#like i would have taken a short film or special episode at least

[miraculousninja-345]

Tell me about how you think the RWBY and RVB characters would interact my dude.

I'd think at first they'd be really confused. They are , but they somewhat get along after a few weeks of nothing.

Some personal hc and interactions I'd love to see

Yang and Simmons bond over their mechanical limbs

Ruby and Grif snack together

Blake and Simmons mess around with knives

Ruby has sniping practice at church

Yangs is on red team purely because blue team already has a yellow soldier

They argued about it for an hour

Weiss lets caboose brain her hair occasionally

Tex terrified Blake and Weiss (all of team Rwby) but they end up seeing her as a cool aunt...eventually

These are also based on this crossover show, this is what started the crossover brain rot! its got some good jokes and fun character interactions.

I know the screenshots shows 2 episodes but there's three rn now hopefully more in the future ep3 is the best imo

[astorinx-writes]

Describing and Reflecting On My (Almost) 11 Years As An AB Fan

Like most times in my life, I find myself lost in thought about the many things that make me who I am. All the special interests I’ve picked up over the years, many of which have come and gone. But at least one of them has stayed: my ever present love for Astro Boy. So, I thought, as I turn a year older, I would talk a bit about what’s brought me here today as an AB fan, and get a little introspective.

It’s funny when I mention my beginnings as a fan because I wasn’t initially much of a fan at all. I remember coming off the heels of what was arguably the most confusing time of my life: my parent's divorce, and being relegated to only seeing my dad a couple of times a week. In October, one of those days was spent heading to the local movie theater to watch the 2009 movie. Before this, I had no exposure to AB. But if my memory serves me right, I think our whole reason for going had more to do with my dad’s nostalgia for (presumably) the 80s series than anything else.

Again, there wasn’t anything that stood out to me in particular about the film. But I should say for the record, if you read my first-ever blog post here wherein I reviewed the 09 movie, you’ll know it’s grown on me quite a bit. Not to the point where I would ever consider it a favorite of mines, but certainly enough to respect it for what it was, and what it served in my journey as an AB fan. No matter what I think about the film now, or what I thought about it back then, it was truly at the time my only exposure to the franchise.

So, I leave the film and think it’s okay, I move on with my life and sink my teeth in other things. But my brother, on the other hand, seems to like this far more than I probably thought I ever would. I mean the amount of AB merch that had come out at the time! You had the toys at McDonald’s, I believe some toys at Toys-R-Us… I mean the movie bombed, don’t get me wrong, but for a split second, I was seeing AB everywhere in my house, and it was a nonstop talking point between us and my dad. I have to give him credit, though, if it weren’t for his persistence in finding out more about the franchise, I might’ve just shrugged at the movie and called it a day. But sadly, when I say “he found out more about the franchise” I really mean is “he saw YTPs of the 80s series on YouTube.”

Speaking of the 80s series, this is actually where his door closes, and mines opens up just ever so slightly to test the waters. I can’t say exactly how it all panned out because my memory is far too spotty for that. But, to make a long story short, I found myself curious about the AB world again and, after having seen the 80s series, I wanted to give it another try. Now, at the time, there wasn’t really any “way” in and of itself to watch the 80s series, unless you owned physical media. It was a weird time because streaming was in this sort of infancy stage where nobody pirated anything because Netflix was king. But if you wanted anime… well… you’d have to watch every episode in 3 parts on YouTube like everyone else, bud.

Funny enough, during that endeavor, I managed to watch just about every 80s episode, and I have not seen the 80s series since. I’m not sure when I’m going to break the streak and rewatch it, but I see it as more of an internal joke that I perpetually keep up for the lolz. At the time, though, my reasoning for not going back was actually because the channel I was watching from got taken down, and nobody else seemed to have an archive. Certainly though in the year of our lord 2022, where even the 60s series can be watched on streaming services, I think I’m just purposely skipping out.

That was back in 2012, a year later, I had an exposure to something a little different. You see at the time, I was in 6th grade, and I had a homeroom teacher who was a stickler for us reading during homeroom time. Now, when I was younger, I did read a lot, but by 6th grade I had mostly stopped (probably due to IRL stuff, but who knows?). So, I was basically relegated to reading almost anything from way back when that I could get my hands on at home. In comes my local library to the rescue! When I went over there for the first time, I was curious as to what the odds would be that any Manga volume was there. And luck be damned, I found a couple at the last minute. Now, I didn’t want to completely suck them dry of their manga supply, so I only checked out 2. But I soon realized that was a bad idea, since it turned out that I read graphic novels at lightning speed. I finished both of them rather quickly and had to read them over and over again for both homeroom and during P.E. attendance for a few weeks.

Briefly, I’ll talk about how I got into the 03 series. Initially, the 03 series was available on Netflix, and despite my initial thoughts on its art style, I decided to give it a try. Again, I wasn’t thinking too much of it at the time, but after the 2nd re-watch, I was sold. And when I mean sold, I mean I dropped every other rendition for that one. I also mean when I refer to or speak of anything AB related, I am 10 times out of 10 talking about the 03 English dub, and nothing else (except any of my fan fics or AUs). Nowadays, though, when I want to watch the 03 series, I have the dubbed version on DVDs that I’ve backed up digitally onto an external drive, so I just plug the drive in and go from there. This is also where I get all my screenshots for edits, and for my screenshot archive.

You’ll notice that for the most part, I’ve been talking about more IRL events rather than online stuff. And that’s mostly because me becoming the AB fan I am today didn’t really kick into gear until around 2015/2016-ish when I joined Tumblr. But before that, I did something a little similar… I wrote fan fiction. Or rather, my now partner and I did. But before she jumped on board, it was just me. Again, with no one to look after me or express any concern, I found myself on FFN reading… well… let’s just say… things someone at the age of 12… probably shouldn’t have. I read plenty of problematic works by problematic writers, and it inspired me to want to give it a try myself. After all, I did like writing— though like reading, I did give it up. I think at that point; however, I was so enamored and inspired, I let it all go and just jumped right into it.

The first fic I wrote, “Zoran vs. Uran,” served (technically) as the starting point to what would become my fan fic series Vivid Insomnia. But at the time was an arguably silly fic that never got finished because even past Sage knew it was horrible. The basic premise was based on the fact that in the 03 dub, Uran’s name was changed to Zoran, but I thought it would be interesting to write a fic in which Uran and Zoran are 2 separate characters. So, the plot basically surrounds Tenma creating Zoran and sending her off to live with O’shay. It was called “Zoran vs. Uran” (simply) because the “major bombshell” to be revealed was that Zoran and Astro are related (a shocker, I know /s). So, apparently Astro was supposed to finally gave a shit about her, which pisses Uran off and makes her incredibly jealous (something we can all relate to, I’m sure /s). Therefore, as a result, Uran and Zoran were gonna duke it out WWE style.

I legitimately have no words.

I’ll spare you all the tiny details, and move on to the short stories I did. After attempting to write a couple of fics and letting my anxiety consume me, I took a break from writing for a while, but found a way back in through writing short stories. Again, if V.I. was clay, then these short stories were helping it be molded into the shape it was set to become. Some of this information does overlap with my last post, so if you would like to learn more about the fan fictions I’ve written, you can check that out. The only thing you need to know is that after those short stories, I wrote my first long fiction in a while, called “Astro, Oh Astro, Where Did You Go?” It was by far my most em tonally gruesome fic at the time. It really paved the way for where I wanted to take V.I. and I think ultimately made me realize that I like writing about the emotional and mental perils of life, and what it takes to dig oneself out.

The entire premise was that after sleeping over at a friend's house, Astro decides to run away, leaving everyone to wonder where they went. By modern standards, this fic is a hot steaming plate of garbage, but at the time it was (again) the deepest thing I had ever written. Mostly with Astro’s portrayal-—I know many associate them with being childish and happy-go-lucky, and I do still agree with that sentiment. But during that fic, and certainly now, I find myself seeing them as a much sadder character. I won’t get into why exactly right now, so we’ll leave it at that. But in this fic, it should be noted that Astro’s entire persona surrounded how utterly depressed they were.

Moving on from fan fictions, I’m a freshman in high school who just left Google + because Tumblr lets you customize your desktop blog, and G+ doesn’t. This is also around the time that I had given up on my dream of being an animator because I would’ve honestly rather shot myself in the foot than do any sort of sketchbook doodle ever. You’ll notice I haven’t spoken about any fan art  I’ve done, and that’s mostly because I feel it would be pointless, since it didn’t lead to anything but heartache and irrational anger on my part. Instead, I decided to be a graphic designer because at the time, I liked downloading fonts from dafont.com and making fan works for Vivid Insomnia in a way that didn't involve drawing. Funny how everything that makes me a modern-day AB fan comes back more to V.I. than anything else… haha.

So with my Shadows Into The Light II, and Bebas Neue, I slapped the worlds #edgiest quotes (or song lyrics!) onto 03 series screenshots in Photoshop. And that’s basically how my design hobby (as it pertains to AB) started. I dabbled in other mediums, like videos and GIFs, but I would wager that today, design is my strongest suit, and it’s what I do the most of.

Years went by, I wrote more, designed more, started uploading videos a tiny bit more. And since I want to keep this post lighthearted and less focused on psychoanalyzing myself, we're going to skip over the many times I said something stupid and let my jealousy and low emotional intelligence get the best of me. Let’s just say… I learned a bit more about my place as a fan in this fandom, and also how not to interact with people, basically.

By the time I graduated from high school, I was ready to move on from this fandom, actually. Impostor syndrome ever so fragrant, I thought “AB isn’t serious?! I need to be serious now! I’m a real designer!” So, I gave it up for exactly a couple of months before I went back to my shipping retro bullshit, and before I knew it, I was essentially back where I started: An Astro Boy Fan on Tungle Dot Org. It was at this point though that I realized, if I wasn’t going to quit being in the AB fandom, the least I can do is polish myself up a bit. I haven’t mentioned any of my past usernames, but when this was all happening, I was Astro.png- a name I made as an inside joke because I export all of my static designs as PNGs. When I decided to “get serious”, I changed my name to Astorinx (yes, ASTORinx, not ASTROrinx, common mistake, I understand). This coincided with the change of my main design brand to Thylio Design, and also a personal change of name too (don’t you just love when your personal branding finally catches up to your gender changes too?)

Here, to close this out, I can finally touch on my “Astro is a sad character” point I was making earlier. Originally, when I switched to being Astorinx, I hadn’t intended for the blog to take a mental health/psychology skew topic wise. You’ll notice a lot of my works throughout the years have mostly been observational. I am simply making works based on how I interpret Astro’s character. But even then, as I look back, I realize that even then, my works weren’t taking place within canon. Rather, they were post canon. Because I’ve always found myself to think and believe that while Astro canonically was quite happy-go-lucky, their circumstances and life events told an entirely different story. No matter what you assume, at some point, you’re bound to realize that those events and whatnot, are going to catch up to them. I think in my personal quest to learn more about myself through the world of psychology, it has led me to look into the minds of some of these characters to ask an ample number of questions: What does it look like when this character is at their best? What does it take to get there? Or what about their worst— where are their faults, and why?

As time went on, I started to embrace a story line that was beginning to come about in my works, most exemplified by my “I Need To Forgive My Inner Child And Tell Them It’s Okay” piece. The story is this: Astro is an older and wiser adult whom, after going through and making great strides in therapy, looks back at the actions/thoughts/feelings of their younger self. Contrary to feeling regret, anger, or embarrassment for whom they once were, they look at their younger self with an immense sense of compassion. Like a warm blanket on a frigid night, they give their younger self a hug and say, “It’s okay. I totally get you, and I wish you well.”

Though not all of my works fit this narrative, especially when I make designs for characters besides Astro, for the most part, you can assume in some way, shape, or form, it’s relevant. What I’ve also realized, too, is that there’s a lot of people who find solace in my designs messaging. I recently even got asked to do a design supporting neurodivergency! While I will never claim to be a psych or mental health expert in any way unless or until I get an actual degree, it does make me happy that people are taking to my works in such a way. Over the years, I’ve become such a proponent for seeing people be the best version of themselves as possible. And while I wasn’t initially intending for my posts to be for the masses (thematically speaking), I’m glad Astro’s introspection's about who they were canonically have helped others do some reflecting of their own.

So, that’s now, but what’s next? Well, as I mentioned in my fan fiction post, I still have a lot more to write. And of course, I will always have plenty to design, even if there are considerable breaks in between due to burnout. In terms of videos, I have a few AMV ideas cooking currently, it’s just a matter of when I’m going to shake off the nerves and get started on them. I also still plan to run the AstroBoyFanWorks blog and its Discord server companion for as long as possible. I think when I look back at just how long it’s been- I mean 11 years is so wild! It’s almost unbelievable! But, I find myself in a place where I’m just happy to be here. I could go on and lament about so many things, but the truth of the matter is that after this many years, you either shit or get off the pot, as they say. You don’t second guess, you don’t make assumptions, you decide: Am I going to stick around for at least another year? And personally, I think yes.

[non-bee-knees]

So

I just rewatched “The First”

And let me tell you;

I’ve seen a lot of this franchise in a relatively short amount of time

I got into it just before the summer holidays, June-ish, and since then I’ve seen most of the Specials and Movies (some are…very questionable😓), a few episodes a piece of Part 1 and 2, as well as all of Parts 4 and 5, some episodes twice or even three times (think the Jigen and Goemon eps from part 4, any ep that involved Albert in part 5 and the part 5 finale eps) and I’ve read and written my fair share of FanFics (even the supposed ‘OOC’ ones are still in character btw, yall are doing gods work with your writing) and I gotta say,

After all of that, coming back and watching this movie, as absolutely spectacular as it is, just feels out of place, for a reason I couldn’t figure.

Until I did.

So, with no other way to begin phrasing this will-be-essay of a post, here it is:-

They made Zenigata stupid.

Obviously, he’s not an idiot, that’s not fair to say, but we see through other movies, as well as parts 4 and 5 that he knows the Lupin and the gang inside out, from figuring out it was Jigen in that Chapel in his part 4 ep, to knowing Lupin would go after Fuji in part 5, he can figure out Lupins next move like nothing, calling card or not.

So for him in this movie to just not be up to that, he feels lacky almost, letting his guards try catch Lupin rather than do it himself (until that desert scene, where he’s tricked). Yeah he’s still smart, but it doesn’t feel like he has it all figured out yet. He feels like “The First Contact” kinda smart

Next, my Dear Goemon.

I’m impressed, really, because they took one of the most annoyingly standoffish and quiet characters, AND MADE HIM MORE SO!

But not quite. He’s not himself.

He’s been quiet before, and standoffish before, but this feels different. Before hand it felt he wasn’t talking/interacting with the others by choice, but here, it felt more like he wanted to say things, but wasn’t sure how. He was just awkward. And while I love that, it wasn’t him.

That scene where he didn’t want to give up his sword, he felt childish in complaining about it, where as in another other movie/series of the show he’d had thrown hands at the idea of it.

Even back in the original Red Jacket series and other Red movies, he isn’t like this, isn’t as unsure as this.

Next: Fujiko.

Right off the bat; I don’t like her. I can’t tell you why, because I don’t know, because as much as I hate the bitch, I fucking love her at the same time. It’s a very mixed vibe.

The summary about her is shorter, because she is one of the few characters who hasn’t changed much (in my opinion). She has gotten more empathetic over time, I think, but I don’t pay too much attention to her really.

What I did notice is that she was very sloppy. She got caught out of her scam with the suitcase very quick, and you can’t tell me that it’s because that guy was smart. No he wasn’t. She was also surprisingly co-operative with the gang, something she usually seems reluctant on, at least without some reward. And while she did complain, it was only once, and she wasn’t trying to get something out of it afterwards. She wasn’t as fleshed out in her whole “scamming” business yet.

Finally, Jigen.

(I’m not gonna do Lupin, as his character is very hard to place at the best of times, but hasn’t changed too much really)

Jigen right off the bat, is not the man we know and love today. He too feels like he’s more of a few episodes after “The First Contact” kinda development. Without a second glance he shuts down Lupins idea of the Bresson Diary, despite the fact we know they been through worse for less. He doesn’t really care. And even though he never says it, it feels like he could have called Lupin ‘Boss’ in this movie and gotten away with it.

He, at the point of this film, feels like he’s only in it for the money. Maybe he’s starting to grow attached to Lupin, which is why he goes after him, but still, they don’t have that bond yet.

Where am I going with this nonsense?!

This film starts by calling out that the first scene takes place in World War 2, probably near the end, so let’s say on a late end, it’s ‘44.

Then just after the open title, we see that it’s “more than a Decade later”, and we get to see Laetitia for the first time. I’m not saying she’s anymore that 18-ish, so let’s take the late end again and say she’s 20.

Given that ‘44 year before and the 20 year age gap, we can safely say, even at the latest, this movie takes place in the mid ‘60’s.

If we can guess about the Gangs ages, with what we know, we can say that Goemon is about a year or two older than Laetitia, say 22-ish. Fujiko isn’t far behind, nor Lupin, say 25-ish and 27-ish respectively, with Jigen pulling rear at around 30. (These are all just guesses)

All of that together puts this film at the very earliest, timeline wise, that we’ve seen the Gang together, even earlier than the OG Green series, which we can assume takes place in the 70’s, the years it was produced (Ik the manga was written earlier but the show would probably have taken elements from the year it was produced in)

Basically!

That explains why they’re all so odd. They haven’t gotten to know each other yet, they haven’t been in the job long enough to figure the kinks out!

Ik that Zeni obviously knows a few of Lupins tricks, indicating that he’s been after him at least for a hot minute, but this could be one of the first times that the Gang (Zeni included) are all working together!

And I kinda like it, looking from that perspective, that they don’t really know that they’re doing yet.

If they make another CGI film I hope they keep it in the older era, and that they keep this newer feel to their partnerships together.

ANYWAYS.

Im so hyped for Part 6, seeing Albert AND Yata in the trailer says to me that even though it’s a different Jacket, it is indeed a rough carry on of the last 2 seasons. CANT WAIT :))

(All of this is my person opinion and take on the film and the characters, please feel free to give your own take on the subject, I’d love to here y’all’s opinions too x)

THANK YOU IF YOU READ THIS FAR X

[popculturebuffet]

House of Mouse: Max’s Embarrassing Date Review

Hello House Mouses and welcome back to the house of mouse. Another comission by Kev and my second House of Mouse for the valentine’s season. This time we’re not tackling a Valentine’s Episode necesarily, but a romantic one all the same as fan faviorite couple Max and Roxanne finally go on a date.  I always liked Max. Even as a kid when I wasn’t the biggest fan of “A Goofy Movie”, didn’t like the darker patches like the principals office scene or the Pete Hot tub scene.. though in hindsight both had legit greviances with Max... it just dosen’t make either less terrible as the principal still told an innocnet man who wasn’t responsible for what his kid did and was trying his best that his son was going to become a crminal because of one stupid but mostly harmless prank, and Pete.. is just an abusive, unlikeable and unlovable ass in both Goof Troop and Goofy Movie, and I hate how he treats his son, don’t blame his wife for leaving him or taking their daughter and dog, and am really sad he got custody of PJ somehow. And for the record this isn’t ALL petes, just this version. The rest are fine and just the right level of asshole. 

