#like cordelia does very clearly care about him even if he's just one of her doormen and i think it's sweet

[elemental-plane]

i think we as a society need to talk about madam glask and oscar's dynamic more it's very interesting to me

like she's his boss so when she sees him at cosmo's shop she's like "wait a minute." but doesn't get mad or frustrated, just tells him to let her know ahead of time. and her reaction to elsie killing him? the way that *that's* what pushes her towards not really trusting elsie? idk man their dynamic is just very dear to me idk why i just love the way gina and sam bounce off of each other like that

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[afteriwake]

A Picture Tells A Thousand Words (2/?)

And here we get to the real nitty gritty of what was on the news broadcast in the first chapter and how it affects the Scooby Gang.

A Picture Tells A Thousand Words - Everyone mourns their own way when Buffy and Willow are murdered, but photos help.

READ CHAPTER 1 | READ CHAPTER 2

"Xander! Xander, man, wake up!"

"What, Devon? I thought I didn't have to do any work until noon."

The band's singer stood over him. Xander had agreed to become a roadie for Dingoes Ate My Baby for the summer, so he could get some extra money. "Dude...take a look."

Xander looked at the paper in front of him and saw two very familiar faces.

Willow.

And Buffy.

"What?" he asked quietly, sitting up and taking the paper. Glancing at the headline, it read "College Students Murdered." He shook his head. "No..."

Devon stood there silently. After a few moments of awkward silence, he replied. "Oz knows, too." Xander just nodded, his brain too shocked to allow him to speak. "Maybe he should come in here, man. He's being more Zen-like than usual." Xander just nodded numbly. Devon headed out the door, and Xander stared at the short article.

"In yet another case of murders with seemingly no suspect, two college students, Buffy Anne Summers, 20, and Willow Sheila Rosenburg, also 20, were found dead last night at the 42nd cemetery. The causes of death appear to be a broken neck and blood loss, respectively."

Xander shook his head once more. It seemed to be the only thing his body would let him do. The door opened again, and in the back of his mind, he heard Devon try to say something to Oz and, having no success, leave the room and shut the door behind him. "Xander," Oz began, and finally Xander looked away from the paper.

"Who did it?" he asked in reply, his voice cracking slightly.

"I...I don't know. Maybe Giles does. Or Spike...one of them might now."

Xander nodded slowly. "Why them? Why'd she have to die now?"

"Honestly, Xander, nobody knows." Oz looked at his hands, then at Xander's room. It was a typical young person's room: memorabilia from past events, basic necessities...and pictures. Every time the gang had done something important, someone had a camera. There were pictures of everyone up there. Xander, Buffy, Willow, Giles, Cordelia, Anya, himself...even a few of Spike, with Buffy, mostly. "Wonder how he's going to take it," Oz muttered out loud.

"Who?"

"Spike."

Xander looked at him. "Not well, I think. Does he even know?"

---

As the two young men approached, the sound of shattering could be heard quite clearly from inside the small house. "I think he knows," Xander said, without a hint of humor.

Oz opened the door, knowing Spike probably wouldn't want to see them, but at this point not really caring. Both of them expected to find him vamped out and in a rage, or being quiet and numb like both of them. What they didn't expect was to find Spike sitting on the floor, holding a picture and sobbing. The broken glass from the picture was in a scattered pile next to him. It was only when Xander shut the door did Spike realize he wasn't alone. "Get the bloody fuck out of here and leave me alone."

Xander started to turn around, but Oz stopped him. "Spike...we just want to know what happened."

"I should have killed her. I should have killed the bloody wench when she was turned."

"Who, Spike?" Xander asked.

He took a long pause, trying to collect his emotions. He couldn't quite succeed and spat out the name. "Faith."

"I thought she was--" Xander began.

"Dead? Not bloody likely. She got turned, mate. About a year ago. But the Council had been using her for their 18 year test. I just found this out a few days back, when she escaped."

Oz shook his head. "They kept it that much of a secret?"

"This is the Council; they're a bunch of pillocks," Spike muttered. His sadness has slowly started to turn into a rage.

There was a knock on the door, and Anya walked in. "Spike, Giles wanted me to--" She stopped and looked around. "You guys know?" she asked, shutting the door behind her. Oz nodded, and Xander simply looked at her, pain shining through. She walked over to him and took his hand, a simple comforting gesture. They'd been like that for a long time, wordlessly speaking to each other.

"What did Giles want?" Spike asked, staring back down at the picture.

"He wanted to know if he could help you with anything."

Spike shook his head. "Right now...I really just want to be alone."

"What are you looking at?" Anya asked after a moment of silence.

"A picture of Buffy. One that Xander took." He held it up so the others could see.

"I remember. You told me you wanted a picture of Buffy in the sun, being happy," Xander said, taking the picture from Spike for a moment. Buffy was standing there in a short flowing blue dress, the ocean behind her and her hair framing her face.

"That was a good day," Oz said quietly, back to looking at his hands.

Anya shook her head. "No, it was a cold day."

Spike looked up at Anya and grinned a bit. "Thanks, love."

"No problem. Sarcasm and satire, free of charge." She took the picture from Xander and handed it back to Spike. "Maybe...we should get together later. Bring all our pictures of them and just...share them. And the memories behind them."

"Why?" Oz asked with a slight amount of bitterness in his voice.

"Well, we each know different things about them. Maybe...it'll help. It was a stupid idea."

"No," Spike said, standing up. "It really wasn't. Maybe...maybe we should. I just want to be alone, for now, though."

Xander nodded. "How about tonight? At the library. I don't think Giles will mind."

Oz looked away. "All right."

"Then it's settled," Anya said. "Let's go. Spike...you have my pager number. Call if you need anything." Spike nodded, standing in the same place and looking at the picture again. The other three filed out, walking back out into the morning, and shutting the door behind them.

[dehautdesert]

I mean I think that in some ways they are similar but in others they are really different and it's best seen through the people they choose for themselves.

Miles always gravitates towards people who are pitiful or helpless in some way, even when they are very competent - Elena and her strict father, Eli and her severe injuries, Ekaterin's marriage, Taura, Mark, etc. You also get the impression that he secretly also sees himself as someone kind of pitiful or pathetic and that a lot of his outwards personality covers up for that (and the Cordelia of SoH also perceives herself in a kind of similar way), and there is this kind of... Careful stiff upper lip distancing from these feelings? in himself and in the people he chooses, while at the same time this element is kind of acutely obvious to probably everyone on the inside. And if you think of it while he chooses very competent people to surround himself with in all areas of life (which is natural because he himself is highly competent) most of his emotionally intimate relationships have a kind of... Nurturing or almost hurt/comfort element to it, and all his romantic relationships are very wholesome and he is very gentlemanly and romantic about them, while maintaining this kind of gentlemanly distance from his own emotions (but being an absolute simp on the inside). Even Rian, the most shallow of his crushes, is kind of restrained and trapped by her position.

Whereas with Gen you see this kind of... Preference for people who are kind of angry and emotional, who sharpen their pain like a knife, or who are at least ready to stir shit up on both an emotional and a practical level. If he helps someone whose circumstances could be described as pitiful (like that earrings girl he keeps dancing with), it's very offhanded and clearly leaves no meaningful impact on Gen, whereas Miles would have lived it in a very personal way. Even when Gen is helping and bonding with Pheris, you really get the impression that he likes that Pheris is clever and bratty and actively struggling against his chains in some way (even if it's a destructive or self-destructive one), not that he's connecting with Pheris's helplessness, and it's very obvious in how he treats him (Miles would be way gentler, Gen is very encouraging of his curiosity and agency but takes absolutely no shit from him nor does he try to be particularly gentle. While Miles would make sure he feels accepted and protected, Gen makes sure that he is stimulated and given agency). Hell, even the earrings girl is choosing to openly and masochistically go against her father's wishes by being friendly to Gen at first. The people Miles chooses aren't really doing this - they are either completely lost psychologically or enduring in a stiff uper lip kinda way. People bond by punching each other and throwing furniture at each other in Gen's world; nothing soft or gentle there. Gen is all about, "You can hurt me until I'm all twisted up but I'll do what I want anyway so you'll never win" and if this is not present, then he leans to people who are just simply passionate and competent, like Helen or Sophos, or who are playful and daring and share his interests. Attolia is also trapped by circumstance, but she is trapped in a more... Armoured way, where she can't show weakness in order to maintain power, not like Elena or Ekaterin where they don't really have it, or Rian where her isolation and the trapped nature of her life don't have a lot to do with harshness or presenting strength even if they are somehow tied into power.

Vulnerability and emotional closeness for Gen is dropping your affable and cheerful exterior and showing that underneath you are angry and feral and spiteful and ugly and being considered worthy of love anyway.

Vulnerability and emotional closeness for Miles is dropping your exterior of smooth genteel confidence and showing that underneath you are often helpless and sad and trapped by your circumstances and being appreciated for the strength needed to live through it.

I think Gen is fundamentally a lot intrinsically harsher and more passionate as a person than Miles and I think Miles is a lot more idealistic and nurturing. I think Gen would find the life Miles builds for himself stifling and frustrating and find many of his friends boring; I think Miles would never put up with half the violent shit Gen puts up with and would rather eat his own feet than marry someone like Irene. Miles would wonder why Gen is so stupidly masochistic and in possession of an obvious death wish; Gen would wonder why Miles is so self-pitying and pathetic. And this is funny because we obviously know that Miles also has a death wish and that Gen is also very self-pitying.

I would sacrifice my firstborn child for the chance to read a crossover fic in which Lieutenant/Admiral Miles Naismith/Vorkosigan and Grand Admiral Thrawn get into some sort of unhinged military rivalry and do a kind of speedrun of who will get court marshalled first and/or harder while achieving the long-term strategic goals of whatever entity they're working for in this AU.

Like Reichenbach Falls but with space military geniuses.

[croeses]

I find Frani such a fascinating character.

He does not seem all that great on the first playthrough, when he comes off as rather arrogant and is more than once the butt of the joke. But in hindsight, he seems, to me at least, to be well-intentioned in what he does, even if he oftentimes goes about it the wrong way.

Let's start with the scene in the gardens. Here Frani is in opposition to his siblings on the subject on their father. We know that Roland and Cordelia are right. Regna is never showed to care for his children and he seems to mostly ignore them when he is not berating them (at least so it looks from Roland's scenes with him). So why is Frani defending him? Is Regna a better father to him than to his other kids?

Hughette says so in one of her character stories. And yet, I am not so willing to believe her. She hasn't been long at the court and is an outsider to the royal family's affairs. It may seem like that to her, but I don't think that is the true.

Frani seems to be older than Serenoa which means that he was already born during Regna's scandal with Destra. So Regna was more than happy to send both him and his mother, whoever she was, away. (I have my headcanons about her and the role she played in this whole affair.) That is not something a loving father would do. Regna also does not react very strongly when Frani is killed in front of him, but that may be just my interpretation. Overall, Regna seems as indifferent toward Frani as he is toward his other legitimate kids.

Frani himself seems to share his father's sentiment, considering he allies himself with Patriatte against Regna, which would be very unusual if his father was a loving and respected parent.

Despite all of this, Frani is defending him from Roland's accusations. Rather rudely, of course, but he seems bend on convincing his siblings that their father is simply too busy for them. He is not neglecting you, he says, he has more important things to do because he is king and everyone is depending on him.

Which is very funny considering that we find out that Regna holds no real power and is nothing more than a figurehead. I doubt Frani doesn't know this, when he himself is very involved in the matters of the court.

I think he is lying because he cares for his siblings and wants to protect them from the harsh truth. Their father doesn't love them and doesn't want to spend time with them. He is forced to keep them around because they are his legitimate children but he would probably not mind if they were gone. Frani knows all of this because he is older, because he is the heir and is involved in the machinations of the court, because he had more time to notice and accept that his father doesn't love him. And that is a painful process and he wants to spare his siblings from it, if he can.

He seems harsh on them on multiple occasions, but that is clearly just a facade. He even acknowledges it himself when he talks to Serenoa, asking him to remain a friend to Roland and admitting that he cares for him, despite his foibles.

There is another interesting moment during the garden scene. The Wolfforts get mentioned and Frani warns Roland about them and the possibility that their loyalties may change. He tells Roland to be ready crush them, 'if they dare to rise above their station'.

On the first playthrough, the player who identifies with the Wolfforts, of course, may even feel insulted by his words. After the Liberty ending though, we realize that Frani was only speaking the truth, warning Roland of something that had a great likelihood of happening. And indeed, if you go with Benedict, the Wolfforts do exactly what Frani said they would do. They rise above their station and stab Roland in the back in their quest for power. Too bad Roland doesn't follow his brother’s advice and strikes them down at the first sign of disloyalty, however impossible that may have been for him to do.

But how does Frani know that the Wolfforts may betray the royal family? Is it just a general warning about powerful vassals? Does he understand the politics of Glenbrook so well that he realizes how great of a threat the Wolfforts are because of their military might?

Both of these possibilities may be true but I think that the actual reason behind his warning is that he knows about Serenoa's parentage. Why wouldn't he? Surely, there were people at the court who remembered how Regna wished to make some peasant girl his queen. Someone could have easily told him about it. Maybe it was Patriatte with the intention of destroying all trust and respect Frani may have still had for his father.

During the throne room confrontation, Frani is initially calm and seems to understand the situation much better than Regna. He mentions Hyzante and how Gustadolph made an enemy of them, something that could not be advantageous for him, while his father babbles on about the Saltiron War, apparently unable to understand the present situation or Gustadolph's motivations. (Gustadolph even tells Regna that he always lacked imagination which is such a roundabout way to call him an idiot that I can't help but laugh every time I heard it.)

It matters little what he knew. He dies too soon to have any lasting impact upon the story. And it is his death that says the most about him.

The Wolfforts and Roland arrive. Frani berates his brother for returning, but it is clear from the way he says it that he is actually worried about him and would have wished for Roland to remain safe, away from the danger the invading forces represent.

In the end, Gustadolph orders Avlora to kill Roland and the Wolfforts, which makes sense considering they represent a bigger threat than Maxwell does through numbers alone. Frani had been compliant up until this point but when he hears this order, he rushes to stop Avlora. And, in a cruel and unnecessary moment, Avlora cuts him down.

I'm going to go on a tangent here, but I think what Avlora did here is unforgivable. Frani was not a threat. He was unarmed and probably had no real way of stopping Avlora and had acted without much thought about what he was going to do. But Avlora shows him no mercy. I suppose you could argue she only did it on reflex, to defend herself but a trained soldier like she was should be able to control herself in high-stress situations. For a character that is supposed to be redeemed, that is supposed to join the "good guys", she does not give the impression of being a good person in this scene.

This scene is also why I don't buy the common interpretation among the fandom that Avlora and Cordelia are in any way friends. I highly doubt that Cordelia would be willing to forgive and forget her brother's callous murder, especially as she seems to be as bend on revenge as Roland is. I think that her willingness to work with Avlora to achieve her goals is meant to serve as a contrast to Roland's refusal to ally with the people who had wronged him. Cordelia is able to set her feelings aside to attain victory while Roland would abandon everything than do so.

All right, tangent over.

Frani dies to protect his brother. In the end, after everything he said and did during the time we knew him, much of it not very flattering, he shows his true colors in his last moments. Not only he loved his family, he loved it more than he loved himself.

This is his moment of redemption. He may have not been the best son or brother or heir to the throne but he was willing to sacrifice himself for those he cared about.

We don't spend much time with Frani, but in those short chapters he is still with us, the game manages to create a rather complex character, not wholly good, but not wholly evil either. A feat that I find rather impressive.

