#like i could SEE tcw ahsoka

[my-own-personal-dragon-horde]

Idk about y’all but that little smirk Rosario Dawson had after she first clashed blades with Skoll made me yell “THERE SHE IS!!” at my television.

[sesamenom]

baylan skoll (from ahsoka) over time, inspired by the realization that he's the same age as baby yoda

(+ designs for his first padawan + commander)

[munadyke]

ok. sometimes I just want to listen to people talk abt star wars but the youtube results are all men and I refuse to do that to myself. found myself on a reddit thread of good sw youtube accounts/podcasts and it's like....for one dollar name a woman:/

[ahsoka-in-a-hood]

I loved seeing Anakin through Ahsoka's eyes, and how her older perspective blended with her younger. I loved how discomfited she was, seeing the battlefield again. I loved how Hayden played him, capturing his TCW self, and seeming like how she saw him back then, what he projected to her- this cool older brother, adapted to the field of war. I loved how his jokes weren't funny, either in retrospect or at the time. I loved how his tenderness, and her tenderness to the injured clone, and her youth, were all juxtaposed against the brutality of it.

I loved how even in the very first flashback of one her earliest engagements, Vader and Anakin were melding in her mind. I loved how her view of his apparent callousness about war and his methods of training changed with her knowledge of his future. I loved that she could no longer separate in her mind what he taught her from an adapted version of the jedi way and the way of Vader.

I loved his cocky confidence and her disillusionment, and the heavy feelings under them. I loved that he -in her mind or actually- was still proud of what a skilled warrior she had become, could see that she was more than that. I loved, and got chills, when he transitioned into vader and turned his blade on her, even in her siege of mandalore form, in a horrible echo of what may well have happened if she'd been on site for his fall.

He was larger than life, and he was lovable, and he was terrifying, and I understand why he haunts her.

[gffa]

TALES OF THE EMPIRE wound up being a mixed bag for me, there was a lot I enjoyed but there was a lot that just felt really unfulfilled. Morgan's episodes were very pretty to look at but I couldn't help thinking--the entire time I was watching, even--that Filoni's not great at creating new characters that can carry entire episodes like this, none of this felt particularly necessary or like it was fulfilling a void that I wanted to know more about. It doesn't help that I still think her arc in live action was badly handled, that if she was meant to be a Nightsister from the beginning, her first episode should have dealt with that, instead of springing it on us later, so when filling in the background of her on Dathomir in TOTE, it brings all that up for me again.

Morgan's first episode was so pretty and it was interesting to potentially get more Dathomir lore (even if it's incredibly thin and I felt it was too close to the "we see others suffering in the galaxy, but we don't want to get our own hands dirty by fighting for other people or getting involved in helping others, btw we're morally better for that :)" trope for me personally) but everything on Corvus just felt superfluous to me and I spent time trying to figure out why I felt that way. If they had done her story this way or that way, would I have enjoyed it more? If they had included this or that, would I have thought it more necessary?

And ultimately I just kept coming back to that I don't really care about Morgan Elsbeth enough that I wanted three animated shorts dedicated to her, when I could have had so many other characters get fleshed out better. I appreciated that they were showing two characters on opposite journeys, that Morgan was falling into the dark step by step, while Barriss was slowly clawing her way out of it, but that's about all that I appreciated of Morgan's story (other than the beautiful animation).

But I'm not sure I feel like Morgan's motivations were all that well planned out. It's clear that she's looking for revenge and trying to find a new family at the same time, but it's not really clear why she's working with the Empire or how she thinks this leads her to her goals. Grievous is the one who murdered her village, how does working with the Empire (as the Separatists were folded into the Empire, too) achieve that goal? Who or what is her revenge focused on? Is it that she just wants the whole galaxy to burn, because if her village burned, so should everyone else? I feel like that's probably what they were going for, but that it could have been more coherently written.

Barriss' episodes hit a lot harder, where I'm glad that she at least got an arc, but I feel like it just missed so many marks, like why even have Vader there, I'm all for gratuitous Anakin cameos, he's my trash can man and I'm always excited to see him, but absolutely nothing was done with him, despite that he was looking Barriss right in the face there. Not even a moment of showing the audience, "Oh, his soul is so far into the dark of fear, hate, and rage that he doesn't even care about her anymore." Just nothing there, like there was no connection at all. How do you go to the lengths of putting Vader in a scene with Barriss and then treat it like there's no history between her and Anakin??? So completely unsatisfying!

And then it's another series where other guest appearances would have made sense--Barriss has a whole unfinished story with Ahsoka and you don't include her here? I'm as tired of Filoni putting Ahsoka in everything as anyone else, but here it would have made sense and would have brought that relationship full circle on-screen, Barriss' betrayal of her and her clawing her way back to the light after all the trauma and hurt, there's so much she and Ahsoka would have between them. And then nothing.

Or Barriss' relationship with Luminara, TCW never really got into how that must have felt for Luminara, to have her student betray the Jedi so profoundly, for her to fall to the dark, there's such a well of potential there and it's just entirely ignored. She mentions Luminara once and it was a lovely mention, but there's no sense of resolution or completion to that arc.

I did enjoy her story with Lyn and I try not to compare what the show wanted to do with what I wanted the show to do, but I couldn't help it. During all those scenes, all I could think was that this could have been so much more powerful and complete if it had focus on Barriss' established relationships and characters I already care about, because a new random Inquisitor is just not going to hold the same weight for me as my pre-investment in Ahsoka and Luminara. (On the other hand, with the way they butchered Luminara in the last season of TCW, maybe I dodged a bullet!)

For all that negativity, though, I really loved that Barriss found herself in being a healer again, that she found the light again. That's all I've wanted for my girl!!!! (That and put a headdress on her, ffs.) I legitimately took in a hard breath when she said, "Then you have one more Jedi to deal with." because Barriss is still working through too much to fully come back to clarity re: the Jedi at that point , but when it really came down to it, when she really saw what the dark side really was, part of her still was a Jedi. And the way she spoke of her time as a Jedi, once she had a clearer, lighter head again, was sweet, I was so surprised that we got that much from her, but I'm so glad because, if nothing else, Barriss herself deserves to be in the light again.

The way she was settled into her own skin by the time she confronted Lyn on the icy planet, the way she genuinely wanted to help her, but wouldn't let her hurt innocent children, the way she could sidestep Lyn's predictable moves and could stop the blade with just a hand held out, she found her path and what she wanted to do, and oh it was so lovely to see Barriss finding herself again. I loved so much that her unshakable compassion did reach Lyn, it was such a satisfying arc for Barriss to reach that place after all the people she'd hurt. I loved so much that Barriss getting back to this place does a lot to remind us that her foundation is a compassionate one, even if she was lost to the dark for awhile.

I just wish that there had been acknowledgement of those she hurt, the people that died because of her, the betrayal she stabbed people in the back with, rather than just "sees the dark side is bad, walks away, finds the light again", which goes back to that this feels like a generic story that's mostly impactful because I'm filling in the gaps myself because I already know Barriss as a character, rather than that it continues the story that was previously told about her.

At the end of the day, I enjoyed it and I recognize that I'm being a little unfair in how I'm saying I wanted this, this, and this, rather than digesting what the show itself wanted to do, but when you're crafting two stories that are specifically about showing us the journey of two characters that originate elsewhere, you're drawing on the stories from those other origins--except TOTE decided to only halfway do that. There's a lot to love in these shorts, the animation was incredible, the voice work was incredible, Barriss' emotional journey was incredible and I'm so thankful that they even gave her any kind of compassionate resolution. But the specter of how much the shorts ignored hangs over it too heavily for me to say that they were anywhere near what they could have been imo.