Point is despite my problems with the first film, I had none with the second and even now I like it due to having some really good ideas and concepts while also being gloirously rediclous due to the loveably dated X-Games element. While I do have a spot in my heart for the Dana Hill and Shaun Fleming versions, especially the latter once upon a christmas is awesome, Jason Marsden’s version is the best by the mile having the right amount of ego mixed with self doubt to make him likeable enough to brook him being an ass to his dad a lot. He’s a good character.. and it baffles me Disney NEVER uses him nowadays. No really, the last time he showed up was in twice upon a christmas and no one liked that because he was dating someone who wasn’t Roxanne just to rehash the same plot they’d already rehashed better in Extremley Goofy Movie. I REALLY need to rewatch that one. Hmm.... gonna see if I can squeeze that one into May or later in April. That’s for another time. 

But yeah while he’s at one of the disney parks, that’s it. The character just .. vanished, and hasn’t been brought back in any way shape or form. Though I could see either a Disney Plus reboot of goof troop or a goofy movie with max having his own kids. That could be intresting. Also bring Roxanne back as weirdly this episode i’m reviewing, a goofy movie and now her ducktales cameo are her ONLY apperances. 

Seriously I get she’s not the most fleshed out.. but then flesh her out. Like Max she’s crminally underused and while I get her absence as a character in the sequel, the plot really didn’t need her, he still could’ve been dating her off screen. Though clearly the two worked things out and tried again as this episode came out AFTER extremely did. But did this episode work out? Join me under the cut to find out. 

As i’ve decided is my standard for House of Mouse Episodes, shorts first, then wraparound, then Mickey Mouse live sex celebration. Though I will say i’ve picked up there are two kinds of formats for the show: They either use two of the longer Mouseworks shorts or just one close to 11 minute short, a medium one, and one of the little two minute segments. There might be a break from this in the future, we shall see but for now those ar ethe two standards. This time we have two longer shorts. 

Pluto’s Penthouse Sweet: 

I’ve mentioned in the past I dont’ really get why Pluto is part of Disney’s sensational six along with Mickey, Minnie, Donald, Goofy and Daisy. And I stand by that: While he’s had his own cartoons they just aren’t as entertaining and creative as MIckey’s or hilarous and relatable as Donald and Goofy’s. He’s just an average cartoon dog. He works fine in tandem with Mickey, but on his own he’s just nothing and his spot should be taken by pete, who while not a goodie all the time, again the goof troop version needs to step on a rake and fall into a well.. somehow. i didn’t think my insult through. Point is pete is better.  And this short isn’t BAD .. but to me it’s what some fans THINK the disney shorts are: Bland, maybe one or two good jokes but almost nothing new or intresting. As I found out last year, that’s far from the case, as a lot of the Donald shorts are still hilarious today and a lot of the mickey shorts are shockingly creative, like Thru The Mirorr where he goes .. well thru the mirror into a wonderland like world where all the inanaimate objects are alive and he can shrink and what not via astral projection, or Mickey’s Mechanical Man, which I sadly didn’t know about when I did the MIckey Birthday Special and for some reason isn’t on disne plus. In it Mickey creates a robot and has it box a monsterous looking gorillia. 

How has Mickey piloting this thing but giant sized against various kaiju been a thing yet? And if it has someone tell me. Seriously with all the comics and animated series how. I’d even settle for a Wonderful World of Mickey Mouse episode. Just bring this guy back. Point is there was far more invetnion than it seemed.. at least at first as it slowly died out as they went by the late 50′s. But Pluto just seemed even in their hayday like your standard pet gets into antics thing without the creative slapstick of tom and jerry or the likeablity of sylvester who never could get that asshole Tweety Bird. This is just weak sauce and whiel I could forgive the older shorts, as their from another time and likely lead to say Tom and Jerry... I can’t forgive this which was made probably in 1998 and released in 1999 originally. Comedy had evolved a LOT by that point and unlike the Goofy how to shorts, which are a format that is immortal and still evolved to match the times and felt fresh, these just feel stale and boring and like the last Pluto short I covered this one was a chore to sit through though not nearly AS bad. 

Still though the premise is about the same, Pluto’s left to his own devices, and finds a female dog, though in this case she’s VERY intrested in him. I”m also not entirley convinced she’s a dog, but instead one of Jumba’s experiments and that Lilo and Stitch later had to journey to.. wherever these shorts take place to fetch him. Or more likely the house of mouse. I mean Proud Family, Recess, American Dragon Jake Long and Kim Possible all take place int hat universe, why can’t house of mouse? Also tell me you wouldn’t watch an avengers style team consisting of Kim, Ron, Jake, Penny, Probably TJ, Lilo, Stitch and Donald Duck. If you wouldn’t i’d call you a liar because you would be. 

Seriously the eyes give her away.... just look at them. Very experimenty. But before Pluto can do it like they do on the discovery channel he has to get past the guard dog.. though how he does produces the one great gag of the short, as he BUILDS A GIANT, TROJAN HORSE ESQUE PLUTO OUT OF JUNK. Just holy shit that’s awesome> It gets him inside, only for him to find his lady friend is a bit TOO affectionate and he has to escape, he does so, and MIckey wonders if he missed him etc lame button. This short was a vacuum of comedy outside of GIANT PLUTO. Seriously where’s my disney giant mecha series. YOu have five main characters, and Pluto among with MANY, MANY side characters, frmo scrooge to the boys to hopefully Della, to even possibly pete and mortimer who could have their own mech against the heroes but maybe join them in the last episode. Maybe max and pj could have some, have a father vs son thing with PJ and Pete. I”m just saying, i’d watch it. I know my nieces would watch it. I know my nephews would watch it. Greenlight it. Or i’ll make it.. somehow. 

How to Ride a Bike: Speaking of the How To Shorts, as usual for the House of Mouse era ones.. this was awesome, pretty much what you’d expect, some goofy, pardon the pun, gags about goofy riding a bike and then a fun climax of him in a bike race. Not a ton to add, other than that hamster bike above is genius. Just needs some tweaking. Really funny, really simple, and really good as you’d expect from a good Goofy Short. Easily the best part of the episode. 

Max’s Embarrassing Date: So this was a disapointment. Like i’d try to be nice.. but I had high hopes given this brought Roxanne back, and while the premise was stock maybe they’d do something funny with with it. 

But no the plot is pretty standard, very predictable and fairly obnoxious. Max has a date with Roxanne, and is playing it cool and what not, but is worried his dad will find out.. which he somehow did offscreen. Probably Clarabelle.. I mean they do go out sometimes in this one, wouldn’t surprise me. 

So Max pleads with the rest of the HOM staff to keep him away because he fears his dad will overdo things, which.. is fair and one of the few things I like> He dosen’t want him to overdo it on the mood because this is well.. a first date. He dosen’t want to pressure her or himself and just wants it to be nice and calm. The problem is it’s framed like him once again being embarassed by his dad and having to learn better.

At this point we’d had TWO movies do this already, one of which was only two years old at the time of this episode. This plot is stale as old toast even if it dind’t have goofy in it. And the twist is predictable: the HOM crew end up also overdoing it: Minnie comments on how cute they are and wants candles brought, Daisy gets them a bigger table forgetting how dates work,t hough we do get a great gag of hte 7 dwarves stacked, and Mickey while having .. some.. gopher? I honestly can’t tell who it was, usually i’m better at the cameos. Speaking of which they also have a runner of beast going on a date with Cruella Devile. 

I mean is he cheating on his wife? Is she holding his wife hostage? Is this before belle because we see a post transfomratoin beast too so maybe the House of Mouse is an intersection of space and time? That’s.. actually the most resonable answer I can think of honestly and when i’m focusing more on how the hell your gag works than how funny it is, you clearly failed somewhere along the line. 

Point is Mickey puts his good friend in a pothole, and not only calls max little max, which while an understnadably close family thing to do is still embarassing, but also takes pictures while their eating the spagetthi.. which i’m 100% sure was Huey’s idea nad had Mickey not interrupted, would’ve been tied up down the middle for a lady and the tramp thing. It’s his signature move. Well that and having a panic attack. That’s also one of mine the others being lettterkenny refrences and sex jokes about disney characters.  But yeah this just.. dosen’t work. Them being as embarassing? that’d be fine.. if they weren’t wholly unsympathetic for not only keeping their friend from WELL INTEITONEDLY trying to help his son on his date, something his son shold have no problem with since ROXANNE’S MET HIM. AND IS FINE WITH HIM. AND NEVER CARED ABOUT YOU BEING HIS SON LIKE THE DICKHEADS AT SCHOOL. MINUS BOBBY WHO YOUR FRIENDS WITH FOR SOME REASON. My point is this plot bothers me a lot, and it makes the mickey crew come off like assholes for doing this to thier friend instead of just talking to him like a person. Especially since only ONE of them is a parent and Conviently donald is mostly absent. Likely because he realized this was going to end badly and just agreed to tie the spagetthi like huey taught him to keep his involvment in this shit show and gaslighting his best friend to a minimum. 

Eventually Mickey takes things a step too far and has Sebastian almost sing kiss the girl. Max cuts him off though yelling that he just wants them to back off, he just wants them to relax and he TOLD them this, which makes them come off worse as they KNEW he didn’t want this and did it anyway and never apologize becaue apparently the first rule of house of mouse is never apologize for anything, huh huh. Goofy naturally steps in, tells them off and agrees to serve them and Roxanne finds him entertaining and gives him a nose kiss for being a good dad. He’s a good guy that Goof.  Roxanne then whispers something in max’s ear at the end of the date... which gives him an audible erection. No really. And given his age is vauge here I’m suddenly super duper uncomfortable so let’s move on. 

So max tells them she liked it and wants to come back.. 100% sure that wasn’t what she said but what she said isn’t fit to print and you’ve seen what i’ve said and what I put in the we’ll be right back. Point is he’s happy, though Mickey says we’ll try to make it extra special next time. Mickey.. did you do a space mountain’s worth of pills and cokea nd just forget the entire evening? Did you take some of those hangover roofies/ Why would you do that? Was that pete’s new plan to steal the house of mouse? To drug you guys and make you forget you already paid the rent? Did PJ stop him? Inquiring me wants to know. 

Final Thoughts: Yeah this wasn’t a very good episode. Roxanne is wasted despite having a suitable replacment Roxanne voice in Grey Delise, with no real depth just to rehash the plot of the first and second goofy movies. And this one didn’t have an inexpilicable beatnik cafe, PJ getting laid and finally being happy for once, a standard college fraternity plot  surgeically infused with an out of nowhere obession with xtreme sports that was nowhere in the first film, Goofy in an afro, Goofy finding love, That disco sequence, and a climax in which Goofy carries Brad Garret out of a fire, then Brad Garret probably kills the villian of the film who certainly deserved it. My points are this episode was an underwhelming rehash only saved by some good shippy moments and a good goofy short. It was weak, not all that funny, and not all that intersting.  My other point is that an extremley goofy movie is awesome and also kinda insane and I love it for that. I’m glad I saw this one but i’m really disapointed in how bleh it was. Next time I visit the house of mouse is.. actually in a few days as Pete Does a One Man Show. So yeah already 100% better just by having THAT musical number in it, see you then and if not, there’s always another rainbow. 

[loudestcloud]

Time for Luffy's fashion exam! Now, I'll be honest, I did skip an outfit because I decided I will be ending this whole thing with the Strawhat fashion show in Episode of Luffy. Also, sorry for the posting gap, I remembered I have other unfinished post sets. That being said, this is a very long one so let's do this!

Kid Luffy, Post-Enies Lobby & Fish-Man Island: I think it's super cute when Luffy has white t shirts with red based logos because it reminds me of the first picture. Makes him look baby plus, they can always be found in cute domestic EPs or fun, cute flashbacks. The shorts change over time and that's also kinda cute, a range of cuffs is a nice change up. It's nice to see the red contrast the blue shorts and the white is a nice color on him cos it contrast his hair!

Romance Dawn, Enies Lobby, Thriller Bark, Sabaody Archipelago, Amazon Lily, Marineford & last Dressrosa outfit: This look is the pre Luffy look. It's the pre Timeskip look everyone thinks of is cuffed shorts, Kimono sandels and sleeveless vest (and Strawhat, obviously) but have you ever seen them all in a line? It's mad. Each outfit is the same basic look bit more are more spicy each time! I like the Thriller Bark and Sabaody Archipelago looks a little bit more cos it's nice to see that jacket open and it feels like he was trying something new. I also feel that the buttons on the jacket look like the ones on Shanks' pegged ankle sailor pants when we first see him so that's cool. (it took me hours to find the name for his trousers, oh my fucking god) The last Dressrosa outfit feels like a nice callback to the rest of the line up here without being too much cos it's just a red vest top instead and I do find it funny it's like the Enies Lobby and it's used in Dressrosa because of the jokes people make about Robin and Law being so similar.

Timeskip: This is it lads, it's the one true icon itself, the post look! ☺️ When I sit back and look at it I see all the people this look is influenced by and want to cry at how masterful it really is. (Now, I do wanna say that I didn't come up with this nor am I the first to say it and I am definitely probably looking too much into this but) The yellow belt is taken from Shanks' red belt the first time we see him and the Shanks look Luffy is more familiar with. Now onto the jacket. I know it won't stand out as to why for most but it's Ace inspired! When Ace leave to become a pirate, the start of his adventure, he has his jacket open and Luffy having his jacket open also shows his scar from the ending of Ace's adventure. I also really appreciate how no one hides scars in this anime. Also, someone said that the style of the jacket and it's fancy frills could be in reference to Sabo's little jabot collar and honestly I do see it. it's quite subtle unlike Shanks' but not as hard to catch as Ace's so I enjoy thinking that it's there too. Lastly, he still has his cuffed shorts and kimono sandels because it's still Luffy's outfit at the end of the day and he is still who is is, just with a stronger appreciation of what people have done for him now. It's also his colour pallette for the pure fact he is the main character n needs his pallet. also sometimes he just has normal wooden sandels but the same outfit sometimes, it's a small detil a lot of people overlook but I prefer the sound of his Kimono sandels 😊

Dressrosa: I love this outfit cos it's stilly but also has very nice vibes. Looks ready for the beach but is really throwing hands and that's the best kind of outfit, it's a nice expectation subversion tbh. I also like how he tried to hide the Straw hat but not... All of it? And I love how the crew didn't actually question it either. It would have been super easy for one of them to just tell him to leave it behind or something but I do really love how respectful they always are of the hat. I myself have a hat that's super important to me and when I loose it I go mad.

Whole Cake Island: I love this arc for outfits! I swear if the actual content of it doesn't kill me, the act looks will 😭 it's all so magical and it knows it is! Like I said before, white is a good color on him as he has black hair but for the same reason, so is black! In this arcs outfit range, the Staw hat seems almost invisible and his outfit gets less and less 'Luffy' as the arc gose on showing this is not about him. He's not the focus of this arc and you can see that in a lot of the outfits thb. I also like the lack of blue and yellow, 2/3 of his colors as Sanji is often associated with those too as we've talked about before. Also, I like the little red strips on the white jacket with the gold buttons, idk why and I think it's nice that the last 2 outfits are so simple in general, it's a nice look for him. oh, what's that? A Pink jabot? Your killing me Lu, straight up killing me here lil' bro! Side note, is this the first time in canon Luffy has worn a suit jacket or is it the only time I've noticed? Cos DAMM!! Shits sick as fuck and I actually love that when wearing a suit jacket as such he always keep short on 😆

Spa Island, Z's Ambition & Strong World: WHOS READY FOR A RELAXING SUNNY DAAAYY!? (pun not intended but very much enjoyed) I actually adore the fact Luffy still tries to go swimming cos it was his favourite thing to do as a kid so like fuck Luffy is gonna give up on that. He's got his safety measures ready, what more do you want from him? I mean I personally want him not to swim with his hat on cos it's litrally Staw and that's not good for water but anyway Z's Ambition, am I right!? The top is so fucking cute and I just noticed those shorts are also ✨designer✨ fancy man!! Now, the pic of Zoro is the one I missed out before and it's also from Z's Ambition. I love that Luffy has the shark top but Zoro has the ocean shorts. I really love Zoro in this purple cos and thick white stripes really work with the ocean waves. It's really well put together and hes got dark brown sandels on to off set all the white but keep the purple from being a stand out color, it's cool! Than the last Luffy looks like he's at a fashion show. It looks like the shorts come from a kids set the shark top belongs to. Imagine those together, it'd be so cute. However, it isn't an ocean patten, those are clouds cos Nami has a bikini top with the same pattern in Skypiea and it's actually one of my favourites for her.

Boss Luffy Historical Special! This filler AU is so much fun, I think any it a lot. He has his hair up in that super cute and useless way that doesn't actually do much but I do have my hair like that a lot n it's just... nice? Idk, it's strange buy I like he did that. I really enjoy his Kimono more that the actual Wano one cos it's a lot more simple look. The Sai being tucked in in that way is also cool but kinda makes it look like it's stabbing him a bit 👁️👄👁️. I like the pin strips being like a faded purpleish cos if you just glance at it, it makes it look it fuzzy. The belt also looks very nice with the middle ligter bit. It really feels like the Wano one was inspired by this is a way cos of the color matches. Like, it's probably not but still.

3D2Y, Adventure of Nebulandia 😍 & Heart of Gold: Hat-less Luffy is both a sin and a blessing. Regardless, I LOVE OP BOYS IN HOODIES!! I had to show you this specific the 3D2Y because we don't see the hood and it's soooo cute cos it a paw 😍 but also 😬 cos it's like... Kuma's paw the thing that cause 3D2Y in the first place. But that's also why it's so cool at the same time and AHHHHHH 😄 Now! On to Nebulandia! I really like this movie but also in canon, how does he have that jumper? Who made it for him and can I have one? It's Usopp flag design so I guess it could be him but he doesn't seem the type. Point is I want one. Last of this set is some really cosy outfits!! "How much fur?" "Yes" am I right? Like the first one is sooooo cosy with all the fur! Plus, a funky new bamboo hat, always a good thing to have a new hat. I appreciate that you can see the zips on these too. Then the orange turtle neck one with little fluffy bits is just here cos it's so out of his usual looks, I had to at least mention it.

Strong world & Film Z: The shorts on the first one are really cute cos it's a light rosey pink with red fur and just a plain solid dark blue colour jacket works really well. Not to mention the fact he has a super cute orange and yellow flight helmet hat with goggles on under the Staw hat. The 2 bag straps also make an X which is a nice detail. The 2nd outfits in this movie are super fuckin cool ngl. It's so strange to see them all dress in black and have guns but I like the red shirt for him with the yellow highlighted parts. Makes the Straw hat actually work with the outfit instead of ignoring it. Film Z brings us the same flight helmet hat just brighter and without the goggles but also opens with this T-Shirt and Luffy being silly with it. I think that's the only reason to mention it, it's funny. Then the obligation pirate outfit, always stunning plus the meat belt.

