#like i should probably develop that at some point

[radiantmists]

For @charles-rowland-week Day 3: Bag of Tricks Backpack!

I have a lot of thoughts about the backpack (I love a bag of holding) so here's one scene from what will hopefully be a whole fic someday, set at some point before Charles has quite figured the bag out.

***

"I do wish you wouldn't do that in the office," Edwin says from his seat at the desk. He's been reading the same book for more than a day now, some thick alchemy tome that's apparently fascinating enough to hold his interest despite being written using Linear B, which even Edwin finds challenging.

Charles, setting the sparkly rock he's just pulled out of his backpack next to the pair of sunglasses and ornately painted saltshaker that had preceded it, grins up at him.

"You don't want me to bring the bag on cases, now you don't want me to mess with it in the office," he says. "Where am I meant to practice, on the roof?"

"I didn't want you to bring it on cases because I worried you would put case-relevant materials in by accident and not be able to retrieve them in time," Edwin replies primly. "Now that that ship has rather dramatically sailed, I don't want you to use it here because I worry that you will retrieve certain case-relevant materials."

"I told you, I'm pretty sure it ate the demon bats," Charles says. "I mean, digested and all. We're never gonna see them again."

He's only mostly joking about that. Nothing he did should have given the bag the ability to digest magical creatures, but he's got the strong feeling that it has a sense of humor, and if it can develop one of those on it's own, a stomach isn't much of a stretch, is it?

"For all your insistence on that point, you're very willing to put your arm inside of it," Edwin says, not sounding particularly concerned. "Do you not worry that it will gain a taste for ghost, next?"

"Mate," Charles gasps theatrically, "our backpack would never."

"That abomination is entirely yours, as far as I'm concerned."

This is somewhat fair, considering that the bag probably wouldn't have the audacity to withhold Edwin's books if he'd been the one to enchant it instead of letting Charles do it. However, the comment runs counter to Charles' current strategy: sweet-talking the bag into compliance.

"Don't worry," Charles tells it in a conciliatory tone, "he loves you really."

He glances up at Edwin, expecting a comment about misguided anthropomorphizing or something, but no, he's back to the book.

With a sigh, Charles reaches into the backpack again, focusing on his boomerang. It had been pretty cool, enchanted to return right to your hands when you threw it, even after it hit something. He and Edwin had spent weeks poking at the spell to figure out how to reproduce it for Charles' bat.

But at some point after that, it had occurred to Charles to wonder what would happen if he threw it into the backpack, and, well. Here he was a year later, groping around in the void.

(Chucking random magical objects in was probably not making the backpack's behavior more predictable, but Charles never managed to think about things like that until after he'd followed through on the impulse.)

He'd realized (again, shortly after doing it) that the problem with enchanting a bag to be infinite inside was that it now contained infinite amounts of empty space. It's taken him years just to consistently find something when he reaches in. Now he just has to work out how to find what he's actually looking for.

After a few seconds of grasping blindly, his fingers brush against something. It's small, flat and thin like a piece of paper, but a little sturdier-- maybe one of the cards he'd put in as a test a few months back? He'd been pretty sure the whole deck would stay together, but maybe if something else he put in had bumped it…

As far as he can tell by touch, there's nothing else 'nearby' in the void, so he pulls the object out and finds that it's not a card but a bookmark, one of the celluloid ones that Edwin prefers. It's in the shape of a train car, with a little advert for the rail company on the back; Charles thinks he remembers Edwin saying he used to collect these, as a child.

"Think it's trying to tell you something, mate," Charles says, holding it up for Edwin to see.

"Charles, the bag doesn't have ears," Edwin says, but he does finally look away from the book. He cocks his head as he recognizes the bookmark, expression going thoughtful. "If anything, I would say this is an indication that it's responding to your desires."

"Feel like it would be a bit easier to use if it were doing that," Charles grumbles, and Edwin's mouth quirks a bit.

"I suppose I will take the hint, wherever it originates," he says, rising and coming around the desk to retrieve the bookmark. "I admit I could use a change of scenery."