[willowrosenboob]

in conversations about xander as a product of 90s television there isn’t much discussion of what i consider to be one of the biggest differences between him and any other male character of the time: xander isn’t very concerned with having sex as a teenager

a teenage boy wanting to have sex to grow into a man is a staple of coming of age tv for boys like xander. a lot of people treat him like he’s the same as this trope, that he’s only interested in buffy for sex, that he objectifies women and only sees them for their bodies, and that he has the priorities of any hormonal sexist boy. and yet xander isn’t concerned with losing his virginity. teacher’s pet is the only episode where he expresses insecurity over this, the fourth damn episode, and the plot even ‘punishes’ him for being a virgin (or more appropriately, lying about not being a virgin). and yet willow assures him that he thinks it’s cool, and it doesn’t come up again. he does sexualize women and make rude comments about them, but it really does come off as part of his goofy nature, if a bit unrealistically. the women in his life don’t see it as him making advances. his misogyny is a social performance, but he doesn’t care to actually follow through on what he says he wants. i don’t remember any moment after teacher’s pet where xander is insecure about being a virgin. he still has many insecurities related to his romantic life, but they’re not explicitly tied to sex like you would expect

even in his relationship with cordelia, which was defined by sexual tension and teenage hormones, they never once discuss if they want to have sex, or if they expect it from each other. their relationship is very physical, and yet they’re both fully comfortable staying at the level they’re at. it’s the emotional aspect of their relationship that causes the most conflict, mainly on xander’s part, as he wants their relationship to mean something more than just making out. that’s a pretty big gender reversal, and i think it speaks to xander’s larger role in the narrative

compared this to the leadup to buffy having sex for the first time. the whole of surprise is basically buffy deciding if she should have sex with angel. does she want to, does angel want to, is it the responsible thing to do, is buffy ready? but for xander, having sex for the first time is sudden and unprecedented. it is partially framed as a coming of age moment, as sex is something that has dominated xander’s mind for years (”i’m a guy, looking at linoleum makes me want to have sex”), plus this is the zeppo, a character defining episode for xander, but it is his heroism that speaks the most to his development, not him finally “getting the girl”. and he doesn’t brag to anyone about it afterwards. in fact, he’s quite insecure about this having happened. he deliberately hides it from his friends, in a way that parallel’s buffy’s avoidance of angel in innocence. as a male character, it would be so much easier for xander to represent typically “male traits” that buffy is encountering, but he shows again and again that what he values is something more typically associated with women

in all of xander’s relationships, he is not the one to initiate sex. it is always the woman. faith is the one to bring up sex in the zeppo, despite xander clearly trying to not think about it. i would even describe xander’s behaviour as him trying to be modest, in a way women generally are expected to. and then in his relationship with anya SHE is the one who shows the most interest in sex. she initiates it, she feels insecure when they’re not having enough of it, she more often reduces their relationship to sex than he does. HER desire is what drives their relationship at first. and i think it says a lot that buffy is more concerned with sex, or the lack thereof, in her relationships than xander is. in season 3 xander is fully comfortable at the level of intimacy his relationship with cordelia is at, meanwhile buffy is constantly fighting her desire for angel. buffy, as a woman, is portrayed as more sexually driven than xander is, despite being less outwardly sexual

and idk. i just really appreciate how xander subverts these ideas of what being a teenage boy is like. he hangs out mainly around women, he comes to terms with said women being stronger than him, and despite acting like it, he’s really not that concerned with sex in his relationships. if xander was as straight forwardly misogynistic as everyone claimed i really don’t think any of these things would be true. even the most uncomfortable aspects of misogyny in btvs are there for a reason, and it’s not to show that it is innate to men. more often than not it’s a performance, or a representation of their own insecurity, and it’s something that the good guys have to work through and confront. i just find this very indicative of the philosophy of the show, and how it views growing into identity

[lifewouldbebetteronmars]

Thomastair with 16 + 9 for the fluff

Hit me with the floof

I still have a one prompt request rule-

Fluff Prompt #16 - “So I used your cologne. Who cares? I just wanted to smell like you.”

Title from 11:11 by Ben Barnes (the king himself 👑)

Part of my TLH Tattoo Shop AU

Thomas and Cordelia work at a hair salon together, owned by Thomas. Alastair and The Real Found Family™️ (Grace, Kamala, and Eugenia) own a tattoo parlor right next door

Tagging @have-a-holly-jolly-angstmas @writeordie-4 @littlx-songbxrd @life-through-the-eyes-of @tessherongraystairs @wagnerthedragon @styxdrawings

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You Stopped My Heart From Fifty Feet

Thomas had the day off from the salon today, giving him the luxury to sleep-in for once. He liked to be there to open the salon and make sure everything was perfect before clients came in. But Cordelia had insisted that he take the day off and let her handle the salon, probably so she could prove herself worthy of opening more often.

Thomas thought it probably had something to do with some unspoken competition that she and Alastair have about who’s better at managing their respective workplaces.

He can’t judge them, he does the same thing with Genie.

But even if he had the day off, Alastair didn’t, and Thomas could hear him puttering about in the kitchen or the bathroom or wherever he was. He certainly wasn’t in the bedroom.

Alastair, theoretically, could also have the day off, if he chose to. The tattoo parlor had plenty of staff and it wasn’t like they would fail without him there. But today Alastair had a big client coming in today for some big piece that Alastair had been working on for a few weeks now.

A beautiful watercolor with a mix of designs, it was truly some of Alastair’s best work. So he definitely couldn’t miss this appointment or this client.

Thomas groaned and stretched his body out across the bed. He wasn’t used to sleeping in, especially when his brain is telling him that he should be up and getting ready with Alastair for the day.

And so he decided to go find his boyfriend and lovingly pester him before he had to go to work, wrapping himself in his comforter (just because he wanted to get up, doesn’t mean that he wants to leave the warm comfort of his bed, thank you very much).

He found Alastair in the kitchen, his back to him as he waited for his coffee to finish brewing, most likely checking his phone notifications as he did so. Thomas smiled as the sight as he crept toward his boyfriend to wrap himself around him, burying his head in the crook of Alastair’s neck.

Alastair made a sound of acknowledgment, turning his head to press a kiss to Thomas’s hair. “Good morning, jigaram. Shouldn’t you be sleeping?” he asked, turning around in Thomas’s arms to face him.

Thomas mumbled out a reply, he was warm and tired and didn’t feel like talking. What a wonderful feeling for an early morning.

Even though he couldn’t see Alastair’s face, he could sense the fond eye roll he gave him.

“You should be taking advantage of your day off, Tom. You rarely let yourself have days like this. Enjoy it, darling.” Alastair’s long fingers had started to card through his hair, playing with it gently.

Thomas loved Alastair’s fingers, pianist fingers, he called them. They were long and slender, evidence of Alastair’s many years of playing piano.

He buried his head deeper into Alastair’s neck in response, taking a deep breath and inhaling his scent, expecting the citrusy smell of Alastair’s cologne. Only to be shocked by the scent of his cologne instead of Alastair’s.

Thomas looked up at Alastair to see him with a small smirk on his face, smug and content. “Are you wearing my cologne?”

“What do you think?”

“Alastair.”

Thomas is not ashamed to admit that he whined, just a tiny bit.

“Thomas.” Alastair whined right back at him, clearly biting back a laugh.

He raised an eyebrow at his boyfriend, challenging him to say something else. Alastair merely glared half-heartedly back at him, obviously wanting to win their staring contest.

This went on for a moment before one of them caved in.

Alastair sighed in defeat before responding, looking anywhere but Thomas. “So I used your cologne. Who cares? I just wanted to smell like you.”

“You could have just said that in the first place, Alas.”

“You’re lucky I love you.”

Thomas smiled at him like he had hung the moon just for him. “Oh, don’t I know it.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Happy Fluffbruary!

I will be starting a tag list for Fluffbruary, either respond to this post or ask me in another way to be added

[billiebeanhoward]

Silence - Multi Character

A/N: hello this has been an enormous project for me to do. Thanks for @stayevildarling for the prompt and for the help with this. Apologies, it's a long one. Tenses are a bit fucked but just go with it.

Prompt: Each character receives a mysterious invitation to visit a Hotel Cortez in LA to prove they're not alone in their struggles

TW: alcohol, mention of murder / death, cigarettes, swearing, mention of character death, hints at suicidal ideation,

Word Count: 4480

Tag list: @stayevildarling @okpaulson @mrsdeanhoward​

Working at Kineros Robotics for the vast majority of her life, nothing really fazed Wilhemina anymore. Especially with the bullshit her bosses come up with daily, but when the redhead finds a strange invitation on her desk that morning, she never thought her life could get any stranger. The invitation that was written, well, typed, on very fancy looking stationary, held coordinates to a Hotel she never wanted to visit in her existence, but when she sees there is a list of nine other women's names, she assumes they're women, anyway; It piques her curiosity regardless and later that evening takes the rest of the weekend off work so she can drive the few hours to the Hotel.

Never been one for tardiness, the redhead arrives a mere twenty minutes early, the receptionist with ridiculous glasses asking her if she had booked a room to which she banged her cane and left towards the bar without a word.  Conversation, socialising has never really been her strong suit, you can really blame her mother for that. She had been isolated from the outside world for most of her life growing up. Thinking back, she's glad for it. People are despicable. The bar isn't too shabby, not that she could complain, dark, quiet, she quite enjoys the ambience. Her cane clanks, hitting off the floor as she makes her way over to the bartender.

"And what can I get you, this fine evening?" she, she assumes, smiles politely. Nice enough.

"Anything purple?" her nose scrunched at the ridiculous request that leaves her mouth and she scolds herself silently moments before the bartender points a finger at her.

"You know what? I have just the thing," she turns around to pour the drinks, Wilhemina watching her every move, "So what brings you here?"

"Is that any of your business?"

"Oh, no, not at all." she shakes her head, "Enjoy your drink," Wilhemina eyes the mysterious neon concoction in front of her momentarily, before spotting a straw holder in the corner of her eyes and she reaches out to grab one when a hand grazes over her own.

"Oh, sorry," a British woman with a blonde pixie cut says quickly, pulling her hand away. "You look familiar, do I know you from anywhere?"

"No, I assure you, you don't."

The blonde put the green straw into her whiskey? before sipping it, "My name's Audrey, Audrey Tindall. I know what you're thinking..." Does this woman ever shut up? "I'm not related to the royal Tindalls, no."

"Did I ask?" Wilhemina cocks her head a little towards her and she quickly shies away, "Get out of my sight," The blonde scurries off to the other end of the bar while Wilhemina tries to enjoy her drink.

-

"Mom, what's this?" Ally looks over her shoulder, her arms elbow-deep in her sink as she washes up the dishes from dinner.

"Not sure, Ozzy. Can you read it for me, Sweetheart?"

"To whom it may concern, You are not alone.

34.0443° N, 118.2508° W

Ally, Audrey, Bette, Billie, Cordelia, Dot, Karen, Lana, Sally, Wilhemina. What does it mean, Mom?"

Ally empties the sink and clears away the dishes before wiping her hands on a towel, "I really don't know, does it say anything else? Give it here," she holds her hand out and he passes it to her as she studies it curiously.

-

"Karen!" The woman turns her head towards the door at her friend with a little smile on her face, "Guess who has mail?"

Her eyes widen in anticipation, "No, you're joking! Me?"

"Of course you! Open it." Mickey smiles as he passes it to her. She excitedly rips open the envelope, careful enough not to destroy the contents and unfolds the paper curiously. "Well, What does it say?"

"A bunch of numbers and names, Mick I think this is just junk,"

"No, Karen, the first mail you get in years, it can't be junk. Let me see," she passes it to him and in the dimness of the room, he looks at the letter. "They seem to be coordinates for somewhere,"

"Like for treasure?"

"Exactly, well, you never know, but could be someone who wants to murder you for all we know. But look, it says You are not alone."

"Course I'm not alone, fuck face, I have you."

-

Cordelia sets aside her paperwork for the evening, cradling a cup of hot coffee in her hands, she sighs as she takes a look at the monstrous pile of work ahead. She nudges her glasses further up her nose as the door of her office swung open. "Madison, how many times have I told you to knock?"

The younger blonde rolled her eyes as her arms crossed against her chest, "And why would I do that?"

"I could have been doing... something." the Supreme says before taking a sip from her coffee.

"When exactly was the last time you got laid, Cordy?"

This time the Supreme rolls her eyes before glaring at the younger witch, "And when was the last time you got laid, Maddy?" she snaps back, Madison slumps her shoulders, the smirk that graced her lips disappearing quickly, "What do you want?"

"I forgot to give you this when the mail came this morning," she absentmindedly threw a letter down on the desk before storming out.

Cordelia once again rolled her eyes at the girl, eyeing the mysterious envelope before picking it up.

-

Wilhemina looks down at the watch on her wrist whilst trying to figure out who exactly she's supposed to be meeting. The bar is seemingly quiet, and she stays seated at the stools near the bartender, Liz, who had told her her name, although she definitely didn't ask. Liz is a talker and a very annoying one at that, although Wilhemina is quite enjoying her company right now, or rather lack of as she attends to other women at the bar. A thought enters her mind at that moment, the name Audrey did ring bells, although not any ridiculous royal ones. She pulls the letter out of her blazer pocket and adjusts the glasses on her nose. There. The second name. Audrey. Was that her? Great. Now she does have to actually go off and talk to the chatterbox. She rolls her eyes before sighing, picking up her cane as she makes her way over to where Audrey is sitting, she seems to be sitting next to a brunette who did look quite familiar.

"Oh, hey!" Audrey greets, getting up from her place at the booth seemingly for Wilhemina to seat next to her. Wilhemina quickly turns around grabbing a chair from behind her and drags it to towards the table closer to the brunette instead, "Oh," the blonde says before pulling out a packet of cigarettes from her purse. "Do you mind?"

"I do actually, yes," Wilhemina says and the brunette turns to her.

"Are you here because of the letter as well?" Wilhemina nods and the other woman brings out her hand towards her for her to shake it, "I'm Ally, Ally Mayfair-Richards?"

"You're the one that was in that cult weren't you?" Wilhemina says. This has got to be the most interesting thing that has happened all night.

"Oh." Ally pulls her hand away looking around slightly awkwardly, "So you don't know me from my senator work? How did you know about the -"

"I saw it on this silly show I watched on the True crime channel."

"Right. So must know a lot about me then," she sips from her wine and Audrey annoyingly, despite Wilheminas dismissal, lights up a cigarette. "What's your name."

"Wilhemina Venable."

"Oh your name is Wilhemina, it's such a -"

"I'd prefer to be referred to only as Ms. Venable." Fine. Wilhemina has now made this awkward, thanks mouth. Change the subject. "Seven more women to find," she states, looking at the two, her hand gripped tightly around her cane. "Is this some sort of gangb-" Nope. "Right, I'm going to get another drink, excuse me."

"Sally that girl, what can I get you?" Liz asks a blonde that is definitely stuck in the '90s. Her hair is fully crimped, her outfit choice, however, is far more ridiculous, fishnet tights, a very short skirt, revealing shirt. Stop staring.

"The usual," she mumbles before diverting her attention back to the woman beside her. "So, are you from Tennessee? You're the only ten I see," Wilhemina almost spits her drink out as she hears the conversation between the two.

"No actually, I'm from Massachusetts." the brunette says, nodding slightly, clearly slightly uncomfortable.

"Oh, it's pretty close though, right."

"No you blonde idiot, it's a 17-hour drive," Wilhemina says and the blonde turns to look at her and this time she looks at her face.

"Did I ask you?"

"No, course not. I just like correcting idiots,"

"Well, I'm sorry we all couldn't afford to go to private schools," the blonde then storms off somewhere else, Wilhemina genuinely doesn't care. The brunette, however, slides closer over to Wilhemina.

"Thank you," she smiles.

Wilhemina's face turned to one of a fish, "What for?" The other woman continued sipping from her drink before leaning a little too close for comfort to Wilhemina before taking a deep breath.

"Is this.." she pauses, Wilhemina only furrows her brows at her, "Is this a 'girl' bar?" she asks curiously, "I'm only asking because..."

"Good question," the redhead smiles as she looks around the room, only women are seated, mainly bundled together with Ally and Audrey," Maybe this woman is one of the names on the list too. "Surely hope not," she mumbles. She doesn't want to make conversation but it seems she needs to. "What brings you here?" she continues to drink the nuclear waste that Liz calls a drink and looks at the brunette. She seems familiar too.

"I... This is going to sound really weird."

