#like i’ll see art of japanese or chinese characters and it literally looks like the artist just drew a white person

[youkaigakkou-tl]

Chapter 102 Translator's Notes Thoughts

You know what, I sort of thought I wouldn’t have much to say about this chapter, considering I’d already pored over all the details from Makuragaeshi arc and Yoseito, and in comes Tanaka Mai with a metal bat!

Summary:

Stuff about the color page

Actual translation note about the divine magic stuff

Stuff about the time travel

That theory I have about Haruaki’s exorcism power

(future op after writing the whole thing: jesus christ this is 3000 words. somebody stop me before i come out with a 70 page peer reviewed thesis one of these days)

Color page

The one with purple hair is Akira LOL I think everyone got got by it for at least a second because we’ve been seeing Douman so much, especially with that half the face blacked out, but look at the hair part. Also I only realised because of this art that Kurai and Akira have a mole by the mouth in the exact same spot, makes sense why he wants to cover it up now. (Irrelevant but I also have a mole in that same spot)

Also, the red string of fate…

Hey remember what happens in Makuragaeshi arc. yeahhhhh hahaha just stab that knife right into me hahaha sensei you would do this to them? to me?

A lot of the original folklore for the red string of fate is pretty mean, but the important common thread (heh) is that the two people meet long ago briefly and part ways, until they eventually get married while not remembering that first encounter, then they find out they knew each other from that first encounter. (Hey why does this sound like almost all the things that happen pre-main story in yohaji. Who is making spiderwebs with the threads of fate up there.)

Red string… Hatanaka’s red scarf, which Ibara knitted for him… His scarf, which isn’t present in the Makuragaeshi world… Tanaka Mai you are fucked up and evil for this. I am going to lie in the sand now.

The scarf… which she knitted for him maybe because she saw him with it 100 years ago…

Divine Magic

Ok I’ll be real I hate translating it as “divine magic” because it’s so vague but translating it as the actual Buddhism term is too specific and technical, when the word in Japanese and Chinese uses very common characters so it’s vague enough while still being the actual Buddhism term.

This chapter specifically calls back to chapter 22, and I totally didn’t recall any mention of anything divine so I had to double check with the JP. Sure enough, it’s used here, translated as “divine youkai magic”. But the thing is, in this situation “divine” just sounded like an adjective for “youkai magic”, rather than the whole phrase being a proper noun which is obvious in JP. (This is sort of why I’m going with “divine magic” instead, and that there’s nothing in the JP word that says “youkai” anyway) (By the way, it’s also on the blackboard in Miki’s class in chapter 96. I translated it as “divine power” then because there was no context)

The word is “神通力 jin-tsuu-riki”, and the Buddhism concept it’s referring to is Abhijñā, or the “six types of higher knowledge”.

Breaking down the word,

神 jin: god/divine

通 tsuu: connection/understanding/knowledge

力 riki: power

Exactly as Hatanaka explains it, in the most literal sense, it means “power that has connection to the gods”. “Jintsuuriki” is also another word for psychic powers in general, but it’s definitely this Buddhism concept because of the names of the six types.

Hatanaka just summarized it, so I think it’s safe to assume there’s more to all of them, and also I want to explain what each of them does anyway, even if they definitely won’t end up being the exact same in the manga.

^ Putting this here so it’s easy to refer to.

1. 神足通 Jin-soku-tsuu (Divine step)

Literally translated, it is “god step connection” (all of them end in “tsuu”). The specific name for it is Iddhi, and is generally called “higher powers”, or “powers of transformation”? I went with a name that’s almost a literal translation of the JP.

The specific abilities attributed to it include:

Replicating and projecting images of oneself

Becoming invisible

Passing through solid objects

Going through solid ground

Walking on water

Flying

Touching the sun and moon

Chinese and Japanese descriptions of it also mention “teleportation” or “being anywhere at will”, though strangely English descriptions of it almost never have this part.

The principal uses this one, and Hatanaka thinks Tamao used it (spoiler: he was wrong).

2. 天耳通 Ten-ni-tsuu (Clairaudience)

Literally translated, it is “divine ear connection”. Fairly self explanatory. Also described as “god-like hearing”, it’s the ability to “hear gods or humans, near or far”.

Interestingly, Hatanaka uses “地獄耳 jigoku-mimi” to describe “having sharp ears”, which itself is a fun phrase. It means “hell’s ears”, referring to King Enma, who hears of everything you’ve done in life and judges you accordingly. Though, in everyday speech it just means “someone who hears all the gossip”, but rarely it also means “someone who remembers everything they’ve heard”.

3. 他心通 Ta-shin-tsuu (Telepathy)

Literally translated, it is “others’ hearts connection”. Also fairly straightforward. The concept of “reading minds” in English is “reading hearts” in Japanese and Chinese. There’s probably a separate essay here about the West’s scientific and medical advancements and how with it, the core of what defined a human was shifted from the heart to the brain, changing the sort of words people use with it. Oh hey wait there IS a video essay about this. (ah shit this is getting off topic)

Anyway. It’s also described as being able to “understand others’ minds/hearts as if they were your own”. I feel this is the one the karasu tengu troupe used in chapter 21/22 to conjure up the illusions of Miki, Sano and Haru’s fears. (But the “conjuring illusions” part could also be the first one.)

4. 宿命通 Shuku-myou-tsuu (Memory of abodes)

Literally translated, it is “abode lives connection”, which… means what exactly? So, “宿命 shuku-mei” together means “karma” or “fate”, and it’s described as the “knowledge of oneself and others’ past existence”, referring to memory of past lives, but also refers to knowledge of karma, cause and effect and the past in general.

(Honestly I don’t like my name for it, but every other name for it I’ve seen is too long and unrepresentative, I’ll probably come up with a new translation if it comes up again and there’s more info given about it. Also I almost went with “remembrance”, which tbh is a better sounding name but I would be exposing that I’ve been playing too much honkai star rail)

I think this is the one Tamao actually used, and I’ve seen some CN comments come to the same conclusion. By the way, remember Yoseito chapter 1?

Unbelievable! Everything really is “haha jk…unless��� with this manga!

5. 天眼通 Ten-gen-tsuu (Clairvoyance)

Literally translated, it is “divine eye connection”. Also pretty self explanatory. It is described as seeing the karmic destinations of others, and knowing how they’ll be reborn. It’s also called “死生通”, or “knowledge of life and death”. Sort of a set with the previous one, knowing cause vs knowing effect.

This is the one Haruaki thinks Seimei has, and he’s probably right (somewhat). I’ll elaborate in a sec.

6. 漏尽通 Ro-jin-tsuu (Affliction riddance)

Literally translated, it is… honestly idk this name itself means nothing. But translations have put it as “extinction of mental intoxicants” or “knowing the end of suffering”. Tbh this is also one that I’m not super happy with and would retranslate if it comes up again. Hatanaka couldn’t be bothered to actually summarize it LMAO it’s probably because this is a very VERY Buddhist concept. It’s described as “knowing the four truths; suffering, the cause of suffering, the end of suffering, and the way to end suffering”.

The thing you have to know about Buddhism is it’s really obsessed with suffering, the idea of reincarnation and that it comes from worldly impurities (including suffering), and getting out of the cycle of reincarnation by getting rid of worldly impurities. Like, that’s the thesis statement of Buddhism. Reincarnation exists but the world sucks so you want to get out of it. (gets torn to shreds by my Buddhist relatives for badmouthing it) (so far from all my reading and personal experience with my Buddhist grandparents there is nothing forbidding you from tearing someone to shreds) Anyway. This has been my bitching about Buddhism tangent.

These last three are sometimes considered as a set, and collectively called the “three wisdoms/knowledges”

Hey did you fall asleep (throws chalk at you) wake up!

If you’ve been paying attention to both this essay and the manga itself, you may have noticed that Seimei has demonstrated almost all of these to some degree. Whether this is intentionally something the story is implying and wants the reader to figure out or if it’s pure coincidence, I’m not sure, but it’s something to think about. Also, the “seeing the future” one could totally be applied to Kurahashi. Eyebrow raise?

Also, here’s this ask I answered about the ramifications of Seimei having divine magic.

Intermission

This is something I’ve only come to realise with Yohaji, it’s really so fascinating to see the author in a work (in moderation of course). When viewing a piece of work, especially something framed as lighthearted like a manga, it’s so easy to forget the author behind it and treat the work as if it came into existence by itself. Perhaps because Yohaji contains so many references to real-life mythologies and stories, or perhaps because I’ve been poring over every detail, reading about every reference, reading sensei’s tweets and experiences, that what sorts of topics Tanaka Mai is interested in has become apparent and Yohaji is all the more fascinating for it.

Every one of her previous oneshot/short-serialization works before Yohaji has either made mention of Buddhist terms, or is entirely based on it.

Karma Karma, a 3-shot from 2014 (a year before the start of Yohaji), is about the Buddhist concept of hell and a king of hell who accidentally brought sinners from hell back to the living world.

Gokuraku Joudou no Hotoke-san, a oneshot from 2013, besides obviously referencing the Buddhist pure land in the title has wisdom king Acala and Yakushi Nyorai be its protagonists.

Unfortunately, I don’t think I’ll ever get to read any of these, since they’re from 10 years ago and I’d have to contact a collector about it or something.

In any case, this is clearly something she’s interested in and knows a lot about, and it’s always so interesting to see. It’s always been present in Yohaji too, from the early drafts being more Buddhism-themed, to Sano’s magic circles featuring sanskrit and resembling a mandala in early chapters, to busting out a sutra excerpt in chapter 85.

Maybe it’s a fiction faux pas to pull back the curtain and look at the inner workings of a work like this, but I think I get to decide how I interact with a work.

Time Travel

YEAHHHH I CALLED IT IVE BEEN WAITING FOR THIS!! ITS SO OBVIOUS IT WOULD HAPPEN ITS BEEN SO OBVIOUS FOR A YEAR I SHOULDN’T HAVE LET PEOPLE TALK AUGUST 2022 ME INTO THINKING ITS STUPID!! ITS SO REAL!!! IM A GENIUSSS yeah anyway had to get that out of my system

First of all, we get a good look at the schoolhouse. This is probably the old schoolhouse, or at least in the location of the old schoolhouse. Architecturally it does look different from both times we’ve seen it, in volume 5 and Yoseito’s Izuna flashback arc. It’s entirely possible that the principal had it rebuilt and more floors added in the 100 years he was using it. By the way, based on the turtle map and being able to see the mountain behind the school, it’s likely that this is where it is.

The beam of light on the mountain opposite the school is almost certainly because the gang ended up at the location of the current schoolhouse, which is still just forest at that point. And there is not a single doubt in my mind that the teacher is Ranmaru.

Ok tbh I don’t have that much to say about the time travel half of the chapter mostly because it was just establishing the premise for what’s about to happen for the rest of the arc, so here’s some disjointed thoughts.

First off, even if it’s not obvious, Haruaki does indirectly cause this to happen. Besides nudging the world into the situation at the start of the chapter in a million cumulative little ways, he’s the one who brings up whether Tamao can use any other type of magic.

Also, this chapter made me realise something about Yoseito chapter 28. It makes sense that Yamazaki wouldn’t have recognized Hatanaka before that moment when he made the connection, because for all intents and purposes he knew Hatanaka as just this delinquent kid who even dyed his hair. Even the name “Hatanaka” doesn’t help, mind you, since he’s got dozens of siblings and extended family whose surnames are all “Hatanaka”. Unless they specifically told the Meiji trio the exact situation, and even then, this is probably just “that weird story from when we were in school” to Takahashi and Yamazaki. (a la teacher trio not making the connection that they met years ago until it was specifically pointed out) It was only at that moment that he started to resemble the version of him a year from then, when the time travel would happen.

Anyway, what in the world could possibly happen to Takahashi that he ends up like he does on the color page and looking so shaken in chapter 98… I sure hope the stuff on his face is actually just shading and not blood…. We do have precedent of that half of the face being covered in blood….

And one last thing that might be addressed, something in this arc will probably cause Ranmaru to quit being a teacher (based on makuragaeshi arc), though like the Takahashi thing, I couldn’t even begin to guess what. I can’t see the future, after all! (I feel like I've made this joke before)

The True Nature of Haruaki/Seimei’s Exorcism Power

(sounds like a clickbait title lol)

This is something I realised while answering this ask, but it’s a realisation that could have come way sooner because it doesn’t really hinge on info from chapter 102.

Here’s the parts to this theory: (anything that’s directly quoted has been double checked against the Japanese in case the nuance is slightly different)

Youkai magic is powered by spirit energy (no shit sherlock)

Clarification addendum: spirit energy is called “you-ryoku 妖力” and youkai magic is “you-jutsu 妖術”. both use the same “you” as in “youkai”, and the word on its own kinda means magic-y creature-y things (its usually used with another word to clarify what exactly is magic-y). Literally translated, “you-ryoku” is “youkai energy/power”, and “you-jutsu” is “youkai technique”. its very no shit sherlock.

This exorcism power exorcises spirit energy, and also works on gods to a lesser degree.

This implies the exorcism power has broader spanning effects than is stated, or “spirit energy” isn’t as specific of a concept as previously thought.

Spirit energy is basically interchangeable with “human life force” which is also interchangeable with “human souls”

In chapter 76, Takahashi reveals that if the mother is human, the spirit energy a half-youkai baby needs will be substituted by her life force. Also of note, he reveals that youkai can produce spirit energy and humans can’t.

When talking about youkai that eat spirit energy, “souls” are almost always brought up alongside it. Miki’s mom is said to eat both spirit energy and souls, the makuragaeshi eats both spirit energy and souls. The kasha did throw out the pure youkai Takahashi, Hatanaka and Marshmallow to leave only those with non-youkai blood or souls, but it also didn’t seem to be against attacking them.

