#like emotional i think

[some-pers0n]

I'm always entertained by people doing those "canon VS fanon" memes where both are misunderstanding characters to such a violent degree 'cause like

[artsymeeshee]

Felt a need to draw hugs (thinking about sea grunks has made me extra emotional :’))

[fruit-snacker]

Oh I feel awful

[hinamie]

mentor

[wolfythewitch]

i have so much rage in me one day i think i will explode. i dont think i know how to forgive as much as i know how to forget

[ink-the-artist]

Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 

[andstuffsketches]

girl who lives in a cave

[chloesimaginationthings]

Poppy playtime should have more Harley Sawyer ngl

[technically-human]

This happened, it just wasn't relevant to the plot

[sidewalk-cracks]

The batkids encountering distressed children and calling them "sweetheart", subconsciously mimicking how Bruce would and will call them sweetheart when they're distressed, and not even realizing it?? Don't speak to me. I can't.

[artsymeeshee]

Wanted to make some supportive Ford

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[hinamie]

morning glory

[noodles-and-tea]

💫⭐️✨🌟

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[insomniphic]

Telemachus doesn't want his cool and awesome hero dad to realize he's a boy-failure LMAO