blinks his eyes open to look down, a weird shiver raising goosebumps on his arms, all the way down to where his hand is still buried in Eddie’s hair. Eddie didn’t have to put that quite so creepily. “I think it’s just...maybe it reminds you of things here, so your mind is kind playing tricks on you a little? There’s nothing bad here baby, I promise. What do you think?”

“The water reminds me of Barb.”

Steve frowns, “Barb? How do you know about Barb?” Under Steve’s hand, something crawls unpleasantly beneath Eddie’s skin.

Eddie shrugs, “Nancy told me you killed her.”

“Stevie!” Steve fights, briefly, confused. “Stevie love, it’s okay. Bad dream.”

Steve’s kind of sweaty and panting, but he quickly realizes that it’s Eddie whose holding him, so he quits moving, “Jesus Christ,” he breathes out slowly, trying to calm himself down, “I’m fine. Thanks. I’ll be okay in a minute.”

“You want to tell me? Here, water.” Steve takes the glass, sipping it carefully. He can feel the cool water go down, grounding him.

Steve has no desire whatsoever to talk about it, so he deflects, “what time is it?”

“Five?” Eddie leans over, checking his watch before putting it back, “half five.”

“I miss you saying five and a half, it was cute.”

“I can say five and a half,” Eddie takes the glass again before snuggling in.

“Did I wake you?”

“No. Already awake...bad dreams.”

“Fucking hell. We need to go home just so we can get a good nights sleep. What did you dream about?”

“You. Lost you, in the trees...we were here but...Upside Down trees? I tried and tried to find you. Could hear you, ‘help help,’ really scared.”

“Maybe it is this place,” Steve settles down again, pulling Eddie close, “weird that we’re both having bad dreams right?”

“I don’t like it.”

“No but...lets just rest a little, and then breakfast and we can get packed up, okay?”

“Okay, Stevie love.”

Eddie waits outside the phone booth, leaning against the car where it sits parked by the curb. Steve calls Family Video today, knowing that Robs should be at work, “hey Bird-”

“He got him! Hopper! He got the Owens guy!”

Steve feels himself relax, one less thing to worry about, “good. Good, we’re coming home.”

“Okay, Hopper does think it was just this guy. He was staying at the Motel, Hop had to wait around a bit, like proper stake out!! But he did get him. Said he couldn’t find any evidence of him like, working with other people, and El’s going to talk to him or something. Make sure. I’m not sure about that bit but-”

“Okay, okay, so where is he?”

“Hopper’s got him at the Motel. Probably like, tied up, do you think? Steve what if he’s like, working for the government though. Or or the Russians-”

Steve rubs his forehead, “Birdie, I know you do love some empty speculation-”

“I do!”

“But how about we wait until we actually like, know?”

“Spoil sport.”

They say goodbye and end the call, Steve offering the keys to Eddie, “want to do a little of the driving?”

Eddie grins big, clearly surprised and pleased by the offer, “yes I do!”

“Okay, careful though, you don’t know the roads like at home. And no getting distracted by the cows.”

Eddie ‘moos’ really loudly in response, once in the drivers seat, he pauses for a second, “should have bought tapes,” he laments.

“Well, unlucky, I’m thinking some Carpenters.”

“Nooooo,” Eddie laughs.

“Shut up, I know you love it. Now sing to me about how the best love songs are written with a broken arm.”

“I think that’s what she said! Broken heart makes no sense,” Eddie grumbles, Steve still laughing.

Eddie had caved after two hours of driving, but still, considering all Eddie had done before today is short journeys around Hawkins, Steve figures he did really well in an unfamiliar place, and he told Eddie so. Eddie has turned into a surprisingly careful driver, Steve doesn’t know if it’s his consideration for Steve’s beloved car, or if it’s Steve’s constant reminders that Eddie cannot afford to draw any attention to himself. Either way, Steve feels safe in the passenger seat.

“Okay, I think I should take you home to unpack, then I can figure out how to call Hop and see if I can go over.”

Steve’s not even surprised by Eddie’s response, “both go, you mean.”

“Eddie...I’m not sure it’s-”

“Stevie,” Eddie manages to make it a complete sentence.

“Look...I’m not going to take your choice away, okay, if you want to come, then that’s fine. But...you get I just want you to be safe, right? And I feel like the less this guy knows, the better?”

“I know...I know,” Eddie has his thinking face on, when he’s wrestling with how to say something. It’s been happening a lot less lately, but this concept must be more complicated. “The people had me in a tank. They...hurt me. I was scared. Now...Owens is in the tank? He has to...he has to say why. To me. And sorry.”

“I...is that what you want? For him to apologize? To...explain?”

“Apologize and explain. Yes. And...I will not hurt him. I’m Eddie. I’m not people.”

Steve shouldn’t be surprised, not really. He feels like he knows Eddie inside and out, but his natural compassion, his...kind of innate goodness still blind sides Steve sometimes. Steve had vaguely considered that a realistic outcome of this may be that he’s helping Hopper hide a body. Maybe. It was kind of an abstract thought he hadn’t wanted to poke too hard but, realistically, they’re talking about a man who experimented on children, on Eddie.

Steve is clearly no where near as forgiving.

Hopper meets them both outside the room. Steve has no idea what to expect, really. The rasp of Hopper stubble is loud when he scrubs at his face, “El thinks this Owens guy is legit. He already knows Eddie has,” Hopper gestures vaguely, “human parts.”

“How?”

“After Starcourt happened, he went back to poke about, and he saw you both. More importantly Eddie, driving a car,” Hopper’s words are full of accusation, like ‘see I knew him driving would be trouble.’

Eddie waves a hand dismissively, “I can go in?”

Hopper sighs, but Steve isn’t going to fight Eddie on this. He knows what he wants, and he’s so fucking smart. Steve’s sure Eddie doesn’t fully appreciate the risks, not since he doesn’t get fully grasp how stuff like actual governments work but...yeah. It’s Eddie’s life, but Steve still takes his hand. If they’re doing it, they’re doing it together.

Hopper just sighs and rolls his eyes.

Steve figured that, somehow, this guy would just...look evil. He doesn’t. He looks like a harmless old dude, sitting on the edge of a sagging motel mattress, looking over some papers. He cannot disguise his interest when Eddie walks in.

He’s not restrained or anything, he’s just...there. There are books and pens and folders and shit spread out on the opposite bed, like he’s been working.

“Owens?” Eddie checks.

“Yes. Yes hello it is...so wonderful to see you again. And to hear you speak! How good is your understanding-”

“I think we have questions, first,” Steve cuts him off sharply. He doesn’t seem threatening, just...genuinely pleased to see Eddie. The guy has to be up to something, Steve can’t shake the suspicious thought that the guy must be one hell of an actor.

“Yes. Of course. I have everything, all of my notes, from Starcourt, so any questions you have I will do my best to answer.”