In chapter 74, Takahashi says he sensed spirit energy in the hospital, but he examines the gashadokuro and finds it’s formed from human souls. Also in chapter 70, the ability to see spirit energy and souls is lumped together.

And now, one of the loose ends from Kyoto arc: Suzaku saying that “humans shouldn’t overuse powers like that” and was about to say something about life force.

Do you see what I’m getting at here? It sounds likely that “spirit energy” and “life force” are the same thing but in different forms, and assuming there’s not an entirely separate power system that has nothing to do with spirit energy, there’s a possibility that Haruaki/Seimei’s exorcism power runs off life force instead.

This has a few fucked up implications, namely there’s a possibility that Seimei was going to die anyway even without being (debatably) murdered, and also obviously Haruaki… um….

“Souls are equivalent to life force” and “exorcism power runs off life force” would also help explain why his intelligence soul piece could also use it: it just happened to be the biggest piece of his soul (also explaining why it’s physically bigger than the other 4), and it could be that all the pieces had the ability, just that the biggest piece had the “battery” to actually use it.

(I have Many Thoughts about the soul pieces btw, that may never get elaborated on in the story. No not just that white hair Haru is hot! I feel like there’s something more to it than just being 5 parts of his personality. Like, they say there’s a piece that’s the manifestation of his desires, but the athletic piece is into sailor uniforms too? That’s a conclusion the students came up with, after all, and it’s not like anyone present was an expert on this stuff, and anyone who might have known more aren’t saying anything (Ranmaru, Douman, SEIMEI???). Do you get this feeling? That there’s something purposely left unexplained there…)

He also calls out the similarity between his powers and the students’ powers often (off the top of my head, there’s at least a few times with Sano, also with Nyuudou, and now with Tamao). It’s probably his efforts to show he relates to them, but also… yknow…

Of course, there’s details that this theory doesn’t fully address. Both times Miki’s mom ate Haruaki’s soul, she immediately noted it tasted bad, so it’s probably not because of Seimei taking control and actively fighting his way out, rather something inherent about his soul that makes it different from regular human souls or even youkai souls.

This is all pretty fucked up and I don’t necessarily think Tanaka Mai would actually go this route….? I hope…..? But there’s nothing definitive right now that says it DOESN’T work like this, and there’s enough of these little details littered throughout the whole series that if it’s true, this would be the biggest long con sensei has pulled yet.

Haruaki’s exorcism power could also be one of those “lol he can just do this, don’t question it” things, but that’s also what I thought about Seimei’s ability to see the future, and GUESS WHAT.

Anyway that’s all, I think I haven’t forgotten anything I wanted to talk about (probably did though, this took an entire day and thats WITH having taken notes while I was translating), gonna spend a couple days combing through all the previous mentions of the time travel to see if the new concrete details about it would surface any new info.

[liminalh-creations]

15. downtown.

the evil eye doesn't always work, and there's millions between me and you! so just sing to me about eggplants or anything, except for how tired we are...

sketched some familiar (and unfamiliar) faces of the Black Organisation (in civilian clothes)

click below to find out some more details about them! minor warning for mild spoilers up to chapter 15 :)

point of interest: they're all somehow from former east bloc or once-soviet countries

Chianti, Sniper

chinese (?), under 30 years old

VERY short, has a complex about this

she's got the nickname 'Key' but if you call her that without her consent she will throw you

her tattoos are butterfly-and-eye themed (you might see that she's got two tattoos in the drawing, teehee). also, you cannot tell me that the reason for her canon tattoo ISNT a bullet with butterfly wings reference

says "lol" and "lmfao" in casual conversation

might have gotten corrective laser eye surgery (or something similar) - the tattoo on her eyelid might indicate a slightly more long-lasting problem

“Try me again, asshole!” she shrieks, “I’ll stab your dick, too!”

has a girlfriend(?) who gifts italian designer products

vague sibling relationship with Cognac; they're either bickering or they're besties or they're teaming up to gossip about others

“She’s a gamer.”

Korn, Sniper

has a very hoarse voice, possibly resulting from some chronic problem? possible that he doesnt talk much because of this issue

around 45-50 y.o & mongolian

i gave him a wife because i think he deserves someone normal and sane to return home to. according to Vodka's 'accidental' namedrop, she's called Sarnai (the name means Rose in Mongolian <3). also, he's implied to become a father soon

Chianti called him Eeyore in this chapter and it might be one of the funniest things i've ever written. i actually love their dynamic in canon so much that it's a big part of my inspiration for this fic; they just feel so much like they have a life outside of their mandated Black Organisation Cameo Appearance

he and Vodka practice ARB

i sent my friend that picture and he said "this man looks like he's never put any real effort into how he dresses and, in fact, never will" - and honestly? yep.

Arrack, Assassin (?)

arab, though exact national origin is relatively hard to clock (Jenever only figured it out because she remembered Shiraz indirectly referencing him)

was mentioned in Akai's notes from 29/7/2010 >:3c

has a very polished appearance, sculpted muscles type beat

mean slut, "mad dog", self-described bastard. VERY flashy fighter, but also "doesn't care if he loses so long as you're hurt worse"

has some pretty normal Star Wars opinions tbh

"resident fuckboy" / "fuckboy-in-chief" -- context clues indicate he might be a honeypot assassin (like Akai speculates in his notes)

generally easy-going despite being unsettlingly intense, but has a very short temper when Shiraz is brought up. (his degree of Shiraz-obsession probably outshines Jenever's tbh)

he's a one-off B.O. member who shows up in a spin-off comic or something, but you literally cannot introduce a character like that and expect me not to sink my evil little claws into them

Sambuca, "Audiovisual manipulation, back-up IT expert"

slavic & eastern european (exact national origin not yet divulged); around 50 y.o woman

wore a metalcore t-shirt to PT

Gin's previous main IT crow. was part of Tequila's Tokyo office at the time of Teq's death; planted there mostly to train

perfectly faked all of Jenever's and Red's credentials to get them into the japanese police institutions. also seems to be in charge of editing Crows out of CCTV footage. overall, really important behind-the-scenes security/cleanup job

her arms are covered in disparate stick-and-poke tattoos. motifs are not unified. a lot of the words/letters are in cyrillic (not visible in the art bc of leather jacket, sorry hehe)

seems to have a phobia of guns/firearms

Cognac, Hardware & Demolitions

south-east asian (exact national origin not yet divulged)

around 30ish years old. not THAT short (like idk 169cm?), but has major gremlin energy

HORRIBLE frosted tips hairstyle situation

vegetarian

wideset body, physically quite strong but has a vaguely soft appearance

remembers Rye sparring with their team a few times. seems p keen to gossip about him (and anyone, for that matter)

"I am literally a whole bisexual!"

gave his denim jacket to Red Label back in Afghanistan (Arrack was soooo mad about this, probably bc they have matching jackets or smth)

[kaontic]

*Takin’ a stab at this cuz about time I did—*

🦁 Emperor of Destruction, King of Beasts and Guardian Spirit of Paradise 🦁

Or, um, in other words, here’s Megs’ holoform as a shishi:

See? I’m not biased for Megatron over Optimus. I didn’t even color him in all the way. 😅

(Which is totally not because I’m scared of messing up the outlining. That’s potentially demoralizing fr…Maybe I’ll try anyway later idk)

Cliffjumper: >:(

Me: Um...you guys are probably wondering about some stuff— 👀💧 *Clears throat*

*In the tone of Barbs from Geography Now*

What is a “shishi”? 👋

What are the flowers he is holding?

Well, as the poem one Kubuki dance abides to puts it:

Hence the association.

Reflector: You better put a source for that.

Me: I KNOW— 😭

Renjishi (Two Lions) is the name of that Kabuki dance. There’s another dance (and other versions of that dance), but we’ll get to that if you’re interested of course. ;)

Btw, the dancer above, Yukimasa Futamura of Miyabiya? He’s awesome.

He wasn’t even the one that convinced me (that was Onoe Kikugorō VI from this 1936 documentary you’ll see down below), he just reaffirmed it because WOW DO THEY LOOK SIMILAR— O_O

Someone (i really wish I remembered their post 😭) noted how Megatron has one of the most human-like face plates out of everyone (and ironically so)

Idc what anyone says, they were on-target (yes that pun was intentional).

Oh wait, he’s not “human” after all, is he? Riiiiight… 🦁

(You know he would try to make that excuse lol)

Ok ok ok, last question—

Is a shishi good or evil?

I mean, their purpose, whether in China (as these specific Kabuki dances are based off of Chinese legend. Renjishi even takes place on a holy mountain in China, with the shishi guarding the bridge to Buddhist paradise), Japan or other countries, are to protect important (usually religious) locations and ward off evil spirits.

Yeah, in the other major dance Kagami Jishi (Mirror Lion), a servant girl named Yayoi, working in the shogun’s palace is influenced and gets possessed by a shishi via a lion mask, and dragged off-stage due to the shishi chasing 2 butterfly spirits, but ya know…

Cats will be cats. :)

The same actor that plays Yayoi will even return as the (male) shishi to dance with the butterfly spirits.

What happens to Yayoi in the end tho? Um—

She’s fine. Probably. Maybe (just me speculating, this has nothing to do with the actual performances) she gets to spend the rest of eternity as the lion’s hostess. 👀

Is there more to the dances? Oh yeah, always. It's Kabuki, an intricate and detailed art form requiring huge skill that everyone should check out.

I didn't even mention the son character in Renjishi and his significance.

Furthermore, are there other Kabuki characters (especially villainous) that would fit Megs? Yep.

There was literally this one noble, Togashi Saemon from the dance-drama Kanjinchō, who was so impressed by how far his enemy’s follower was willing to go for his master through deceptive means, that he just straight up let them go.

Even at the cost of his own life because that’s how much trouble he’s gonna get in for that. 😬

Megs notoriously enabling his traitorous subordinates’ behavior even if it’s self-sabotaging? Similar energy.

There was also the provocative (and quite frankly pathetic) governor Kō no Moronō from the drama Kanadehon Chūshingura, who the 46 rōnin came for on their quest to avenge their master, and proceeded to [REDACTED].

Yeah, given our options, so far, he better be thankful that his holoform is a shishi. 😑

It’s not the only holoform he has (any Cybertronian can have several in my AU), but I think it’s a good start.

[myuheru-archive]

everyday i beg for attention on tumblr

[volkswagonblues]

a lil guide to the Fire Nation for the ATLA fic writers out there

(aka. a no means exhaustive primer on east asia by an asian person)

This is a guide for fic writers want to write a canon-era story set in the Fire Nation, or featuring Fire Nation characters. A quick little primer on the tiny details of everyday life that you might not think about, but certainly stuff that would make me, an asian person, wince if I were to encounter it. BRUSHES, not quills. CHOPSTICKS, not forks. 

(note #1: this was partly inspired by a chat with @elilim​) 

(note: #2:  I originally intended it for zukka fic writers before realizing that other writers might find it useful. so apologies for a slight Zuko-bias for that reason)

(note #3: this is all stuff i was thinking about when writing firebender’s guide, in case anyone was wondering)

1. CLOTHING

Okay, I think the most straightforward way to describe what everyone’s wearing most of the time is “tunic”. They’re all just...tunics of different colours and varieties. Later when Zuko’s the Fire Lord he wears robes. The show provides a better visual guide than I could, here are a few notes to keep in mind:

a) Japanese people wear their collars LEFT crossed over RIGHT

I don’t think this would come up in writing as much as it would in art, but it’s considered bad luck to do it the wrong way because that’s only for dead people. Let my boy Zuko demonstrate:

b) There are no buttons

This is picky, but Wikipedia says “Functional buttons with buttonholes for fastening or closing clothes appeared first in Germany in the 13th century.[6] They soon became widespread with the rise of snug-fitting garments in 13th- and 14th-century Europe.” I kinda believe it. If you look closely, characters’ clothes are always tied together or wrapped in some way with a belt. If there are fasteners, they’re braided frog closures that go into a little loop, like the qipao-style dresses women wear in Ba Sing Se, or Zuko’s casual prince’s clothes in the topmost image. Anyways, I don’t think Zuko or Azula or the Gaang would technically button or unbutton anything when they’re changing clothes. Clothing is designed to be tied, not buttoned.

[so much more under cut]

c) This isn’t a real rule, but there’s something called koromogae, or the seasonal changing of clothing in Japan.

This is something I learned when I was writing firebender’s guide, and I just liked the fun detail about there being a strict calendar for when to wear something. I liked the idea of someone like Zuko, who actually spent most of his formative years outside of the Fire Nation, coming home and just suffering mutely through the summer heat because upper class etiquette says no changing into cooler clothes until August 15. 

From My Asakusa: 

And this website:

Generally, people change from thick, heavy, dark-coloured clothes for winter to thin, lighter, bright-coloured clothes for spring and summer. In traditional Japanese culture, particularly in formal settings such as tea ceremony, it is important to acknowledge the changes of seasons—in such circumstances, not only the patterns and colours of the kimono that are worn but also the utensils and furniture that are used are required to change. By changing their clothing, people notice and appreciate the change of seasons. [Japan Foundation]

Here are some visual guides from the official creators for clothes: (notice how it’s pretty much always left over right)

2.FOOD AND EATING

a) Traditional cuisine

It seems like the most common foods in canon are Fire Flakes and meat, to the point where poor Aang had to eat lettuce out of the garbage at some point.

HOWEVER, the Fire Nation seems to basically a big subtropical archipelago, so I would guess that seafood and rice are common. If you want to write about characters eating, a. quick google for “traditional japanese cuisine” would help you come up with a menu really quickly.