[saintmurd0ck]

lakeside dreamin'

masterlist

pairing: jedi general anakin skywalker x f!reader

summary: anakin reminisces about your lives together while he's away fighting in the clone wars

warnings: heavy angst, mentions of canon events in TCW, canon typical mentions of warfare, some smut/spice, mentions of sex, minors DNI 18+ only

a/n: to the one anon who requested this maybe a year ago? i saw clone wars anakin and it was over for my brain 🫠 anyway love you guys and leave a comment or reblog if you liked this! 🥺

song pairing: love on the brain (rihanna)

The war was taking its toll.

Day after day, planet after planet, all Anakin knew now was his place on the battlefield. And his role in leading the victory for the Jedi and the Republic, even though their dogma preached peace, not violence. Every skirmish brought a new kind of horror to his once uncomplicated life, whether it was watching Separatist droids and clone troopers alike, cut down as easily as marsh reeds, or the simple fact that his relationship with the Force was dwindling towards something impure. Something he couldn’t make sense of, and would surely raise more questions than answers if he were to confide in his Masters. It wasn’t that he contemplated reaching towards the Dark side, or thought of the kind of evil only the Sith could endure; it was more like an isolating numbness that spread from within, and before long, Anakin felt the cloud settle over his mind.

He was tired of seeing smoke — the kind that billowed in every direction, stinking of despair and lost hope on his front, despite the war turning to the Republic’s favour. It was the sound of unending blaster fire and the repetitive ignition of his lightsaber that haunted his nightmares, and with only the company of his clone legion, his Padawan Ahsoka and the occasional appearance from Obi-Wan, he felt himself starting to slip.

He was overwhelmed, and encumbered with burden. 

Never before had he experienced such guilt, anger and suffering — towards his army, towards the civilians caught in the crossfire, and towards his relationship with you. 

The secret life the two of you led, away from the Order, felt like something out of another galaxy, another lifetime. It was as if eons had passed since he’d last seen you, and yet the world was constantly evolving — not towards freedom, but into a more destructive version of its past. Even for a Jedi General (and, one could argue, because he was a Jedi General), Anakin had little comfort, and much less sway in which systems he visited and what he took part in. Seeing you was absolutely out of the question, but it wasn’t like he bothered to even ask, out of fear of inviting a lecture from Obi-Wan, or Maker-forbid, an audience with Master Yoda. 

At least things like facilitating training for the Onderon rebels allowed him to feel more of himself, and to an extent, a sort of unity with the Council, but all of that was quickly replaced by the more sinister side of the Separatist Alliance, such as the trainwreck on Zygerria. Liberation didn’t exist there. Not until Anakin showed up.

It was these events that really compelled him to look inwards, to not just seek the Force’s guidance, but to use it in tandem with a coping mechanism that would get him through the war. 

And so the vignettes began. Slowly, at first. 

It started off as little glimpses of your life together, slices of euphoric nostalgia that weaved their way into Anakin’s being. He didn’t realise just how much he yearned for you; not simply the way your skin felt on his, but the pureness of your energy, the reminder that good truly did exist in this world. As much as these images were a solace to his sanity, they brought about a sense of malaise. Contrition, actually, if he sought the Force for the purpose of clarity. Even though it all existed in his head, allowing himself these indulgences felt like once again, he was breaking Code. 

But could it really have been that bad, if it honed his focus? If it drew him back to the bigger picture, of the why? Reminding himself of who it was he fought for didn’t erase the atrocities, but it gave him that flicker of hope, knowing that the sum of his actions equalled a better world for you. 

And some selfish, miniscule part of him figured that if he could lead the victory, he’d be pardoned when the Order inevitably found out about the life the two of you shared. It isn’t as if no-one already knew. He was sure Ahsoka was aware. Rex, too. He doubted when it came to Obi-Wan, but then again very little got past his Master. 

While the memories of you lay fresh before his eyes, they seemed to sharpen at specific points throughout the day; often in the thick of battle, or when he woke up in the middle of the night, drenched in a cold sweat, nothing but thin shafts of moonlight illuminating his body. It’s like they were stitched perfectly amongst the real action, scattered at perfect intervals that jerked his body into manoeuvre.

The sweetest images had always featured the lake. 

Armed with nothing more but his wits, his back pressed against the cold, wet stone in a cave on Vanqor, he reminisced about that first night with you by the lakeside. The sweet smell of wildflowers carried in the breeze, heightened by his affinity for the Force. He recalled the gentle lapping of the waves on the shore, and how the two moons cast their milky glow upon the shimmering surface of the water. And you — radiant, almost ethereal in the soft light, and the way your lips brushed against his neck, filling him with the kind of heat that flooded all at once. Not even the screech of the pursuing gundark could have interrupted this moment in time. He felt his breathing go ragged, because he remembered what happened next. He gritted his teeth, thinking about the way he moved inside you, and how you tangled your fingers in his hair, pressing chaste kisses to his mouth, his chest, whispering his name in sinful bliss. The gundark didn’t stand a chance. Not when Anakin’s motivation for getting out alive laid in sweet promise, embedded in these visions.

His name felt the most natural rolling off your tongue, nevermind that that was truly the last real thing he possessed, unmarred by time and the influence of the Jedi. In that moment, when you’d taken him over the edge with you, crying his name so loud he swore someone had heard, he knew he’d give it over to you if you’d asked.

He thought of the lake again when he was in Felucia, crouched low amongst the sillum. His lightsaber grew heavy in his hand, the ridges suddenly awkward in his palm, but the grip he’d started to lose on his lifeline gave rise to something he couldn’t ignore. 

It was another temperate day and the sun had created the most brilliant reflections on the surface of the lake. With the grasses and trees swaying in the wind, Anakin closed his eyes, reaching out with the Force. He didn’t prod or poke, but rather he cast a wide net, a delicate caress, to connect with the life that teemed. It sang to him in a multi-layered harmony, acting as a prominent reminder that the Force flowed in all living things. And when his eyes fluttered open, he watched you carefully as you walked towards the water, your feet crunching on the smooth pebbles that made up the beach. You turned around to give him a dazzling smile, moving with deliberation to slip off your clothes. Your laughter echoed in the crisp air as you dived into the lake, disappearing under a swathe of emerald green, only to resurface in the middle with a large grin plastered to your face. He didn’t hesitate to jump in, to shed his clothing on the spot. A shudder ran down his spine at the thought of what happened shortly after. 

Sometimes it was hard to return to the present, to remember that he’d sleep alone that night while you were only just waking up, systems away, most likely after another fitful slumber.  There were times where he thought these visions would serve no other purpose than to derail him, when the temptation of your touch shadowed his desire for victory. These moments guided him to channel the Force within, so as to remind himself of why he was doing this in the first place. Because it was more than just a coping mechanism. It was an anchor. A thrumming pulse point. A gentle acknowledgement of the life he wanted to come back to.

It’s then that he wondered when enough would be enough, when the war would come to a stalemate, as it so often did in their history. The tide was turning, and he knew it.

And there it was again, that kernel of hope, that ember of light that shone in the depths of his soul. Even reduced to a ghost in his memory, you were tangible, so tangible now. He wouldn’t let the Separatists win. He couldn’t, because there was too much at stake. And so if thinking of you, in these ways, helped him remember that, he wasn’t going to stop. 

Not for anyone. 

[david-talks-sw]

I think it's interesting that - in order to make his "free-thinking Jedi" characters hold any semblance of rationality in their arguments - Dave Filoni needs to resort to artificially dehumanizing the other Jedi and painting them all with the same "we dogmatically worship protocol" brush.

He does this with Huyang in the recent Ahsoka episode.

"Lolz he's so narrow-minded, preachy and by-the-book, unable to think outside the box, just like the Jedi in the Prequels."

