#like a whole week so long
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Jeremiah and Mike’s first conversation in FNAF 2
#myart#chloesimagination#comic#fnaf#mike schmidt#jeremiah fnaf#fnaf movie#fnaf 2 movie#fnaf foxy#fnaf chica#freddy fazbear#fnaf bonnie#william afton#fnaf vanessa#vanessa shelly#vanessa afton#springtrap#fnaf fanart#five nights at freddy's#FINALLY JEREMIAH MENTIONED 🔥🔥#I’ve been meaning to draw him for so long Ahhh#Mike’s one bestie is here!!!#seriously though it’s been like one week two tops since Jeremiah last saw Mike#how is he gonna react to mike’s whole story BAHAH#LIKE HES gonna think he’s messing with him again#some more of his sleep theory shit#Jeremiah is concerned for his eppy friend#please let Jeremiah be in the next movie pls pls#I need more of their friendship rn
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i cannot believe i haven’t heard anyone talk about the fact that the morning after george rexstrew and jayden revri first landed in vancouver they went for a walk together and pretended to be edwin and charles on the street, acting like they were ghosts and no one else could see them
do y’all not know about this or am i just unwell
#they hadn’t even known each other a whole day yet#apparently people on set would ask them how long they had known each other#and they were like#oh idk a week maybe?#and people would be shocked#because they assumed they had been working together for years#i’m so not normal about this#dead boy detectives#edwin payne#charles rowland#payneland#dbda#dead boy detective agency#george rexstrew#jayden revri
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
#perseus#danae#komiks tag#long post#every other week i start to say something about how greek heroes are a good case study in diaspora and exile trauma#but man perseus makes me so sad. so does danae. she loves her son :(#perseus turning a whole island to stone is a huge mood. i would also do that if i were him#anyway (salutes) take care everyone i gotta watch yunho's new video it looks like a fucking movie im so excited#(i singled out ovid bc i remember the fucking shit perseus discourse that ran through this site. i remember#im preemptively loading a gun and pointing at it before it can touch this post#it hasn't died out either i see it on twitter all the time in the most ANNOYING ways possible i am TIRED#esp bc they're actually doing medusa a narrative disservice like congrats! you made it worse! stop telling me it's better!!!!)#ancient greece tag
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Summer, Spring, Autumn, and Winter
(Aka hermit ladys as mucha's four seasons for week 3 of the design challenge)
#i did these like#week 1 of thw challenge bc i got hit with the idea and then really excited about it#then i spent so much time i didnt actually do week one#oops#i might backtrack and do older weeks soon just bc i am really excited about the whole challenge#anyways#yay#these took so so long#pearlescentmoon#pearlescentmoon fanart#geminitay#geminitay fanart#zombiecleo#zombie cleo fanart#falsesymmetry#falsesymmetry fanart#my art#shepshermitdesign23#hermitcraft
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TWOW Jaime I [real]
based on this scene from the mummy.
#jaime x brienne#jaime lannister#brienne of tarth#lady stoneheart#thoros of myr#asoiaf#mine.#this is so dumb LMFAO ive been giggling at this for the whole week#but this is my bday gift to me <3 something silly and fun hihi#and sorry if thoros was supposed to have a specific look i just made him look like some guy 😩 i dont have a design for him ......#man not me working hard on a shitpost LMFAO the things i do for jb fr..#long post
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quick lmhs itafushi because god help me i have Not been able to get the concept of yuuji smiling/laughing into kisses out of my head
jjk atla!au with @philosophiums
