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#like how is everyone ignoring that christmas episode?
herbaklava · 1 year
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The Bear is such a well written series dealing with concepts of found family, enduring traumatic events and grappling with the aftermath of them, not losing hope when the situation may seem hopeless, and having the courage to push through and try again anyways. And yet some people are treating it like it’s some superficial teen CW show omg
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boreal-sea · 11 months
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If you're confused as to why some Jewish people find the Christmas season frustrating...
It can already be annoying even if you're Christian or culturally Christian. If you celebrate Christmas, you're participating in a religious Christian activity, I don't care how atheist you are.
And Christmas is relentless during the next two months. You literally cannot escape it. Christmas-themed decorations are literally everywhere, from people's houses to banners and lights affixed to public lampposts in every downtown area across the nation. Stores, schools, libraries, government buildings. It's everywhere. Half of all the radio stations play non-stop Christmas music. Every store plays a Christmas sound track. Salvation Army bell ringers dressed like Santa outside every big store. TV channels playing Christmas movies. Every online streamer and YouTuber does a Christmas episode. Christians use the season to proselytize, to convert.
The rest of the year, Christianity in the USA is background radiation: it's there, but it's easier to ignore. During Christmas? It's in your face and in your ears 24/7. For the better part of two MONTHS.
And now you have to remember Christianity's history of, you know, killing Jews, forcing them to convert, etc. And remember how people are so resistant to putting up any other kind of holiday decoration. They'll call something a "holiday party", but still only decorate in green and red and forget a menorah.
And maybe it's a little easier to understand why this is all so annoying, at best.
Note: this post isn't saying Christians shouldn't go hog wild. It IS saying that you need to understand that not everyone celebrates Christmas, and will therefore not share in the "Christmas spirit".
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courtmartialme · 6 months
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some examples i can think of brotherhood crimes of doing riza(and royai) dirty in my opinion that's the absolute truth in the universe. consciously excluding stuff i think are minor but annoy me just as bad or else this post would be too exhausting:
being ugly in general
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not including her time travel joke from when they learn that the elrics are kids and not adults on their way to recruiting them
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not including the scene where roy meets her after she calls him when she meets barry the chopper and threatens to burn him out of jealousy
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changing the dialogue after roy saves her from gluttony from:
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to:
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LIKE...... if brotherhood has the habit of cutting off scenes to make it shorter then WHY they would change this scene to become BIGGER AND WORSE. the dialogue in manga is a clear example of their trust and wordless care for each other. while in broho it's just ?????? roy being an asshole????? to his wife?????? whom he just left his post running for bc he sensed she was in danger???? whoever chose to change this dialogue. kill yourself
riza being nice to alphonse when they are at 3rd laboratory:
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not including the only time in the whole series roy calls her by her first name only:
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the WHOLE ishval arc. riza telling ed about ishval lasts a whole ass volume while it's barely an entire episode in anime like... hm.. for starters the way roy and riza meet again there is different. in manga she saves roy and hughes from a surprise attack, and only realizes it's roy when she sees him through the scope. then hughes tells roy that they brought a talented sniper from the academy and goes after her to thank her for saving them. in anime riza suddenly shows up to roy when he was talking to hughes and like... not necessarily a bad thing i guess but...... yeah.... also this whole conversation is cut off if i remember right.. among a lot of other things LOL i hate how ishval arc is played down in BH
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riza being funny and cute not being included again
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this scene when they reach 3rd lab again in promised day and roy jokes about wanting to see her honest tears again and riza replies saying water makes him useless BUT in manga she's all cute and blushy while in anime they make her be all # girlbaws about it because that's all brotherhood riza is about lmao they took away her moeness...crime
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in manga, after roy gives up killing envy upon realizing it would lead to riza shooting him then killing herself, it shows him lowering her gun without the glove he previously had on. symbolizing that he lowered his weapon before he could lower hers. in anime he still has his gloves on
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EDIT I FORGOT THE MOST IMPORTANT PANEL OF THEM ALL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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RIZA BEING INSUBORDINATE AND A BRAT SHE'S SO CUTE THIS PANEL IS WHAT INSPIRED MY USERNAME... SHE'S SO CUTE...... brotherhood is so scared of letting riza be cute and moe because she would be too powerful if they let her
EDIT 222222 BECAUSE I WOKE UP IN COLD SWEAT AT REMEMBERING I FORGOT THIS TOO
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roy visits madame christmas' bar looking down and she asks him why doesn't he and elizabeth go someplace fun... we all know who elizabeth is right... and he says miserably that another man took elizabeth away from him(referring to riza being kept hostage by bradley) and at that the other girl asks if that means she has a chance with him now. everyone knows that roy is so wifepilled he won't look any other way if riza is in the picture lmao also how embarrassing it is that even your mom knows you're fucking your subordinate
i'm convinced somebody at BH staff hated riza's ass because of how often riza and royai scenes are changed or ignored... i know it's common for anime adaptations to cut off moments from manga but for an anime that whole premise is to be The Better Adaptation, doing it so often makes it bad to me. if you repeatedly exclude scenes that tell more about the characters because they're "not relevant to the plot", eventually there will be no actual personality left, only characters that are plot props
THERE'S A LOT MORE i wanted to include but this is already long enough and i got tired LMFAO a lot of things(most not included) are non issues because are mostly about riza being a bit silly, or showing more expression than she does in anime in a scene that otherwise doesn't change anything. but they still annoy me because by repeatedly excluding and changing these moments add to the view people have of her being nagging and stoic, at an attempt to make her a cool flawless Good Woman Character. what for.
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Devil's night [S. R.]
Spencer Reid x fem!reader
word count: 4k
summary: Spencer is excited about his Halloween plans and you join him.
Directly based on episode 6x06, because I felt so bad about how the team behaves with Spencer that I needed to do something
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“I see someone’s feeling spooky today,” Morgan smiled, looking you up and down.
You were wearing a cardigan knitted with various prints related to the time of year; pumpkins, ghosts, black cats, and candy corn, over a bright purple skirt and tall boots. Normally you would dress more formally due to the implied dress code the FBI operated under, but it was the weekend and Halloween was around the corner, so you could skip a suit day to wear one of those many scary-related items you had. After all, Halloween was your favorite holiday of the year. It was fun for everyone when you were a child, but as you grew up, your love for said celebration became a little weirder for others, so when you became an adult, you didn't think anyone shared such excitement about the date. Well, that is until you met Spencer Reid.
“It became a little more commercialized in the 1950s with trick-or-treating, and today it rivals only Christmas in terms of popularity” you heard him say, as he walked in with an already quite annoyed Emily Prentiss.
You knew that sometimes Spencer talked too much, but you hated that the rest of your coworkers got upset like that when he was talking about something that he was passionate about. Now the subject was, clearly, the next date.
"All I asked was what he was doing this weekend" she complained to Rossi. Spencer ignored her and continued with his cathedra as he settled into the empty space next to you.
“I'm toying with the notion of either going to the Edgar Allan Poe Shadow Puppet theater or the re-enactment of the XIX century Phantasmagoria,” he said and your heart did a little skip. You and Reid had argued on a few occasions, outside of work, about Poe’s works and although you didn't know what the second thing he had mentioned was, it sounded very interesting.
“What is a Phantasmagoria?” you asked nicely and when your partner noticed your presence he smiled widely, as if he was just noticing you in the room. The others all pouted in anticipation of the explanation to come and you hoped Spencer hadn't noticed.
“Phantasmagorias are these amazing pre-cinema projected ghost shows invented in France, where the showman attempted to spook the audience using science magic” he explained to you, while he took a seat and waved his hands from side to side. You were completely unaware of the term so you slightly parted your lips in astonishment.
"Sounds interesting"
"I have an extra ticket, do you want to come with me?" he asked you, almost immediately, with the biggest smile of all. Honestly, the invitation took you by surprise, especially who was asking, and Spencer seemed to see it on your face. “I mean, if you don't have plans this weekend. You can say no if you want."
“I'd really love to,” you exclaimed, so he wouldn't get the wrong idea, and watched his eyes sparkle with joy as he nodded.
The others wanted to make fun of it a bit, but Garcia didn't give them time to when she handed you the case files. When Hotch told you that you were going to fly to Detroit, your partner complained loudly and his gaze inevitably went to you, since you were supposed to have made plans together literally three minutes ago, but knowing that the unsub only attacked during these three days of the year. You had no choice but to accept your fate. You have never gone from feeling completely happy to being so disappointed in such a short time.
"I guess you better forget what I just told you," Reid sighed, as you left the conference room.
"Maybe we'll make it on time, when is the show?"
"This Sunday. The puppet theater is at 9:00 pm, the last Phantasmagoria show is at 11:00 pm. None are sold out yet"
"If we get back in time enough, I'll accompany you both, what do you say?" you muttered, trying to be as positive as possible, as you took your friend's arm with both hands and gave it a friendly squeeze. Spencer was taller than you, but thanks to the boots you were wearing and the extra inches they gave you, your eyes were almost at the level of his “Don't be discouraged.”
"I like your clothes today," he suddenly murmured. Sometimes he would give you those kinds of sweet compliments, perhaps as thanks for the kindness with which you always treated him, and you would almost always blush "The drawings are beautiful. Do you know why pumpkins became so representative?"
"Jack-o'-lantern," you replied, rather proud of yourself for knowing the answer.
"But did you know that in the original story it wasn't a pumpkin but a turnip?" he said and you were silent. But he didn't make fun of you for it, instead he saw a new opportunity to impress you "Yeah, you see, in the original legend Stingy Jack..."
The rest of the team, who was in front of you, shared knowing looks as if they were pitying you for having activated the doctor's rambling mode, but the truth was that you were fascinated with every word that came out of his mouth. Sometimes you couldn't believe how there was someone as intelligent in the world as your cute companion and as he spoke you prayed, perhaps with all your might, that you could catch the unsub in time to be able to fulfill the plans in the ones he had included for the weekend.
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Almost as if by divine handiwork, the case was solved just in time for the plane to land and you two to rush home to get dressed for the theater. Hotch was even sympathetic to you and told you that the paperwork could wait for Monday just because he had heard of your plans, which you were immensely grateful for.
Spencer was happy that you agreed to go out with him, especially since the idea of asking you out was completely impulsive. It was true that he had an extra ticket but he never thought of having the courage to ask you to accompany him, much less did he think that you would be interested in it, since he was regularly ignored by his colleagues at work. It was something he had never discussed with anyone, only his beloved and gone Elle, but it haunted him almost every day.
Luckily for him, Spencer had prepared the wardrobe he wanted to wear in advance, and all he had to do was take a warm shower, shave, and put on some cream and cologne to get ready. In addition to, of course, styling his short hair as best he could.
He felt particularly concerned by his appearance that night and he pondered whether you would think he looked silly wearing a 19th century French suit. He had bought it last month and it was stored with his costume collection, which no one on the team knew about yet and he didn't intend for that to change.
He had offered to pick you up and when he got to your building, he felt strangely nervous. The doorman was a kind older man that he had seen a couple of times, so when he said that he was looking for you, the man called you on the phone to let you know.
They were silent for a few moments and he began to rock on his heels to kill some time.
“Will you take her trick-or-treating?” the doorman, Tony, joked. Spencer didn't take it the wrong way, instead he laughed it off.
"It's not the plan, but if someone takes pity on us and gives us some I won't complain" he replied and now it was the employee's turn to laugh.
"I've seen you before, are you her boyfriend?"
“Coworkers,” Spencer clarified, with a smile.
"Ah, so you're also a policeman?" although it wasn't the proper term, Spencer didn't know if you had hidden your real job for personal reasons, so he held back from explaining to the man that you were actually a profiler.
"Yes, something like that"
Tony wanted to ask more questions, but the sound of the elevator caught the attention of both men and revealed your figure.
"No fucking way," you breathed, looking your friend up and down and if he hadn't gone dumbfounded, he probably would have said the same thing "Look at you!"
"Where did you get that?" he asked in amazement. Although Spencer had thought that you would show up in a costume, he hadn't expected to see you like this. 
"You don’t like it?"
"No, I love it" he hastened to say, when he heard the insecurity in your voice "It's just… I didn't expect to see you as a 19th-century French lady"
You were wearing a beautiful black dress with lace details that obviously alluded to the fashion of the time, black satin gloves, plus a discreet hat on your well-groomed hair and boots that Reid had seen before, but they made a great combination with the outfit. The man's surprise was because he had invited you with such short notice and yet you had gotten the perfect costume and not only that, but one that conveniently matched his.
“And I didn't expect to see you as a French gentleman either” you laughed, as you reached out to wrap him in a hug "I guess it was pure fate"
“Or the fact that we are going to see a recreation of a 19th-century show. Our brains thought the same thing.”
“It doesn't sound so charming when you say it like that" you complained amused and he realized it was true "Shall we go? I don’t want to be late"
Spencer nodded and immediately offered you his arm to hold onto as you walked, a gesture that made you believe you were really entering a time tunnel.
“Enjoy your night”
"Thanks, Tony! Don't scare too many kids and don't eat too much candy,” you waved, blowing him a kiss as you followed Spencer out the door.
He guided you to his car and opened the passenger door for you and then he got in himself to start the engine and get going.
"I really can't believe that we got a couple's costume by pure coincidence"
“Couple costume?”
“Yes, they are those costumes of the same theme that you use with a couple. You know, like the people who dress up as Fred and Daphne or Morticia and Gomez”
Spencer didn't know the last couple, but he did have a vague recollection that the first ones mentioned were from Scooby Doo due to the cartoons he came from as a child.
"Oh" he sighed "Yes, get it”
“Honestly this was a last-minute thing. My downstairs neighbor studies theater and we are good friends, so I asked her if she had anything in her curiosities bag that could help me and she pulled out this dress. It was enough to adjust it a little" you told him, putting both hands on the neck of your dress and smiling from ear to ear "I couldn't believe it, it was really a stroke of luck”
"It looks so pretty on you," he said suddenly, looking away from the road just for a moment to check that you had heard him. "I don't think I told you when I saw you, but that's what I thought."
"Thank you then," you smiled, feeling your cheeks warm a little.
Spencer started talking to you about the creation of puppet theaters and, of course, the Poe stories you were going to witness, with you interrupting him only to point out some decoration along the way that you thought was cute. On Halloween you almost always preferred to stay at home to watch horror movies or go down to the hall to distribute candy to the youngest children, with very discreet costumes to avoid the evil looks of adults. But now you were excited to be doing this with Spencer, who was maybe the only person you knew who wouldn't make fun of you under any circumstances. Your relationship was based on a certain complicity, perhaps more than you had with any member of your unit.
Arriving at the site, he reopened your door and offered you his hand to help you down, which you took without complaining. Once you were outside, he repeated the gesture from when he picked you up from your building and in this way you walked to the entrance, where a woman disguised as who you assumed was Berenice (a Poe character) sold you a couple of tickets.
It was a lovely show and when you weren't looking at the puppets you took the time to admire your companion, whose eyes revealed the emotion of a child. You never thought the doctor was fond of a thing like this and now that you had discovered it you found it quite adorable. As you left you asked him if he was a Muppets fan by any chance and, to your surprise, he was. Spencer even told you that he had a couple of Kermit the Frog items that his mom bought him when he was little, but he also told you not to tell anyone or he'd be embarrassed and you pinky promised him.
You still had an hour between the two shows so you decided to go to a nearby park where there were lots of food stalls: candy apples, popcorn, candy, lemonade, and you even got to one where a Hispanic woman offered you pieces of candied pumpkin. You had to take off your gloves (which he kept carefully in his jacket) when you bought a few pieces of this last one for the two of you and when you tried it you agreed that it was delicious. The woman told you that in Mexico, her country of origin, she always served them to her children with a glass of milk.
Spencer spared no expense just to fulfill all your cravings, even though you refused, so when you got in the car to go to the Phantasmagoria your stomach was pretty full. The place where it would take place was a gray tent in the open air, with a dais in front and several wooden benches arranged so that enough people could fit in. As you had arrived with some time, you took a seat on a bench in the second row and waited patiently for the show to start.
Suddenly all the lights around you went out, leaving only the ones pointing to the front of the stage, and a presenter dressed as a magician appeared.
“For many centuries, wandering spirits have inhabited the world unseen by the human eye, always confined to the world of shadows…” his voice was mesmerizing and kept you on the edge of your seat, watching him carefully “but for a certain time of the year, their magic grows and they are able to cross the barrier that separates us…”
The entire tent was filled with smoke and the audience, including you, looked around trying to figure out what would happen. The presenter continued giving his gloomy monologue and, although you didn’t imagine how, you even felt that the temperature decreased a little with each word he said. Suddenly even the lights that were pointed at him began to dim and by the time he finished explaining to you the whole place was in complete darkness.
There was silence for a moment to build tension and then there was an explosion that made you jump in place. To tell you the truth, you didn't expect much from the show, you thought that being a recreation it would have many shortcomings, but when the first figure appeared on the roof your heart skipped a beat.
You weren't a scared person under normal circumstances and your resistance to the horrifying images you saw at work on a daily basis shows this, but this time perhaps all the environmental components of that night were what made you feel that way. A loud laugh resounded and then another pair of specters appeared, this time flying at the height of the audience and even passing through some of you.
