#like data sets
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samferd · 7 days ago
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The zodiac is so funny to me cause it’s all these real animals and then just. Dragon. Like one here is obviously infinitely better than the others and shouldn’t be included because of that.
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mostly-natm · 9 months ago
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Man incapable of love (his heart does not beat) gives and receives so much love.
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nipuni · 5 months ago
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So I just decided to render the speedpaint videos for this month's Patreon rewards and instead VLC corrupted all my files when I tried to convert them from mkv to mp4 and it overwrote the originals so now I have nothing, lost all the process of the two illustrations I had done and it's almost the end of the month and I have to paint and record the process of two new illustration in a couple of days before I have to leave on a trip 🙃
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henswilsons · 2 years ago
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(not like do you wait for a work to be completed btw, just how you format your reading on ao3)
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pastelaspirations · 2 months ago
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I’ll never forget you babes 😭💔😔🥺
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I finally come back to tumblr and t h i s is what I see. That's it, I'm done, I'm uninstalling tumblr. Bye everyone, it's Honey's fault-
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friendofcars · 2 years ago
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I finished my data analysis for POV distribution in TRC! Figure captions are in the alt text. Other observations, discussion of the analysis and results, and some supplemental figures are under the cut. This is perhaps the most self-indulgent project I've worked on <3
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Other observations: I went into this analysis with the hypothesis that each of the four protagonists would have the most chapters and/or pages in the following pattern: Blue for TRB, Ronan for TDT, Adam for BLLB, and Gansey for TRK. This mostly held true, although Blue had more chapters and pages than Adam in BLLB. This trend was more significant in terms of page distribution compared to chapter distribution. Mean chapter length differences were infrequent and did not follow the expected pattern, although I did see trends towards shorter chapters for antagonists not grouped into "all others."
There is a relative lack of back-to-back chapters for the same POV character, although this does occur in all books (twice for Blue in TRB; once for The Gray Man, twice for Adam, and six times for Ronan in TDT; five times for Blue [two of which are back-to-back-to-back], once for Gansey, twice for Adam [one of which is back-to-back-to-back], and once for Greenmantle in BLLB. I mention all of this to say that in TRK, this occurs once for Ronan, once for Blue, once for Adam, and thrice for Gansey- but in one of these instances, Gansey has SIX chapters in a row. Nine of the chapters from 48 to 58 are from his POV. The Raven King indeed!
Analysis notes:
For each book, I counted how many chapters each POV character had and how many pages each POV character had. Page numbers are based on the UK paperback editions of the series. In the figures, I show raw # of chapters and pages, as well as the proportion of chapters and pages attributed to each POV character over the total number of chapters or pages. I also compared POV characters’ pages/chapter ratio and tested for differences in mean chapter length with a one-way ANOVA with multiple comparisons.
For most measures, in cases where chapters had multiple POV characters in sequence, I divided the chapter by # of characters. For example, chapter 44 in TRB starts with Adam, switches to Whelk, and ends with Blue. This chapter counted as 1/3 chapter for each character. In BLLB, only the prologue contained multiple discrete POV sections (Persephone, Calla, and Maura) and Piper only had her POV featured in the epilogue so I grouped these two chapters as “All Others” and excluded them from statistical tests. For TRK and TRC, I did include the "All Others" category in the analysis. (“All Others” includes chapters/pages with ambiguous POV (Kavinsky’s text in TDT- are we reading it from the sender or the recipient’s POV?), mixed/omniscient POV (the Gray Man’s tarot reading in TDT – we get internal thoughts and feelings from multiple characters), and in TRK, any character aside from Blue, Gansey, Adam, and Ronan.)
In figures that represent raw counts of chapters or pages, the dashed horizontal line represents the expected number of chapters or pages per POV character if the distribution was equal. The p values on these figures represent the results of a Chi-square test to test whether the actual distribution of pages or chapters was different from an equal distribution.