Wikipedia says:

The traditional cuisine of Japan, washoku (和食), lit. "Japanese eating" (or kappō (ja:割烹)), is based on rice with miso soup and other dishes; there is an emphasis on seasonal ingredients. Side dishes often consist of fish, pickled vegetables, and vegetables cooked in broth. Seafood is common, often grilled, but also served raw as sashimi or in sushi.

But before we get too serious, at one point the Gaang eats a “smoked sea slug” (Sokka’s Master) 

Oh ATLA, never stop being you.

b) Utensils

One thing to keep in mind is chopstick etiquette. Someone like Zuko or Toph, for instance, would have completely internalized all of these.

Another thing is that there are no glasses. Cups and bowls are made of ceramic or clay. Let the Gaang show you:

And another note: characters won’t eat “bread” in the European sense, ie. a baked lump of dough. Steamed buns, yes. Fried pancakes made from batter, yes. Flatbreads, okay I’ll give it a pass. Rice or noodles should be the most common carbs of choice.

3.ETIQUETTE

“In the homeland, we bow to our elders” - angry schoolmistress in The Headband.

Japan Guide has a list of etiquette rules for visiting Japan, which is interesting but not too necessary to read. In general, based on what The Headband tells us, Fire Nation characters would have been raised with a strong nationalist curriculum that values communal contribution over individualist expression. Even someone like Zuko, who openly rebels against that, probably couldn’t help but be affected by it. In general the Fire Nation seems to have an East Asian-ish set of values. It’s patriarchal, all the positions of authority are filled by men; there seems to be a strong emphasis on patriotism; there’s a sense of diffidence and respect towards one’s elders; and finally, there’s an emphasis on “knowing” one’s place in society and fitting into what’s expected of oneself.

I don’t really know how to describe it, but in China and Japan I sometimes feel like there’s rules for everything, and even people born and raised there acknowledge it could be stifling at times. You could go down a rabbit hole researching points of etiquette (for instance, rules on who has to sit where in group dinners...), but to me the most important thing is acknowledging that Fire Nation has a rigid system of etiquette, and also, they’re an imperialist power who’s pretty prejudiced against foreigners. Poor Aang/Kuzon gets called “mannerless colony slob” just for being slow on the bowing action (!!!)

(in firebender’s guide I had a lot of fun imagining the stupid microaggressions Ambassador Sokka has to face in the Fire Nation, so obviously I’m just biased)

4.WRITING AND DESKS

Characters would probably write on paper, with a calligraphy brush. Not quills or pens -- a brush. Technically, old Japanese and Chinese texts should be written top to bottom, right to left, but the show itself doesn’t do this, so I think you’re fine. 

One fun thing about traditional calligraphy is that you don’t use bottled ink. You have something called an ink stone, and then you grind your ink yourself by rubbing the ink stone in a special little dish with a bit of water. In my (very few) encounters with this stuff in the calligraphy lessons of my youth, the ink stones can be plain or have beautiful designs on the side. It looks something like this: 

ATLA is an East Asian-ish universe, so characters are likely to be kneeling at a table, not sitting. To demonstrate, here’s my boy Sokka doing his famous rainbow at Piandao’s:

and here’s the war chamber meeting when Zuko speaks out against a general’s plans to sacrifice some soldiers:

THERE ARE EXCEPTIONS: This is Zuko’s cute little setup when he’s writing his goodbye letter to Mai. In this case he’s writing in a chair and table. It’s possible that some furniture items, like a sitting desk and a bed in a bedframe (not a bedroll or futon) are special royal palace features. Normally in a private setting we see characters sitting on the ground or on a slightly elevated platform with a low table. Maybe Caldera is just different? Or rich people are just different: the Bei Fongs also have a sit-down dining table + chair setup.

(That little rectangular box is his ink dish!!)

5.A NOTE ON GENERAL CULTURE

It’s worth talking about a few general points of East Asian culture. I can’t claim to speak for ALL of Asia, and I don’t think I should. But I do think ATLA fic writers who want to set something in the Fire Nation should take a few moments to at least skim the wiki pages for filial piety and Nihonjinron (literally, "theories/discussions about the Japanese"). There’s a certain...vibe to...asianness... that I’m not sure I can explain without like, a doctorate degree in sociology. 

It’s a bit like gender, I guess. There’s no definitive checklist to what is a woman and what is a man, and we can argue that gender is performative, that it’s a construct, but at the end of the day gender is still (tragically) real in the sense that it still shapes people and affects how we walk and talk and dress and think. Nationality is the same. Obviously, the Fire Nation is a made up place in a made up show, but out of respect to the cultures that inspired it, I do think it’s worth familiarizing yourself with some of these cultures’ codes and values.

Also, ahem, if I can direct you to war crimes in the Japan’s colonial empire. Again, worth remembering that the Fire Nation was an imperalist colonizer too.

I might do a continuation of this post and talk through my more abstract takes about Fire Nation culture - Is Zuko an example of filial piety gone right or filial piety gone wrong? Why I think Zuko’s flashbacks are like, at least part teenage melodrama bullshit (the reason is son preference), how someone like Sokka might be treated once he’s openly Water Tribe in the Fire Nation (probably with racism...), specific aspects of asian homophobia and racism, etc. We’ll see.

This is not a definitive guide. Comments and critique welcome.

If you think there’s a factual mistake, PLEASE hop in my asks and let me know. I also think there’s a huge blind spot in ATLA for South and Southeast Asian representation, so I acknowledge that I can’t speak for all Asians, and there is no such thing as a “pan-asian” identity.

If there’s something else you’re curious about, I’m not a historian or anything, but I like research. Ask me and I’ll try to answer the best I can.

And oh, one last thing, this is how I do research when I wrote firebender’s guide, in case anyone’s interested in learning more (LINK)

[mukuharakazui]

no problem on reblogging my post again it is by far one of my MOST favorite posts of all time i reaaally popped off when i wrote that. also one thing i didn’t mention there (bc it honestly would have distracted from the point i was making but is important nonetheless) is that making phoenix a random dark skinned poc is actually extremely colorist.

there is no reason he couldn’t be japanese and simultaneously dark skinned. even without making him an indigenous japanese person (which you should not do unless you are part of these ethnicities), even in the most common japanese ethnic group there are tons of people with darker/ tanned skin, curly hair, broad noses and to act like that is somehow not possible, not only is that extremely colorist, but also very racist because a lot of these notions stems from the acceptance of japanese imperialist propaganda.

and the worst part about it is that in the ACE ATTORNEY UNIVERSE they CANONICALLY!!! live in japanifornia, a fictional california that has a very high population of japanese people and japanese americans. there is literally NO REASON that phoenix or any of the other characters could be mixed japanese americans with dark skin. there’s no reason to remove their japanese heritage no reason to even say they aren’t asian, they live in america for generations most likely, it makes perfect sense that they could be mixed.

these fake diversity pilled artactivists™️ have no excuses for making phoenix or any other character a racist colorist caricature other than the fact that they have stage 4 racism disease. and this is concerning because i honestly thing the in game ace attorney universe has more issues with colorism than it does with racism (ranting about this has convinced me to make a post about it don’t worry i’ll explain soon) because even though yes there are racist elements in the aa games (soj worst offender) but there are HUGE colorism elements in EVERY AA GAME!! and it has been soaked up by the naturally racist white members of the fandom and instead of addressing it, they simply just make a cute headcanon about it <3

(sorry for ranting about this but!! fun fact, my phone automatically switched to my chinese keyboard the second i opened your ask box lmfao 🤭🤭🤭)

no like literally what is in the water that's making so many ppl think both that asian ppl can't have dark skin and that edgeworth is white. ANF FOR REAL the ace attorney games have an INCREDIBLY notable problem with colorism especially the later games so dark-skinned asian esp desi ppl projecting on phoenix and trucy are braver than any u.s. marine bc there is rarely an in between of woobifying phoenix (trilogy + 5-6) or calling him gross and greasy and smelly (aj) like wgat is the DEAL!!

like colorism is a ridiculous problem everywhere and choosing to flat-out ignore and never address the colorism in the aa games while making the more aggressive, unintelligent, greasy, etc. ambiguously brown or black in art as a white and/or light-skinned person is weird as hell. and if it rubs me the wrong way as a wasian guy w light skin i can't even imagine how fking tiring this is to u. am looking forward to seeing ur post going into this in more depth bc i'm literally just dumbfounded at the fact that people can even do this and post it on the internet.

also my inbox is a free space for ACE ATTORNEY RANTS u r always welcome here this is the "this fanbase is insane" dropbox. and ur chinese keyboard opening was an omen for my friends bullying me for the way i say 空儿 i feel like the chinese joker rn

[princealberich]

GENSHIN IMPACT NAME MEANINGS - MONDSTADT

I wanna preface this by saying that I am by NO MEANS an expert in languages! I’m fluent in English, and that’s it- I’m just very interested in name symbolism!

That being said- it appears that all the Mondstadt names are, in fact, canonically English- Most of the Chinese names translate directly back to their English counterpart 1 to 1. Despite this, I included any possible meaning in their Chinese names, just in case!

AETHER (ENG): A Greek God, the personification of the “Upper Sky”. Represents the air that the Gods breathe, rather than the air of mortals.

KONG 空 (CH): Empty, hollow, in vain, sky, air, free, spare time, free time.

SORA 空 (JP): Sky.

Notes: Definitely a correlation to the sky- With the Chinese translation, could be ‘Empty Sky’.

LUMINE (ENG): To light up, to illuminate.

YING 荧 (CH): Fluorescent, amazing, glimmering.

HOTARU 蛍 (JP): Firefly.

Notes: All linked to light. Could represent the light to Aether’s sky? The light that it’s missing?

PAIMON: An obedient king of Hell under Lucifer’s reign in “The Lesser Key of Solomon”, a book on demonology written mid-1700′s. He has 100-200 legions of demons and wears ‘a precious crown’.

“Teaches all arts, philosophy and sciences, and secret things; he can reveal all mysteries of the Earth, wind and water, what the mind is, and everything the conjurer wants to know, gives good familiars, dignities and confirms them, binds men to the conjurer's will.”

“If Paimon is cited alone, some offering or sacrifice must be done, and he will accept it; then two kings called Beball (Bebal or Labal) and Abalam (Abalim) will go to him together.”

Notes: ...I’m not saying that Paimon is the unknown God, but. Well. Also, Paimon’s name appears to be universal.

KAEYA (ENG): A feminine Indian name meaning ‘Monsoon Flower’. However, it’s also a phonetic translation of his original Chinese name.

KAIYA 凯亚 (CHI): This isn’t a name in any databases. 凯 (Kai) means ‘Triumphant’, while 亚 (Ya) means ‘Inferior, second’.

GAIA ガイア (JP): Pretty much another translation, though in Japanese, it can be loosely translated to ‘Victory song’.

Notes: This is a difficult one. Unless anyone else has a better grasp on languages and understands it, please let me know! However, it may allude to his and Diluc’s fight... Somehow. Triumphant second son, maybe?

AMBER (ENG): Fossilized tree resin. However, it’s also phonetically similar to the original name.

ANBO 安柏 (CHI): Again, this doesn’t seem to be a direct name. 安 (An) means “peace/quiet”, while 柏 (Bai) means “cypress tree/cedar”. Together it may mean a peaceful tree, but it could also just be a recreation of the English name ‘Amber’, due to their similarities.

ANBA アンバー (JP): Translates directly to ‘Amber’.

Notes: It’s at this point that I, a man who can only speak and read English, have made a mistake in doing this. I think her name really is just ‘Amber’, though.

LISA (ENG): ‘Devoted to God/Oath from God’.

LISHA 丽莎 (CH): 丽 means ‘Beautiful’, but this is pretty much just a direct translation of ‘Lisa’.

RISA リサ  (JP): Translates directly to ‘Lisa’.

Notes: Her name is Lisa. Her name is just Lisa.

DILUC (ENG): I couldn’t find any names here, let alone meanings.

DILUKE 迪卢克 (CH): 迪 means ‘To enlighten’, 卢 means... ‘Old Rice Vessel’? I’m not sure. 克 can be translated to the name of the Seventh of the Legendary Flame Emperors.

DIRRUKU ディルック (JP): Appears to be yet another phonetic translation of his name.

Notes: Genuinely cannot find anything non-genshin related to the name Diluc. Maybe the Flame Emperor thing is intentional, given he’s a Pyro user?

Edit: Anon brought up that his name is likely taken from the latin word ‘Diluculum’, which means ‘Twilight’. Similarly, ‘Crepus’, his father’s name, translates to ‘Dusk’.

JEAN (ENG): ‘God is gracious’. Apparently, it’s of Medieval Scottish/English origin!

QIN 琴 (CH): Refers to the qin, a 7-stringed Chinese zither. “There are 3 category sounds produced by the Chinese Zither. Harmonics represents the sound from the heaven. Open strings represents the sound from the earth. Stopped strings represents the human beings.”

JIN ジン (JP): An actual Japanese name, most translations point to ‘human’ interpretations!

Notes: I’d wager that her name is meant to represent her humanity and love for Mondstadt, if it’s not just a translation.

BARBARA (ENG): Linked to Saint Barbara, whom was killed by her father. She’s the patron of architects, geologists, artillarymen and stonemasons. Very heavy religious connotations- It’s also worth noting the similarities to the name ‘Barbatos’, though.

BABALA 芭芭拉 (CH): Considering the repeat phonetic, I’m fairly sure this is just a recreation of the name ‘Barbara’.

BABARA バーバラ (JP): Translates directly to ‘Barbara’.

Notes: Just Barbara. She’s just Barbara.

BENNETT (ENG): “Blessed little one”, or a derivative of Benedict.

BANNITE 班尼特 (CH): Pretty much a direct translation of ‘Bennett’.