Spencer's reaction was nothing like the rest. Despite his fear of the dark he was totally fascinated by all the images, his mind already working to decipher the magic trick that was being performed. What finally got his breath caught was the feel of your hand searching his. He was still shielding your gloves so he could feel the cool temperature of your fingers, as opposed to how warm he was in comparison. Even knowing that doing that was a reflex act due to fear, he stopped paying attention to the show to look at your hand on top of his, with that noticeable difference in size.
Just as you had admired him during the puppet show, he took the time to observe your expressions now. Your face lit up from time to time by the illusions around you and every time you startled you squeezed his hand harder, in addition to adjusting your body against his as if you were looking for some kind of protection. Spencer had gone out with friends many times and of course with the rest of his female colleagues at work, however none of them had behaved like you were doing. He wasn’t bothered by your behavior, but rather intrigued, since you seemed quite comfortable taking refuge in him to feel safe. Although he knew how to identify qualities in people, he sometimes had a hard time crossing the line of identifying them to really admire them. When he thought of JJ, he thought of a charismatic woman. When he thought of Emily, he thought of intelligence. And when he thought of Penelope, he always saw joy and optimism. But when he thought of you, there were too many qualities to focus on just one: he thought of kindness, calmness, creativity, wit, beauty, empathy... what a big heart you had and how at the end of the day you were perhaps the only one who could make him smile. When he invited you to join him, he did it because he knew you had the same feeling towards scary things, but now that you were there, looking so pretty and holding his hand tightly, he thought maybe there was something else going on between you. You were the closest thing he had to a best friend, though he had never said so verbally, and that night he wanted to be nowhere else but by your side.
Only when the lights came back on did he realize that the spectacle had been forgotten to him, since the whole time he had been looking at you.
“That was all for today, my friends. Thank you for these wonderful performances and remember to recommend us to your friends the next time we're in town. Have a spooky night, all of you."
“I can't believe it, did you see all that? It was just awesome! I didn't think it was going to be this good” you said, completely excited, as you turned in his direction. Apparently you weren't even aware that your hands were clasped until he got up from the seat and helped you imitate him with that grip. Though you thought of apologizing for that, you didn't, fearing to embarrass yourself further.
“It was amazing, even for me it was hard to figure out the trick”
“Why do you want to figure it out? admit it's only magic, doctor. Sometimes life is” you laughed, grabbing his arm for the third time like a happy wife would her husband.
You are something magical, he thought, with the words on the tip of his tongue, but not daring to say them to you. 
Although the night was late, the movement in the streets was still the same and Spencer considered asking if you wanted to go somewhere else, but the yawn that escaped you made him think that the best thing for both of us would be to go home to rest. After all, the case had exhausted you.
"Back to your house, right?" he asked, just to be sure and you nodded with a smile.
The road wasn’t long, you only had to take care of the naughty at night so as not to receive any damage, so when you least expected it, you were already in front of your building. Although you intended to say goodbye, Spencer told you that he would accompany you to the door of your apartment just to make sure that you arrived completely safely, because he knew better than anyone how much could happen to a woman alone, even if it was such a short journey, and he didn't want to risk you. Tony was still awake and greeted you nicely as you walked in, so you could then get on the elevator and press the necessary button.
“I seriously have no words to thank you for today, Spencer. Except for that one time I ended up in the hospital for eating so much candy, this has been my best Halloween ever,” you admitted with a laugh, as you leaned in for a big hug.
"Thank you for accompanying me. I'm really glad you had fun, because I had a great time too”
There was a dead space between you, in which you just looked at each other with a smile. It wasn't an exaggeration to say that the night had been wonderful and maybe it was just that you two were trying to drag it out as long as possible.
“Spencer”
"Yeah?"
"Before you go, can I ask you something?"
"Whatever" he responded immediately. He got a little nervous thinking that he wouldn't be able to satisfy your curiosity by ignoring the topic you were going to ask him about and hoped that wasn't the case.
You waited another second before speaking.
"How frowned upon do you think it was for 1800s society for a woman to steal a kiss from her companion?"
Spencer's eyes danced a little in his sockets and you thought he was processing your request in disguise, until he looked at you again and spoke with complete assurance:
“Very frowned upon, surely. At that time, it was usual for men to court women, who were very repressed from making their own decisions or living their sexuality as they pleased. A woman who kissed a man was considered indecent."
You wanted to correct him, tease him or, as a last resort, simply pull him by his shirt and plant the kiss you had wanted to give him all the way. But you didn't do any of that, you just laughed softly and enjoyed his smirk for telling you the right answer.
“I was afraid of that. It's good to know” said this, you carefully approached him and placed a small kiss on his cheek, seeing him slightly surprised by the act “See you tomorrow at work. Call me when you get home”
"I will do that. Rest and see you later"
"Bye”
Just as he said, he called you a few minutes later to announce that he had arrived at his destination so you could sleep peacefully.
Spencer didn't realize that you had explicitly asked for a kiss until Morgan told him and while his friend laughed, he felt like the luckiest guy of all and, at the same time, the dumbest.
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taglist: @navs-bhat @reidwritings @tricia-shifting14
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darlingshane · 9 months
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Salt of the Earth ~ Part 3 (Final)
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Pairing: Michael Berzatto x OFC
Summary: She was Carmy's best friend growing up, and Michael never looked at her as anything other than that until years later when she comes back to Chicago to start over. In the process, she turns his sorry excuse of a life upside down.
Content/Warnings: 18+. Explicit, Friends to lovers, Fluff, Heavy Angst, Smut, Shower Sex, BJ's, P in V, Family Drama, Dysfunctional relationships, Addiction, Alcohol, Pets, Pet names, Dialogue heavy, Undisclosed age gap.
Word Count: 12.3k // Chapters 8-10 // AO3 Link.
— Part 1 (Chapters 1-4) // Part 2 (Chapters 5-7)
A/N: This part includes my version of the famous 'Fishes' episode. Though having Maya in it changed a few things, most of it is pretty faithful to the actual script. I also borrowed some of the dialogue to keep it as close as possible.
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Chapter 8: As warm as toast
Maya is hugging Michael’s back when the warm breath of her dog is pressed against her ear. She tells the dog to go back to sleep, but Coco, ignoring her request, whines a couple of times until Maya has no choice but to get up. Though it's still terribly early, she takes Coco out to the park down the street from Michael’s building. It's freezing outside, but that doesn’t stop Coco from zooming across the park a hundred times until she’s spent while Maya paces along the fence, wrapped in thick layers of hat, scarf, mittens and a bulky coat.
Upon their return, Maya fills Coco’s bowl and makes some coffee.
They’ve fallen into a nice routine with Michael. He’s made room in his life for them, as much as they’ve welcomed him open into theirs. Half a week they spent in his apartment, and the other half at Maya’s house.
While she sips on her coffee, she tries to guess what's inside the big wrapped box that has been sitting in Michael’s living room for a week. Curiosity has been killing her since she saw it the other day. Her fingers tap on one of the sides and lightly pull on the edge of the red and white paper, trying to sneak a peek of the box.
“I told you to leave that alone, Maybird. That’s not for you.” Michael catches her red-handed as he comes out of the bedroom.
“C’mon, Bear, let me open it already. It’s Christmas.”
“Uh-uh, it’s Christmas Eve.”
“Is it a sex swing? It feels like a sex swing.” She keeps tapping on the box.
“It's not a sex swing. Keep guessing.” Michael snorts, leaning over to kiss her good morning. “Your face is cold, did you go out?”
“Uh-huh.” She glances at Coco, who’s currently devouring her food by the kitchen. “She woke me up and dragged me outside.”
“At least she knows how to hold it and ask for the head.” Michael goes around the breakfast bar to fill a mug with coffee. “Remember that yorkie that Francie had that couldn’t stop peeing everywhere.”
“Well, training goes a long way.”
“That's what everyone kept telling her, but her parents ended up leaving a poor thing in the kennel.”
“I mean it's Francie. I'm not surprised. She really can't be trusted to take care of anything. How's she? I haven't seen her in ages.”
“She's around. I think. Last time I saw her was probably a couple of years ago. She’s banned from our house.”
“Why?”
“Beats me. It's a Sugar thing. I think Francie tried to hit on Pete or something. You'll have to ask Sug.”
“Really? Just when I thought she couldn’t sink lower.”
“Tell me about it.” He pulls up his sweats as he takes a seat on the couch next to her.
“Okay, stop trying to distract me. So, if it’s not a sex swing, or a pizza oven, which I really wanted by the way…”
“The sex swing?” He lifts a brow at her and takes a sip of his mug.
“The pizza oven, smartass. How about… a weighted blanket?”
“First, you don’t need any of those. You can cook pizza already in your oven, and why do you need a weighted blanket or a sex swing when you have me?”
“That’s true.”
“You know what? Go ahead and open it, but you’re gonna need Coco, cause like I told you, that’s not for you. C’mere Coco Girl.”
Coco’s floppy ears perk up at Michael’s call. The dog turns her head to look at Michael for a second before continuing chewing her food.
“She’s too busy to open presents right now.”
“Figures.”
They wait till she’s done, and Maya beams in delight, quickly tearing apart the flashy wrapping paper. That delight turns into a mocking frown when she finds out it’s a big, fluffy dog bed for Coco.
“Oh, you weren’t kidding. It’s not for me.”
“Aw, don’t be jealous, sweetheart. You know I have something else for you. She needed a bed here. This couch is so uncomfortable, no even a dog wants to lay here. She’s always either hoarding the bed or sleeping on the rug.”
“Yeah, I know.” Her lips curve up, watching Coco inspect her present before attempting to curl inside. “That’s it, baby, lay down. Good girl.”
“Are we still up for tomorrow?”
Maya sighs, “yeah, I think so. Did you tell them I was coming?”
“I said you might. Just in case you change your mind.”
“Do you want me to change my mind?”
“No,” he strokes her hair with his free hand. “I really want you there.”
“What are we going to tell, y’know… everyone?”
Everyone – meaning Carmy. Though their relationship is practically nonexistent, the last thing she wants to do is show up holding hands with Michael and flaunt it on anyone’s face without a warning.
“Well, Richie is the only one who knows.” Cause he caught them last week making out at their usual bar. “I guess Tiff knows too. Does it freak you out? Do you wanna back out now?”
“No, no. I just… I guess I’m not ready to announce it on a day like this. Is that okay?”
“Yeah, that’s okay, baby. I get it. It’s driving me crazy, too.”
“If they find out, that’s great, but I don’t just wanna put it out there right away.”
“We’ll just have to keep a low profile, then. How hard can it be?”
“I’ve never had a secret relationship before. It could be fun pretending, even if it’s just for a few hours.”
“We just have to hope Richie doesn’t blow our cover.”
“Oh, we’re screwed.”
“I don’t know about that. But I can tell someone is about to get screwed. Shower?” His brow playfully arches.
“Hmm, you’ve read my mind.”
It’s that rush of excitement of being with someone new that leads them quickly to the bathroom. He undresses her just as fast as she pulls his sweats and underwear off him. He hasn’t finished taking off her bra and his lips automatically invite themselves into her neck as she fumbles to get the water going so it warms up before stepping inside.
Under the warm spray of the water, their bodies fuse together. Lips against lips share a vicious amount of kisses and laughs. Their arms tangle around the other, her hands become his, and vice versa. The steam filling the room boils hotter when Michael turns Maya around and presses himself on her ass while one of his hands slides between her legs. Her palms brace the tiled wall, as his mouth bites the flesh at the curve of her neck. Her moans and curses sound like heaven when the blunt tip of his cock slides into her opening. His hips push painfully slow as her walls stretch inch after inch. Once he’s fully sheathed in her tender pussy, his eyes squeeze shut, he lets his desire guide the pacing of his thrusts. Maya waves her hips at the same time, countering his moves until both find the same rhythm. One of his hands clutches the curve of her ass, keeping her secured, as the other stays right on her pussy, rubbing her swollen clit with passion.
His back turns red as the hot water keeps pouring over him. The fiery pressure rising up in his core makes his cock throb inside her. He looks down to see his length disappear inside her fast with each push. At the same time, his mind dissipates somewhere up, above the mist of the bathroom, somewhere above clouds. It’s like he’s traded one addiction for another. As long as he’s with her, he’s safe. It’s not the healthiest way to deal with it, but right now he doesn’t give a shit. The climb to that high is way faster, it feels better, it’s less toxic, but it lasts shorter. That’s the only downside.
“Michael… please,” her breathing swallows, as she inches close to the finish line.
“I know, sweetheart, shh…. Come for me. C’mon…”
Following her plea, he pushes a little harder, rubs a little faster until her body seizes up. She lets out a strained moan that bounces off the steamed walls, as her opening contracts around him harder than he’s ever felt. Maybe it’s the position. It feels like pure bliss to have her squeezing every last drop of him.
Catching his own breath, he hangs his head down to rest on her nape for a moment. While still riding that high, he slowly slips out of her and drops to his knees on the shower floor. His hands handle her body around so she's facing him. As her abdomen lines up with his face, he glances up to capture her glowing aura, stunning as ever. Maya’s still floating in that same sea of ecstasy he floats on. It makes her look like a goddess from his position. Her dark hair cascades over her shoulders, sticks to her skin as it touches the curves of her chest. Water trails down her body as if she was standing under a waterfall. And like the Goddess she is, he aims to devout himself only to her.
He gently holds one of her legs up, letting his lips glide across the surface of her thigh as he drapes her leg over his shoulder. His mouth waters as it gets closer to her center. Licking his lips, his eager tongue just to taste the heaven between her legs. It's slicked and tender, ready to consume. His mouth fits perfectly against it. Wide open. Desperate to please her with the flick of his tongue and ease his own affliction.
Maya leans her back on the wall, anchors her only feet hard to the floor, and grips at his soaked hair as his tongue works restlessly all over her sex. He sucks her clit between his lips, licks her folds, circles her dripping opening, and revels in tasting both, him and her. In a wild frenzy, he devours it all. It consumes his need and desperation for more. Her moans are exquisite. Her body writhes in his hold as she rises up gracefully to a higher plane.
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Chapter 9: Bigger fishes to fry
“Are you really going to wear that?” Asks Maya as soon as she sees the outfit Michael has chosen for Christmas dinner.
“What’s wrong with this?” He gazes at his blue Under Armour shirt and jeans ensemble.
“Workout shirt, jeans and kicks, really? Why don’t you put on a nice sweater at least?”
“Baby, it’s just dinner at my house with the same fucking people I see every year. It's not like the Queen of England is gonna show up to have tea and biscuits.”
“C’mon, Bear, do it for me?” Maya pulls out her big adorable eyes and disarming smile.
“Ugh, alright, only for you.” Unable to resist her power, he easily yields and goes into his bedroom. From a drawer, he collects a dark blue fisherman sweater. Then he sticks his hand into the closet to pick up the vintage jacket she bought him for his birthday. To finish his new getup, he trades his sneakers for ankle boots.
Maya is taking out a dessert from the fridge that she bought this morning to take to The Berzattos.
“Wow,” her head turns when hearing his footfalls. “See, you look so much better now.”
“Yeah? You clean up pretty nice too,” he picks up her hand and makes her spin under his arm, capturing the stunning shape of her body hugged in a cream knitted dress that almost touches her knees. Right below, black leather boots cover the rest of her legs.
“Thanks, handsome bear.” After her spin, her head tilts to the side, capturing a chaste kiss from his lips.
“What’s that?” Michael points at the dish covered in tin foil on the breakfast bar.
“It's a strawberry tart.”
“You made a tart?” He lifts part of the foil to uncover the well-crafted pastry.
“What? Surprised that this tart made a tart?”
“Well, yeah. You almost poisoned me the last time you cooked.”
“You got me. I didn't make it. I bought it this morning when I took Coco out.”
Michael softly chuckles. “I don’t think it’s a good idea to bring that. Have you forgotten about pudding-gate? Donna's going to eat you alive if you show up with food.”
“Oh, I think that night was the first time I got drunk. I don't remember the details. But I do remember the pudding and eating a bowl with Carmy in the garage. Who brought it?”
“Uncle Jimmy's first wife.”
“That's right. She was never seen again after that. Okay, I guess I could bring a bottle of wine.”
“You're gonna make me look bad if I show up with nothing.”
“You could bring the tart, and say that you made it. I bet Donna will be delighted if it comes from the golden child.”
“That's a great idea, baby. It'll be a great distraction when she starts strangling me that people won't even notice this other tart.” His hand boldly squeezes her ass.
“Hey!” she swats his shoulder with the back of her hand. “I thought we agreed to keep our hands off each other.”
“I meant later. Here, I can still get a piece if I want.” He links his arms around her waist and peppers the curve of her neck with kisses, making her laugh with the coarse tickle of his beard.
“Oh, this is gonna be harder than I thought,” she whines when his lips nibble her earlobe.
“Yeah, tell me about it.” He laughs against her ear, gripping tightly at her hips. “I’m not sure how long I can make it without touching you like this.”
“Well, we better think of something…”
Ready to go, they hop in the car and drop Coco first at Maya’s house. While Michael waits in the car she collects a bottle of wine to bring for dinner.