“Okay, where the fuck do you get off experimenting on people?” Steve’s pretty sure his voice is reasonably calm. He’s vaguely aware of Hopper coming in behind them, pulling up a folding chair he must have gotten from his truck.

Owens closes his eyes briefly, before addressing Eddie,“yes. Of course. I am so so sorry for what you were put through but..the work we were doing. I was not fully aware of just how intelligent you were. Are. I didn’t at first fully comprehend that we were even dealing with a sentient specimen-”

“He’s not a specimen, he’s a person,” Steve snaps.

“I am very smart,” Eddie adds helpfully.

“Yes. Yes you are. And the transformation you have undergone is nothing short of miraculous, if I could take some bloods-”

“Absolutely the fuck not. What were you doing with the Russians?”

“Oh,” Owens seems genuinely confused by the question, like it hadn’t really occurred to him, “when the original labs were closed, the funding ended. Of course we were aware of the mirror dimension-”

Eddie looks at Steve, “he means The Upside Down.”

“-Oh, is that what you call it? Well, it was deemed for too dangerous, and not worth the expense, to continue, not after such a catastrophic failure. The Russians however didn’t seem to have any such issues and were interested in opening a gate; I had to go where I could to continue my work, you understand. And then they brought you back with them. What should I call you?”

“Eddie. I’m Eddie.”

“And you’re working? And you’ve learned to speak and drive a car...your ability to process new information is staggering. The physical changes, did they just happen? What was the-”

“Stop, just stop. What do you want with him? Why have you been asking around?”

“Stevie,” Eddie says quietly, pulling Steve back a little by his shirt. And yeah, okay, Steve may have taken a step forward.

“I just...want to continue my studies. Eddie’s change...the differences in his make up, his body’s ability to rewrite itself – it could lead to...well, significant discoveries. The data I could gather, imagine the effect on modern medicine, what we might achieve – the potential to help people could be immeasurable.”

“We could...help people?” Eddie echoes.

“Yes, well. We could try. Like I said I would have to do some tests to understand-”

“No,” Steve crosses his arms over his chest.

Next to him, Eddie asks quietly, “what tests?”

“Just...take some blood, for now. Just try to understand how this happened and...what the changes mean on a genetic level.”

“Look, Eddie, you do not have to do a single thing for this guy, okay? This could be dangerous, they could come and take you away again-”

“I would most certainly like to avoid just that,” Owens interjects.

“Oh yeah, right. Sell me on that then,” Steve snaps at him.

“Look,” Owens spreads his hands, he hasn’t moved from his seat on the bed, “I’m the only one who knows about this. The little contact I’ve had with my previous...employers implies that they’re done with the site, they’ve scrubbed the remains of Starcourt, it’s already being filled in. I only know you even exist because I just happened to see you. No one knows Eddie is alive right now, that he didn’t die in his tank, except for me. If I tell anyone they will take him, potentially back to Russia, and I’ll loose access to him. If I inform the American team, I’ll have to admit that I was working for the Russians, which would cause some obvious fall out for me. This way I can just…continue with my work.”

Steve rubs his eyes. It sounds...legit. He guesses. Logical. “Hopper?”

“El says he’s on the level.”

“Jesus fuck,” Steve huffs, walking in a circle.

“Stevie? I want to help people.”

“I know you do baby.”

“Oh, are you two in a relationship-”

Steve finds himself leaning over to point in Owens face, “do not.”

“Okay, okay,” Owens spreads his hands, “look, I think you need to see this from the other side too. What if Eddie gets sick? What are you going to do, take him to the doctor? And what about El, and her powers? What if something comes up with her? I’m more than happy to-”

“I’m sure you are,�� Steve stops him, “and you agree with that Hop?”

“I mean, he’s got a point. Don’t think we could take Eddie to a regular doctor, and El was fine with letting him look her over. I mean I maybe don’t agree with the shit he’s been involved in but...I don’t currently have a lot of choice with getting my kids brain powers looked at.”

“I don’t like it.”

Hopper shrugs, “nope.”

“This is such a bad plan.”

“Not as bad as-”

“Don’t you dare-” Steve starts.

“Letting some fish guy-”

“Hopper!” Eddie adds, affronted.

“Bite your toes off.”

[inkandtension]

Cupid’s Bow.

Request: Minho x fem reader, angst, Enemies to lovers, inspired by : the beach by the neighbourhood

requested by: @hannamoon143

this is kinda long…. Sorry it took a long time! 😀🧍🏽‍♀️

Y/N, a fiercely dedicated archer training for an upcoming national competition, finds her already packed schedule upended when she's forced to collaborate with Minho, a renowned digital artist, on a promotional campaign celebrating diverse skill sets. From the moment they meet, sparks fly—but not the good kind. Minho, known for his sharp tongue and stunning creativity, quickly dismisses archery as “a medieval hobby trying to stay relevant,” while Y/N fires back with equal venom, calling digital art nothing more than "drawing for lazy people who don't know how to use a pencil."

The tension is palpable during their first brainstorming session, held in a sleek, minimalist studio that feels worlds away from Y/N's earthy training grounds. Minho's snide remarks about her calloused fingers and outdated sport clash with Y/N's pointed criticisms of his reliance on technology. Neither wants to back down, their arguments simmering with the kind of intensity that draws everyone's attention.

“Guys, please stop, now’s not the time!” they’d all start complaining and half of them lose the will to work seeing the fight almost everyday.

Y/N is at the archery range, her focus razor-sharp as she nocks an arrow and lets it fly, hitting the bullseye with ease. As she adjusts her archer's glove, Minho strolls in, a sketchpad and tablet under his arm. His amused smirk makes her blood boil before he even speaks.

“So this is it? Shooting at a target over and over again? Sounds thrilling,” he says, sarcasm dripping from his words.

She glares at him, holding up her glove-covered hand.

“This is precision and skill. Not that you’d understand with your stylus and Photoshop shortcuts.” Minho lifts his own gloved hand and wiggles it mockingly.

“Right, because my work, which takes hours of layering and digital rendering, is just so easy. Sure.”

Y/N narrows her eyes, stepping off the shooting line to face him fully, the faint creak of her leather glove breaking the silence. "It is easy," she fires back, her voice calm but cutting. "You make a mistake? Undo button. I make a mistake? That arrow’s gone. There's no second chance."

Minho raises an eyebrow, his smirk widening as he sets his sketchpad and tablet on the nearest bench. "You think every line I draw is perfect the first time? Newsflash, Robin Hood, creativity doesn’t come with a manual. At least you’ve got a fixed target to aim at. My job is creating something from nothing."

Her lips tighten into a thin line, the insult stinging despite her resolve to keep her cool. “Creating from nothing? Is that what you call copying filters and adding shadows? My three-year-old nephew could do that.”

Minho lets out a short laugh, the kind that feels more like a jab. “Oh, sure. And let me guess—he could also spend days conceptualizing a campaign while having to work with someone who thinks flinging pointy sticks at hay bales is the pinnacle of human achievement?”