Film: Gold & Stampede (also used in Cidre Guild): these are my top 3 Luffy outfits no matter what else I see. I love the straw cowboy hat sooooo much cos it's very Luffy. I like the balls they has as a team to choose white for all of them, considering they are all quite messy people, living for that dad shirt and I like the Golden chain around his neck but am always confused as to why it was never used against him. Like dude could and should have tried to choke him at least once, right? Anyway, the dress! Now, the dress isn't actually that good but it's my favourite because it shows how Luffy has no fucks about gendered things. On to of that, a big pink flower is wonderful and look at his confidences in it, he's so proud of it the boom, Nami told him he can't wear it! Lastly, the Stampede outfit!!! Just like the Nebulandia jumper, I have no idea who made it but it's irrelevant cos it's beautiful and I want it so badly. I like that it's white and red stripes, gives thenprefect vibes for Stampedes opening. The shirt is actually too big for him, you can see on his arms but it's actually super cute. I love the simple look of these shorts then the fact his yellow belt is replaced with white bandages and the black on the kimono sandels are now red? It's such a simple pallet and it's truly the best!

I also just wanna add, I think it's really cute when Luffy has the Straw hat on his back just cos his hair is really cute. Idk why, it's looks kinda cursed but cute at the same time

This post took 2 weeks or so to make and we made listening to the complete BNHA soundtrack, film gold OST and Sonic generations vol.1

Sanji

Zoro

Nami

[emutempo]

Strike A Pose (domestic SuperCorp one-shot)

Summary: Everyone has the day off but Supergirl. And even though it means leaving Lena home alone for much of the day, Kara's determined to make the best of it.

Posted to my Ao3 here. 

Notes: It's 4:40AM and I just couldn't sleep without getting this out of my head. And since I'm still anxious about posting any of my fics, I figured once again it'd be better to hit that post button before I get too nervous and hit delete instead. Anyway, I hope this brightens at least one person’s day.

----------

Rays from the sun pour in from the windows of Lena’s bedroom and her eyes flutter open as she feels the heat on her face. She forces her eyes open and stretches into a yawn.

She looked across the bed and first saw a mess of golden hair splayed across a pillow. Kara was still fast asleep after a long week working at the DEO. It had been a long week for both them and Lena was looking for to a relaxing Friday with no work.

 She was happy the 4th of July landed on a Friday this year. It usually meant she had a three day weekend with Kara all to herself. No L Corp, no CatCo. Except, today, Kara was on call. Even though the DEO was operating with the minimal crew, Kara had volunteered to cover for J’onn, Winn, James and Alex. They had been so accommodating of Kara’s requests for days off to spend with Lena that Lena didn’t mind.

Today would be like any other busy weekend day for them. They’d lounge around the house, playing board games, watching their favorite movies and cuddling on the couch. And when Kara was called away for her Supergirl duties, she’d give Lena a quick goodbye and take off to deal with the problem before eventually coming back to Lena and resuming their activities like nothing had interrupted at all.

For now, it was still early and the city itself was still waking up so Lena turned over and cuddled against Kara. Her head, barely hit the pillow before she fell back into slumber.

—

Later, Kara and Lena were sat up, cuddling on the living room couch, each with a cup of coffee in hand. On the TV, an episode of QI playing. Kara took a sip of her coffee before

Kara and Lena had taken to watching QI on their lazy mornings. Kara was fascinated with the random knowledge and discussion on the show and more-so with Lena’s endless intelligence. This morning, they were talking about the history of astronomy.

Kara cleared her throat, “so when did people start thinking the Earth was flat again? It’s like they’re afraid the Earth is round. They’re lucky it is or they’d be off floating somewhere in space!”

Lena loved these little conversations with Kara. No matter how long she’d spent on Earth, still so much surprised her. Lena shrugged. “You know, the only thing flatearthers fear is sphere itself.”

It took Kara a moment to realize Lena’s joke before a giggle escaped her throat, still a tinge of morning gruffness in her voice.  Lena stared into her eyes, trying to memorize the beautiful sound of Kara’s laughter. But it was short-lived as Kara suddenly tilted her head, listening.

Lena smiles, knowing in that moment that duty was calling to Supergirl. National City needed its savior. Kara looked up apologetically to Lena. “Small kitchen fire. No extinguisher. Should be quick.”

And a moment later, a whoosh fills the Lena’s living room as Kara disappears for a moment before another whoosh brings Kara back, clad in her blue suit and red cape. Lena blows her a kiss. “I’ll be waiting for you, Supergirl.”

Kara mimes catching her kiss in the air and puts it to her lips before stepping out onto the balcony. Even though Lena’s a little disappointed, she can’t help but smile as she watches her go.

Kara has the goofiest grin on her face she holds Lena’s eye contact. Lena smiles, shaking her head. She knows what’s coming and she waits for it…

Lena watches as Supergirl turns around and takes a big step away from the balcony door. She turns around in place and mimes pressing an elevator button before taking a patient stance with her arms crossed in front of her, as if waiting. A moment later, still ‘standing’ with her arms crossed, Kara slowly floats up into the air as if riding an invisible elevator until she’s out of Lena’s view. But not before giving the Luthor a playful wink.

Lena can’t hold back the laugh caught in her throat. It’s loud and she knows Kara hears it.

—

Later, they’re sitting on opposite sides of the coffee table, a chess board between them. It’s Kara’s turn but she’s gone on a rant and Lena doesn’t have the heart to interrupt her.

“I just don’t understand. Why are ALL of them so sad? Isn’t there a single period drama about two women falling in love where they get to be together? The endings are always so tragic. Unrequited love… pre-arranged marriage… and that’s only if we’re lucky enough one of them doesn’t die! Doesn’t anyone run away together? Or say ‘screw you’ to all the cranky old men?”

Lena can’t stop herself. She leans over the chess board and kisses Kara. It’s soft and sweet. When she pulls back, she gestures to the chess board and Kara finally realizes it’s her move. She hastily moves one of her pieces and by the look on Lena’s face, it’s not… the best move. But Lena ignores it.

“I think they’re just trying to be historically accurate, love. Times were a lot harder for us not too long ago.”

Kara doesn’t seem satisfied with that answer. “Well, I still don’t like it. No more sad movies like that one we watched last night. Here Comes the World… or was it… A World to Come?”

“The World to Come,” Lena reaches forward to brush a hair out of Kara’s face. “We could watch Gentleman Jack.”

Kara pouts. “That doesn’t sound promising.” Lena chuckles, about to launch into an explanation of the history behind the titular character of Anne Lister when she sees that signature head tilt again and Kara’s eyes focus into the distance. Lena’s puts her hand up over the chess board about to say, “Kara, mind the chess board—“ but it’s too late. Two back to back WHOOSHES and Supergirl is again standing before Lena, who’s eyebrow’s cocked in ITS signature position. Kara notices the chess pieces all over the floor and looks at Lena apologetically, “you were winning anyway?”

Kara leans in and gives Lena a quick peck on the cheek. “Drunken brawl. I’ll get everyone settled down and be right back.” She keeps her eyes on Lena’s as she backs her way toward the balcony door. The look in their eyes and the suppressed smiles on their faces tell us that, again, they both know what’s coming. Lena watches as Kara steps outside, her cape flapping in the breeze, and takes her superhero stance. She double taps the emblem on her chest and then puts her hands out behind her and takes off in flight… Is she serious?

Lena guffaws and yells after Kara. “Iron Man? Are you kidding me?” But Lena giggles. Kara knows she’s gonna give her a hard time for that one later. As if to dig in even more, Kara loop-de-loops and flies by the window on her way to the drunken brawl.

Yeah she definitely heard that.

—

Back at home with Lena and Kara relaxing in front of the TV. Kara channel surfs while Lena plays with her hair. She lands on a movie that’s just started.

“Oh, I love Megamind! Have you ever seen it?”

Lena shakes her head, “I think most of the animated films I’ve watched in my entire lifetime on Earth I’ve seen first with you. And we haven’t watched this one yet.”

Kara scoots up closer to Lena. “Can we? Can we watch it together? It’s one of my favorites.”

Lena puts her arm around Kara and pulls her in. “How many times have I ever said no to your movie picks?” Kara turned around, wearing a hurt look on her face even though Lena knows it’s put-on. “You keep saying no to Hocus Pocus!”

“That’s because it’s a Halloween movie and we should watch it on Halloween.”

Before Kara can protest… another head tilt and yep, a WHOOSH away and back.

“Car wreck on the bridge. Firefighters’ jaws of life aren’t working. Back in a jiffy. We’re not finished discussing this.”

Kara went straight for the balcony and Lena thought she wasn’t going to get a special send off. But, of course, Kara had something else in mind. She turns around and grabs her cape, pulling it up over her head in a somewhat childish maneuver.

What the hell is she doing this time? Then Lena gets her answer when the cape puffs up revealing Kara blowing air into it to resemble a parachute before she floats up, up, and away.

“Ok, that was a good one.”

She can picture the shit-eating grin on Kara’s face and shakes her head, turning back to the TV and hitting play.

—

Kara and Lena in the kitchen, making an early dinner. Kara’s arguing a point and waving a spatula around like a judge waves a gavel.

“You agree that Bette Midler’s amazing and this is one of her favorite roles she’s ever played. She said so herself. I know because she follows me on Twitter.”

Lena flicks a gravy-covered whisk at Kara, flinging the brown sauce onto her shirt and face. Kara mouth drops open and she freezes in place, shocked at Lena’s gravy betrayal.

“That’s what you get for showing off.”

Kara, hands and face still frozen, pivots to face Lena, “oooh, you’re going to be sorry for that.” With a burst of speed, Kara reaches out and tickle Lena’s sides. Lena squeals as she tries to escape but she knows it’s futile. There’s no way she’s escaping Kara’s grip so she does the next best thing and flicks more gravy at her. And now it’s Kara’s turn to squeal. “You are gonna HATE gravy by the time I’m through with you!” Kara dives for Lena but before she can catch her up in her arms again… you know what it is. The head tilt. Kara listens for a moment as she wipes gravy from her face and licks it from her finger. Lena takes a swipe for herself too.

Kara quickly glances at Lena before a smirk takes over her face. But Lena can’t stop her before…

“Kara don’t—“

… Kara WHOOSHES away, spinning the gravy off her body and flinging it EVERYWHERE, including Lena.

“—Do the whoosh thing.”

Lena stands there for a beat. Now SHE’s the one frozen with gravy-face. Kara whooshes back into the kitchen and licks a spot of gravy off Lena’s face.

“Break in at the pawn shop. Don’t try to sneak any kale into the fagioli ‘cause I’ll know.”

Kara makes her way to the balcony but Lena doesn’t turn around. She waits a beat for the tell-tale whoosh but doesn’t hear one. She knows Kara’s waiting for her to turn around and although part of Lena doesn’t want to give her the satisfaction of turning around, she does. Supergirl has places to be and she doesn’t want to keep Kara waiting.

Kara smiles as Lena turns around before jumping onto an invisible broomstick and doing her best interpretation of a witch cackle as she ‘flies’ off.

Lena rolls her eyes as she wipes the gravy off her face with a towel. “Ok, ok! We can watch Hocus Pocus when you get back.”

Lena goes to the fridge and grabs the bunch of kale she’s hidden in one of the fridge drawers.

—

The evening. Lena and Kara lay on the couch, the remnants of their dinner on the coffee table in front of them. Kara swipes a remnant of gravy from one of the plates and quickly dabs it on Lena’s nose. Lena’s nose scrunches at the cold liquid as Kara fights to keep a straight face. So does Lena.

“I’m starting to understand why these witches want to eat these children.”

Kara playfully smacks Lena’s arm. She knows Lena isn’t mad in the slightest. Kara giggles as Lena tries to lick the gravy from her nose with her tongue. But her tongue can’t reach. Kara leans forward and licks it off for her.

“I could eat you.”

Lena blushes and leans in for a kiss. It’s tender and sweet. Lena pulls away to look Kara in the eyes. “Well, you have put a spell on me so I’d probably let you.”

Kara’s eyebrows perk up and she bites her lip, “is that a request, Ms. Luthor?”

But of course… Lena doesn’t get the chance to answer before Kara’s head tilts once again. A beat before… WHOOSH.

“Run of the mill creep following a woman home. Give me five minutes to set this guy straight.”

Kara plops a kiss on Lena’s nose where the gravy was before she turns and runs straight out for the balcony. She doesn’t wait for Lena to turn around but Lena watches anyway as Kara takes a running leap toward the balcony bannister and lands on top of it. She takes a few more jumps like she’s on a diving board before leaping and tucking into a somersault as she “dives” off the bannister and disappears below the balcony.

“Go get him, love.”

Lena hits pause on the movie and sits back, staring off through the balcony windows at the city, her eyes filled with a dreamy haze. She’ll wait for Kara to come back and watch with her.

—

Later that night, Kara and Lena are finally lying in bed cuddling and listening to the last of the fireworks going off.

Kara flips through Twitter on her phone while Lena reads a book in one hand and uses the other to stroke Kara’s hair. She hears a small yawn escape from the blonde’s mouth and looks at the clock.

“It’s getting late. Are you ready to go to sleep, love? Should I turn off the light?”

Kara drops her phone dramatically and tucks her head into Lena. Her arm lands with a thud across Lena’s stomach, collapsing as if exhausted.

“I’m not tired if you’re not.”

Lena strokes her head a few more times before she dogs ears the book she’s reading and places it on her night stand. She leans over to turn off the light when she feels Kara sit up. She turns and sees Kara’s head tilted, listening. Lena picks her book back up, ready to continue reading while she waited for Kara to come back from another rescue.

“What is it this time? Wild assassin penguin on the loose? Three crazy witch sisters kidnapping innocent children?”

Kara stiffens up and tilts her head the other way. “No, it’s a woman…”

Lena sets her book to the side, noticing the serious tone in Kara’s voice. “Kara, what’s wrong?”

Kara looks at Lena, seemingly concentrating on a sound in the distance, a look of concern across her face. “She’s dying… of patience.”

Lena’s eyebrows scrunch together and she squints at Kara, confused. “What?”

Kara turns to face Lena, still as serious as ever.

“She has this girlfriend who keeps rushing off all over the city, leaving her alone at home and she’s just… been so patient.”

Lena’s face relaxes and falls into a lazy grin as she catches on to Kara. Kara can tell Lena’s savvy to her playfulness but she doesn’t drop the series tone.

“See, she’s a very important and very busy lady who doesn’t get a lot of time off to spend with her girlfriend and when she does, her girlfriend always has to fly off. So, if it’s ok with you, I’ve gotta go fix that.”

Lena pulled Kara in close. She didn’t try to feign shock or surprise or play along. She was too consumed with earnest love and she didn’t want to waste any more of their time today, “so how long will it be this time?”

Kara leans in close, kissing Lena with soft lips and tenderness, “forever.”

[disneydarlin]

The Bolt T.V. Show

The story to Bolt is sweet with its loving characters from Penny, her mother, Bolt, Rhino and Mittens. However, many people are sucked into the movie through the beginning with Penny and her dog, Bolt; living in a Sci-Fi modern world. At least, until the fake-out ends. In reality, Penny is a child actor along with Bolt for their Hollywood TV show: Bolt. Although this was an interesting direction, it’s disappointing to know the hook wasn’t part of the full film after the movie dedicated a lot of time developing it. Since Disney+ has come into existence, there have been many specials, shorts and TV shows made based on some of the Disney properties released in the past. Although Bolt isn’t one of the most popular films, it would be interesting to see a handful of episodes featuring the in-universe TV show from the movie. Disclaimer: This article contains spoilers to the movie.

Based on the beginning of the movie, it’s clear there was never meant to be a spin-off series showcasing the in-universe TV show. In the movie, the first scene shows what appears to be an intro to the in-universe show. It explains Penny’s father was kidnapped, Bolt gained his powers and sets up Penny’s goal to rescue her father. By the end of the movie, there’s a scene showing how the season finally of the in-universe show comes together. Despite this, a Disney+ Bolt TV show can be done through explaining the beginning in-universe TV show scenes and exploring the events which take place before Penny is captured.

Penny’s Father

In the in-universe TV show, it’s never explained why Penny’s father is kidnaped. Penny’s father only says, “Penny, I don’t have much time. —Something’s come up at work, honey. Daddy’s not going to be home for a while... You can’t go back to the house, Penny. Okay”? The scene then flashes to Penny’s father in a hazmat suit. He’s inside a lab doing something to Bolt as the dog sits in a chamber. Penny’s father then continues saying, “I’ve altered him. He can protect you now”. In addition, it’s never clear if this is Penny’s father’s work lab or if it’s his own secret home lab. Penny’s father’s career is also left unknown.

High-Tec Devices

Later in the in-universe TV show, Penny and Bolt are hunting down the man responsible for Penny’s father’s kidnaping, Dr. Calico. There, Penny reveals she has a lot of high-tech gadgets, but it’s never explained where or how she obtained them. Since Penny is warned to not return home, she couldn’t have taken the gadgets from her father’s in-home lab. This is assuming the villains are there waiting for her or they’ve already raided the place for her father’s other inventions. Thus, Penny either managed to find away to break into her father’s place of work, despite the danger to steal some gadgets, or she had to obtain these things some other way.

Villain Tiers

While Penny is spying on a building, Dr. Calico is talking through a projector to another man who asks if Dr. Calico has “had any luck getting their guest to spill his huts”. This implies Dr. Calico isn’t the brains behind the operation and he’s only working for whoever is in charge of something bigger than Penny’s father’s kidnaping. Not only can the Disney+ show have some mystery, but the show could explore Dr. Calico’s backstory in how he ended up with a cat’s green eye and why he has cat friends. Sure, this could be obvious with Dr. Calico experimenting on himself, but Disney has been creative before and could fill in the gaps.

Another thing which remains unknown is Penny’s TV mother. The in-universe never mentions Penny’s mother, where she is or what happened to her. Because the main villain is a mystery, perhaps Penny’s mother could be behind everything in their universe. Penny’s mother could be a former scientist or inventor like her husband and her fake-death could have been caused by an explosion. Another possibility could be Penny’s mother is an inventor, a scientist or an average woman who supposedly went missing only to discover she left her family to become evil for whatever reason.

Various Genres

Thus far, the series has the potential to contain action, drama, adventure and mystery. Despite the in-universe show being presented in a serious light, there are a lot of jokes and humorous moments with Bolt as a slightly exaggerated animal actor. In one scene, Bolt holds an entire car in his mouth over a bridge all while still maintaining his cute and realistic-looking doggie expressions. With this, more funny moments of Bolt and other events can be added to the Disney+ show.

One gag in the Disney+ show could include how Penny’s trailer magically appears wherever she and Bolt are despite constantly traveling around the in-universe. These little clips can be random, creative and funny depending on how the high-tech inventions are explained in the universe. This can tie into all the various places Penny and Bolt travel to while searching for her father.

International Adventures

In the film, Bolt escapes the studio upon believing he’s hearing Penny call out to him for help. This turns out to be an editor replaying a clip from one of the previous episodes of Penny acting. Looking closely, Penny is near one of the Pyramids of Giza in Egypt. Penny and Bolt can be going on many adventures around the world while gathering clues as to where her father could be located. In addition to all the action scenes in the different environments, Penny could be discovering all of Bolt’s powers along the way.

