#like full on argument

[didnt-hear-idsb-live-again]

It’s so insane that my job here got so bad so fast I relate it to loml of all fucking things

[crumb-crumblet-s-crumbington]

alcina dimitrescu KILLS her maids and drinks their blood

karl heisenberg tried to use a BABY as a weapon

ethan winters is WHITE

mother miranda tries to STEAL someones daughter

at the end of the day, your favorite resident evil 8 characters are terrible people

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[kerryweaverlesbian]

Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.

[aimseytv]

still cannot get over a big reason why a lot of adventure time fans hate bubblegum is because they made up a narrative that PB called marceline a literal slur rather than just settling for the idea that ‘monster trash’ is an insult at worst

[kala-mies]

Scenes that get way funnier when you remember that Taishen still thinks that the 'fishing trips' are an innuendo

[VIDEO TRANSCRIPT:

Ketrastine: ...You are stupid. Dumb, even.

Skrimm: You don't have to look at me when you say that.

(laughter)

Ketrastine: (Stammers) It's just where my eyes went, I didn't mean–

Skrimm: I wouldn't know about that.

Mikey: Barnabos actually laughs.

Skrimm: Hey! Hey, Mr. 'Dreadwake', alright, we're still fighting, alright?!

Barnabos: Aye, alright Mr. Stabbaskotch.

Skrimm: And I want you to know too that I faked every single day of fishing we ever did together!

(Taishen gasps)

Barnabos: No, I know.

Skrimm: You didn't know. You didn't know.

Barnabos: You know how much fishing I've done, Mr. Stabbaskotch?

Skrimm: You didn't know.

Barnabos: ...Alright.

Skrimm (to Jornir): He– He didn't know.

(Mikey cackles)

END TRANSCRIPT.]

[rnelodyy]

guys please im literally begging yall to understand that "the gods should have interfered when i was a hurt and scared little kid begging them for help" and "the gods shouldnt be forcing themselves onto mortals by way of colonial incursion" are not contradictory statements. ashton's perspective is flawed and biased due to their own experiences sure but its not hypocritical.

[mainalias]

thinking about compiling screenshots of golden/silver age batman exclusively calling dick his ward to combat the allegations that it was “initially a father-child relationship”

[torchstelechos]

I do think it's very interesting to have Loop as a counterpoint to Siffrin because as a character Loop is forced to talk more than what they are probably comfortable with, so we get some interesting insights into Siffrin as well. It also lets us see what it might have been like to view Siffrin from the outside when they first met the party, the rather lackadaisical personality with sharp mean comments that are intended as teasing. While Loop is different than Siffrin, an extreme version of a possibility, there are still similarities that we can acknowledge between them. As such, I think it's a tad dishonest to write the party as not noticing the similarities of the two of them when writing Loop joins the party fanfics. Sure, they don't recognize Loop as Siffrin in game but that was an emergency scenario with zero context as to what was happening. Given time and less stress, I'm sure everyone in the party would realize that something about Loop is adding up Siffrin. Anyway, that's just some of my thoughts on the matter. I find the mirror of self intriguing when the reflection has grown sentience and the ability to change without knowing they are a reflection in the first place.

[spittyfishy]

Bunch of frames from a Chloé animation I just got finished!

[doctorhoe]

genuinely, if you're one of the people who believes it's the palestinian people who are committing these crimes and who is excusing them because of it, unfollow me. its hamas. you're making excuses for hamas. i can not believe we have reached a level of stupidity and glorification of violence where people will look you in the eyes and tell you that this is just how oppressed people act. that they just go on killing sprees ever so often. that is gross and untrue.

[poetrysmackdown]

hi hiii i wanted to say that your account is so refreshing to see, esp with the passion you have for the arts. as someone who's been meaning to read (and write) more poetry, do you have any recommendations? some classics that everyone and their mothers know? perhaps some underrated pieces that changed you? or even just authors you like, I'm very open to suggestions :]]

Hi! Thank you so much for this kind ask :) So exciting that you’re looking to delve deeper into reading and writing! I had to take a little time to answer this because my thoughts were all over the place lol.