#my art#jujutsu kaisen#jjk#itadori yuuji#fushiguro megumi#itafushi#fanart#jjk fanart#yuuji#megumi#jjk atla!au#atla!au: art#lmhs#shade skin with green without making the characters look Nauseous challenge#...success???? i mean i sure HOPE success :'>#i blocked in a green (bc lmhs i...usually block in a green...) but then i thought. i will try putting hints of it on the skin Also#and i like it !!! i fr one do not think they look seasick#i love lmhs itfs because the colour scheme is so Earthy (pun intended). moss green... warm browns... my beloveds <333#but even more than that#i love love loVE. drawing yuuji looking at megumi like he is all that exists in the world#bc i Also look at megumi like he is all that exists in the world#also im sure this is a common artist thing to have designated Spots fr characters when drawing them interacting#like fr me . normally when i draw itfs interacting in any way (read: smooching) i default to putting megu on the Right#so this admittedly threw me a bit GHSGJ#anyway!!! i realized it has been a whole WEEK since my last lmhs itfs and that simply will not stand.#my quOTA D: D: D: my self imposed QUOTA#i am going to get a bad grade in long term passion project :( sam is going to kill me and then Fire me#speaking of sam i shant say much but yuuji is currently experiencing The Horrors(tm) in draft1 so he can have a distraction :3 my treat#one of us has to be nice to him and it seems it is my turn#anyway i amn eepyyyy goodnight smile :)
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calling it right now that season 3 starts like this
#so confused about people saying the season finale feels like the end because to me it didn't at all#there's like 5-10 issues immediately set up for another season#they're in a happy place at this point because they've both realized their love is bigger than anything else#and makes it worth working on their problems together#the problems are still very much there#both of them have deep self esteem/self loathing issues that haven't been resolved in the week since ed woke up#ed doesn't know about stede's trauma#they haven't talked through anything#and they'll be shit at starting/running an inn lmao it's not gonna go well#and those are just some of the internal issues#then there's prince ricky and all the authorities that would very much like to get their hands on both blackbeard and stede bonnet#because stede just full-on kept using his government name after faking his death. nice one#the crew are not “gone” they're more like off to college for a bit but will probably run into trouble immediately#again because while they escaped to the ship they didn't eliminate the threat (the british empire)#it's not a forever goodbye#ok this got super long already anyway i have a whole fic marinading in my brain until i've finished these 4 wips i'm in the middle of ✌️#hope we get a renewal soon because i want to see the rest of their story!!#ofmd s2 spoilers#ofmd s2#ofmd#our flag means death
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Almost
#zutara#atla#zuko#avatar the last airbender#katara#zutara fanart#Wip#First page of three is done!!!#Won't be sharing until I have the whole thing but I'm. So. Close!!!!!!!#It's been ages since I started this project omg#But it's worth it#Hopefully I'll get the chance to finish it tomorrow... Won't be making any promises tho#I've missed you guys and I can't wait to share this with you#Anyways I know it's ZK month (and all the content has been WONDERFUL so far) but I won't be participating. Sorry about that.#Working with prompts is such an amazing creative exercise but I know myself good enough to be certain that I'll never get past the first...#... prompt without coming up with seven different AUs and I can't deal with more of those right now lol#Like I've got this Blue Spirit! Katara and Painted Lady! Zuko AU on the works since last week or so. And more lore for the og BS/PL spirits#And also this S3 canon divergence AU... And another one... And another one...#And I need to work on them at my own rhythm otherwise I'll go nuts#So uh#Yeah#Love u all and I hope I'll get to share this one soon (if only to start on yet another comic. I've got ideas for two of them. Yay)#Dema out#(Sorry for the rambling I'm just anxious)#(Don't know why but I stopped caring a long time ago)
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Just for the first time getting just how much Fiyero must resent Glinda now. The movie shows Fiyero riding out of Shiz after the announcement about Elphaba, and Act 2 is basically Fiyero continuously showing us what he's prepared to sacrifice for Elphaba (spoiler alert: it's everything). And I'm assuming Glinda and Fiyero must talk about Elphaba and how things really went down with the Wizard in the years in between. So for Fiyero to find out that Elphaba asked Glinda to come with her and she said no? She abandoned Elphaba in her moment of greatest need, when Fiyero was riding out to find her, to help her the moment he heard the news....like, yeah, I get it from Glinda's side too, this isn't a fair assessment of her, I know. But from Fiyero's perspective i would just be so angry.