BENETTO ベネット (JP): Translates directly to ‘Bennett’.

Notes: baby boy

DIONA (ENG): A variant of “Dione”, from Greek mythology. Said to be the mother of Aphrodite, and means “From the Sacred Spring”... Possibly referring to the event in Diona’s backstory, in which she was granted her bartending talent by a ‘Spring Fairy’ that she befriended.

DIAONA 迪奥娜 (CH): Translation of Diona.

DIONA ディオナ (JP): Same as above.

Notes: If you want to know more about that, see Diona’s lv5 story!

FISCHL (ENG): A German surname meaning “Dweller at the sign of the little fish; the little dealer in fish.”

FEIXIEER 菲谢尔 (CH): Translates to “Fischer”, which is a similar German surname.

FISSHURU フィッシュル (JP): Translation.

Notes: “Prinzessin der Verurteilung” Translates to “Princess of Condemnation”. “Fischl von Luftschloss Narfidort” Translates to “Fischl from Narfidort Castle in the air”. I know this isn’t her real name, but I don’t want to spoil anyone, so I can do that separately.

VENTI (ENG): ...It’s a starbucks drink? But it also means ‘Twenty’ in Italian.

WENDI 温迪 (CH): Translates directly to “Wendy”, which... Might be a reference to ‘windy’? 温 translates to ‘Temperature’, while 迪 has no real word translation. ‘Wendy’ as an English name was popularized by Peter Pan! I wonder if that has anything to do with Venti’s eternally youthful appearance?

WENTI ウェンティ (JP): Translation.

Notes: “In demonology, Barbatos is an earl and duke of Hell, ruling thirty legions of demons and has four kings as his companions to command his legions. His name derives from Latin barbatus, meaning ‘bearded, old man, philosopher’.” Okay... That sure ain’t him.

On another note, maybe the English translation changed ‘Wendy’ to ‘Venti’ because it’s a traditionally feminine name.

Edit: @silver-dust-12​ pointed out that ‘Venti’ means ‘winds’ in latin!

ALBEDO (ENG): Not actually a name. However, it IS a word. ‘The proportion of the incident light or radiation that is reflected by a surface, typically that of a planet or moon.’

On another note, in alchemy, it has a specific definition. Taken from wikipedia:

“In alchemy, albedo is one of the four major stages of the magnum opus, along with nigredo, citrinitas and rubedo. It is a Latinicized term meaning "whiteness". Following the chaos or massa confusa of the nigredo stage, the alchemist undertakes a purification in albedo, which is literally referred to as ablutio – the washing away of impurities. This phase is concerned with "bringing light and clarity to the prima materia (personal material)".

The albedo is the second stage of alchemy. In this process, the subject is divided into two opposing principles to be later coagulated to form a unity of opposites or coincidentia oppositorum during rubedo.

Alchemists also applied it to an individual's soul after the first phase is completed, which entailed the decay of matter.”

ABEIDUO 阿贝多 (CH): Translation of ‘Albedo’.

ARUBEDO アルベド (JP): Translation of ‘Albedo’.

Note: Interestingly, his is the only name so far that is a pre-existing word... Apart from the Travelers’.

KLEE (ENG): A German surname that means ‘Clover’. Likely related to her clover symbolism!

KELI 可莉 (CH): This only brought back Genshin results, so... Pretty sure it’s just a translation of ‘Klee’.

KURE クレー (JP): Near certain this is another translation.

Note: I’d say the English is what it’s meant to be, here!

MONA (ENG): Means ‘Noble and Aristocratic’, which is pretty fitting.

MONA 莫娜 (CH): Translates to ‘Mona’.

MONA モナ (JP): Translates to ‘Mona’.

Notes: Easy one!

NOELLE (ENG): ‘Christmas’, or ‘Birth’. She was born in March, though...

NUOAIER 诺艾尔 (CH): Translates to ‘Noelle’. 诺 means ‘Promise’.

NOERU ノエル (JP): Translates to ‘Noel’, the masculine form of the name.

Notes: I find it a little weird that this is her name? But it could be due to the name’s involvement in religious texts. Also those roses look like shrek’s ears

RAZOR (ENG): “An instrument with a sharp blade or set of blades.” Another word name, fitting considering he wasn’t raised by humans.

LEIZE 雷泽 (CH): Almost a translation of ‘Razor’. Can’t find anything else.

REZA レザー (JP): Translates to ‘Leather’.

Notes: I mean, pretty self explanatory. Wolf boy.

SUCROSE (ENG): “A compound which is the chief component of cane or beet sugar.” Word name, again!

SHATANG 砂糖 (CH): Translates to ‘Granulated sugar’. Literally the Chinese word for sugar.

SUKUROOSU スクロース (JP): Translates to ‘Sucrose’.

Notes: Definitely compared to sugar... Which is cute :)

---

And that’s all of the currently released Mondstadt characters! I’ll follow this up with a Liyue post soon. sorry for how long it got, so remember to tag as ‘long post’ for your followers’ convenience!

[linkspooky]

Mahito = True Human

A while back I sent an anon to @kaibutsushidousha​ asking if there was any deeper meaning to the Kanji in Mahito’s name. It turns out that his name has a lot of significance to his character and also his role in the story. I’ll be going over the symbolic meaning of his name below.  [Original post by [x], coloring by [x].]

To quote. 

Mahito’s name means “true human”. Even without getting to significance of this expression to Japanese and Chinese cultures, that’s already a bold and interesting name choice, seeing that, [...] he’s implied to be not a person, but some sort of incarnated curse, working together with curse spirits interested in becoming the new form of humanity. 

There’s a certain irony in Mahito’s name being read as  真人 “True Human” considering what we know of him he has an extremely low opinion of humans, and a high opinion of curses. In the latest fight against Yuji in the Shibuya arc, Mahito seems to be seeking to shed his more humanlike form like shedding his skin so he can become even more of what he considers to be a “true curse.” 

Mahito’s name means true human, and he is the most humanlike of all of the intelligent curses before him and yet he seems to want nothing to do with humanity, preferring to see himself as a curse instead. He even quite literally, as I mentioned above, sheds off his own skin in order to try and take what he assumes is his true form. 

Mahito’s name means true human and yet he doesn’t want to become humans. He always encourages the curses around him to act more like curses, acting illogical and on impulse. 

Mahito wants to become a “true curse” the most curselike of the curses. Rather than becoming human literally, they wanted to replace the humans entirely. Mahito is a human curse, created by the hatred spewed between humans and yet not only wants to destroy humans but is also the one most eager to destroy his reflection Itadori Yuji even though he claimed they were “the same person.” There’s a certain irony in naming Mahito “True Human” when he’s constantly trying to prove that he’s anything but human. 

But anyways, let’s get to what Asian traditions define as “true human”.

Starting off with Japanese history/Shintoism. In the year 684, Emperor Tenmu defined that the largest families in Japan needed to have rank attached to their family names as a way of easily expressing their social status. The eight social ranks defined by Emperor Tenmu, from the noblest to the most plebian were:

1 - Mahito (True humans) 2 - Ason (Courtiers) 3 - Sukune (Lords) 4 - Imiki (People from overseas, especially from China and Korea, who settled in early Japan and introduced Continental culture to the Japanese) 5 - Michinoshi (Artist and priest families) 6 - Omi (Retainers) 7 - Muraji (Families big and influential enough to earn a rank but not falling into any other category) 8 - Inagi (Families of regional officials responsible for rice storage)

The title of Mahito was granted only to families descended from Emperors themselves or imperial princes. Basically, only those of royal blood could be called “true humans”.

The connection to Asian traditions is clear in Mahito’s naming. Mahito is the closest thing possible to curse royalty among the curse family. He was the one set up to take leadership of the rest of the curses even after Jogo, Hanami and Dagon passed. 

Mahito is also, a curse that’s been paralleled to Sukuna the so called “king of curses” several times. Mahito even presumes that they’re something like rivals. It’s probably no coincidence that lords were known as “Sukune”.

The irony of naming Mahito true human also repeats again. Mahito wants to prove he’s the most “Pureblooded” of the curses by constantly exaggerating his own curse nature, hating, and spiting others for no reason. However, he’s the most humanlike instead. Mahito is said to serve out the purpose as a mirror to humanity. “Death is a mirror for humans”, he said that in the sense that people become more self-reflective when facing death, and also the idea of mortality for humans tends to make people more eager to define who they are.

 We see are lives in sharp relief and are constantly trying to define ourselves, because we have to face death. Mahito is much like that. He’s made up of human fears. Human insecurities. Human hate. The fear of other people. However, that makes him a mirror because he shows humans their own flaws. In other words Mahito regards himself as a pure blooded curse and nothing more, but Mahito more than any of the curses reflects humanity. It’s even what he does to Yuji. When Mahito and Yuji fight he tries to force the others into self reflection. 

All of Mahito’s negative qualities, those are human qualities too. Mahito hates humans, but humans also despise each other. Mahito acts like a coward, but there are plenty of people who are cowards. Mahito is reflecting the worst traits of humanity and bringing them face to face, and thus acting like a mirror. We even see Mahito acting like a mirror. When he kills Nanami, in the few moments before Nanami dies, he doesn’t see Mahito standing right in front of him. 

He sees Haibara. When looking at Mahito, he saw his old dead friend. Mahito was serving as a mirror for what Nanami’s thoughts at the time. No matter what Mahito strives to become as a true curse, he’ll always be a reflection of humanity because he was created by human feelings, and human projections. 

Which is probably why Mahito strives to transform himself and find his true form in the first place, because he is as of right now, just a monster stitched together of other human beings with no true form, and no true purpose. 

Next up, let’s talk about Taoism. The main gist of Taoism is that some people are randomly born with sacral bones in their skeletons. Sacral bones can sometimes run in the family, but can also occur in random people with no taoist heritage, regardless of class. Peole with sacral bones can seclude themselves taoist communities in isolated mountains or islands, becoming Taoists, the students of Xian arts. Xian is a title granted to a Taoist who completed their studies, turning immortal in the process.

In Taoism, Yuanshi Tianzun is the greatest being in all universe, with the Xians who serve Yuanshi Tianzun being considered good, and the Xians who oppose him being considered evil. Zhenren (”true human” in Chinese) is the name granted to the greatest Xian wizards serving under Yuanshi Tianzun. The Xians chosen as Zhenrens are people who transcended the everyday world, and reached the peak of the Tao arts.

One Taoist named Zhuang Zi made immense contribution to making the Taoist knowledge widespread by writing a book also named Zhuang Zi. In his self-title book, Zhuang Zi defines a “true human” as person who mastered the Tao’s ideals, or more specifically, “a person who meekly obeys the heaven’s decree, accepts everything as natural, lets go of all prejudice and confrontationism, and lives under the taoist mindset that all things are of equal value”.

The process of Sacral bones resembles Jujutsu Sorcerery technique heritage a lot, but besides that there’s a lot of resemblance between Tao’s ideals and Mahito’s own ideals. Specifically about the equality of life. 

Mahito seeslife as something without necessary meaning or value. Life simply circles. The life of a butterfly or an ant is just as important as the life of a human being. In a world where everything is just trying to survive and live to the next today, it might just be human folly to assume we’re somehow outside of the food chain of the planet we share with all other life.  You could take “All life is equal” to mean two things, all life is equally precious, or all life is equally worthless. Guess which one Mahito takes. 

A taoist accepts everything as natural, and Mahito seems to submit himself to natural law. He calls the three curse spirits which are basically just nature spirits to be his closest friends. Jogo, Hanami, Dagon, they’re all just representative of the naural world around them. 

Mahito also describes life as just one more facet of nature. 

All life is equal. All life is the same. All life is equally worthless. A wolf killing a rabbit isn’t cruel. If the wolf doesn’t kill the rabbit they’ll starve. If the rabbit escapes they’ll live to the next day. If it doesn’t the wolf does. Everything in this world is just trying to live - which is why Mahito doesn’t see the battle between curses and humans as a battle between good and evil.  Curses are trying to replace humans, so they can live freely in the world the same way humans do.

It’s a battle for survival. There’s no good or evil between the wolf and the rabbit, both of them are just fighting each other in order to survive. However, if Mahito really wants to follow natural laws that means he’s also a part of the same nature. 

There’s a flaw in Mahito’s thinking. He decries humans for being self important, and reasoning that they’re somehow more worthy of life than other animals or even curses. Mahito believes that if he’s stronger than Yuji, he should have the right to kill him in order so that he can live. However, Mahito doesn’t handle it very well when he’s on the other side. Might makes right, is a logic that means whenever you’re stronger, what you think is the right thing. However, what most don’t consider is that if you’re weak it also means you have to submit to somebody else. 

Mahito never even considered the idea that he might be the prey. His logic is all might makes right, the stronger person has to live, but he also assumed he’d be the stronger one. When it turns out he’s weaker, and he’s the one whose about to die, he ends up running for his life. Despite basically justifying himself and doing whatever he wanted when he was on top, he can’t handle being at the bottom of the food chain, he can’t submit to being weak. Which is why we see his sudden panic when he realizes he’s the prey this time. This is also, something that contradicts what Jogo says. 

Curses do not fear death. However, Mahito does. Which means in this moment as he’s running away, Mahito is acting more like a human than a curse. He assumed his life was more important in the grand scheme of things, just like humans have a tendency to do, and doesn’t want to be eaten like a rabbit so Yuji can survive to the next day. 

Last but not least, Buddhism defines “true human” as a person who opened their eyes to the Truth and perfected their personhood. Both Buddhas and Arhats qualify as “true humans” by that definition. Gojou is another character with heavy Buddhist motifs on his name...