"Not as weird as that, I assure you," she points behind her and the brunette turns around to see a woman with two heads walk through the door with the frizzy blonde talking to them.

"Probably just as... How is that possible? That's fascinating." The brunette brings up her purse and pulls out a notepad."I'm a writer, you may have read my book. It's quite popular among women." She speaks but Wilhemina isn't listening. Distracted by the definition of fucking weird that just entered the room.

"You girls here for the "meeting"?" the frizzy blonde asks them and the head on the left nods. Creepy.

"Nice," she grabs a cigarette, it hanging from her mouth lazily as she spoke. Ok, so far there are Audrey, Ally, writer girl, the one Liz called Sally, the two-headed beast... Wilhemina looks around and spots another blonde speaking to Audrey and Ally. So extra blonde. And a homeless woman sitting at the back end of the bar.

"If you're here for the meeting, come over here!" extra blonde calls out over to her table and Wilhemina rolls her eyes, her cane clanking loudly as she walks over to the table. "I'm Cordelia Goode. Supreme of my coven in New Orleans."

"Ally Mayfair-Richards, I came here from Maine. Had to find a babysitter before I drove all the way here,"

"Audrey Tindall. Had to get a flight back from England."

"Lana, Lana Winters." the writer girl added.

"Wait.." three heads turn to her. "How is that possible?" Ally spoke.

Lana shrugged, an uncomfortable smile gracing her lips, "What do you mean?"

"You're... young?"

"Oh, wow, am I that old?"

"I- no of course not."

"What's that?" Wilhemina turns her head towards the left of the beast as she stares down at Sally's cellphone.

"Oh, come on I've been stuck here since the nineties and even I know what it is." she rolls her eyes.

The right one furrowed her brows. "90s?"

The two of them stared into space for a moment, their expressions changing every so often as if they're in a conversation and Wilhemina shakes her head and diverts her attention to the homeless one toddling over to the rest of the group. She looks paranoid, looking over her shoulders as if someone is following her.

"The rest of the introductions?" Audrey says, bringing the letter out and Lana handing her a pen from her purse before she ticks off the names of people here. "What's your name, sweetheart?" she asks the homeless one but she doesn't answer, peeking into the massive tote bag on her shoulder before Wilhemina hits her ankle with her cane to gain her attention.

"I'm not telling you my name. I don't even know who you are," she states

"Why are you sitting with us then?" the right one says before the homeless one gives them a look.

"I know people like you, fuck faces, huge assholes," she mutters

"I'm Dot, this is Bette, "Right one says almost headbutting the other

"I can introduce myself, Dot,"

Dot turns her head to look at her, "Well you were taking your sweet time,"

"Okay, we're only missing Billie and Karen."

Sally chuckles, her cigarette still hanging from her mouth, "That's definitely Karen," she points over to a blonde with wavy hair, pink blouse, pearl necklace and a pencil skirt and fake nails. "I actually thought you were Karen until you said your name is Audrey," she looks to Audrey and Wilhemina purses her lips trying to stifle her laugh.

Audrey looked offended as if someone ran over her mothers already dead body. Her nostrils flaring as she leans over the table towards Sally, "And what do you mean by that?"

Before anything happens and all hell breaks loose in the Hellmouth they already were in, the homeless one squeaks up. "I'm Karen."

That's it. Wilhemina laughed. "What's so funny?" Cordelia asks the redhead who continued chuckling as she tried to drink her acid.

"Nothing, continue."

Lana finally pieces the puzzle together, "That's Billie."

"Congratulations, would you like a gold star. I'm sure Mommy senator here has plenty for you." Wilhemina chuckled at her own joke because it was funny. The other women did laugh too. Billie made her way over somewhat gracefully, her hands flaring as if she's trying to pick up a watermelon. Karen probably has one hidden in that Mary Poppins bag of hers.

"Good evening, girls. I'm Billie Dean Howard, Medium to the stars." she flutters her fingers around like one of those stupid ASMR videos that Wilhemina has not ever watched before and took a seat beside Bette and Dot.

"Were you the one who sent the letters?" Bette asked, her fingers fiddling with the hem of the dress she shared? with Dot before Dot slapped her fingers away.

"No, I assume you're all here for the same thing. As am I. Unfortunately, it had to be here though,"

Cordelia sighs, shifting uncomfortably in her seat seeming to know what the hell Billie was actually talking about. "I know, it's like they're screaming in the walls."

Liz comes over handing Billie her drink while giving a pointed look towards Sally, "What? I didn't kill everyone here, y'know."

"Your reputation says otherwise." she turns to the rest of the group, "Enjoy your stay,"

"Does anyone actually know what this is about... Wait I know you, I've seen your face on the side of a bus," Audrey says excitedly

"And I know you, Ms Audrey Tindall. Making a big name for yourself I see after My Roanoke Nightmare." Billie smiles at her and Wilhemina gives a look of impressive to the two blondes.

"Oh god don't. My shrink is still drilling it into my head that it wasn't real."

"What wasn't?" Lana asks curiously, her notepad in hand as she continued to write notes.

"You haven't seen the show?"

"What show?"

Wilhemina diverts her attention towards Ally's and Cordelia's conversation although it seemed to be about cheating exs so then she focuses on what Dot, Bette and Sally were saying.

"It's 1952 where you're from?" Okay, now that is interesting. "How did you get here?" Sally points her phone in their faces.

"Can you please get that thing out of our faces! It's scary," Bette says,

"We killed our mother and you're saying that's scary." Fine. She stood up and made her way to Karen.

"Don't want to talk to you." she mumbled, seemingly comfortable slightly curled up in the seat.

"I don't want to talk to you either." Hmm, maybe the homeless one isn't too bad after all.

After a few extra drinks, everyone seems to be in a better mood, laughing, joking, much to Wilhemina's dismay, and even still trying to make conversation with her. Which she has done. Gotten to reluctantly know more about those with who she was almost forcefully made to be made acquaintances. Sally stood up on the chair, wobbling slightly as she tries to regain her balance. "Ladies, Unfortunately, Liz is closing up for the night." most women whined but Wilhemina was genuinely happy she finally got to go home. Was this it? What exactly was this about? "But... We can take this party up to my room,"

Wilhemina almost growled to herself, the thought of being at home a lot more comfortable than being in a hotel room with nine other women. All women stood up and followed Sally to the elevators. Billie and Cordelia following behind as they chatted.

Wilhemina slowed her pace a little mainly because she felt like her back couldn't handle it but also because she wants to know what the two blondes are talking about. "If the letters weren't really from you, then who was it?" Cordelia asks

"I genuinely thought it was you, dear. Seems like a 'you' thing to be bringing in people of all backgrounds, especially lonely ones at that,"

"I'm not lonely. You don't even know me." Karen pipes up defensively, still holding her bag close.

"No, not at all." Billie shakes her head, "But I do know when one is feeling lost and doesn't know how to get back up," she says before rushing off to get to the others.

Wilhemina's steps slowed as she enters the elevator, not one for taking the stairs. She opens her mouth but Cordelia is quick to speak, "I like your hair," the redhead raises an eyebrow at the blonde, a hint of a blush rising on her cheeks.

"You're drunk, Ms. Goode,"

"Oh, please. Call me Cordelia. I'm nothing like my mother." she says before her expression turns somewhat sorrowful. Her mouth opened, slightly agape seeming as she wants to speak but she doesn't. So Wilhemina decides it's humane of her to change the subject.

"You know Ms. Howard?" she looks down at the floor, the elevator dinging indicating their arrival on the floor where Sally's room is located.

"Oh yes, she's not a witch though," the blonde slightly stumbles out, almost tripping on her heels when Wilhemina rolls her eyes reaching her arm out to catch her.

"I didn't ask," she states, although she is due for another awful round of dosed up fuckery that is her medication she fights through it, tries to anyway. Liz's miracle drinks seem to be working fine as an atomic type of painkiller. She allows Cordelia to loop her arm around her shoulder, hers around the blonde's waist as they walk down the hallway towards the room Karen just strangely snuck into as if she's there on a heist.

"You know of my story then?" Lana asks seemingly gobsmacked towards the other women, "And not from my book, from my talk show? One I don't even have yet?"

"How exactly did you get here?" Audrey asks curiously as she sits down on the bed, crossed legged like an elementary school child.

"I received the letter, like the rest of you. I took the train. Fell asleep, woke up at the station and everything was different but I couldn't really explain it. Then I asked around about the coordinates and someone guided me to this hotel."

"The same thing happened to us," Bette smiled at her but Dot was quick to scold her

"Don't listen to my idiot of a sister, we've never been on a train in our lives. We woke up, found the note at the foot of our bed and started to get ready for our show."

"Show?" Billie asks before closing her eyes for a brief moment. "Does the name Eudora mean anything to you?"

"We work fo-" Bette starts

"No, absolutely not. Bette, we're leaving."

"But we've been having so much fun, Dot."

"No,"

"She says she forgives you."

Tears well up in both their eyes for a moment as they sit back down on the bed. Wilhemina slowly helps Cordelia sit down on the armchair beside them and awkwardly perches on the arm of said chair.

"She forgives you Bette for what you did but," she closes her eyes before facing Dot, "She doesn't forgive you for what you tried to do to your sister."

An awkward silence filled the room, only to be heard are the sniffles from the twins and the lighting up of cigarettes before Sally broke the silence, "You know, I would probably do anything to have a sister and you tried to kill her?" Dot looks away ashamedly.

Bette, sweet Bette, she seems so childlike, she just smiles, "I would do anything to make my Dot happy,"

"I would rather kill myself than let anyone treat me the way she treats you." Sally rolls her eyes "And I'm dead," she brings her hand to the side of her mouth as if she's revealing a huge secret.

"At least she's not alone," Ally says, sipping on more wine. "I'd do anything for my son, the way Bette clearly would for her sister."

"And let her kill herself?" Audrey remarks, "That's not love."

"Wouldn't you kill for love? Fight for others."

"I'd rather be a lover than a fighter, because all my life, I've been fighting." Lana says, "I've lost the love of my life and had been through so much I ca-" tears escape her eyes and Audrey curls up beside her, wrapping an arm around her frame.

Karen opened her mouth wanting to speak, most of them probably expecting her spewing profanities but instead, her face was calm, "I've never felt a feeling of comfort. All this time, I've been hiding. Where I'm from the stupid fuckfaces who live there..." There we go. "All they do is just think I'm some mad homeless woman -"

"Aren't you?" Wilhemina blurts out, a smirk gracing her lips and Karen glares at her.

"That's not the point, you fucking, purple, fucking, dragon bitch."

Wilhemina tilts her head, impressed with the insult. "Carry on."

"I don't want to anymore."

"I never had someone to call my own," Bette says, her usual smile now a frown as she fights back her own tears

"I'm so used to sharing." Dot mutters, looking down at her fingers. Billie reaches out to hold their hands to comfort them.

"Love only left me alone," Audrey says,

"I've found peace in the violence, can't tell me there's no point in trying," Sally says, cigarette hanging from her mouth as she speaks, mascara running down her face

Wilhemina thinks it's her turn to speak, Cordelia looking at her intently from the seat. "I'm in need of a saviour," it feels like she confessed her deepest darkest secrets. Words she would have never thought she would say out loud to anyone. She sees Billie lift her head as if to speak "But I'm not asking for favours," she says, Billie nods understandingly.

"My whole life, I've felt like a burden," Cordelia pipes up, her chin quivering as she spoke. "I think too much, and I hate it"

Ally pulls a small face, finishing her wine before she spoke, "I'm so used to being in the wrong. I'm tired of caring."

"Loving never gave me a home" Karen speaks again, probably feeling a lot more comfortable with the group now. Which is surprising as she acted as if they would kill her.

"I'll sit here in the silence," Billie says. She hadn't said anything. She gave a small smile before lighting up a cigarette. Wilhemina only groans, now her clothes probably stank worse than an ashtray at the amount the four women had smoked like a chimney. "I'm at one with myself. I've been quiet for so long."

There's silence for a few moments. Not uncomfortable at all, surprisingly. Although plenty of tears, small sobs escaping and a few hugs. This was needed. Everyone felt seen, even in the silence of the room. They felt heard. They all understood and could relate one way or another to each other and, maybe the letter was right. You are not alone.

But the one question is... who was the one who had sent it?

Maybe someone out there who cared enough for each woman individually and knew their struggles maybe even up to a personal extent. Maybe whoever sent it just wanted the women to know that they are loved and people do care.

Maybe it was you.

-

The night was slowly coming to an end, the women started to say their goodbyes when Lana had an idea, "Sally?"

Sally lifted her head from where it lay on Cordelia's shoulder as the two blondes were almost fast asleep. "Hmm?" Wilhemina stood, collecting her cane ready to leave but Cordelia's hand stopped her, grabbing onto the hem of her blazer.

"Give me your cell number, I have an idea." the brunette gave Sally the pen and paper and Sally wrote her number down, passing it back. "If I remember you'd hear from me again," then the brunette vanished. Magic tricks aside, most of the women were either too drunk or half-asleep to even react. Sally's phone began ringing loudly, Wilhemina picked it up, disgusting fluffy case in hand as Sally snatches it from her.

"Hello?"

"Sally? It's me, Lana. Put me on speaker." the familiar yet different voice said. The women looked, Wilhemina observing from the door until she noticed Bette and Dot aren't there either.

"Lana, it's you?" Audrey says, tears in her eyes, "God I've missed you." It's been less than two minutes you dramatic blonde. Wilhemina rolls her eyes as Lana chuckles down the phone.

"I've missed you too, Audrey. It's been fifty-five years since I had last heard your voice."

Wilhemina, now confused, was ready to leave. She pried the sleepy blonde away and left. On the way back to her home, she magically bumped into Billie. "What do you want?" she almost snapped.

"We're wondering if you'd like to meet back up at the hotel again next week." the blonde smiles, of course, cigarette in hand. Wilhemina sighed, as much as she hates to admit it she really did enjoy the company in comparison to her lonely nights at home in the silence.

"Okay," she says, Billie, raising an eyebrow at her expectantly.

"Okay? That was easy,"

"Don't think it'll be any easier than this, Ms. Howard, I'm a busy woman."

"Hm, I'm sure."

"If Ms. Winters is.. a woman of age now, What happened to the Tattlers?" Wilhemina asks out of curiosity, Billie purses her lips as she thinks of an answer.

"They're gone. They're at one with the silence."

"Good night, Ms. Howard." Wilhemina opens the door to her car.

"Good night, Ms. Venable," Billie says but Wilhemina can literally hear the smile that's on her lips as she says it. "Oh, Cordelia wants me to give you her cell," Billie hands the redhead her number through the crack of the window. "Then you don't have to be at one with the silence for so long. Neither of us do. We have each other now, just remember that. All thanks to Y/N."