What do you think? Is there anything else which could be covered in the Disney+ show? Do you like the idea of an actual Disney+ Bolt TV show? If not, why? Please share with me!

[deadlyanddelicate]

“look what you made me do” 2/? | masterpost

aka: me making taylor swift songs about dean winchester and/or deancas bc it’s what dean himself would want

second song on deck, as promised; this one actually has quite a few cas beats in it, especially at the start, despite it having a dean vibe overall, so it should be interesting. again, bonus fanvid link at the end <3

this is me trying

i've been having a hard time adjusting i had the shiniest wheels, now they're rusting

ok, we start off strong with a couplet that could suit either dean or cas. “the shiniest wheels” is actually a perfectly fitting metaphor for a show that treats cars like emotional avatars of the people who drive them (i could so easily go into a digression about how the same thing happens in trc but this is the wrong post for that... how do i keep finding myself emotionally invested in car-fetishizing media while barely being a can-drive gay myself). ANYWAY, the first thing that comes to mind is the impala and how it’s pretty much synonymous with dean’s sense of self, how it gets wrecked and rebuilt over the course of the show, often tied in to his emotional state. and dean, well. he’s built up a lot of trauma over the years, but he’s also just getting older, as humans do.

on the other hand, we could also see it as a cas line - he’s not as much of a carfucker car aficionado as dean but he’s an adoptive winchester so hey, it still kinda works (rip to the pimpmobile, gone but not forgotten). what i MEAN is -- cas has been slowly falling from grace ever since season 4. he was becoming more human in season 5 already, with a grim prediction of his human future in 5x04; then lived as human for a while in season 7; then became completely human in season 9 before regaining his grace. but in season 15, again, his grace was apparently failing (boy it would be SUCH a shame if that plot point just, like... got dropped... 😐). substitute “wings” for “wheels” and you get a picture of someone who used to be this unstoppable, super-powered angel soldier that demons cowered in fear of, but has slowly become more human over time. as for “a hard time adjusting”... well, cas’ journey towards humanity has not been the easiest transition: it’s come with self-doubt, mental and physical pain, and of course, as he learned about love: heartbreak.

TL;DR: LIFE COMES AT YOU FAST AND THESE GUYS ARE TIRED.

i didn't know if you'd care if i came back; i have a lot of regrets about that

‘kay, this next part is definitely cas. cas who, as i mentioned in the previous post, just keeps leaving, whether that’s because he’s sacrificing himself or taking off on his own. and because that typically goes over like a lead balloon with dean, either because it leaves him grieving and traumatised or it plays right into his abandonment issues (or both - hello purgatory arc!), cas would be tentative about coming back. it’s also very apparent that castiel feels like the winchesters only value him for his abilities and powers (and after all, he’s been created to be a soldier), so if he feels like he’s not being helpful enough, he also tends not to feel wanted (again: dean wants him to stay, but cas wants to be asked to stay). plus, we know every time they’ve had a falling out it takes dean a bit to get over his anger (“dean, i thought i was doing the right thing”; “yeah, you always do”) so i don’t think cas takes his forgiveness for granted, especially if he has lied to him in the process (yes i’m thinking about the mixtape episode). “a lot of regrets”, indeed.

pulled the car off the road to the lookout, could've followed my fears all the way down; and maybe i don't quite know what to say, but i'm here in your doorway.

here, again, the car can easily work as a metaphor for someone’s emotional state. pulling over to take a breather, to try to assess things from a distance; and with lookout points so often being perched on steep hills, it’s easy to imagine the sense of vertigo, your own fear and self-doubt almost pushing you towards dangerous, self-destructive ideas. and we know cas doesn’t do things by halves - when he’s committed to something he believes is right, he goes all out. and yes, that has led to more than one falling out. 

but despite that - despite his worst fears telling him he should not come back to dean unless he’s “coming back with a win”, or able to protect him from harm (yes i’m thinking about the mixtape episode AGAIN), he does always come back to him. it’s the one thing that dean can always depend on, castiel finding his way back to him like dean is his true north. i’m here in your doorway; the please take me back once more is implied.

i just wanted you to know that this is me trying i just wanted you to know that this is me trying

(and dean does take him back, because however many times castiel feels that he has failed in his mission, he always comes back and tries again, tries harder, tries to make it right or do it better. and that’s something dean relates to - fucking up in the worst ways and getting beaten down but always getting back up, always starting over, always trying again. in fact, he’s kind of the one who taught cas that. and with that-- we move over to the dean portion of this.)

they told me all of my cages were mental so I got wasted like all my potential

ah, it wouldn’t be a dean pov without some good old fashioned self deprecation. “all of my cages were mental” isn’t 100% accurate in dean’s case because he has been dealt a pretty shit hand by life, but he also excels at self-sabotage. “I got wasted” is of course an allusion to his alcoholism, but then we have the clever play on words with “wasted potential”, which... hits close to home. all dean’s ever done is tried to live up to what he thought he should be, always feeling like he was falling short. never quite the favourite son, never the man his father thought he should be, not strong enough to resist hell, not the righteous sword of michael the angels expected, not good enough for the people he loves not to leave him, just not enough.

and my words shoot to kill when I'm mad i have a lot of regrets about that

...as i said above: though dean does always forgive the people he loves, it still takes him quite a bit to get over his anger at them. and when he’s angry, he lashes out, often saying things that come off cruel, things he absolutely does not mean. and this part reminds me, yet again, of dean’s painful confession in 15x09, about how he gets so angry and doesn’t know why (of course, the answer is trauma and childhood abuse; but he has no way to process that); and he tries to stop it but he can’t, and he always, always regrets it in the end.

i was so ahead of the curve, the curve became a sphere fell behind all my classmates and i ended up here

oh, dean. dean winchester with his ged and his give ‘em hell attitude. he breaks my heart. i touched on this in my previous post, but there’s something to be said for the fact that dean had to grow up so fast, he really didn’t grow at all in some ways ( “so ahead of the curve, the curve became a sphere”). from a young age he was shoved in a parental role, having to be both a father and mother to sam, which meant never getting to exist just for himself. which of course, in turn, means he never got to develop a healthy degree of emotional maturity. in “bad boys”, we find out that the only time dean even got close to being a normal teenager, receiving positive reinforcement by sonny and bonding with his peers, john ripped him right out of that safe haven; and by the time “after school special” is set in, he’s given up on ever getting a shot at a healthy environment, using denial as a coping mechanism by trying to pass off his and sam’s shitty, depressing lives as super edgy and cool.

pourin' out my heart to a stranger but i didn't pour the whiskey i just wanted you to know that this is me trying i just wanted you to know that this is me trying at least i'm trying

i don’t really need to explain this bit i guess, but it’s about the implications of how it can somehow be easier to open up to a complete stranger rather than someone you care about; and how for dean, who is used to frequenting seedy bars and dives, one-night stands are as much about comfort than they are about pleasure. that’s the only way he knows how to let himself be touched, seen, held -- because of course, “no chick flick moments”, and besides, we know that when he falls in love he falls hard, so it’s safer to just roll in and out of town. 

the interesting part in this context though, is that “but i didn’t pour the whiskey”, especially since we know dean, like every other winchester, tends to drown out his problems with alcohol; so him choosing to not do that, and instead just look for comfort from a stranger (whether it’s through sex or just chatting away at a bar) is, in itself, a sign of trying to do better. because if there’s one thing dean knows how to do, is trying, and trying, and trying again. in fact, as i mentioned above, it’s kinda where cas learned it too. and we know dean is a stand-in for human nature, so of course, this is also a larger discourse of how humans are flawed and imperfect but can always improve, always do better, always try harder or be more. and maybe that’s what makes a righteous man, really.

and it's hard to be at a party when i feel like an open wound it's hard to be anywhere these days when all i want is you you're a flashback in a film reel on the one screen in my town

this next part... listen. i don’t know how it fits into the narrative of trying, but what i do know is i can’t stop thinking about grieving dean. about how every time he loses cas, a little piece of him dies too, but it’s a piece that gets bigger and bigger every time, carving a hollow inside him. it’s unsightly, it’s unforgiving, it’s raw - it’s like an open wound. and as much as dean has always taken on the role of the person who puts on a brave face, makes a joke, and pushes all his feelings down, well -- it’s hard to that; it’s hard to focus on anything else when he’s missing cas like a phantom limb. “all i want is you” which is to say i’d rather have you, cursed or not; which is to say, i need you. need you badly enough to see your face everywhere after escaping purgatory, just like “a flashback in a film reel”. 

and i just wanted you to know that this is me trying  (maybe i don't quite know what to say) i just wanted you to know that this is me trying; at least i'm trying.

so, yes. dean is trying. he’s always trying, even though healing and progress are not linear or easy. and he knows he’s got anger issues, he knows he’s bad with his words, but damn it, he always shows up for the people he loves, and he tries to do better, every. damn. time. partly because he’s us, he’s all of us, he’s human perfectibility incarnate; and partly because he loves cas so damn much and maybe if he gets it right this time he’ll get to keep him -- and i don’t know which of the two options makes my heart hurt the most.

---

fanvid rec link here! it’s only for the second half of the song, so the more dean-centric one :)

[watchathon]

Stitch Day Special: Lilo & Stitch

In case you’re finding this post just by browsing the tags I’ve used for this post, this is the Watch-a-Thon, a blog where I’m hoping to watch an episode of a show every one-to-two days, with a short blog post where I give my thoughts on what I’ve just seen. Each new point starts with a hyphen and a bolded first word.

- Like so. 

But today? Well, today I’ve got an extra-special post in the wings about a movie, one of my favorite Disney movies, starring my absolute favorite Disney character: Lilo & Stitch!

- I like the variation on the Disney logo. That is the kind of stuff that they just couldn’t do with their new big fancy CGI logo. 

- No clue why Jumba tried to deny that he created an experiment. I don’t much mind since it led to a funny joke, but c’mon, evil genius, you should be smart enough to plead guilty.

- “I would never, ever... make more than one.” *glances meaningfully in the direction of the series*

- “What is that monstrosity...?” He’s a cute widdle fluffball, that’s what he is!

- “Meega nala kweesta!” Canonically, this translates to “I want to destroy”, but that seems a little lukewarm for the reaction he got. Maybe a looser translation is in order...

There could be an entire aristocrats joke in those three words. The whole script to Batman v Superman. The opening notes to “Never Gonna Give You Up”...

Or maybe just “bitch”.

- Blood work is a lot different in space...

- Weird to imagine given the rest of the franchise, but Gantu was once a respected captain of the galactic federation.

- It’s easy to perceive Stitch as a dumb brute, but he’s pretty smart. He connected the dots all on his own, within minutes of his imprisonment, that if the guns are locked onto his DNA, he can use his saliva to trick them. Jumba wasn’t kidding when he boasted of his experiment’s intelligence.

- And not only was Gantu a captain, Pleakley was an expert on the planet Earth. Weird, innit...?

- “Are [humans] intelligent?” “No.” An exchange that only hurts more with every year.

- Love the implication that Pleakley was just suggesting several different relatives to assist with the capture of Stitch from when they were on the deck up until they got to the prison where Jumba was held.

- Now this is what we (or rather TVTropes) call an establishing character moment. A fish floats by holding a sandwich in its mouth, implying (soon confirming) that Lilo was the one to give it the sandwich, before rushing to the hula practice that she was late for, stopping to take a picture of a tourist along the way.

- And then after she arrives at hula practice, she explains that she had to give Pudge the fish a peanut butter sandwich because he controls the weather.

- No clue why the other girls are disgusted by Scrump. I always wanted a Scrump when I was a little lass.

- “Did you ever kill anyone?” Lilo asks the right questions.

- Nani, y’could’ve avoided this if you’d given a thumbs up instead...

- I don’t get the glare Cobra gives Nani after Lilo says that her friends need to be punished. Voodoo isn’t a failure of parenting. In many cases, at least...

- Licking Nani, growling after her capture, Lilo already has a lot in common with Stitch.

- Lucky that Lilo is such a quirky kid. The scene (semi-)explaining why she takes pictures of tourists was deleted, but it doesn’t feel like anything is missing because she already has a few habits that just plain inexplicable, like feeding Pudge, practicing voodoo with a pickle jar...

- Lilo wishing for an angel because of how lonely she is, that’s a sad moment. But also kinda funny in hindsight after she sarcastically names Stitch’s love interest Angel in the series.

- Lord give me the undisturbed...ness, of that frog who watched Stitch get run over by several trucks and only tilted its head.

- If they thought Stitch was dead, why did they keep it in the shelter? I mean, Lilo would probably adopt a dead dog, but she’s the outlier.

- I like how Jumba programmed, as part of Stitch’s destructive tendencies, an urge to steal everybody’s left shoe.

- You can just about pinpoint the moment where Stitch’s heart drops at learning that he’s on an island with no major cities.

- Just occurred to me that the badness level is red, and Stitch’s evil counterparts in the series (627 and Leroy) are both red.

- Ah, David. One of the best Disney love interests, mostly because he isn’t entirely a love interest. There is a mutual attraction, but Nani just isn’t ready for that with everything going on in her life, and David respects that and is happy to be a friend.

- I like how everyone except Lilo heavily suspects that Stitch isn’t a dog. 

- Ohhh, the thought of Stitch having drank coffee. I mean, I’d love to see it, but it’d be Hell for Nani.

- Stitch looks just plain adorable with a lei.

- Well, Lilo, you did tell Stitch he should create something. And he did, he just destroyed his creation afterward.

- Pleakley is a gender-nonconforming icon.

- The first time we see Stitch doing something without even the intention of destroying anything is when he finds the book about the Ugly Duckling. It’s clear that he’s fascinated just by looking at it. And when Lilo explains the story? It resonates with him. Or, well, perhaps he wants it to resonate with him.

- I wish I had an evil koala dog that played records.

- Are we sure that “Meega nala kweesta” means “I want to destroy”? Maybe it means “I was born to dance”, ‘cause Stitch learns about dancing and in less than a minute he’s already an expert.

- I imagine this montage, or slightly earlier, would be when that deleted scene of Lilo trolling the obnoxious racist tourists originally came into play. And I like this scene, but, I do wish that scene hadn’t gotten cut. And I wish that they fully animated it and inserted it into the movie like Warner Bros did with The Iron Giant.

- Nothing cheers me up more than this scene of Stitch and his newfound family going surfing. And especially since Stitch is aquaphobic. He’s very much aware that he cannot swim, and likely wouldn’t survive if he fell off the board into the ocean. But even he eventually gets into the spirit of it, asks Lilo himself to go surfing, and enjoys a nice bonding moment with his family. And David.

- Of course Jumba and Pleakley had to ruin a perfectly sweet moment.

- And so we transition from a heartwarming wholesome moment, to a heartbreaking tearful moment. You can just see Nani holding back tears as she says that she needs to take Lilo home. 

As for Stitch, David probably didn’t even realize that Stitch could understand him when he said that Lilo and Nani had a chance until Stitch came along. But Stitch did understand, and he’s visibly hurt by the idea. He always wanted to destroy, but in this moment, he’s ashamed of how he might have destroyed Lilo’s family.

- And the Ugly Ducking metaphor comes back, when in this moment, as Stitch is coming back to a family that he fears he may have ruined, he sees a lone duck... before that duck is followed by a big family of ducklings.

- Lilo says that Stitch cries at night. So, it would seem that even before he completely learned how to be nice, Stitch wasn’t entirely emotionless.

- This whole act of the film is heart-wrenching. First Nani gets confirmation that she and Lilo will be separated, then Stitch starts to fear that he may have caused it. Then because of that? Stitch leaves, taking only the Ugly Duckling book with him. And he can only see in himself the page of the Duckling, lost and crying.

- Then Jumba tells Stitch, who’s already in a bad place emotionally, that he was made to destroy, has no family, and could never have one.

- I don’t want to think about what happened to that chainsaw.

- There’s a certain feeling that comes up in the middle of this fight scene, where you realize that a house is being destroyed, a house belonging to a family that was very much at risk of separation. And you realize that this will only hurt their case beyond any repair.

- If the past day hadn’t been bad enough, Stitch is told by his best friend Lilo that he ruined everything, and to get away.

- And so Nani really does have her sister taken away. Now, taken away by aliens is a lot different than taken away by social services. It’s worse. This way Nani knows that Lilo definitely won’t get a loving family, and Nani will definitely never see her again.

- The confusion is visible on Jumba and Pleakley when Stitch goes and comforts Nani with a quote about family. All they know about Stitch is that he was made to destroy. And then, once he’s captured, he does just about the opposite.

- “Ih.” To this day I sometimes say Ih on reflex when asked a yes-or-no question. Guess I watched this movie way too many times as a kid, huh? ...I regret nothing.

- Originally, the big red plane-looking thing was supposed to just be a plane, and it would’ve flown through a city. And it was changed because it was too soon after 9/11. But me personally, I think the big red thing is real cool, and I like it flying through the valleys.

- “Stitch is unconscious.” I like that Jumba calls Stitch by his name here. In the series, he always calls Stitch “626″ but his name is Stitch. And I like the rare occasion when that’s respected by the mad genius who created him.

- I want to believe that Stitch dodged that laser for the sake of the frog he was holding more than for his own sake. Stitch is strong enough that a few moments later, he survives an explosion of a whole truck that he’s lying on top of.

- Stitch proudly calling himself “cute and fluffy” is another thing I just love. Might be reading too much into it, but I like that he can call himself by those descriptors and still have total confidence in his ability to kick Gantu’s patookie.

- My favorite scene in the movie, and the scene I took the picture from.

Stitch corrects the Grand Councilwoman about his name. And when he’s told that he needs to go in the ship (the implication being that he’ll be punished like he was meant to be at the beginning), he doesn’t rebel or try to escape. He only politely asks that he be allowed to say goodbye.

He explains that his family is “little and broken, but still good”, both explaining it to the councilwoman and reassuring Lilo and Nani.

This is the ultimate display of how Stitch has grown. And he grew because, despite what Jumba said, Stitch could find, and did find, the one true place he belonged: With a good, loving family.

- The Grand Councilwoman is clearly remorseful that they’ll have to separate Stitch from his family, but she can’t bend the law for this one case. And she doesn’t, but it just so happens that, legally speaking, Lilo owns Stitch. And, well, what self-respecting Grand Councilwoman would steal a child’s property?

- A lot of people (including middle-school me) say that the stuff with Stitch and the aliens get in the way of the story of Lilo and Nani. I disagree. These two stories are intertwined, both about people wanting to stay with the family where they know they belong. I just couldn’t, at all, imagine one without the other.

- Now this is the kind of ending I love. It’s become common for animated movies, sequels in particular, to end on the two main characters getting separated. But here? Stitch is now a definitive part of the family, and won’t be separated from them anytime soon. Anime? What anime?

FINAL THOUGHTS:

I guess I’ll be doing this on the rare occasion I cover movies...?

Anyway, this is a great movie. A modern classic. And one of very few things that doesn’t just hold up from when I was a kid, it gets better. When I was a tiny kid, I was only interested in the space aliens. When I was in my early teens, I thought the aliens were kiddy stuff. 

But nowadays, I can truly appreciate it. I can appreciate how both aspects are vital to the movie. Lilo and Stitch are both equally important. You can’t have one without the other.