Y/N’s jaw tightens, her patience thinning. She takes a slow step toward him, each word deliberate. “It’s not about flinging arrows, Minho. It’s about discipline, control, and hitting a goal with precision every single time. Something tells me that’s a little out of your league.”

He mimics her slow step, closing the distance between them, his smirk fading into something sharper, more competitive. “And you think shooting at the same target all day makes you superior? Try creating something people actually care about—something that’ll outlive you. That’s real skill.”

The air between them crackles with tension, their glares locked as if daring the other to make the next move. Finally, Y/N breaks the silence, her voice steady but icy. “You know, you talk a lot of trash for someone who’s never even held a bow.”

Minho’s eyes flash with challenge. “Oh, is that an invitation? Because I wouldn’t mind showing you up at your own game.”

Y/N crosses her arms, a smirk tugging at her lips now. “Go ahead. But don’t cry when you miss every shot.”

Minho picks up the nearest bow, holding it awkwardly as Y/N watches with thinly veiled amusement. The moment he tries to nock an arrow and fumbles, her laugh escapes, low and mocking.

“Precision and skill, huh?” he mutters, fumbling with the string again.

“And patience,” she says, leaning against a post as she watches him struggle. “But I wouldn’t expect you to have that, either.”

He tries once, his aim steady but completely off-target, and instead of hitting the mark, he accidentally strikes the ground near a worm. She gasps in mock horror, dramatically rushing toward the unsuspecting creature as if to shield it from further harm. Kneeling down, she peers at the worm, her expression turning to exaggerated relief.

“You didn’t even hit the worm. Not even close. The worm didn’t even flinch.” She raises an eyebrow. “Are you sure you’re aiming at all, or are you just trying to give the worm a heart attack?” “I bet you won’t be good at drawing, either” He said.

“I never said I was.”

…

She’d just released a perfect arrow, the kind that sliced cleanly through the air and struck the target dead center, when her focus wavered. Out of the corner of her eye, she spotted Minho sitting a few feet away, cross-legged and absorbed in his tablet. His stylus moved deftly over the screen, his brow furrowed in concentration, though his expression carried a hint of annoyance.

“Don’t you have a real job to do?” she snapped, lowering her bow and fixing him with a sharp glare.

Minho didn’t even flinch at her tone. His eyes stayed locked on his screen as he added another stroke to his sketch, shading with meticulous precision. “Funny,” he murmured without looking up, “I thought the same about you.”

He tapped his screen once, then swiveled it around to face her. The drawing was a surprisingly detailed sketch of her—her stance, her bow mid-draw, and her intense focus on the target. But there was an unmistakable exaggeration in her expression: her eyes were wild, her jaw tense, her features twisted with mock ferocity.

“Look,” he said dryly, holding it out with a smirk. “It’s a very angry archer.”

Y/N bristled, her grip tightening on the bow. “At least I’m not hiding behind a screen all day, imagining what it’s like to actually do something,” she shot back, her voice clipped.

Finally, Minho tilted his head up to meet her glare, his lips curving into an infuriatingly slow smirk. “Well, some of us use our creativity a little more… digitally,” he countered, his tone maddeningly calm.

Her frustration flared, and she stepped closer, extending her gloved hand toward him. “You think this is just imagination?” she challenged, her voice low but charged with irritation. She held up her hand, pointing out the distinct design of her glove—the archer’s glove, snugly fitted to her hand, with the fingers for the index, middle, and thumb covered for grip and precision.

Minho’s gaze flicked to her hand and then to his own. He raised his hand slightly, revealing his own glove, sleek and minimal, with only the pinky and ring fingers covered to avoid smudging his screen.

“See?” she said, her tone icy. “We’re just cut from different cloths.”

For a moment, silence stretched between them as they stood there, their gloves a stark contrast to each other. Minho’s smirk softened, replaced by something quieter, more thoughtful. He let out a soft laugh, glancing down at their hands before meeting her eyes again.

“Maybe,” he said, his voice calmer now, almost musing. “But maybe that just means we could complement each other. I mean if you look closely, our gloves together make a whole.”

Her eyes narrowed, suspicion lingering. “And what exactly is that supposed to mean?”

He shrugged, his lips twitching as if suppressing another smirk. “Who knows? Maybe you’re good at hitting targets, and I’m good at seeing the bigger picture. You never know what that could lead to.”

She scoffed, but there was a faint flush creeping up her neck that she didn’t care to explain. “Get back to your drawing, Minho,” she muttered, turning away before he could notice.

“Gladly,” he replied, his voice laced with amusement. As she stepped back to the range, she could still feel his gaze on her, a quiet tension lingering in the air between them.

…

something terrific happened.

Something that absolutely ruined well, everything.

Y/N arrived at the studio early, as always. She was already irritated, not just by the thought of spending the entire day with Minho, but by the very fact that he had been the one to suggest she’d be the problem. The studio itself was newly constructed, still echoing with the sounds of a place trying to find its identity. The walls were barely dry with paint, and the sharp scent of fresh lumber lingered in the air. There was an unfinished quality to everything—the kind of rawness that made her skin crawl.

She set her bag down with a sigh, pulling out her gear for the shoot—her bow and quiver, her leather gloves. The anticipation for the day’s work was drowned out by the vague sense of discomfort that settled in her chest. She was already imagining the hours ahead: forced smiles, shallow small talk, and of course, Minho’s smug attitude.

She didn’t have to wait long for him to arrive, though. Of course, he showed up late, walking through the door with the same casual stride, as if time was something he could bend to his will. He muttered something under his breath, loud enough for her to hear, though he likely didn’t care if she did. “What’s the rush? Archers must have nothing better to do than sit around and wait.”

Y/N shot him a look, her eyes narrowing with the same irritation that had already been brewing. He didn’t even seem to notice, or maybe he just didn’t care. She ignored his comment, choosing to focus on the task at hand—setting up her gear, making sure everything was in place. She was too professional to get caught up in petty remarks.

Minho, on the other hand, took one look around and immediately began to complain. “This place looks like a construction zone,” he said loudly, as if no one else could hear. “How is anyone supposed to focus with all this mess? This is unprofessional.”

Y/N gritted her teeth but held her tongue, not wanting to give him the satisfaction of a reaction. But her patience was wearing thin. “Maybe if you spent less time whining and more time doing your job, we’d already be done,” she snapped, the words slipping out before she could stop them.

Minho’s gaze flicked toward her, his expression amused. “I’m just trying to make sure this whole thing doesn’t end up being a disaster,” he retorted, completely unfazed. The session proceeded like this, with them bickering back and forth—her quick to respond to his jabs, him seemingly incapable of shutting up for more than a few seconds at a time.

The photographer kept trying to get them both to focus, but the tension between them was palpable, and the shoot felt anything but smooth. Y/N’s frustration only grew as the minutes ticked by, with Minho’s commentary getting more and more grating. She was starting to wonder if this day would ever end.