"Brills," says Charles, climbing to his feet. "Wanna take the bag to the roof and see what happens if I turn it inside out?"

"Absolutely not."

[just-null]

*gives null his favorite things in hopes of thinking about this*

What if, from all the stalking the Hantengu clones had done to their darling, their darling develops a lot of paranoia and doesn't let anyone near anymore?

Or maybe their darling has a lot of trauma from man going awful, unspeakable things to them?

((I don't know if I should refer to their darling as female or male and that's my first time ever asking a favorite creator of mine, please don't judge me))

((the Darling can be whatever you want them to be, but I'll always be as neutral as possible, so don't worry! 🐸💖))

Considering that these men are also horrible, it's not surprising at all to find yourself going insane! I wasn't sure whether not letting anyone close included the boys or not, so I did both!

[Cw! Yandere behavior, unhealthy dynamics, obsession, manipulation]

Your sudden shift was wonderful at first! They finally had you all to themselves, and it gave them so much more time to evenly spread your attention between themselves without getting into usual fights.

When finding out about your paranoia, they feed into it, affirming your fears about others just to have you rely on them further. Never stray too far, not like you can, but it's better to be safe than sorry.

Do you want to go out but you're too scared? Wait, right there, they need to decide who goes first to clear the way while the others stay close by!! that way no one will bother you!

Their favorite hobby is stealing—er—borrowing! so you don't even need to worry about something as silly as money or finance to get what you want again!! All you need to do is ask, and it's yours.

Their bias is prominent. Where hantengu would yelp and shout, they'd laugh and scold, but if you were to do the same, they'd comfort and coo. It's cute.. do you want them to get rid of something for you? Hold you? Comfort you?

Nothing really annoys them (aside from each other) now that you fully rely on them. Be as clingy and jumpy as you want, and they'll coddle you. Being spoiled rotten is the goal as long as you continue to cower at the sight of another soul or the thought of being alone.

They almost seem like decent lovers at some point, solely focusing on you and your needs. Jealousy is at an all time low now that they don't have to worry about anyone else. They even begin to hide their violent tendencies, too happy that you're with them to care.

It gets to the point where THEY had to be the ones to leave for important tasks lest they be.. "scolded" by a man you don't need to stress over.

It's devastating when they separate from you.. When they fight, their attacks are ruthless. Brutal. Bloody.. Even Urogi and Karaku are more productive because the image of their beloved all alone and trembling has their unbeating hearts aching.

Even with all this, they're still scummy rats who work together to make sure things go their way.

Sekido doesn't rile up your paranoia unless you insist on going somewhere alone. "Be careful, don't wander off. Yell and I'll go get you, who knows what's out there." He's content with your fears already. In fact, he's.. sweeter. He doesn't get as mad as he used to, only slightly irritated.

Seeking him out to protect you from something small gets the most blissed out expression from him momentarily. His hold is still as firm as ever, but he doesn't insult you as harshly. Quiet grumbles like "Such a baby.. what is it this time?" are frequent, yet he does whatever you want.

Karaku is NOT helping at all. Ever since he noticed you got jumpier, he thought it'd be fun to make you squirm, though he probably teases too much and makes you cry.. Pointing and gasping at nothing, making noises from other rooms, asking, "Did you hear that?" until you're visibly shaking from every little creak.

But it's okay. He opens his arms every time and pets your head, cooing at you, "D'aww, don't start the waterworks, c'mere. I'll knock it off, I was just playing..! Even if I wasn't, you really think I'd let something get you? Never!"

Urogi probably will give you terrifying heart attacks. Because you're so dependent on them now, he can't contain his love for you the second he sees you. One second, you're conversing with one of the boys, then the next a blur of feathers and glowing yellow eyes barrels towards you, toppling you to the floor.

He can hear your heart beating through your chest as he presses his ear against it. He loves the sound!! "Did I scare you again? Hahaha!! You know it's only me who does this to you!! Anybody else would be dead before they even made contact. I love how warm you are, the thump of your heart, the feel of your skin, everything about you makes me too happy!!"