It’s then that she gets jittery about the whole ordeal. It’s been years since she attended one of their functions. Christmas at the Berzattos was never a walk in the park, and as she has heard recently, they still aren’t. But she’s not the one to talk cause the Silvas have always had their own issues, proof of that is her desertion from her own family dinner.
“Okay, kiss me one more time,” she requests after parking at the end of the street. They both lean in to meet in the middle over the center console for a chaste kiss. “One more.”
Michael delves into her mouth a little deeper, hoping it’d ease her up.
As they walk up to the house, they pass Maya’s empty childhood home, and Michael just wraps an arm around her and kisses her hair.
“Their loss,” he mumbles. “Don’t think about them, Maybird.”
“I won’t.”
His arm unfurls away from her body as they get closer to the Berzattos’ house. When they reach the door, they stay there for a minute, filling their lungs with cold air as they muster the courage to cross the threshold.
The house is loud with people talking and laughing when they step inside.
Maya can see Michael's face changing as the door closes behind them. That raw vulnerability, his bashful expression he's not afraid to show her slips once again behind that mask he's fought so hard to get rid of. She can't hold it against him. Everyone has their coping mechanisms and this is Michael's.
She becomes suddenly the new sensation, everyone openly welcomes her as if they hadn't seen her in ages. Which is actually the case. She's bombarded with questions she doesn't really want to answer like — How are your parents? How does it feel being back? Are you seeing someone?
Mirroring Michael's, she just draws her best smile and tries to satisfy their curiosity while Michael takes a smoke break with Sugar leaving her to be eaten by wolves before she can protest.
To Maya’s disbelief, after the third degree, she’s welcomed with open arms by Donna Berzatto, who is just as intense as she remembers. Hair on point, makeup on point, fresh manicure softly scratches Maya’s jaw when she briefly holds her face.
“We've missed you, Mayhem Maya.” Donna actually coined that nickname after that incident when she broke one of her figurines when she was a kid. And she'd never live that down. It makes her feel like a child every time she calls her that or the way she manages to compliment her and patronize her at the same time.
“Hey,” she hears the familiar voice as Donna disappears into the kitchen.
Maya turns around to see Carmy climbing down the stairs.
“Hey, you made it,” she says a little hesitant, trying to decide whether to hug him or just shake his hand as he reaches the last step.
“You too.”
Hug. She goes for it and tucks her arms around his shoulders for no more than two seconds. It feels a little awkward and cold given their history but understandable. They're not as close anymore, and it doesn't come as natural as it used to. She tries to internalize that as best as she can, but there’s still something that doesn’t feel right. Maybe this wasn’t the best moment to show up back again into his life. Being Michael’s girlfriend, no less. Perhaps deciding to hide that wasn’t the best choice after all. It sounded reasonable when she chose that, but right now, it feels like she’s betraying him.
“How's Copenhagen?”
“Cold. How is being back?”
“Weird.”
“Tell me about it… Never thought I'd see you again in one of these functions.”
“Yeah, Michael insisted. You knew I was coming, right?”
He nods. “Sugar told me.”
They shoot back and forth meaningless questions without really diving into anything substantial. For the first time, she looks at his cold blue eyes and realizes they're not best friends anymore. She might have known everything about him once upon a time, but now it feels like talking to a stranger, and it breaks her heart not being able to pass that invisible wall between them.
Maya stares at him one last time as they are interrupted by the rest of the party. He’s dragged to a mindless conversation with Neil and Ted Fak, while Michelle brings Maya a drink and settles with her on the couch to catch up.
Carmy manages to escape the Faks and asks for some help from his siblings that were hiding outside.
Michael does another quick round before disappearing again somewhere with Richie.
“I thought you weren’t serious about bringing her.” Richie takes him to the garage where they open a couple of beers.
“I was dead serious. And please, don’t say anything. Tonight, we’re just friends, alright?” he gives him a menacing look.
“You’re dead for sure when Carmy finds out. Don’t get me wrong I love Maya, but is she all that? Is she worth the trouble, Cousin?”
“She’s all that and a basket of biscuits.”
Soon, Michael thinks. Soon everyone will know how much he loves her but for now, this is for the best. This is what she wants and he respects that.
When they go back into the house, Michael goes checking if she needs a break from socializing. Figures, she probably does as much as he does. She's not in the living room anymore, or anywhere on the first floor. He climbs upstairs and from the cracked door to his room, he finds her snooping around the bedroom with a glass of wine in her hand.
“Hey. What are you doing up here?”
“The bathroom downstairs was occupied, so I came up here, and I realized I never really saw your room. Was it always like this?”
“Kinda. It’s cleaner for starters. The walls used to be covered in Red Sox merchandise and movie posters. It’s all in the basement at The Beef now.”
“Traitor,” Maya mockingly squints her eyes before taking a sip of her glass.
“Why do you care, you don’t even watch baseball?”
“Yeah, but if I had to pick I wouldn’t even dream of going against my own home team,” she says, scanning a pile of CD’s on the corner of the desk and picking one from the middle. “Marky Mark, really? Who are you?”
“That’s Sugar’s.”
“Sure it is,” she laughs.
“This is why you came up here, to make fun of me?”
“Nope, I just like snooping.” She turns around and keeps flicking through those albums while Michael shuts the door to seize that as an opportunity to kiss her again.
“Hey, c’mere.” Quickly wetting his lips, he cups her face as it turns to the side and gently captures the flavor of her mouth soaked in white wine.
“Hmm, we’re a lost cause,” she says as his lips bounce a few times against her.
“I know.” Michael hums, unable to stop himself from going deeper into her mouth.
As she places her glass on the desk, his tongue swipes past her lips.
Michael moves his hands to her hips, as Maya links her arms around his neck, letting her tongue slowly play with his.
His mouth grows hungrier and desperate for more. She can feel it at the eager tip of his tongue demanding more action. He blindly guides Maya to the bed, and almost without breaking from the other, as she settles on her back, he pushes all the coats people left on his bed to the side. Michael lies on top of her, nestling between her legs, claiming ferociously another kiss from her mouth.
From zero to sixty, his hand slips beneath the hem of her dress and hikes the skirt up to her waist to grab her ass. He digs his fingers on her skin over her tights. He could rip the fabric apart in a second if he pressed a little harder.
Maya hums in his mouth, struggling to keep up with the burning passion he's pouring into her lips as the coarse texture of his beard scratches her face.
The setting is a little off-putting for her right now no matter how much she wants him and as his bulge hardens between her legs, she promptly puts a halt on.
“Michael, baby, shh. We can’t do this here.”
“We’re just making out. The door is closed.”
“We’re not just making out. You’re already hard. What if someone comes in?”
“There’s a lock on the door. I closed it.”
“The lock is not the problem. It's this place. This house.”
“The house is cock-blocking you?”
“Pretty much. Yeah. Let’s just take a breath and go back down. We’ll finish this later at home. See, this is why we can’t be left alone.”
“Okay,” he begrudgingly rolls to the side with a sigh, feeling a little disappointed to be honest and stares at the ceiling. “Is it the house or is it Carmy being here?”
“I don't know. Maybe both.” She leans on her elbow to look at him.
“I see.”
“It’s not like I don’t want to. I do. More than you know, Bear. I just feel weird about doing this right here. We said the other day that we should be honest with each other to make this work. And this is me being honest.”
“I know, baby. I get it. I just… All I wanna do is be with you right now. Can't stop thinking about you. That’s why this happens…” he gestures vaguely as his crotch.
“Now, I’m really sorry. I didn’t mean to give you blue balls. I know how much that hurts.”
“I don’t think you do,” he snorts.
“I’m sorry,” her palm covers her smile. “I really am. But I… I guess I could do something about it. Don’t move.”
Maya’s fingers glide over his crotch to undo his fly.
“Wait, are you changing your mind?”
“No, but I don’t wanna leave you like that either. Just trust me.” She shifts on the bed as her hand slides under the fabric to feel the pressure of his straining erection.
Biting her lip, she locks eyes with him as her fist curls around his shaft as Michael’s hand wraps around hers.
“You don’t have to do this.”
“I wanna. Just because I can’t, doesn’t mean that you shouldn’t. Let me do this for you. Please.”
“You’re fucking amazing, you know that?” he sighs, letting her hand move up and down his hardness.
“I know. Just relax for me. I'll make it quick.”
Maya leans closer to his face to lock her lips with his. His low grunts echo in her mouth while her fist prompts him to spill his early drops of arousal. They help her pump more swiftly. He has to bury his sounds deep in his throat when she parts from his mouth and moves her head down his torso so he can finish him with a blow.
“Fuck, Maybird,” he moans as her lips wrap tightly around his swollen gland. Her hand keeps a nice pressure at the base as her head bobs quickly to have him climaxing all over her tongue.
She cleans him up, licks her lips and makes sure nothing was spilled on their clothes before taking a long swig of the glass of wine on the desk to get rid of the aftertaste of his cum.
“God, sweetheart, that was…” he stands up and pulls his clothes together while she finishes her drink. “I’ll make it up to you later.”
“You better.” She collects a pocket mirror from her purse to check her makeup. As she moves Michael's jacket out of the way, something falls from its pocket — a round pill container lands at her feet.
She means to bend down and pick up, but she freezes. It's Michael the one to reach and grab it. Maya stiffens, stares at him as he quickly tucks in his pocket. Unable to process any thought at all, she pins that in her head to revise later. As she intended to do, she fixes her hair and makeup.
Michael should have left those at home. He didn’t even mean to grab them. It was just exactly that– a habit he can’t break yet. Especially on a night like this.
“Hey,” he says softly, holding her chin under his finger and tilts her head up so he can capture her eyes. “We'll talk about it later, okay?”
“Okay.”
She checks her face in the mirror a second time to make sure there’s no visual signs of her just going down on Michael before leaving the room.
Their hands are still linked together when they step into the hallway, and it isn't until they spot Natalie coming from another room that they quickly pull them apart.
So much for being sneaky… There's no way she didn't see that. The shock flashing across her face is telling.
“Michael, can I talk to you?”
“We should go downstairs before… Carmy can't handle all those people.”
“This won't take a minute,” she says firmly.
He glances at Maya, and they nod at the other.
As Maya returns to the party, Sugar can't help but question Michael about it.
“I don't know what you saw, but it's not what you think, Sug.”
“You came out of your room holding hands. You don't have to be a rocket scientist to put two and two together. Are you dating her?”
“Would you have a problem with that?”
“I don't know… It's just… She's Maya. She practically grew up here. In this house. She and Carmy were… you haven't told him, have you?”
“Nobody knows yet. Well, just Richie. But it hasn't been going on for long, and we just thought it'd be best to wait.”
“And you brought her here tonight?”
“I didn't want her to spend the night alone. Do you think it's weird, me and her?”
“I don’t think it’s weird. I… I guess it's a little unexpected. It just caught me off guard. If you had given me a warning…”
“You wouldn't be so shocked. I'm sorry. I wanna tell everyone, but it's all so new, and she's…”
“Maya.”
“Yeah.”
“Look, it's an adjustment, but if you're happy with her, then I'm happy, Bear. Does she make you happy?”
“She does,” he smiles bashfully.
When Michael and Natalie join the rest, Cicero and his wife arrive. Uncle Lee follows.
The delicious smell of food cooking fills every nook with the house and Maya's stomach rumbles under layers of wine. She desperately needs to soak all that alcohol before it's too late.
She goes into the kitchen to find Michael casually leaning on the counter bantering with his mother as she works against the clock, cooking those seven fishes that’s the staple dish of her house.
“You doing good?” He gives Maya a look as she props her hands on the breakfast bar.
“Hm-hm.”
“You hungry too?” He guesses and Maya only nods at his question as Donna points at the meatball casserole on the counter.
“Here,” Michael grabs one meatball from the casserole, dabs the sauce on the edge so it drips as he lifts it up to her mouth. His eyes light up as she carefully bites half of it directly from his fingers. Then he shoves the other half into his mouth. Smiling at the other, both thinking about what they did earlier as they fight the urge of eating each other's mouths again.
A beat after, Maya looks to the side to see Carmy standing by the door as Donna barks something at him. She swallows, watching people come and go out of the kitchen. The timer goes off as voices get louder all around. Maya helps herself to another drink in the middle of the whirlwind of chaos of the heart of the house while Carmy takes him upon himself to organize the mess of the kitchen against Donna's wishes.
“Ma, why don't you let him help you? It's all he fucking does.” Michael picks up another meatball and offers it again to Maya, but she declines this time.
“What was that?” Carmy glances annoyed at Michael. “Like uh, that was a shot or…”
“Wasn’t a fucking shot.”
“Mikey, he’s helping me. Back off.”
“Yeah, that was a shot.” Carmen states more sternly this time. “I'm the guy that does food. You're the guy that what? You-you, uh… You start 100 different businesses and have zero follow-through.”
“You’re the one to talk,” Maya rolls her eyes, taking a long sip of her wine.
“Yeah, what are you doing here? Thought you had a husband.”
“Wow. Leave her out of this, Carm. She’s here cause I asked her to.”
“It’s fine, Michael. Let Annie Oakley take her shots at me.”
“Okay, this is why I didn't wanna come home. This is why.”
“Fuck you!” Donna shouts.
“What the fuck? Why the fuck would you say that?” Michael raises his voice. “It's fuckin' Christmas. Why would you say something like that?”
“Whatever, okay? Whatever.”
“Maya, sweetie, can you bring some ice from the freezer in the garage?” Asks Donna in the middle of the argument, and she just silently agrees.
All their voices ebb as Maya disappears into the hallway that leads to the garage to grab some ice and pull herself together. She stays there for longer than she should, collecting her thoughts and checking her phone for all her friends and co-workers messages and sending some of her own. Her eyes pull away from the screen when the door swings open.
She tucks her phone in her pocket as Carmy climbs down the two steps into the room.
“What are you doing here?”
“Grabbing some ice.” She glances at the freezer where her ass is propped.
“No. I mean, why did you come here at all?”
She shrugs, folding her arms against her stomach.
“Michael invited me.”
“It’s pretty fucking weird, don’t you think?”
“Why? I used to come here all the time when we were kids. Hell, the first time I got drunk was right in this garage with you.”
“Yeah, that’s my point. You and I aren’t friends anymore, Maya. It doesn’t make sense that you’d come anymore.”
“You've made that clear but hey, you’re the one who stopped talking to me in the first place.”
“Why do you think that is?”
“I don’t know. You tell me. I’m not psychic, Carmen.”
“Doesn’t really matter anymore.”
“No? It matters to me.”
“Guess I got tired of waiting for you.”
“Waiting for me? You’re completely delusional, you know that?”
“Am I? I thought you were different, but you’re just…”
“Just what? Are you going to call me a slut or something? You better watch your mouth.”
“No. You’re… reckless.”
“I'm reckless? For what? Living my life? Growing up? Marrying another guy?”
“Yeah.”
“I’d rather be reckless than be anything like you, Carmen. You think you're better than me, than anyone in here, but you're not. You're conceited. You've always looked at everyone down from your ivory tower like you've never made a mistake in your life. You said you were waiting for me? You had many opportunities to say what you felt, and you never did, why is that? Because you’re a fuckin’ coward. I’ve watched string along girls you weren’t into for longer than you should have. Anytime anyone has shown you an ounce of love, you’ve run the other way. You've shut down me and everyone out cause you don’t know how to love anyone but your self-righteous, narcissistic ass.”
“That’s rich coming for someone who’s fucking my brother.” His voice comes out deeply loud as Maya swallows. “You think I’m dumb? It’s written all over your face.”
Her posture stiffens all of a sudden. She opens her mouth to contradict his words, but she can't. It's pointless. He's chosen to attack, and she's going to stand and take blow after blow without throwing some of her own.
“You had your chance, Carmen, and you never took it. And the worst part is that you expected me to do something about it, but it really wasn’t up to me. I’m sorry I never felt anything for you… but I don’t think you ever loved me like you wanted either. You only thought you did cause I was there all the time. It was easy, right? We were friends. Best friends. And you ruined that.”
“So did you.”
“Yeah, we can agree on that.”
“It’s fucked-up, y’know?”
“What is?”
“You and my brother.”
“You know what’s fucked up?” She pegs him with a harsh twisted brow. “You. Coming here judging everyone and pretending you know anything about me or him. Say, when was the last time you said I love you just cause you wanted to and not because someone said it first? When was the last time you were in a relationship that lasted more than two dates? When was the last time you woke up next to someone and the thought of leaving them ripped your heart apart? I'd rather take risks and be called reckless than feel nothing, do nothing, say nothing at all, and turn into a bitter asshole like you.”
Maya walks past him and heads out the door without giving him the opportunity to respond.
As tears threaten to come out, she stops in her tracks and draws a fortifying breath to keep herself from falling apart. Though she knew sooner or later she’d have to deal with Carmy, that conversation was truly more difficult to deal with than she expected. She couldn't handle that better if he wasn't acting like an asshole.
Disheartened… Maya feels just at home. It really is no different from being with her own family. Next year, she swears she's going to take a trip or just stay at home with Coco, which sounds like something she should've done today. Coming here tonight was a mistake. If she could turn back time to earlier in the day and convince herself to stay at home she would.