Then, just as she was adjusting her stance for another shot, a loud creak echoed through the room. The noise was unsettling, like the very structure of the building was groaning under pressure. Y/N froze, her eyes darting upward as the ceiling above them groaned again, a deep, foreboding sound.

Before anyone could react, a loud crack rang through the room, followed by the distinct sound of something large and heavy breaking free from its supports. The floor beneath them seemed to shudder as part of the ceiling collapsed in a sudden crash, sending debris scattering in all directions. The dust clouded the air, making it impossible to see for a moment.

Y/N was on instinct, ducking as a chunk of wood fell inches from where she’d been standing. Her heart hammered in her chest as she scrambled to her feet, adrenaline flooding her system. She could hear Minho cursing, his voice rising above the chaos.

“What the hell?!” he yelled, coughing through the dust. He sounded genuinely rattled now, a rare occurrence for him. Y/N didn’t waste time looking back at him—her focus shifted entirely to the damage, the pieces of the ceiling that had fallen, some still dangling precariously from the exposed beams above.

“Is everyone alright?” the photographer called out, voice shaking.

As Y/N took a step back to assess the damage, her foot caught on a loose piece of rubble, sending her stumbling forward. She barely registered the movement before something heavy crashed down from above—a massive chunk of ceiling, debris still tumbling in its wake, slammed directly onto her arm.

The pain was immediate and sharp, a searing agony that shot through her entire body as she let out a strangled gasp. Her vision blurred for a moment, the weight of the fallen ceiling pressing down on her arm, pinning her to the floor.

Minho's voice cut through the chaos, sharp with panic. “Y/N!” He was at her side in an instant, his hands reaching to lift the debris, but it was heavy, too heavy for him to move alone. “Shit, are you okay?!” His voice was frantic now, the usual arrogance replaced by something far more raw and urgent.

Y/N gritted her teeth, refusing to let the pain break her focus. She tried to shift her arm, but the pressure from the broken ceiling was relentless. The dust was thick in the air, and every breath she took seemed to make her chest tighten more.

Minho immediately reacted, pulling at the debris with all his strength, but the piece was large, and it barely budged. His face was taut with concentration, his usual smirk completely gone. “Hold on,” he said, voice shaky, but his hands were steady as he tried to lift the chunk of ceiling.

Y/N winced, biting back a cry of pain as the weight shifted slightly. 

Finally, Minho managed to shift enough of the debris off, as staff rushed there to help and evacuate the place. It revealed her arm, now bruising quickly from the force. She inhaled sharply as the weight finally lifted, but the relief was short-lived. Her arm felt heavy, almost useless. She could feel the pain radiating from her wrist, where the ceiling had come down the hardest.

“Shit,” Minho muttered under his breath, looking at her arm with wide eyes. He knelt down beside her, his voice softer now. “Is it broken?”

Y/N clenched her teeth, unwilling to show how badly it hurt. “I don’t know,” she snapped, pulling her arm back slightly to test it. The pain flared up again, sharper this time. “Just help me get out of here.”

When the ambulance finally arrived, its sirens wailing in the distance, Y/N felt a mix of relief and anxiety wash over her. The pain in her arm had only intensified as the adrenaline began to wear off, but she clenched her teeth and focused on the paramedics as they carefully worked to stabilize her.

Minho, however, wasn’t about to let anyone else take charge. As the paramedics made their way to assess her injury, he immediately stepped forward, blocking their path with a protective glare. His usual aloofness had disappeared completely, replaced by a fierce determination.

“I'm coming with her,” he said, his voice low but firm. The paramedics exchanged a quick glance, but neither of them argued, clearly used to people being adamant about staying with loved ones.

Y/N couldn’t help but watch him, her mind a blur of pain and confusion. What was he doing? Why was he being so... concerned? He wasn’t supposed to care. They were just colleagues—rivals, even. Yet, here he was, hovering over her like he couldn’t bear to let go.

When the paramedics gently helped her onto the stretcher and into the back of the ambulance, Minho slid in beside her without a second thought, his hand immediately finding hers. He squeezed it gently, as though reassuring himself more than her.

Y/N’s breath hitched slightly as the door slammed shut behind them, the engine roaring to life as they sped toward the hospital. She was grateful for the warmth of his hand, but she couldn’t quite understand why he was doing this. The words from earlier about how they were “cut from different cloths” echoed in her mind, but his actions now seemed to contradict that.

His thumb brushed over her knuckles in a comforting motion, his gaze fixed on her face. “You okay?” he asked softly, the usual teasing edge gone from his voice.

She didn’t answer right away, not because she didn’t want to, but because she wasn’t sure how to respond. She hated feeling vulnerable, especially in front of him. But his steady presence, the way he refused to let go of her hand, made something inside her shift.

“Do you think it’s broken?” she asked, her voice tight from the pain. She hadn’t even dared look at it yet, but she could feel the weight of the injury in every movement, a dull throb that was becoming sharper with each passing minute.

Minho’s expression darkened slightly, his jaw clenched as he looked at her arm. “I’m not sure. But we’ll know soon enough.” He shifted closer, almost unconsciously leaning over her, like he was willing to shield her from whatever came next.

Y/N felt her chest tighten, her mind swirling with thoughts she didn’t want to address. She could hear the ambulance’s sirens fading as they raced through the streets, and for a fleeting moment, everything outside of the small space between her and Minho seemed to vanish. The only thing that mattered was the pressure of his hand in hers, the soft rhythm of his breathing, and the unspoken understanding that had settled between them.

She glanced at him, catching his eye. “Why are you really here?” she asked, her voice softer now, almost vulnerable.

Minho didn’t flinch or back away, his gaze unwavering as he held her stare. “Because you’re not getting rid of me that easily,” he said with a small, but genuine, smile that reached his eyes. “And because I don’t think you’d let me, even if I tried.”

Y/N couldn’t suppress the tiny spark of warmth that flared up at his words, despite everything. She wanted to argue, to tell him to stop pretending like he cared, but deep down, a part of her was grateful for his presence.

The ambulance continued its swift journey toward the hospital, the distance between them closing in ways Y/N hadn’t expected. In that moment, the smirk, the teasing, the tension—all of it faded away, and she was left with only one undeniable truth: Minho wasn’t going anywhere.

The sterile, bright hospital room felt suffocating as Y/N sat on the edge of the bed, the weight of the doctor’s words pressing down on her like a boulder. The doctor had just finished delivering the devastating news, and the silence that followed felt suffocating.

“I’m sorry, but with these injuries, archery is not something you’ll be able to pursue again at the competitive level,” the doctor had said. His tone was gentle, but it made the words no less crushing. “Your fingers will need time to heal, but they may never fully recover.”

Y/N felt her heart drop to her stomach as she processed what the doctor had said. The world seemed to tilt on its axis, her mind racing through a whirlwind of disbelief and dread. She stared at her arm, still wrapped in a cast, and then down at her fingers, which felt oddly stiff and foreign, as if they were no longer a part of her.

