#like especially in class

[bugflies00]

unrelated to any post i may just have made i can't express how much i want stim toys

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[ffcrazy15]

Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.

[isatohlee]

Solace

Song: Hijo Del Corazón

@c-lunette

[imethirdperson]

What I like most about farcille is that I think its a perfect encapsulation of Ryoko Kui's signature mixture of the cozy and the horrific. Overall Marcille has this clean pristine aura that she breaks only for Falin's sake. She's uppity, rigid and idealistic almost childishly, then she shows this immense drive, gets her hands dirty, and bends and bends. Dungeon Meshi is about how all beings become objects of consumption, and Marcille wouldn't have arrived at that conclusion if Falin hadn't died. She also wouldn't have if she hadn't befriended her in the first place. The course for Marcille's life was set when she was just open-minded enough to follow the weird girl to the cave in the woods. Forever cursed to eat wildlife

It's that contrast between cleanliness and filth that interests me, the interactions between the comfort and the horror, the uncanniness of the familiar and the familiar in the uncanny.

Every bit of Marcille's characterization points to a type of immaturity (the picky eating, the detached romance obsession, the failure at foreseeing the obvious consequences of her actions, the ridiculous plans to equalize all lifespans, the death crisis). Even in her dream she appears as stuck in childhood due to her loss trauma. Her development throughout the manga consists of coming to terms with grime and disgust, learning where food comes from, learning her limitations, coming to terms with death and decay... And it's all powered ironically by her drive to save Falin

[egophiliac]

the lovers, reversed

(aka I'm still freaking out about Jou)

[lesbionia]

Every time a woman says "I'm not going to vote" an angel loses its wings. 💔

Women fought tooth and nail for the right to vote! Voting means having a say, however small, in how your country is run. If you don't use your say, then you can count on being spoken over by the men who are getting out there and voting.

In the name of feminism and in honour of all the women who came before you, PLEASE exercise your right to vote! 🗳️

[letters-to-rosie]

I see way too many fics where Caitlyn is cool. Arcane Caitlyn has a conspiracy board on her floor, no friends we see of her age despite being one of the richest people in Piltover, and sucks at making conversation. This is loser erasure and I will not stand for it. In this essay I will—

[curly-cottage-girl]

I’m sorry but my Mother Mary, Terror of Demons, Queen of Heaven, Star of the Sea, was not “REDUCED to motherhood” by God

[hajihiko]

Hold me back 😡😡😡

[littledashdraws]

custom classes for flora! sorcerer, dark knight, troubadour

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[thicc-astronaut]

mathematics is a pure and beautiful branch of study, like a unicorn. Calculus is the act of forcing mathematics to do useful work for us, like putting chains and a yoke upon a unicorn and making it plow a muddy field

[doctorsiren]

Art of Patroclus wearing Achilles’s armour that I did while writing an essay for my Greek and Roman Lit class last week

[marimeeko]

After the fifth time that Katsuki pops up at UA, surprising Izuku with Bento for lunch, calling him "sensei" in a cocky(affectionate) tone, Kouta just stops at Izuku's desk on his way out of the room and asks him point blank,

"So are you and DynaMight actually dating, or what?"

Izuku sputtering and dropping all of his paperwork and avoiding the question out of sheer dumbfoundedness.

Then, the sixth time that Katsuki barges in, as he is thrusting the bento into Izukus hands as usual, Kota raises his hand, and stands up from his seat and yells out,

"DynaMight, sir!! Pardon me, but are you dating Deku-Sensei??" And the whole class gasps and whispers. Katsuki appears just as dumbfounded as he looks wide-eyed at Kouta and the students.

"Kouta!" Izuku balks, but then Katsuki suddenly grins mischievously. Izuku doesn't trust that look...

"Well, brat, maybe I SHOULD date him, then I could make sure Sensei doesn't forget to eat every day, right??" Katsuki looked entirely too pleased at the louder gasps and chatter that came from the students. He has a wicked grin as he turns his sharp red eyes back to Izuku.

"K-Kacchan, what are you doing?!" Izuku stammers, beet red and grabbing his arm. "This is not the time for--"

"If you don't want me disrupting your class, then stop leaving your Bento in the fridge!!" Katsuki scolds Izuku before swinging himself back out of the open window. There was a fresh wave of gasps and excited murmuring at the insinuationthat the two lived together. "We're ROOM MATES, OK?" He adds hastily, pointing his finger at the noisy classroom of kids.

He drops out the window and blasts off.

Izuku is left, stood at his desk, hands planted and hanging his head, trying to collect enough of himself to quell the riotous theories now flying around his classroom.

Kouta stands at his own desk amidst his unruly classmates, eyes narrowed as if he had just realized something, "I knew it!" He hisses.

"You're the worst," Izuku texts Katsuki later.

"I know" katsuki replies.

"Now eat your fuckin food or I'll stop making it for you."

--

I think I was inspired by this art post ^^;

[possibly-a-table-or-just-gay]

Wow magneto is so cool in the 2011 film X-Men First Class, his story is so compelli--WHY IS HE FROM CLARE.