And most of all, I can appreciate the story of Stitch (as well as Jumba and Pleakley) finding a family, and Lilo (as well as Nani) saving theirs from being torn apart.

Lilo & Stitch brings me to tears of both joy and sadness every time I watch it. And I guarantee I’ll be watching it many more times in the future.

...Does it still count as a Stitch Day special if I’m posting after midnight? No, probably not. I thought I’d only take two hours, then I took four and a half. Guess that means I had more thoughts than I thought I did!

[arlakos]

Miraculous New York Special: First Trailer Impressions

I’m gonna be brief with this statement: I’m not really looking forward to the special. Sure it’s a new episode, but i got burnt out on canon long ago, and the ao3 salt-fest has left me in a state where i haven’t really quit, but haven’t been motivated to make a lot of ML posts.

That being said, its got the fandom excited for new miraculous content, as well as myself, so lets talk about the trailers. Here are the trailer vids that I’ll be referencing in the video and be talking about.

(For reference, this was made on the 22nd of September, so this is all speculation and first opinions. Don’t flame me if one of my speculations are proven correct.)

First of all, every single hero released for the trailer thus far has so far been female, with knightowl and sparrow being unconfirmed. That being said, if its anything like the comic its based on, im pretty sure the New York Hero team will push the message of ‘Only girls get to be heroes/heroines, while the boys are regulated to be side kicks’ - justliketheactualshow heyyyyyyyyy!~

Also, its been confirmed that one of the heroes Names is Snowflake. Either Astruc really likes lame puns, or he didn’t hear the memo about the marvel comic hero with the same name. 

Or he did hear about it, but thinks its good and that people who downvoted it are ‘fake fans’ 😒.

Chances are Snowflake will have a sidekick named Safe Space, and if she does im gonna need a ice pack for my forehead cause i already want to slam my head against the desk.

Also RIP my boi Doorman. You had only one role in the comic and even that was taken from you by the show. 

F in Chat for my boi Doorman :(

And his partner, Uncanny Valley

Oh, and Victory too. She seemed like a cool characters.

Actually, just and F for all the ret-gonned heroes. At least the Quantic Kids have company now in the shiny light of shelved ideas.

Back on the Topic of Sparrow, i reckon he’s going to get the short end of the stick this episode. Considering that he has no actual powers in the comic, and the fact he can’t run from a swarm of a rockets and has to end up being saved by Ladybug, I reckon he’s going to be Chat Noir levels of usefullness. That is to say - he’ll probably be made by Astruc to be incompetent in the face of the ‘better’ female heroes.

SPEAKING OF LADYBUG HOLY HELL I AM ALREADY ANNOYED-

Look, i read the comics (unfortunately) and chances are Ladybug is going to be the main focus of the episode again. 

Yeah, i know, Ladybug is the main character and all, but ideally I’d hope to see an avengers situation where all the heroes partake in the battle and contribute equally, and it would be nice to see Ladybug (and Cat Noir) get some mentorship from older and more experienced heroes...

Chances are though, the actual heroes will treat Ladybug and Cat Noir like sidekicks and ignore them, only for there to be a situation where Ladybug can fix everything while the other heroes cant, or for Ladybug to have on option on how to win the battle where its the only right one while the other decisions the other heroes make and wrong and Lila-levels of evil and... 

Yeah im getting a bit to mad at this, but long story short, Ladybug is gonna steal the spotlight from the other heroes, and everyone will adore her like the Mary Sue she already partialy is.

“Nothing is impossible for Ladybug” Yeah, like talking normally to a boy to a boy you like, instead of relying on convoluted plans to make him fall for you.

Oh, Hawkmoth is in the episode? Damn... I was actually really hoping that we would get to see some new villains this episode, and not just more stinking akumas. 

The hell does he want with antique guns though....

Oh damn... Nevermind... It seems he found a new miraculous, considering the pendant around Gabriel’s neck and the white glowing Kwami. Shit just got a lot more interesting...

Looking on the trailer now, it could also be likely that Hawkmoth will have his own side story that will be going on while the heroes are fighting the New York villains, so it would mean we will get to see actual new villains in the show. 

I’m actually hoping Gabe story involves him teleporting to Paris...I like the idea of him using his time away from Adrien to further his plans and not being there as a result of Adrien.

In any case, I’m hoping for Hawkmoth to only appear towards the end of the show with whatever plan he has cooked up.

Speaking of akumas (and moving on to the 3 eyed girl), its a high chance that with Hawkmoth in new Yorks, she’ll be an akuma in disguise based on the trailers alone. With her being a possible fan of the american heroes, she’ll probably want in on the heroism, making her a perfect target for Hawkmoth. I mean the purple eyes are quite notably creepy, and the skin looks altered like other akumatized villains. Yeah, i expect this to be a Volpina situation all over again.

On a side note, my friend @twin-books​ said that she looks like a monster high character, and I honestly cant blame her. At first glance she looks like a mummified Cleopatra. XD

On a more positive note, I really like the orchestral Version of the Miraculous Ladybug theme. Its really great, and has an avengers vibe to it...

...but on that same note, Astruc probably deliberately made it that way, considering he has an ego the size of Ego from MCU, and probably thinks he can make movies better than most Marvel creators. He thinks himself on the same writing level as the Russo Brothers, but in reality he’s on the level of Kathleen Kennedy. Which is to say...very low 😈.

Actually wait, I just realise Zag does all the Miraculous music... nvm its really goddamn good, but my previous point still stands.

I don’t know if this is just be being annoyed at the Captain Marvel film, but Majestia reminds me too much of said heroine. I dunno, she rubs me the wrong way. I hope Majestia’s attitude wont be the same as Captain Marvels, but its likely considering Astruc’s idea of ‘good female heroes’

That being said, I like the other heroes designs, even Artica (im not calling her Snowflake). Considering I don’t know much about the heroes in the show, im gonna try to be positive and like them before I judge them.

So this has been my speculations/ first opinions on the New York special! I really hope the episode will be good, but if it isnt... well I’ll try to enjoy the good parts at least.

P.S. If you like, please reblog

[inthediamondsky]

SHINee in the Good Place

What We Owe To Each Other:

This is for you, Jonghyun🌙✨

**TRIGGER WARNING**

note: I am not trying to tell any other shawols how to grieve. Trust me, I’ve gotten enough advice, both well-meaning and not, to know that it’s not helpful. I hope that all of you are able to grieve however you want, and that those you care about are there for you today. I wanted to write this because this very recently made blog has become my safe space to share my feelings about SHINee without the unsolicited input of a thousand twitteratti. Truth be told, I haven’t talked about this in three years. I don’t think I’ve ever really confronted my own grief. And I wanted to do that here. Yes, ITS LONG AND WORDY. I’m well aware that these posts aren’t exactly conducive to the short-attention-span era. My blog is nothing if not on-brand. But this one’s not really for everyone. This one’s for me.

Prologue: “It’s okay not to feel lucky sometimes.” - Jane Villanueva, Jane the Virgin

Nothing makes me more incensed than when people try to comfort me by saying, “think about how lucky you are.” Objectively, yes, in many ways and compared to many people, I am lucky. Certainly, I am lucky to exist, here, now, because how else would I have met the people that I am about to spend thousands of words writing about? But grief isn’t objective. It’s not supposed to make sense. Maybe the fact that it doesn’t make sense doesn’t make it any less real. Maybe that’s okay.

Chapter 1:

“Since nothing seems to make sense, when you find something or someone that does, it’s euphoria” - Janet, The Good Place

I know why I fell in love with SHINee. At least, I know how I found them. But what I’m not so sure about is why I stayed in love with them for over a decade. It’s a love that I can’t explain all that well. It’s not comparable to how I love my family or my friends or how I loved my significant others when we were in a relationship. It’s not all that similar to how I love my favorite sports teams, because those are entities more than individual people. Certainly, I admire SHINee. That’s a big part of it. I think they have accomplished a great many things. I have learned a lot from them. I enjoy their music and performances. But I can’t pretend that I love them because they are objectively the greatest; love, like grief, isn’t objective. All I can say is that loving them always made sense. Life rarely makes sense, and loving them did. So it was, as Janet says, euphoric.

I think the reason was that they always made sense TOGETHER. As a unit. As five. I always felt like they were born to perform together. Maybe that’s cheesy, but to me, it’s obvious. I don’t think that SHINee themselves would ever say that; they are a team strictly against self-mythologizing. Very practical and humble people, those five, and I love them for it. But even with their humility, their pride in their team sometimes leaks out around the edges. On the “SHINee’s Back” special, when Minho talked about remembering how SM announced their team one day: a sheet of paper titled “2007 Trainees to Prepare for Debut” with their names, 이진기 김종현 김기범 최민호 이태민, listed underneath. And on Minho’s episode of 청담-Key친, when Minho and Key talked about the fact that they remembered Lee Sooman’s voice telling them, “I’ve decided on your team name. Your name is SHINee,” like it was yesterday, that they couldn’t forget it if they tried. There’s a reverence in their voices when they talk about those moments. Like somehow, someway, it was meant to be.

I got to see the five of them on stage together once. SHINee World V. In Seoul. And I’ve never felt more strongly that musically, performance-wise, it all made so much sense. It was the one where Jinki hurt his ankle but insisted on coming back out to finish performing with the rest of them. It was heartbreaking in the moment, but it also made sense. It checked out with the fact that they are the ultimate professionals, who care so much and work so hard for the impeccable quality of their live performances. And it checked out because we all intuitively knew: SHINee is five. Like somehow, someway, it was meant to be. That was my dream. Maybe it’s unfair to project that on them, but it was. That the five of them, and my knowing the five of them and everyone else that I loved, it was all meant to be.

Chapter II:

“Time is cruel and indiscriminate and entirely uninterested in supporting our dreams.” - Joe Posnanski, on the career of Ken Griffey Jr.

Human beings live with the knowledge that we will die. As Eleanor says in The Good Place, that truth means that we’re all a little sad, all the time. But somehow, we’re also foolish enough to simultaneously believe that we always have more time. Especially, that we have more time with those that we love. But we don’t. It always runs out, a little too soon, when we’re not ready. We’re never ready. And it never makes sense.

I had moved to America by then. So it was the afternoon of the 17th when I found out. Denial, anger, bargaining, depression, acceptance. Or so they say. I can speak to a couple of those: To this day, nothing makes me angrier than when YouTube recommends me videos from his funeral. Like I have a right to see it, or that those people had a right to film it. We don’t. None of us do. And sometimes I rewatch enough old variety shows and interviews and concert recordings that for a couple hours, even now, I think that he’s still here. I can still trick myself like that, even three years later. Oh, the magic of the internet: fueling anger and denial since its inception.

At my darkest, I allow myself to be depressed. Because it is all too cruel, too cold, too much. The fact that such a beautiful artist was taken from us too early. The fact that such a beautiful person was taken from us too early. The fact that this world was cruel enough that he decided to leave on his own.

I miss him. Of course I do. What I wouldn’t give to see him, here, happy, just one more time. Days like today, I pop in my SHINee World V DVD for the millionth time and cry, again. But I don’t like to grieve for myself. I don’t really feel like I deserve to. If I did, would I be grieving for him, or grieving for the idea of him? What he meant to me, or what it meant to have him mean something to me? I didn’t really know him. It’s okay for me to be sad. It’s okay for me to miss him. But is it okay for me to grieve? I ask myself this every day, because I think about him every day.

Undoubtedly, I am angry at the circumstances that led to his death, especially that my country, our country, still largely ignores mental health (dismissing it as fake or a sign of weakness) while promoting a workaholic, tough-it-out culture and thus suffers from one of the highest rates of suicide in the world. I love my country. That same workaholic culture has led us to excel at a great many things. But the mental health epidemic that has followed is one of our most glaring and tragic flaws, and one that we are still largely failing to address. I will never stop fighting for that to change. And I will never, never get over the fact that their last performances before he died, especially the final stops on their suddenly-ironically-named FIVE tour in Japan, were performed as four. How could life be so cruel? And preventably so. For that, I will never stop being angry.

But I do grieve, profoundly and truly, for those who loved him. Not as I do, for it would be terribly unfair to reduce him to that: an idea more than a person, an endless inspiration more than a living being with hopes and dreams and flaws and failings. No, I grieve for those who loved him in a close and real and visceral way. People who were close enough to not only watch him and listen to him to be happy, as I do, but were saddened by him and frustrated by him and annoyed by him too. That’s all a part of real love, as much as any of the happy bits. I grieve for them because, obviously, I have no idea what it is like to die. But I do know what it is like to lose somebody too soon to a death that is too cruel. Too sudden. Too nonsensical. Under those same preventable circumstances, in that same country.

There’s a story that many shawols know. A PD at some music show (I forget which one) posted it on their Instagram after Jonghyun’s death. Taemin was wrapping up his Day and Night promotions at the end of 2017, and the PD wrote that he would never forget the earnest look in Taemin’s eyes as he asked him to look after Jonghyun, since he was supposed to come back in early 2018. The earnest look in his eyes. Every time, that phrase: it feels like a punch in the gut. He asked so earnestly. How could it not have come true? I remember asking someone to look after my friend, to check up on her, a couple of days before she died. Earnestly. How could it not have come true?

“Irresolvable guilt,” they call it. Guilt that makes it impossible to let go. Guilt that never goes away. Guilt that is only amplified when everyone you see says that they’re sorry for you, when you can’t even forgive yourself. You’re still sorry for the words you didn’t say and the words you did, because there are never enough words afterwards to sum up how happy they made you or how much you loved them or how sorry you are for that one time you yelled at them about something that wasn’t their fault. There are never enough words, and they can’t hear you anyway, so you just cycle through the same ones again and again: 고맙다 미안하다 보고싶다 사랑한다 thank you I’m sorry I love you I miss you. There’s the guilt that you weren’t enough for them to tell you everything or that you were busy that night. Because what if you hadn’t been? Could you have saved them? And you feel guilty, more than anything, for the time you didn’t spend together. If only you had known that it was finite. The truth is, you did. But the problem is, humans always think that they have more time.

Chapter III:

- “Time means nothing. Jeremy Bearimy, baby. We’ll get through this, and then you and I can chill out in the dot of the “i” forever.” -“Right. We’ll be okay. We found each other before, hundreds of times. We can do it again.” - Eleanor and Chidi, The Good Place

2017 was shitty. I lost someone so present in my everyday life that every single thing I do, even now, reminds me of them. And so did SHINee. But I went through my loss and my grief privately. They weren’t given that opportunity. All the cameras, all the attention. It horrified me from the start. The way that a bunch of people who’d never cared about SHINee or Jonghyun when he was alive started to roll around in grief porn like pigs in mud. In the aftermath of a loss in my own life, to see it played out in the lives of more people that I cared about, and on a much bigger scale, was unbelievably triggering. I couldn’t watch. I couldn’t watch people ask them about their loss for the sole purpose of indulging their own curiosity. Like they’re supposed to have the words to explain why all of this happened? It disgusted me.

In a life where nothing ever made sense, especially after the death of my friend, SHINee always had. And then suddenly, it all turned upside down.

I couldn’t watch for two years after that. Not just all of the interviews. I never thought that I would ever not want to watch them perform, but I didn’t. I was scared to see the empty space where he used to be, to see four instead of five. It didn’t make sense. But more than anything, I couldn’t watch them grieve. It reminded me too much of myself.

So I, a shawol since 2009, missed their tenth anniversary. I missed TSOL and their enlistments. I missed Jinki’s Voice, Kibum’s Face, and Taemin’s Want promotions. It was only less a year ago, when all of the kpop world, other than my fellow shawols, had largely moved on, that I could come back to them. It had been two years since they lost their friend, and a couple more since I had lost my own. We’d been through a lot. It seemed like a good time to come back together.

In the meantime, I had watched The Good Place. I’ve been to a lot of therapy, but nothing came close to being as healing as watching that show. That moment, at the end of season three, when Eleanor has to let Chidi forget her and their love for each other, and she says that they’ve found each other hundreds of times, so they can do it again? I don’t believe in afterlife, but god, I’ve never wanted to believe more strongly. That there exists a place, a good place, where time means nothing and we can find the people that we love the most over and over and over again, no matter what. A place where everything makes sense. Where SHINee can be five, forever. Where I can be with the people I’ve lost, forever. I want that to be true.

Jonghyun, if it’s true, let me know? Friend, if it’s true, let me know? Is there such a good place? A place of warm winters and coming springs? Are you there?

When I came back to SHINee in 2020, it wasn’t the same. How could it be? It couldn’t be, and it shouldn’t be. But still, he was there. There is no doubt in my mind that he was there, with them, through everything that they did. I watched the interviews and the variety shows, but more than anything, the performances. Sometimes it looked like four and it hurt to see. But if I squinted, sometimes it looked like five, like it always was. It sounded like five, like it always was. Maybe it was meant to be. Maybe time means nothing. Maybe all of this, all of it, wasn’t a pipe dream. Maybe it makes sense. Maybe they can find each other over and over and over again.

Maybe my friend and I can too.

Chapter IV:

“I proposed a rule, that Chidis shouldn’t be allowed to leave, because it would make Eleanors sad. And I could do this forever... and I’d still never find the justification for getting you to stay, because it’s a selfish rule. I owe it to you to let you go.” - Eleanor, The Good Place

I remember how shocked I was to hear Kibum say in one of their tenth anniversary interviews (my rough translation), “If we had it really hard, I could make up a grand story about how we scratched and clawed to get to our tenth anniversary. But we didn’t. We just kept going, and now we’re here.” I remember thinking, “Well if YOU didn’t have it hard, who did?”

Partly, it was their humility. You know, acknowledging big company bias and all that jazz. But mostly, I think, they wanted everyone to know that this was not a story of struggle and redemption. Jonghyun was more than a storytelling device. He was more than a challenge for them to get over. They didn’t think of him as a supporting character in their own stories: he was the main one in his own. As always, SHINee taught me something that I had been too scared to learn. Wise souls, those five, and I love them for it.

Following the death of my friend, I wallowed into my own sadness and depression for years. I let my other relationships fall apart under that burden. But eventually, especially now as I watch back all of the things that SHINee has said through the last three years, I realized that a lot of that grief was selfish. That I wasn’t grieving for my friend, but that I was feeling sorry for myself. That I had to go through this. That I had to shoulder this loss. What did I do to deserve this pain? At some point, my grief stopped being about her, and it became about me. It was never supposed to be about me. She was more than what she meant to me. She was the main character in her own story.

It’s no comfort to hear it from others, but I know: I am lucky that this was how it was meant to be. As Winnie the Pooh says, how lucky am I to have something that makes saying goodbye so hard?

I could wallow forever. She did, in the end, mean that much to me. I’m absolutely sure that they could wallow around forever too. Jonghyun meant that much to them, too. But I think we both came to the same realization, albeit under different timelines, that we owed them something. No matter how much it hurt, we owed it to them to let them go. Letting go isn’t the same thing as giving up on them or forgetting them. After all, they say that best friends are hard to find, harder to leave, and impossible to forget. Because we loved them that much. Even when we want forget, we can’t. Even when Chidi left Eleanor, their love never stopped existing. Like he said, when the wave returns to the ocean, it looks like it was never there. But the wave was just a different way for the water to be, for a little while. The water is still there. The water, our love for those we cherish the most, is always there. It was always meant to be.