My fingers… Her mind spiraled. Archery had been her life, her passion—her future. She’d spent years working to get to this point, training endlessly, sacrificing everything for the sport. To hear that all of that could be taken away in an instant was like being ripped apart from the inside out.

The tears threatened to surface, but she refused to let them fall. She’d never been one to show weakness, not when everything she’d worked for was being stripped away in one cruel blow. Instead, she clenched her jaw, willing the tears to stay back, even as her chest tightened painfully.

The doctor gave her a sympathetic glance before walking out of the room, leaving the door slightly ajar. She didn’t notice his departure; she couldn’t focus on anything but the silence that now filled the room, the stillness that matched the numbness creeping into her bones.

The only sound that broke through the heavy silence was the faint hum of the fluorescent lights overhead, and the soft scrape of a chair being moved. She glanced up to see Minho standing by the door, his posture tense as he took in the situation.

He hadn’t said a word since the doctor left, but she could feel his presence like a weight in the room. He didn’t have to speak; his quiet support was enough. Y/N hated that, hated how much it comforted her, how much his silent understanding meant in that moment.

Minho took a few steps toward her, his eyes avoiding her gaze for a moment before locking with hers. His usual smirk was absent, replaced by something deeper—something unspoken, but heavy. He didn’t offer empty platitudes or pretend to know how she felt. He simply stood there, a steady presence in the storm of emotions swirling inside her.

“You don’t have to say anything,” Y/N muttered, her voice hoarse, barely above a whisper. She wasn’t sure if she was talking to him or to herself. “I know what it means.”

Minho’s gaze softened, and he sat down in the chair beside her bed. For a moment, he said nothing, just letting the silence stretch between them. Then, quietly, almost as if he were speaking to himself, he said, “I know how much it meant to you. It’s… it’s unfair.”

Y/N blinked, surprised by the sincerity in his voice. It wasn’t something she expected from him—not the way he usually teased her or the sharpness he often wore as armor. This felt different. Real.

“I’ve worked so damn hard for this,” she murmured, her voice shaking just a little. “And now… now I’ll never get it back.”

Minho didn’t say anything for a long time, his eyes fixed on her fingers, the ones that had been her lifeline, now broken and uncertain. Then, after a beat of silence, he spoke again, his words slow, deliberate.

“Maybe you don’t need to be an archer to be… you.”

The words hung in the air between them, and Y/N didn’t know how to respond. Part of her wanted to shout, to tell him that he didn’t understand—that she was nothing without archery, that it was her whole identity. But another part of her, buried deep beneath the shock and grief, felt the pull of his words, like a lifeline thrown out in the dark.

He gave her hand a tentative squeeze, his thumb brushing against her skin gently. “Whatever happens… you’re not alone in this,” he said quietly.

Y/N didn’t know what to say to that. She was used to carrying everything on her own, used to handling things alone. But in that moment, she found herself reluctantly leaning into his presence, the weight of his words settling into her chest.

She didn’t say anything else, just looked at her casted arm and the mess of emotions swirling within her. Minho didn’t push her to talk. He stayed with her, silent and steady, his presence an anchor in the midst of a storm that threatened to tear her apart.

And for the first time in a long time, Y/N didn’t feel quite as alone.

As the days blurred into weeks, Y/N’s world continued to shift beneath her. The weight of her injury hung heavily over her, a constant reminder of what she had lost. Archery had been her life, her identity, and now, it seemed as if that identity had been stripped away in the blink of an eye.

Her parents, furious and protective, rallied around her in their own way. They had always been fiercely invested in her success, and the sight of their daughter in pain triggered something primal in them. They couldn’t bear the thought of her suffering without justice. The idea of her future—her dreams—being destroyed without any accountability gnawed at them until they decided to take matters into their own hands.

They hired a lawyer and filed a lawsuit against the studio. The claim was simple: negligence. The studio had failed to properly inspect the building before using it for interviews and promotional shoots, and it was this failure that had caused the ceiling to collapse, injuring their daughter beyond repair. They argued that the accident wasn’t just a freak incident—it was a direct result of the company’s lack of care and attention.

Y/N hadn’t wanted to get involved. She wasn’t interested in dragging things out or seeking revenge. She just wanted to heal, to find a way to move forward. But her parents insisted, convinced that justice could only be found through legal action.

The court case dragged on for months, a bitter reminder that her life was no longer in her own hands. Every time she thought about the process, she felt her chest tighten. It wasn’t about the money, not for her. But her parents insisted it was a matter of principle. They fought for accountability, for the principle that a company shouldn’t get away with causing harm so carelessly.

And in the end, the court found the studio guilty. The evidence was clear—the building had not been properly inspected, and the structure had been deemed unsafe before being used for commercial purposes. The company was ordered to pay a significant settlement to Y/N, though the amount seemed paltry compared to the injury she’d suffered, the career she’d lost, and the dreams that had been shattered.

When Y/N found out about the ruling, she felt numb. She sat in the sterile waiting room of the hospital as the lawyer called her parents to relay the news. The words blurred together, but the impact was undeniable. The settlement was a victory for her parents, something they could hold on to, but to Y/N, it felt hollow. It didn’t change anything. The money wouldn’t heal her fingers. It wouldn’t erase the long nights of training, the years spent perfecting her craft, the agonizing loss of something that had been everything to her.

Her parents were thrilled, their anger temporarily quelled by the ruling. But Y/N couldn’t bring herself to share in their relief. All she could think about was how much the settlement had cost her. The studio had paid for their mistake, but the price for her was far steeper than any check could cover.

Later that evening, after the celebrations had died down, Minho came to visit her. His presence was a steady comfort, but tonight, it felt like there was an unspoken weight between them, something they hadn’t addressed in all the chaos that had surrounded the lawsuit and her recovery.

When Minho entered her room, he didn’t offer any words of congratulations. Instead, he sat beside her, his expression serious. “You okay?” he asked quietly, looking at her like he was waiting for her to crack.

Y/N stared out the window, watching the lights of the city twinkle in the distance. The hospital room felt cold, sterile, a place she never thought she’d be spending so much time in. “I don’t know what I’m supposed to feel,” she said, her voice barely above a whisper. “I’ve got money. I’ve got a settlement. But what’s it all worth? It doesn’t bring back what I lost.”

Minho didn’t try to offer words of comfort or reassurance. Instead, he just sat there, quietly, letting her process. He knew better than anyone how difficult it was to watch something you loved be taken from you. He had seen it in the way she held her bow before the accident, the way her whole body came alive when she shot, like she was a part of something bigger. The way her spirit had dimmed since the accident had left a mark on him too.

“I’m sorry,” he finally said, breaking the silence. “I don’t know what it’s like to lose something like that. But... I know you’ll find a way to get through it. Even if it takes time.”

Y/N didn’t answer right away. She just leaned back against her pillow, her gaze distant. There were so many things she didn’t know anymore—so many things that had been ripped from her hands. But for the first time in a long while, she allowed herself to admit that maybe, just maybe, she wouldn’t have to face it alone.