For a review of notable/classic poems/poets, I honestly just recommend looking at lists online or, hell, just binging Wikipedia pages for different countries’ poetry if that’s something you’re into, just to get a sense of the chronology. I read one of those little Oxford Very Short Introductions on American Poetry and thought it was pretty good, but online is quicker if you’re just searching for poets or movements to hone in on. Poetry Foundation also has lots of resources, in addition to all the poems in their database. I guess my one big classic recommendation would have to be Emily Dickinson (<3), but really the best move is just to find a poet you already enjoy and then look around to see who their peers were/are, who they were inspired by, who they’ve maybe translated here and there, etc. and follow it down the line as far as you can.

For some personal recs, here are some collections I’ve really enjoyed over the past two years or so. Bolded favorites, and linking where select poems from the book have been published online. But also, if you want a preview of a couple poems from another of the books to see if they interest you, DM me and I can send them over! You can also feel free to pilfer through my poetry tag for more stuff lol

Autobiography of Death by Kim Hyesoon trans. Don Mee Choi

Conflict Resolution for Holy Beings by Joy Harjo

DMZ Colony by Don Mee Choi

Hardly War by Don Mee Choi

Whereas by Layli Long Soldier

Geography III by Elizabeth Bishop

Dictee by Theresa Hak Kyung Cha

Don’t Let Me Be Lonely: An American Lyric by Claudia Rankine

Mouth: Eats Color—Sagawa Chika Translations, Anti-Translations, & Originals by Sawako Nakayasu

The Selected Poems of Osip Mandelstam trans. W.S. Merwin and Clarence Brown

The Branch Will Not Break by James Wright

This Journey by James Wright

God’s Silence by Franz Wright

Duino Elegies by Rainer Maria Rilke (the translation I read was by Alfred Corn—I thought it was great, but idk if there are better ones out there!)

DMZ Colony, Hardly War, Dictee, Don’t Let Me Be Lonely, and partially Whereas are all book-length poems with some prose poetry and varying levels of weirdness/denseness/multilingualism—if you were to pick one to start with, I’d say do Don’t Let Me Be Lonely or Whereas. Mouth: Eats Color is some experimental translations of Japanese modernist poet Chika Sagawa, with other translations and some of Nakayasu’s original stuff mixed in—it's definitely a bit disorienting but ultimately I remember having such fun with it, as much fun as Nakayasu probably had making it. It’s a book that emphasizes co-creation and a spirit of play, and completely changed my attitude towards translation.

If you’re less interested in that kind of formal fuckery stuff though (I get it), can’t go wrong with the other books! Conflict Resolution for Holy Beings is the one I read most recently, and it’s great—Harjo also featured in Round 1! Franz Wright also featured, and God's Silence is the collection which "Night Walk" comes from. James Wright (father of Franz) is one of my favorite poets of all time, though his poetry isn’t perfect. Even so, I’m honestly surprised he’s not doing numbers on Tumblr—Mary Oliver was a big fan of his, even wrote her "Three Poems for James Wright" after his death.

I mentioned in another post that one of my favorite poets is Paul Celan, so I’ll also recommend him here. I read Memory Rose into Threshold Speech which is a translated collection of his earlier poems, but it’s quite long if you’re just getting to know him as a poet—fortunately, both Poetry Foundation and Poets.org have a ton of his poems in their collections. There’s also an article by Ilya Kaminsky about him titled “Of Strangeness That Wakes Us” (!!!!!) that’s a great place to start, and is honestly kind of my whole mission statement when I’m reading and writing poetry. Looking at the books I’ve recommended above, a lot of them share feelings of separateness or alienation—from others, from oneself, from one’s country, from language—that breed strange, private modes of expression. That tends to be what I’m drawn to personally, and that’s some of what Kaminsky talks about.

Sorry of the length of this—I hope it's useful as a jumping-off point! And if you or anyone ends up exploring any of these poets, let me know what you think! If folks wanna reply with recommendations themselves too that'd be great :)

[wispforever]

Crucify Him

[b0ylik3r]

I dont wanna get myself involved in any more ZADR discourse, but I also don't want misinfo to spread around and people to get discouraged or anything like I had been for a while. So I'm going to say this: Zim in Invader Zim is most likely a child.