Aizetsu is your worst enemy.. He needs a damn bell! Each step is too quiet, and he knows this. it's purposeful. You need to remember why you're paranoid in the first place, so he lurks around, letting you find him if he's feeling kind or giving you that feeling of being watched if he's not. He doesn't do it for long, preferring to be the one you hold instead of watching the others make an opportunity out of his methods.

When he lets you find him, he pouts, tilting his head as if you're the one who intruded on him. "Dont mind me, I'm making sure everywhere is safe. Did you need something..? Or did you feel how much i missed you? Oh, you're so nice to me.."

———

But then.. you began growing distant towards them.

They're not sure what happened. Honestly, they might take it as rejection at first and double down until they notice you're TERRIFIED. They pause and regroup, planning their next course of action.

They're not as aggressive, just confused and hurt. Attempts to be considerate come off very stiff, but they're trying. They can tell you're not faking it. The terror in your eyes is undeniable.

They do a 180 and fight often when alone, blaming others, then each other for being too much on you. Their muffled yelling and thumping from fighting are loud enough that you hear, though they try making it up to you later.

Even if they're extremely upset about it, they put their feelings aside for you. There's no use talking to someone who won't listen.

Their attitudes get a lot more cautious but desperate. They've dealt with Hantengu's jumpiness and constant crying before, but being the cause in your case makes this more complicated..

They attempt to give you your space, and insist you stay home. Don't like the home you have? They'll find you a new one, a better one, and promise not to get too close. Give them some time. After that, they get rid of any external factors that could be harmful to you.

Unsurprisingly, they can't help themselves and will try to approach and speak to you, even if behind a wall or at a distance. Probably set up a wall divider just so you don't feel as scared to speak to them.

They're desperate and want what they once had with you.. please don't shut them out. this wasn't how it was supposed to go.

Emotional reassurance isn't their strong suit (ironically). They never comfort anybody, not even Hantengu. Combat is their expertise! In their mind, fixing the problem outside will fix the problem inside ..At least, fingers crossed that they do.

It's because of those villains out there that you're so scared in the first place. What kind of disgusting shameless bastards assume they get the privilege to think of you, much less be near you?! The second they know what these "men's" faces look like, their insides will decorate the ground and-!

Ahem—

Let's just say they took a page from Akaza's book and treat men a little meaner than women. As in, making sure at least one bone of theirs is broken if they so much as breathe in your direction.

During the attempt at rehabilitation, they fall into roles according to how they handle you.

Sekido is your bodyguard that makes sure the others behave and you're taking care of yourself. His once long fuse shortened since he began blaming the others for your paranoia. He can't help but be protective. As much as he hates it, he won't focus on anything if he knows you're unwell. He doesn't say much aside from grunts and scoffs in hopes of not scaring you further.

Karaku tries to lighten the mood and fills the silence with stories about what he's seen throughout his life, excluding the violent and aggressive details. Maybe even random stories he's heard, just to try and get your mind off of whatever is troubling you. He doesn't speak directly to you but around you so that you'll probably overhear.

Urogi is the material comfort, bringing you gifts that the others check before they get left outside your room. The gifts aren't as ripped or scratched as they would usually be, but that's because he's trying extra hard to give you something that'll hopefully make you feel better! With his talons and excitement, Urogi doesn't see you as much anymore unless it's through the window when you're asleep.

Aizetsu is the one who frequently speaks to you. He loves gathering information about you and hearing you speak in general. It's a pity you speak less, and when you do, there's a slight tremble.. it's cute, but you sound so miserable.. His airy, soft voice and gentle attitude grow sweeter when announcing himself, "How are you feeling? it kills me to see you like this.. please, tell me what to do to make everything better.”

The eyes you feel get worse since they're overprotective of you. At least they're not as secretive about it! They're insistent and happy that you avoid other people all together, though it'd be much better if they were an exception!