In the never-ending night of riffs, she overhears Donna yelling at Natalie in the kitchen as she crosses the hallway. In the living room, Michael has everyone's attention while telling one of his stories. Every one seems entertained except for Uncle Lee that has to poke the bear as usual.
It feels like an eternity until dinner is finally served it doesn't get better once everyone is sitting at the table. No. Because, of course, there can't be a moment of peace, everything escalates from that point.
Maya’s taking a swallow of her glass when Lee starts telling the story about the seven fishes and the Dutch oven when Michael makes a buzzing sound and throws a fork at him. It hits his shoulder.
“Wrong answer.”
“Did you just throw a fork at me?” Lee's high-pitched tone breaks.
“I did,” Michael snorts.
They both start bitching back and forth. The tension strains harder after every word, every sentence interrupted, every thought unfinished.
She places her glass down as the animated conversation grows more heated by the second. The voices get louder. There's a countdown hovering over the table showing how many seconds are left for the bomb to go off. Maya hears the ticking in her head, or maybe that's just the sound of her own heart racing.
In the heat of the moment, Michael borrows a second fork from Fak and repeats the same action. This time he misses Lee's head by an inch.
Everyone tries to put off the fire before it rises, but Michael is too far gone into his own head, nobody can talk sense into him.
“Cousin, you're scaring the normals.” Richie nervously laughs.
“This is fine. It's nothing.”
“Mikey, can you hear me, buddy?”
“Not now, Stevie.”
“Cut it out.”
“Hey, look, here's the thing.” He leans back on his chair ignoring everyone. “You see, I can throw forks cause this is our father's house. My father's house.”
“Okay you have everyone's attention so go ahead, tell us a story we've all heard a million times already.”
“That's good Lee.” He laughs manically while Lee goes on a rant about him living off his mom and borrowing money from everyone.
“… I don't know what the fuck you're on, but if you can hear me through the fog, throw another fork at me, you're gonna get fuckin’ rocked!”
There's a long moment of silence. Michael scratches his beard and gazes to his side, where Maya is sitting trying to process the whole thing happening before her eyes.
“Hey, Maybird.” He says softly, and waits until she looks at him. “I just… You think I could just borrow that for one second…” he points at her fork.
“Michael don't,” she tries to say, but the rest of the table speaks louder over her voice.
“It's okay, baby.” It slips out as he picks up her fork. “This is fine. I’m fine.”
“Michael. Please don't do this!” It's Natalie's words that stand out over the others. “Hey!” She calls his attention and when Michael glances at the opposite side of the table and Sugar lowers her voice. “I love you. Okay?”
“I love you, too, Sug.”
“I'm begging you. Don't do it.”
He vaguely nods. But he's dead set on making everyone shift in their chairs as the ridiculous dispute picks up again.
The flames touch the ceiling, and there's nothing she can do to smother the fire.
Maya nudges his thigh under the table with her knee, and says his name softly, hoping it'd be enough to calm him down. But it's too late, he's already so riled up that not even her can't stop him from rising from his chair, fork in hand taunting Lee non-stop.
Petrified, she stares at the man she loves, the one who looked like a dreamboat when she woke up next to him this morning, turning into something completely different. The cracks of his mask can't hold any longer. Behind it, it all slips out. His haunted expression taking over the rough edges of his face, the sorrow in his eyes, and his tired voice, makes her heart hurt.
“Bear.” She resorts to a term of endearment, but there is no use. He's on a different plane now, guided by his addiction.
Her eyes well up as Lee keeps repeating that he’s nothing. She can see his gears spinning in a different direction and for a moment everyone stays still watching everything unfold until Donna comes into the room.
That only puts a temporary patch on the wound. It's only a matter of time before someone takes it away to let blood spill all over the table. Michael sits back down, pushing his hair back before clutching the fork again in his fist as Donna lights up a cigarette and takes a seat.
“What did I miss?”
“Nothing.”
“I missed something.”
“Uh, Stevie, Stevie's about to say grace, Ma.”
“Ooh, good, yes.”
“Go ahead and take it away there, Stevie.”
“I uh… I don't think…”
“Just say the fucking thing, Stevie.”
The tension eases up for those couple of minutes while Steve improvises grace. It all seems perfect for a moment, they all nod and smile a Steve’s kind words, but that countdown is still ticking down every last fucking second.
Everything afterward is a tableau of surreal events tangled together that would play in Maya’s head for years to come… Donna’s meltdown, Michael throwing the last fork, flipping the table and taking a more physical approach against uncle Lee, Donna losing her hinges and crashing the car into the house, the police attending the disturbance…
Out of all the memorable dinners she's had in this house, this one really takes the cake.
It's the shitshow of a lifetime that nobody will ever forget.
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Chapter 10: Basket of biscuits
It’s past the witching hour when all the voices, all the noise, all the sirens, and rumblings of his own thoughts quiet down in his head when he closes the door as he settles on the driver's seat. And at once, the only voice he wanted to hear the most echoes in his head with one simple word — his name. The fear in her tone haunts him. He probably scared the shit out of her after what went down. Staring at the ruins of the front of his childhood home, Michael turns on the engine and takes a final look before steering Maya’s car out of that place.
Maya left earlier, after the police took everyone’s statement. Though she wasn’t as drunk as he was, he begged her to take a cab back home. While Donna refused to leave the house, everyone eventually left as well. Michael stayed all the way through while they boarded up the hole in the wall as a temporary measure.
Sobering down, the road gets clearer the closer he gets to Maya. He can't stand the thought of her being witness to his frantic meltdown. All he can see now, clear as day, the utter disbelief and fright in her eyes when she was pleading him to stop. He should have listened. He should have held himself better in that situation. Drugs or not, there's nothing or no one to blame but himself. That was… Embarrassing. Even for him. He swore he'd never sink that low, that he'd never let anyone see that part of him. It was bound to happen. He lost control and everyone saw. And if he wasn't for Donna interrupting his act, he's not sure how far he'd have gone.
For a split moment, he blames it on something else taking over his actions, like being possessed by one of his demons. But it doesn't last long. He can’t continue denying the fact that he’s the only one responsible for his actions. Claiming otherwise would only delay the inevitable.
They say all roads lead to Rome, and if keeps driving in the same direction, he’d surely find the only possible outcome to this. It’s time to veer off the path and find that there’s more world to see besides Rome.
He has to find a new way, and she is the only thing that could save him from this right now. However, after tonight, it wouldn't surprise him if she was already thinking about kicking him to the curve. He would blame her.
Christmas lights and empty streets quickly take him to her house. He can even imagine what’s going through her head right now… but it’s time to find out.
He parks on the driveway and takes measured steps toward the front door as the weight of the world perches on his shoulders. He feels like shit and the biggest asshole in the world for breaking his promise.
The glow of the TV and tree lights shine faintly behind the curtains when he knocks on the door. He should have called before, he realizes on that spot. Or even just text her to say he was coming so she would know what to expect. But there’s not going back now.
She takes her time to open the door and when she does, he’s met with the reflection of all his fears coming true. It flashes across her face the disappointment and disgust and utter terror of what happened at the table.
“I brought your car.” He reaches out to hand her the keys.
Hesitantly, she collects them, and makes room for him to enter before closing the door behind him.
“I… You shouldn't be driving.”
“It's fine. Sobered out pretty soon after… Where's Coco?”
“Upstairs. Hoarding the bed.” Maya puts the keys on the console table as they stand by the staircase railing. “Is everyone okay?”
“Yeah, Carm and Sug stayed with her at the house for the night. Everyone else left. ”
“She wouldn't leave?”
“No, she locked herself in her room.”
“That's crazy.”
“Yeah, another Christmas at The Berzattos. Hey, but at least none of us got locked up.”
“That's not funny, Michael.”
“It wasn't meant to be funny.”
“I think you should go… You should've stayed with them.”
“I wanted to check on you.”
“I'm fine.” Her tone says otherwise.
“Are you?”
“I was about to go to sleep.” She’s already slipped into her pj’s and was just watching TV cause she couldn’t fall asleep.
“That doesn't answer my question.”
“What do you want me to say? Of course, I'm not okay. You lied to me.”
“What… When did I lie to you?”
She fights the urge of rolling her eyes and instead, crosses her arms against her midsection to keep herself together.
“You said you weren't using when you were with me, but tonight you did. Instead of coming to me and saying — hey I'm dealing with this and that, you straight up hid it, and then you just… went off. I thought we were being honest with each other.”
He hangs his head down as she tiredly leans her back against the wall.
“I don't know how to help you if you don’t tell me what’s going on, Michael.”
“There's nothing you could've done.”
“Maybe not but you didn't even give me the chance to. I'm really concerned about you and after tonight… I don't know… I'm out of my depth here. I knew it was bad, but it's worse than I thought… If you're not seeing that, if you're not willing to admit that… Then maybe we should take a step back and consider our options before going further.”
“Consider our options? You're getting cold feet now?”
“No, that’s not what I’m saying. I just…” she sighs in exhaustion. “You should go. It's been a long night. And I'm not in the mood for this.”
“If you're gonna break up with me, just say it. Don't wait till tomorrow.” Though it’d be the right decision for her to do, he can’t stand the thought of not being with her now that he’s seen what it is to have her in her life. It would rip his soul and heart apart to hear her say those words.
“I don't wanna break up with you, but I can see that you're going through something right now, and I think it’d be best to talk about this tomorrow or the day after with clear heads.”
“Okay, okay…” he says under a heavy breath, as he shortens the distance between them.
Michael cups her jaw, and places his lips gently on her forehead.
“Can I stay here tonight?” He tries to not sound desperate but it fails so badly.
“Michael…” He grabs his wrist and takes a step back to detach herself from his hold.
“Please, Maybird, I don't wanna go. I… I can’t be alone right now. I’d… I don’t know what I’d do…” There’s something brewing inside him and if tonight wasn’t bad enough, not being able to be with her would send him down to that hole of despair he’s dug himself.
“You're scaring me, Michael.”
“Fuck, I know… I know I’m an asshole. I just…” He frantically runs a palm over his beard as he keeps pleading. “I need you. Don’t make me leave. I'm begging you.”
Those words put her between the sword and the wall. As much as he loves him, as much as she’d want him to stay, she’s still shaken and would rather be alone right now. But she wouldn’t be able to live with herself if something happened to him because she sent him away.
Before she has the chance to reply, while she gathers her thoughts he dramatically drops to his knees on the verge of tears.
“Please. I’d do anything for you, but don’t ask me to go.”
“Michael…”
“Shh, shh, shh,” he grabs her waist, pulls her close, and links his arms around her hips, planting his full face on her abdomen. He swallows his sobs in his relentless ramble. “Please, baby, I need you… I’m sorry I lied to you… I’m so sorry that I'm scaring you… I swear I’d never hurt you…”
Her eyes brim with tears and unable to pull away she just holds his head protectively in her hands, threading her fingers in her hair to calm him down.
“You’re everything to me, Maybird. I know I’m a pathetic loser and that I don’t deserve you, but I’m fucking ready… just tell me what to do… I don’t know how to fix this… please just… let me stay…”
“Shh, it’s okay, Bear.” She’s so overcome by the love she has for him, she doesn’t have the strength to kick him out. So, she just gives up to his implore. “We’ll figure it out.”
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Michael’s breaking point came like the most unexpected Christmas gift he didn't ask for. He can't return it or exchange it for something else. It's only up to him to either throw it away and pretend it didn't happen or use that as the catalyst to his recovery. They say that sometimes you have to break down to break through. And he went down so many levels, that there’s only one option but to go up from there. No because he feels like he has to, but he'd do anything to stay with Maya, and he knows the only way to do it is to climb out of the dirt.
After falling asleep in Maya’s arms, he wakes up in her bed alone the next morning. The clock says it is 10am when he looks up to her night stand and from the feet of the bed is only Coco, keeping a close watch of him. Her tail starts wagging when he gazes at her and extends his hand to scratch her head.
“Hey, Coco girl.” His voice rasps as she climbs up closer to lick his face relentlessly, slobbering all over his beard. “Okay, okay, that's enough, sweetheart.”
He holds her close and scratches her neck to calm her down, as Maya’s measured footfalls make the stairs creak when she climbs up. He looks to the door and watches her as she enters the room. She's fully dressed and by the amount of layers she's clad in, it looks like she's been outside.
“Morning.” She smiles softly as she proceeds to take off her hat and scarf.
“Morning.” He props himself on his elbow while Coco jumps suddenly out of the bed and circles around Maya’s legs before leaving the room at once. “Went out?”
“Yeah, just went for a drive and grabbed some breakfast. You two looked so cozy together, I thought I should let you sleep a bit longer. You're not opening today, right?”
“No. C’mere, sweetheart.” He finds her hand and gently tugs on it so she would sit down next to him. “I'm sorry about last night, I shouldn't have come here like that. I thought I was…”
“Sh, it's okay. You already apologized, hon.”
“No. That wasn't me. That was fucking embarrassing.”
“Is this you now?” She tenderly moves his straightened hair away from his forehead and combs it softly.
“Think so.”
“You look better.” Her fingers keep gently peppering him with caresses all over his head and neck.
“I feel like shit.” He gets a hold of her hand and kisses her knuckles. “You’re not mad at me anymore?”
“No. I can’t really stay mad at you for long. You know that. And the good thing about all this is that since last night, I haven't really thought about being ditched for Christmas by my family.”
“Fuck, I'm such an asshole… I had all these plans with you after dinner… and I totally ruined everything. We didn't even get to open our presents.”
“It's okay. I promise. We'll try again next year. Maybe just the two of us.”
“You still think we'll be together next year?”
“I have no idea. But I'm hoping so… I want to.”
“God, you’re a fucking angel.”
“I’m not,” she laughs softly.
“Yeah, heaven-sent. You took care of me last night when you had your own thing going on. Not many people would’ve done that.”
Maya leans in and kisses his temple before wrapping her arms around his neck. She bathes him with love cause she’s not sure what else to do than to show him that she needs him just as much.
“How about we get some food in you?” She smooches his head and as she attempts to stand up, he curls his arms around her, pulling her down with him.
“Not yet, baby. Let's stay here for a minute. I'm not hungry.”
She relaxes in his hold and cuddles with him until his phone goes off.
“It's Sugar.” Maya sees on the screen. “Are you gonna pick it up?”
He vacillates, but he ends up taking the call while Maya dislodges herself from his embrace. She collects a tray and some food from the kitchen while Natalie tells Michael that they finally got their mother out of the house. She'll be at Nat's for a few days until they fix the front of the house.
“Yeah… I'll take care of it. See you later.” Maya overhears as she returns to the bedroom with his breakfast.
“Everything alright?” She sits down on the mattress, placing the tray in the middle.
“Yeah. She asked me to go talk to uncle Jimmy's friend. You know, the contractor? He said he could get it done fast.”
“That's good, yeah?”
“Yeah, I guess.”
“What's wrong?”
“I don't know… I just… how can I look at these people in the face after what I did.”
“Because you're Michael fucking Berzatto. And you don't take shit from no one.” She tries cheering him up. “Uncle Lee was an asshole. Nobody cares that you threw a couple of forks at him. They're worried about you. And I don't think anyone remembers what you did. Donna upstaged the two of you, I'm afraid.”
“How do you manage to put a positive spin on everything?”
“Someone has to.”
As much as he loves hearing her talk like that is time for a reality check. Besides Maya being the brightest light in his life from the past few months, the rest have been hell. The restaurant has been struggling for way longer than he’d like to admit and has become the biggest failure of his life. His dependency has only been exacerbated by the pressure he’s put on himself to try to fix all by himself. All the lies, the high expectations, and the way his family look up to him for answers and comfort have become a lead weight on him.
The Beef was an inherited mess that was passed down to him when his father died. He took it upon himself to carry the family business to keep the family afloat, especially since Carmen and Natalie were merely teens, and there was nobody else but him to provide for all of them. He always thought he’d had his own restaurant and part of that pipe dream was bringing Carmy along. That dream faded as soon as he got hit with the hard cold truth that managing a restaurant, even a sandwich shop wasn’t as easy as his father made it look. But to be fair the late Berzatto didn’t have the best system either. It was all back door deals and handshakes and fucking agreements with this guy and this other guy. It made him wonder if the old trio had some shady business going on. Even Maya’s uncle was involved at some point, he recalls seeing his name a couple of times in one of the accounting books.
To sum it all up, he was set up with a business that was already failing before got it. His optimism and passion could only keep him trying for so long. The last couple of years have been hell, and at this point he’s not sure if he wants to run it anymore. He’s toyed with the idea of burning it to the ground and starting over, or just selling it and walking away. But there are a lot of factors in play that are stopping him from doing that. Like disappointing his family or the people who work for him. And let's not forget the big question of what Michael would do if he didn’t have The Beef.
With a heavy heart he finally pours everything out to Maya. If someone can understand, it’s her. She knew when her life needed a turn and took it. He’s at the same crossroads right now, but unlike her, he doesn’t feel brave enough to do what needs to be done.