My first reaction was being amused at the fact that Filoni had to resort to making the Jedi Order's ideals and rules be embodied by a literal machine for his anti-Jedi headcanon to start making sense.

But then I remembered: Huyang isn't just any droid.

In The Clone Wars, he had a sassy personality, he had a pep in his step, he had a sense of humor...

This character was human in his behavior, he was fun and whimsical.

But now he's been reduced to, I dunno, "Jedi C-3PO"? Basically?

"Ha! He's blunt and unsympathetic because he's a droid, but it's funny because the Jedi were the same, they were training themselves to be tactless, emotionless droids."

And Filoni does this with Mace Windu too, in Tales of the Jedi.

Mace, who brought a lightsaber to the throat of a planetary leader to defend the endangered Zillo Beast...

... and who went waaay past his mandate by mischievously sneaking around Bardottan authorities and breaking into the Queen's quarters because he felt something bad was afoot...

... was reduced to being an almost droid-like, rule-parotting, protocol purist who sticks to his instructions (and is implied to be willing to let a murder go unsolved so he can get a promotion).

I mentioned this at the end of my first post on Luke in The Last Jedi... while changes in personality do happen overtime and can be explained in-universe... if you don't show us that progression and evolution and just leave us without that context, that'll break the suspension of disbelief, for your audience.

Here, we have two characters with a different (almost caricatural) personality than the one they were originally shown to have.

Now... we could resort to headcanons, to make it all fit together.

We could justify Huyang's tone shift 'cause "Order 66 changed him". And we could make explanations about TotJ's Mace:

Being younger and thus more ambitious and a stickler for the rules, and only really becoming more flexible after getting his seat on the Council and gaining more maturity.

Being such a teacher's pet in the episode because we're seeing him through the eyes of a notorious unreliable narrator, Dooku.

There'd be nothing wrong with opting to go with either of those headcanons to cope with this. After all, Star Wars is meant to help you get creative.

But the problem I encounter is that:

Filoni has an anti-Jedi bias, so the above headcanons clearly wouldn't really track with his intended narrative.

We'd be jumping through hoops to extrapolate and fill in what is, essentially, inconsistent characterization, manufactured to make Ahsoka and Dooku shine under a better light.

And that sours whatever headcanon I come up with.

Edit: Also, yeah, as folks have been saying in the tags... wtf is "Jedi protocol"? The term isn't ever mentioned in the movies, I skimmed through dialog transcripts of TCW, never saw it there.

So it's almost as if - if Filoni wasn't draining characters like Mace and Huyang of all humanity and nuance - his point about "the Jedi were too detached and lost their way, but not free-thinkers like Qui-Gon, Dooku and Ahsoka" wouldn't really hold much water.

[antianakin]

Unpopular opinion: I think Ahsoka is at her best and most interesting in the first two seasons of TCW and has only gotten progressively less nuanced as the years have gone by.

Ahsoka in TCW intentionally has flaws. They're pointed out more than once, there's ENTIRE EPISODES dedicated to Ahsoka having to fix her mistakes or being punished for disobeying orders or having to learn how to be better after she messes up and hurts people. Ahsoka has to keep learning lessons from Tera Sinube, and Aayla, and Luminara, and Padme, and Yoda.

But by the time you hit around season 4, Ahsoka starts being PERFECT. She is suddenly FLAWLESS as far as the narrative seems to see it. Even if she's doing the wrong thing, you're supposed to recognize that she is doing it for the right reasons. She's constantly level-headed, wise, and often treated as though she's practically an adult Jedi by the other Jedi around her despite having been young to be a Padawan at all and with only 2 years of training tops. It's no wonder so many people were so ready to believe that the Jedi were ready to Knight her at the end of the Wrong Jedi arc, Ahsoka's being written as though she's suddenly 25 years old with a decade of training, similar to how we see Obi-Wan acting in TPM instead of the barely trained child she should still be.

And then you hit Rebels and she's literally making entrances BATHED IN LIGHT LIKE AN ANGEL, incapable of being beaten by anyone except Darth Vader himself, she's got lightsabers of PURE WHITE LIGHT, and the other two Jedi characters treat her like a Master. And then she dies, walks off into the shadows, and comes back swathed in white robes and with a white staff, haloed in light like a wise shaman of some kind.

At least Din manages to push back against her choices in The Mandalorian, it's probably the first time we've seen Ahsoka have an opinion that someone else disagreed with and that the narrative explicitly treats as WRONG, forcing her to reconsider and make a different decision.

But by The Book of Boba Fett, she's schooling Din now, back to being the wise shaman who knows everything and can do no wrong.

In Tales of the Jedi, Ahsoka is practically perfection incarnate: more skilled than any other Jedi, more compassionate and connected to the galaxy than anyone else, someone who tamed and rode on the back of an apex predator before she could walk.

I want Ahsoka to have FLAWS again, I want the narrative to let her be WRONG and reap the consequences of that, I want to see Ahsoka LEARN SOMETHING again, I want to see her GROW as a character for the first time in over a decade.

[darkside-skyguy]

Ahsoka Part 5 thoughts (spoilers)

For me, this finally felt like an episode of Ahsoka, rather than a Rebels sequel series. I love Rebels but if you're going to call this the Ahsoka show then you damn well better center the title character!!! Anyway, this episode was all about her and her trauma and we needed this deep exploration in order for the character to grow. She could not have continued on this journey without confronting Anakin. I only wish there was more of this exploration!!!

On that note, I'm glad Hera isn't going with Ahsoka to find Ezra and Sabine. As much as I love Hera, this is Ahsoka's journey and the show is stronger for focusing on her rather than splitting its focus between all these different characters.

HAYDEN CHRISTENSEN IN CLONE WARS ARMOR

I've always been a Hayden Christensen fan but good god Hayden Christensen was amazing in this episode. Just so so SO good. It was so exciting to see him embody the Anakin of TCW that I literally sat up in my seat and screamed every time he was on screen. Really, it was magical to watch <3

The shot of Anakin transforming into Vader and back again in the fog was EVERYTHING!!!!!!!!!!!

Sith eyes sith eyes sith eyes sith eyes

I loved the flashbacks and I loved little Ahsoka. Seeing these scenes in live action really emphasized just how young Ahsoka was when the Clone Wars began in a way that animation never really did. It was so cool to see this side of Anakin in his role as mentor at the very beginning of Ahsoka's training. I want 50 more episodes of scenes like this, please.

REX MY BELOVED

"You are more because I am more" I am WEEPING

The only thing I was a little disappointed about was the World Between Worlds. We didn't actually see any portals or how the WBW works. The fight between Ahsoka and Anakin could have taken place anywhere and I'm still not quite clear on why they were in the WBW. Was Anakin a Force ghost? A memory? Is he like the Son now, but instead of Mortis he lives in the WBW? I would like more information, but I don't think we're going to get more and that saddens me.

Very excited to see where the purgill take them. I love that they are leaving the galaxy far far away for the first time (outside of the EU, anyway)

Can't wait for next week :) :)

[echoxbuggs]

Random Clone Headcanons

These are all just my opinions and personal headcanons. Feel free to contradict me on any lmao

Hunter is a huge eavesdropper. Not that he necessarily wants to be, he just can’t help it with his heightened senses. He can hear whole conversations perfectly from like, three rooms away. This also 100% backfires when he hears things he most definitely has no business hearing and it traumatizes him.

Rex and Cody are Echo and Fives’ parents but like platonically (bc cloncest is disgusting imo)

Wolffe would definitely hate Tech. Like, that one arc in TCW where he was stuck with C3-PO and it was just constant eye rolls. But oh god how is this an actual human being. Rex might have to hold him back from punching Tech out of annoyance.