[interlagostrack]

my ranking of best 2025 f1 lineups

ferrari - hamilton/leclerc there isn't much to explain here: lewis is the best and most complete driver to ever compete in f1, and even if he is not at his best, he's still better than the rest of the grid and that's it. charles is exceptional and with a little bit of luck and a car he can trust, he can prove once and for all he is the best driver of his generation.

mclaren - norris/piastri as much as it pains me to admit it, right now, mclaren is the strongest team on the grid. i always liked oscar, i know he is an amazing driver and i think lando turned out better than i expected this year (he still needs to mature a bit). both lack consistency tho.

redbull - verstappen/lawson i put them in 3rd place because yeah, we know if max has a fast car he can (put the other drivers on the wall and) deliver some results. i'm curious how they'll be this year, since they lost some key players last year, especially newey. i don't think lawson will be too hot, he might be just the next driver to have his career ruined by rbr.

mercedes - russell/antonelli i honestly believe george is one of the fastest drivers on the grid and he's also a clean driver who's not afraid to take risks BUT i don't trust mercedes to develop a car that's consistently fast (especially without lewis' input). kimi is a prodigy but i fear toto is screwing up his career by making him skip f3 and not letting him do another year of f2. his 2024 was of highs and lows and he would probably benefit of more time, but oh well

williams - albon/sainz here we have two reasonably good drivers on a reasonably good team and that's it?. like, i don't mean to be offensive, but i look at this team and all i think of is "mid" (and that if williams manages to give them a decent car and they manage to not crash every couple of laps)

haas - ocon/bearman i really like this duo! esteban is one of my favorite drivers and i do hope he finally has an opportunity on a team that supports him and recognizes his talent. oli already proved he is talented enough with all the times he was called to replace a driver last year, and i think a midfield team will be better for his first full season than the pressure that will come antonelli's way.

sauber - hulkenberg/bortoleto as much as it pains me to admit, hulk had a pretty interesting season last year (in parts thanks to kmag, but i do admit he is a better driver this time around) and i like gabi, i think he has a lot of potential to develop on a midfield team, without so much pressure and he will benefit from a more experienced teammate (even if i think it will be a miracle if they manage to score points any time this year).

aston martin - alonso/stroll ok, so here me out: i don't think lance is a disgrace to motorsports, as most fans like to make of him AND i don't think alonso is god's gift to f1 either. to me, lance is a pretty average driver, with some good moments, and alonso is an okay driver that got luck with his 2 titles and somewhow convinced the media he is a genius. at least lance seems like a nice guy. i don't think newey is enough to save this team btw and i don't care too much about them

racing bulls - tsunoda/hadjar i don't have much of an opinion on hadjar and i think yuki is too good for this team and he will crush another teammate. i also think we should give yuki a gun and let him alone with marko for 15 minutes.

alpine - gasly/doohan this will be a shit show, both are good drivers but i think there will be too much drama behind the scenes and not enough results on track because the car won't be good enough.

[klorophile]

I agree and I don't at the same time... I've been having mixed feelings about this take and I'm gonna try to put some words on it.

First of, Arcane absolutely is a modern tragedy, yes, of course, no doubts about that. It's even presented with a classic theatre colored structure: different acts composed of episodes (scenes), and even works in threes to be fancy. And I mean... the characters, their actions, the consequences, the themes, ... You see how things will go bad, and they do go bad because of their premices. Tragedy all the way.

Yes. ...For season 1. But season 2? I personally expected season 2 not to be a tragedy, or at least not fully. Because I feel like... "what's the point?" Season 1 was already fantastically sad. Absolutely all the characters were shaken at their core (to the point of death for some), everyone was facing their big ass consequences by the end of it. Why repeat that in season 2? Because the message of "you always pay the consequences of your actions" had already been 100% delivered, I feel like there was no need to repeat it for another 9 episodes. In a way, I feel like it's redundant.

And maybe that wouldn't have been a problem. I mean, Game of Thrones told us from the start "you're gonna cry, 'cause the world is horrible and that's it" and repeated it throughout all the seasons, sure, but I think one of the differences is that Game of Thrones never promised anything else. While I know I feel like Arcane did.