This could be a connection with two ideas in Mahito’s character. Number one, he’s always trying to perfect himself and lift himself up to the highest level possible. His Domain is even called “Self Embodiment of Perfection.” You get the sense that in tinkering with others, distorting the shape and form of others he’s trying to find the true perfect shape of himself. 

The second is his connection to Gojo. This is also just a theory as we don’t know exactly what the six-eyes do, but it’s heavily suggested that both Mahito and Gojo are able to see both the “soul” something that is impossible for all other curses and jujutsu sorcerers to do. 

Mahito’s able to see the soul most likely just because of what he is, a reflection of humans, and how his cursed technique resolves around warping the shape of the soul in order to change the body. Gojo is at least able to see Geto’s cursed energy with his six eyes, when he’s replaced by Getwo. The two of them have special insight to the soul that no other characters have thus they are “true seeing” in a budhist sense. They are also both characters trying to perfect their personhood, Gojo is the ideal jujutsu sorcerer and Mahito longs to be the ideal curse. 

So, there’s a lot of connections to asian traditions present in naming Mahito “True Human”, but there’s also a lot of ironies too. Mahito as always is a walking contradiction, and that quality of his is what makes him all the more human. 

[walkwithheroes84]

Rest of 2021 Watch List

With only six and a half months left of 2021, it’s time to get serious about my drama watching habits. I’m so behind and there are several things that are (supposed to be) coming out in the later part of the year. So, here is my list of things that I want to start/am interested in. Granted, some of these things may change as more information comes out about them. Or I may just decide not to watch them. And some may get pushed back into 2022. 

Already Aired:

Lucifer: season 5b (USA) - Though the first half of season five left us on a cliffhanger, I just cannot seem to sit myself down to finish out the season. It may be the mixed reactions of long time fans or the knowledge that season six is the last, either way, I’m having a hard time getting back into the show. 

Youth of May: (South Korea) - This romantic, moody, slice-of-life drama. I was waiting for it.The ending is going to break my heart, so I have to be ready for it. I hear the preformances are amazing, but I know I’ll be crying. 

Word of Honor: (China) - Everything I’ve heard about this drama makes it sound amazing. And while I know things will be heartbreaking - I just need to prepare. 

Currently Airing:

Doom at Your Service: (South Korea) - I watched the first four episodes (I think?), but I am waiting to binge it after it ends. Why? The first few episodes were so good, I want to be able to watch it all at once. 

The Penthouse: War in Life, Season 3: (South Korea) - I was super excited for this one...then I heard about Logan’s “brother” and, uh...maybe I’ll just watch the clips of my favorites?

Mad for Each Other: (South Korea) - I know very little about this drama, but it looks amazing and I’m hearing good things. 

Mine: (South Korea) - So, it sounds like two daughter-in-laws of a rich family work together to get what they want. It looks good.

My Roomate is a Gumiho: (South Korea) - It just looks fluffy and adorable. And I need that. 

Coming Soon:

June:

Ancient Love Poetry: (China) - It just sounds sweet and sad and I love a good Chinese drama that will make me smile and eat up the angst.

Nevertheless: (South Korea) - Honestly? The Netflix trailer looked interesting. 

July:

The New Version of the Condor Heroes: (China) - I love this story and the 2014 one was a hotmess. The promo pictures look good, though they were released in 2018. Rumor is the drama has been shelved, but we’ll see what happens. 

The Devil Judge: (South Korea) - You have Ji Sung staring in a dystopian drama, where he is the as the head judge of the highest court in the land. The court has become a TV reality show, with viewers invited to participate in a live. The one person looking to take him down is Kim Min Jung as the director of a corporate social responsibility foundation. And then you have two childhood friends: Park Jin Young and Park Gyu Young, idealist who want to make their world better. I look forward to Ji Sung and Kim Min Jung battling it out, and maybe corrupting the idealist cop and younger judge.

Boku no Satsui ga Koi wo Shita: (Japan) - This one may not ever get English subtitles, as Japanese dramas aren’t really subbed anymore...however, the story sounds amazing. A young man finds out his dead foster-father was a professional killer and this young man decides to take up the “family business” to avenge for the father.  The young man approaches a womanwho is his assassination target. Despite his skill as a hitman, he can’t ever kill her, not matter how hard he tries. Instead, he ends up protecting her and the two fall  in love. This could go so many places and I want to see it.

August:

Red Sky: (South Korea) - A beautiful and genius painter meets a blind officer in charge of astronomy, geography, art of divination, and meteorology. The two fall in love. And it’s marked as a “historical romantic fantasy”? Yes, please! 

October:

The Red-Stained Sleeve Cuff: (South Korea) - The story of Sung Deok Im, a court lady.  She catches the eye of Crown Prince Lee San. Once the prince becomes king, he wants Sung Deok Im to become his concubine, but she refuses. Yet, Sung Deok Im becomes the concubine of King Jeongjo. This could be angsty. Also, it stars Lee Jun Ho (who you may remember from Just Between Lovers) and Lee Se Young (who always brings it). 

December: (or 2022...?)

Twenty-Five Twenty-One (South Korea) - The love story of two people, who have really bad-timing, told over the period of four years. Personally, I’m hoping for a poignant human drama ala Just Between Lovers or Come And Hug Me. (Minus death and murders),

Return: (South Korea) - This is literally described as: “A fantasy drama about the stories of young magicians who deal with heavenly spirits.” It will be on tvN, which usually has really solid dramas. There is a cast of talented up-and-comers: Lee Jae Wook, Arin, Park Hae Eun, and Hwang Min Hyun. There are also some talented vets in the cast: Yoo Joon Sang, Oh Na Ra, and Joo Sang Wook. It’s beingdirected by Park Joon Hwa Everything looks great on paper. It’s just - the drama will be written by the Hong Sisters. During my early days of Kdrama viewing (way back in the mid 2010s), these ladies wrote some of my favorites. And while I did love Hotel de Luna and A Korean Odyssey - it has become very clear over the years that these writers don’t do well during the second halves of their dramas and they aren’t always great at endings.

Snowdrop (South Korea) -  It takes place in 1987, and follows students at a prestigious university in Seoul. It will be written by Yoo Hyun Mi, who wrote SKY Castle and The Bridal Mask. I’m looking forward to it, even though I heard there was pushback (which has resulted in the show airdate being moved back a couple of times) from the South Korean citizens'  who believe that the drama distorts facts related to the pro-democracy movement of the 1980s in favour of the authoritarian regime. This was based on an incomplete version of the plotline that had been leaked online, which describes one character as a “spy” and another lead as working for the NSP. We’ll see

At Some Point in 2021/early 2022...?:

The Witcher, Season Two

The Umbrelllla Academy, Season Three

The Boys, Season Three

[miralia]

Speculation on the Historical Influences on the Kyoshi Warriors of Avatar

(Disclaimer: I know there are multiple influences. This is just something I found that I thought was really interesting. And we’re not going to get into how ATLA appropriated, appreciated, and cherry-picked Asian cultures. This is just a fun thing I found out. It might just be a coincidence. If you wanted an essay on “how terrible Bryke is”, go under the “anti bryke” tag and laugh at the toxicity. This is about history.)

I don’t know if this has been done already, but I was really excited when I found out, so I had to share!

So, I’m not quite sure how I found this out, but I think I was both off-and-on researching premodern combat weapons of different cultures (link here if you want to spend a few hours ogling swords and daggers) and trying to figure out what kinds of cultural things influenced the Kyoshi Warriors. I figured out (at least I’m pretty sure I did, sword experts feel free to correct me) that they do, in fact, wield the Japanese katana (I don’t know which period. Not trying to lump anything together, just thought it was best to refer to it as a collective for fear of being wrong). This was kind of odd to me, as the Earth Kingdom appeared to have *mainly* Tang and Qing dynasty influences. So I decided to dig a little deeper on this subject.

(SECOND Disclaimer: People more well-versed in the different parts of Asian culture I will be referencing can tell me I’m wrong in the comments and I’ll edit this. I really and truly am not trying to be offensive or say my opinion is correct blindly, but at the same time, I did do my research and that has to count for something.)

Introduction

I’m an ATLA nut, as well as an Asian women’s dress nut. I’ve made connections between real clothing and ATLA clothing before, but then realized that other people had already done it, and done it much better. 

But I haven’t seen anyone really talk about the inspiration behind the Kyoshi Warriors yet, besides a few mentions, so here I am with my two cents!

The First Thing (Swords)

The first thing I noticed that started me on this quest was realizing that the Kyoshi Warriors wield katanas (also called nihonto), as opposed to a Chinese weapon that would be more fitting for their position in the Earth kingdom (like we see with Jet’s hook swords). 

For clarification, I figured this out by using still frames of Suki from the show, then measuring the rough length of her sword to her height, approximating the length to see if it would be correct (it was). Then I watched the video of the Kyoshi Warriors’ fight with Team Azula, which is (if I’m not mistaken) the only time we actually see them use their swords as well as their fans. 

In a few frames, we can see Suki’s sword has the characteristic tsuka ito (cord wrap) around the hilt of her sword, a gold-colored habaki (blade collar), as well as a golden kashira (butt cap/pommel), paired with a golden fuchi (a band at the end of the handle before the tsuba (guard)) to make a fuchigashira. From what I can gather, these are usually intricately decorated, but we can blame early 2000s animation for exempting that detail.

But anyway, the presence of the katana got me thinking. What other Japanese influences are displayed in the Kyoshi Warriors?

(Actually, scratch that. The first thing that got me clued in to the presence of Japanese influence was the red and white makeup that the Warriors wear. It seemed similar to that of the geisha, but I disregarded this as it wasn’t similar enough to warrant real research on my part. Just google ‘geisha makeup’ and you’ll see what I mean.)

And the answer was: a good few. Something Mina Le (a fashion youtuber) already touched on in her video on Avatar. But the question is, what exactly influenced them?

So, back to katanas. Once I figured out that they wielded katanas, it was a simple conclusion that they drew inspiration from the samurai of feudal Japan.

War Fans (Tessen)

Another similarity that ties them into samurai are their characteristic fans.

I actually learned about the art of Japanese war fans (tessenjutsu) before I even watched Avatar. The fans called tessen are made out of iron, but the other types of war fans, gunsen and gunbai, don’t seem to fit the bill for what the Kyoshi Warriors use them for. So, instead of being made of iron, their fans are made out of a golden metal, probably to fit their gold-and-green aesthetic.

An illustration of a warrior using a tessen.

The way they use these tessen to fight is debatably accurate. I have never studied tessenjutsu, nor do I really trust modern videos of tessenjutsu, so I have no basis. But it is said that wielders would use one to attack and one to parry, and that does seem to be somewhat what they do? Not sure if their forms or usage or that one time that one girl threw both her fans at Azula like some sort of razor-sharp Frisbee is accurate. Tessenjutsu practitioners, feel free to correct me!

But all this talk about fans and swords isn’t coming to the real core of my speculation. There is one crucial fact: samurai are men. But the Kyoshi Warriors are girls. Were there any female samurai?

The Onna-Bugeisha

Yes, there were! They were called onna-bugeisha, literally meaning “female martial artist.” You can read more about the onna-bugeisha on their Wikipedia page.

Let’s start with the similarities between the Kyoshi Warriors and the onna-bugeisha. 

Clothing/Armor

The first, and most obvious, is their clothing. The onna-bugeisha appear to wear both the traditional kimono or large, loose pants in illustrations. This really does seem to differ a lot based on source material, and I’m not knowledgeable enough to really affirmatively say why. But they do appear wearing the pants when riding horses, and the kimono when they’re standing or looking super regal in the illustrations.

Empress Jingū, a mythological example of onna-bugeisha. She became empress after her husband, the fourteenth emperor Chūai, was slain in battle. She is said to have led an expedition to Korea around 200 AD, and was the first woman on a Japanese banknote. This illustration is probably not accurate, as it was made by a European man, but it does illustrate one of the earliest known cases of onna-bugeisha in Japanese culture.

Hangaku Gozen, a famous general of the Genpei War (allied with the Taira clan).

The Kyoshi Warriors!

Bryke/the animators chose the dress route for making the Kyoshi Warriors, dressing them in split-front dresses colored in shades of green, with a dark green layered underdress under a lighter green overdress crossed left over right at the collar (like many, many different kinds of traditional Asian women’s dress). The coloration appears to be more to signify “Earth Kingdom” than to be historically accurate to the onna-bugeisha, something that was probably a good idea. Remember, this was made to be a kids’ adventure show, and they had already established the color-coding based on country. 

The sleeves are voluminous, which is definitely a characteristic of the onna-bugeisha. They are cinched at the wrists with dark cuffs, which isn’t a characteristic of all the different illustrations/photographs, but is certainly present in some. These cuffs are paired with two-toned gloves, which are always a good idea in any kind of weapon battle, but aren’t present in many, if any, photographs, but at least in some illustrations.

Partially covering the dresses is the thing that most tipped me off: the armor. It seems to be of black plating, which bears a striking resemblance to the plating/ridging on the onna-bugeisha’s armor. The chestplate itself bears a really, really close resemblance (if it isn’t an exact copy) to the chestplates of the onna-bugeisha, though the color isn’t the striking red that seems to appear a lot of the time. The rectangular shoulder/upper arm plating that is present in nearly all depictions is severely lacking, however, though this seems to be a choice to make the Warriors seem less bulky and more dynamic. Plus, it would be easier to animate. (They do have slimmer shoulder plates that attach, though.)

But the (for lack of a better word) skirt plates of the armor remain really, really similar to the onna-bugeishas’ armor. It really just looks like a scaled-down, black instead of red version. And I think that’s super cool, and one of the best pieces of evidence that backs my theory.