Crosshair and Hunter did each other’s tattoos.

Rex had tattoos in honor of the domino twins. (a handprint and number 5)

Tup’s hair is literally so curly and fluffy and soft and adorable and i could go on rbejjsjs

Waxer and Boil tried at least once to go see Numa again but never were able to.

Wolffe (and probably the rest of the Wolfpack) sees Ahsoka as his little sister.

Along with that; Wolffe was absolutely devastated and felt betrayed when he learned Ahsoka was working with Ventress.

Cody has absolutely no reason to spin kick droids like he did except for showing off and trying to make himself look cooler than his brothers (Wolffe)

Tech is autistic.

Echo is likely also autistic.

Clone cuddle piles are a regular thing among all clones and although they might grow out of it as they age, if one poor clone bb has a nightmare, his vode are not letting him sleep alone. Nuh uh. Monsters and war problems can’t get to him if he’s safe with us.

[kanansdume]

I think my problem with Ahsoka's characterization in the show is that it's not ENOUGH. She's not ENOUGH of an asshole. Like yeah, sure, she's a little distant, a little prickly, a tiny bit of a mess. I want this woman to completely and utterly fall apart, I want her SHATTERED, I want her to just mcfucking lose it somehow. I want her to completely shut everyone out, I want her snapping at everybody who tries to get close to her, I want her insisting she knows best when it's so so clear that she doesn't, I want everyone around her trying to reach out and help her and have her refuse every single offer because she doesn't think she NEEDS it despite how obviously she does.

That's the biggest problem I've seen with Ahsoka for a LONG time now, since at least Rebels, but potentially since Seasons 4-5 of TCW, too.

It's not ENOUGH. She faces things too calmly, she's not reacting as much as she should. Her Master comes back to life after 15 years of thinking he was dead and it turns out he was the one who betrayed her all along, he's the monster that haunts her nightmares, and then he immediately tries to kill her again, and she hasn't really ever broken from that. That should BREAK her. We got an entire six episode season where we saw Obi-Wan completely broken and depressed, he was refusing to help people we know he wanted to help, he wouldn't stand up for himself against Owen, he lived in a cave by himself, he couldn't reach Qui-Gon no matter how hard he tried, he could barely use the Force, and he got trounced by Anakin when we all know Anakin was never his equal. And all of that was established within the first three episodes of the show, the same amount of episodes we've now had for Ahsoka, so it's not like I'm not giving the story enough time here.

THAT'S what I wanted for Ahsoka, that's what I want to see in her, I want her beaten down and at her lowest so that we can actually see her go through a story where she has to pull herself together again. But she just seems... fine. She's a tad distant, the barest hint of prickly, she folds her arms and doesn't smile much I guess. That's it. That's the extent of what we get to see of her having to live with the truth about Anakin and what that means for her.

And it just isn't interesting. It's not enough. This isn't a deep dive into Ahsoka's character, we're still just skimming the surface.

[ebisul]

Sterile Mandalore and my issues with the New Mandalore we see

I want to preface this by saying a lot of what’s wrong with Mandalore and the Mandalorians is fully Filoni’s fault (among a variety of other people involved) for being a bad storyteller. Also between brain fog, ADHD, and a severe anxiety disorder, I’m brute forcing my way to coherency.

This is in no way a defense of Death Watch or the history of imperialism. I won’t tolerate anyone comparing me to a terrorist organization for not liking the depiction of Mandalore under New Mandalorian rule or any particular Mandalorian Character, yes that has happened before.

As an overview, I will be going over the setting of Mandalore we see visually, a few of the characters and what those characters say about Mandalorian culture visually, as well as briefly touching on the Clones, and finally how each of these contribute to the Mandalore we see in The Clone Wars.

Now I wanted to write this because I actually deeply enjoy the Mandalorians as a culture, I think everything from the language to the armor to the Resol’nare, uncertain if thats canon, is absolutely fascinating. However, what we see in The Clone Wars has next to none of that outside of Death Watch, the terrorist organization.

The Setting of Mandalore

Mandalore the planet is primarily composed of harsh, seemingly uninhabitable deserts created from centuries upon centuries of war. What we do see of the civilization on Mandalore is primarily within the domed capital city of Sundari. Now there are a few things I wanna touch on here, primarily certain locations, such as the schools, the palace, and the overall visuals of the city, and the people, as a whole as well as individuals.

Beginning with the Schools,

We see schools on Mandalore at least twice in TCW, once during the poisonings when we see a cafeteria and once during our stint with Korkie where we see classrooms and dorms, and i have always hated the way they look. I will say that you could very well interpret the Royal Academy of Government to be a sort of military school, though given the New Mandalorians are all about peace and pacifism it would be an odd choice to send your nephew there.

Visually speaking, the schools are beyond dull. In the classroom we see Ahsoka teaching in, the entire room is gray, with nothing but the desks and a projector. Look at the kid in the front row! Thats how I feel looking at this room!! These are presumably either teenagers or young adults at a boarding school. Im not expecting much for a classroom but a dull dark gray, empty room is not conducive to learning.

I also want to note that they wear uniforms. Its totally normal for a boarding school to require uniforms, that makes sense, however, these uniforms have one singular interesting component and thats the iron heart. I can’t find an exact meaning behind the symbol outside of reddit so im hesitant to define it here, however what we do know is that the symbol is absolutely ancient. A significant part of Mandalorian history.

The rest of the uniform is similarly a dull cool gray, or perhaps a dull blue. And there doesn’t seem to be much individuality in the uniforms, that is outside of hair and whatever gambit-style headwear those kids are wearing at least, but even then they’re mostly all very similar hairstyles.

Im also electing to ignore that there are seemingly two separate sets of triplets here. I know it’s an animation shortcut. Still, they are still there and I can’t ignore them now.

Now, on to what I’m presuming is either a dorm or some sort of recreation or break room, I don’t remember much of the context and frankly you can’t tell from looks alone. I’m leaning toward a dorm because that was my first interpretation.

Regardless of what this room serves as, be it dorm or break room, its still void of character. If this were a dorm, we would have no indication of whose it could possibly be.

It looks like the light behind Korkie is a map of some sort, or something similar its unclear, but that and the neon lights above Soniee are the only sources of color. The red and blue can mean a lot of things but I genuinely don’t think there is a major purpose behind it. We already saw the two sets of triplets.

However, lighting is meant to mean something. In particular, red can mean many things, but given the visual context it reads as stress inducing, as danger. Particularly surrounding Korkie as it does.

Now blue lighting needed a quick google search, but my results for the meaning of blue lighting where a little unexpected. Blue is a typical calming color, similar to green, though can also be interpreted as depressing and cold like grays, and blue lighting can be representative of isolation and passivity. Ironically, this scene is anything but passive. Again, im not putting much weight into it but I feel its worth noting.

Ultimately, its entirely impersonal, slightly stress-inducing, and only marginally better than the classroom only because it had color. Now onto my most egregious example from the schools we see and my most despised, the cafeteria.

Do you see this shit? Where do i even start? My best guess is that these are approximately middle schoolers. If i went to this school I would willingly drink the poison. Their lunch looks like three tomatoes, three mystery cubes, and debatably either a cracker or a slice of cheese. Horrendous lunch. How is this acceptable to feed to children for a whole meal? Enough complaining about their lunches, though.

The cafeteria itself is offputting to say the least. Pure white. The children, pale and blonde, all wearing the exact same gray uniforms with only variation for the girls, because girl = skirts. It’s the picture of uniformity. Its horrific. The only color outside of the pitiful lunch is the monstrous poison drink nearly all children have. Probably bc theyre lunches are terrible.