[prose-for-hire]

How ats characters would celebrate their s/o’s Birthday:

Characters include: Angel; Spike; Cordelia; Wesley; Fred; Lorne; Gunn; Doyle; Lindsey; Drusilla and Darla

A/N: Again, totally self-indulgent for my Birthday lol! They’re fluffy !! Hope you guys enjoy them, you can save them for your Birthdays or just enjoy them today !! 🖤💖

Angel:

- Money is no object

- Will ask what you wanna do

- Could literally be anything at all

- He has enough disposable income that you feasibly could do anything

- You insist that all you want is him though

- Not his money, just him

- You adore him

- And this assurance absolutely makes him melt

- All he ever wants is for you to be happy

- But he insists that you should mark the occasion

- So you suggest a party

- Just a small gathering with the team and some good music

- He grins, pressing a kiss to your lips

- He’s actually really excited

- He can get awkward at parties (and just in general)

- But he does enjoy them somewhat

- Especially since he began dating you

- Everything’s better with you

- And that’s why he wanted to celebrate your day properly

-  The hotel’s back and functioning

- And completely covered in decorations

- He appeared to have raided the entire party store

- Every occasion seemed to be represented lol

- Literally everything you could imagine stuck to the walls

- There’s even a balloon arch

- He clearly spent a really long time on it so you give him lots of kisses

- Which makes him almost blush

- He really cares and just wants you to feel good

- He would be by your side the entire time

- You would have a lot of fun

- Mostly just enjoys wrapping his arms around you

- And swaying slightly

- Whispering his love and happy birthdays

- The gift he gave you would be very meaningful and super romantic

- You would have melted right then and there

- You have a really great time, drinking and laughing

- You sit on his lap when you’re not being hauled up to dance with Cordy and Wes

- You even convince Angel to dance

- It’s equal parts dorky and adorable

- You definitely dance with him

Cordy:

- She would be so ridiculously excited

- For your birthday

- Like, ordering everyone around

- Making sure they get you the very best gifts

- And nobody is allowed to forget

- Or else

- She’s really pumped for you to be celebrated

- You’ll probably go to a bar the night before with all your friends

- Maybe Caritas if it’s up and running at the time

- (Cordy swings free drinks for you all)

- But the next day was your birthday

- You would wake up beside her

- It would honestly just be the best gift

- Just to have her this way

- You pull her into you

- Snuggling together

- Both of you sleeping off a hangover (Depending on how much/if you drank)

- Today, your actual birthday, was just for you and her

- Intimate in a way that she has always craved

- And with you she has

- Completely

- She has bought a lot of presents

- They can be assigned to two categories:

- Things you want and others that she insists you need

- All very well thought out and incredibly sweet

- She would be very cute and press lots of kisses to your lips

- Soft, sleepy kisses

- You spend a lot of the day in bed

- Just the two of you

- It’s honestly just perfect

- She wanted you to herself and you completely feel the same

- She’ll have rented movies, anything you like and you just spend it on the sofa

- Wrapped in blankets and each other

- Understated (yes, she can do understated)

- And yours

Lorne:

- The grandest plans

- You only deserved the best

- You always felt completely cherished with Lorne

- But he made sure to give you his undivided attention around your Birthday

- He wanted all the attention to be lavished upon you

- He could be so soft and so very insistent too

-He could tell you sometimes felt guilty about it but his nature made it so that he always made sure you were enjoying yourself

-  The most important thing was always that you felt good

- Caritas was basically a shrine to you

- He would source pictures of you growing up, fixing them up everywhere

- There would be themed drinks (from important points in your life)

- Not to mention the list of karaoke songs all evening were exclusively your favourites

- Absolutely no exceptions

- You would be showered in gifts

- Despite you telling him it really wasn’t necessary

- Especially if it’s one of your first birthdays with you both together

- Would go so far past overboard

- But he would be entirely too cute about it

- He would vibrate with excitement

- Waiting for you to open everything

- Just when you thought you were finished

- Another pile of presents would appear from nowhere

- All the affection too

- Through the entire day, would want to be close to you

-  Always does but especially so

- At the end of the day, would wrap you in his arms

- Already planning to outdo himself next year

Spike:

- The man is near obsessive over your birthday

- Consumes his thoughts the entire month, just like you do all of the time

- Won’t stop thinking about it

- Mentioning it

- He’s definitely more into it than you are

- He wants you to have something normal, human

- You have to have something special - he insists

- Wants to cherish you, the entire day would be yours

- You would make the decisions for the day

-  And then he would have something planned for the evening

- Will decide to take you for drinks

- But at a more high end place than he would usually take you

- Might even take you for a trip away, somewhere you used to go

- will steal Angel’s fanciest car

- he’ll take you somewhere that he knows you like

- maybe somewhere special to the both of you

- The evening will be nice, he’ll make you smile as always

- Might treat you to some human food

- A restaurant too if you like that kind of thing

- You always feel special with him

- But the evening won’t end there

- You’ll make your way back to the car

- But he’ll grab your hand with a smirk

- Dragging you in the opposite direction

- He has it all set up

- He paid off the security guard

- There are blankets and tiny little fairy lights

-  That he would have to turn off in a second, but he knew he would enjoy seeing your smile though

- He had wanted a big gesture

- Something from the movies

- Because that’s what your love was like

- Something more human but still intimate

- Just for you

- He would help you lie back, lying by your side

- Pulling you into him

- You would be stargazing as you nestled into him

- Pointing out constellations that he probably was naming completely wrong

- But you wouldn’t care because he had thought all of this up just for you

- You were happy just as long as you would be together

- He would make you laugh so hard

- And just make you feel so cherished and celebrated 😊

Wes:

- Would be so bashful about his plans

- Ridiculously anxious that you would be enjoying yourself

- That you would like whatever he came up with

- Absolutely head over heels for you

- Completely and utterly yours

- And so wants his plans to reflect this

- The gift he gives would be understated, but completely fitting

- He would be nervous to give it to you

- But once you begin gushing

- He would smile and chuckle in that way he does

- He wants to take you to a bar

- For drinks because you deserve to be celebrated

- The world’s always threatening to end

- So he wants you to have a day where it can just be you both

- Celebrating his absolute favourite person

- You ask him if he’ll dance with you

- He looks around a little embarrassed

- But he gets a burst of courage

- Takes your hand, leads you to the dancefloor

- You dance wildly, matching his moves and laughing

- A slow song started

- You loop your arms around his neck

- It was just the two of you

- For all you knew

- He whispered something

- Something he hadn’t said yet

-  “I love you”

- The sweetest, most meaningful Birthday gift

- You would press your lips to his

- Telling him just how much you appreciated this

- And he would smile into the kiss

- Chuckling slightly

- So ecstatic that you were enjoying yourself

- But you insist that it would only be with him

- He wraps his arms around you

- Leaning his head against yours

- You dance slowly in the middle of the room

- Eyes closed

- It was pure bliss

- You love each other so much

Drusilla:

- She would pull out every stop

- An extravagant event

- In your honour

- Everything would have to be just so

- Or she would start cracking skulls

- Would attempt to make it a sweet surprise

- But would begin to murmur about it one evening

- As she held you close

- You would be very used to interpreting her words

- And so realise

- But not tell her so not to upset her

- Either way it would be beautiful

- just before the day, she brings you a bunch of flowers

- they’re night blooming

- and they look a little dead

- but you of course adore them

- The night of your birthday was so pretty, she says it’s because it belongs to you

- Your night

-The event would be filled with gifts and people you vaguely knew and liked

- She would ensure you were the centre of attention

- As you were already the centre of her world

- She would smile, laying such adoring affections on you

- Her hands entwined with you

- Would be by your side for the entire day

- Soft gestures of physical affection as you both enjoyed the celebration

- Always touching you

- Would definitely have several gifts for you

- Definitely a birthday tarot reading

- You tell her that you don’t need a future reading, you see yourself with her

- For eternity

- She would adore this and get very excited

- Lots and lots of love

- And probably several trinkets

- She probably found these trinkets by purposefully targeting the owners

- And taking them for you

- (A for effort, isn’t she the sweetest? Always thinking of you)

Gunn:

-  He would be a man with a plan

- It may not be pulled off exactly as planned

- But he would have had the idea in advance

- Very caring for a s/o

- Can get wrapped up in a relationship

- Which is lucky for you

- He adores you

- Absolutely worships you

- (just as you do for him ofc)

- He gets up early, ready to set everything up

- But gets instantly interrupted

- You roll over and wake up

- He can’t resist you

- Gets caught out and slides back into bed

- Holds you for a while and you cuddle up to him

- Long story short…

- You spend most of the day in bed

- Long into the afternoon

- Which, he finds a lot better than he could have planned anyway

- He tried to get away at first but by noon he just couldn’t tear himself away

- He holds you close

- Telling you how lucky he feels to have you

- And that he wants everything to be good

- He’ll singlehandedly stop an apocalypse for you

- He insists nothing’s gonna stop celebrating your day

- But you pull him back into bed again

- Pressing kisses against him

- Insisting he’s the only gift you could ever want

- But when he presents his actual gift you of course take it

- He’s very in tune with you, always listens to what you like

- And so the gift is very thoughtful but also useful/something you will use

- Which leads to you peppering him in kisses and gushing

- Which makes him smile

- That one that makes him absolutely glow

- You’re still not quite sure what the plans were

- But they were easily cancelled, he sent a chain text and it was sorted

- he called for takeout instead

- your favourite of course

- it was simple but honestly you wouldn’t want it any other way

- just you and him

Darla:

- Probably would not have remembered

- Until you mentioned it

- Definitely isn’t used to birthday celebrations

- You had been through so much since then

- But once she realises

- Decides she wishes to dedicate the day to you

- She doesn’t show it often, but she can be so ridiculously soft for you

- The day would be intimate and just for the both of you

- She can be very possessive and wouldn’t want anyone else involved

- Anything you wanted she would get for you

- You name it, literally

- It’s yours

- She can take over entire shopping malls

- Hold up an evil law firm

- Make them do a spell or something for you

- She would lavish so much on you

- You could take your pick of anything and she would take your hand the entire day

- Such obvious affection is rare, but she does adore you

- Presses a single kiss against your temple

- With that sweet, knowing smile

- Her eyes would always be on you

- You would feel loved just by her gaze

- She truly stopped everything just to celebrate you

- Evil plots on pause, won’t even talk to Wolfram and Hart

- If that’s what you wish

- She doesn’t like to admit how much you mean to her

- But because it’s your birthday

- She would

- If she hasn’t already, she would love to sire you

- It would be a very romantic gift for her to offer

- As if she had brought you a dozen roses

- Making your death day and your birthday the same day

- She would see it as the best present she could give you

Lindsey:

- Doesn’t mention your birthday

- Always so busy at work

- You presume he’s forgotten

- And you don’t remind him

- You don’t mind

- (or I mean that’s what you tell yourself)

- But when the day rolls around you wake up

- And frown

- His work clothes are still out

- He hasn’t left today

- And someone’s in your kitchen?

- You go and see what’s going on and he’s made your favourite breakfast

- He looks at you as if you just brought the sun into the room

- A heavenly glow that only surrounded you

- You were the light in his life

- He loves so deeply, wants to cling onto this

- Wants you to know just how much he loves you

- By making this day just for you

- He chides you though cos he was trying to make breakfast in bed

- But you had woken up

- But you just wrap your arms around him and hug him close

- He pulls you in for a deep kiss

- Holding onto this moment

- Holding on to you

- He’s got a very rare day off

- And you don’t want to ask how much of his soul was sold off for the luxury

- The day’s completely yours

- You go out and do tourist-y stuff in LA

- You live there but never get a chance to do something just fun and normal

- So you go around and take cheesy pictures

- Try out different hotspots

- You have a really lovely meal at the end of the day too

- He’s comfortable, has money to blow on fancy meals

- But it means more because he appeared to have looked into the local menus and stuff

- Finding suggestions that he knew that you would like

- You go to a few bars that you really enjoy

- but he soon notices you want to go back home

- So you and he can celebrate without any prying eyes

- It was truly one of the best days, you felt so much closer

Fred:

- She would have forgotten about birthdays

- After Pylea

- But when you mentioned it casually

- She jumped into action

- Not just because it was probably only a few days away

- But because she loved you and wanted you happy

- Wouldn’t want to do anything too lavish

- It’s just not the way you both are together

- It would be something simple, but so very meaningful

- She would be so soft

- (I mean she is anyway, but this is a day celebrating you)

- And she loves you so much

- I think she’d take you for a little day out

-  A kind of adventure

- But one where you could relax plenty

- A day off from demons and one just for you?

- Perfection

- She would present you with a gift while you were out

- I think she would have made it herself I think

- Probably took a while

- But she enjoyed it so much

- Something clever and cute

- Like her

- She would blush if you made a big deal of thanking her

- But ultimately reciprocate any kisses

- She would probably cuddle up to you and ask what you would like to do that evening

- She apologises for not having grander plans but honestly her just being with you is the best

- And you ofc tell her this

- You settle for drinks at a bar you both like

- But you don’t stay long, mostly just wanting to spend time privately

- You grab some takeout on the way home

- And celebrate more intimately

- The glow of the tv, but neither of you will be watching

- Just the two of you

Doyle:

- He’d be buzzing with excitement

- You always treat him so good

- (he swears he doesn’t deserve it)

- So he makes sure that you feel the love

- Especially so because it��s your birthday

- He says you have plans for your birthday

- And you’re like ??

- That’s news to me lol

- But he absolutely won’t tell you

- And teases you about it in the weeks leading up

- His teasing smile is equal parts infuriating

- And cute

- He just wants you to enjoy yourself

- And this is part of it

- He’s sick of everything ruining your time together

- So he tries to bargain with the powers

- He just looks upwards and half-pleads for them not to bother him

- Just for your birthday weekend

- No visions, please

- Nothing he comes up with, in his own mind, will be good enough

- He wants to give you the world

- And he promises one day he will

- Does this through a cute little globe key chain

- Before giving you a few more gifts

- He truly listens to you and things you like

- Buys things through the year

- So that he has them

- Hiding them is hard

- He would have planned it all out, using his connections

- He’s bagged a weekend away for you both

- somewhere you’ve always wanted to go

- Somewhere really nice, super upmarket

- Not something you’re used to after living in LA so long

- You have the best time

- He honestly makes you feel like the only person in the world

- He’s just so sweet

-  Literally would drop anything for his s/o

- To make sure you’re enjoying yourself and happy

- It was just perfect

- You’re already planning to make it a tradition

[thechangeling]

Ok so a conversation @littlx-songbxrd and I were having made me remember something I was ranting about to a friend of mine once.

Brace yourselves this is going to be long. I'm sorry.

The sexism, homophobia and racism of the shadoworld straight up doesn't make sense and here's why. So if we start chronologically with the infernal devices. There is sexism towards Charlotte right? People don't want her running the institute and they don't want her becoming the consul because she is a woman. But the Clave has no problem letting women train and fight. This doesn't really make sense in my opinion.

Now you could argue that it's because they believe woman can be string capable fighters just not rational thinkers. Which is weird because in my experience you don't meet a lot of people who are "partially sexist" in that way. Like if a man believes a woman can't do high profile, high paying jobs then they usually also don't want them in the military. Anyways moving on, there aren't any mentions of homophobia in TID, mostly because they're arent any queer characters except Magnus and Woolsey.

But something interesting to point out is that none of the characters who know about Magnus and Woolsey ever comment on it really. And following this point, none of the mains display any signs of misogyny either really. (Except for what Will says to Tessa at the end of CA but that was because of the "curse.") You could argue that this is because they're the protagonists so they are supposed to be better then that. But accidental microaggressions are pretty common especially during that time period. More on that later.

Moving onto racism, this is the interesting part. Jem says to Tessa that shadowhunters believe that you are a shadowhunter first and your nationality or eace second. Actually Jem doesnt mention race but he says this while talking about being half Chinese so it's kinda relevant. Shadowhunters rarely tall about race throughout the books in general except for a few instances. When Jessamine criticizes Jem to Tessa, she calls him a foreigner and says some other racist shit that I can't really remember. Something about the yin fin and calling him lazy. That directly contradicts Jem's statement about them all being shadowhunters first. Also Will and Jem actually constantly talk about being Welsh and Chinese in the books so that statement is kinda bogus in general.

And if CC didn't want her mains being sexist or homophobic to show them as good people then why was it ok for both Jesse and Gabriel to say questionable shit about Jem? Anyways moving on to TLH. Sexism is still running rampid with their cultural customs and people being shitty about Charlotte being consul. Bots have to ask the girls to dance, girls cannot have sex before marriage or else they will be ruined or whatever you know the drill. But again, they let the girls fight. Cordelia is allowed to carry around a giant ass sword but she can't get some????

IT DOESN'T MAKE ANY SENSE CASSANDRA!!!!!

Sorry I'm losing it. Anyways. Regarding racism. Alastair and Cordelia have experienced micro aggressions from the mains (Matthew and Anna) but it's never addressed. I'm pretty sure if memory serves, the inquisitor makes a nasty comment under his breath about persians when the Carstairs family sans Elias arrive. And then we have the whitewashing of Ariadne/Kamala by her parents.

But none of this stuff ever gets brought up really. Exceot for Kamala talking about her past and who she was before and sharing her original name, but she still doesn't talk about how it effects her potential coming out. Alastair doesnt mention race when he talks about the bullying he went through at the academy and none of the white characters ever stop to think about how Kamala and Alastsir's races play a part in their crappy situations.