Maya draws a breath, absorbing every single thing Michael has laid out. It’s a lot to process, but her mind is already spinning ideas and questions that could potentially help him.
“You could sell and start over. The Beef is not your failure. It wasn’t even your dream to begin with. And I don’t think anyone will hold it against you if you give it away.”
“I guess I’m not ready to give up, you know? I don’t know what I’d do if I walked away now.” He shifts in the bed, laying on his side, placing his head on her lap while she plays with his hair.
“What about the restaurant you wanted to open with Carmy? It was all you talked about once upon a time. ”
“I can't bring him into this. He's better off without me.”
“He's not. Your brother is fucking miserable.”
“How do you know that? Did he tell you that?”
“No… but we shared some words last night, I don't want to get into the whole thing right now, but I could tell that he's not happy either.”
“Last night… He gave me this thing. It was a sketch he did about that restaurant… I just don't know how to make you both understand that I have no idea how to make it true. He's worked so hard to be where he is now…. I won’t be the one to keep it away from all that.”
“Have you ever thought that maybe you could learn something from him and that teaming up would solve all your problems?”
“Yeah, maybe. But I don’t want to take that chance. I won’t ruin his career. He’s where he’s supposed to be.”
“You know, you’ve talked a lot about not wanting to let everyone down and keeping everyone happy. But when are you gonna start taking care of yourself, Bear? All those people you’re caring for, they’re pretty much grown up. They don’t need you to keep holding their hand. Not Natalie, nor Carmy, nor your mother. And don’t get me wrong, the way you care for them is part of the reason I care for you… but at some point you’re going to have to care for yourself too. Cause I can’t keep an eye on you 24/7.”
“Did you go to shrink school or something?” He scoffs, glancing up at her eyes from his comfortable spot.
“No, I wish! It’s hard to put yourself above anyone else… I get it. But you’re going to have to, Michael. If you don’t, it’ll eventually catch up with you. The pressure, the pills, the need to please everyone…”
“What if it’s too late?”
“It’s not. I promise it’s not. I know it seems that way, but you, asking the right questions… That tells me it’s not too late. And the thing is that you don't have to decide anything right now. But hypothetically speaking, if you didn't have The Beef to take care of, and could do anything in the world, what would you do?”
“Well, If I could do anything, I'd stay in this bed, day, and night with you for a year.”
“Okay, let's say you've done that now. You wake up, get out of bed and where do you go?”
“I've always….” he pauses as the corner of his mouth pulls up.
“What? Tell me.” Her hand fists his hair without pulling.
“I've always wanted to buy a bike and drive across every state.”
“I could see you doing that.”
“Yeah, right.”
“Stop doing that. It's not an unattainable dream, Bear. You can do whatever you want.”
“Would you come with me if I asked you?”
“Hm, I don’t know… I’m not a huge fan of bikes. But I guess if I could follow along with my car and bring Coco with us, I’d go.”
“How about next summer?”
“Bring it on.”
“You know I’m joking, right?” He scoffs.
“I’m not. If you really wanna do that. Do it. What’s that thing you always say… Let one rip?”
“Let it rip,” he snorts and shakes his head, utterly amused by her way of messing up his motto.
“So, let it rip!”
“How? How do you walk away from everything?”
“You put one foot in front of the other and repeat.”
“Well, thank you for just describing walking, baby.”
“I’m serious, Michael. You take enough small steps and one day you’ll look back and won’t be able to see what you left behind.”
She holds his face firmly and dips to leave a small peck on his lips, then plants her forehead on top of his.
“I’d go anywhere with you. Would you?”
“Yeah, always.”
Michael’s palm slides along her jaw as his lips capture her mouth one more time. In this room, on this bed, he feels more safe and loved than ever before.
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In the evening, Maya takes Michael to meet the contractor who comes into the house to survey the damage. After that, they swing by Natalie’s to check how Donna is doing.
Maya stays in the car. Her choice. She’s not ready to have another Berzatto reunion so soon.
She’s listening to the radio when all of a sudden a tap on the glass startles her. She glances to the side and finds Carmy motioning with his hand to roll down the window.
Sighting, she turns off the radio, as the glass slides down.
“Hey, can we talk?” His breath manifests in the air.
“I'm not in the mood for you to keep jabbing at me.”
“I wasn’t going to… I just…” he props his forearm on the roof of the car. “I wanted to say I’m sorry. You were right about… well, about almost everything. I have no right to tell you how to live your life and shouldn’t have talked to you that way. I still think it’s pretty weird that you’re dating my brother… but I guess I’ll have to get over it.”
Maya swallows, staring at her hands curling around the steering wheel. It feels forced to hear him say that so soon, but not completely dishonest. He’s making an effort, and she appreciates that.
“Thank you for saying that. I’m sorry that you had to find that way and that I called you a self-serving asshole that doesn’t care about anyone but himself. I know you cared about me… I just…”
“Hey, I get it. We both said a lot of things we didn’t mean.”
“What made you change your mind?”
“I don’t know… I couldn’t sleep last night and Sugar and I started talking, we were up for hours… I guess she knocked some sense into me.”
“Do you think we could ever be friends again?”
“I don’t know.”
“Could we pretend that we are just for five minutes? I need to ask you something.”
“I… I suppose we could. Can I get in? It's freezing out here.”
“Yeah, sure.”
Carmy goes around the car and hops into the passenger seat as Maya closes the window.
“What is it?”
“How's Copenhagen? Are you liking it there? Is it everything you ever dreamed of?”
“It's one of the best jobs I've ever had.”
“That's not what I asked.”
“I… I don't know what you want me to say… I guess I always thought I'd end up here with Michael… But I don't think he even wants me here anymore. Why are you asking me this?”
“God, he's going to kill me for telling you this… But hypothetically, what if he was in trouble and was too prideful to ask for help? What if he wanted to build that restaurant you dreamed of but wouldn't want you to give up your career for him? What if he was thinking of selling the shop but was too afraid of disappointing all of you?”
“Fuck, that's a lot of what ifs, Maya. Is that all true?”
“I can't tell you that, but if that were all true would you consider coming back?”
“You know better than anybody that all I wanted to do is work with him. If he asked, I'd be here in a second. But he's not going to ask, is he?”
“I don't think he's ready yet. I'm trying to help him as best as I can, but I feel like I'm not enough.”
“What do you think I could do if he doesn't want anyone's help… ”
“I don't know… he's too stubborn to ask for help. I'm just running out of ideas here… and he's looking at me like I have all the answers…”
“You think if I came back that'll change?”
“Maybe not, but if there's just a small chance that you were considering doing what you always wanted to do… if he saw that you weren't going anywhere, perhaps it’d point him in the right direction.”
“It takes guts to ask for help like that. And I'm not talking about him. I know you wouldn't be asking if it wasn't serious.”
“Yeah, like I said, if he knew I was telling you this…”
“I won't tell, if you don't.” He smiles softly.
“Thank you.”
“I'll think about it though.”
“Yeah? I'll keep trying too.”
As Carmy leaves the car, Michael comes out of the front door. They meet in the middle and Maya watches them quickly sharing some words before saying goodbye.
“Everything good here?” Asks Michael once he's taken his seat and closes the door.
“Yeah, we were just straightening some things up. I didn't want to tell you earlier, but we had an argument last night. It's all good now…” and she feels like an asshole for going behind his back, but if Michael is too proud or ashamed to ask for help, someone has to. She'd love to have all the answers laid out for him, but she has no idea what she's doing half of the time.
“He knows about us, does he?”
“Yeah, we weren't as careful as we wanted. Even Sugar saw. I mean… you even called me baby at the table. Don’t think anyone really noticed but… I guess it’s out now.”
“Does it freak you out that they know?”
“No. It was never about that. I just wanted to keep it just between us for a little longer.”
As they drive back home they toy with the idea of recreating the Christmas dinner they never go to have the previous night. They make a quick stop at a couple of places to gather some ingredients and scramble something together.
Michael has a lot of faults, but he's a natural in the kitchen. He feels right in his element when he's crafting a meal, especially when it’s for her. There’s no pressure laying on the counter, no bills to worry about, but the need to impress her makes him rise to the occasion.
After dinner, they exchange those gifts they put under the tree in her living room a couple of days ago. There’s a gift basket for Coco with toys, her favorite snacks, a blanket, and bathing products. While the dog is distracted with a chew on the rug, they sit on the couch to open theirs.
Maya’s gift to Michael is considerably bigger than what he got for her, which is a thin flat box as long as her palm.
“You want me to go first?” Asks Maya.
“Yeah, sure. Go on, baby.”
She’s kneeled by his side on the cushion, and he closely watches her hand unwrap the jewelry box that contains a dainty gold necklace with two twin pendants. Two small discs share an M etched on one side but are different on the back. One of them has the outline of a bear, and the other a dog paw.
“Do you like it?”
“I love it, Mikey Bear.” Her free palm slides at his nape. “Thank you.”
“Thought you could wear this one,” he points at the one with the bear, “and I could take the other.”
“Yeah, that’d be perfect.” She inspects the pendants for a bit longer before sliding the one with the paw on it out the chain. “We’re kind of an institution now, like M&Ms.”
“Or Eminem.”
“For sure,” she laughs at the same time she clasps the chain around her neck. “Are you gonna open yours?”
Michael nods and extends his hand to open the big wrapped box waiting on the coffee table. In it there's a record player set with speakers and a couple of Otis Redding albums.
“You’re the best, you know that?” He holds his chin on top of his fist for a second, mesmerized by how much he adores her.
“Hm, I’ve been told.” She smugly slings her arm around his lower back as he inspects his new gift and starts setting all the components on. “Wasn’t sure if you liked Otis, but it’s one of my favorites.”
“Yeah, I dig it. Everyone loves the king of soul.”
Tucking her palm under the hem of his shirt, she kisses his shoulder, as he carefully slides one of the vinyls out of its sleeve before placing it on the platter.
“I haven’t used one of these in a while, let’s see if I remember…” he thinks for a beat, staring at the levels and buttons as he figures out how to set it up.
“You know, there are instructions on the box, right?” She playfully scratches his back.
“Don’t need instructions.”
“Typical male response,” she scoffs.
“Look, it’s done.” After settling the needle in position he hits the on button and stares at the record as it starts spinning. It rotates a couple of times before the first track comes out of the speakers.
Michael curls his arm around her, pulling her flush against his chest as they lean back on the couch. Maya drapes her legs on his lap, pillowing her head on his shoulder as the ever so beautiful melody of These Arms Of Mine plays on the speakers.
“Oh, I almost forgot.” Maya tucks her hand in her jean's pocket to collect a keychain of a miniature motorcycle she got at the gas station earlier. “I also got you this when we stopped for gas. I didn't have time to get you a real bike in time but– what do you say, you wanna go on a road trip with me and Coco?”
“A Harley-Davidson? I don't think the three of us can fit here.” He dangles the keychain between his fingers. “But we'll see.”
Maya smiles against his shoulder as he kisses her head.
“Hey, can I tell you a secret?” His voice changes to a softer tone.
“Uh-huh.”
He knows this is far from perfect and that he's probably going to screw everything up at some point, but whether it's perfect or not, right here, in her arms, everything is like it's supposed to be.
“I love you, Maybird.”
She tilts her chin up so he can capture the glint of eyes. She doesn't say it right away, it takes her a couple of beats to build up the courage to say back…
“I love you too, Bear.”
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The End.
206 notes · View notes
roses-r-rosie3 · 9 months
Text
Holiday Drama
Dick Grayson x M!Reader
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Warning: Crack, Jason bring really nosy, Fluff
Summary: The reader is keeping a secret and Jason is gonna help Dick get to the bottom of it
A/n: This is TOTALLY not based on that one episode of modern family
Quote: “That’s definitely not how I thought this night would go”
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Jason was as bored as one could be. I mean yeah, it was Christmas, and yeah, he loved his family. But there was no drama! One may say that there was no flavor!
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This year for the holidays, you and Dick decided to host a dinner at your place. So Jason… being… well.. Jason.. he decided if there wasn’t any drama that he knew of, maybe there was drama someone else knew of.
“Sooo Dick, what’s up with you and you and y/n? I’m sensing some tension” Jason asked.
Jason did not in-fact sense any tension. He just saw that you were helping Alfred cook, while Dick just sat down on the couch, mindlessly scrolling through channels on the tv. So he figured it was a safe bet.
“There is tension” Dick gasped.
Jason squealed in the inside. Finally! Something interesting! So he excitedly sat next to Dick on the couch listening to all that Dick had to say.
“Okay so, first of all, you know how he’s always extra crazy about this dinner. So every Christmas I jokingly complain about having to go home with to see his family. And this year, he said I don’t have to go, and he was totally cool about it” Dick said.
“Oh no, super fishy. So you didn’t find any clues while you were looking inside his luggage?” Jason asked.
“I didn’t go through his luggage..” Dick said.
“It’s like you want your relationship to fall apart, come on follow me” Jason sighed.
After some digging in your suitcase, Jason managed to find a first class ticket to
“Y/n why do you have a first class ticket to (Random place [soz im a bit lazy])?” Dick confronted.
“Not now, and why are you digging in my suitcase?” You asked.
“I’m sorry to interrupt but I need y/n to help me in the kitchen” Alfred said.
“Can we get back to the first class ticket thing what are we hiding?” Jason said
“Okay, I’m not sure what you have to do with this, but I bought that ticket because I’m going on a holiday trip” you said.
“You? The same person who refuses to even let me buy you something expensive?” Dick questioned.
“Can we talk about this later, I gotta help Alfred with the food” you said before walking away.
Dick and Jason sat back on the couch, talking about what just happened.
“Do you really think y/n bought himself a first class ticket?” Dick asked.
“Isn’t he like poor? Doesn’t he like, eat stuff from your backyard?” Jason questioned.
“He likes planting, yes” Dick responded
“We’ve gotta dig deeper, get y/n’s phone, check his texts” Jadon said.
“That’s an invasion of privacy I don’t even know his passcode” Dick said uneasily.
“I just need his face. I do it all the time with… uh… people” Jason said before walking up to you.
“Hey y/n, I forgot my phone in my car and I wanna take a picture of me and my favorite future brother-in-law at his gorgeous dinner” Jason smiled.
“That’s very flattering but-”
Jason ignored you and just took your phone before pretending to take a selfie. You immediately looked into the camera and smiled.
“Oh my god that looks so good, I’m gonna text it to myself” Jason
“We’re in” Jason
“Y/n, what’s up with your trip with you’re family, you’re parents don’t even know you’re gonna be there, ‘Happy holidays, wish you could spend it with us this year’” Dick
“First of all how are you snooping through my phone- You! That was false selfie” you
“You know what, forget it- forgiven. I just want today to be a special Christmas, let’s just sit down and enjoy the food” you
The entire time, Jason was whispering to everyone about the whole plane ticket thing. Before you knew it, everyone knew about it and started asking you questions. Now that everyone knew, you might as well have told them. You decided to get up from your seat and make an announcement.
“Hey everyone, I know you guys must have heard about the whole plane ticket thing, and I know everyone must be very suspicious. But the truth is…” you paused.
“Is he pausing to be dramatic or..?” Tim asked.
“What do you think?” Dick scoffed.
“The truth is, I’m planning on a new house in (random place)” You revealed.
Everyone was in shock at first, but then the questions came flooding.
“You guys are moving?!”
“What?!”
“Really?!”
“Moving?!”
“EVERYBODY STOP FOR ONE SECOND PLEASE!” Dick spoke up.
“Why didn’t you just tell me y/n?” Dick asked.
“I wanted to surprise you” you said.
“Now that the cat is out of the bag, I have another surprise” you smiled sheepishly.
“Dick, when I met you, I was immediately love struck. When we finally got together I knew that I wanted to spend the rest of my life with you” you said as you got to your knees and pulled out a box from your pocket.
“So I guess what I’m trying to say is, Richard John Grayson, will you marry me?” You smiled.
“Yes” Dick nodded as tear started to form in his eyes.
Everyone started to cheer as you put the ring on Dick’s finger. When you got up from your knee’s Dick immediately gave you a long, loving kiss.
“I love you so much” Dick sobbed with tears of joy as he hugged you.
“That’s definitely not how I thought this night would go” Jason mumbled.
