Tim was four days into a sleep deficit so he felt that to say that this predicament was his fault was a bit of a reach.
For it to be his fault he would have had to cognizant of the last 16 hours.
All he wanted to do was take a power nap in the nearest closest durring the Waynetech gala but nooo Bruce had to be taken hostage by the Joker.
So he did what he thought would work best and shoved uncle Clark into the nearest emergency bat storage and told him to suit up.
Maybe he looked a bit more confused than normal but they didn’t need a reporter they needed Batman!
That being said wasn’t uncle Clark supposed to be off-world?
Oh no.
———————
Jack honestly had no clue what was happening for the last six months so when he was told to be Batman he merely just shrugged as the frankly exhausted teen left him to his own.
With his son turning out to be part ghost to the government hunting down his said son and having to move shop halfway across the continent.
This might as well happen.
Grinning like a kid on Christmas, Jack plopped on the finishing touch.
“Oh Danno is not going to believe this!”
Raising a cloaked arm with a flourish Jack struck a pose.
“Alrighty Jack enough messing around! Time to save the party, Fenton style!
Shifting his feet, Jack took a deep breath before smoothing his face the best he could. After all, couldn’t have a smiling Batman! Before walking out the room and taking running leap through the wall to the streets of Gotham before grappling to the nearest building.
i can't stop thinking about transfem shuro while working on my analysis.. . it's kind of funny actually. i'll be writing something like "i think subconsciously part of his admiration for falin is how she represents a part of himself he felt like he couldn't have, where he can approach from a safe distance" and you add all the stuff about how at the whims of conformity and social rules he is, and how held back he is in expressing himself at all, and how he's a sensitive person deep down but is something that's covered up under a guise of (masculine, at that) stoic seriousness, and how he explicitly likes falin for being an Unconventional Girl who is Herself, where he likely feels he couldn't be (and where they also have a lot in common) and it's like "Hey. Why are you like... . Transgender"
22 year old Gotham University student Danny finds a Damien clone whose near death and saves his life, offering to let the kid stay with him in his crappy apartment. The clone accepts, thinking Danny seems like a tolerable chump to bide his time with as he builds his strength for another fight with his progenitor for his rightful place as heir to Batman. Danny absolutely 100% knows the kid’s a clone and that taps right into his childhood trauma, making him want to protect him all the more. (Up to you if Dani is alive but in my version she’s not). Over time, Clone!Damien becomes begrudgingly fond of his new caretaker, especially after Danny starts taking him on Doctor Who style adventures through time/space and the tamer parts of the GZ (there are none) as part of his efforts to build up the kid’s confidence (outside his overcompensating ego) and help him learn to grow into his own person.
Bonus!
Danny and Clone!Damien are the downstairs neighbors to none other than Jason Peters (aka Jason Todd). They both clock him as Red Hood pretty quickly, but it takes much longer for them to connect him to the Waynes, so he’s kinda just their marginally more normal neighbor who happens to be a crime lord and who, for some reason, tends to check up on them a lot. (Originally this was because RH thought Danny might be an upcoming villain, then because he didn’t understand how Danny was alive, and then Clone!Damien moved in and he started checking to make sure that he didn’t murder Danny in his sleep). Luckily, Jason is a fantastic cook, so they are both grateful (to varying degrees) for his nosiness. (Is this a Dead on Main situation, are they just good friends? Who’s to say? You. Or me. But probably you.)
my TWO FAVORITE THINGS IN THE WORLD, VAMPIRES N COWBOYS...
deacon keller is SUCH a fun character, hes charming and funny but ALSO formidable and STRONG when he feels he needsta be.
i hope him and arthur can get a chance to talk more and be better friends.
l ike really good friend s. . like. like really good f. hangon i gotta go i think i hauve rabies.
the only thing that could have improved SVSSS is if shen jiu was in the background providing scathing hateful commentary the entire time. i want to see him and shen yuan eat each other alive <3
something something one of the reasons Nero went out of his way to stop the shit twins from killing eachother on the top of the Qliphoth - besides not wanting to lose his family 5 minutes after discovering them - being that he didn't want Dante to lose his brother like he lost Credo all those years ago
'i owe him everything' is actually so crazy. dean saving sam over and over again the debt piling on and sam never being able to catch up forever the little brother trailing behind who gets n gets && sam's hero worship as a child just continuing as szns pass, like god there is nothing dean can do that sam won't forgive dean will forever be the perfect good man
Handbuilt mason stained porcelain, with hand painted slip, glaze, gold + palladium luster, and underglaze accents.
Post-fire details include epoxy sculpt and paint for tail’s length (excluding bauble), as well as lacquer for added vibrancy to face.
This piece is a companion to the Dusk Warden, and a part of my 4-piece Celestial Wards series! In contrast to the Dusk Warden, Dawn Warden is a mischievous scamp; wearing no mask because he doesn't care, and embodying the relentlessness of morning as opposed to the calm of night.
I'm really proud of this critter! It was my first time working with porcelain for sculpture, as well as my first time using mason stains, and I love the way it came out!
This one's eyes follow you extremely well, more so than Dusk Warden, so looking at it in real life hammers in the slightly uncanny expression on the face.
do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?
i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.
most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.
Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.
It's all about Nagi living alone in a tiny one bedroom, one bathroom apartment with zero personality and Reo having a whole floor for himself but still living surrounded by tacky-expensive home decor with no apparent traces of his actual personality, either. It's all about how Nagi's parents haven't visited him in 2 years nor taken an interest in his life since, while Reo's are content to live floors apart from their teenage son, only taking an interest in what value he can bring to Mikage Corp but being otherwise uninvolved in / dismissive of his actual life. It's all about them being surrounded by people and still not knowing how to form a meaningful connection with another person before meeting each other. It's all about them being so starved for genuine human warmth to combat their bone-deep loneliness that they both treasure memories of tiny, inconsequential moments where they were spending time with their parents. Something something it's this line,
and how it describes them both despite being said about Reo. It's them being awkward 17-year-olds who had never before had an equal who would just respect them as they are and unconditionally look their way. In this essay I will-
I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:
Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?"
Carver: No.
Aveline: All right, then. Bit of a tit, your brother.
I wanted to see what she would say if Carver isn't in the party. Instead, she says this:
Aveline: Carver was there. I imagine he feels something similar. If he allows it.