So I thank The Good Place for comforting me and healing me when I was at my lowest. And I thank SHINee for inspiring me and allowing me to grow with them for over ten years, all through the tireless pandemonium that is life. You mean so much to me, more than I think I have succeeded in expressing here. And to Jonghyun, and my friend, what more is there to say? 고맙다. 미안하다. 보고싶다. 사랑한다. Thank you for everything. I’m sorry for everything. I miss you everyday. I love you, forever.

*standing on the road we walked together again, those five hands folded together, the tears, the memories... it’s all so clear, I don’t want to forget, I can never forget (Taemin’s lyrics from Our Page)

[tomeandflickcorner]

Episode Review- The Real Ghostbusters: Lights! Camera! Haunting!

Well, we got another movie themed episode. Though I don’t think it was quite as good as Take Two.

The Ghostbusters have apparently been hired as consultants for a new horror movie that’s being filmed.  Ray is excited to actually get to be inside MJN Studios, but Winston informs them that this movie is not being filmed at the movie studio.  Instead, the film crews are stationed at a legit haunted house because the movie’s director was trying to aim for authenticity.  When they arrive at the haunted house, Peter is clearly not impressed, stating no ghost would actually live in a dump like that. Egon, however, announces he is indeed getting a reading on the PKE Meter.

The Ghostbusters then head inside, and are promptly startled by a man in a weird bug suit.  (Peter even seems to instinctively reach for his Proton Thrower, even though it’s not there).  But it’s quickly revealed this man is an actor, and they’re currently filming a scene for the movie.  The movie’s director, Feeny Muscleberg, then steps forward to introduce himself to the Ghostbusters, as well as the man in the bug suit, Gil Hamstrug, who is to be the star of the movie.  Gil seems to be a bit simple minded, to say the least. Though his voice might remind you of John Wayne.  Across the room, unnoticed by everyone, a copy of the movie’s script gets stolen by the actual ghosts that are haunting the location.  They’re clearly not impressed by the movie’s plot, especially since the ghosts will lose in the end.

Down in the main room of the haunted house, it seems that filming has resumed, with the Ghostbusters watching from a couch.  At that moment, the movie’s producer, Artie Grendel, appeared on the scene.  Artie immediately informs the Ghostbusters that they’re fired as consultants, as he’s decided that they need to cut unnecessary expenses. (Dude! They just got there!)  Moments later, the movie’s filming is disrupted when all the actual ghosts reveal themselves in order to show the film crew what a real ghost can do.  And they proceed to cause all sorts of mayhem. (Side note, points for creativity in the designs for these ghosts.)  Jumping into action, the Ghostbusters retrieve their Proton Packs from the Ecto-1, which is parked outside.  When they come back inside to trap the ghosts, Artie steps into their way. It seems he was quite taken with the ghosts and wanted to film them as part of the actual movie.  Despite his protests, though, the Ghostbusters refuse to agree to loan the ghosts out to the film crew.  Because, as Egon puts it, they don’t lease, they bust.  (Not to mention the ghosts aren’t exactly their property to loan out.)  So the Ghostbusters trap all the ghosts on the movie set.  However, Artie manages to assist three of them in slipping out through the back. When Feeny, at Artie’s suggestion, takes the Ghostbusters out for some lunch somewhere, Artie meets with the three ghosts who he helped get away in order to discuss some things.

It then fast forwards to a month later.  The movie, which was titled Horror House, has just premiered at Radio City Music Hall.  Despite having fired them as consultants, Artie has apparently paid the Ghostbusters to show up at the premiere in order to gain some publicity for the new movie.  Based on the reactions of the people who are just coming out from seeing Horror House, it appears that it was one of those movies that were so bad, it was good.   The Ghostbusters then meet up with Feeny and Gil again.  Feeny reveals that, the day after the Ghostbusters had shown up on the set, Artie had fired the two of them as well.  Egon is puzzled by this, wondering how Artie could have produced a movie so fast without the director or star actor.  Feeny is in agreement with this, staying the special effects alone should have taken a month to create.  As they’re puzzling over this, Artie approaches them.  He states that he’s willing to share his secret with the Ghostbusters and escorts them into a waiting limo.  Feeny and Gil, however, are left behind on the sidewalk.

Artie brings the Ghostbusters to MJN Studios, and Ray voices his pleasure to actually be able to tour the place, as he’s dreamed of going to MJN Studios for a long time.  The moment he says this, however, they all get trapped within a net.  It’s then that Artie reveals the presence of the Three Ghosts he’d helped escape.  He begins to boast about how they were the perfect stars, as they didn’t require any makeup or special effects.  Not to mention they were willing to work for free.  Artie goes on to announce the Three Ghosts were willing to act in his movie in exchange for a chance to eliminate the Ghostbusters.  And, now that Horror House has been completed, it’s apparently time for Artie to uphold his end of the deal by handing the Ghostbusters over to them.

Of course, instead of just attacking the Ghostbusters right then and there, the Three Ghosts had them placed in a prison cell located on the studio. The same cell that, according to Ray, was used in the filming of The Pirate of Zinda, starring Douglass Flynn.  Clearly, the Three Ghosts aren’t very bright and decided to go with the classic villain blunder of dragging things out.  After the Ghostbusters are left to cool their heels for a while, the Three Ghosts then bring them out to an Old West set. There, they find the Three Ghosts have confiscated their Proton Packs and announce their intentions of chasing them down to shoot them with their own ‘weapons.’  All while Artie films everything nearby.  (Because this is apparently the ‘movie’ the Three Ghosts wanted to make.) So the Ghostbusters all take off running as the Three Ghosts fire the Proton Packs at them.  As they run, Winston asks Egon to remind him what will happen if they get hit with the Proton Packs, and Egon replies by saying “our individual atoms go on separate vacations.”  Clearly, this would be bad.

For a while, we’re treated to a prolonged sequence of the Ghostbusters running from the Three Ghosts, through a graveyard set to a mockup of the RMS Lusitania and eventually a cityscape.  Eventually, however, the Ghostbusters are cornered.  But at that moment, a helicopter appears overhead, with Feeny climbing down a rope latter.  It seems that he and Gil were concerned and followed after them.  And Gil is flying the helicopter.  Egon asks how Gil knows how to fly a helicopter, but Feeny simply states that Gil is an actor.  (So, according to this episode, all you have to do to fly a helicopter is just act that you’re a helicopter pilot? Okay then.)

Unfortunately, before the Ghostbusters can make good their escape, the Three Ghosts appear and shoot down the helicopter.  Then, when they’re all trying to once again run from the Proton Packs’ blasts, Gil and Feeny are effectively captured.  The Three Ghosts call out to the Ghostbusters, announcing that they’ll let Feeny and Gil go if the Ghostbusters surrender themselves.  Ray made them promise to honor their word, and when the Three Ghosts make that promise, Ray told the other Ghostbusters to follow his lead.  So the Ghostbusters allow the Three Ghosts to tie them up. And then, when Ray tells the Three Ghosts to honor their end of the bargain, they just laugh.  Winston tells Ray they’re ready to hear what Ray’s plan was, but all Ray can say is ‘I got them to promise.’  (Seriously, Ray?!)

A short time later, the Three Ghosts are preparing to execute the Ghostbusters, Feeny and Gil firing squad style as Artie films it.  However, Ray ends up coming with a slightly better plan than his last one. He manages to fish the PKE Meter out of Egon’s pocket and makes a few quick adjustments to the device so it would send signals to ghosts instead of receiving them.  (And I’m admittedly impressed that Ray can tinker with the PKE Meter with just his teeth.)  Ray then uses the reprogramed PKE Meter to send a distress signal.  And, right before the Three Ghosts can open fire, the carvery arrives.  Specifically the ghosts of past MJN Studios movie stars.  The Movie Star Ghosts (who bear a resemblance to Clark Gable, Errol Flynn and John Wayne) come to the rescue, helping the Ghostbusters get free and returning their Proton Packs to them, enabling them to capture the Three Ghosts.  As for Artie, he tries to slip away, but Ray and Winston are able to tackle him, with the intention of turning him over to the police. The Movie Star Ghosts then bid the Ghostbusters farewell and ride off into the sunset.

I personally found this episode to be a bit forgettable.  It did have a promising concept, with them shooting a movie in an actual haunted house.  However, that plot point didn’t really go anywhere.  Also, I’m afraid I found the whole motivation of the main human antagonist to be lacking. Yeah, I get we’re supposed to realize that Artie is all about producing movies as cheaply as possible.  But we’re supposed to buy that he’d just go along with helping the Three Ghosts kill the Ghostbusters?  I didn’t really follow his logic there.  After all, he was seriously planning on filming the whole thing.  So it stands to reason that he’d eventually be implicated as accessory to murder.  Unless his lawyers tried to argue nobody could prove he was the one filming things?  Even so, it still seems like a stretch that someone would go from cutting corners in a film’s budget to essentially filming a snuff film.

(Click here for more Ghostbusters reviews)

[mimzy-writing-online]

I hope this question isn't too stupid, but you're one of my favorite writing blogs so I'll give it a shot. I want to write a FanFic based on the 1971 version of Willy Wonka. I wanted the story to tell Violet Beauregarde's story, the one that turns into a blueberry. However, I have SOME questions as I'm fairly new to FanFic. 1). Am I better off focusing on each kid's perspective, going back and forth? Or is it good to narrow my focus one one character? 2). Can I give them a character arch, li

(2/3) like Violet's really mean in school but she becomes kind after her experience at the factory. Is that too cliche or predictable? 3). Why does she try waddling away after her blueberry transformation and the Oompa Loompas are singing/dancing around her? They're trying to help her, and I don't really get why she'd do something like that. 4). What are tips to better understand the characters I want to flesh out? I guess it circles back to the last question, understanding their psyche. Yikes

(3/3)  Yikes! Super sorry this ask is long. And I'm even more sorry if my questions were lame or you've covered them before. :P. I can overthink at times, ESPECIALLY when it comes to my writing. I'm such a perfectionist storyteller, it's not even funny. I hope my questions aren't bothering you. You're one of my favorite writing blogs, so I figured I could come to you. I apologize in advance for wasting your time. You DO NOT have to reply at all if you don't want to. :P Thanks, have a great week

First and foremost: this is not a stupid question, you are not wasting my time at all. This is actually a rare treat for my blog because I don’t get many asks that don’t involve blindness, though I usually know better how to answer those than I do other questions. So, here we go:

Are you better off focusing on each kid’s perspective, going back and forth? Or is it better to narrow your focus onto one character?

The general rule of writing is to simplify. If two background characters serve a similar purpose, just combine the characters, for example. Slimming down extra scenes that don’t contribute to plot or character development.

However, that advice is meant for people publishing novels, working within an overflowing industry, dependant on sales and royalties. They have to meet whatever industry standards are, like word count or POV types. They have to find someone willing to take them on as a client because they love that book.

Fanfiction is not bound by such nonsense. Fanfiction is a beautifully lawless land where capitalism cannot influence it. What defines what you do with fanfiction is if you enjoy reading it, and if you have the steam to continue a long project.

Some people easily write 200,000k fics within a matter of weeks or months (or in my case, just once, two years). Some people work best with short fics. Both (and everything in between) are wonderful.

So, how much steam do you have for this project? How long do you think you can carry it and still finish it? Because that defines how big you should plan to make this project. If you don’t think you can write a long fic, then maybe just stick to one character.

A compromise between the two is to focus primarily on one character, and examine the other characters more briefly. This could be done in just a single POV chapter, or a handful. This could be done with the characters connecting and seeing the side character through your main character’s eyes, seeing how they’ve changed.

There’s no wrong answer. This fic is for your enjoyment primarily. No matter what you write, it will appeal to at least a few people, if not crowds. But your fun comes first, both literally and figuratively. Write for you, write to explore the story for yourself.

Can you give them a character arc like Violet’s where she becomes kinder after her experiences in the factory? Is that too cliche or predictable?

I wouldn’t call it predictable, because I’d expect everyone to go into completely different directions because they were all such unique and individual people before they entered the factory, and they were foiled by their own quirks.

Violet was mean and fake, she was demanding. I don’t know how much I want to speculate on the plotline you have going for her, how you’ll develop her to make her want to be more kind.

But I would love to speculate on the others.

Agustus Gloop? 

I feel like his experience in the chocolate river and almost drowning would make it hard to enjoy chocolate ever again. I think it would be a long time before he had any sweets. Also, because of his weight, I imagine there’s got to be some body-image issues hiding under the surface. I’d also put money on him being bullied, and him acting out against the students who bully him and because of his size he is more intimidating, but that doesn’t stop people from saying things behind his back.

I imagine the chocolate thing is a form of self-comfort. Maybe he turns to other foods to over-eat with to cope. Maybe eventually he figures out that this isn’t helping him. Does he try to replace unhealthy foods with healthier ones? (idk, I have a personal turn off on getting into the concept of dieting, so I’m not going to dig in much there).

I’d like to see him learn to love himself, develop some body neutrality, that his body doesn’t define who he is or what his worth is. That he becomes okay with who he is as he grows up. People who are happy and comfortable with themselves are generally nicer and easier going than people who aren’t. Maybe with some self-love, he’ll be kinder to others.

Veruca Salt?

Okay, I have a confession. My brain thought of her when discussing Violet. I haven’t seen either of the films in years.

Well, let’s thank Wikipedia everyone, the greatest gift of the internet.

Veruca does come across as a spoiled brat. Her parents shower her in material objects, which might mean something. I have a close friend who hates people buying things for him or giving him gifts that cost money. This has to do with a parent buying him things out of guilt after episodes of emotional abuse. I asked him a while back what he wanted for his birthday (I meant baked goods, I bake or cook special meals as birthday gifts for my friends. A has asked for chocolate chip cookies for three birthdays in a row now. Several friends ask for cookies for Christmas). Anyway, my friend had a panic attack and couldn’t respond until an hour later.

Maybe there’s something to that.

What does she think about money as she grows up? Does her love language continue to be gifts? I think it might one day be quality time. Maybe it is now. It’s common for rich parents to be absent and barely spend time with their kids because of work and extravagant social lives that sort of money gives them access to, meaning they barely have time in the day to spend with their kids. Maybe gifts are the only way she can make sure her parents still care, the only way she can get their attention? 

Mike Teavee?

Apparently in the movie credits his last name is spelled Teevee. But I’m obsessed with tea (and this is the point where I remember my tea and wonder if I’ve let it go cold because I got too focused. Nope, it’s still there). So it’s Teavee here.

Wikipedia describes him as a young boy who only watches TV, nothing but TV. He’s especially interested in cowboys and Western films. He comes across as a know-it-all. He’s easily annoyed but gets along with others.

Anyone have a guess at where I’m going with this?

Mike is neurodivergent. I mean, that’s my new headcanon. I lean towards ADHD because that’s what I project, but like everything else, his interpretation is in the eye of the beholder. Every viewer sees something different in him.

Some common ADHD (and autism) experiences beyond having a specific interest is how others react to your special interest. You get used to people getting bored when you talk about your interest for the thousandth time, but it’s still important to you, but not to someone whose opinion matters to you. RSD is probably common.

Wikipedia says he’s described as lazy in the books? Common ADHD “symptom,” or rather something that outside viewers label as laziness. Really, he just doesn’t have the motivation to do any of those other things.

And Charlie?

Did anyone think I wouldn’t have any thoughts on Charlie, our hero and protagonist?

Oh no, I have thoughts. Charlie goes to great lengths to set his family up comfortably, he becomes generous with his money. He also knows nothing about running a factory. I’m hoping Willy Wonka gives him some help there. But I bet adult Charlie is a stressed-out workaholic who tries to do everything and thinks he has something to prove, that he’s not just some random lucky child, that he can do this. Charlie totally gets a work-related anxiety disorder.

Those are my thoughts. I still think giving them Violet’s arc isn’t cliche or predictable, but rather completely different from what you think would happen to all those kids.

I mean, maybe a few of them are still little jerks in their adult lives. There’s no one road to grow up on, even if you’re four strangers who shared a similar traumatic experience.

Why does she try waddling away after her blueberry transformation and the Oompa Loompas are singing/dancing around her? They're trying to help her, and I don't really get why she'd do something like that.

They strange looking short men she’s literally never talked to, never seen or heard of before today, who’s already taken away two children by this point, all while singing a song about what terrible children they were.

And she’s scared because her body is doing something strange and scary and awful. She’s scared. She doesn’t know what to do. What will happen if these strange men take her away? She doesn’t know what happened to the other kids.

And they’re not really communicating they want to help, just singing cheerfully about how awful children are.

What are tips to better understand the characters I want to flesh out? I guess it circles back to the last question, understanding their psyche.

A lot of it is just watching real-life people and wondering why they are the way they are. Listening to their reasoning and what they tell you about who they are and where they come from.

I know people who grew up like Agustus with using over-eating as a way to self-comfort, and the bullying they experienced. I know that if a kid was physically bigger than his bullies, maybe he’d fight them to make them stop and leave him alone. People who go through that journey of learning that their body doesn’t define who they are, accepting it because it is theirs and it takes care of them.

(Which reminds me of a post I like that pops around here and there, that positive body image should be about more than how “sexy” your curves make you look. A person shouldn’t have to be sexy to be treated like a person. A person shouldn’t have to be sexy at all if they don’t want to, especially not all the time, and especially not a child. And there are a lot of obese children in the world who don’t have any positive body image messages designed for them)

I learned what my friend’s love languages are and why they have them and what they mean. Which is why I have that theory for Veruca.

Mike is just self-projection and listening to other neurodivergent people when they describe their life experiences or listening to their theories when they say a character is neurodivergent too.

I won’t lie, my theory on Charlie is based entirely on the Avatar: the Last Airbender fandom’s common head-canon that Zuko becomes a workaholic after he becomes Firelord. There might be some canon material in the comics that supports that, but I’ve never seen it. I think Zuko and Charlie have a similar vibe and that those three years Zuko struggled, and Charlie’s entire life before the factory make them both feel like they need to be perfect and do everything right to prove they deserve the job they’re given and that their backgrounds don’t define their worth.

Thank you so much for your ask anon!