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m1zumono · 2 years
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dean winchester and autism because this man is autistic and i will not accept otherwise:
his reaction to sam giving him the giant slinky at the end of 7x14 'plucky pennywhistle's magical menagerie'
actually physically stimming when he enters the bunker with sam in 15x14 'last holiday' and sees the christmas decorations
the boxing episode, 11x15 'beyond the mat', where dean spends the entire episode fanboying and (for lack of a better word) plays in the boxing ring
wearing the same thing (flannel, jeans, in earlier seasons the leather jacket) almost all of the time while not in disguise to work cases
eating the same thing (cheeseburger with extra onions or pie) at almost everywhere they go, as often as he can (about dean winchester and food, i could talk about that for hours he has so many issues with it and it's all john winchester's fault)
his ability to recite movies line for line, and his tendency to communicate almost entirely through references and movie quotes, and expecting people to understand what he means
about references, he makes jokes and references when it's not appropriate, he doesn't understand that something isn't appropriate in a situation where it isn't specifically pointed out to him, and he generally has a pretty messed up sense of empathy and inability to 'read the room'
‘you’re always calling me a geek, but you know every word to every led zeppelin song, backwards and forwards. you can discuss in detail every major rock drummer between ’67 and ’84… and you watch ‘jeopardy!’ every night.’ - directly quoted from sam winchester in 14x20 'moriah'
in 13x06 'tombstone' when they go into the motel and dean talks about the cowboys, identifying all of them and going into quite a bit of detail about a few of them, even though nobody asked him about it and he is absolutely infodumping. 'he really likes cowboys.' 'yes. yes, he does.'
his knowledge of cars, particularly baby, and how he takes her for a ride when he's sad because of the comfort she provides him. also about baby and comfort, the way he offers to let people drive baby when he realises that they're sad, thinking it'll make them feel better as she makes him happy and he doesn't understand how else to help
in 1x03 'dead in the water' he talks to lucas about how he didn't speak as a kid, he plays with the toy soldiers and it doesn't come across as playing with them to make lucas trust him, it actually comes across as him finding genuine enjoyment in it
in 1x15 'the benders' when he's talking to the kid who mentions godzilla, dean brightens immediately and goes off topic talking about his favourite godzilla film, and has to be reminded that he's working a case by sam
the entirety of 14x04 'mint condition', how dean gets to express his interests and be himself and how a lot of people have mentioned that he seems to be genuinely himself in that episode instead of the act he puts on
larping with charlie, no explanation needed
he shuts down when things go badly, often blasting music and ignoring everything and everyone around him
he always picks scissors when playing rock, paper, scissors, and it's actually something that comes up multiple times within the show - in 2x17 'heart', sam says, 'dean, always with the scissors,' and along the same lines, his excitement both times he actually wins the game
in 1x04 'phantom traveller', dean is terrified because of the plane and sam points out that he's humming metallica. he replies that it calms him down, and that just seems very autistic
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thisismyname43 · 6 months
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So I decided to do more research on Tsunderes...
As someone who really likes SMG3 (and is also an active SMG34 shipper) I wanted to see if SMG4 was onto something when calling SMG3 a Tsundere.
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Immediately this reminded me of IGBP. You know at the end where everyone is standing next to the pit and SMG4 says, "Nah I'd do anything to not lose my friends". SMG3's reaction was EXACTLY this. "I'm not your friend, baka!". But instead of buying SMG4 lunch, SMG3 risked his life and safety for him, knowing full well he could die he still went to save SMG4 because he loves him. How would you risk your life to save someone elses and NOT love them? And even after all of that SMG3 still denies the implication that he even slightly likes SMG4 to "save face".
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Okay guys the amount of times SMG3 has called SMG4 "baka" is insane. And remember, he only calls SMG4 that. SMG3 is constantly annoying SMG4, which causes problems in their relationship just like how the image says. This specifically reminds me of the episode "Christmas Wars" when SMG3 mocked SMG4 saying, "Aw are you a little mad I took all your friends?" trying to hit him where it hurts. SMG3 tries to make it seem like he hates SMG4 by saying these mean things to him even if he actually doesn't.
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This right here is very SMG3 core. He is always talking about how much better he is than SMG4, going extreme lengths to try and prove it. (Personally I think this is to help him ignore his feelings of low self worth but that's not what we're talking about rn). SMG3 makes it seem like he firmly believes he is above SMG4 in every way even if evidence says otherwise. This causes him to put SMG4 down to make SMG3 feel better about himself. I also think in some cases SMG3 says these things to try and convince himself that he actually dislikes SMG4 (he doesn't).
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THIS RIGHT HERE. This is EXACTLY how SMG3's character has progressed with SMG4. SMG3 hated SMG4 with a passion back a couple of years ago. Even trying to destroy him and his friends while taking over his channel. But after some time you'll see SMG3 getting less murderous and more chill when it comes to SMG4. It got to the point where now they're pretty damn casual with each other, frequently asking for favors and even hanging out. This is a huge change and improvement to SMG3's overall attitude and can be perfectly summarized in this image here.
So overall, what does this tell us?
Final thoughts:
SMG3 is definitely a Tsundere and SMG4 is 100% his love interest. The overwhelming amount of evidence is crazy, if SMG3 really is a Tsundere there is absolutely NO way SMG4 ISN'T his love interest.
My mind is not being changed 👍
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bengiyo · 5 months
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Boys Be Brave Eps 1 & 2 Stray Thoughts
I've been anticipating this one. Roommates romance from the director of Our Dating Sim.
Episode 1: Anxious to Say I Like You
Interesting. We're starting at Christmas.
Oh boy, our protagonist is a perfectionist who has convinced himself he's single purely by choice.
Hold on. I'm with Kim Jin Woo on this rush home and freakout if Jeong Gi Seop is squatting. What's with the flashes of cute photos? Do they know each other well?
Oh, I see. Kim Jin Woo is gay for Jeong Gi Seop and hasn't said anything before.
So, Jeong Gi Seop is definitely a squatter, but just crashing with an old friend for a month before a major move is far more reasonable.
Damn, this guy lacks a real appreciation for how his blasé attitude impacts people he's with.
Curious. How has Jeong Gi Seop knowing Kim Jin Woo likes him affected his previous behavior as a player?
Oh ho! Jeong Gi Seop just said it out loud!
I'm glad Kim Jin Woo didn't lie, and am glad we're moving quickly. I gotta know what Jeong Gi Seop wants out of this, because he seems flaky from Jin Woo's perspective when it comes to romances.
Episode 2: Finding Your Type
Viki is getting on my nerves. Making me put in my PIN because this is rated R means they better do more than just be pretty and smile at each other in this.
Oh, good! We're going to explore the interiority of Jeong Gi Seop and why he says yes to everyone.
Okay! He's drawn to Kim Jin Woo's isolationist nature and ability to say no all the time. I appreciate that he could see Kim Jin Woo mooning over him the whole time, and was curious why he wouldn't say no. Still, as a formerly closeted person, I have a lot of easy answers to that, which may place this show in the bubble.
Kim Jin Woo said he's not like other girls. 🙄
He let that man be cold all night because he thought he was lying. I feel you on having someone barrel past your boundaries, Jin Woo, but we can't be that bad of a host. Once you let him stay you had to do your best for basic comfort.
Gi Seop, how have you made friends this whole time?
Don't read that man's diary!!
What sort of agreement can these two make when Gi Seop keeps ignoring Jin Woo saying no?
Incredible. This Ji In Ho guy shows up at the very end to initiate his own rushing past lines plot as well.
I am intrigued! This started off differently from what I expected, but I'm excited to see what this show pulls out of these two boys on opposite ends of the spectrum. I will have to do some thinking about Kim Jin Woo, because I panicked for a bit with him when Gi Seop called out that Jin Woo liked him.
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thebearer · 3 months
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SPOILERS FOR SEASON 3 AHEAD
just finished episode one of season three & have to share some thoughts.
spoilers below the cut, don’t read if you don’t want spoilers!!!
• first and foremost carmen in copenhagen made my heart soar
• secondly, i knew KNEW he lived with stephen and michelle when he was in new york and i’m so fucking glad they showed it
• richie and mikey after the christmas incident. everyone after the christmas (fishes) incident. made me want to sob
• chef david, personally i think should light himself on fire and die idc. fuck that weird ass mf.
• chef terry???? living breathing angel we love you bestie!!
• luca in a headband and that’s all i gotta say. great day for the luca babes.
•the ENTIRE scene where carmen was in copenhagen and sent mikey a photo of some dish. then mikey proceeds to proudly show it to tina??? and you expected my eyes not to water. for me not to shed tears???
• natalie is a fucking gem and i have never felt so represented as an older sister. forever the peace maker, forever the care taker. i wanted to sob for her already.
• sydney keeping carmen in check. mf really said “do you think she’d want to hear my voice rn?” BITCH??? sydney is the realest for being like “im not talking about her” RIGHT!!! bc why are we talking about clarie rn?? RICHIE IS PRIORITY RN!! carmen’s already pissing me off, in sydney we trust.
• realizing the funeral scene was about mikey made me want to scream and cry. all their acting tho??? too motherfuckin’ notch.
• i want to give marcus the biggest hug in the world and take his pain from him. the waiting room scene. that blank stare hit so fucking hard. felt so raw and so real it made my stomach ache.
• and the scene in his mom’s bed?? I haven’t stopped crying. i’m not usually a big crier but the way that grief and just complete shock and overwhelming feeling was captured and portrayed??
• and can we talk about the plot twist that was carmen serving sydney??? fennel allergy bc he knew chef david’s bland stupid dumb ignorant hateful useless waste of space ass was WRONG and the dish goes to sydney!!! symbolic as fuck and i hope that’s a foreshadow of the season. how they’ll bring the best out in each other.
• lastly, carmen’s neurotic notes. just losing his shit in the restaurant. out of control so now he’s got to get back in control by acting crazy. we’re in for a fucking ride guys, i feel it.
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wholesomefluffdaddy · 4 months
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Wednesday's new court mandated therapist is having her keep a journal of her thoughts and feelings. Wednesday finds this to be a complete waste of time and decides instead to use it to record her observations of her unusual roommate Enid Sinclair. Wednesday POV.
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Entry 18
Current Moon Phase: Waxing Crescent 🌒
Today Enid suggested we head into Jericho for Christmas shopping. I informed her that this was unnecessary for me as I had already finished making my Yuletide gifts before the final month began. She looked a little taken aback but I was quick to clarify that it did not mean I wouldn't join her in town. I donned my jacket and took her hand in my own. She lit up again at once and immediately pulled me out of our dorm.
As we walked through the halls on our way down to the bus she asked me many questions about Yule. I had no qualms in educating her about its history, symbols, and traditions.
'Woah! So it's kind of like an old timey Christmas?' Was her response. I cannot describe the physical pain this caused me. 'Willa, are you okay?' She asked as we boarded the bus.
'Perhaps it would also be prudent to discuss the history of the holiday you celebrate as well.' I said, taking a calming breath as we sat down. I could tell that it would be a long trip to Jericho.
-YourFavoriteFruitBat is now livestreaming-
"What's up guys! YourFavoriteFruitBat here along with my girl GayMerGirl as we head into town! We're going to see how long I can stand in the local churches before I catch fire!"
"You're not seriously doing that are you?"
"Hey chat it looks like we've got a guest appearance by QBB - Queen Bee Barclay!"
"Don't call me that."
"So what are your plans for town today?"
"Well, I guess they now include staying away from the churches."
"Aw, come on Bianca don't be- Wait, chat's going crazy. Hold on. Oh shit! I guess we've also got an impromptu episode of Wenid Watch!"
"So this is still a thing?"
"Yeah, it's become even more popular over the past couple weeks. I remember when Yoko started filming them occasionally as a joke but now everyone is super invested."
"Like, their relationship?"
"Yup! It's the whole 'will they won't they' kind of thing. Except they're finally together now, I think."
"Shh! Quiet you two! This is a rare sighting of the two love bats outside of their nest!"
"-and it was the psychoactive component of the amanita muscaria, or fly agaric, that caused hallucinations, with the most common hallucination being that of flying reindeer."
"Wow! But wait, if people only hallucinated the reindeer flying then how did the Christmas Werewolf win the werewolf games?"
"The… what?"
"The werewolf games! How did the Christmas Werewolf win if the reindeer he ate didn't actually fly?"
"I am unaware of such a tale."
"You not know about the Christmas Werewolf? Ha! Quit joking!"
"This is no jest, cara mia."
"You know, the Christmas Werewolf."
"Mi amor, I am afraid that you repeating it does not give me any greater clarity."
"…You? You really haven't heard the story of the Christmas Werewolf?"
"No. I am woefully ignorant."
"…"
"Please enlighten me."
"Okay! So my dad always told the story just before the twelve days of Christmas began back when my brothers and I were just cubs-"
"Cubs?"
"You know, kid werewolves."
"Ah, I see. Continue."
"The Christmas Werewolf, okay so you know how werewolves remain wolfed out for the twelve days of Christmas right?"
"No..."
"Really? Okay, uh, there's a lot I'm going to need to cover then. Anyway, werewolves who have completed their first full wolf out stay wolfed out during the twelve days of Christmas. That's when we compete in the werewolf games."
"And what happens in these games?"
"Well, we test our strength and stuff, like running and hunting and jumping. There's also alcohol involved but that's mainly for the older werewolves. Anyway, so the story goes that a long time ago on a cold winter's night all the local werewolves gathered together for the werewolf games. Everyone got to play except for one little werewolf. None of the other werewolves would let him join in the games because they said he was too small and weak and could never hope to compete. The little werewolf was very sad but determined to prove them wrong."
"The other werewolves laughed and said they would let him join in the games if he could jump over the wall of a nearby castle. The little werewolf saw how tall the wall was and knew he could not jump it all by himself. He wandered off into the woods and that's when he saw it: Santa's reindeer. The little werewolf got an idea. If the reindeer could fly, maybe he could too if he ate one."
"That took a rather unexpected turn."
"So, he comes up with this whole big plan to catch one of the reindeer. Long story short he succeeds and eats one of the reindeer and goes back to the other werewolves. Anyway, he wins because he can jump super high now and gets crowned the Christmas Werewolf."
"And how did Santa respond to the death of one of his reindeer?"
"Well, I mean, that's why Santa doesn't deliver presents to werewolves. And why we can't enjoy hot chocolate at Christmas. And also why his reindeer wear silver bells, so werewolves never eat his reindeer again."
"That… makes sense."
"I know right? But if the flying reindeer were hallucinations, how did the Christmas werewolf make the jump?"
"I would suppose that with this werewolf being quite clever he found some alternative way to clear that castle wall."
"I guess."
"Enid, if the character of Saint Nicholas refuses to bring gifts to werewolves why have you hung stockings?"
"Oh! Those aren't for Santa! It's for the Christmas werewolf to leave dried venison. It's symbolic of the meat of the flying reindeer."
"Why stockings?"
"Well, you can't wear stockings when you're wolfed out, silly. That's why he puts it in there."
"Of course. And the tree?"
"Werewolf Christmases are mostly spent outside, since almost everyone is wolfed out. So we have two trees that are decorated the same. One inside for the cubs that haven't wolfed out and one outside for everyone else. You can find your family by the tree outside that is decorated like the one inside."
"There appears to be much I do not know about werewolf Christmas."
"I don't know. I think they're mostly the same. I mean, you spend time with family and people you care about, you give gifts, and you compete to see who is the strongest."
"Must one be a werewolf to partake in these games?"
"Uh, technically no but they are very challenging if you aren't."
"What is the prize of winning said games?"
"Well, you get to be the Christmas Werewolf."
"And what does that entail?"
"You get first pick when it comes to meals, everyone has to listen to you, you get bragging rights, and you hunt the Christmas reindeer so you can put venison in everyone's stockings."
"Interesting. Tell me the games again."
"Willa? You're not- you're not thinking of competing are you?"
"Would it be inappropriate for me to?"
"No but, you're not, you're kinda-"
"Yes?"
"You're small."
"Is the story you told me not about the small and clever overcoming brute strength?"
"Yes but Willa- My family is super competitive."
"As am I, querida."
"Willa no."
"I am merely curious, mi loba."
"Well chat? What do you think? Do you think Wednesday Addams has what it takes to compete in the werewolf games?"
"I worry for the werewolves to be honest."
"Bianca's got the spirit! I'm adding a poll down in chat. Chat, do you think Wednesday has a chance? I guess we'll have to wait till after winter break to find out!"
-YourFavoriteFruitBat has ended the livestream-
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richie-shitlips · 4 months
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Why I think Thomas Thorne has NPD (Narcissistic Personality Disorder): A character study
so I've been researching NPD because I think I have it, and I realised that A LOT of the symptoms also fit Thomas (who I named myself after!) So I'm going symptom by symptom and doing my best to analyse his actions. Some of this is coherent, some of it is just rambling- but I hope this makes sense! (thank you @loganschwarzy and @isopodonanescalator for reading this over text and agreeing with me)
• Have an unreasonably high sense of self-importance and require constant, excessive admiration.
...look at him. he goes as far to say that famous poet lord byron plagiarised HIS work. he sulks when he's not given attention. he gets upset when alison's (unfinished) painting doesn't do him justice. in his own retelling of his death, he reports the announcer calling him britain's greatest living poet.
• Feel that they deserve privileges and special treatment.
i don't have particular evidence for this one off the top of my head but like there are definitely instances of it in the show. like on christmas when he's obsessed with getting alison to kiss him (which is impossible) or the whole thing with the plague ghosts in S4E1 (i think that's what episode it was)... i guess i did have evidence.
• Expect to be recognized as superior even without achievements.