This scene has two interpretations in my mind. The first is that its meant to be creepy as all hell, which is unlikely because we’re supposed to support New Mandalore. The second interpretation is that it was meant to look like the epitome of peace and serenity and utterly fails because it takes more than an overuse of the color white to represent innocence, purity, and peace.

How do you manage to make an entire school look like a cloning facility? In fact, I’m certain the cloning facility has more diversity than all of mandalore.

Now the issue with all of these areas of the schools on Mandalore is that they look like no place to teach a child. There are certain things that are conducive to learning and color is one of them! So is fostering individuality! There are specific things that make an environment suitable for learning and these schools have very few of them.

Now onto the Palace,

This will be a shorter segment than the previous. Although I will be lightly critical of Satine here. So to begin, we primarily see the throne room. In fact, im not even sure we see much else in the Palace of Sundari. We do see Satine’s rooms or office but I can’t find a picture of it so i won’t use the example.

Both of these images share a few things in common. First is the dramatic lighting, the otherwise empty throne room save for the chairs that seem to have been brought in, and the only color present outside of gray is Satine and/or her throne. Even Padme, notable fashion icon, is or appears to be wearing gray in these scenes.

The dramatic lighting in the first image is an obvious “Hey! These are the good guys!” and I can’t piece out a relevent meaning behind the second image so Im choosing to move forward because I think it is just that, lighting.

Now the throne room being utterly void will be clearer in the next image I attach. The issue with it being so empty is that it feels almost lifeless, cold. It doesn’t feel like a throne room visually speaking. This ties into the last thing these images have in common. Satine and her throne.

Within the gray permeating what seems to be most of Mandalore at this rate, Satine is the only source of actual color. Her clothes are these vibrant, beautiful blues and greens and purples. Her throne is a glowing beacon above everyone.

What does that say, when every one of her people is dressed in grays, beiges, and pale blues? Or when they all dress the same?

This is a better view of just how empty the throne room is. Theres more of the iron heart design, though still no real idea of the meaning further than it is significant, as well as the portrait of Satine. The only things in this image with color other than gray or biege are indications of Satine. But the throne room itself is almost entirely barren.

Whether or not you think this is any indication of her character one way or another thats up to you. My read on what this shows of her is that she is blinded by her own ideals, she doesnt truly see her people as they are, be that through ignorance or arrogance, and that allows the corruption to seep.

I wanted to show the hospital because I think thats a Good environment design for mandalore but i lost the picture. It is ironic that my example of good design is the one thats meant to be clinical.

Therefore, I’m moving on to the city at large

The city itself is incredibly industrial. I’m torn because I know it has to be like that to a degree but it also doesnt have to be like that. That’s a choice the designers made. The city of Sundari exists within a dome due to the uninhabitable deserts from years of war, that doesnt mean it must look so cold.

It just feels so lifeless. Colorless even. Ive noticed by now, and you probably have too, that my main issue seems to be coloring. Well, I wouldn’t say its my main issue but it’s definitely up there.

We’re supposed to think that Satine’s New Mandalore is Good. That it’s this vision of peace and prosperity. But where do we see that visually? Through industrialization? Thats not good!

Now, I’ll be the first to admit that Satine’s peace is a clear facade for all of the shady bullshit going on behind her back, but we should be able to see that in the enviroment.

We should be able to see the idyllic peacefulness and people’s enjoyment of their city. We should see that face and the shady underside. We shouldn’t just see drab gray with a splash of corruption. It just makes Satine look like a bad ruler.

Characters and What They’re Telling Us

I’m actually not starting this with a particular character. I’m going to begin with the Mandalorian people as a whole.

What a surprise! Theyre all blond white people! See I have a huge issue with the lack of diversity among humans on Mandalore for a few reasons. The first reason is the obvious, it’s fucking WEIRD. The second reason is that we know there are people of color who are mandalorian.

And on the one hand this really demonstrates my point. Everyone looks the same, everything is dull and empty. This isn’t prosperity.

The first example they look like theyre dressed in uniform. Every single one of them is wearing the exact same color. Thats not normal. In the second image, while they aren’t dressed uniformly, they are all dressed in grays and beiges. These people are Satine’s governing council. They’re supposed to high standing officials.

And that brings us back to The Duchess herself

I’m choosing to use her main outfit design for this. There will be no more images from here onwards because there is no space but I’m trusting you all to know what these characters look like.

Satine’s Dress can only truly be described as opulent. She dresses in shades of blue, purple, and green and elaborate headwear and accessories. Her hair is styled in a way characteristic of Kalevala, similarly to Korkie’s friend Lagos but more extravagant. The colors she wears are chosen to appear soothing and to honor the history of Mandalore’s forests and lakes.

But this isn’t something you might pick up on naturally. Remember this is a show for children. You would have to do the research to learn that. Without that information you could interpret her appearance any number of ways.

Between her headress and the color scheme, I would have confidently said she was peacock-like, had I not known the nuances. Character design needs to be something people can infer from. Something that lines up with the environment to tell a story.

That being said what her design is meant to tell us is that she greatly values the less violent aspects of Mandalore’s past. That she is trying to preserve and honor their history and Mandalore’s beauty.

The issue is that (from memory at least) the honoring forests and lakes never really is relevant? We see Peace Park but we’re never shown much about any restoration or preservation efforts of the planet itself. Did they just give up because its a “wasteland”? Were there no other alternatives? We were never given enough context, explicitly or implicitly.

And without the knowledge of what her design is supposed to mean, what is stopping anyone from misinterpreting it. What is stopping anyone from thinking she is just this haughty, holier than thou politician? Especially when you put her next to civilians or even her own council when she is already sat above them on her throne?

Satine’s design is essentially meant to show us her value to peace and progression but we arent really shown much progressing. We’re meant to just believe what we’re told rather than showing us the progress in, yknow, progress.

Now, Bo Katan

I chose specifically to include the sisters in this because I wanted to compare them, also bc obviously they are the most relevant. Bo’s design also demonstrates her values, admittedly way clearer than Satine’s.

She’s a traditionalist, someone who values the warrior ways, and yes also a terrorist. Thats not super relevant. Because she’s a traditionalist, it makes sense that her character design is rather simple in comparison to her sister, but they both honor the history of Mandalore all the same.

Mandalorian armor is equally as historical and significant as the iron heart itself, even so far as to have the two intrinsically intertwined, having the Iron Heart as part of the armor. I think most Mandalorian fans know this already.

Now, I want to take the armor paint color meanings with a grain of salt. Im not certain how canon any of it actually is even if the meanings do seem to hold up withon canon. However, the thing about the armor paint is that it sets the mandalorians apart as individuals while simultaneously tying them together as Mandalorians.

Bo’s armor is painted primarily blue and gray with white detailing and owl imagery to signify her Nite-Owls. Now in the EU the colors have meaning. Blue and gray mean reliabilty and mourning respectively. I think it would be in the Mandalorian culture’s best interests to keep this canon and even expand upon this.

This is because these unique paint schemes allow for individuality, community, and notable artistic expression. I mean, just look at Sabine. This contrasts with the uniformity of New Mandalore which just makes New Mandalore look really bad. Like really, really bad.

Next I want to look at Almec

So, Almec has two designs I want to look at. First is his usual outfit as Satine’s right hand and the second is his own armor.

Pre-betrayal, Almec wears an almost solidly white outfit, with gray, beige, and a dash of gold detailing. This design actually has two iron heart designs, one in his clothes and one in his hair. Outside of the iron heart, the design is very plain. The overuse of white is likely meant to give an illusion of purity and peace again. It doesn’t really work when he looks so clinical, though.

In his armor, Almec’s design is a stark contrast to the previous. He wears a light green, maybe gray, flight suit with black and gold armor. The reason I wanted to include this design for a number of reasons but specifically, the shoulder cord.