For the pages/chapter ratio data and the Chi-square tests, I did not apply this calculation and counted each discrete POV as a full chapter because I needed counts and sample sizes to be integers for the statistical analysis (Gansey having an n = 8.5 was not making GraphPad prism very happy with me). I had to do a bit of rounding to the nearest number which was not ideal, but I did this as little as possible. (There is probably a workaround for this, at least for the ratio data, but I am not a statistician). To at least approximate what results would look like without the skew towards a lower pages/chapter ratio, I also ran the ANOVA only with chapters containing a single POV character, which is why you’ll see two figures for the pages/chapter metric for each book (except for BLLB).
I am considering p values < 0.05 to be significant; I have included non-significant p values on some figures to provide additional context. If there is no p value on a given figure, you can assume I found no significant differences amongst POV characters’ chapters and/or pages in my analysis.
If you have questions about the analysis please let me know! :)
Supplemental figures: TRK data shown for all unique POV characters (these figures do not have captions in the alt text; the four on the left depict distribution of chapters and pages across the 19 different POV characters in TRK; the vast majority of the chapters and pages are attributed to either Blue, Gansey, Adam, or Ronan. The two figures on the left show mean pages per chapter for all characters, with no clear/statistically significant trends across the data. The demon's chapters are noticeably short.)
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nymdraws · 6 months ago
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heres all the stuff that i drew pretty much specifically to have more/better examples for those commission sheets teehee
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silkjade · 9 days ago
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a secret friend made me a mini jadetham moodboard waaah tysm i love u a million (இ﹏இ`。) ♡
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heyitsrink · 23 days ago
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2024: the year of gay people staring longingly into each other's eyes <3
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moss-c0uch · 8 months ago
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“ that all you got, little brother? “
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Shinazugawa-Bros-Week-day-1: training
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dravikso · 1 year ago
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Mostly out of curiosity, what's your preferred theory on how reincarnation works in Rain World?
I personally lean towards the first two options I listed because they break the least other things (like evolution) but i've included revival as well since I've seen it a fair bit. I'm not aware of any other theories so I'm sorry if i've missed some obvious ones out! If a lot of people write 'other' I'll redo the poll.
1. Timeline Fracture: after a creature dies it wakes up at some point before it died in a new timeline. It remains the same individual as it was before. The creature stays dead in the original timeline. This is the most literal interpretation of the games mechanics combined with lore.
2. Classic Reincarnation: after a creature dies it is born in a new body of the same or a different species in the same timeline. This theory is more in line with the spiritual inspirations behind the game's lore.
3. Revival: After a creature dies, it wakes up again as the same individual in the same timeline at a different point in time and/or a different place.
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yeah-thats-probably-it · 6 months ago
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thinking about what if data were aromantic. even after he gets the emotion chip put in, he still just doesn’t feel romantic love, and doesn’t understand what other people are feeling when they talk about it. and he’s really upset at first because he feels like after everything he’s been through to get here he still isn’t fully human. there’s still a piece missing. he’s tapped into every work of art humans have ever created and romance seems so ubiquitous that he thinks you can’t be human without it
i’m imagining this as like a b or c plot of an episode. maybe he’s been working with a crew member who turns out to be aromantic and they commiserate about how alienating it can be to hear everyone talk about romance all the time. everyone comes together at the end to help him realize that he feels so many different kinds of love, and no human’s experience with emotions is exactly the same and your humanity doesn’t depend on what emotions you do or don’t feel anyway
i think this would be a good episode. i would enjoy it
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comradecowplant · 4 months ago
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Smh not Odo getting linkmatized by that good shapeshiftussy into throwing all of his friends & the woman he loves under the bus 😔
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bowenoke · 11 months ago
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i'm sure i am not the only one who is very concerned about the ~4 hours between when the midjourney change was made, and I knew to go opt out of it, so; glaze does not need to be on all your works to be effective. in the same way that one artist glazing all their works will ruin a broad, multi-artist dataset, glazing your works moving forward will ruin any dataset trained on you. if out of 100 comics I've posted, 10 are glazed, a dataset trained on all of my comics will not be able to make anything similar to my style. anyways. go download glaze.
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beescake · 11 months ago
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on a casual note i don't see why anybody on tumblr would want their posts getting sucked into the ai stream
so please tick 'prevent third-party sharing' for each of your blogs, and remind each other to do so as well
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nostalgicsneeze · 11 months ago
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this is the only website i post art nowadays and i’ll keep doin it but DAMN…
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