And again, you are not a bother. I enjoyed digging into this movie I’d never thought in depth about until tonight. And you’re not alone, lots of writers are overthinkers and perfectionists. You are in good company. Our writing and fanfiction community welcomes and loves you <3

And thank you for your kind words! I’m so happy that you love my blog so much <3 It made my day to read that

Take care anon, and good luck in your writing :)

[popculturebuffet]

The Legend of the Three Caballeros: Dope-A-Cabana Review (Commissioned by WeirdKev27)

Salduos Amigos! Since i’m covering a full series, i’d like to welcome any newcomers to the first part of the epic final stretch of THE RIDE OF THE THREE CABLLEROS! For those of you just joining us, a few months back WeirdKev27, easily my biggest supporter as the only one who comissions any reviews from me, asked if I could do a big project for him: a comission of EVERY major american apperance of those three happy chappies in matching serapes. Give i’ve ALWAYS loved the boys ever since house of mouse and had been sitting on Legend of the Three Cablleros for far too long, more on that in a minute obviously, I happily agreed. Plus the rather nice influx of cash from the comissions was very welcome. If your intrested in comissioning your own, hit me up via my direct messages. It’s 5 dolalrs an episode, though I do do discounts on orders of 3 or more, and 10 for a movie, with again discounts for orders of more than one. And yes that plug was very shamless, but again I have no other job than this.  Back to the point these reviews have taken me on a wonderful journey: I got to rewatch the movie and revel in the fun songs, acid trips and super horny Donald Duck, got to both revisit one of Don Rosa’s best story and read another all time classic from the man I hadn’t before, took a trip back to the house of mouse to hear some great songs and see some great cartoons.. and some not so great ones, took a small detour to Mickey and The Roadster Racers to be baffled and annoyed though I am proud to say it was my first review back after I came down with Cornovirus and lost a week of work time. And finally I covered the town where everyone was nice, and got to see the boys have a joyous reunion with Donald and be lushly animated while.. Dewey jackassed around in a B-Plot and Webby resisted the urge to throat chop him. It’s been a long ride and you can find all of it is so far RIGHT HERE IN THIS CONVIENT LINK ! CLICK IT NOW IF YOUR CURIOUS. Point is while this was well paid for.. it’s easily one of the projects i’ve been most proud of and while i’m sad to see it winding down, i’m proud of what i’ve done so far, and I just wanted to heartily thank Kevin for the ride and for being so generious as to fund the whole damn thing. Your a good dude man. 

Which brings us here, to the grand finale. The Legend of the Three Caballeros! As the boys first starring roll as a group since the movie, there was really no other way this retrospective could end, and since I have a terrible problem with procastination and really hated this series version of daisy I just kept pushing back watching the series until now. I’m not proud of it but I am happy to correct it and hope you’ll all come along with me.  Before we get started I could not find much background on the show. It was directred by Matt Danner who was the character designer for the utter classic Xiaoilin Showdown and currently works on the Muppet Babies reboot, so i’m happy he’s still getting work. Otherwise I couldn’t find much. The most I could was on tv tropes, claming the series was orignally meant for Netflix.. and while I have no proof and this could easily be conjecture.. i’m inclined to belivie it. The series was apparently done long before the Ducktales reboot, to the point Frank Angrones was only vaguely aware of it and it didn’t even remotely impact the series, with Panchito and Jose only debuting in Season 2 because the original idea for bringing them in was scrapped. So while I don’t have proof.. I’m inclined to belivie it since it makes sense: Disney DID have a healthy relationship with Netflix once, setting up the MCU shows and likely being happy there.. but eventually they wanted their own corner of the sky, and likely didn’t want one of their shows bolted to the network like all their marvel shows were.  The problem this created though is Disney was CLEARLY left with a show they no longer had a place for. But even with that the show was still done, they COULD have put it on the Disney Now app or just aired it on the Disney Channel. See if there was any fan intrest in season 2 or throw one into production to at least beef up the episode count. I mean the Cabs have a built in fanbase, kids would likely love it... it’s the logical choice. But this is Disney. They’ve had to be drug kicking and screaming into representation, to the point they had to be fought for the gay romance subplot in owl house to happen, try to hide that the Sparkshort “Out” is about a gay man struggling with coming out despite having you know reams of content on the service with either gay subtext or out and out gay characters, and their attempts at doing representatoin to score points in other little ways.. have been pathetic, easily missable bits in movies that could , and have been, edited out in more homophobic countries. My point is yeah i’m still sore about how they and a LOT of the animation industry have to be dragged into doing the right thing over profit, and they often make very stupid decisions for seemingly no reason. They are a good company a good chunk of the time.. but Disney has done fucked up quite a bit. This is one of those times.  Instead they dumped the show on the Disney Life app in the phillipines and slowly some other countries, basically the Disney Now equilvent over there, and then just sort of forgot about it until Disney Plus launched. And given how many shows they HAVEN’T put on the streamer for again, seemingly no reason, it is a nice suprise the show finally got a release on there in the US. But before that, and proving what a massive mistake just abandoing the show was, the show did gather a massive fanbase via people uploading the episodes online. So yeah the show was treated REALLY shittily for stupid reasons, but thankfully it still has a fanbase to this day and said shabby treatment, as it always does, just encouraged fans to support it harder. So naturally i’m more than happy to give the series some spotlight as fanbase or no, it badly needs it and Disney sure as hell dosen’t want to do it. So if somebody’s gotta do it, might as well be me. This is the Legend of the Three Cablleros.  We open on some narration from Xandra, Goddess of Adventure. Granted she hasn’t been identified yet, and won’t be till next episode.. buuuut it’s easier on me to not have to dance around her name so your learning it now. But Xandra narrates that long ago there were epic battles against the good and the evil and all that by epic heroes, and it’s all cumilated in the Legend of the Three Cablleros. Post title drop we’re treated to the boys, in cool looking armor and with neat weapons, fighting a purple monster man as you do in an really beautiful and epic sequence As this scene illustrates the animation for this show is GORGEOUS, a lavish update of the standard disney style with nice use of shadows. It feels almost film quality in it’s work, and it’s an utter treat to watch and opening at the end was a good call: it both ratchets up excitement and allows the first ep to have some action since this one, as part of a two part premiere, is mostly setup. It’s eyecatching, exciting and makes you want to know what the hell is going on. And since Xandra realizes MAYBE starting the story at the climax was a bad idea, she takes us back a bit.

Okay maybe not that far. No we open properly at Donald’s house, where it’s his birthday! And like the movie, it’s Friday the 13th, an excellent call back. Donald’s making his breakfast, boliling some tea and.. talking with the weird foced warped refelection in the kettle who can apparently only say “right back at you handsome, wink”. Seriously I have so many questoins and all of them are about what this guy is, why is Donald so calm about all of this, and is he still alive after Donald destroys his tea kettle later.  Donaldo gets a call from Daisy, whose visting to spend the day with him and is waiting patiently int he bad part of town. I didn’t know Duckburg had a bad part of town but given Glomgold has to get his sharks and bombs somewhere, i’m not surprised. Unless he special orders them, but even then what if he needs a shark or a bomb in a hurry? He’s gotta get them somewhere and now we know where. So there’s that. So all’s going well until Donald’s asshole boss calls and forces him to come in despite Donald having the fucking day off and it presumably being on the schedule. So Donald rushes to work, and we do get some great gags but as you’d expect for Donald it goes poorly and he botches a kid’s haircut despite the mother being very rude.. and also a female version of pete. LIke.. did he remarry after the divorce from peg or is that his sister? Does that mean PJ and PIstol have a cousin I never knew about? I want answers dammit.. and picutures of spider-man. Not for any slander job I just really like spider-man. 

Eh it’ll do.As i’m doing a full series this time i’m stopping to talk about the main cast as we go soooo.... Tony Anselmo is naturally Donald, even pitching in to consult the crew on Donald’s characterization here, as really what better expert is there? He’s voiced Donald since the original Ducktales and has stuck with the roll since, only taking a break for Mickey and the Roadster racers and that’s likely because between finishing up this series and the Mickey Mouse shorts, and moving on to Ducktales 2017, he likely simply didn’t have the time for it. Granted given how little he was used in the first season of the show, he probably still could’ve done it but regardless, he’s a legend.  Daisy is voiced by Tress Macneile, who not only has voiced the character since House of Mouse and is easily the best voice for her, but is also one of the most storied and legendary va’s in the buisness, having been at this since the 80′s with zero signs of stopping. Just to name a few of her more notable roles, in chronological order; Gadget Hackenwrench, Babs Bunny, Agnes Skinner, Charlotte Pickles, Dot Warner (Which as of last year she’s picked up again and will do the same for Babs, just in case you thought i was exagerating on the “zero signs of stopping” thing), Pookie from Hey Arnold, Mom, Hoodsey Bishop, and Queen Oona among MANY, MANY smaller rolls. I didn’t even realize Charlotte or Hodsey were here, she’s that talented and deserves all the praise.. and way better rolls as Daisy than this one but we’ll both get to that and thankfully much like with Tony, the reboot’s giving her character some depth to work with so she gets to reallys tretch her chops. The woman turns 70 here, will likely keep going until she dies, and is wonderful and deserves more respect. 

 So because this is Donald, life wont’ stop punching him in the face and it turns out his house burned down, the fire people are destroying everything because their assholes, seriously they destroy both a family heirloom and a picture of his parents despite not being on fire. I’d be genuinely suprised if their general strategy wasn’t scremaing “fire, fire fire” and then going “rock rock rock” while they throw rocks on it. Super brucey bonus prize for the first person who gets that refrence and comments on it. I’ll get back to this in a second but SOMEHOW, beisdes loosing his home, all his possesions and his job... it gets even WORSE and Daisy calls, refuses to listen to him despite him having VERY valid excuses and breaks up with him. Oh and then the fire fighters gladly talk about going home to their in tact houses  and partners. 

So yeah let’s talk about this. This first 6 or 7 minutes.. is why I didn’t return to the show for a while. My brain has a bad habit of glomming onto certain parts of things, so it remembered the rough to sit through and not very funny first act.. and not the rest of the episode which is very good and likely more indiciative about how good the series is. Thankfully it does get better but this first act .. frames things like it’s DONALD’S fault somehow. I mean yes he did burn his house down.. but even that really isn’t his fault. He was called away suddenly, wasn’t thinking and made a mistake. Hell he proabably woudl’ve had more left if the fire department hadn’t gone crazy with the axes. His being called into work? He took the day off, and his boss was just a dick. His screwing up at the job? he was genuinely trying his best and doing his best and the client was just wholly unresonable. Donald did nothing wrong but the episode WANTS to frame him like some sort of screwup.. which he is, it’s Donald.. but not in this case. It was just a string of uncomfortable to watch bad luck that cumilates in him having nothing left. It’s not funny, it’s jsust really sad and it’s REALLY hard to tell the tone their going for as they seem to awkwardly bounce from jokes to Donald being utterly devistated and alone. 

And the worst of this.. is Daisy. Daisy is EASILY the most infamous part of the show, as their portryal.. is pretty bad and apparently gets worse. We’ll see as we go but yeah.. her screaming at and breaking up with her boyfriend without listneing to his side and giving the claim we only have HER word on that he’s always screwing up, ON HIS BIRTHDAY no less, when he’s done nothing wrong, does not make a good first impression nor the fact the show seems to AGREE WITH HER. And look Donald is a trainwreck, this is true.. but the show dosen’t remotely portray him as one until AFTER this scene. As I said nothing that happened was his fault. Donald isn’t irresponsible or a screwup or dating a high schooler or anything. He isn’t Scott Pilgrim. He just has really bad luck. Again, we do see some foibles in the scenes to come.. but we don’t see any that would justify her claims, especially since she seemed perfectly happy earlier with him. Now if she’d say brought up some screwups in the first scene, and gently at that, then this would’ve worked.. but as it stands she just comes off as MASSIVELY unsymapthetic.. especially since Donald later calls her nieces over for help, which is objectively weird not gonna lie.. so she now KNOWS he had to move to a new house and his likely burned down.. yet still apparently has nothing good to say about him. 

It didn’t help this rubbed me the wrong way in a very special way. As i’ve made plain before I don’t like THIS version of Daisy, the nagging, selfish, vindictive asshole who will gladly try and cheat on donald, dump him at a moments notice and you know PUNCH HIM IN THE FACE. Which just in case you think i’m exagerating...

She fucking upercutted him..and like here for something that isn’t his fault. I mean this Daisy isn’t physically beating Donald.. but that’s a VERY low bar to clear. And emotional abuse is just as bad, so there. My point is too often in the comics when written poorly, Daisy is a pretty terrible person and I REALLY didn’t want a screen adaptation of this form of Daisy. It took a WHILE to recover from not liking daisy over this version, with help from remembering house of mouse, some good barks story with her and the AMAZING Ducktales version and the suprisingly good Quack Pack version.. I did. But yeah.. this is not a good sign of things to come for the character in this show. 

So yeah Donald’s heart is in the basement and his week is at an all time low when a post man shows up and gives him a letter.. well puts it in the box for a good gag but semantics. But the letter turns around as his ancestor Clinton Coot left him an inhertance for his 3Xth birthday: a house of some kind in the swanky neighboring town of New Quackmore. And i’ll also say.. it’s REALLY nice that for once, we focus on the Duck side of Donald’s legacy, or rather the coot but semantics, instead of the McDuck part. Don’t get me wrong, I fucking love the clanmcduck, always will and I love Ducktales exploration of it.. but it’s still nice to acknowledge Donald comes from two sides and while one of those may be humble farmers, they still accomplished a lot, including founding Duckburg in most continuities including presumably this one. It’s also a good way to seperate thigns from other properties including the reboot: focusing on a part of Donald’s lineage that isn’t usually touched on and making THEM just as badass as the other side. 

So we get a quick montage as Donald takes a cab there and takes in the rich and fancy sights. It’s also a brilliant way to set up New Quackmore and it’s attached instutite as a fancy, upperclass place.. and thus perfectly clash it with Donald. Donald ends up getting dropped off at a big mansion.. which is not his , but belongs to the insittutes head, Baron Von Sheldgoose, played by WAYNE KNIGHT. 

Hell. Yes. I freaking love Wayne Knight. In case you don’t know who the man above is, or at least don’t recognize his face, Wayne Knight is a very funny and talented actor and voice actor with a lengthy career primarily in side rolls, with the rolls that he broke out with being loveable asshole and Jerry’s enternal nemisis Newman on Seinfeld and Dennis Nedry, aka “that guy who got sprayed acid in his face by those horrifying frilled dinosaurs that will never not haunt my nightmares”. Seriously that scene fucked me up as a kid and I could not watch that part of the movie. For the most part he’s been a side character man but he has done a LOT of voice work, most notable Zurg in Buzz Lightyear of Star Command, Dojo for the aformentioned and excellent Xiaolin Showdown, and Mr. Blik for Catscratch and I wish he’d do more. He also recently voiced the penguin in Harley Quin so when I get to that you better belivie i’m looking forward to it. Point is while he may not always get the glory, and had to settle for starring in a mediocre tv land sitcom to get a steady paycheck once, the man is VERY talented, very funny and perfectly cast here. 

So Donald makes himself home, finds out it’s not HIS home and gets thrown out by the snooty rich asshole’s bodyguards. As you’d expect. Donald does find HIS home, a run down cabana next door to the mansion with caution tape all over. Still Donald takes it best he can as it’s better than no home at all> What he doesn’t take well is finding out from the executor of the will that he’s not the only one inheriting the house... which is  absolutley fair. The guy just had the worst day of his life, and this lady didn’t bother to put in the letter to any of them that they were sharing the house. The Sheldgoose thing was just an average Donald screw up. This is just this lady going...

But yes we meet our boys.. and the introductions are naturally given this series is about them the best we’ve gotten so far: Jose is thrown off a bus, having ran out of fair, and having wooed all the ladies on board, and quickly charms the executor and is perfectly cordial to Donald, while Panchito parachutes out of a plane and marvels at how he went from nothing to having two new best friends, a run down shack and a sleezy lawyer! In short the two make a great first impression, helped by wonderful casting.  Jose is voiced by Eric Bauza, a talented voice actor whose had WAY too many roles to list here, but two of the most notable are being the current voice of Bugs and Daffy, and his most notable role outside that recently has been playing Splinter in Rise of the Teenage Mutant Ninja Turtles. But the guy is endlessly talented, seems really nice, and is easily one of my faviorite Jose’s so far after just one episode. He just.. gets the character perfectly and is thankfully NOT another white guy stepping into the role, so that’s nice. He easily oozes the charm and layabout nature Jose and was a natural in the role and i hope he gets to take it up again at some point.  Speaking of naturals we have Jamie Camil as Panchito, who easily steps into the guys boundless energy and the sterotpical bits are swapped out for making him a cloud cuckoolander instead, which I genuinely love and fits the character perfectly. He’s best known for CW Soap Jane the Virgin, where his charcter Rodrigo just sounds like a delight, but has recently picked up a pretty good voice acting career, vocing Don Karnage in the Ducktales reboot, Globgor in Star vs the Forces of Evil and Todd’s Stepdad George in Bojack Horseman. I only hope he gets more voice work as he’s really damn great at it and it’s wonderful to get to see him in a role that’s not limited to a few episodes at best for a change. 

So Donald’s less than happy about this, again it’s hard to really be that mad at him when he’s had a really, REALLY bad day and wasn’t told about this, but it’s kept to just the light level of grumpy as to not make him unlikeable. Granted after that intro it’d take a LOT to make him unsympathetic, but after their version of Daisy I really dont’ want to test this series.  Our boys also find out they have a groundskeeper, ari, aka THE ARCUAN BIRD! He’s just a delight any time he pops up, doing his usual “ya ta ta ta” bit, and being adorable and hilarioius as always.. and also hilariously failing to fix the boys door. So Donald ends up just accepting he has roomates now, nothing he can do, and the three explore the house finding all sorts of cool old artifacts, feeling they’ve stumbled onto something specail. And you know what that means: YARD SALE! Seriously it feels like a bit out of Wet Hot American Summer or Stella, a  series from the same creators you really should check out and that is high praise, trust me. 

I wish this series was streaming somewhere.. I mean we finally got Clone HIgh streaming Viacom, get on that. Anyways, it’s just.. fucking hilarious, and a LOT of this episode is once we walk back from the writers kicking donald in the junk and acting like it was his fault. Once Donald gets his inhertiance, the episode picks up immensley and we see the shows real charm and hilarirty fly, with jokes coming at a rapid and wonderful pace. The show really did impress me with the second half and made me utterly excited for tommrow.. or I guess today’s, look at the follow up.  But we’re still in this episode and being a rich asshole, Sheldgoose isn’t happy about a yard sale, though given this series standards, we not only get some great deliveres from Knight of an outraged “A YARD SALE?!”... but a wonderful gag where Sheldgoose out to white guy it up and yell at them over this..accidently takes a wrong turn in his massive house, and turns around, not loosing how upset he is once.  Meanwhile, we meet.. April, May and June. Yeah apparnetly Della isn’t dead or lost in this continuity, so the boys are MIA, and are instead replaced by Daisy’s Nieces, who I hope show up in the reboot before it ends. Especially since the show makes them WAY more tolerable than classic huey dewey and louie and instead enjoyable like Ducktales HDL. While not as indvidual as those three, the three are still idendtical outside of outfits, their voice actress Jessica DiCicco uses her consderiable talents and experince to give each one a unique voice, so while they all share a voice actress, none of them sound alike. And to round out our main cast for now, as our last members will be joining us fully next time, let’s talke about Jessica DiCicco. Jessica is a very talented and increasingly prolific voice actor and if you haven’t heard of her, and you probably have, you’ve defintely heard her voice. Starting out with Disney, hence why the probably called on her for this, she did the voices of Maggie for the Buzz on Maggie and Melina for Emperor’s New School before breaking out as Flame Princess on Adventure Time, whose both one of my faviorite characters from the show and one we’ll be digging into starting next month. And not one to rest easily she picked up a second set of iconic rolls vocing Lynn and Lucy Loud on The Loud HOuse, and funnily enough using those voices for two of the girls here. And along with Loud House she’s also currently starring in it’s Pony and is int he main cast of Close Enough as Candace. My point is she’s exceedingly talented.. as is this whole cast, as it’s a DAMN excellent cast and just further sells that this series deserves better.  We’ll get into the girls more next time as they don’t do much here other than get called in by Donald for help, with what I saw of episode 2 fleshing them out more. Point is Sheldgoose offers a million dollars for the cabana and all it’s stuff and the boys are glad to sell.. they just have to find something Sheldgoose desperately wants, a mysterious golden atlas encrusted with Jewels.  Our heroes head in to find it with Panchito finding it, and being very specific about it. We also get a nice call back to Ari destroying the door as Jose cleverly calls on him to destroy the lock. So our heroes open the book... and a goddess pops out and threatens to kill them all. 