#wicked#wicked movie#fiyero tigelaar#glinda upland#elphaba thropp#jonathan bailey#i can't wait to see how jonathan bailey plays this#a whole year from now#ugh why is the wait so long#i need to see part two like next week
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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whole hugging a cow because i like whole & i like cows
#peachphernaliart#chonny jash#chonnys charming chaos compendium#cccc#cccc whole#cj whole#like slightly vent art . just to make myself feel better#have had a Very long last couple of weeks#but ilike whole & i like cows so i drew them
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Cross has trouble getting to sleep alone in his room and goes looking for a distraction, but ends up finding a solution for both of them
#UTDR#UTMV#Cross Sans#Killer Sans#Kross ship#(Kinda. It's up to interpretation)#Long post#I'm so sorry I didn't mean for it to be THIS much#I started this like a week ago -A-#Lies down and lets out a long howl it's finisheeeeeed#I could have just drawn them spooning and written the rest but noooo I love to do things the hard way#Anyway I think they should be bed buddies#The company helps Cross relax enough to sleep and the touch helps knock Killer out#Cross has to be big spoon because otherwise Killer's soul gets squished and it's too uncomfortable to sleep#Also I realised Cross and Nightmare are the only two in the castle who didn't have knock knock jokes in their backstory#I like to imagine Nightmare has had similar confusing interactions with at least one of them#Cross probably spends the rest of the day panicked that he overstepped a boundary or the others will make fun of him#Not realising that Dust and Horror have fallen asleep together many times#Or that Killer hasn't slept properly in weeks and he's in heaven#I'm NOT drawing a follow up so just imagine Killer coming to Cross's room the next night and finding every excuse to stay#Because he wants it to happen again but he has no idea how to ask (and also Cross seems kinda awkward about it)#Absolutely terrified that I spent my whole week off working on this and it might be not that great so I hope at least one person likes this
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I also like the idea of Bakugo coming home from a long, overseas mission only for you to be surprised when you meet him at the airport cuz he’s twice as beefy and four times more scary looking.
#Bakugo#UGH IM IN A CAR so I can’t write this f*ck#but meeting him at the airport and being shocked he’s HUGE and a little bit shy abt it#and you take him home and are all quiet bc u think he wants to rest#meanwhile he’s all confused bc you didn’t seem so excited to see him? only gave him one measly kiss????#and knows he gained weight and is kinda… nervous u hate it#and when you get home you’re kinda creeping around him#and he just bursts out to ask if you’re not attracted to him anymore or found someone new#and all you can do is like whisper#‘I am so attracted to you right now I feel like I could d*e’#‘and I didn’t want to bother u after a long flight of other how wet my p*nties are’#and then u f*ck like animals for a whole week#gen#shii posts
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me omw to scare mormons out of a wendys!! 🍂🖤🍟
ootd from like 2 weeks ago and yes that really happened
#ootd#doodles#art#illustration#fashion#fall#autumn#autumn vibes#cozy vibes#self portrait#artists on tumblr#i havent done an ootd drawing in a while and i just wanted to Make Something#the mormons story: my friend and i stopped at a wendys and there were these two Stock Image Of Mormons dudes sitting at a table#and me and my friend are obvious gay and in different directions. you can tell we are Queers(tm). i look like This and he has#long curly hair and huge earrings. we are the poster children of what mormons prolly show kids and say 'these people are going to hell'#you'd think we had walked in holding signs that say WE LOVE GAY MARRIAGE AND ABORTlON with the way they stopped and started#muttering to each other while looking dead at us in the checkout line. like the entire time. and after a few minutes of whispering to#each other they pick up their food and book it tf out of the restaurant. still looking at us *as they go out the door*#it was so fucking funny. anyway then we stole their table#good! gtfo. i dont want cultists with my fries thanks#im glad my gay autistic aura is strong enough that i scare freaks like that by just Standing There thinking about a crispy chicken BLT#sounds like a 'and then everyone clapped' story but that really did happen to me and ive been laughing at it for 2 weeks now#what Isnt true is that i pulled a whole leaf out of my pocket. that shit was in pieces. and i dont know where it came from
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Like with any media I get into, an AU is sure to follow, so here’s something @sleepysquib and I have been cooking up!
We wanted Haibara to live, that was it :D
Here’s a “brief” summary of his whole deal:
During August 2007, his second year at Tokyo Jujutsu High School, he went on a mission with fellow second year Nanami Kento. The mission’s level turned out to be higher than expected. Haibara received critical wounds, but was able to escape with Nanami with their lives. He was healed by Shoko’s reverse curse healing technique.
After his brush with death, he realized that he needed to be taking this more seriously. That, combined with Geto’s betrayal, led him to becoming less naive. However, he didn’t want to lose his positivity, so he focused on increasing his abilities through his emotions, eventually becoming promoted to Grade 1.
After graduation, Nanami still ran from the life of a jujutsu sorcerer, while Haibara stayed in that world. He saw his role as something akin to a superhero, and took it in stride, calling himself “Cupid” and being very public about his status. He quickly became popular and gained a fanbase, taking pictures and signing autographs for them when he has time.
Being received well by the media and being good on camera, Haibara became somewhat of a PR boy for the jujutsu sorcerers. He could make a bad situation sound less terrible through his natural charm.