The gold shoulder cord gives Almec a more militaristic appearance, even in comparison to other armored mandalorians. This is actually a design detail I really enjoy because the gold shoulder cord essentially means “service to another” in the US military.

The colors black and gold in mandalorian armor represent justice and vengeance. Again, take that with a grain of salt, but I think more importantly this change actually makes Almec a more recognizable character. The armor is more personal than his prior outfit working under Satine as a New Mandalorian. It tells us more about who he is as a person.

On to Jango

Yes he is Mandalorian. I will not debate this I dont give a shit what George Lucas intended with him. I don’t even care what was said in TCW. Jango was canonically a mandalorian foundling. And yes I know they never show up really in relation to Mandalore, but Its important I mention them, I think.

So, we know in TCW, Jango isn’t considered a mandalorian by the New Mandalorians. They insist that he must have stolen the armor, that there’s no conceivable way he could be mandalorian. Except that we now have canonical confirmation that he was in fact a foundling.

See, here’s the issue with this, because in retrospect they’re basically denying a dead man his own identity and creed.

Jangos armor isnt really what I wanted to talk about in relation to Jango himself. Mostly I wanted to talk about what his character means for the New Mandalorians. Jango amd Boba are quite literally The Blueprint for Mandalorians. Except now we get more Mandalorians and they fully deny Jango his Mando-ness.

What, because he doesn’t align with their ideology? Jango wasn’t a great person by any means but being Mandalorian isn’t just a nationality. It’s something you’re taught.

Again this isn’t about the armor, it’s about the fact that he’s played by a Maori man. The first Mandalorian face we see is a brown man and that gives a real bad impression when you have a planet of White People claiming he isn’t even Mandalorian, why? Because he’s adopted? Because he was a bounty hunter?

The Clones

This section isn’t totally relevant so feel free to skip to the next, but i can only go so long without talking about them.

The clones themselves don’t have a strong tie to Mandalore, narratively speaking. However, they do have ties built into their appearances. More than just being clones of Jango.

They don’t speak Mando’a in canon and we aren’t totally sure who exactly trained them before Jango died, but we do have little hints from their character designs that indicate some connection to Mandalore or the Mandalorian culture.

Rex specifically is one of the few with jaig eyes. Jaig eyes are a Mandalorian honor symbol. And he’s not the only clone with this symbol, Blackout also has Jaig eyes on his helmet. Which leads me to believe this symbol is fairly common for troopers since its not terribly common we see clones sharing symbols without a personal connection to eachother.

Further than just that, clone trooper armor, phase 1 at least and presumably onward, is also based on Mandalorian armor. This is primarily because of the armor jango wears, naturally his clones would be fitted with similar. But the clones have also picked up the armor painting. Could this simply be a coincidence? Sure if you wanna believe that. I don’t think I do though because its so significant to both cultures as a means of individuality.

What does all of this say about Mandalore?

And I mean that as what is this telling us visually. What conclusions can you draw from this with just images. Because it doesn’t look great for New Mandalore. And maybe that was the intent. I know my first impression of Satine was just how unprofessional she was acting.

Except we’re supposed to see New Mandalore as the good guys, essentially, right? Riddled with corruption but still Good. That doesn’t translate when the setting is dystopian-esque at best. Its cold and empty and clinical.

When you see an entire planet of people who all look almost exactly the same, wearing the same clothes, the same hair, the same face, the same color skin, it gets unsettling. Its a weird design choice because it’s an American cartoon and America is characteristically individualistic.

The Bad Guy, the literal terrorist organization, caters more towards that visual individuality than the peaceful, progressive Good Guys. It visually reads as a Safety vs Freedom story but thats not the story that they need to be telling. You can’t go telling people freedom is evil.

It makes it incredibly easy to misconstrue what New Mandalore is trying to do because the visuals aren’t supporting them. There’s a reason so many people genuinely think Satine has comitted some sort of cultural genocide against her people because we aren’t seeing any of the culture and when we do see it, its not supported by the narrative. They may have Mandalorian writing but they never speak Mando’a on screen outside of Death Watch. We dont really know what the iron heart means and its everywhere. They may talk about prosperity and progress but they aren’t showing us that.

What I Would Do To Improve

This is the last segment, I promise.

I want to start with what could improve the background. Because a lot of the issue stem from it being dull and lifeless, I think giving it some sort of life would really fix a lot of the issues. Namely, I would say to put more trees, real, lush trees not the tiny ones you’d find in a city. It would help give context to Satine’s homage to the forests of mandalore if we had a visual clue from Mandalore itself. This would also bring in some more color and take away from the industrial appearance. This is more of a personal thing because I grew up around farms, but I think we should have seen a farm or some sort of clue as to how Mandalore is feeding itself. How is it sustaining itself, if not for import?

Another thing I would change would be the overall coloring. Generally, I would push for more color but I’m mostly referring to the color of the buildings. I would replace the cold gray and blues with more of a bronze and maybe a warm orange or even just changed the undertone of the blue could add so much. I would also give the lighting more warmth. Overall I would just add more warmth.

Adding onto this, I would also bring in more color by adding more public art. More murals and statues and the like. We know they have murals and paintings in the Palace at least. We should see them in the city, too. Having more art around the city would also connect it to the same cultural roots that have the mandalorians painting their armor.

In the schools, the main issue is that there’s no color. That these spaces dont have anything that would bring a sense of comfort to a kid. The stark white of the cafeteria is more stress inducing than calming and it would be good to replace some of that with a splash of color to break it up, as well as with some background decorations. Slap a poster on them there walls.

The classroom we see could also use just more decoration, make it look like a classroom. Have posters of diagrams and models. The room is dark so I won’t say much of the coloring except just make it look less cold. The back of the room has a wide, empty space and I think if that space were filled with something it would change a lot of the energy it gives off.

As for the dorm, if that is a dorm, give is an idea of whose room it is. Make it look like someone lives there. If it’s not a dorm, why are these kids sitting in a dark room? The room itself shouldn’t exude this uncomfortable feeling, that should be the undertone.

Overall, I think the Palace is generally fine if only it werent so empty, and again, if there were more color. The detailing and the lighting both look nice but it just needs to feel more like a throne room.

As for the people of Mandalore, for fuck’s sake, diversity is not going to kill you. Again its insane that all of the mandalorians of color we see are either A.) terrorists B.) deemed not mandalorian or C.) future cultists. We should see more black, brown, and Asian mandalorians. Hell, we should see alien mandalorians too.

Furthermore, they should have more variety in their clothes. What society wears all of three colors when they definitely have access to others? On top of that we should see Mandalorians who still wear pieces of armor. Armor is defensive, it’s not inherently violent to protect yourself and it honors the history of Mandalore while still moving forward with progress.

This is of course just my personal vision. These visuals can be interpreted in a number of ways, if you want to think the designs are good and exhibit peacefulness more power to you, I simply can’t see it. I tried my best to keep it to the Clone Wars series with a strict focus on the appearance, though that was a difficult challenge for me.

Anyways, I hope this was somewhat coherent and enjoyable. I’ve likely missed some details but this took me multiple days to organize my thoughts properly so im not pressed about it. Let me know your thoughts! Just be kind and don’t call me a terrorist :)

[vodika-vibes]

I'm curious where you got the idea that anakin doesn't see the clones as people, in canonical books it's stated that he knows and cares for each one deeply, he's never shown being anything but loving at best and insensitive at worst

Hi there! I have several examples!

Anakin puts the lives of his me. In danger for the sake of a droid.

During the Blue Plague thing, he doesn't care about anyone other than Padme (including the actual child he's legally responsible for)

One of the first times we see Anakin in TCW, he gets a bunch of his men killed because of a bad plan that he only calls off because of Ahsoka.