The legal battle had given her parents what they wanted, but it hadn’t given her what she truly needed. Justice was one thing, but healing—true healing—was something only time could offer.

And, perhaps, with Minho’s quiet support, maybe even a little bit of hope.

In the days that followed the accident, Minho never stopped showing up, despite the fact that Y/N kept pushing him away. He came to her room with the quiet persistence of someone who understood more than he let on, but also respected her need for space—even if she didn’t realize it.

Each time he appeared at her door, a mixture of frustration and longing flickered in her chest. She didn’t want him here—not like this. She didn’t want his sympathy, his pity, or his attempts to help her in a way that only made her feel more helpless.

One evening, after he suggested helping her with simple tasks—like tying her shoelaces or even feeding her left-handed—Y/N snapped. The anger that had been building within her over the last few weeks finally erupted, spilling out in a sharp, jagged voice.

“I don’t need you to ‘teach’ me how to be anything,” she hissed, her gaze hard and unforgiving. Her fingers, stiff from the injury, curled into a fist. “Just… leave me alone.”

Minho took a step back, his expression unchanged but his eyes betraying a flicker of hurt. Yet, he didn’t leave. He never did.

“Okay,” he said quietly, as if letting her have her moment. But the silence that followed felt like a heavy weight, a shared understanding hanging in the air between them. He didn’t push any further that day, though he left behind a small package on her bedside table—one she hadn’t even noticed.

The next day, Y/N opened the package to find a book of poetry—one she had mentioned loving before. Her fingers brushed over the cover, and for the first time in what felt like forever, she softened. Minho was still finding ways to care for her without demanding anything in return. She knew he wasn’t expecting a thank-you, but she couldn’t help the pang of guilt that hit her.

Over the next week, his visits became a mix of awkwardness and tentative kindness. He’d show up with bags of food from her favorite takeout place—nothing fancy, just comfort food that somehow felt like a small balm for the chaos of her life. He even brought her a sketch one evening, left silently by her door.

It was of her—his hand-drawn portrait of her in her prime, holding her bow with the same fire that used to light up her world. His delicate lines captured the way she held herself, strong and focused. The drawing felt so real it almost hurt. It was like he had seen her, really seen her, not just the version of herself she had become after the accident. She swallowed back a lump in her throat.

Despite her resistance, despite her frustration, his quiet presence seeped into the cracks of her heart, mending parts she hadn’t even realized were broken. It wasn’t pity. It wasn’t forced kindness. It was the kind of gentleness that spoke of understanding, of time spent in silence, waiting for her to heal at her own pace.

One evening, as she struggled with trying to tie her own shoelaces with her left hand, Minho appeared again, standing in the doorway, arms laden with a small basket of fresh fruit.

“You’re trying to tie your shoes with your non-dominant hand again?” he asked, a half-smile tugging at his lips. “You know, the doctor said you’re supposed to take it easy for a while.”

“I’m fine,” she muttered, not looking up, irritated by the truth she didn’t want to admit. “It’s just a stupid shoelace.”

Minho walked over slowly, setting the basket down on the table beside her. Without a word, he crouched down, taking the laces from her clumsy hands. He worked in silence, his movements deft as he tied the shoes with the care he had shown for her in the past few weeks. When he was done, he stood back up and met her gaze, his expression serious but soft.

“Just because you can do something doesn’t mean you should,” he said quietly. “You don’t have to carry the world on your shoulders alone.”

She opened her mouth to snap at him again, but the words didn’t come. Instead, she looked at him, truly looked at him, and for the first time in a long while, her anger faded into something else.

Minho wasn’t here because he thought she was weak. He wasn’t here because he pitied her. He was here because he saw her—he saw the woman who had been so strong before, and he believed she could be that woman again, even if it took time.

“I didn’t ask for your help,” she muttered, but this time, it lacked the bite of her earlier words.

“I know,” Minho replied simply, his voice warm and steady. “But I’m not leaving.”

Y/N didn’t know how to respond to that. She wasn’t ready to admit that she might need him, but in the quiet moments that followed, she couldn’t deny the comfort his presence gave her. Even in her resistance, she felt something softening within her, a fragile thread of trust she hadn’t realized she was willing to weave again.

“I can help you, please let me, you know I’m ambidextrous.”

…

One night, Minho comes to her house, as he has so many times before. Y/N’s frustration has reached its peak, and she can’t hold it back anymore.

“I’m not a broken doll that needs fixing. I’m not someone you have to pity.”

Minho sits down across from her, knowing it’s her daily depressing hour. his expression unreadable. For a moment, the silence feels suffocating. Then, he speaks softly. “I can’t teach you archery, but I can teach you how to draw. I can teach you how to use your other hand.”

She looks at him, and for the first time, the bitterness fades just enough to let a tiny flicker of hope in. Maybe she can still create something. Maybe it won’t be the same as archery, but it could be something new. Later that evening, her mother enters the room with a tray of snacks, trying to lighten the mood. She sits down next to Y/N, looking between her and Minho.

“You should’ve been more careful, sweetie. You’re an archer. You should’ve known how to take care of yourself.”

That’s the breaking point.

Y/N stands up abruptly, the frustration boiling over. “It’s not my fault! I couldn’t have known the ceiling was going to fall! it’s not like I give everywhere assuming unexpected things happen !” She’s shaking with the intensity of it now.

“I didn’t choose this! I didn’t choose for this to happen. I didn’t choose for everything I’ve worked for to get destroyed in an instant!” Minho watches her, his gaze soft but firm. He steps closer, resting a hand on her shoulder.

Y/N’s breath is shaky, her chest tight with the rawness of her emotions. She blinks rapidly, trying to stop the tears that threaten to spill over, but they come anyway, hot and relentless. Her hands tremble as she wipes them away, but it’s futile—no amount of effort can hide the grief that swells inside her.

“I don’t know how to live without it,” she whispers, her voice cracking as the pain surges. “Archery wasn’t just something I did. It was who I was. It was everything to me. And now… now I’m just… broken.”

Her words crack like glass shattering, each one a reminder of the life she thought she had and the future that was ripped away in a single moment. She had spent years training, dedicating herself to something that made her feel whole, something that defined her in a world that often felt too large. And now, that piece of her was gone. The path she had been walking for so long had been torn away, leaving nothing but jagged edges and an aching emptiness.

Minho’s heart twists as he watches her, the storm of emotions in her eyes threatening to consume her. He doesn’t know what to say—he can’t fix this. He can’t give her back what she lost, no matter how much he wishes he could.

“I know,” he says quietly, his voice soft but resolute. “I know it feels like everything’s falling apart right now. But you’re not broken. You’re… you’re just lost. And it’s okay to feel like that. You don’t have to have all the answers right away.”

Y/N shakes her head. “You’re wrong. I am broken, Minho. I’ve lost the one thing that gave me purpose. How can I be anything but broken?”