There's probably more I could discuss with this but I'm moving on to homophobia. It's a thing in terms of the heteronormativity and people's judgement of Anna but it's not illegal like in mundane societies at this time. But all of the mains are totally cool with it which brings me to, I'm sorry but fucking bullshit! There is no way every single adult would be totally fine with it in this time period. Like I'm not saying outright homophobia but maybe some questionable comments you know? (CC is perpetuating this idea that good people never commit microaggressions which is untrue and harmful.)

I don't think there's any mention of whether or not gay marriage is allowed in the shadowhunter world at this point. Because the issues surrounding Magnus and Alec getting married were about Magnus being a warlock right? Because Helen and Aline got married before them in TFTSA because she was only half fae. So that brings me to when was gay marriage legalized in the shadow world?????

Is there any mention of this because I don't think there is? Anyways moving onto TMI. This is where everything goes to absolute shit in terms of world building with the standards for these things. Misogyny isn't really a problem in tmi anymore from what I remember. Nobody has issues with Jia as consul (from what I remember,) and that's that. But homophobia is still rambid throughout shadowhunter society so much so that Alec is terrified to come out because he believes that he can't be gay and be a shadowhunter in peoples eyes. Also there is pressure to "carry on the family name" which doesn't make sense because if the sexism has died out then women can have babies with whoever and not even be married and carry on their family line. And not everyone needs to have children, ergo there is less pressure on the sons to carry on the family name or whatever. This also doesn't make sense because homophobia literally cannot exist without sexism!!!!

This is because of colonial gender roles being forced on society. And men being with men and women being with woman totally smashes the whole gender roles, "woman do this and men do that" idea. There's more that I could say on that but this is already so freaking long so please just look it up. And speaking of gender roles it's literally mentioned that Maryse didn't teach Izzy to cook because she didn't want her to be forced into a housewife role like she was (although there's no evidence to suggest she was?) But then Maryse is lowkey homophobic?

It doesn't make sense Cassandra!!!!!

CC doesn't get that you literally don't have homophobia or transphobia without sexism. Indigenous societies pre-colonization didn't care about any of that stuff. Literally two spirit people were revered and respected and no one gave a fuck about gender until my ancestors literally came along and ruined everything. (I'm so sorry.)

But anyways there's no mentions of racism amongst the shadowhunters in tmi. Just Maia talking about her experiences with mundane society as a black girl. When Clary confronts Valentine and basically calls him a n*zi, he laughs at her and basically says that shadowhunters don't see race the way mundanes do which yikes @ CC. Granted this was 2007. This kind of sounds like what Jem said in TID. Only it clearly wasnt true.

Anyways I'm just super confused at this point. In TDA there was basically nothing in terms of all the isms and phobias. (Oh we arent even discussing ableism because my fucking head will explode!) But we do discuss transphobia a bit with Diana. But again it doesn't make fucking sense because transphobia exists because of sexism and clear gender roles (and homophobia.)

Society is still shown to be pretty heteronormative though which I guess makes sense but the Blackthorns have multiple queers in their family! You would think that they would be less so. When Livvy mentions all the reasons that Annabel could have a forbidden love she doesnt even think to mention that it could be a lesbian relationship. When Mark finds out that Jaime was in Dru's room he freaks out but I guarentee you, he wouldn't have if Jaime was a girl. I mean you could argue that it's an age thing and not a gender thing but idk. That scene always bothered the fuck out of me. Because Mark is literally half fae like why is he caught up on bullshit "boys and girls can't just be friends" hetero bullshit.

In QOAAD we see Dane Larksoear being sexist so randomly for no reason. Like it's so strange because CC literally created a caricature of a sexist villian with him. And it makes no sense because no one else seems to feel the way he does. Like Zara is basically the leader of the cohort right? And nobody gives a fuck. It makes no damn sense Cassandra!

And finally, why is the faerie world sexist with gender roles WHEN EVERYONE IS LITERALLY BISEXUAL AND THEY'RE FAERIES CASSANDRA!!!???? THEY'RE LITERALLY FAERIES WHY IS THERE A CONCEPT OF GENDER AT ALL CASSANDRA????!!!!

Ok lol now I'm done. Sorry this is so long. But yeah I'm so confused.

Tldr: CC's world building in regards to sexism, homophobia, racism and transphobia is very inconsistent and contradictory and it makes no damn sense.

[imherongraystairstrash]

Hey I love your writing so much!! Could you consider writing a fic about Alexander’s birth and more importantly everyone’s reaction and first time meeting him. Gideon,Will,Jem,Tessa, Charlotte, Sophie, Henry and all of his cousins and Anna and Kit of course I feel like it would be so sweet

Thank you so muchh!! It ended up being too long haha! Since you asked for the TID reactions, I split up the fic so that my response to this ask will include them. Here’s part 1, in case you want to read it

Defender of Men (pt 2) [Alex Lightwood birth]:

“He’s absolutely precious.” Sophie said, holding Alexander in her arms. Eugenia stood behind her, smiling widely at her new cousin. 

“I want a baby,” Barbara said mournfully, from where she was kneeling beside Sophie, fixing Alexander’s hat.

Gideon choked on what must have been air.

“I’m not going to get myself pregnant, father.” Barbara said, rolling her eyes “I just said I wanted one.”

“Well, you can take care of your cousin until then.” Cecily said with a wink. “We just saved you another five years, Gideon.”

“I think ten years would be more reasonable.” Gideon said. 

“Papa!” Barbara said, her tone still hushed in the presence of the baby.

Gideon smiled at Barbara.

“Has he opened his eyes yet, Aunt Cecy?” Thomas asked. He and Kit were sitting on the floor beside her. 

Cecily smiled down at him, “Yes, darling. They’re a darker blue than Kit’s. I want to say they’re the same color as Anna’s, but I’m not quite sure.”

“Will’s never going to let you hear the end of that.” Gideon said to Gabriel.

“You’re right,” Will said, James in tow. “Lightworm’s descendants are going to look like me.”

“Technically, they’ll look like Cecy.” Sophie said.

“Who just so happens to look like me.” Will said, before coming to a stop behind Sophie and smiling down at the newborn baby.

“Isn’t he adorable?” Sophie said. 

Will nodded, his smile growing wider. “Good job, Lightwood.” He said, clapping Gabriel on the back. “You too, Cecy.” Will said, looking over at her.

Cecily saluted him from where she was. 

James came over and smiled down at his new cousin.

“Oh, I’m hogging the baby.” Sophie said, standing up, ready to let the next person hold him.

“Do bring him here so that James and Thomas can hold him.” Cecily said.

Thomas’ eyes widened. “Oh, I’ve never held a baby before. Best let James do it.” 

“I’ve never held a baby either.” James said.

Cecily laughed, “I guess it’s time to learn.”

Both boys looked equally dismayed and terrified.

“It’s not hard,” Sophie said, kneeling down beside them. 

Cecily and Sophie taught them how to place their hands, and, despite it being his first time, Thomas held Alexander perfectly. When Cecily put Alexander in Jamie’s arms, he was clearly nervous and tense. Cecily ruffled his hair.

“Good, Jamie bach.” She said smiling. “You boys are naturals.”

“I’d even go as far as to say that they’re better than the girls.” Sophie said, smiling.

“I heard that!” Eugenia said. 

…

By the time Tessa and Lucie came, the room wasn’t as full since Anna, Barbara and Eugenia had gone to do lord knew what. They were always disappearing, saying they were discussing things that were of importance to them. Sophie and Cecily always joked that they were planning a revolution. Well, half-joked.

“Oh, Cecily, he’s beautiful.” Tessa said, fixing the baby’s blanket.

“And lazy.” She added. “He’s been asleep this entire time.”

Will raised his eyebrows at Gabriel. “Maybe he’s tired of having to deal with his father.”

“Lucie wouldn’t stop crying when she was born, maybe she was disappointed when she realized her father was the way he was.” Gabriel cut back.

Cecily and Tessa rolled their eyes at them in synchronization, like they do whenever their husbands are around each other. 

“What’s his name?” Tessa asked.

“Alexander.” Cecily said, proudly. 

Tessa smiled wide. “Oh, I do love that name. It reminds me of when I went to school in New York. Alexander Hamilton, the United States founding father.” She added the last sentence after receiving a couple of confused looks. 

“Aunt Cecy, can I babysit?” Lucie said. Before Cecily could respond, Lucie spoke again. “On second thought, I can barely take care of myself. Perhaps it is not the best idea to leave me in charge of a child.”

“You can take care of him while we’re in the same room.” Gabriel said with a smile.

Lucie nodded eagerly. “Yes! Wonderful idea, Uncle!” 

…

The rest of the day had been a flurry of fawning over the new baby and congratulations. Gabriel and Cecily had gone to surprise Charlotte and Henry, with the baby in a basket, tucked under a mountain of warm blankets, to keep out the cold. 

When Henry opened the door, his eyes widened in surprise and then extreme excitement. 

“What ho! Cecily! You’ve given birth!” 

“Yes!” Cecily laughed.

“How wonderful, absolutely wonderful! Oh, do come in; Charlotte will be ecstatic!” 

Charlotte was ecstatic indeed. When she saw the baby, her hands fluttered to her chest and then she came over to kiss both Cecily and Gabriel on the cheek. 

“You crazy children! We would have come to your house. You didn’t have to bring the baby here.” 

“We wanted to surprise you.” Cecily said. 

Charlotte took her shoulders and sat her down. “And you should be resting.” 

“Does that mean you don’t want to see him?” Gabriel asked, lifting Alexander in his arms.

“Of course I do,” Charlotte said, laughing. She went over to Gabriel and looked at the baby. 

Her face softened immediately. 

“Oh, how precious,” she said, brushing his pink cheek. 

Gabriel brought the baby down a little bit so that Henry could see better. Cecily smiled at the way Gabriel showed the baby to them excitedly. 

“Have you decided on the name?” Henry asked. 

“Alexander,” Gabriel said, placing him in Charlotte’s arms.

Alexander fussed a little bit at being transferred from his father’s arms to somebody else’s, but then quieted down once he realized Charlotte was just as warm, if not, more warm than Gabriel was. 

“Alexander Lightwood.” She said, “he’s absolutely perfect.”

…

“Am I better at holding babies than James?” Matthew asked, looking up at Cecily.

Cecily shook her head, smiling. “I thought you were supposed to love your parabatai.”

“I do! I love to compete with him.”

“Either way, I’m not telling you who’s better.”

“It’s alright, Aunt. I know it’s me.” Matthew said, looking back down at the baby. 

Cecily nudged his head with the palm of her hand affectionately. 

…

When Alex had finally woken up again he was in Henry’s arms and he stared at him like wide eyes, blinking slowly.

Gabriel and Charlotte were talking about something in the other corner of the room. Matthew was leaning over Henry’s bath chair, his forearms braced on the handles. 

“Who’s that, Alex?” Cecily asked. “Is it your Uncle Henry?”

Alexander made the softest of noises. 

Cecily kissed her son’s head. 

“Little Alex. You have quite a lot of names to remember.” Henry said. 

Cecily laughed. 

Quite a lot of names to remember, indeed. But at least he’ll know that behind each of those names, are people who love him and would follow him for his first milestones:

His first words were “nana” and “-it” because of his siblings. 

His first steps were into his cousin Thomas’ arms.

His first laugh was with his father, his second with his uncle Will, though it was Matthew who made him laugh the most. 

His first of smiles was when his mother was hugging him and when Barbara and Eugenia spoke with him, pretending they understood everything.

He’d play shadowhunters his all of his cousins, though specifically with “Mames” and “Ucie”. He’d go on walks with his parents, Aunt Sophie and Uncle Gideon. 

There were many other memories, all with his large family, all of whom he loved very much, and who all loved him in return.

Tagging: @tsccreatorsnet  @atla-lok143  @rinadragomir  @youngreckless  @autumnangel20  @julemmaes  @cupcakesandkittens  @no-scones-allowed  @fictionally-fantastic  @stxr-thxif  @writeforjordelia  @itsdaughterofthemoon  @jordeliasupremacy  @cordelia-cardale  @will-effing-herondale  @axoloteca  @heronstairs2014  @ilovemanicures  

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[khaleesiofalicante]

Ykow I was rereading the shadowhunter academy and the shadow market (cuz I haven't in a while) and I got sooo sad after Matthew's story because in both we can see him enjoying taking care of others soooo much and just being there for them but now he can't even truly take care of himself. And he hated himself and wasn't close to his family even before the accident and the drinking.

Now while a lot of people are pissed because of Paris I think that this was the best option. And I don't think that when it comes to time that it was the worst or even bad either. Tho of course when they learn what they missed they will be angry with themselves and feel super guilty. Even so:

Even if we want them there to help look for Lucie neither is really in the right state right now and probably would slow them down. Cordelia is doubting herself soooo much right now and would think Lucie's disappearance was somehow her fault and would dissappear into herself. Same for Matthew and especially after almost losing his brother.

And of course we would feel sad for James and we want all the miscommunication to end but he literally JUST learned about this. He has to have time to really comprehend exactly what has been happening. Beyond this he HAS to be by himself for a bit. He has been under the bracelet's influence for 4 YEARS. He has to figure himself out again and that just won't really happen if he jumps straight into marriage and probably both Matthew and James feeling the bond differently in such a close proximity ( when Jace was under Sebastian's control Alec felt the bond differently BUT he felt his life-force still and when parabatai are close the connectionis stronger)

Now why I think that it's a GOOD thing that they went to Paris. Matthew truly does love taking care of people. He may not be in the best condition right now but while we think that Cordelia is gonna be there to help him I think that the reverse will happen. Matthew was introduced for the first time as mother hen fairchild or the caretaker of the group. He KNOWS how to take care of people. We also see that his love for Cordelia is actually real and when he sees that she is not doing good he will help her. And I think that THAT may be his wake up call. Seeing a person he loves in so much pain and he "the caretaker" can't sober enough to help.

I'm not saying he will sober up for her but sober up for ACTUALLY doing what he enjoys doing. Helping people.

As for Cordelia she is strong and will find a way to both detach from Lilith and have a happy ever after with James. With the help of her friends

I love, love, love this.

It's such a clearly written explanation that makes so sense.

Tbh, I was so pissed when I read that scene. But now months after reading it, I'm like...It kinda makes sense?

I think that is also an important factor. The last couple of chapters they happened so quickly - and while as you very clearly explained there are deeper factors at play and these influences make a lot of sense - there is also the fact that all of this was just spur of the moment. Them going to Paris. James chasing after them. Will trying to save Lucie. They are all just in the moment trying to do what feels right then and there.

Honestly, who we are to judge?

And you are 100% right about Matthew. He is such a care taker. And even though he might have feelings for cordelia and even IF something happens in Paris, I don't think he ever intended to take her to Paris for himself. He just wanted to help her. I agree.

I really hope things get settled for all of them soon. They are just jumping from one thing to another. They really need to take a moment and think. But poor bebes can't catch a break :(

[originalwinnercheesecake]

Chain of Iron theories: the adopted baby

Here is another hot discussion topic in the fandom. CC has hinted that their will be a special baby, and that they will need to be adopted. So Questions, who is giving a baby up and why? I am assuming that this is a Shadowhunter baby. I cannot see either Hypatia Vex or Kellington who party, operate a secret saloon, and take pleasure in seducing interesting artistic individuals deciding to devote themselves to parenthood. Woosley Scott is set to show up, but their is no way he wants to adopt. Every other downworlder has appeared in the future and never made reference to having raised a baby. So which shadowhunters in this series of so many parents, children, and would be couples are looking to adopt? We know that shadowhunters adoption program isn’t perfect; Ariadne being adopted by an elderly white couple who know nothing about Indian culture and Tatiana somehow being allowed to adopt Grace despite the fact that she is aggressive, clearly insane, and famously unable to care for the one child she gave birth to. But I want to hold on to hope that whoever this little baby is their story will end happily with being given a nice home and family. My Theories

Anna and Ariadne  adopt Eugenia’s baby. (retracted)

  This was my original theory. In COG2 we learnt that Eugenia temporarily left home because of some scandal no one really wants to talk about. It apparently involved her and some guy being caught in a “compromising position” after which said guy could have saved things by asking to marry her but did not? ??? This led many people to believe she and this guy had been immanent and that she might now be pregnant., but unable to raise the baby on her own. So she would give it up for adoption. Eugenia’s older sister Barbara had an understanding with a very nice gentleman named Oliver and kept trying to get Oliver to purpose. I wondered if maybe a reason Barbara was in such a rush to marry is she was hoping for her and Oliver to adopt Eugenia’s baby and pass them off as theirs. Now that both Barbara and Oliver are sadly deceased Eugenia would need to look into finding new  parents to take he unborn child. Well spoilers relating to Eugenia state that despite having different interests and hobbies, she and Anna get along well. She also is set to become friends with Ariadne. Ariadne who really wanted to be a mom. So I thought that if Eugenia was pregnant and looking to give her child up for adoption then maybe she would ask Anna and Ariadne to adopt her baby. That had the potential to be sweet.