Topping off the “Kyoshi look” are gold-and-green headpieces that are different depending on the warrior, and a hairstyle that differs depending on the warrior. I’ll probably go more in-depth about the headpieces and hairstyles on a different post, but the gist is that yes, the presence of headpieces is historically accurate, at least in some photos/illustrations (which appears to be the norm. Can I ever get something concrete here?). 

Examples of onna-bugeisha wearing headpieces.

All of them wore helmets (obviously), but some seem to have some sort of decorative aspect (again, tell me if I’m wrong and the pieces have a meaning or purpose). 

Edit: One commenter, @atla-headcanons​, said that their Japanese grandmother once said that warriors’ headdresses were status symbols, as well as ways to tell allies from enemies. This would be supported by the fact that Suki, as the leader of the Kyoshi Warriors, would have a headpiece similar to Kyoshi’s, and the rest of the Warriors would have different ones. I was unable to fact-check this at the time (may return to it later), but it seems likely, and it would be really cool if it was intentional on the characters’ designs!

Avatar Kyoshi 

The second thing that made me speculate whether the Kyoshi Warriors were connected to the onna-bugeisha was actually Kyoshi herself.

We all know about badass Avatar Kyoshi. She’s amazing. A definite certified badass. But there might actually have been a real-world counterpart to her. Nakano Takeko, a famous onna-bugeisha of the Aizu Domain who fought and died in the Boshin War, could have been possible inspiration for her.

Statue of Nakano Takeko. I don’t trust that the pictures on Pinterest are actually her.

Not only is Nakano a certified badass, taking down five to six men with her naginata in the Battle of Aizu, she also taught women and children to fight with the naginata for a time. Sound familiar? It might just be a coincidence, but I’m sticking to my theory here. You can read more about her here, but I’ll give a rundown of the highlights that make her a Kyoshi-Level Badass™:

- Taught naginata to the lord of Niwase’s wife

- Taught naginata to women and children in Aizuwakamatsu castle

An onna-bugeisha wielding a naginata. They’re pretty awesome!

-  Worked in defense of the shōgun Tokugawa Yoshinobu

- Fought in the Battle of Aizu using a Japanese weapon (naginata) against a white weapon (guns)

- Created and headed an ad-hoc group of female warriors in the Battle of Aizu, retroactively called the Jōshitai (Girls’ Army). She did this without permission, as the senior Aizu retainers didn’t want them to fight and wouldn’t let them fight as an official part of the domain’s army

- When she was taken down by a rifle shot to her chest, she asked her sister Yūko to behead her so that the enemy couldn’t take it as a trophy. Her sister employed the help of Ueno Yoshisaburō, and did as she was asked

- With the reforms of the Meiji Era (samurai class abolished, western-style army established), Nakano Takeko was one of the last samurai in history.

Conclusion

That concludes my essay! Remember, this is all speculation. If you have your own take, please tell me! I love hearing all the cultural influences in Avatar.

Now, if Bryke meant to make the Kyoshi Warriors to be inspired by the onna-bugeisha, then there is something more that I would have liked to see. It would have been really cool to see them use naginata in the show, as it was actually originally a weapon for females to use, its length compensating for the smaller body size and comparatively lesser brute strength of women warriors.

(Also, I just want Suki utterly destroying Sokka with a naginata in that episode where she kicks his butt to prove a point. Hey, I’m a simple girl with simple tastes.) 

Sources:

Basically all Wikipedia. I’m sorry I couldn’t reference, like, ebooks on this subject. But I did look at the reference lists for the Wikipedia articles I used, and they all seemed to be credible ones. So, don’t come at me, please! I did the best I could!

I really appreciate whoever read this far. It takes stamina! 

Thanks for reading!

[ja-khajay]

2020-2021 Animation Watch(ed)list

I haven’t posted about animation in a while that I remember, and I know a lot of my followers are into it as much as me so I decided to make a list of the animated movies and series I watched on the past year or so, coupled with my short, spoilerless take on them. Enjoy!

Organized by

Things I saw for the first time

Things I rewatched

Under a cut for the sake of your dashboards! PS: I have not added any images yet. If you are interested in knowing more about the visuals of these movies, I might make an old fashion ask-prompted imageset list.

Part One: Things I saw for the first time

The Bear’s Famous Invasion of Sicily

Movie, 2019, Italian/French

9/10, a delightful little movie with amazing visuals. It feels like an animated picture book.

One of those “plot is in the title” media! I had never heard of this before but was heavily recommended it by my family members, who all loved it! It’s a sweet story, nothing groundbreaking but the unique colorful visual style alone makes it worth it.

The Castle of Cagliostro

Movie, 1979, Japanese

10/10. Reminded me of all the books i loved reading as a child

I assume its because it’s so old and the art style and themes are so different that it gets little to no love compared to other Ghibli movies, which is a shame! It’s fun with an endearing cast and as always, great animation and music

Mushishi

Series, 2006, Japanese

10/10 three episodes in I knew it was going to be my favorite series ever

One of the few things I’ve seen I’ll describe as life-changing. It’s absolutely lovely but never toots its own horn about it. Humble, calming, emotional and surprisingly mature. It’s pretty impossible to binge due to how intense the experience is. I just want to walk in the forest now...

FMA: Brotherhood

Series, 2009, Japanese

6/10 Dissapointing adaptation of a classic story

I read the manga for this when I was in middle school and remembered loving it. The animated version does an ok job of presenting the characters and worldbuilding and has some nice action scenes but overall looks really damn cheap and just. Not very good. Seeing I already knew most of the plot I did not have the element of discovery that made me marvel so much reading the original. It’s still a nice series but I really recommend reading it instead.

Code Lyoko (s1+2)

Series, 2003, french

3/10. 1.5 being for the opening song alone

This show sucks ass if I hadn’t been watching this with my bestie I would have dropped it two episodes in. The art style is ugly the stories are always the same and the first season has a (later removed thank fucking god) LITERAL “erase any consequences” button as a plot device in every episode. If you watch it for one thing let it be the nostalgia factor of early 00s Vidya Game Plot

The Legend of Hei

Movie, 2019, Chinese

7/10. Impressive visuals and a poor story

I finally watched this, peer pressured by the load of gifsets on my dashboard! It’s a sweet movie with really impressive animation, sometimes a bit too flashy for my taste (the action sequences go so ham they become not very readable...) but the story was just ok? The setting is barely explained and you are instead bombarded with vague epicspeech about powers and stuff that made me fondly remember Kingdom Hearts lol but that asides it’s a really good time! I need to watch more Chinese movies the few I know are just delightfully off the shits in how they approach action and I love that

Hunter x Hunter

Series, 1999, Japanese

9/10. Superior to the recent one!

I first got introduced to the series via the 2011 one. Comparatively, the 99 series focuses way less on action and way more on the characters, which I love because that fits my personal preferences! Despite mediocre filler episodes and some weird slight pointless plot changes, what it changes from the original manga doesn’t have much of an impact on the characters. The animation quality isn’t always consistent including a huge art style change for an arc (???) but it’s overall pretty nice. The series really shines in the last arc it adapts.

Oban Star-racers

Series, 2006, Japanese/french

9/10 a lovely surprise

This series is completly obscure despite having been created by people famous for their other series (Cowboy Bebop, Code Lyoko that i can name) and it’s a crime! It’s a kids show but without being stupid about it who tells the story of an inter-planetary race. If you liked that one scene in the star wars prequels you know what I mean. It’s got surprisingly nice animation for a TV series, and some truly great character design. The art style is a bit unique in a not for everyone sense, but I didn’t mind it much. It’s also THE most offensively 2000s series i’ve seen in terms of visuals. y2k kids assemble

The Little Prince and the Eight-Headed Dragon

Movie, 1963, japanese

8/10. Classic fairytale format with incredible visuals

Watched this for the art style because I know it inspired Samurai Jack, and it delievered! I dont’ have much to say about this one, it’s a very simply film but it’s sweet. For my pirates out there if you want to find it in good quality with english subtitles it’s VERY hard to find. If you just want to see the looks of it, it’s on Youtube with portugese subs.

We now enter the Gobelins Shorts Zone....!

My Friend Who Glows In The Dark

10/10 makes me cry each time

Pure delight...great animation writing everything. A little short about death and friendship but not in the way you imagine!

Colza

9/10

Visual treat...homely and nice :) not far from a 10 but a 9 because nothing about it is that groundbreaking

Sundown

9/10

If you’ve ever been ten minutes from failing a group project because of a single dude you will REALLY enjoy this. Loved the colors and personality

T’as vendu mes rollers?

10/10

It’s SUCH a sweet little short I loved that one so much

Dix-huit kilomètres trois

10/10

Surprisingly well written dialog. Visuals are great but the humanity of the characters carries this to another level

Un diable dans la poche

9/10

Amazing visuals and the most tense/creepy of Gobelin shorts i’ve ever seen. Chilling

La bestia

8/10

I had some issues with the pacing. Interesting story and visuals choices but I was not fond of the art style

Goodbye Robin

5/10

Confusing but predictable. Both at once??? Yes!

Le retour des vagues

6/10

Cool animation stuff but felt pretty pointless

                                                                ***

Part Two: Things I rewatched

Ruben Brandt: Collector

Movie, 2018, Hungarian

10/10. Underrated as hell

Watched this fully blind for the first time in an animated festival and rewatched it with friends. It’s a crime I never see anyone talking about it given the amount of whining I see about the lack of both adult animation and 2D movies? This film is a unique love letter to art in the form of a weird mix of charming crime story and psychological horror with amazing visuals. I recommend watching it blind and also buying it to show appreciation for how nice it is!!! WATCH THIS MOVIE...

Mononoke

Series, 2007, Japanese

10/10 Visual/storytelling masterpiece in the weird shit departement

If you can stomach intense stuff watch this. The visuals are incredibly unique and beautiful and under the jewel tones and art direction high takes it’s a really cool horror series. My only obstacle to enjoying it the first time I saw it was how dense it is - simply put, it’s so...culturally Japanese it’s not very accessible to me who doesn’t know anything about the culture? Watching it for the second time helped understanding the stories more! 

Corto Maltese in Siberia

Movie, 2002, french

9/10 but really close to ten. A great adaptation!

I’m a huge fan of the original comic so I entered this a biiiittttt suspicious it would suck but it was a really pleasant surprise! It has all the wonder and charm of the original and the animation was surprisingly good for the little budget. If you’re not familiar with the series, it’s a sort of geopolitical action/adventure movie but with it’s own really poetic vibe to it. It’s almost impossible to find online but happens to be fully on YouTube so go ham I guess?

Redline

Movie, 2009, Japanese

10/10 cinema was invented for this, actually

Every review of this movie i’ve seen gives it five stars and starts by talking about how immensly stupid it is. I’m no different. It’s a masterpiece of escalating energy with the depth of a puddle and it fucking rules. It’s free on YouTube too so there really is no excuse to not watch it. Watched it for the first time on a huge cinema screen and despite this my second rewatch on my small laptop was as/even more enjoyable. If you watch this stoned with friends you might travel to another dimension

Spirited Away

Movie, 2001, Japan

10/10 deserves the love it gets

I watched this a single time as a kid and had little memory of it! I mean it’s Ghibli you know it’s going to be good as hell but this one rly shines in how colorful and detailed it is and in it’s world! It made me remember I had a huge crush on the dragonboy as a kid. I’m gay now

Kung-fu Panda (1&2)

Movie, Usa

10/10. KFP fucking rules

Honestly my favorite franchise of the whole disney/dreamworks/pixar hydra. It’s fun as hell, doesn’t skip a single beat and has amazing animation and character designs. If something is a good time I will not care if it’s deep or not and boy I fucking love these movies

Sinbad, Legend of the Seven Seas

Movie, 2003, Usa

5/10 Some great some really bad and overall generic

I tend to hate american cinema and this includes that era of animation I have no nostalgia for. Sinbad is in a weird place because I love adventure stories and the visuals of the movie absolutely deliver but it’s very predictable and TANKED by the addition of the female character, pushed in your face as “look we have woman!!!” despite her writing being misogynistic as hell lol. The evil goddess rules tho. This movie would have been a solid 9 if instead of the girl the two dudes had kissed

[cherry-valentine]

Summer 2020 Anime Season

What I’m Watching:

Deca Dence is one of the better shows this season, probably the best one that started fresh this summer. It has a very strange setup that I won’t detail very much here to avoid spoilers. It’s strange in that it’s a fairly unique twist and in that they waited until episode two to actually drop that particular bomb (whereas most anime would definitely try to cram it into episode one). The bare bones premise of episode one is that there is a huge, mobile fortress that contains some of the last remnants of humanity as they try to survive in an apocalyptic world overrun by monsters of unknown origin that range in size from tiny insects to huge kaiju. A young girl named Natsume dreams of being one of the warriors who fight the monsters, but is instead given the lowly job of armor maintenence, where she meets the older, gruff Kaburagi whom she learns was once a famed warrior. Natsume’s relationship with Kaburagi sets off the actual plot, but the story takes several turns that I honestly didn’t see coming. The series is quite violent, with literally tons of monster blood flowing and plenty of human death, but it maintains an overall upbeat, adventurous feel, with some well-done humor and genuinely touching moments. The art is colorful and bright, with some truly impressive animation. It clearly has high production values. Natsume is a fun character (even if we’ve seen characters like her many times before). She’s your typical optimistic, never-give-up, spunky sort of girl but she works really well as a hero in this kind of story and is generally entertaining to watch. Kaburagi is also a fun character that we’ve seen the likes of before (the stern former soldier type with a heart of gold). Overall a great series and very high on my watch list.