LITERALLY WHAT HE DOES
• Make achievements and talents seem bigger than they are.
once again, just look at him. he writes one (1) poem and thinks it's the greatest thing in the world
• Be preoccupied with fantasies about success, power, brilliance, beauty or the perfect mate.
watch The Thomas Thorne Affair, his spin on the story is WILDLY different from everyone else's, making himself seem successful and well-loved despite actually being the opposite- and he seems to actually believe it! and he thinks that alison is secretly in love with him for a good portion of the show
• Believe they are superior to others and can only spend time with or be understood by equally special people.
i think if he does have an EP (equal person), it's probably pat, as he's the only one who thomas actually genuinely treats like a person and not just a means to get love or attention. i also like to think around season 5 he starts to see kitty as an equal as well, but i've gotta rewatch it to see if that's got basis or if im just a shipper
• Be critical of and look down on people they feel are not important.
i don't remember any specific instances, but he's constantly criticising the other ghosts and other poets (in the book he annotates lord byrons poetry and makes fun of him)
• Expect special favors and expect other people to do what they want without questioning them.
this is less so i think but like it's definitely still there you can see it if you pay attention
• Take advantage of others to get what they want.
he plagiarises. a lot.
and also the whole "Balderdash, I could thrash you all at twist-it then run a mile!" seems like he was planning to use the others losing to impress alison
• Have an inability or unwillingness to recognize the needs and feelings of others.
while alison never explicitly tells him to fuck off, her annoyance is obvious (although she also LOVES the attention and gets distraught when he ignores her) and he never seems to notice
i think something that could also count is when mary moves on he only thinks about himself and worries that he'll move on before making an impact on the world (DESPITE ALREADY BEING DEAD)
• Be envious of others and believe others envy them.
he is soooooo jealous of mike and toby despite never having a chance with alison in the first place. and he definitely thinks the other ghosts are (or should be) jealous of him- just look at how he talks to them
• Behave in an arrogant way, brag a lot and come across as conceited.
he talks himself up SO MUCH
• Insist on having the best of everything — for instance, the best car or office.
the whole thing with the painting again- alison paints him, and he sees it before it's done (snuck a peek even though he was told not to) and he thinks the unfinished painting looks ugly and freaks out over how to tell alison he doesn't like it and wishes it was better (and then changes his mind as soon as he sees the finished version!)
• Become impatient or angry when they don't receive special recognition or treatment.
the whole thing with Life of Byron, where he gets upset when he's told to be quiet because the cameras are on (and upset that he can't be alison's free pass despite not knowing her when her and mike got married)
• Have major problems interacting with others and easily feel slighted.
there are definitely instances of him thinking others are playing him, mainly alison. but also he was actually manipulated and played (which led to his death) by his cousin who he obviously trusted with his life, which could contribute to that distrust as well
• React with rage or contempt and try to belittle other people to make themselves appear superior.
when cap tells him he's not as big a deal as he's acting in S4E1, he kinda blows up on him
once again, when told he's just scared he'll lose twister, he blows up and claims he can win easily then run a mile
• Have difficulty managing their emotions and behavior.
goes from calmly explaining why he's upset to "I'm going to drown myself in the lake!" and storming off in like 0.2 seconds
• Experience major problems dealing with stress and adapting to change.
also the whole thing with mary, i think. and we kinda see when the builders are there, he gets writers block and can't focus on his "work", which i can see as having trouble adapting to change
• Withdraw from or avoid situations in which they might fail.
he doesn't tend to do this as much, instead favouring to boast that he'll succeed and then sulk when he fails
• Feel depressed and moody because they fall short of perfection.
ONCE AGAIN HE THREATENS TO DROWN HIMSELF IN THE LAKE CAUSE HES REMINDED OF A MAN WHOS BEEN DEAD FOR LIKE 200 YEARS THAT WAS BETTER THAN HIM AT POETRY
• Have secret feelings of insecurity, shame, humiliation and fear of being exposed as a failure.
this definitely happens, i can't think of a ton of evidence though
but he's constantly put down by the other ghosts and i dont think thats fair. the times we actually see him cool off and act like he's not above the other people are when they're not putting him down- and as soon as he's praised in that scene, he starts trying to play up the success by trying to write more (and shittier) poetry to get more praise (talking about when him and alison are watching the sunrise, i don't remember the episode)
in conclusion, thomas thorne is a narcissist in canon, it just hasn't been explicitly stated. thank you for coming to my TOM talk (my dad told me to say that)
TL;DR: no go back and read it i worked hard on this and i need you to agree (or just read the paragraph above this, i guess 😒)
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blondephil · 6 months
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dnp movie analysis p2: genres, studios, franchises
thanks everyone for enabling me <3 i'm back with some more analysis by genre, franchise, and studio!
genre ratings
first, genre ratings (genre is kinda arbitrary here, tbh; there's a lot of overlap!)
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here we have the first table (please tumblr don't mess with the quality) (i can post the excel sheets if needed; r tables were being a pita)
here we have the number, mean (= median for all of this analysis), minimum, and maximum ratings by genre. within each statistic, i've highlighted the minimum (light) and maximum (dark) for dan (blue) and phil for genres with >1 movie (just realized i fucked up western, ignore that lmao)
phil has watched the most horror (64) and dan mostly sci-fi (53). interestingly, but presumably because of their love for these genres, each of their minimum scores went to these genres. if you watch a lot of one type of movie, you're gonna find the duds.
both of them liked christmas movies (tbh this was like, home alone, so), with their highest minimum and mean ratings being for that category (nostalgia, i assume because like, same). lowest mean scores were for superhero movies (both) and mystery (phil). for both of them, marvel was pretty all over the place (we'll get into that in a sec), so that's not super surprising.
their highest minimum scores were both given to war movies, which is a little surprising but this include movies like 1917 and dunkirk which are ~critically acclaimed~, so makes some sense. their minimum max scores went to westerns and mysteries for dan, and musicals, mysteries, and biopics for phil.
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here are the histograms/bar charts for genres. these aren't the prettiest tbh, and i excluded some that had only one or two movies / weren't very interesting. without delving deep into the data, you can see how their preferences play out especially in horror and sci-fi, where phil has more highly-rated horror movies (partly because he's rated more) and dan has a lot of highly-rated sci-fi (but also low ratings). you also see how superhero movies are pretty middling -- there's almost a normal distribution! (not really, but sort of!). romance too. there's in general a lot of left skew here -- they like to rate movies highly.
final genre analysis is number of movies in one genre rated by one and not the other. i'm so sorry this table is so long.
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i highlighted here the top three genres one has watched without the other. again we see phil likes his horror (and as i said in my last post, a fair amount of these movies were watched when dan was on tour, and this doesn't even include the guillermo del toro's cabinet of curiosities episodes he rated), but also thrillers (similar!) and comedies (which i get; i love to put a comedy on in the background). unsuprisingly, dan's watched a lot of sci-fi without phil, but also horror and comedy. in general, though, his genres are more distributed.
next, studios/franchises!
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again, i've highlighted the maximum and minimum in each column, only for franchises. both of them really like ghibli, and dan likes disney more than phil (though i think this is missing big hero 6 now that i'm looking at it again, because dan rated that lower). that's theatre kid behavior: the 4.5 was beauty and the beast, all pixar and aladdin and so on were highly rated.
i fucked up the matrix somehow so just ignore that -- they both gave matrix sequels low scores
turning to franchises, phil is a harry potter hater (valid at this point). but loves lord of the rings. so does dan, though his dan's ratings actually skew pretty high for franchises in general (see: his maximum scores for each franchise are 4.5 or 5); he can pretend to be alternative or whatever but he's still a millennial at heart. their minimums minimums are both for star wars (sequels!) and marvel, which, valid. phil's highest minimum is bond (there were only a couple rated) and dan's is the hunger games, but unlike phil he only rated thg and catching fire, not either mockingjay.
and bar charts!
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i only picked the most interesting ones here as well. marvel follows a similar distribution to the superhero movies, which, since they each only rated a couple dc movies (and i didn't include nolan's batmans), makes sense. again they both rate lotr highly, but the hobbit was low. the studio ones are less interesting imo because they skew so far left, but again: dan is such a disney kid.
that's all i have! i love this because dan, for all his faux cynicism, just rates movies so highly + it's so often the movies that don't fit his curated doomer persona but moreso the pooh one. and also phil expressing opinions! phil just watching a lot of horror!! i love it.
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iamafictionfreak · 10 months
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TIS THE SEASON TO BE MERTHUR!
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Just... Look at them!
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I miss everything about this show. Even the very bad CGI and the weak-ass plot points/armour/conveniences/contrivances.
One Christmas Eve, almost 11 years ago, the entire Merlin fandom was butchered into tiny little distraught pieces. It didn’t matter if your favourite character was Merlin or Morgana, Gaius or Gwen. The showrunners held no qualms in destroying your dreams for Gwaine or Perce. The writers did not hold back in their aim to crucify the smile on your face, to forever turn it upside down. No ship was spared. All hopes for the show to finally commit to their original intent, to bring peace between peoples, to save Albion, to allow Merlin his freedom and Arthur the truth, was brought to a bitter, fatalistic end.
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Not that I need to repeat this to you, you know what happened, but it’s worth reiterating that this travesty occurred… on Christmas Eve.
CHRISTMAS. EVE.
Christmas Eve.
The night before Christmas, the night before the day where all rules are broken and we can frolic like children around a decorated tree filled with twinkling lights, our collective hearts were shredded.
This event (once we recovered a tiny bit from the shock) gave birth to a plethora of astonishingly well written, poignant, devastating, hilarious fanfictions that had helped nurse our wounds, for nothing could TRULY heal (except a follow-up season with the original characters, come ON BBC) us.
After nearly 11 years of watching these brilliant entries grow, I never thought I’d jump on this bandwagon and write my own fic.
But I've had a few very shit years, as have many people around the world, and I started to wonder as we do when we want to prove magic can still happen.
My brain decided that it wanted my hands to write the most indulgent, likely over done fic in existence for the fandom. This thought stuck with me throughout the year – I was being STALKED by myself – and wouldn’t leave me the hell alone. This hasn’t happened in a long while.
Still… you’ll eyeroll at the idea. It's so OBVIOUS, I'm embarrassed by myself.
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What if Arthur discovered Merlin’s magic from the get-go, from episode 1?
WAIT. Hear me out…
So, Merlin saves Arthur for the first time and Arthur SEES. He sees his eyes glow.
He knows he should tell his father, but his instincts are screaming at him. Honour is at stake. This stranger saved his life. How could he reward it with an execution? So, a chance needs to be given, doesn’t it? A chance for Merlin to give up magic forever and live a life of goodness, to turn away from evil and serve Arthur…
Except Arthur can’t help but wonder. About Magic, about Merlin and magic, about the law and all the whys attached and his place within this chain.
But he also can’t trust this peasant who cavorts with the devil, practices wickedness but smiles like a child and offers compassion to everyone. Someone so duplicitous must be dangerous… except Merlin’s an actual idiot! And it’s getting really difficult to keep his guard up.
But isn’t that how sorcerers work? They twist the mind with pleasing ideas, they tempt and coerce, they manipulate.
And slowly, Arthur finds himself being manipulated too. For how could he ever want to trust this man- but he does. He does.
And we’ve never been allowed to see Merlin deal with a S1 Arthur who’s in the ‘know’. Who’s forcing him to keep it secret, who’s threatening him with trial by fire, a young Arthur who’s ignorant, arrogant and so desperate to understand what he cannot trust.
Then there's the layers, royalty versus peasantry, friendship versus alliances, goals versus ideals.
I want to write a fic where this trust is built from the ground up. One of the things about the show that made it impossible for me to let it go is that the ‘relationship’ between Arthur and Merlin fits exactly zero categories, yet all of them.
Master and servant.
Friends
Family
Allies
Enemies
Romantic ideals
Platonic soulmates
Absolute Soulmates
I could go on. And it's one of those rare shows where the writing would be given more oomph if the males leads had dared cross a line or two.
Realistically, they weren't even friends. They were master and servant who'd become a little co-dependant. Arthur could never admit to anything more because of his station, but would he have been able to being completely himself around Merlin if he'd known the truth? We never see Arthur truly be himself. He wasn't allowed to be, not even with his wife. There was always a wall - it was how he was raised and any attempt to develop was killed by plot.
We never saw Merlin completely free, not with a single person. He started happy and healthy and innocent. A liar. He ended up bitter and terrified and angry and alone. Still a liar.
What would he have become if there'd been one person he could truly trust- not Gaius. Not a man already broken and brainwashed by his own self. A victim of the system just as much as he perpetuated the hate and completely unaware of the trap he lived in.
Many of the characters in the show have the versatility and potential to be written a trillion different ways, is it any wonder that fics continue to be written?
Well, I wanted to explore a slow burn development of trust, with Arthur learning how wrong he was, how much he’s trampled on, and all about the seemingly normal peasant boy who meant more to the world than Arthur could possibly understand. What would they have become if they’d been given the time, hm?
When they were young - yes, I'm going there - wild and free.
What of Morgana, what if she could have trusted? What if she could have understood? Would it have turned out differently? Would she have still become the other side of Uther's coin?
Would Merlin still have ended up alone?
There’s lots more I wanted to touch upon, it’s a big what if, but that’ll have to wait for another post.
I’m writing a 5 part prologue that occurs between episode 1 and 2. I’m hoping to release it for Christmas and then take the time to write the rest of the season.
Unless… you guys think it’s a waste of time? Let me know.
In the meantime, I’m STILL SUFFERING (fucking show) and it's making me write, write, write!
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(gifs not mine)
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ailendolin · 8 months
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Here are my first thoughts after finally having watched the 2023 Christmas Special for the first time:
Positive:
Baby Mia is absolutely adorable and Alison and Mike are wonderful parents. They've grown and matured so much throughout the series and it's lovely to see that in the way they are with Mia and take care of her
and speaking of growth: I think it's lovely that in the end, the ghosts are ready to let Alison and Mike go. They've really come full circle from trying to get them to leave in the beginning to begging them to stay in series 5 and finally, to encouraging them to leave because that's what's best for Alison and Mike's family
I love that Alison looks like the tired, exhausted mum she is. These days, characters often look picture perfect in film and TV, no matter the situation, and Ghosts has always felt like a breath of fresh air because people are allowed to look normal. It's little things like Alison's yellow coat that she's worn throughout the show hanging by the door, her wearing Mike's flannels or having bags under her eyes that make it feel beautifully real down to Earth, and I'm glad the downsides of having a child didn't get glossed over
one of my favourite moments was the shrug Humphrey's body gave when everyone was looking for its head. That genuinely made me laugh because of course the body would not care whether the head would get exorcised or not
and omg, the exorcism scene was so well done! I love the music in the background (I so hope we'll get a soundtrack one day), the panic on Mike's face when he quite literally runs to warn Alison, the panic on Alison's face when she's faced with the possibility of losing the ghosts, the fear when she can't find them (which parallels 5x01) and finally the relief and smile when she hears their voices. That whole sequence was just perfect
I love that it's Thomas who says, "Because they just can't help being who they are," because it's not an excuse for his behaviour but an explanation - and a recurring theme for him. Right in the beginning of the show, he said, "We stay how we die," and I think for him, those words have proven to be true. He is heartbroken and he'll stay that way. He can't help that. He does not want Alison to go ("Why did I vote for this? I hate it.") but in the end he knows it's what's best for her and for himself, even if it breaks his broken heart a little more.
seeing Button House in all its glory in the end. It still being called Button House. Fanny and Humphrey's portraits on the wall (and the third one might be Kitty's?). Higham Suite (which was the thing that made me tear up because my first thought was that it's meant to honour Isabelle and I love that (although I realise it's probably meant to honour Kitty but I'm choosing to ignore that)). Thomas still complimenting Alison even though she's grown old and thus making a point that his affections for her were never just about her looks
Neutral:
I would have preferred if Alison and Mike had stayed at Button House because for me, the show has always been about family and I don't think they had to leave the ghosts behind to find their own way. BUT the way the Idiots wrote and executed it - with the ghosts encouraging them to leave, establishing that Alison and Mike regularly come back to the house and with details like Higham Suite that clearly show that Alison and Mike had the ghosts in mind when they made the contract for sale - makes it okay for me.
I'm a bit sad we did not get to see more of the ghosts interacting with baby Mia but what we saw - Pat and Cap especially - was very sweet
Negative:
the pacing. I am so sorry but I think they crammed too much into the episode. They either should have cut the exorcism storyline (as much as I loved it) or gone for a 60 minute special. There's just too much going on for 30 minutes, and too many time jumps (I wasn't a fan of them in the 2021 Christmas Special either) that sadly make the whole episode feel very rushed
and because it felt so rushed a lot of plots did not have the impact they were meant to have, at least not on me. Robin's feelings about Christmas for example.
also what was going on with Kitty and the baby at the beginning? Her being jealous is obviously not a new thing but the issue did not really get resolved, did it?
the latter also goes for Thomas's feelings for Alison which brings me to my biggest criticism of the whole show: he never got the character development he deserved (and, to an extent, neither did Fanny). The whole baby storyline would have been the perfect set up for him to move on from Alison (including discussions about different types of love and him realising that Alison does love him platonically and that that's enough) but it never happened. I feel like he was done dirty in that regard because every other character except him got to grow
I have probably missed a ton of moments - and I will rewatch the episode once I've rewatched series 5 - and likely repeated things here that others have said before. Since I had blocked all tags blocked when the Special aired I have no idea how the fandom's reaction to it was but if anyone still wants to talk about it, my asks are open.