  But we have gotten more information now, and surprise surprise, people jumped the gun to quick on what happened with Eugenia. While we still do not know what the scandal was, it is hinted to have been way less extreme/serious than premarital intimacy, and she is very unlikely to be pregnant. I am now hoping that her ex got into a fight with some other guy, she stepped in to hit the other guy with a parasol, and her ex got embarrassed about having to be saved by her and broke up with her. Something that shows the guy was a real loser.

Elias puts Baby Carstairs up for adoption

  In COG2 we got a huge surprise that Sona was pregnant with her third child, unexpected as the family tree only lists her and Elias as having two children. Well actually actually the Carstairs family line is tree has parts of it that “Were lost to time”. So something clearly happened. Jem was clearly hiding something.

   This pregnancy was clearly unplanned and does present some worry’s. For starters Sona is well past the age where it easier/safest for women to give have children. She was already starting to have a difficult time with it during COG2 when she finally confessed to Cordelia that she was about 3 months along. This means that she will be about 7 months along (almost ready to give birth) when we pick up again in COI. Well in the early chapter read Alastair said that his mother has been put on Bed rest with her husband staying by her side and silent brothers monitoring her. This does not sound good. Several people have theorized that even with the brothers help, she will not make it through childbirth. Now lets talk about the babies father Elias Carstairs. Elias Carstairs is even older than his wife. He spent his youth traveling the world (I read a tweet that said he has even gone between dimensions before) leading special expeditions and hunting rare and powerful demons. This sounds grand, but it was a grueling life that left him physically and emotionally scared. Tragically the Clave does not recognize mental health as a need, so they do not provide any kind of therapy or treatment for those who become traumatized. Like many poor soldiers throughout American history Elias was there for the Clave when they needed his help but it that help was not reciprocated at the end. The only comfort he found was at the bottom of the bottle. It took Elias until he was already in his 40′s to start a family, and he has struggled with being able to take care of himself enough to act as a father to the two children he and Sona have already raised. Elias is 63. He is sad and tired, and struggling to keep a handle on his sobriety. This child was unplanned. I have read tweets that show he is at least trying to support Sona, but CC reveals he is questioning if or if not he can really do this a third time. If Sona dies there is no way Elias can raise this child himself. I won’t fault him if he makes that choice, it might be the most loving thing he can do.

   Who would adopt the little guy. Well the most common theory is that Alastair and Thomas would become his new dads. Now the family tree does suggest that both Alastair and Thomas are dads in the future. It also doesn’t list the names of either of their spouses (I am guessing neither had wives) so their is nothing to suggest that they do not live together raising a group of adopted children. Given the way the Cave feels about homosexual parents that could also be why Jem “lost” the records. I will not deny Thomstair becoming adopted parents is plausible, but I am not completely sure that baby Carstaris is who they will adopt. Babies are hard, they are a lot of work, and I am not convinced either Alastair or Thomas will be up to it. Look at Alastair. He is not exactly in a good place at the start of COI, and whenever fans ask CC if Alastair will make any friends she always reply that he won’t until he learns how to speak nicely to people and to be there for them when they need him. Honestly that is a thing he struggles with. He obviously loves Cordelia, but he totally pulled an  Queen Elsa on her where he shut the door and shut her out for roughly 7 years of their lives, leaving her as alone as Anna was. He claims to have loved Charles but the pair spend most of COG arguing because Alastair wants Charles to spend all his time with him and Charles is struggling to balance his promotion, his public reputation, and Alastair (Important I am not saying it was wrong for Alastair to be upset about Charles engagements or to break up with him. I am just saying it seems like Charles did try to see Alastair as much as he could, and Alastair trying to pin all his emotional needs on one person, who already had so much going on, was unfair). On Thomas side well lets just say he has a lot of mixed up and complicated feeling of his own he needs to work out before he will be able to be in a healthy relationship let alone raise a child.

  If Thomstair aren’t able to take care of Baby Carstairs I bet I know a long time married, long time Carstairs loving couple, who would be happy to take the little guy in and have enough resources, experience, and love to give him a great life. Hey in the future Tessa says she has kept watch over three families: the Herondales, the Carstairs, and the Blackthorns. The Herondales and the Blackthorns are her and Will’s grandchildren. If she were watching the Carstairs because they were once her friends wouldn’t she also watch out for the Fairchilds and Lightwoods?

Blackthorn Babies with Mundane and Shadowhunter mommies and daddies

  (Okay this is one will involve some hopping around and several references to the family tree, so stay with me people, stay with me.) We aleady know Jem made some changes to this line. Lucie is not 12, she is 16. Tatiana is probably not going to live another 15 years. Also the tree said that Jesse dies 59, yet he actually died at 17. But future wife Lucie wants to resurrect him... which is highly illegal and should she be successful she will probably face terrible repercussions. Jesse also might not be able to live as a shadowhunter after being brought back. So even if we don’t want it, for the sake of this theory lets assume that upon Jesse’s resurrection both he and Lucie are banished and become a mundane pianist and writer. Let’s assume they also get married and have children. In order for the TDA Blackthorns to be shadowhunters at least one of Jucie’s kids would have to become a shadowhunter and move to the shadow world. I feel like Luce and Jesse would be willing to let their kids go in that case. That was all Jesse wanted growing up and Lucie is Will’s daughter. The children would just need someone they could stay with.

  Now lets hop to the Lightwood family line. According to the tree Christopher and Grace get married (Grace is also listed as a Cartwright so was her adoption overturned and she rejoined her bio family?) and continue the Lightwood line down to TMI. Grace and Christopher are set up to bond  (over science) and many fans are willing to believe that they are an endgame ship. But fans are also doubting that they are the ancestors of the TMI lightwoods.  For one thing Christopher is heavily coded to be asexual; and Grace herself seems to have a very.... twisted and warped view of physical acts. So now lets say Grace is somehow saved from punishment over Jesse’s resurrection or because of her past trauma is given a lighter sentence. Lets say Gracetopher really do get married. if they got married they probably will apt out of having children; at least biological children.

   Christopher has a younger brother , Alexander Lightwood, who seems like a much more likely candidate to continue his family line. Alex has been noted to have those dark blue eyes that while once a Herondale trait later become a Lightwood trait. He shares a first name one of TMI’s most prominent characters, and that is just about the only way baby Alex could have relevance to the story given that he is way to young to help out in the war. If Alexander Lightwood the first is one who carried on the Lightwood line why are his descendants listed under his brother and sister in laws names?

   Well way back before the CC launched TLH I remember her posting a tweet that said Grace could become an ancestor of either the Herondale or the Blackthorn line. This upset a lot of people who thought that it meant that Grace may have a baby with either James or Jesse. (No, just NO!!!) But what if instead of Grace having a baby with Jesse, She and Christopher adopt one of Jesse and Lucie’s babies so that that baby could be raised as a shadowhunter? I could see Grace and Christopher doing do: they each love one of the respective parents and are set get to know the other. The only good thing about Tatiana adopting Grace was she got Jesse as a brother. Should she ever recover from having Tatiana as an adoptive mother I could see her becoming very critical of other adoptions and refusing to allow Jesse’s children to potentially end up like she did. I am in love with a head cannon I have that Christopher will become a science professor at the academy. If Lucie and Jesse have to leave the shadow world, and they have to give up their children then I want to imagine that child living in Malec’s future academy suit with Shadowhunter mommy and daddy Gracetopher while they secretly get gifts and send letters to their mundane mommy and daddy Juice. (It is the least CC can do for the pain reading about that potential exile would cause me.)

[shadowhuntering]

Matthew & Alastair comparison

I’ve been re-reading Chain of Gold in prep for Chain of Iron and I've noticed that Matthew and Alastair are a foil of each other.

I’ve also been re-reading Cast Long Shadows for investigative purposes and it furthers my realization.

Matthew and Alastair have been through similar issues, but are the opposite (if that makes sense) in some ways. eg. Alastair had to pick up after Elias who is a drunk; Matthew is also a drunk. How they responded to these issues tells you a lot about their nature.

This is my observations, purely for analytical purposes so if I sound particularly harsh towards a character, I do not mean to be.

1. Personalities are the opposite to the other.

Matthew’s personality is literally meant to "blind people" because he's sunny, outgoing and is meant to be the life of the party (or his mask).

Alastair on the other hand is literally "dark" he is broody, not very forth coming and can be very prickly

Ironically though, both have the façade of being conceited when they are the opposite. Though you could argue that Matthew’s alcoholism is a result of being selfish. However, he has little regard for himself which is the danger.

Definition of selfish: Concerned chiefly or excessively with oneself, and having little regard for others.

2. They share a similar notion of love not being real, or won't last. 

Alastair just having a very pessimistic view in general, but Matthew says it about himself. He has full faith that other people will have happiness, where he doesn’t see it happening for himself.

3. Alastair is unapologetically himself, whereas with Matthew he hasn’t been himself for a while, and even back before the events of Cast Long Shadows he was trying to fulfill what people needed at the time.

Matthew cares too much about the people around him to think about himself, but also tries not to care as he fulfills the bad reputation people have of him. He has a mask/façade(s) to help liven or distract, yet he also openly degrades himself. He keeps people at arms length so that they will not be disappointed by him, but also forms close bonds with people. He so badly wants someone to love him, but he doesn't want to help himself or be vulnerable to other people. He’s a walking contradiction.

Alastair does regret the things he did, but he doesn't think less of himself because of them. He did all those things to protect himself from hurt. Alastair also doesn’t care for his attitude. It’s not his problem if people don’t like it basically 😂 He clearly has people he cares about like Sona and Cordelia and prioritises them also. He is also actively trying to right his wrongs on not dwell on his past. He wants to move on with his life.

4. Matthew doesn't want to help himself, Alastair does want to help himself and become a better person.

Matthew openly degrades himself yet keeps his own secrets and thoughts of himself. He self-destructs as he feels he deserves it, even when people reach out and try to care for his well-being and that of others they also love (eg. Lucie’s confrontation). He doesn't see that he is hurting the people around him and also himself because of his attitude towards his own life really. He doesn’t have much of a quality for life. He is clearly depressed. He fails to let anyone in because he doesn’t want to help himself and also thinks too much about what people think of him when honestly the perception they have of him now is probably much lower now because 1. how he has chosen to deal with his mistake 2. how he has kept it to himself therefore making it look like the people who care about him would cast him out.

Alastair knows what he did wrong and is trying to improve himself for the betterment of himself. It was evident that at the time of Cordelia finding out about Charles, he wanted to break free, but once he got over being mad at Cordelia for snooping (rightfully so tbh) he understood that she loves him and would give him the support he needed; he had the inspiration from her to commit to moving forward and make amends for himself. Sure, he kept people at arms length in order to protect himself but inherently he does make himself vulnerable for other people. He still let in Charles, made himself vulnerable to love. Then with Thomas... he let Thomas see his guard down in Paris (and before that Thomas just saw right through him) and he ended up allowing Cordelia in, taking heed of her advice and love. He knew that Charles was hurting him and other people, so he stood up to him. He is much more open and vulnerable which is ironic really.

To me, the progression Alastair has already made makes me believe that the same will come for Matthew. However, the bottom line here is that Matthew self-destructs and doesn’t want to help himself whereas Alastair wants to be a better person and look after himself. Alastair has self-love which is what Matthew severely lacks.

5. Both had to grow up fast due to responsibilities of looking after their father...

Matthew arguably has "Mommy issues". This is not me making excuses for Matthew, or even criticizing Charlotte in any way, this is just my interpretation of Cast Long Shadows...

Matthew seems to have low self-esteem and love for himself due to abandonment issues it seems. He probably felt abandoned as a child by Charlotte. It's not that he was unsupportive of her or holds anything against her, but when you look at it objectively, his upbringing shaped his reaction to Alastair and to himself. She literally left him crying at 6 years old and told him to "look after your father" as she had to go off with Charles. Cast Long Shadows is a huge emphasis of how the feeling of abandonment from Charlotte, leading to how he instantly believed that Charlotte had an affair with Gideon and took drastic action. This I feel is because he never felt comfortable to openly discuss to her about himself really. He also didn't trust her...

I do not wish to insult Charlotte as her job is serious and I'm so proud of her, but unfortunately, due to it, it made an impact on who Matthew is now. He didn't trust, nor feel comfortable enough to sit down and talk to Charlotte because he never really got to know her properly or wanted to burden her. It probably also felt like she had favoritism over Charles, and Matthew didn't want to step on her toes. She also never noticed the little things he did like make her favourite scones and he just went feeling unloved or unappreciated (though he should have said something?). She would ask of him to be sensible, didn't really engage much in his humor which probably contributed to how he viewed himself as well as he already was so self-conscious and was vying for her attention. No offense to Henry but his immersion into his science probably left Matthew feeling abandoned as well as he was the one caring for him, then Christopher is the one who understands and engages. Matthew was his carer, effectively, making sure he ate, drank, slept and wheeled him about. He did love his father though, so he didn’t mind. Though Henry does praise him when he breaks the news about them expecting which just made Matthew feel more guilty of his accidental poisoning.

It’s like Matthew wants all of the attention, but he never voices what he wants aloud. This results with no one paying him much heed. In Cast Long Shadows there is also a comparison to James and Lucie’s relationship with Tessa and Will. James and Lucie have communication with their parents, along with known support and trust. Matthew does not seem to have this as he seems too afraid to voice it, not because he is scared of Charlotte and Henry, but because he is too considerate of them. I also find it Ironic that the next story in GotSM is Every Exquisite Thing where there is a huge emphasis of Anna and Cecily’s relationship with each other. Anna being too scared that Cecily would be critical and not understand her, but when Cecily comes to Anna at her worst, she completely understood Anna and supported her, making her feel better. To me this is another stark contrast to Matthew where his parents are too busy to build a good relationship with him, and when there is a heart to heart (Henry talking with Matthew) it is too late and doesn’t ease his mind. Anna also points out how no one would approach Matthew because “he did not do well under confinement”- it makes sense, he doesn’t like confrontation. 

(I can go into further detail about Cast Long Shadows with Matthew’s upbringing being detrimental to his view of himself)

Alastair however has "Daddy issues". Alastair has a similar case of looking after his father, but he came to resent his father because he never got himself better or was so drunk to even remember or acknowledge Alastair and his help or I suppose confront his problem. Alastair knows what it can do and simply does not want to re-live it, and as Cordelia is now friends with Matthew, he doesn't want Cordelia being hurt by Matthew either or having to pick up after him as he did for Elias. That is also where they butt heads. It is too coincidental that Matthew is also drinking to forget, and is not wanting to make himself be better and deal with it. Alastair is trying to protect Cordelia, but he is also allowing her to make decisions for herself.

In ChoG Alastair says he was 10 when he learnt to fill the brandy bottles with water to mask the levels that had been drunk. He was probably picking up his father and "looking after him" well before that. Alastair tried to protect Cordelia from this because he was being more considerate for her sake. He wanted her to have a childhood he was robbed of. He is also being a foil here of Charles. Charles was so self-involved that he never decided to even think about his younger brother, Matthew. Alastair was compassionate; Charles was not. Alastair is a good older brother; Charles was not and was even accusatory that Matthew being parabatai with James and being in London is what caused Charlotte to be ill... he just has so much resentment...