Final Thoughts: Dope-A-Cabana is a decent intro the series, but as i’ve said it’s heavily hampered by a weak and mean spirited first act. But once it gets going it REALLY gets going and as part 1 one of a two part pilot, it does it’s job well once it does get going: introducing our three boys and one of our antagonists well and setting up the side cast and preparing for our last to major additions Next Time: The Boys go on their first adventure, Sheldgoose finds a boss and the girls find their voice. Thanks for Reading, Goodbye, Goodbye, Goodbye. 

[lavendersblues]

Buddie + 3? I'm living vicariously through you and several others with this ship ^^;

Valentine’s day at the firehouse always sucked, in Buck’s humble opinion. His last few had been miserable (the date with Abby was nice, the impromptu tracheotomy not so much). And now that Bobby was married, suddenly Buck was one of the last single people on their shift.

“Oh cheer up, Buck,” Hen teased as she caught sight of his moping face. “You’re not the only single person in the firehouse this year.”

She then sent a significant glance towards Eddie’s back and Buck didn’t know whether or not to be sad or comforted. He settled on sad, giving Hen the briefest acknowledgement, before returning to staring at the back of Eddie’s LAFD shirt bearing his name.

The thing was bothering Buck most, however, was that he knew Eddie wasn’t supposed to be single.

Eddie was supposed to be spending this Valentine’s day with Shannon. But that option had been taken from him in the most tragic way. Not only had Shannon asked for a divorce, but she’d been hit by a car. Eddie hadn’t even had a chance to make things right before Shannon was gone. It wasn’t fair.

Before Buck could spiral further into his own thoughts of tragedy, self-pity, and sadness -- both for himself and for his best friend slash unrequited love -- Eddie turned and offered Buck a beaming smile that sunk right into his heart.

“Hey Buck,” Eddie greeted, slapping Buck on the shoulder with a hand and giving it a gentle squeeze -- an act reminiscent of a day in the not too distant past where Eddie had broken through the final lock on Buck’s heart. “Have any plans for today?”

Buck shrugged. “Oh, you know, pizza and Star Trek. It’s really just another day when you’re single.”

“True that!” Chimney called from the balcony, and a there was a swell of chuckles that followed. When the echoes died out, as they finished bouncing around the spacious concrete structure, Eddie turned back to Buck with those hyperfocused eyes.

“There’s nobody in this world I trust with my son more than you.”

“So why don’t you come over and do pizza and Star Trek with me and Christopher? We can make it a boy’s night. I’ll even spring for beers.”

Buck’s heart lurched in his chest and then quickly shifted into fluttering almost painfully as a tiny bubble of hope rose up. He tried desperately to quash it and play off his agreement with nonchalance. “Oh, yeah, sure! That sounds great. I’ll bring the pies.”

Eddie gave that heartwarming half smile that sent Buck’s heart into a tizzy as he clapped Buck’s shoulder one last time. “Sounds great. See you at six?”

“Yeah,” Buck dry swallowed. “Six.”

As Eddie’s retreating back disappeared out of sight, Buck heard a faint clicking. He turned to his left and saw Chim and Hen with their arms crossed, Hen with her head bowed as she shook it back and forth, clicking her tongue.

“Boys,” she muttered with heavy exasperation. 

Chimney nodded sagely at her side. “You said it.”

---

Buck pulled up to Eddie’s house at 6:03 PM after having showered and shaved (slightly), with piping hot pizza from Giovanni’s, the small local restaurant that was only ten minutes from Eddie’s place and was an immediate favorite of Christopher’s. There were two boxes -- one, a standard combination pizza for Eddie and Buck, and a smaller pepperoni and mushroom pizza for Christopher.

Knocking once for an air of politeness, Buck shouldered open the door with a practiced ease. “I’ve got pizza!” he called into the apartment. There was an immediate flurry of noise as Christopher came barreling down the hall as fast as his crutches would carry him before he collided hard with Buck’s midriff.

“Buck!” Christopher was chanting, hugging Buck tightly. “Buck! Buck! Buck!”

“Hey, buddy!” Buck slid the pizza boxes onto Eddie’s counters before reaching down to envelop his favorite kid in a tight, protective hug. One hand landed on the back of Christopher’s head the way it had when he’d pulled Christopher from the water all those months ago. All Buck wanted to do was wrap Christopher up in his arms and keep him safe forever, but experience had taught him that you couldn’t wrap up kids in bubble wrap.

“Buck! It’s boy’s night!” Christopher crowed happily before detaching himself from Buck and moving back into the living room. “Gonna watch Star Trek with us, Buck?”

“You know it!” Buck grinned, glancing up as Eddie entered from the hallway with a soft smile. Buck’s heart did a backflip. Eddie’s hair was damp, and so was the collar of his shirt -- he must have just gotten out of the shower. He looked so clean he was almost glowing (but Buck was almost positive that Eddie glowed even after a four-alarm fire with his hair sweat matted and his face smeared with soot).

“Thanks for coming Buck,” Eddie said softly as he went for the pizza, using the disposable plates Giovanni’s had provided. “Beer’s in the fridge. I’ll get the disk loaded up in the DVD player.”

Buck grabbed two beers and a bottle of IBC Root Beer for Christopher (Eddie’s way to help Christopher feel included when the adults had their ‘grown-up drinks’). He popped the tops and set them on the coasters spread across the coffee table. Christopher had plopped himself into a special ‘movie theater’ seat that Eddie had bought off eBay. It had a cup holder and it reclined like the fancy new seats that were sweeping the nation, but it was miniature and just the right size for an eager seven-year old to use as he ate his pizza from the coffee table.

“So, what episodes are we watching?” Buck asked curiously from the couch where he had unceremoniously thrown himself, leaving just enough space for Eddie who shoved his legs out of the way before sitting.

“Wait, you actually meant the TV show?” Eddie asked, sounding genuinely surprised. “What happened to the Buck who didn’t care about anything that was made before you were born?”

Buck felt his face heat as he grew flustered. “Well, I just knew it was Christopher’s favorite show that he shared with you so I started watching it. I’m not very far -- I fall asleep a lot when it’s on. But I think I’m in Season 2?”

Eddie looked gobsmacked. It took a second but he shook his head, seeming to regain his composure. “We’re actually watching the 2009 movie with Chris Pine. Lots of explosions and action sequences. We thought it was more your style.”

“And sky-diving!” Chris piped up from the floor. “They go sky-diving!”

Both Eddie and Buck laughed, and Eddie took that moment to hit play on the menu screen before he settled in with his pizza, nestled just close enough to Buck to be absolutely maddening. Buck watched the film with moderate interest -- he’d seen it when it had first hit the theaters with his friends back in Pennsylvania but he hadn’t been super interested in the sci-fi genre at the time.

But now he wanted to watch and appreciate the film for what it stood for as a representation of his growing closeness with Eddie and Christopher.

It was just damn hard with Eddie’s leg burning a brand into his knee through the entire two and a half hour film.

Buck was so screwed.

---

After the film ended, Buck hung around on the couch as Eddie got Christopher ready for bed. He laughed as Christopher kept trying to convince his dad to let them watch at least one episode of the original Star Trek series before bed, but Eddie wasn’t swayed.

“It might be Valentine’s and you might have had too much candy at school, but it’s still a school night and that means bedtime is at 8:30. We’re already late on getting you into pajamas and teeth brushing!”

“But dad! Buck hasn’t seen Tribbles!”

“Tribbles can wait until the next boy’s night, okay?” Buck called down the hall, craning his neck around the corner to see Christopher, half in his pajamas and partially in the doorway of the bathroom where he was standing toe to toe with Eddie. At Buck’s words, however, Christopher gave in, allowing Eddie to usher him back into the bathroom with a grateful smile sent back down the hall to Buck.

After that it took no time at all to get Christopher tucked into bed with one final, “Good night, Buck,” followed by a warm hug and the soft sounds of Eddie telling his son one last story before the door to Christopher’s bedroom shut with a muted click.

Eddie’s feet dragged down the hallway with soft heavy padding noises before the frazzled father himself rounded the corner and he collapsed onto the couch, his head nearly in Buck’s lap. Eddie stared at the ceiling for a long moment and Buck took that moment to stare at Eddie.

“Thanks for coming over tonight Buck,” Eddie sighed, his eyes drifting shut for a few long moments. “We both really needed this.”

“Yeah,” Buck replied, desperately trying to keep his voice from cracking with all of the emotion behind it. He failed. “Anytime.”

Buck paused, then continued -- “And it’s not like I had anyone that wanted to spend Valentine’s day with me anyway.”

From his position on the couch, Eddie stiffened, his eyes still remaining shut -- though now with some apparent effort. After a few moments of deliberation, Eddie sat up turning to face Buck with a heavy expression.

“I wanted to spend Valentine’s day with you, Buck. That’s why I invited you.”

It was like a punch to the solar plexus and Buck reeled backwards. “But -- but I thought you only offered because my whole plan for the day sounded pathetic.”

Eddie’s hand was on his shoulder again, warm and solid and strong.

“I was the one who asked you what you were doing today, Buck. I wanted to invite you over. I just thought your plans would be fun with the three of us.”

Buck’s heart tripped and he felt short of breath. “Wait, so -- so it’s Valentine’s day, and you wanted -- you wanted -- but it’s not like -- I mean you’re not -- you haven’t been flirting with me or anything!” he sputtered, stumbling over his words.

Where Buck was flustered and buzzing, Eddie was calm and steady.

“Buck, I’m flirting with you. I have been since the day I met you.”

“But you -- Christopher -- I don’t -- wait --,” Buck’s breaths were coming in hard and heavy and he suddenly found himself with nearly a lap full of Eddie Diaz as Eddie’s hands cupped his face and the other man drew himself closer.

“Buck, Buck,” Eddie stressed, pointing Buck’s face towards his own, “look at me Buck. Deep breaths. I’m sorry, I shouldn’t have… I didn’t mean to make you uncomfortable. Or to break your trust, but I --”

Whatever apologies or retractions Eddie had set to spill from his lips were silenced as Buck leaned forward quickly and pressed his lips against Eddie’s. Buck didn’t want the apologies or retractions or the ‘We can pretend this never happened’. He wanted this. He wanted nights watching cheesy sci-fi remake films and eating pizza and hugging Christopher good night. He wanted Eddie Diaz pressed next to him from shoulder to ankle, warm and real. He wanted all of this -- but he’d just been too afraid to say so.

Buck pulled away from Eddie’s soft and incredibly willing lips with a soft smack, feeling Eddie’s exhale brush gently against his skin. Eddie’s thumbs brushed over his cheekbones softly and sent a thrill up Buck’s spine.

“I’ve been flirting with you too,” Buck said softly, through a smile that he thought might actually break his face.

Eddie grinned then, that same bright indulgent smile that seemed to be reserved only for Buck. He pecked Buck on the lips quickly before pulling away, their smiles making it difficult to do much more.

“You’re incredible, you know that right?”

Buck couldn’t help the smirk that creeped onto his face. “So I’ve been told.”

“Shut up.”

Eddie shouldered Buck hard, sending Buck rocking back away towards the other end of the couch -- laughing all the way. But it was worth it, seeing Eddie’s pink tinged cheeks as he rolled his eyes, taking one final swig from his beer.

Evan ‘Buck’ Buckley was in love with his best friend, and it turned out that when your best friend loved you back? Valentines Day didn’t suck as bad after all.

[thegirlwholied]

SW anon - So I have tried to watch the whole thing before but I could never really get past the start. I watched ep IV a few years back (and in 2018 I watched it while it playing with a live orchestra which really enhanced the experience) and ofc I’ve known most of what happens bc my mom and brother have been fans of it (and ofc all the references to it in shows and it being everywhere) but the thing about the original trilogy that I found difficult to watch was very much the acting being off

Gov SW anon continued - but I think I’m gonna watch the clone wars show next as I feel like the general universe and people speak to me more than the skywalker and co. story speaks to me. But I’ll probably try and get back to the prequels afterwards (at least just to have seen them) but also bc I’ve been on tumblr for so long and I’ve encountered so much about the new movies with Finn, Poe and rey (I already know I don’t like kylo) that I’m interested to see what comes before that

Seeing Ep IV with a live orchestra sounds fantastic as the music is incredible. <3

I must admit I haven’t gotten properly into the Clone Wars show! I’ve tried, & did jump in to (and enjoy) the finale ~ and certain Mandalorian episodes strongly remind me of the show’s tone ~ but it has yet to hit me right in the place where I care. What I appreciate about it & what it’s brought into the Star Wars universe is still on a more distant level, not visceral. 

I most love that The Mandalorian is truly exploring & taking advantage of the wider Star Wars universe beyond Skywalker & co. (but boy do I also love Skywalker & co.) There is an exciting amount of potential in the newly-announced projects too I love characters outside of a universe’s main chosen-one story. In 6th grade, I was obsessed with the X-Wing book series, which were definitely really marketed toward adult guys but whoops, I had found the deep Star Wars section of the library! And the first line of that series, introducing the main character, is “You’re good, but you’re no Luke Skywalker.” And in a way, that’s the Mandalorian too, to the audience if not himself ~ good, but no Luke Skywalker. Not a Jedi, not meant to bring balance to the Force, a sidestory in the main universe’s struggle.  I (from what I’ve seen/know of) get the impression that’s how Ahsoka sees herself ~ ‘you’re good, but you’re no Anakin Skywalker’. 

Of course, for that contrast to work, first you need a Luke Skywalker.

it’s interesting you mention OT acting feeling off as I would use that exact word to describe how I feel about the acting in some episodes of The Mandalorian. In some I love it! Other times... I hesitate to say ‘like a video game’ as I mean no insult to the well-developed video game characters out there but yeah, it hits me like the actor’s aware they’re essentially in a live-action video game cut scene.

But. I truly love the acting in the original trilogy! ...but also as I type this I’m watching a movie from 1944 and acting style certainly varies by decade, & mileage varies as to personal taste... but also I will never be objective about Star Wars which I have loved since I was six... but also I studied film history in college and firmly believe Star Wars, the original trilogy is just objectively good if not quite everybody’s cup of tea (...okay maybe Return of the Jedi is not quite as objectively good, but I still love it so much and given the work it had to do wrapping up the original trilogy, hey, it did its job successfully and with Ewoks). 

I love the twinkling, wry humor & also gravitas of Alec Guinness. There’s that sense of amusement as he talks to Han, as he waves off the storm troopers, and even in the “let go, Luke”... but always the right weight in the right moments imho

Luke & Han particularly can both be petulant in different ways, & they’re all quippy & brash & even cavalier at times in what in context ~ especially when you rewatch A New Hope right after Rogue One ~ in Very Serious Situations! and I love them for it. 

Carrie Fisher’s accent does shift in the one scene (which I have never minded and definitely went around as a kid trying to say ‘Governor Tarkin’ exactly the way she does), and young Mark Hamill’s Luke can be Dramatic & the Most Petulant but understandably (& prettily) so, and... yeah I probably could muster a criticism for Harrison Ford but also I *can’t*! There are some ridiculous Han Solo moments in Return of the Jedi especially, but also I love him/them/just about every choice these movies made. They just hit on magic.

The magic’s there for me from the music swelling as Luke looks yearningly into the twin suns (the cinematography!), but where it really hits is the up-and-running chemistry between all three of the main actors starting the “Luke, we’re gonna have company” scene, and then, boom, it’s the garbage chute, it’s the you’re-braver-than-I-thought/he-certainly-has-courage, for-luck, here-they-come of it all and the movie is flying. 

...and I will never forgive the sequels for, avoiding spoilers as it sounds like you’re familiar but haven’t seen them, not giving us any true interaction scenes between Rey & Finn & Poe all together until the 3rd movie. While I still so appreciated finally getting that & what we got, for me it was just not just too little but too late. I love the casting & acting for all 3 of those characters, but while fandom’s taken and run with the combination, and they had plenty of chemistry... it should have been up-and-running so much sooner. 

And the prequels just... well, even seeing them in theaters at a susceptible age, the Lord of the Rings movies were coming out at the same time and that did them no favors in comparison. As someone who judges movies above all on dialogue, that... also did them no favors. (Beyond the OT I may have a Nontraditional ranking of Star Wars movies). 

The short version of my prequels & sequels take is that both missed that cinematic magic for me, outside of certain scenes, though I still enjoy them as part of The Whole Thing That Is Star Wars Which I Love. Rogue One had that magic; I know and see the criticism of the early editing & introduction-of-Jyn’s-background-and-Krennic-and-Galen scene, but, to me, that movie is perfect. Solo was solid - maybe not magic, but reliably enjoyable, and I’ve been meaning to rewatch. The prequels & sequels... the lows are very low and the highs are very high, in terms of how they hit me. 

I feel like I’d probably sum them up as Prequels: Good Star Wars, Bad Movies, and Sequels: Good Movies, Bad Star Wars, which may seem a little harsh or too kind on one side or another but gets at my take at the worldbuilding vs. just the cinema of it all. The bread scene in Force Awakens, the salt planet in Last Jedi, the dyad-duel-in-dual-locations in Rise of Skywalker? Gorgeous. Individual scenes’ acting & dialogue is sound for me. And yet. All three sequels’ choices in respect to the entire Star Wars universe and existing characters AND its new characters? ...Tonally inconsistent with each other *and* ultimately with the themes of the OT. Whereas the prequels did so much worldbuilding, and its politics, and I’ll see gifs and think ‘yes actually, is it better than I remember?’... and then I’ll catch one on TV & it’s the Padme & Anakin romance or even Anakin & Obi-Wan’s buddy scene dialogue at the beginning of Rise of Skywalker and the answer will come, clearly: “noooooooooooooooo.”

(...this got long. Which I tend to do when I care, about fiction in any form, and with the prequels/sequels: the ingredients were there to be magic. And just-misses are more frustrating than swing-and-misses. A la, you won’t find me complaining about the Star Wars Holiday Special!) 

(...OK so I haven’t seen all of the Star Wars Holiday Special, and I’m sort of aiming to watch it through this holiday season, since what other year than 2020 seems more appropriate? So I won’t promise not to complain about the Holiday Special but I mostly expect to laugh at it.)

(That said I found the Lego Star Wars Holiday Special an absolute, surprising, laugh-out-loud delight; 9/10 would recommend & yes, 1 point deduction as I will nitpick character consistency even when they are Legos.)