Minho’s heart aches, but he doesn’t step away. He doesn’t let go of her shoulder, grounding her as she trembles. “I don’t think you’re broken, Y/N,” he says softly. “I think you’re hurting. And that’s okay. It’s okay to hurt.”

She pulls away from him abruptly, her face flushed with frustration and sorrow. “You don’t get it. You’re not the one who had everything—everything—taken away in an instant. You don’t know what it feels like to lose yourself.”

Minho stands still, the weight of her words settling deep into his chest. “No, I don’t know what it feels like,” he admits. “But I do know that I’m not going to let you go through this alone. I may not be able to fix what’s broken, but I’ll be here to help you pick up the pieces. Even if you can’t see it now, I believe you’re strong enough to rebuild. I believe in you, Y/N.”

Y/N doesn’t know how to respond. Her anger and sorrow have clouded her judgment, making her feel like she’s trapped in a storm she can’t escape. Her gaze drifts to the window, where the soft evening light pours through the curtains, casting long shadows across the room. The stillness of the world outside is so far removed from the chaos in her heart.

“I didn’t choose this,” she murmurs again, this time more quietly, as if the words are a confession rather than an accusation. “I didn’t choose to be here… like this.”

Minho watches her carefully, his voice gentle. “No, you didn’t. But sometimes, life doesn’t give us a choice. All we can do is keep going, one step at a time.”

Y/N is silent for a long moment, her thoughts tangled in the mess of her grief and anger. Finally, she lifts her eyes to meet his, her gaze softened by the exhaustion of it all. There’s a flicker of something—something small but there—inside of her.

“I don’t know how to keep going,” she admits softly, her voice barely a whisper.

Minho steps forward, his heart aching for her, and pulls her into a hug. She stiffens at first, not used to accepting comfort, but after a few moments, she melts into his embrace, her body trembling with the weight of everything she’s been holding back.

“Then let me help you find your way,” Minho murmurs, his voice low and steady. “One step at a time.”

And for the first time in weeks, Y/N lets herself lean into someone, just a little, feeling the fragile thread of hope that Minho’s words offer. It’s not a solution. It’s not a cure. But it’s a start.

Minho knows that words won’t fix this. So, he takes her to the beach the next day—just the two of them, no distractions. Her arm is still in a sling, but they sit down on the shore, letting the sound of the waves fill the silence.

Y/N’s emotions are raw, and the weight of everything hits her again. The tears she’s been holding back finally spill over, and she doesn’t try to stop them. She doesn’t want him to look, but she can’t control it.

“I’m sorry,” she says through her sobs, her voice barely above a whisper. “I don’t want to burden you with all this. I don’t want to need you. I don’t want to need anyone.”

Minho doesn’t look at her. He knows. But he stays by her side, silent and steady.

When she calms down, he reaches out, gently cupping her face in his hands. She looks up at him, her eyes red from crying.

“You’re not a burden to me, Y/N,” he says softly. “I’m here for you. I’ll always be here.”

She shakes her head, her tears still fresh. “But I don’t know how to do this anymore. I don’t know how to be anything without archery.”

Minho smiles, his eyes filled with an understanding that she’s not ready to face yet. “You’ll find a new way. And if you need me, I’m here. We’ll figure it out together.”

“You’re still you,” he says softly. “And you’re going to find a way to be even more.”

Y/N swallows the lump in her throat, feeling a flicker of something deep inside her—a spark, barely there, but present. It’s not a solution, not even close. It’s just the tiniest glimmer of hope. But right now, that’s enough.

She takes a deep breath, trying to steady herself, and nods slowly. "I’m not sure what the future holds, Minho," she says, her voice quieter now. "But maybe, for the first time, I’m starting to think it’s okay not to have everything figured out."

Minho smiles, a small but genuine smile that reaches his eyes. “Good. Because you don’t have to have it all figured out. Not yet.”

They sit in silence again, letting the sound of the waves wash over them, and for the first time in a long while, Y/N doesn’t feel completely broken. She still doesn’t have all the answers, and she knows the road ahead won’t be easy. But with Minho by her side, maybe she doesn’t have to face it alone. Maybe, just maybe, there’s a way forward after all.

You’re dangerous with your bow anyway, he thought, you’re Cupid.

And you close your eyes, in peace.

[whateverthedragonswant]

The anti reactions from yesterday have me just shaking my head. I am by no means a professed stan of Jensen. I'm a fan of his works and I've followed his career, I appreciate his interactions with the public (like cons) as well as his public persona, but I don't worship the ground the guy walks on. He's a human being who I enjoy watching on my screen from time to time in different roles or displaying said public persona. That's it. I support him, but I don't stan him blindly, if that makes sense. Not him or any other celebrity.

That being said, I found the anti/critical reactions to something Jensen allegedly said that had been tweeted out from the Dallas Con to be very interesting and highly entertaining in some cases, especially with one particular anti blog that consistently claims to love this man and want the best for him while psychoanalyzing him and hating (and blaming everything that Jensen does/says that disappoints them) on his wife with the maturity level of a fourth grader. To put it bluntly, antis showed their asses yesterday and it is pure confirmation of what I and so many on here have been saying for quite some time now in regards to these posts/blogs.

Yesterday:

Tweet from the Gold Panel: "Jensen: 'he and I don't take on projects for the impact, we're serious about what we do.'"

Me: 'huh, you know, that wording seems a bit... Eh, you know what, knowing Jensen and how this fandom works anytime he dares to breathe, I'm going to wait to see the panel myself tomorrow and get the context of the question and his answer. If anything, he just misspoke, but I highly doubt he meant it in a bad way. Knowing him, he absolutely cares about the impact it has had on so many people and he might have thought the asker meant something else. Still, I'mma wait and see for myself.'

Antis:

and one particular blog (the one that claims to love him be in love with him):

'Jensen, you're no true actor and I would know since I'm an expert on acting! How dare you! You've hurt me so deeply!'

Today:

I watched the Gold Panel. Question was did the guys think about how massive the impact SPN would be in reference to their careers aka people knowing who they are, people following them, etc. Basically, did they know what it would become, something Jensen clarifies with the fan before answering. Jensen's actual response:

"Yeah, I don't, I mean, I guess to kind of quickly break it down, I don't think he and I go into any of these, uh, jobs or roles or stories thinking about the impact it's going to have externally. I think we go into it as...you know, they hire us to come in and do a job and...and he and I both, uh, we both take that job seriously even though it may not look like it all the time. But we also have a lot of fun doing the job because we truly enjoy doing what we do. That being said, we're not thinking 'oh let's do this because I want the effect that's going to have on a greater scale'. We're just doing our job. And hopefully, it resonates to people. Hopefully, somebody out there is entertained. And if that's the case, then we've done our job."

Me trying to see what had the antis losing their minds, especially that one blog and NOT finding it anywhere:

This is why you always watch the panels for yourself and avoid anti posts/blogs at all costs. They always claim they are there to be the opposite to AA's, to apply critical thinking, to view Jensen as human instead of a god, to be the ones with "a reality check", but they jump just as quickly as that group and crucify the guy before doing due diligence. Critical thinking should also include getting your facts straight before spreading misinformation (and in this case, more hatred). This is literally the same tool kit lawyers, law enforcement, and investigative journalists use all the time. It's good old common sense.