Gibiate is an oddity. It’s a series that had the potential to be top tier. I mean this show could have been not only the best of the season, but possibly the best of the year. It has gorgeous character designs by Yoshitaka Amano. The voice acting is top notch. And the premise is awesome: In 1600, a samurai and a ninja are both suddenly transported to a modern, near future Japan that has been completely ravaged by a disease that turns humans into powerful, grotesque monsters. They fall in with a small group of survivors that have gathered around a couple of scientists and a doctor who are working on a cure. Sure, it’s not 100% original, but it’s an exciting premise that results in some great samurai and ninja action. The problem is, for all the show’s great ideas, the execution is totally flubbed. For starters, the animation budget is obviously quite a lot smaller than it needed to be. What should have been thrilling battles of katana and shuriken on monster violence end up just being sort of bland. Too many cut corners. The writing also suffers, with often nonsensical dialogue and character behaviors that are so illogical that they end up being unintentionally hilarious. A good example of this is how practically everyone in the group of survivors just takes the fact that these two guys are time travelers from the past totally in stride. Hardly anyone is surprised at all or even questions it. The show tries to dismiss the stupidity of this by having one character say, “Well we have these monsters running around so why not have people traveling here from the past?” Which is still dumb because he’s a doctor who has been studying the virus and knows how it works, scientifically. But he has no questions for the guys who show up out of nowhere claiming to be from 1600? Another example would be how the samurai and ninja react to modern technology. Basically, there’s very little reaction. They don’t even react to a freaking helicopter! They should be losing their minds over this stuff! Still though, despite the show’s many shortcomings, there remains a small nugget of greatness. I can almost imagine how fantastic this show would have been with decent production values. And because I can see that potential, I’m still watching and I’m actually enjoying it very much. The characters, poorly written as they are, somehow remain interesting. The visuals, despite being sabotaged by clunky animation, are still appealing. I know it’s strange to watch and enjoy a series because of what it COULD have been, rather than what it IS, but here we are. Surprisingly high on my watch list.

Koi to Producer is an otome series with very pretty art and a supernatural plot. It’s based on a Chinese phone game that I’ve never played but sounds a lot like Mystic Messenger in how the game is played. It follows a young woman trying to produce a television show about various rumors, urban legends, etc. who gets mixed up in the world of Evolvers (humans who have developed special powers). Of course four of these Evolvers are handsome single men who are very successful and clearly attracted to her. She also ends up becoming a target of Black Swan, a shady group studying Evolvers. The show is somewhat plot-heavy, in that it tends to focus a bit more on the overarching story than on the romance. This is fine by me. The men are handsome, but two of them look a little too similar to each other, making it hard to tell them apart when they’re both in the same scene. It’s nice that the heroine is an adult and a big part of the story is about her career, but other than that she’s a bit bland and could be switched out for any other bland otome heroine and no one would notice. So far the series has hinted at an interesting back story for her so I’ll just have to hope it follows through on that. I’m enjoying the show because it’s pleasant to look at and not boring, but it’s the lowest title on my watch list.

Appare Ranman is my overall favorite of the season, which is ironic because it actually began last season. It was put on hiatus due to the pandemic and resumed this season. If you remember the old cartoon Wacky Races, this is basically the anime version of that. It focuses largely on two Japanese men who end up stuck in California after some crazy hijinks: Appare, an aloof and eccentric mechanical genius, and Kosame, a straight-laced but genuinely kind samurai who had been given the thankless job of keeping Appare in line. Broke and lost in an unfamiliar land, the two of them decide to enter a cross-country race and use the prize money to get back to Japan. Along the way they meet a whole cast of wild, crazy, and fun characters (including my favorite, the lovely, badass, and determined Jing Xialian, the only woman in the race, who had to fight against sexism and discrimination just to get the opportunity to drive in the race). The series has a very fun vibe, but has enough serious moments to keep it from being a straight up comedy (the aforementioned discrimination felt very realistic, and at least two characters are still suffering emotional trauma from losing family members to violence when they were children). One of my favorite aspects is Appare himself. He pays absolutely no mind to social norms and doesn’t care in the slightest what anyone thinks of him. This resulted in his family back in Japan being ashamed of him and everyone else viewing him as a weirdo. But Appare doesn’t mind any of that, and happily pursues his dreams. An interesting scene early on is when Jing is grappling with the fact that she’ll never be accepted as a racer because she’s a woman. She’s clearly in emotional turmoil. Kosame, who is the kinder, more compassionate of the two leads, can’t really help her. He can sympathize with her plight, but his own rigid regard for social norms prevents him from telling Jing to just go ahead and be a racer, society and their expectations be damned. It’s Appare, the guy who seemingly has very little regard for, or interest in, other people, who encourages Jing to follow her dreams. To Appare, there’s absolutely no reason why Jing can’t be a racer. The fact that society refuses to accept her means nothing. Jing has the skill to be a racer. She should be a racer. The scene did a lot to endear Appare to me. Aside from great characters (and there are so many that I can’t possibly mention them all here), the animation and design work are amazing. The characters as well as the vehicles look fantastic. The music is also great, with my favorite opening and ending themes of the season. If you want totally fun and wild romp, you can’t go wrong with this series.

Carry Over Shows From Previous Seasons: Black Clover Ahiru no Sora Major 2nd Season 2

Best of Season: Best New Show: Appare Ranman Best Opening Theme: Appare Ranman Best Ending Theme: Appare Ranman Best New Male Character: Appare (Appare Ranman) Best New Female Character: Jing Xialian (Appare Ranman)

[willowaudreykeyes]

i was just wondering if you liked asian people? not just chinese and japanese but everyone? because i've never seen you reblog something asian spesific

I’ve been looking at this ask for a while because I wasn’t really sure what to say.

I mean, I don’t mind Asians? They’re people. With their own culture and rules that are different to mine, and that’s okay. And yes, I like Asian’s that aren’t just from China and Japan. If you’re trying to get me to say something racist then you’re looking at the wrong person.

I don’t know many Asian’s in real life, my school years were filled with mostly white kids and we don’t have many family friends out of white people either, but that doesn’t mean I hate them. They’re people. That’s that. This is really hard to reply to because I don’t really know what else to say other then that they’re humans like the rest of us.

And as to why I don’t reblog anything “Asian specific” is because it doesn’t really come across my dash other then a friend rightfully complaining about certain things that happen in her day that involve her Asian background. That’s literally it. 

If I see a cool piece of art that I like, I’ll reblog it. If I see that one of the characters in a fic is from Korea or the Philippines or they’re an Asian Israeli or Asian Indonesian- Them and more, then I’ll reblog it.

Because... I don’t really think about ethnicity? If it’s a good story or fanart and it isn’t a blatant racist statement, I’ll reblog it. So... yeah?

If I ever do reblog something hurtful, I’d like it if someone came and told me what I’d done wrong so that I can fix it. I’m not for racism. Fuck racism. If this ask was prompted by something I did wrong, come back and tell me in a nicer way please. The last thing I want is for people to be uncomfortable on my blog.

Sorry for something so serious so early -I just got back from a nap myself- but I wanted to get this out there as quickly as I could just so it would get out of my inbox. It feels like they’re accusing me and the anxiety isn’t what I want today thank you....

I love all nationalities and religions; I just care if you’re a bad person or not and that has NOTHING to do with your skin colour or beliefs or what country you were born in. It has nothing to do with your gender or lack thereof either.

I love you all and seriously, tell me if I do something wrong and I’ll learn from it. Just please don’t send me asks like this that sound accusatory.

[gdiwes]

First pass at a concept for one of my RWBY characters ^^! Her inspiration is a goldfish, and I wanted her to look like a mix of a martial artist and a high-society/refined lady because she’s a teacher. More under the cut about the outfit/process. 

Her name is Jinyu Cheng (she writes it last to first as 橙 金魚, so it would literally be read as Orange Goldfish when translated) and she’s a goldfish Faunus ^^ Because goldfish come from East Asia and are prevalent in Chinese mythology (carp jumping the waterfall) and culture, I decided to base her outfit off the traditional Hanfu. I ended up going with mostly Tang Dynasty era clothing, as the sheer jacket over and the slightly puffy sleeves were really appealing to me. 

Still, I had to refine her outfit. My first pass was a more Japanese-style outfit, with a tucked Kimono over a swimsuit. I was initially looking at Ai Miyashita from Love Live, and her Princess of Ryuujuugou UR because I love the scale pattern on the kimono (also she’s orange and my best girl aklfsjfl)

But because I wanted Jinyu to be based off Chinese fashion, I could easily just give her Japanese clothing I like and call it a day! So with the silhouette in mind I moved on to round two. 

A little closer, but still not perfect. Still, seeing something come together. 

The third pass was what I ended up coloring! I liked it so much right off the bat, and it incorporated the things I really wanted: Long flowing sleeves, the sheer top and sash over arms, swimsuit under, high boots, open shoulders. I say this is the first pass because I’m still thinking about the colors (I kinda wanna add more white cuz I have a white/orange goldfish in mind instead of just a plain orange one) and I need to figure out her emblem which will go in the big circle on the front panel of her skirt. Also I know I messed up the two sides of the shawl, the shorter one is the correct length! I’ll eventually get a full concept art out in the future haha But for now, I hope you enjoyed this little look into how I create character outfits ^^ Her hair is coming Eventually though LOL

[courage-a-word-of-justice]

Aniplex Fugou Keiji Livestream | Fugou Keiji 2 | Kitsutsuki 2 - 4 | Arte 3 - 12 (FINAL) | Fruits Basket 27 - 32

During the Millionaire Detective: Unmissable livestream (part of FunimationCon and Aniplex Online Fest), I watched and took notes, so you might find these handy upon retrospect. To be honest, this is how I do the posts for magicalgirlsandcerulean’s livestreams as well, but there hasn’t been one of those in a while...

Otherwise, these are all normal notes.

Aniplex Fugou Keiji Livestream

Look out for the dancer from the OP

Onuki was the model for the dancing for the anime – he was told to do it out of the blue

Episode 11 might have one of these^ be relevant

Daisuke’s cup ramen has shark fin in it and he made the packaging from scratch – that’s why it’s so expensive!

The director Tomohiko Ito omits important information, allowing people to decide for themselves what happened. (Miyano) – This might be why the series is stylish. (MC)

Attractiveness of character design is important! (for adapting Fugou Keiji to modern day)

I’ve never watched a livestream where the stars were so conscious of their English and Chinese audiences! This was interesting, especially because Onuki is not normally known as a VA!

“We still have a little bit of recording to do.”

Fugou Keiji 2

I keep misunderstanding my own instructions…this starts again in July after ep 2.

Todai = Tokyo Daigaku (Uni).

I believe this is the 2nd time I’ve seen a rich person like commoner’s instant noodles, although I forget where I saw the 1stinstance.

Kambe switched to the back seat now, huh?

Ah! Now I remember! The first time was seeing spoilers for this episode on Twitter! (LOL)

I see Suzue has a sensible naming scheme for her data.

Hmm…judging by the Google hits, the name visible in the background (Betbeto bin Abura) is the Arabic prince from last time.

SYN-ACK. I see these guys did their work – that’s the final stage of the 3 stage handshake required for things like internet sockets (used to send “packets” of data).

Way to crash a party, Kambe siblings…(LOL)

I really wanna see someone draw Kato slapping (Daisuke) Kambe in the face with a wad of cash…or a “shut up and take my money” meme with Kambe in it.

I like how “special cup ramen” is on the purchases list and it costs 100000 yen. I also like how the reporter Mita was bought out for 5000000 yen (bigger than all the other individual costs except for buying out the Tower)…that’s how he showed up.

Kitsutsuki 2

I gotta finish this show and then pause it…3 shows in my normal lineup are safe.

Did Kindaichi take the bones of the fish out for Ishikawa…? Like a child would have had done for them?

Why is Ishikawa being referred to as “Hajime”…?

Draw this prostitute like one of your French girls…(LOL?)

Ishikawa clearly dropped those coins into that book earlier.

Way to diss the potential asexuality/celibacy in the house. I mean, it’s the 1800s – early 1900s, so there was less LGBTIQ+ stuff then and certainly the further back you go, the more sexual prowess becomes a sign of masculinity, but still, if the guy doesn’t want to go through with it, don’t force him.

Notice how the borders were pink for Ishikawa’s version and blue for Kindaichi’s.

Notably, Otaki didn’t seem to have that hairpin…but maybe that’s because we saw things from Ishikawa’s perspective.

Ooh…who are these bois? Also, crab.

Kitsutsuki 3

…cat? Now there’s a new perspective. That’s like saying the butler did it.

Yay! Hagiwara is Ume!

Notice Hagiwara’s version has a purple frame, while Yoshii (?) has yellow and another person has dark blue.

I think “consumption” was tuberculosis, once upon a time.

I love how the crowd is fed up with Ishikawa’s bulls***.

Ooh, chuuni Akutagawa…

In a Grove is the Rashomon story.

Tarou Hirai = Rampo Edogawa.

You stalker, future Rampo!

I kinda suspected Otaki when I thought through the possibilities…Ishikawa, Kindaichi, an outsider, Otaki (and as of this ep, Rampo too).

Gaiheikan? Is that Ishikawa and co.’s lodging?

Did they have pencils back in that day?

Kitsutsuki 4

Humouresques.

Kabayaki.

I think it was in Detective Conan that I learnt (one of) the only way(s) a man can get his nails done is by his wife doing it for him, possibly as a prank or to indicate he’s “taken”. Note this was early Detective Conan, so it’s very much a 90s attitude…considering the widespread acceptance of drag queens and the LGBTIQ+ movement these days.

Kozukata.

Lace flower.

Maichou seems to be a hybrid of Asahi Shinbun and Mainichi Shinbun.

[Monkfish/dictionary/going home] - Is this how Ishikawa shows consideration…?

The purple letterrboxing is back but this time with Ishikawa…meaning that’s just an aesthetic thing for all flashbacks after all.