There are a plethora of reasons I think this, but if you don't care then scroll. I'm going to provide my reasoning under the cut.

My first reason is that from a writing standpoint, there is absolutely nothing appealing about the dynamic between Dib and Zim if Zim is an adult. What would or do you find enjoyment out of their dynamic if they are not meant to be foils of one another like the show HEAVILY implies them to be NUMEROUS TIMES? If Zim is a child, their dynamic becomes "2 children want parental approval and go against each other for it, when in reality the approval and love they seek is unattainable because the parental figures will never give them it. They would be better off being friends or allies, but instead keep fighting to be loved because they're dumb kids and don't realize that it's fruitless and dumb". If Zim is an adult, their dynamic becomes "Immature man cannot beat child". What is to be enjoyed or explored there?

My second reason is that Zim acts like a child in a multitude of different ways. His interactions with The Tallest, his general immaturity, and even how he surrounds himself. He goes to school. He has made himself robot parents to support that idea. He needs different disguises to act like an adult. Again, from a writing standpoint, if he was an adult infiltrating a school building and pretending to be a kid, that's just fucking weird. I don't think Jhonen is that type of person. I don't think the writers are that type of people.

Also on this subject is the episode Tak: The Hideous New Girl. At the point of the episode, Zim was trying to impress and "crush on" and be the boyfriend of this middle school girl. It doesn't matter if Tak was actually irken. It doesn't matter if she is the same age as him actually. It doesn't change that Zim was trying to get into a human relationship with what he thought was a middle school girl. If he is an adult, that's pretty fucking weird. Again, I don't think Jhonen is that type of person and I don't think the writers are that type of people.

The "flying ships before you were born" only proves that on Irk, he was an adult or at least the age that would permit him to fly ships. Calendars are manmade, why would irkens use the same years? Zim's age could also easily translate into human years into the late tween years. We also have to think logically about things.

Also, I sometimes feel like people are forgetting that Irk is a dystopian society. They are a hyper-militarized alien race that codes people's brains on the daily and does not wait for the children to grow up even a little before they start military training (or, at least training for military training). What morals prevent them from using child labor or child soldiers? We also have to remember that in accordance to The Trial, Zim was a smeet or older allowed into violent chemicals and resources that can kill, like it did Tallest Miyuki and Tallest Spork. That, in a way, proves that Irkens are not above dangerous child labor.

One other argument I have is that in Enter The Florpus, during the species change clip, Zim, Dib and Gaz switch species. The thing is, Dib and Gaz look the same as Zim in this clip. They don't become little smeets, they don't become tiny kids. They become Zim's age. Zim also does not become an old man in this clip. He stays the same as Dib and Gaz. Being that these are their canon human/irken translations, I don't see how someone could still defend this.

You could take all of this and say "Okay, but ZADR is still proship because they are abusive to each other so why are you so pressed". But like I said in a previous post, there is a major difference between "haha 2 people fight each other n get hurt haha" and "this adult man is grooming this child sexually". That's not funny. That isn't cartoony. That is a fully serious topic taken seriously in every single media that it is represented in. Cartoony unserious fighting has been a staple for years in animation and media. Grooming is not cartoony. That is why so many people have a problem with it. Some people don't enjoy shipping things that are seriously fucked up in the real world like that, or shipping proships.

This all started because of one singular tweet Jhonen made that you all believed. I bet if he tweeted "guys invader zim didnt actually happen and dib was hallucinating the whole time, lmao dream theory is canon", some of you would believe it.

I leave you off with this: "If it looks, sounds & acts like a kid, it's a kid, no matter if it's actually 1000 years old or not."

[markantonys]

just accidentally stumbled on an egwene hate reddit thread and everyone was bitching about how she tries to act like rand's equal when she's only the second-most powerful authority figure on the continent, and one sane person was like "well, balance was a huge theme of the series, so it's pretty clear that RJ did consider the dragon and the amyrlin two halves of a whole and that rand is meant to be egwene's equal co-authority rather than her superior" and of course they were downvoted to hell. and this one little thread just really epitomizes how the readers who approach WOT as a male power fantasy just fundamentally will never understand the series and its themes and the story it was ACTUALLY telling.