One of their motto for the second season was that everything was going to be turned upside down, a 'story of opposites' as Silco says, they wanted to force the characters to be the opposite of what they usually are (Vi with no one to protect, Jinx a hero, ruthless Caitlyn, not alive silco ToT etc). And well... If season 1 was a complete tragedy and season 2 is going to be the upside down version, then why is it still a tragedy?

And I know, writing those words, that the obvious answer is "because everyone still face consequences", "because the world is a tragedy no matter who you are", "because you can't escape", etc etc. Okay. Maybe (most probably) I'm just a pussy who can't stand sad endings, especially when I have a blorbo from this show. Maybe.

But I think a lot of us are feeling betrayed, not just disappointed, hence the strong reactions. For @angelinthefire's "Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not." I wonder: Wasn't it the story itself that made us expect another genre at the end? Like I said, the part 1 tragedy then part 2 same tragedy feels weird.

And, in all honesty, I hate that I am saying all of that, because I completely agree that people should just tell the story they want to tell however they want to tell it. I did not expect to find myself complain about something being a tragedy instead of having a good ending.

But the other thing is that I feel like season 2 is not completely consistant about its 'consequences', and also, well, a bit cruel... Because if you look at Caitlyn, she paid very little, she's just forgiven by the narrative like that, because the writers decided that she was 'good', and that in spite of her actions. And don't read this as Caitlyn hate, I absolutely love her, but I think that doing this to her kept her away from the character development she could have had. I feel like they made her narratively good, but also less narratively intersting than she could have been.

Meanwhile, Jinx had to die with Warwick, and the message is that she finally pays the consequences of her actions from when she was 12 and accidentally got her family killed. And that's... brutal. Of course, I am a Jinx stan, so I'm not objective at all, I am aware. But if I am a Jinx stan, it's because the show made her oh so relatable. A lot of people see themselves in her. And that makes killing her a little tricky I think... Especially as what she is being 'punished' for was an accident, that in the end does not get to be forgiven.

And I mean... I think all of this could have been okay, actually. Season 2 could have been a second tragedy, why not. But what bothers me the most is simply that it does not work as well as season 1.

In season 1, the end is unescapable. That is precisely why it's a tragedy. Everyone is aiming towards it, everything is falling falling falling to this. But I am not convinced by season 2. Viktor and Jayce had to be obliterated by the arcane to save the world? Ok, sure, but then explain it! How does it work? What did they actually stop? Because the Hexgate is still standing there, hextech still exists, Piltover is still what it is... Events are going to repeat themselves. And sure, there won't be Viktor for a new Glorious Evolution, which is for the better, but what how why Ekko what what happened?? It's just not explained enough. If it's all about consequences then the arcane and the wild rune should be explained better because nothing feels like consequences, it just feel like plot written for itself. It doesn't feel like a tragedy, it feels like a story written by people trying to knot an ending. Vi and Jinx can't have a relationship anymore, because they always fall in this codependant nocious thing so Jinx has to fake her own death and flee the country all on her own? Ok, that's interesting. But why show that they could and actually did begin to mend things between each other then? (the both of them working together as equals, Vi asking for Jinx's opinion, Jinx learning to be the big sister with Isha and by seeing Vi with her alcohol problem, ...) Why show Vander and Silco (Vi and Jinx parallels) together if by the end the conclusion is that you cannot mend a relationship when it's been too bad for too long?

Anyway, I feel like what I disagree with in season 2 (one of the things at least, because we're not talking about the Piltover/Zaun storytelling here, amongst other things) is that we were told that it did not have to end badly, and then it did anyway, and for reasons that are not solid enough. I agree with season 1 because I see how it couldn't have turned differently. It shows us its heroes, and because they are what they are, the end is what it is. But in season 2, I just feel like the sad ending was forced. It's the other way around: the end has to be sad, so the characters are going to do this and that. And I think that is also a part of why we read the 'consequences' with the morale glasses on: because if it is more forced than logically flowing, then we see the choices the writers deliberately made, who they chose to keep alive and who they did not, and we wonder why.