Nanami and Haibara remained best friends during the time that Nanami was working as a salaryman. Eventually, Nanami learned the bakery lesson and realized his place was as a sorcerer. He returned to that life and was quickly paired with Haibara for many missions.
Haibara knows that the world isn’t the happy place he wishes, but he tries to be the change he wants to see and spreads positivity. He also does this in hopes of lessening the amount of cursed spirits created by the negative emotions of humans.
As a result of always expressing positivity, his negative emotions are naturally bottled up. He does this on purpose, stockpiling his negative emotions so he can release and harness their power if a battle becomes that dire. His last resort is to unleash his negative emotions, which increases his power greatly for a brief period of time. After this burst of power, he is left exhausted and drained and will need to recover. He is aware that he is being “toxically positive” but does so to increase his power with negativity later.
He doesn’t express joy all the time and doesn’t force himself to express it every moment of the day, but he will always express positivity in public and during battles to keep up morale and his image (although he doesn’t care about image in a narcissistic way).
He is liked by most people and others vent and confide in him. The personal sharing of their negative emotions adds to that stockpile that he can use if necessary.
Haibara tries to not express his own negative emotions to others because it will decrease that stockpile inside and he knows he needs to save that for dangerous battles. He knows it’s not healthy but he does it for the good of Japan, seeing himself as a superhero.
Much like a cursed spirit, his greater power increases when those around him have expressed negative emotions, but he doesn’t like to acknowledge the fact that he has something in common with cursed spirits.
Lives by the mottos of “With great power comes great responsibility” and “greet the world with open arms”
#doctorsiren#jujutsu kaisen#haibara yu#nanami kento#gojo satoru#jjk spoilers#jjk fanart#jjk au#will come up with an AU name later#digital art#my art#procreate#long post#he’s haibarbie and he’s ken(to)…#also yeah Haibara died the same month Miku was released so uhh only explanation is that Miku is the digital reincarnation of Haibara#I DID NOT INTEND FOR HIM TO LOOK LIKE GRIAN CUTEGUY IT WAS AN ACCIDENT#his colour scheme and outfit are also accidentally pretty similar to my design for SU Future Crystal Gem Spinel#ALSO jjk’s power stuff is so technical and so I just tried my best to make something that felt like it could fit kind of#the last drawing was a quick one I did last week between two of my classes before I made a solid design for him#his goofy ahh impractical bow 🫶💘 my little celebrity /silly#he probably knows Takada and this fact makes him a person of interest to Todo /silly#big fan of his colour palette like seriously this is something I would 10000% wear if I owned it#he’s like that meme of ‘my daughter loves him. I think he looks a little gay but whatever makes my princess happy 😊’#I also thought Nanami still needed to learn the whole bakery lesson so I still had him run away#bro probably thought Geto could be redeemed ☹️��💫😭#he didn’t have a birthday so uh made his Valentine’s Day bc if Nanami’s can be 7/3 then I can make Haibara’s be Feb 14 😌#also yes he gave that tie to Nanami#close enough! welcome back Mumbo Jumbo and Grian!
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🙂↕️🫶
@latymerct literally is fueling 70s au brainrot SO BADLY 😫🤌 so we get 70s scruffy stoners Eloise and Lyle🤭
#in this au eloise and Sirius are cousins (she’s not his old woman great-aunt who takes him in after he’s kicked out)#she’s kicked out with him🤭#and they spend their time being bums smoking weed and going to concerts…#I was too lazy to draw the crowd but Eloise is looking for Sirius#and he’s next in these sketches#plus Eloise meeting seb stoned out of his mind😭😭😭#Laty you are giving me SO MANY IDEAS😫😫#like I haven’t felt so inspired to draw in so long😭💓😭💓😭💓#I’ll get to the painting with Elsie soon🫶 I just don’t have much free time during the day to paint only draw with pencil at night#but I think some day this week!!#plus my whole body hurts I’m destroying it in my quest to become strong🫡🏋️♀️🏋️♀️🏋️♀️#so I’m not drawing so much until I adjust to the workouts😆#anyways I would love to see more 60s/70s MCs too🫶🫶🫶🫶🫶🫶🫶#hogwarts legacy#hogwarts legacy fanart#hphl#hogwarts legacy mc#hogwarts legacy oc#eloise babbit#lyle grosvenor#or#carlyle grosvenor#🤔#70s au
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