I also believe that Alastair wanted the burden off of his mother, and I'm wondering if he knows more about Sona and her feelings towards Elias being sour and terrified (This is I feel what is indicated in the teaser of when Elias appears where Sona seems to go pale) despite rushing to him and hugging him etc.

“Sona went white and laid a hand against the wall to steady herself. "Elias?"” 

Alastair was bitter and twisted and he never wanted people to know because he knew it was a weak spot for him. It is what sparked him telling Matthew the rumor in the first place. 

“ "I wish I could say the same for you," said Matthew. "Has no kind soul thought to inform you that your hairstyle is, to use the gentlest words available to me, ill-advised? A friend? Your papa? Does nobody care enough to prevent you from making a spectacle of yourself? Or are you simply too busy perpetrating acts of evil upon the innocent to bother about your unfortunate appearance?" “

...

“Instead Alastair said: "Who are you to play the moralist, talking about tricks and papas, considering the circumstances of your birth?" “

He ultimately had inherited his father's shame which was wrong. It's what Cordelia has told him as well. Alastair shouldn't have to think of the mess of Elias; it is his shame to deal with, not Alastair’s.

Though arguably, as a result of Alastair giving Cordelia an innocent childhood, it opened the doors for Cordelia to want to reach out for him, due to her optimism and love, and as he loves his sister dearly, he takes what she has to say to heart. They will now face things together as a support network and hopefully they also have communication with their mother. Although their family may be "broken" they arguably have more communication and togetherness than Matthew does with his family.

(Sorry, that bit was long)

6. Result of their nature after childhood being robbed

Matthew seems to act more of a "child" anyways, being more “frivolous”. He is being reckless, he is a little petty as well. Whereas Alastair decided to grow up too fast and is more mature and relatively grounded. It did harden him to begin with, but he doesn’t want to completely isolate himself. He’s just simply more rational. This I feel is in their nature though, not nurture. 

7. Matthew is slowly driving everyone away, this is kind of what Alastair tried to achieve

Alastair at the Academy decided that he would be the bully in order not to be the one being ridiculed, thinking that he would be better off and retain a hard skin, but all it did was make him regret and never allowed him to create good bonds with people. Then when he came back from the Academy, he distanced himself from Cordelia. I interpreted this as him dealing with his guilt and regret and tried to not get Cordelia too close to him because of it, but Cordelia cared about him too much. Though it could’ve just been that he got too used to having a hard skin, not letting anyone close. Throughout ChoG he builds his bond with Cordelia, and we also see James coming around to Alastair. Thomas as always was curious and saw his better side and Christopher was seemed ready to give him a second chance. Though due to Matthew’s spew at the end, there is distance between him and Thomas and others (save Jordelia).

Matthew is driving everyone away, simply because he is being so reckless. He had originally established good relationships with people. Then, when Lucie confronts him he literally avoids it, no matter how realistic she was being and how much he cared for her, but that was it; he cared too much for her to tell her. We see that even James will snap at him in COI

Teaser #41: "There is no point to it," said Matthew. "If you will never see reason or good sense—"

"Because you're a bastion of reason and good sense?" James snapped. He knew he had a temper, just like his father; his anger spilled past everything else, tasting of copper and fury. "Matthew, you are drunk. For all I know, you mean nothing you are saying."

"I mean all of it," Matthew protested. "In vino veritas—"

"Don't you quote Latin at me," said James. "Even if you were sober, you've never taken love seriously enough to lecture me. Your passions have been a series of dalliances and ill-conceived attachments. Look at me and tell me there is something you love more than that bottle in your hand."

Matthew also decides to move out and get his own place to force independence and probably drive even more of a wedge between himself and Charlotte. We also knows he has an argument with Charlotte; his apartment and car is undoubtedly a result of that, escaping the conflict and confrontation. 

Anna had wanted to talk to him (Every Exquisite Thing), Magnus also wanted to help him. Lucie has always wanted to help for the sake of James and James has always known something was off. They just know that he wouldn’t say anything, and I think most were in the hopes that he would eventually say something. We know that Cordelia is most likely the one he tells thankfully! It is ironic that it is Cordelia for both Alastair and Matthew as well. So it already looks like Chain of Iron will provide the break and repair of relationships for Matthew, similar to Alastair’s progression of self-love.

8. Matthew is very open about his sexuality. Alastair does try and keep it hidden, however it’s more complicated. This is a reflection of their concern of judgement.

Although Matthew keeps things to himself, he admittedly is not afraid of what people think of him as his expectations of himself are so low. However, he is also ruled by the expectations of others, all through his life people had low expectations of him (again, another thing that influenced his actions in general) and he feels to fulfill that obscure one in spite?? The reputation the he has, has always been obscured because in everyone's eyes it will and always has been Charles who will inherit and uphold the good reputation as Consul as they don’t see Matthew as smart or responsible. However, the latter there he doesn’t help prove them wrong...

Alastair keeps his sexuality secret, that is until Cordelia finds out and he eventually warms up to her. Plus he was dependent of Charles as well, but committed himself that he wouldn’t be the side-dish. He wants to love himself for himself, not be hidden as a secret.

There is also a "reputation" element of the family that he still wants to uphold. He is learning though that he has to put himself first and should make amends for his reputation and not have to be burdened by others. Though I would argue that Cordelia is the one who is more concerned about it, but now she knows the truth she is wavering. It’s more complex.

To conclude: 

I feel like their stories will either reflect the other, or will be intertwined somehow. As Alastair has dealt with a drunk and looks down upon alcoholism in general because of his experience makes me believe that Matthew might need Alastair's perspective to grow up. Once he understands Alastair I feel it may pave the way for forgiving and loving himself. 

Alastair was the "spark" of making him spiral, but he was well on his way of questioning his family's loyalty and love of him before that (hence why we were given so much background) and it played into his weakness. Matthew I think wants to take it out on Alastair (he says he didn't blame Alastair or the Faerie. Alastair is just easy to take his frustration out on) as he is not prepared to come to terms with himself or even his family for that matter for his grievance. He loves his family very much and that’s why he feels so guilty, but it's wrong for him to believe so easily and hide his guilt away and that has to be due to his upbringing...

tldr; Alastair and Matthew have stark comparisons to each other that it’s probable that they are detrimental to each other’s character arcs.

@sparkofsummer

[belle-keys]

I Love Matthew Fairchild aka Incoherent Thoughts about Chain of Iron (2021) by Cassandra Clare

I made one of these rant-rave reviews for SJM's book so check it out if you want, no pressure tho lmao.

Aight so I finished Chain of Iron last night and OMG I HAVE TO YELL like I loved it sooo much like yooo, I have a lot to say. I know the book is new so... beware for spoilers plebs.

Also context: I been reading the Shadowhunter books since I was 12 and I'm 19 now *insert dead emoji face* so yeah, I'm just so happy rn with where the Chronicles have come and the fact that they’re still ongoing *insert uwu face*. I remember when in like 2014-2015 or something when Cassandra Clare teased that Will and Tessa's kids' generation was gonna get a trilogy set in Edwardian London, loosely based on Great Expectations, and holy hell? I think that was perhaps one of the best days of my life considering how much I adore The Infernal Devices (that trilogy really changed the way I see YA literature... don't ask cus I won't shut up about it) (also yes I read TMI and loved it too but there's a “generation gap” between TMI and the other Shadowhunter books stylistically so don't ask me about that either cus I also won't shut up).

Anyway, shoo from here if you want a critical essay on Chain of Iron. I'm not providing that, this is just me raving here for the fun.

Listen... I want the bulk of this to just be two main things: The Matthew Situation, and then all the literary and judeo-christian meta aspects of it.

BUT I ALSO NEED TO TALK ABOUT EVERYTHING ELSE SO FRICK LET'S JUST START WITH THE OBVIOUS SHIT LIKE THE PLOT AND WHATEVER

Okay, the plot and writing and shit, let's get that out of the way:

The WHOLE Jack-the-Ripper-esque ambiance was just sooooo good man wow like I did not expect the book to take this cold turn but it worked so well. There was such a contrast between Jamie and Cordelia's warm little house and then the cold winter and the stabbings and shit and it felt like a nice little callback to the actual Ripper phenomenon that preceded them and a nod to the Whitechapel Fiend story from Tales from the Shadowhunter Academy.

Bitch OFC that whole thing with Wayland was a set-up like nawww that was too easy to spot and I get why Cordelia feels like shit about it.

Dawg Lucie was just the Among Us imposter here in that my girl was just venting and sneaking around with dead people and I was like nooooo girl run, don't deal with Fade this is a set-up THINK ABOUT JULES LUCIE THAT'S LIKE YO GREAT-GRANDSON *sobs* but yeah anyway my girl has death powers she gonna kill some bitches next book.

You see that confrontation between Lilith and Belial? MASTERPIECE DIALOGUE like this was the point within which I was just like "yo is this the book of Genesis or a YA Fantasy novel" like when Lilith said "I may have been cast out but I did not fall" like??????????????????? I YELLED she did not have to END Belial like that. What a bad bitch.

More on Lilith and Belial... "You, who brought nations into darkness? Shall I finally be able to tell the infernal realms you have gone mad, lost even the image of the Creator." HAHAHHAHAHA SHE SAID "YO BELIAL GO GET SOME THERAPY AND GET OFF MY ASS" LIKE??????

Ughhhh yasss Clare has improved writing diverse characters in this book compared to in The Dark Artifices in my opinion... I'm not gonna expand on it cus ain't nobody got time for that but like, I enjoyed how she wove Persian poetry and tales into the story and the way in which she writes Cordelia and Alistair. They're not caricatures of Persian people but rather multi-faceted beings who also happen to be Persian and I appreciate that. Also, Alistair and Thomas and Anna and Ariadne were just so fun and interesting to read as coupbles but also as individuals. She really higlighted diversity in a very natural manner. All I need is a hijabi character and I’ll die a happy woman lmao.

The level of META man like the references to Classics and art (I swear, she might have compared Matthew to angels out of Caravaggio AND Rosetti AND Boticelli paintings and I Am Living For It) and just all the quotes from holy books and shit omg I love it here like you really feel catapulted into the time period, she draws reference to external art and philosophy so well and I feel like she upped the notch on it in this book (didn’t know that was possible but it was the prose is BEAUTIFUL, archaic, but not pretentiously so). No, like the characters live in their OWN worlds of literature and art and history in the way we are living in THEIRS. They quote Wilde and Milton while we'll quote Clare. It's awesome.

This is an unusually structuralist take even from me but: I like the way the milieu social of the book, i.e., the high society Edwardian circles and their values, have a direct influence on the plot. James and Cordelia got married because society’s values essentially forced them to, not a demon. Cordelia abandons Jamie at the end of Iron because her shame as a woman in society and fear for her reputation made her, not a demon. Thomas and Alistair can't be together solely because of how Alistair tarnished the reputation of the Fairchilds and Lightwoods by using the horror of infidelity against them. Issues relating to marriage, gender roles, etc, stemming DIRECTLY from the time period rule the sequence of events to the same degree as the epic fantasy aspects (demons, Princes of Hell, the lore itself) do and I LOVE that dear God above.

OKAY THE GOOD SHIT LET US TALK ABOUT CHARACTERS AND SHIPS (N.B. but imma discuss Matthew and the Fairstairs situation separately below this portion):

Alistair's redemption arc: No, cus Alistair's redemption arc is honestly amazing. He really did change and it's not like his betterment as a person was linked to any one heroic deed but rather he simply decided he wanted to be better especially for his family and he decided to become a proper protective son, a caring brother, and an amiable friend. He fully owned up to his Malfoy tendencies and apologized without expecting forgiveness. He shows how he cares in the little ways and omg it's so sweet and tender. I really do want him to love himself now and be embraced by Matthew especially and the rest of the Thieves.

Dawg Lucie and Jesse are so funny to me like it's so hilarious how this girl fell in love with a whole ass ghost that no one else knows about like HHAHA. Are Lucie and Jesse my ult ship ever? Nah, but it's nothing to do with Clare, it's just that their relationship happened pretty quick and feels quite like something epicly romantic that Lucie herself would write. I just like slow burn and friends-to-lovers the most from Clare. To be honest part of me just wanted Lucie to not have a romantic arc all together but like, it's all good, I'm not complaining.

Okay Grace- like yooooooooooo I never hated her yunno. She has been abused and isolated all her life. It's not that she is a bad person, but rather that she does not know what being a person even entails. Can't even say she's a “doll” of a person cus she's never even been pampered like one by her family. I really started understanding her motivations since when they gave us her half-childhood with Jesse. I want better for her but cmon can she REALLY be saved???

GRACE X CHRISTOPHER *pretends to be shocked*... Okay, sometime in the middle of the Dark Artifices series some big brain put together a very thorough family tree of the families and like, it clearly showed that Grace and Christopher got married so like, lmfaooooo, I knew this was coming one way or another, but the journey to this ship is more important than the destination. Like in a way Christopher is such a cute baby lamb that it makes sense he'd end up being immune to her Grace-ness when he's just a cute little Einstein boiii. Like this is just so funny to me cus he's so oblivious to social conventions while she makes the milieu social her entire life so OFC it's gonna work. Like, this is such a worlds-colliding trope like just Give It To Me.

James and Grace - aw mannn Jamie just had me fricking wanting to hit a wall every two seconds cus like yooooooo every single time I think he and Cordelia are gonna stop being emotionally-constipated spouses, Jamie says some kinda shit like "omg me and Daisy are just friends uwu" like DO I NEED TO HIT YOU?????????? See I can't blame him for not slamming the door on Grace's face even tho he totes should- Jamie is so cerebral and kind that even if Grace wasn't using the enchantment on him, I think he would always be soft for her even if it isn't in a romantic way. There's just so much miscommunication cus like he said "Thank God" when she broke off the engagement with Charles and lowkey embraced her but it also wasn't his fault cus it wasn't even romantic BUT OFC IT LOOKED HORRIBLE TO CORDELIA like James literally never told the woman at least once that he loved her so OFC she thought she was back to square one with him dear God above what a mess. Not his fault, but she DID set down one rule for him: don’t cheat with Grace. And yeah even tho he hasn’t properly cheated, it must FEEL horrible to her cus she’s just been enduring the pain of their unrequeted love for so long :((

See imma just say it but if Cordelia thought that James didn't love Grace then she def would have confessed to him about her feelings right but like James, on the other hand, was delaying his own romantic confession cus he was BEING EMOTIONALLY CONSTIPATED and I can't even say the bracelet was solely to blame cus like my boi was just being so difficult omg I believe he should be lightly spanked by his three parents aka Will, Tessa and Jem *cries*.

Cordelia is such a MOM like she's so mature and stable and her self-preservation instinct? OFF THE CHARTS I love this woman like James definitely treated her well as a hubby but like I JUST WANTED HER TO HAVE CLOSURE ABOUT SOMETHING and boy oh boy she did get that closure she got it good but not from the person she expected in the LEAST *hehe* *pelican screeching*... like Lucie was being sus with the whole ghost business and James was being just, quite a case, dealing with Grace and Belial right and I don't blame them at all for their secrecy and shit but her FATHER DIED and her friends were hiding a lot from her so in a way she turned to Alistair for help but he could only do so much cus of his own pain (she couldn't even talk to her mom cus she's pregnant and she doesn't wanna stress her right) and then there was this emotional block between her and Jamie, Lucie was often absent and conspiring with the dead... the last person remaining was HIM (imma discuss this soon), but yeah my heart just went OUT to her cus she's tryna save herself and her family and she just doesn't know what to do. That's why I love the way her mom told her to stop holding herself back for others and live her own life. Like Cordelia grew on me so much cus in Gold she undoubtedly was a strange Elizabeth Bennet-wallflower hybrid and I... do not usually get attached to wallflowers but in Iron I feel like I finally understood that she was just tryna be unproblematic and self-preserving all along and nottt put her family and friends in a tough situation.... she reminds me of my mom personality-wise so yeah I’m totally rooting for her now that her *situation* in the past seems clearer.