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beauty-and-passion · 9 months
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What Makes the Perfect Gift?: A real Aside (and no stakes left)
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As always, thank you for the people writing me every time there is something new SaSi-related, because I don't pay attention to Thomas' Youtube account anymore.
In this case, thank you twice, because I would've never paid attention until 2024, considering I had pretty clear plans for my holidays and they involved:
a Christmas trip with my family
a (hopefully!) New Year trip away from home (hopefully!)
But since my plans were too good, the universe decided "Fuck no" and gave me fucking Covid. So my Christmas plan blew away and here I am, slowly recovering for New Year. Thanks. Great.
So I apologize for taking quite some time to reply to comments, asks and everything else: until yesterday, I still had some fever and was unable to look at any screen without feeling even more feverish. But today I'm better, so here I am, finally watching and writing about this Aside.
I'll admit it: I was quite curious, because in the first ask, the anon told me there was a "video (?)", while the other talked about an episode. Me, being the cynical person I am, immediately thought it was Mr. Sander's new Christmas ad for his new sweaters.
But, to my joy, it was not. Glad to know that Mr. Sanders can do something SaSi-related that is not just an ad.
Honestly, this Aside is way, WAY better than the previous one. The characters' personalities are better, the interactions are better, everything is better. Even the moral and the writing of the episode are better.
Sure, there are still a few things here and there I do not like, but compared to the previous Aside, they're way less. Still, I will mention them all because of intellectual honesty and because it doesn’t make sense to ignore the bad to focus on the good only.
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Where the fuck does everyone live?
The episode starts: Logan calls everyone, says they will do a Secret Santa and that "Janus and Remus will join us today".
First of all, I can understand why Virgil is groaning, but why Roman is groaning too? He got Janus for the Secret Santa, so he should already know Janus is joining them today. Otherwise, how was he supposed to give him his gift? By mailing it? I know it's a small inconsistency, but this is a small episode too, so there shouldn't be inconsistencies at all.
Second, Logan talks about Remus and Janus joining them, by saying that "they'll get here" and that "they came all this way to spend Christmas with us".
For me, this raises A LOT of questions because Logan uses the kind of language you would use if your aunts/grandparents come to visit you on Christmas - i.e. if someone who lives far away from you comes to your place.
But these people all live inside Thomas' mind. So how far do these two live? How does Thomas' mind works? And most importantly: is Thomas copying my headcanons about the mind and the Sides' rooms? In that case:
At least acknowledge you're taking inspiration from me, Mr. Sanders. It's not nice to steal ideas without admitting it.
When I said the mind is vast, I also explained that the Sides can move fairly quickly between planes and Janus can even jump from Unconscious to Subconscious in seconds. I also explained that Logan doesn't know how many actual planes there are in the mind, so why should he say that Janus and Remus had to come "all this way" to meet them, if he doesn't know how big "all this way" is?
If Mr. Sanders isn't inspired but he just decided now that the mind is huge (which contradicts his past idea, since he said in the past that the Sides live in rooms and every room changes according to the space Thomas is), at least offer more details about this new idea and think about them. You can't just change your canon and go with it. That's writing 101, you should already know that.
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Janus has been replaced by his drunk doppelganger
I explained in my last post why Janus being a wine mom is funny and the reason is that it's subtle. It's not thrown in the face.
So no, Janus showing a massive wine bottle isn't funny, nor subtle. It's exactly what I meant by "thrown in your face".
And this saddens me because... do you remember his introduction? His first episodes? How suave he was? How focused he was on being this mysterious, charming, dark figure?
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Ah yes, exactly like he is now: a laughing, bubbling, drunk idiot.
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Seriously, does this look like the same character to you? Does this look like the same guy?
I don't know if Thomas didn't know how to handle Janus or straight-up forgot who he was supposed to be. In that case, please allow me to remind you all that Janus was supposed to be the bearer of Thomas' secrets, the embodiment of lies and (probably), the one who hides the last Side. Do you think this kind of figure should act more like a suave, mysterious guy or like a drunk idiot?
And yes, I know “alcohol funny ah ah”, but Janus is the last Side who should be a heavy drinker, considering how much self-control he needs and what kind of jobs he has.
It’s just sad to see such a character being mishandled like that, you know?
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Patton's gift and the true Creativity
You know, people blamed Patton for giving Remus an air fryer because "it's the gift you give when you don't really know someone" and bla bla bla... but that's all bullshit and the reason is very simple: Remus is a creative force.
Yes, that's it, that's all you need. Remus is a creative force and to a creative force you can feed literally anything. It doesn't matter if it's an air fryer, a 200$ painting set or a single needle, Remus would've found a way to use all of them. Heck, Patton could've gifted him literal trash and Remus would've found a way to use that too.
Also if you notice, Remus doesn't hate the gift, on the contrary: he's extremely curious about it, he asks what he can fry inside it and when he leaves, he already has plans on how to use it. That's how Creativity works. That's how Remus works. And that proves what a great Creativity he is.
Remus truly is the best character.
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Remus' gift and the unexpected wholesomeness
Listen, I'm not biased towards Remus... okay, maybe a little bit. But still, his gift is wholesome and here's why:
it's handmade! I mean, even if it's disgusting, he spent time making it by himself. That proves he cares about Virgil so much, to spend his time making something for him
It's handmade, which proves Remus is a creative force, because what's more creative than making something yourself?
Mr Fuzzy is probably the offspring of one of the Great Old Ones, considering it’s a monstrosity with too many eyes, no clear shape and its real name is something similar to the name of the Great Old Ones themselves
Mr Fuzzy is made with the stuff in the shower drain and that proves it's probably the offspring of Cthulhu because, you know, water
Virgil knows Remus gives a name to the stuff in his shower drain and that's like proof no. #700 they know each other very well
Remus is saving Virgil from Cthulhu, because when it wakes up, it will probably spare Virgil for taking care of its demonic offspring.
And most importantly:
M̶̨̖͈̟͕̰̠̀͑̊̓̍̒̅͠r̸̘̲̜̖͆͗̇͛͑͂́ ̶̼͎̽̓̊͗F̴̫̈́̈́̈́̔͆̀̎̈͘ụ̶̉z̵̧̢̜̖̘̩͒̎͛́͘ẑ̴̺̺͓̩̝͎͙̖̳̓̈́̇̄̈ͅy̶͕̱͔͖̿ͅ ̴̦̼͓͎͕̩̆̓́͑͠͠d̶͙͚̩͇̳̑̑͂͒̂̏͛̏̚ǫ̶̦̘̦̺̣̬͎͐ẽ̷̮̯͚͎̾̽̊̋s̴̛̟̮̻̱͕̗̼̹̭̐̐́̌̋͋̄̈́́n̶̡̢͓̺̔'̵̨̯̤̬̜͇̭̅́t̵̪͛̈̃̐͝ ̷̡̠̤̱͈̳̎͆͝͝͠ḽ̶̚i̶̯̱̙̟̼̪̭̳̹̅̎͋͋̓̊͗̇͛͌ǩ̷̪͘e̷͎̖̦̔̒̿̎ ̵͚̩̄̈́͑̑̾͆̇̒̎b̴̨̛͙͈̱̙̗̰̗̎̀̔̿̎̔͝ẽ̸̡̥̫̂̍̒̋́́̂͘̚ȋ̵̧̛͎̩̫͉̰̋͐̄̈́͊̐̀̑͜n̷̩̻͚͇̰̝̣̠̈̀g̵̺͉̔̈́̊͒̓̃̉̚͘͜ ̶̺̳͓͕͔̱͗͆̓̐̑̚͝͝d̷̬̘͚̘̬̣̭̙̼̃̏̓̾̔̌̀̍̽r̷̛̩̮̞̜̟̐͂́͘͜ͅo̸̧̢̗̝̣͙̘̟͆̀̊̃̉͌͜͠p̵̛̻̠͍̑̅̀́̈́p̷̨̡̖̙͙̥̹̥̞̓͋̈́̽̀e̶̡̳̣̟̖͐̒̾̿̐͝d̸̖͋͆̽̃̐͝
Partially related to that: I have a tiny little headcanon about Remus creating ungodly abominations and naming them like the Great Old Ones (like having a pet abomination called Shubby as reference to Shub-Niggurath). So seeing this little ball of fears and terrors made me kinda happy. What can I say? Somehow, my headcanons are always canon.
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Virgil's gift and the problems with it
As soon as Logan proved he wasn't happy with Virgil's gift, instead of adding something more like "But, really, read the newspaper", Virgil kept silent and let Janus and Remus push Logan with their "o-oh, I bet you're angry, get angry".
Was it a reference to WTIT? If it was, then it was a lame one.
Virgil is anxious, fine, but he's not an idiot. And he has a way with words. So, why didn't he say something to make it clearer that there was something in the newspaper? Honestly, when he handed it to Logan, I thought the newspaper was the wrap and that there was something inside it: why Logan didn't think the same? Am I more clever than the embodiment of logic himself?
And, again, why is Virgil such an asshole? Seriously, what if Logan threw the newspaper away? What would Virgil do, then? Show the gift anyway? Not show it? Tell Logan there was supposed to be a puzzle and make him feel guilty (which would've been a huge dick move, because it was Virgil's fault, not Logan's)? Honestly, no idea.
It's just... sad to see Virgil acting like an asshole without a reason. Virgil isn't like that.
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Logan's gift and the conceptual value of money
The mere fact Roman asked what he was supposed to do with 20$ proves that:
he's a worse Creativity than Remus
he doesn't deserve money
I already explained why you can feed anything to Creativity and Creativity would find a way to use it, so the first point is already covered.
Speaking of the second one, if I give someone money and they ask me what they should do with that, I would immediately take the money back because they clearly don't know the value of money. Money embodies basically everything and 20$ embodies everything you can buy with them.
So when you gift someone money, you don't gift them a piece of paper: you gift them a paint, a book, a toolbox, a dress, a dinner, a jewel. Gifting money means gifting all the endless possibilities enclosed in the money's value.
In other words, Logan's gift was the perfect hommage to Creativity: since you are a creative force, I give you everything you can have within this value. He literally gave Roman everything! What's more fitting for a Creativity?
The only flaw I can find in this, is that Logan and Roman are not real people, but mental representations, so they don't really need actual money. But if we consider the 20$ as a conceptual gift exactly because 20$ represents the countless possibilities they embody... then they work too.
And speaking some more about gifting money, this is truly the best gift, imho. For years people kept gifting me shitty books because "you like to read". So I had to accept stupid book after stupid book, pile them up, sell them and get the money to finally buy decent books. Instead of forcing me to do this stupid charade, they could've gifted me money straight away.
So my advice is: gift people money. Or gift cards. Or at least include a receipt, so if the other person doesn't like your gift, they can exchange it for something they like more with the same value.
Or, even simpler, just ask what the other person wants. Ask, it’s easier! Your gift won't be the most surprising thing ever, but it will surely be appreciated and used. I know, I do the same with my family every year. And, every year, the gifts are always super appreciated.
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Janus' gift and how it was the most fitting one
When I saw the smaller box inside the bigger one, I imagined three different outcomes for this:
there will be an infinite number of boxes inside other boxes and we will see Patton unwrapping them on an even smaller level until he has to unwrap them atom by atom and it will never end
in the last box there will be a wedding ring because moceit is fucking canon
in the last box there will be an actual nice gift
For a moment I really thought we would've seen a wedding ring, but it turned out Janus knows Patton better than his friends - which is not surprising, considering how they keep treating him like an idiot.
And, honestly, I don't find anything wrong with this gift. it's nice, it's funny, it comes from the heart, it's exactly what Patton likes. And it matches Janus' personality too! He appears with something big but it makes you question it, because it’s too light: you assume it's fake, he's lying, he's mocking you. But if you insist, you keep going, see "past the lie", you will find the real gift: smaller than a huge gift, but much more meaningful.
It's perfect for Janus and it's the perfect gift he could've given to Patton. Seriously, I cannot understand how Thomas manages to make the best and the worst decisions about Janus at the same time. It takes a real mastery to do that.
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Roman's gift and fuck the main plot
Okay, the bitchslap was funny... until I remembered that we probably won't get any closure about Roman mocking Janus for his name and Janus telling him he's the evil twin. All water under the bridge, I suppose. Glad to know it ended up like this, with a snap and nothing. That’s exactly what I wanted to see, not Roman growing insane, imprisoning Janus and threatening to kill him. Definitely not.
I'm not one to brag but oh gosh, I'm so happy I wrote my own take on the season 2 finale.
About the real gift: okay, Roman gave him an actual gift. That surprises me even more considering... well, POF. But hey, apparently POF is water under the bridge and it looks like WTIT is water under the bridge as well, because Roman isn't angry with Patton anymore. Wow, *so glad* to know so many stakes have been so brutally thrown on the ground like that. Great choice, definitely worth of a good writer.
Also: is this Janus really cold-blooded? Is he? Are you, weird, drunk doppelganger? I'm sorry, but every time I see this guy, I'm so confused by him almost being like the real one, I feel like I need to question him about everything.
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How to solve a problem without even trying
Oh, I absolutely *adore* how Logan just goes "Uh, I have a lot of data, hey Roman wanna help? You know, making creativity and logic cooperate? It's not like it's a big deal a cooperation between us".
Ah yes, that's exactly what I wanted to see. Not Logan rejecting creativity because he's unable to see how he can be useful to it, not Remus forcing him to deal with the creative aspect for a little while, not Logan pushing his love for art down to the point he breaks, not to see him breaking down, not to see him slowly learning how to accept creativity in his life and how he can be useful for it...
This is a very, very personal opinion so you can disagree with it, but I find it extremely insulting to see Logan just casually offering a collaboration to Roman. If you read FSS3 you know how long it took me to develop this concept of "logic, art and creativity" and how Logan managed to work alongside Roman and Remus only in episode 13. Episode fucking 13 of 18 total.
For me, this was a HUGE theme. One of the most important because, hey, we're talking about creativity and logic, two of the most important aspects of every human being. This is the essence of humanity. And these two characters both have a lot to learn, so their cooperation perfectly connects with their personal growth...
But hey, apparently that's not an important topic for Mr. Sanders, fuck all of this, let's solve the topic with one single line.
Again: don't like to brag but oh gosh, I'm so happy I wrote my own take on the season 2 finale and the season 3.
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Nico is even denser than Thomas
"What's the message?". Seriously. What could the message ever be. Coming from the guy that, when you met him, told you you looked cute and wanted to have a chance with you. The same guy you gifted a necklace.
Clearly the message is "I want to play Scrabble with you on the weekends" and not "I love you, you fucking moron". Clearly.
I don't like to brag, but at least my Nico was much more clever than this idiot.
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So... was it good?
It was. It was a good Aside. I even managed to watch it twice, which is a huge improvement compared to the previous one.
The Sides are better than before, they're more IC too - except for Janus, who has been replaced by this weird drunk doppelganger.
The message isn't stupid nor out of the world, but it actually serves a purpose in the story of the episode itself. And yes, I know this is the bare minimum in terms of writing, but considering the last episode, this is WAY better.
The writing is better too, except for a couple inconsistencies (like Roman groaning despite knowing the dark boys will join).
What suffers the most is the connection to the main plot. This Aside supposedly takes place after WTIT (and that other Aside), but as we can see, there are no stakes left. No huge resentment between the Core Sides, no huge resentment between Roman and Janus. Logan calmed as well, Virgil too.
In other words: we reached the same situation pre-Janus introduction. They're all there, they argue and work together and sometimes do stupid shit and sometimes they do not. The climax of the story has been flattened out, to revert to the initial situation.
Did I expect it to happen? Honestly, yes. After three years of nothing and with Thomas being clearly more interested in carefree/comedy videos, of course this would happen.
Do I expect to see drama in the season 2 finale? At this point, I would be surprised if we ever see a season 2 finale. Probably Thomas will wait forever for inspiration to strike and, in the meantime, feed us an endless number of Asides with funnier, carefree topics, so he can enjoy his time and constantly postpone the drama.
Drama requires more work, after all. Drama requires attention, focus, precision. Comedy can be made like this, with a fun video written in a couple days. Drama needs to connect threads and do it properly.
I said it three times already but trust me, it's a huge fucking relief to know my whole take of season 3 exists, because thanks to that, you can see want I mean, when I say things like "creativity and logic's cooperation is a huge topic" or when I talk about how Janus should be handled. My work is far from perfect, sure, but imho, it's better than this. And this is a personal opinion, so you can disagree as much as you want.
(Speaking of that, I scheduled for December 29th my last post about FSS3, in which I add a couple of things regarding the future of SaSi, so... just keep an eye out for that)
That doesn’t mean I am blaming Thomas for making this Aside or for enjoying comedy more than drama. That’s perfectly fine and he can do anything he wants. Heck, this Aside is good too, so I’m not blaming him for that.
The only thing that saddens me is to see how we casually reverted to the beginning, with no real stakes anymore. We’re just… here, enjoying a comedy show. Which is not inherently bad per se, because there are a ton of great comedy shows. But considering what we saw and what SaSi could’ve been… it leaves a bitter taste, to see such great potential being ignored to revert the show's possible growth.
( Support me on Ko-fi )
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