They say it's about consequences, but it feels more like they are forcing their characters in a direction because they want the end to go a certain way. It's not inescapable like season 1. And if it's not inescapable, then maybe we deserved a good ending for season 2. Or at least an episode 10 that would be an alternate ending or something.

I've been thinking about how I would most concisely sum up the plot of Acane. Because I think a lot of the complaints you see come from some people result from expecting it to be a certain kind of story that it's not.

And I think the most concise way to put it is that Arcane is about consequences. The first episode starts with an explosion, that the characters spend the rest of the arc dealing with the repercussions of. And then the first arc ends with two massive events - Powder killing her family and the invention of hextech - that they spend the entire rest of the show dealing with.

I think most of the stories we get from Western media are about achieving or accomplishing something, or the failure to achieve something. And you can frame Arcane in those terms. But I think to best understand the story, you have to step out of that typical framework. Because the thing with an achievement-based story is that there is a particular end goal in mind, and I don't think Arcand has that.

Like take Vi and Jinx, for example. A typical way to frame their story would be that it's about two sisters trying to rebuild their relationship. That presupposes a certain ending: They either succeed or fail at their relationship, and that's what the focus is on.

But it's not about that. It's about - how do you deal with an event that fundamentally changes you?

In season 1, Vi's answer was to recapture what things were like before. In season 2, they try to redo the past (saving Vander) and get a different outcome, but that's impossible. The answer comes with Ekko - to build something new.

And this is all over the show - action and reaction, how the arcane wakes up, killing is a cycle.

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[bumblingbabooshka]

My baby's just fine. She knows all of her rhymes. [Patreon]

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[supurman]

[3rdbogwitch2theleft]

*watching Resident Alien season 3 undermine and almost completely sideline one of the core friendships that made me fall in love with it*

[mabaris]

that stupid comicbook.com article and also fan response in general to the companion romance situation annoys me so bad for the sole reason that everyone acts like the only people in the game are the pc and playable companions

[fluffle-writes]

I wanna. Pick them up in my mouth and shake 'em around like a dog obliterating a squeaky toy

[danielnelsen]

there’s so much i wanna do this week/month/etc but i’m just too sick, i have no energy, i can’t sleep, i’m constantly nauseous and headachey and on the verge of a migraine, i’m stressed and irritable and impatient and panicky…….how tf did i survive nearly 5 years of high school untreated if i can’t even manage this when i don’t have any major obligations rn

[juniperberrypipebomb]

Decided to log into twitter (hell) and outside of everything going to shit as always i found this piece of shit as my banner

I dont even remember when i made this but i do remember that i did and i remember how i made it

I saw a picture on twitter w some kind of caption and decided that i could make it look like a banner

i tried to add the fire flaming text that i saw on some reposted to twitter tumblr posts where someome makes a grammatical error and someone corrects them in a form of flaming (sometimes animated) text (never change guys, gals and all of you magnificent pals lol) but at the time i didnt know the website that you all used so i tried to improvise and google

I remember half way thru the making of this text being so upset that it looked like shit but after taking a break for 20 minutes i said "fuck it, it is way funnier this way" and i kinda glad that back then i decided to "fuck it we ball" it

It looks disgusting and i love it

[musical-chick-13]

Regarding the previous post, I think the way I approach trying to evaluate a piece of art is asking "Do I think the positive things I get out of it outweigh the parts of it that I don't like?" And when I call something a "guilty pleasure" song/show/book/piece of media/etc. it's really more in the sense of, "Given who I am as a person, the flaws I've found in this should be complete dealbreakers for me, but somehow they aren't, and it makes me feel like I'm having an identity crisis."

[akkivee]

i’m pretty sure the reason we got nagosaka’s second round of solos mimicking the og album art was bc kr was making a concerted effort to bridge the gap between the amount of music the ogs and nagosaka have lol

but those first solos for the og divisions were their beginnings as characters so maybe we can pretend round two solos for nagosaka is their true beginning lol

[angelonasher]

how dare my brain think about my oc's actually