Of course. I could, possibly, be biased because Anakin just pisses me off in general.

I don't think he's a bad character. I just don't like him. Tbh, I don't like Satine or Bo-Katan Kryze either, but that doesn't make them poor characters.

[jedi-enthusiast]

Ok, I know that I already reblogged @antianakin's post about why Anakin didn't need to murder an entire Tusken village because 2-3 of them killed his mom (original post here), but I just feel the need to talk about one of the most damning examples of why Anakin has no excuse for that response.

Post Order 66 Jedi/Clone interactions.

Let's just say, for the sake of the argument, that the entirety of the Tusken village--including the literal babies and children--all took part in the torture/murder of Shimi Skywalker. No exceptions.

Anakin's response to his mother's death is to murder everyone with no remorse or a second thought. Even when he confesses what he did to Padme, the RotS novel clearly shows that he doesn't actually feel bad about what he did. Most of his worry is about what others will think of him and, ironically, about how he's a "good Jedi" that should be better than this.

Now let's move on...

Every clone took part in Order 66 in some way.*

The clones murdered every single Jedi they could in cold blood (albeit without a choice), including the children, with only a miniscule few survivors. How many do we canonically have right now that didn't get captured and become Inquisitors? Obi-Wan, Quinlan, Cal, Caleb/Kanan, and Gungi are all I can think of at the moment.** That's 5 Jedi, out of thousands, that survived--and that's not even mentioning the destruction of their places of worship/cultural artifacts and the shitty propaganda spread about their culture.

* I'm not including the Bad Batch because, my own opinions about the show/characters/writing/etc. aside, we can all agree that the only reason their chips didn't activate was because they're Filoni's beloved OCs and he has a habit of trying to make his OCs "special" in some way.

** I'm not including Ahsoka in this because, like she says repeatedly as of Season 7 of TCW onward, she isn't a Jedi and doesn't see herself as such--and for the same reason I'm not including Grogu, since he's like...a Mandalorian apprentice now and not technically a Jedi. I'm also not including Luminara because she eventually gets captured and killed pretty early on and I'm trying to only include Jedi that are alive for a significant amount of time in the Imperial Era.

So, how do the Jedi treat the clones after they murder their entire family and destroy their culture? Let's look!

-----

Example One:

Obi-Wan Kenobi never learns about the inhibitor chips, as of current canon. He is 100% under the impression that Cody and the 212th (as well as all of the other clones) just up and betrayed him and the Order for no reason. He also watched the security tapes that, yes, showed Anakin killing children, but also would have shown the clones killing Jedi as well.

In the Kenobi show he runs into a clone veteran of the 501st--a veteran who, in all likelihood, probably stormed the Temple and was a part of its destruction.

Does he spit in the clone's face? Call him a murderer? Kill or harm him in any way?

Nope!

He gives the veteran some of his credits, even though it's made a point in the show that Obi-Wan is now working with limited funds and is very poor at this point in time. He doesn't have credits to spare and he is supposed to be looking for Leia, but he takes a moment to give some to someone who took part in the genocide of his people.

He also routinely thinks about Cody and the 212th in the comics! He remembers them fondly and still connects Cody to the feeling of hope, even though they tried to kill him! Even though he has no idea that they never wanted to!

-----

Example Two:

Kanan Jarrus/Caleb Dume knows about the inhibitor chips, but in Rebels it's made very clear that he thinks that it's just something the clones made up so that they didn't have to take responsibility for their actions.

In Rebels, Ahsoka makes the (objectively bad) decision to send Kanan out to find her "old friends" to help the rebellion.*** Kanan then finds out that her "old friends" are three clones, only after he gets there and sees them. He reacts in a panic and ignites his saber, clearly freaking out a bit.

*** I'll probably expand on this later, because I have a lot of opinions on this particular decision of hers, but anyway-

Does he try to hurt and/or kill them? Do they have to fight him off? Does he even lunge in their direction or deflect Wolffe's blaster bolt at him?

Again, nope!

He steps in front of Ezra in a defensive position and, when shot at by Wolffe, deflects the bolt into their ship. Then, when Ezra steps in and says that Ahsoka said to trust them, Kanan de-ignites his saber and they all have a conversation about them helping in the rebellion--even though Kanan clearly doesn't trust them at all and is dealing with his PTSD while being there. Eventually he even comes to get along with/trust Rex, albeit in later episodes.

-----

Example Three:

Gungi, in the Bad Batch, meets up with the Batch and immediately recognizes them as clones. Now, we don't know his opinion on them and their betrayal because it's never really expressed, but it's safe to assume that he has no idea about the chips (at least, until Tech tells him) and it's clear that he's very scared at that point in time.

What does he do?

He hides in the corner of the ship and is wary about the food they offer to him.

That's literally it.

And then later in the episode he works together with TBB and trusts them enough to let them help defend his village.

-----

So, even with most of the Jedi either having no idea about the chips or likely doubting that story, we're shown over and over again that the Jedi never seek revenge against the clones or try to kill them after Order 66. Even though their lives were ruined by what the clones did/took part in, they're never shown to be actively trying to cause them harm.

So there is literally no way you could possibly justify Anakin killing an entire village of Tuskens because of his mother's death, when--in arguably the same/a worse situation--the Jedi are actively shown not doing that.

[warsamongthestars]

So, since its been a bit, let's start with a criticism.

Cody was badly handled in TBB.

( In fairness, a lot of things were. An unbelievable amount of things were. I'll eventually get to a full list. )

The thing about Commander Cody, is that he represents several things and is symbolic of several things.

He's the Hero-Mentor Archetype, shared with Obi-wan Kenobi. He's there to set the example to the characters the ideal of what he does, as well as serve as example to the Audience of what the function of this character in the greater universe is--both as function and, since we're in the space opera and symbolism is key, an indicator of the greater world-build at large. This is better shown in TCWs, though unfortunately, even there it falls through because TCWs didn't focus on the Clones outside of a handful of episodes (which is a damn shame, given the set up.)

Cody is the First Clone Character. He's the first named clone who has an effect on the world and thus catches the audience's eye. Just as Kenobi was the first Jedi character to ever be introduced, and thus, sets the example for every Jedi Character after him. ( Mind that i said Character. A person in the nameless mass that does nothing but sit there for a scene and is barely noticeable, is no more a character than a barrel in another scene. If something is just there to fill the backdrop, its not a character. Its filled scene space. ) Because Cody is the Clone's Clone, he serves as an example of what the greater clone world is: in his case, what the Ideal is, just Kenobi does for the Jedi. If something has gone wrong with the greater system, you will see it in them. ( Think Kenobi and the Hardeen situation. Then compare the Jedi's attitude with Ahsoka's trial. If the show isn't enough, try the Prequel Trilogy--Kenobi's criticism of Qui-gon Jin for picking up Anakin, and then how the attitude is reflected in the Jedi Council upon confronting Anakin. )

So, there's your backdrop.

The way TBBshow treats Cody starts off as, actually, rather decent.

Commander Cody wouldn't be just another Guest Character to take focus away from story, character and plot ( as an excuse to not write either three), it would make sense for him to show up in the immediate Post-Order 66 era.

His Gray Paint is also very nice.

I personally subscribe to the idea that, since the 212th had golden colors and Cody himself had a sun-like motif about him--the gray out was, in a sense, a parallel to the Deathstar.

Its a "star" but its moon gray and it causes death where ever it targets.

NOT-BONUS: Being familiar with Crosshair would've been a bonus, it makes for a nice touch on a pre-established relationship from TCWs--the problem is, is that the reason Crosshair is even there is a broken argument for a piss poor planning from Season 1. Crosshair is there, because the writers want him to be there, and not for anything reasonable in-story--remember, they even dropped the Chip plotline. There is no reason for Crosshair to be in the empire besides the fanfic plot of "The Jerk must be Evil because he's said Not Nice Things".