Anna, Thomas and Matthew are such a SQUAD lmfaooooo like united in their gayness they'd be so unstoppable.

Will and Tessa are the most in-love of all the in-loves in this story and I respect that so much.

I lost a year to my life every time the romance between James and Cordelia got cockblocked. Like they were MARRIED and I thought they were gonna at least sleep next to each other at least once BUT NO James couldn't take a hint omg I'm actually gonna eat my fist and sob (but in retrospect, I think this serves a bigger purpose in terms of the narrative structure i.e. the interruption of all the spicy James and Cordelia action serves a bigger purpose which I think brings me to my next section, *exhale*)

Welcome to the Matthew Fairchild Enthusiast Club (this section is me talking out loud; it makes no sense):

bitch.

LISTEN TO ME LISTEN WELL I LOVE THIS BOY SO MUCH IMMA SCREAM I REALLY AM GONNA SCREAM MY FIST IS LITERALLY IN MY MOUTH *BACKFLIPS OFF THE ROOF WITH LANA DEL REY PLAYING*

Okay like where to BEGIN I think the Shadowhunter boy who I'm most attracted to is Julian while the one I love the most is Will but I think I see myself in Matthew the most. Like ever since that first story where the Thieves all met at the Academy then got expelled, I think that I just KNEW Matthew was destined to be epic. Plus the whole Wilde obsession? I’m no libertine myself but I just love his chaos and passion for life.

NO CUS HE'S SO WITTY AND SWEET AND EPIC AND YET SO SECRETIVE AND DEAR GOD ABOVE AHHHHH WILL HE SURPASS JULIAN FOR ME??? Ion even know but this is just sodjsgdwsdygyegydgef

Hear me out but I said after finishing Gold last March that I wanted this book to be Matthew's healing arc right so halfway into the book when I realized that we weren't getting all that good healing arcing I was confused just cus I thought it seemed natural to address all of his alcohol issues and sadness by now. LITTLE DID I KNOW CASSIE WAS SETTING UP A WHOLE OTHER ARC WITH HIM THAT I WOULD HAVE NEVER GUESSED WTH.

At first I thought Matthew didn't have feelings for anyone at all, and if he DID develop feelings unexpectedly, I fricking thought that maybe he's catching feelings for James, if anyone??? I mean, I did have some suspicions about Matthew from the get-go: like he's so secretive and as readers we think we know everything there is to know about him since we were all privy to the truth potion incident in his short story right BUT NO I GOT PLAYED AND I DESERVE IT SO BADDDDDD.

Listen I hadn't shipped him and Cordelia simply because I never thought it in the realm of possibility but it MAKES SENSE as a ship... think about it: he never says what he feels, he flirts with her like he does with EVERYONE, he is kind to her in the way he is with EVERYONE. Really, Matthew is shippable with everyone, doesn’t matter if they’re taken cus that’s just what his Matthewnes allows for ya feel. There is such a beautiful irony that CORDELIA herself did not see this coming. Even the little teasers and hints in Gold have only NOW started making sense to me likejhss. I just felt like the hints in book 1 did not indicate to me that Matthew really harbored real romantic feelings for Daisy. I thought he was upset that James and Cordelia were being fakes, not a developing CRUSH on the woman fgs.

Not to mention that you usually sense a ship building when the emotional connection or sexual tension between the characters is made clearer but to me their FRIENDSHIP grew right but it didn’t feel like Cordelia was thought that she liked him or he liked her so that means me and Cordelia are clowns *together* 😤

Okay I was lowkey having SUSPICIONS but I immediately shut them down right... like firstly when he took her to the White Horse in his car and she went OFF and OFF and off about how she felt free for the first time? I thought Cassie was just tryna develop Cordelia's self-liberation arc through Matthew there. Heck, I didn't even think ANYTHING of it when Matthew confession to Cordelia about the "truth potion" incident at all cus I was like they're FRIENDS??? BUT now it's adding up now...

See when they were at the inn place and he was telling her that she doesn't in the least seem like a 100 year-old married woman? I was like hmmmm he's so sweet but why did Cassie phrase it like that like??? When Cordelia later reiterated that she thought Matthew's flirting was “meaningless”?? I was like hmmm kinda SUS tho. And then when he and James had their fight over the way Jamie kissed Grace like again I thought he was just like? ion know? mad at James for it but I didn't think he was in LOVE with Cordelia??? So I immediately put aside my slight suspicions. The probability that he had a crush on James at that point seemed more likely to me.

BUT THEN it started hitting me that every time Matthew drank, even before he explained his issue with the truth potion, that Cordelia would note it, she would worry about him, she would think of her father which seemed so poetic to me, history repeating itself and all that but this time you can FIX it??? Yeah, but again I didn't think the L WORD would be involved man???

Now imma sound like a delulu shipper here but it just makes sense they would develop feelings logically- reason being that it definitely is possible based on the way Cassie set up the story, like there's a combination of little “friend things” that can turn this into a proper ship: Matthew rescues Cordelia in the ballroom when Grace captures James' attention in Gold. Cordelia sees her father in Matthew all the time but knows now she has a chance to be there for him in the way she couldn't have been there for Elias (classic “history repeats itself” trope, she doesn't want Matthew drinking in Paris like dhshghdfhdhch). Cordelia tastes freedom for the first time when driving with Matthew. Matthew caught James and Cordelia making out in the room and was pissed but not even HE properly knew why then??? Umm, when she thinks James is forreal cheating with Grace on her she subconsciously goes to Matthew??? I also found it funny just how every intimate marital moment between her and James got interrupted somehow. Like, it's as if the narrative is just a living force REFUSING to let James and Cordelia as a ship be consecrated. Heck, every time Matthew is scantily clothed Cordelia notes it. LITTLE CRUMBS I TELL YOU LITTLE CRUMBS.

I tell you when Cordelia showed up to Matthew's flat I thought they were gonna f*ck as friends but I got SOMETHING EVEN BETTER SOMEHOW

THEY ARE GOING TO PARIS LA BELLE EPOQUE PARIS THE PARIS OF DREAMS AND ART LIKE??? FRICKKKKK I DID NOT SEE THIS COMING AT ALLLL MAN? I deadass thought the story would be restrained to the UK but like it MAKES SENSE the trope subversion MAKES SENSE.

“In Paris, with you, I will not need to forget.” SHITTRGEGGGDG

BUT CORDELIA LOVES JAMES TOO LIKE I CAN'T DENY THAT... where are we GOING with this like Matthew wouldn't lie about his feelings and yet Cassie wouldn't give us Matthew and Cordelia crumbs to only end it in the next book immediately for her to just ditch him for James. I mean she was clearly holding back on fleshing out James and Cordelia as a ship for this but to WHAT END??? Daisy feels wild and free with Matthew and she feels warm at home warm with James. I can’t advocate for the sinking of ANY ship here.

Imma say what we're all thinking: Is she gonna give us a Will x Jem x Tessa type situation where Cordelia gets both of them cus I'm not strong enough for this but I also think it'd be really funny if James gets a surprise bi awakening in the next books and then we get POLY even tho this would never happen, it’s actually impossible, because of the whole parabatai thing.

Listen I ship Cordelia and Matthew much more than Cordelia and James, not that I dislike James in any way tho. It's just: Matthew is so unrestrained and she's so composed. They seem like an unlikely pair so it makes sense that they hit harder for me. James and Cordelia have such similar personalities but I ALSO don't ship James with Grace at all so like?? Poly would be... ideal... but it can’t happen especially cus they are fricking parabatai... a Will-Jem-Tessa situation seems more likely but mannnn ion know what to expect. I just want FAIRSTAIRS to have their moment in Paris. I mean James and Matthew clearly don't abhor each other for this.

Take everything I say with several grains of salt, take everything I say with the whole Dead Sea actually, cus I damn well know that Matthew is so flirty and whatnot that I’d have shipped him with anyone in their little circle but now that she set him up with Cordelia it all feels so right?? I have wanted this man in a good relationship since he walked onto the page in Nothing But Shadows so-

ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

I can't believe Cassia duped me like this omg, Matthew is gonna have his healing arc in Paris with Cordelia by his side like- THIS IS ALL I HAVE WANTED AND SO MUCH MORE. Question to yall btw: are you all as surpised at Fairstairs as me or did yall see it coming all along like smart people? Am I a lone clown? 🥺

BRUH okay criticisms of CC?:

Lmfao a part of me feels like I GOTTA say something bad about CC or the book but honestly I have no objective complaints about it as of now. Am I saying that it’s the PEAK of Young Adult literature and Urban Fantasy? I mean, I make no such claims tbh. I’m not here to be critical when I read as a hobby and when CC’s writing makes me happy regardless of how flawed some people see it.

Okay what next?

So like I’m excited for the adult high fantasy she’s releasing in the fall and whatever other works she might be releasing outside of Chain of Gold within the Chronicles.

As for TLH itself? Man I’m just VIBING like I suspect I will reread Chain of Iron soon and maybe one of the anthologies just because I am happy that this series actually happened after me waiting like 6 years for it when it was just a concept: a Dickensian retelling filled with poetry and culture and history and the conventions I so loved in TID at age 12. This is all I been wanting tbh. I’m just enjoying watching this series come to fruition for it to inspire and transform me in some way. I feel like in a way my coming-of-age aligns with that of these specific characters yet I ALSO feel like I raised Jamie since infancy. Wack.

MATTHEW AND CORDELIA IN FRANCE LA BELLE EPOQUE TO BE EXACT IMMA CRY I DID NOT SEE THIS COMING AND AHHHHHH. ALSO WILL AND JAMIE GOING TO CORNWALL TO GET LUCIE AND MAYBE BOND I LOVE WILL. HE WAS ONE OF MY DILF AWAKENINGS AT AGE 12 AND NOW HE’S HERE AGAIN IMMA CRY. I WANNA SEE MATTHEW GET HAPPY. AHHH.

Ending with a fun quote: “In the wise words of someone or other, there are more things in heaven and earth than are dreamt of in your philosophy, Maurice.” 😉

[infinites-chaser]

are you still doing the librarian thing? Can I request hmmm#14 with Lucien please? Thank you and I love your writing!!!!

this. is SO LATE but anon I was planning one thing and then finals came and then the holidays and then Lucien’s theater date happened and I was inspired to do another thing bc Shakespeare and tragedies is my absolute JAM. this is rly just an excuse to draw parallels and analyze characters and themes from both mlqc and lear and there is so much talking. and it ended up. a little very pretentious but I'm not sorry I love shakespeare there is a Kiss tho :> and I think. that counts for SOmething

14 + Lucien/MC (Second Person POV bc it just felt more right)

‘Hear the words like it’s the first time you’ve heard them.’- If We Were Villains, M. L. Rio.

lowkey spoilers for Lucien’s Theater Date, which you can read a translation of here <3 but rly the main thing I’m absolutely capitalizing on is the fact MC/Lucien were hosts for a production of King Lear so really, spoilers for King Lear long story short it’s arguably shakespeare’s biggest tragedy Everyone is Sad and Dies awiofjklsds

“It’s interesting, really.”

Lucien’s voice, as quiet as it is, is clearly audible to you over the scattered applause from where you both linger in the wings, waiting to re-emerge and close out the show. Onstage, the actors take their last bows amidst the cheers, their characters resurrected for one final moment of glory before the curtain falls.

You pause in your clapping to cast him a sidelong look.

“What is?”

“Why King Lear, of all plays?”

“For students to choose to perform, you mean?” You frown, suddenly thoughtful. “I guess you’re right, it is strange-- it’s not exactly a crowd-pleaser, not to mention it’d be hard to find a talented actor mature enough to play Lear, and be believable as an old man, too.”

“Their Lear did great, though,” you add on hastily, as the actor steps forward into the spotlight and sweeps into a deep, dramatic bow, fake beard clutched in one hand, Lear’s crown in the other. “I didn’t expect that from a twenty-year-old at all!”

“You think so?”

“Mm. I just--” you break off. Take a breath. Try to rearrange your thoughts.

"I guess I'm a little biased,” you say. “I like Lear. A lot."

Around Lucien, it’s not often that you feel you can keep up with his seemingly endless knowledge and his quick wit, but you’d read Lear in high school English class, and the teacher had made you all go over the lines with a fine-toothed comb.

You’d wrung the meaning out of each carefully-phrased soliloquy back then, and gotten full marks on the essay you’d written on it, on Cordelia and her sisters, and what it meant to be selfless, what it meant to love. But it hadn’t been until college that you’d understood it, understood Cordelia, felt every inch of her care for her father, her devotion to him, to her ideals, to honest, true love above all else.

You’d read Lear again, after one fateful night, one call from the hospital. The nurse’s I’m sorry. Your phone, falling from numb fingers.

The funeral.

You’d read Lear again in the dark, grey days that had followed, and it’d felt frustrating, it had all felt so futile, for Cordelia to love and love in her own way and not know how to properly express it, not until it was too late, not until the very end. (It had felt human, too human-- and you’d loved every word of it, despite the tragedy. You’d vowed to never be too late ever again.)

“Ah.” Lucien’s gentle interjection brings you back out of your thoughts.

Has he been waiting this whole time for me to continue? You wonder, your cheeks heating at the thought. You open her mouth, ready to apologize, but his next words cut you off.

“Your father,” he says, dark gaze unreadable. “That’s why you like Lear.”

You nod.

“I-- I like thinking I understand Cordelia,” you mumble.

“Do you think it should’ve turned out differently, then? Did she deserve her ending?”

“I don’t know,” you admit. “I just think... She and her father get to make up and maybe they finally understand one another, but then-- she just dies. For no reason.”

“Does death need a reason?”

There’s some dark undercurrent to his voice, a cold, lurking thing that nearly gives you pause, but you answer anyway.

“Maybe it doesn’t. Maybe it never really will ever make sense, no matter how much we think about it... What we could’ve done differently. What we did wrong. But I don’t think she had to die. Not her, or Lear, either.”

“So you think it should’ve ended differently. Happier?”

“No,” you start. You falter. “I don’t know, I guess. Not really.”

He shrugs. When he speaks again, his voice is warm again, tone light, teasing.

“Speak what you feel,” he quotes, “not what you ought to say.”

You huff. He smiles and waits. After a long moment, you finally reply.

“On one hand, it’s sad. There’s much death over a misunderstanding.”

“But?” He prompts. You swallow.

“But, maybe there’s more to it than just sadness. There’s some hope in the tragedy of it all. Or, at least, I like to think there is. After all, Cordelia and Lear-- they get their feelings across to each other, before the end.”

“Hope,” he murmurs. Then, more hesitant than you’ve ever heard him: “And what about Edmund?”

“The villain,” he says, half to himself, “Edmund.”

There’s a question hidden in his question, you know. There are parallels he’s trying to draw. You reach for his hand instinctively. He lets you take it, and you hope the warmth of your interlaced fingers takes the bite out of your next words.

“Edmund betrayed his kingdom,” you say, and Lucien’s hand stiffens under yours. “He betrayed his brother.“

“A traitor,” he agrees, detached and carefully calm. “A villain.”

“A villain on necessity,” you quote as response. Then, quieter, more gentle: “Yet Edmund was beloved.”

“Was he?”

You nod. His fingers tighten around yours, and he tugs you closer, deeper into the stage curtain’s shadows, ‘til there are bare inches between you and him. His eyes seek yours in the dim light.

“Is he still?” He asks, leaning in close, voice low. You know he’s asking about himself, not Edmund, he has been all along.

“He is,” you say. “He always will be.”

Your words are all the invitation he needs to close the remaining distance between his lips and yours. It’s a hungry kiss, almost desperate. as if at any moment he’s afraid this moment will end, but you loop your arms around his neck, deepen the kiss, draw him closer, memorize the feel of his mouth on yours, one hand gripping your waist, the other tracing down your back to the butterfly brooch, the nerves of your spine a wild flutter in his fingers’ wake.

He pauses at the small of your back, his hovering hand a silent question. You whisper a yes against his lips as answer. A smile ghosts over his lips. He kisses you even harder than before.

The butterfly falls.