Just from vaguely hearing it (I’ve got the volume on low), the words are nodo tsuki/nodo zuki. “Throat moon/throat wound” works just as well, if not better.

Balsam flower.

Update: Since enough anime fulfilled the special COVID-19 criteria, Kitsutsuki was put on hold after this.

Fruits Basket 2 2 (27)

I’ve read Another, remember?…so I kind of know what happens.

Uo’s got purple nails…that’s surprisingly cute of her.

Aw, Kureno! Another Ume role!

Why is “shisho” (master) not translated…? A weird Tokyopop-era translation quirk?

Aw, Shisho cut his hair…? Bummer.

Who was that? Shigure…?(!) Update: We find out his name later in this ep.

“If you continue to change, I’ll continue to protect you.” – Another quote for the archive.

Great…I feel personally called out by this ep.

Fruits Basket 2 3 (28)

It seems all male designers wear their designs if they have no one else to wear them…at least, that’s what I’ve gathered from Hajime (Runway de Waratte) and Ayame.

I remember Ayame stood in for Yuki’s parents in the manga at one point. This must be it.

(Spoilers for later!) I also remember Mine and Ayame get married at the end…This is the prelude to that.

Dang, Ayame, you moment-ruiner!

Fruits Basket 2 4 (29)

Did anyone in the doorway hear about Hatsuharu turning into an ox?

To quote Sailor Mercury, “Douse yourself in water and repent!”

Ooh, window splitting Yuki and Haru. Nice cinematography going on here.

I bet all people think they only think about themselves, in one way or another.

Arashiyama tofu.

Yatsuhashi are great. They’re these sweet triangle things like samosas that come in various flavours. Mitarashi dango are sticky brown skewered balls of glutinous rice…which I’ve never had, but I’ve seen them in enough anime to know what they are.

I only just realised this, but Yuki’s hairstyle isn’t even on both sides, like Atsushi from BSD’s.

Huh…you can see a copy of Mogeta and Ari (as it turns out, “Ari” is the name of a character and not “ant” at all in this case) on Haru’s bed. There’s also an article in one of the magazines discussing how denim is the popular thing now and which types are in right now.

Fruits Basket 2 5 (30)

I realised Yuki isn’t calling Tohru by her first name – he’s going against Haru’s advice.

Hmm? Why should anyone ask a rabbit to hold their horses…? (LOL)

CGI cars…*sigh*

Tororo is grated yam, IIRC.

I learnt recently that nanban means “savage” or “uncivilised”…for a potato and chicken dish, the name and the contents don’t really match…Update: Nanban means “savage” (noun) or “barbarian”. Close enough.

17-26…age gap 9 years…yikes…

The words “(a happy, yet) caged bird” come to mind when Kureno describes himself. Also, Kureno is an Ume role! Yippee!

Ahh…young love…even if it has a bit of an awkward edge to it. Mind the (age) gap!

Me being the Ume stan, of course I want to hear those sweet nothings in his voice, even if it has to be via a proxy like Uotani…I wouldn’t be an Ume stan if I didn’t.

…Ah, I see. Uotani reminds me of Minare from Wave and vice versa.

Oh, I just remembered Akito is 20 or thereabouts. Kureno/Akito is only a bit more legal than Uotani and Kureno.

Arte 3

Notice Leo never once uses Arte’s name in the lady’s presence. Her name does have some infamy to it, after all.

“She’s got some guts.” – You say that at a live dissection…LOL.

Is this love~? What’s the age gap between Leo and Arte, anyway? Update: We know for sure Arte is older than 13…that’s it.

Make the things you want prominent with perspective and such. I thought that much was obvious, but for someone straightforward like Arte, I guess it ain’t so. (Maybe it’s because I’m self-taught to some degree when it comes to art.)

*sketching by candlelight* - You’re gonna ruin your eyes, Arte!

Arte, ma girl! You’re getting’ a raise! Good job!

Arte 4

Anime makes this courtesan stuff sound like a host club…(?)

I thought Leo was saying “Aria” for a second instead of Arte, LOL. I’m getting too used to that being my alias…

Arte 5

The speech bubble said “so annoying I could die”.

Arte 6

The video’s gone all pixelated…at least, the subs have…

I bet she’s going to fall over…Update: Nup, she didn’t.

Arte 7

I thought Yuri was a Russian name…or a Japanese one.

This is basically Oushitsu Kyoushi Heine all over again! (LOL)

I thought Yuri would be pushy…like, “Here’s an offer you can’t refuse.” That kind of thing. Likewise, I didn’t think Arte would refuse.

Leo? *dun-dun-DUN!*

Siena is apparently in Tuscany. Also, I did see the Silent Manga Audition page had a chapter on a pregnant woman, so this is ch. 17 or thereabouts.

Is Ruthanna not getting the money because she’s pregnant…?

Epidemic? The Black Death?...Speaking of which, Arte is very much of that ganbaru spirit. By being progressive for her time, she becomes ordinary in our time.

Ohhhhhhh! It’s a reverse harem in progress here!...This would be a good otome game, come to think of it. It’s framed the same way.

Leo can be surprisingly childish at times, don’t you think?

Arte 8

…Really? She fell overboard? *raises eyebrow*

Ooh, china (with and without capitalisation).

Is this another sarcastic child…? Oh, bother. Still, I can see why Hamefura crossed over with Arte now…Katarina vs. Catarina!

Arte 9

Bigoli is a type of pasta, as can be guessed from context.

The kanji for the episode title literally translate to “bad child”! Like the Tones and I song, LOL!

Mikata (ally).

Arte 10

This episode is giving off a Katarina x Gimo ship vibe…but with how young they are, I’m not sure I should ship it. They’re 6, aren’t they…?

Oh, you can see Katarina and Sofia’s hug in one of the ED frames.

Arte 11

Arte’s let her hair grow out…

An Italian man…bowed. In Renaissance Italy. Now I understand what all the ANN complaints are for.

What’s up with that kid’s face…? *grumbles*

Leo’s just being Leo, I see.

That’s right, Angelo and Leo never met.

Instead of a father or a brother overly cherishing his daughter, it’s the uncle…I never thought I’d see the day I saw something like that.

Arte 12 (FINAL)

Is this like Orientalism, but with gender…? (What would you call that?)

Lemme guess…Leo is working on the church mural and so he’s away?

Was that Leo, in the middle of the mural somewhere…?

Another Japanese bow in this anime, which is set in Italy.

But where is Arte herself in that mural?

Fine = end.

Fruits Basket 31

The word Momiji is using is “hisso” or something like that. Hissho is secretary, so the translator made it “secret getaway” to make it work.

That hat! *laser stare*

*one of the textbooks has “high school chemistry” on it* Tohru can do chemistry?! I suck at chemistry!

The episode title is translated as “Are you really this stupid?” It seems the real line for that was “Are you an idiot?”

Something about high school girls appeared in my head when Haru mentioned Shigure wanting to see Tohru in her tight swimsuit…*mumbles grumpily about pervs*

Kyo’s not wet, even though he got in the water! Amazing!

I think it’s sad that Tohru responds to “stupid girl” like it’s her own name.

“…that makes you suspect me?” seems better.

The Akito and Shigure age gap is somewhere between 6 and 8 years, IIRC.

Fruits Basket 32

Tohru switched from okaasan (mother) to okattekita (a formal past tense verb meaning either “bought”, “lent” or “won” based on the characters…which I don’t have a reference for). I assume because it was so off the mark, the subbers chose a similarly off the mark word.

“When I was a kid, I thought watermelons would sprout in my stomach if I ate the seeds.”

We only know about Kyo’s dad so far…hmm…what about the mother? Update: (TW: suicide) I think it was at this point we already knew that Kyo’s mother didn’t love him and committed suicide, but it’s not certain until later.

Why do doctors always use scalpels and syringes as weapons…? I mean, even Jakurai’s symbol in ARB is a syringe!

I’ve been wondering…how big is the Sohma family? Is it diluted enough that Haru and Rin can love each other without genetic problems for their child/ren? (From Another, I would say the answer is “yes”, but shoujo normally doesn’t care about this sort of thing, which is why I ask in the first place.)

Shigure seems like the type to say, “U mad, bro?”

The mansion looks like the one in Haruhi Suzumiya, if I remember the appearance of that one correctly.

[actualkomodo]

Get to Know Me

Rules: Always post the rules. Tag 11 new people you’d like to know better.

1. Dogs or Cats?

Dogs for sure. I grew up with dogs and never really knew any cats so I don’t know how to read cats at all--but I do still enjoy their company.

2. YouTube celebrities or normal celebrities?

Neither but normal celebrities.

3. If you could live anywhere where would that be?

I’m pretty happy where I am (BC, Canada), to be honest. The downside is it’s expensive and I got lucky enough to be able to stay. I used to think maybe I could move to Montreal but I actually went there and it felt a lot like Vancouver but French.

4. Disney or DreamWorks?  

I never differentiated between the two. When I watched a lot of movies, I used to think Disney, DreamWorks, and Pixar were the same company so that’s really muddled my perception of them and their work. I’m leaning DW though.

5. Favourite childhood TV show?

Uhh it was probably... DBZ. I watched a lot of stuff but DBZ was the only series I watched from beginning to end multiple times and religiously every Friday evening. I also loved Reboot and Beasties/Beast Wars.

6. The movie you’re looking forward to most in 2020

I don’t even know what came out in the last five years let alone what’s out next year. I rarely watch movies. Let me look...

Perhaps The King’s Man, as I really liked Kingsman. Maybe Venom 2, because... I liked the first movie. Will I see them? Probably not.

7. Favorite book you read in 2019?

I haven’t read any books through this year, I don’t think. I believe I went to the library a grand total of once, whereas I used to go every week. I did borrow three books last week, so maybe one of these will count?

How to Knit by Leslie Ann Bestor

Japanese Paper Flowers by Hiromi Yamazaki

Chinese Mythology A to Z by Jeremy Roberts

8. Marvel or DC?

Literally the only character I think of for DC is Green Lantern and I didn’t even watch those movies. So, Marvel.

9. If you choose Marvel favorite member of the X-Men? If you choose DC favourite Justice League member?

THIS GAME IS HARD. Nightcrawler was my favourite when I watched the animated series that aired Saturday mornings--not sure which one that was. I used to like Cyclops in the first few movies because I liked James Marsden’s style. I really liked Quicksilver’s intro in X-men. Uhm... Deadpool? :D

10. Night or Day?

Night, though I prefer light and chirping birds.

11. Favourite Pokemon?  

I have agonised over this for years. I used to love Charmander but I've drifted away and don’t have a favourite anymore. I kinda want to say Mawile.

12. Top 5 bands:

My first instinct is to say Celldweller, Blue Stahli, Linkin Park, Florence + the Machine, and Yuki Kajiura (assuming “bands” also means “artists”). I think that still holds true-ish but nowadays I just listen to whatever I find that I enjoy, so it’s a lot of liking one song each from various artists.

13. Top 10 books.

I haven’t read much lately and don’t generally have favourites so these are mostly books I loved when I was a lot younger. In no particular order and probably missing some, ones I read multiple times:

Switchers series by Kate Thompson

White Fox Chronicles by Gary Paulsen

Animorphs and Everworld series by K. A. Applegate

Dragonback series by Timothy Zahn

Dragonriders of Pern by Anne McCaffrey

Redwall series by Brian Jacques

Space Wolf saga by William King

Gaunt’s Ghosts series by Dan Abnett

Mercy Thompson series by Patricia Briggs

The Dragon Takes a Wife by Walter Dean Myers (art by Fiona French)

14. Top 4 movies

Same as with any “top”/favourite things... I have no idea. How about some movies I liked and would recommend?

Legend of LuoXiaoHei (Legend of Hei is what you’ll probably find it under) - I recently watched the series (unfinished?) and the movie and they were both great but the movie takes the cake. If you have time to watch either, go for the movie. It has a Ghibli vibe, ATLA action and animation, and Chinese themes.

Into the Spiderverse

Kingsman

Summer Wars

I’m sure there are plenty I’ll kick myself for forgetting but here are four.

15. America or Europe?

I’ve never been to Europe but I think I’ll say Europe.

16. Tumblr or Twitter?

I’m between both about equally and infrequently. Fdsfjlskjfldksg Tumblr?

17. Pro-choice or Pro-life?

Pro-choice.

18. Favorite YouTuber?

None; I don’t follow people on YT. Props to people who upload entire themed series of music though.

19. Favorite author ?

Hard to say since, again, I haven’t read anyone in a while. W. B. Yeats. Charles de Lint.

20. Tea or Coffee?

Tea. I’ve never had coffee. I tried to eat a coffee bean though because I thought it was chocolate. Does that count?

21. OTP?

Uh. CloudxTifa, ZackxAerith, and EstinienxYsayle? :D? Wait, CuinnxAzena and Cuinn/Dalai LFKAJKLF (them ships with @pearlescent-scales​​)

22. Do you play an instrument/sing ?

Used to! I started on a recorder and xylophone (FORCED TO), moved to flute of my own volition, tried out trumpet and trombone, picked up a little acoustic guitar (I suck though, don’t ask me anything about guitars), and finished up my band career with a baritone. The only instrument I still have is my flute but I don’t live in a place that I can really practise. I left my guitar with my dad but I could pick it up again if I really wanted to.

Thank you for the tag, @niomemizune​! I did it!!

TAGGING (and don’t feel you need to do it): @pearlescent-scales @refulgents @grumpy-limsan-customs-cat @elegant-etienne @ahumblewoodcarver @daintycure @eggplant-xaela @cockiestmageeorzea @thaneratelesia @ayeun​ @untaintedtea HHHH I think that’s 11!