So block, mute, filter these people. Do whatever you gotta do, but this proves once and for all what we've all been saying. These anti/critical blogs that claim to "apply critical thinking" are full of shit.

Critical thinking is defined as "the objective analysis and evaluation of an issue in order to form a judgment." The reactions were not objective, especially the one blog that had an emotional heartbroken reaction. They were subjective, colored by their own biases. They did not analyze and evaluate the situation fully before issuing a judgement; they were missing a very crucial piece of the puzzle before they started sounding off and they knew it but they didn't care.

So the next time an anti/critical blog says in defense of their hating on/criticizing of Jensen (or anyone really) that they're applying critical thinking and you should try the same when you propose an alternative point of view (about Jensen or not), just remember it's all a smoke screen of bullshit. So again, block, mute, filter, whatever you gotta do. Personally, I think this shit's hilarious and entertaining on a Real-Housewives type level.

And that one blog that had such an emotional reaction to something that Jensen didn't even say in the way they thought he did, it's one thing for you to feel the way that you do, but spreading misinformation as you did, saying Jensen is no true performer, I don't know, maybe it's time to let go of your obsession with loving (aka being in love with) and hating this guy and move on?

[flying-cat]

Someone explain to me why people are so disappointed about Deku being quirkless at the end bc I genuinely don't get it

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[leadendeath]

mate. im sitting in the confessional right now with this.

i have a "guilty ?pleasure?"- well, not pleasure exactly, it's just something to background listen to while i do other stuff... so that i don't have to look at the show's art style which i generally do not like much- maybe a better term is a "bad habit"- of putting on peoples' reviews/video essays of the works of someone whose name sounds a lot like "fizziepop".

and let me tell ya.

the combo of the double take/"oh no he's cute" feeling i got when i saw this guy.

i have too much of a mental sickness for this they can't be doing this to me man. i almost had a moment of "......hmmmmaybe i could give the show a try 🤔" weakness. can u guess why. take a guess. a wild one.

help me.

[chibi-scone]

Remember when the whole ordeal with s2 was that Ed was so heartbroken that Stede left him that he tried to get himself and the whole crew killed and then they got reunited within like 2 episodes and never spoke about anything of interest together and then that same Ed decided to ditch Stede after a couple of days because he wanted to catch fishes and that lasted half an episode before they got reunited again and the show ended on them leaving everyone to live in a simultaneously doomed to fail/happy ending inn and everyone was like wow good writing I can’t believe this could get canceled $10k billboard in times square

[bugisbonkerz]

i’m getting so many positive comments on my dhmis human designs especially on red guy… u make me very happy ty all sm<3333333

[devondespresso]

just needed to say but its 100% ok to write characters out-of-character.

if you craft a version of a character that is completely different from the canon character its not necessarily bad writing and that fact alone doesn't make you a bad writer in any capacity.

its ok to use a preexisting character as a starting place to write your own characters even if you're not changing names or changing a lot about them. I've read and adored a bunch of fics where the characters are definitely not like they are in canon and if i saw that version of the character in the show id be so confused. but I'm decidedly not watching the show, im reading your fic and im completely immersed in your version of the character.

using characters as a vessel to make your own story based on your own experiences is not in any way inferior to writing fix-its of canon or adhering exclusively to canon characterizations. not everyone will enjoy it or read it because no tropes or ways of writing will appeal to everyone, but there will always be someone that enjoys your work and appreciates what you do.

writing is fucking difficult no matter which angle you choose to take. and theres no trope or plot or personal experience that you can't write for any character because there are no laws of writing that say you have to stick to your source material.

its still a good idea to tag if you're characters don't adhere to canon characterizations just because like any trope your reader wants to be able to know what they'll be reading beforehand (and it'll help clarify that the mischaracterization is not an accident you forgot to edit but just how you chose to write this character)

basically your writings are still good and valid even if it wouldn't happen in the show. in some cases "they wouldn't do that in the show" is a damn compliment.

[lwoorl]

I'll say it: "Oh all AI artists do is write a stupid description and immediately get an image with no effort, there's no art in that" is the new "Digital painting doesn't count as art because it takes no effort"

[bonetrousledbones]

at this point i’m convinced folks saying “people ONLY want perfect unproblematic queer characters but I’M different and want them to KILL” are just making up guys to get mad at because who. literally genuinely who are the people that only want flat/”perfect” queer rep i haven’t seen a single one since like 2018 but i’ve seen like 6 posts like this in the past week

[malewifehenrycooldown]

I am not immune to purple haired ninja women.

[dockaspbrak]

what the hell

[spider-man-2o99]

when are you gonna see the new spiderverse?

it's not set in stone or anything, but we're aiming for sometime within the first week of its release if we can afford it!!

(on the note of spoilers: i Strongly Prefer to not be spoiled, but they won't like. Ruin My Life or really even my Day, i just would prefer to not be spoiled cause it's. like. a dick move, y'know? thanks. love yall)

[rhythmelia]

screaming into the void

But I really really REALLY need my fellow non-Black folks of color around the world to just. Sit down and hush about the use of the n-word.

Yes, I believe in a growth mindset, that we are all imperfect humans who have fucked up and will fuck up in the future, and life is a process of unlearning a lot of shit and learning to recognize things like dogwhistles and micro aggressions and macro aggressions and learning how to not perpetuate shit. Making amends for past wrongs and doing better next time.

I'm also aware that our society (thanks, legacy of slavery and colonialism!) is awash in so much anti-Blackness, like it is Baked. In. To so many structural things, and pervades so many cultural things around the world.

So I just. Really really want to call in my fellow non-Black folks of color - like, it is not helping to go harass Black fans about their opinions when our/your faves do something shitty! Black folks are not a monolith, and are allowed to have complicated feelings about what they're willing to tolerate or not when being a fan, given, again how pervasive anti-Blackness and cultural appropriation of Blackness is in pop culture, among other things!!

In my perspective, the n-word is not ours to reclaim, if we're not Black! Plain and simple. The legacy of centuries of slavery, and pain, and ongoing racism and harm today....whyyyyy do you want so bad to be able to use this one word, hmm? Or for our/your faves to be able to use it with no consequences, hmmmmm? Please reflect.

Idk how to end this, this is just a rant and I want to send solidarity and support and positive energy to Black fans dealing with some bullshit.

[icharchivist]

weird thing to complain about but funny how one of the (very,very, very few) replies defending it that i got on my “hey the Hercules live action remakes seems to be a bad idea” viral post was someone defending the remake over the ground of “well at least it will mean we’ll get a version where Hades isn’t voiced by a bastard”, like, on my post, mine. I’ve never watched Hercules in english in my life this argument is completely meaningless to me, try again.