And that's where it stops.

Because we've suddenly got a Cody with Personality, in a time where y'know, that doesn't make any sense.

You could argue that "oh the chip wears off!"... which is from the same show that completely forgets about the chip a quarter way through, and would rather blame its victims for not trying to not do evil things when under influence.

And it ends with "Oh he ran away". With the implication of "Oh he just disagreed with the Empire!"

... Several things there, folks:

The Republic was the same way. Watch Phantom Menace. Watch the Clone Wars. What happened on that episode, is half the arcs and seasons on the Clone Wars. Except without trench warfare and the cost of thousands fo lives. If anything, it was arguably more peaceful than anything the Clone Wars produced.

It breaks Cody as a character. He's meant to represent Clones as a whole, just as Kenobi represents Jedi as a whole. Clones as a whole are under the chip influence and are willingly serving the empire; and even if they weren't, Pre-TCWs Extended Universe has several arguments (not necessarily good ones) about how clone training would've made systematic orders very easy for clones. Cody is meant to be under the influence. If anything, he's meant to be the Imperial's Imperial Clone by this point. Because by his nature as a clone in Star Wars, he falls to the Empire and Hunts Jedi down, because that's what being the Clone's Clone is in a Post Order 66 era. It is, in fact, a very important marking point in the whole Prequels and TCWs, that this happens.

It continues the obvious flaw: Lack of Communication and the Writer's inability to write anything deeper than One Liners You're telling me that the Officer in Charge, who would call one of his troops "Son" like he's a grizzled war-vet, who would be a gentleman one minute and fist fight walking-talking solid metal-bot, who has supposedly taken example from Kenobi the art of subterfuge, wouldn't confront Crosshair if he disagreed with Crosshair's methods? Congratulations, the new personality trait for Cody of the TBB is Cowardice. I'm so fucking happy about it. Really I am. No matter how boring and overtalkative they were, even the Prequels were capable of meaningful conversations. For one thing, they painfully talked about how Anakin repeatedly killed people. TBB does not have meaningful conversations. Oh it'll look to the wind dramatically and make the audience think that something is happening, and yeah, its fun to imagine that something up... ... But remember that nothing is actually there.

The "Story is Elsewhere" Then why aren't they writing That Story Elsewhere then? Fun thing about stories, is that, if you want them to happen, you Write Them. "Expanding in order to ensure other media" Thanks, I can find a regular Clickbait Content Farm online, without having to pay subscription for one. "Expanding on Star Wars at another time" I can go on AO3, for that, thank you. The ultimate truth is, is that this team cannot write. They will throw in a bunch of characters and references to get the blood pumping, but the moment you look back and see what is happening, you realize, absolutely nothing is happening at all. They would rather bank on resurrecting Ventress meaninglessly, than confront the fact that they killed Tech, who is by all time spent and story applied (regardless of quality at this point), a much more important character. They would rather dangle the kid sidekick from name any last century sci-fi shows, than confront the fact that Crosshair got brainwashed, and when they do confront that, its with the help of the sidekick like she's gods damn discount bootleg of Steven Universe, and with a helping heap of Victim Blaming. Why is a more interesting and meaningful story Implied to be elsewhere, when you could be writing an interesting and meaningful story Now what you have?

Now the thing about criticism, is that its easy, so how bout I offer a better scenario with what we have?

( I'll offer an Actually Decent Scenario when "Rewriting TBB" comes up. For now, we work with just the episode. )

Crosshair meets Cody again, they go on mission to take back a Separatist world. ( Yes, take back, because the Empire is also the Republic but with the shackles off, remember this. The Clone Wars didn't end just because the Jedi are dead. )

Cody doesn't call anyone by their names, except for Crosshair. (Working off of Imperial themes from S1). Besides that small issue of calling his brothers by their numbers, he otherwise seems to act like Cody.

After some cool fight scenes that play off of Cody and Crosshair' strengths--such as Crosshair sniping and mirror calculations, and Cody's ability to fist fight Robocop--they reach the planetary leader area.

Crosshair is, as a proper Sniper, is directed to set up in a sniping position to watch Cody's back, whilst negotiations under duress happen. It ends with Cody putting a blaster bolt through the Seppie Leader's head.

Now such heartlessness is something that Crosshair would expect out of himself (He knows what needs to be done--he's a sniper, he's been trained, there's already blood on his hands so he thinks he damned anyway), but it coming out of Cody is shocking. Because Cody is the Good Guys' Good Guy for Clones, any clones.

( In this instance, its both a shock and a sad confirmation to the audience, because we know and acknowledge the chip, and its much more powerful and tragic to see it affect someone as important and long standing as Commander Cody )

Crosshair confronts Cody about it, and Cody brushes it off as simply following orders for the greater good. When Crosshair pushes-- because as a Bad Batcher, pushing things beyond acceptable social limits is in the job description--Cody implies a threat, asking if Crosshair is thinking about going against orders in command.

( We can even have a nice shot of a thigh blaster with Cody's hand near it, with some dramatic, quiet music that thumps )

Crosshair goes "No sir", and the episode ends with the implication that Crosshair seeing what the Empire has been doing to the people he knew.

Cue the credits.

[gffa]

Further to the idea that Ahsoka agreed to train Sabine because she wasn’t strong in the Force and therefore was “safe”, that she would never be a Jedi like Anakin Skywalker was a Jedi, she could never fall to the dark side in the same way Anakin fell to it, she doesn’t train Grogu because Grogu could fall like Anakin fell, she even says his attachments are dangerous like Anakin’s were dangerous, meanwhile Sabine can’t--I kind of love that Ahsoka is all over the map re: the Jedi. She has the Jedi training droid that has trained thousands and thousands of Jedi Padawans, she specifically had to have found him and brought him with her, instead of handing him over to Luke or something.  The Jedi training droid that she knows whips out prequels era Jedi wisdom all the time. She trains Sabine in the exact same way we’ve seen every other baby Jedi start out with as their foundation--the visor covering their eyes, to force them to feel their connection to the Force.  Yoda did this with the younglings in AOTC, Obi-Wan did this with Luke in the OT, Kanan did this with Ezra in Rebels. Ahsoka’s advice is the same advice we’ve heard prequels Jedi give their students--using the Force isn’t easy, it takes discipline, it requires control, you have to be dedicated to this. Everything about the training scene is meant to evoke the traditional ways of the Jedi, the way Ahsoka herself was taught--right down to the blinds in the background are practically a mirror image of the blinds of the dojo in the Jedi Temple, that soft, warm lighting is so evocative of the prequels Jedi aesthetic. Ahsoka says that the Jedi failed, that this is why she’s training someone the Jedi would never have trained, but then trains her in exactly the way the Jedi would have trained her, the same philosophy, the same foundational basics, the same tools the Jedi used (the Jedi even used bokken for the less skilled like Sabine was using here!), all of it is the same-- Except for Ahsoka’s conflict within herself.  She’s still conflicted about having left Anakin, she’s still conflicted about how she never had a chance to go back to the Jedi Order, that she wanted to, she was going to at the end of TCW, but then Anakin stole that chance from her and she’s never put those feelings to rest, because she feels she failed. She sees herself as a failed Jedi, so she denies that the Jedi path is her path, she says the Jedi ways failed, but then immediately turns back to those same ways to teach Sabine--because Ahsoka is conflicted within her own heart about the Jedi and her relationship with them.  She says she doesn’t need Sabine to be a Jedi, just to be herself, but that’s also true of Ahsoka--she just can’t admit to herself yet that she is still a Jedi Jedi.