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rottingmanifesto · 11 months ago

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16 or 36 for anything you feel like writing currently! :D

Trying out some different formats. Hope it’s legible. Fair warning that I got way too carried away with ‘total control’, so it’s under a cut.

16. in dreams

Journal, Lincoln, 1st person.

Keep havin’ weird dreams. Can’t explain them very well, all I know is I keep scaring the hell outta a few of the guys when I jolt up. Davis suggested I see the Chaplain ‘bout it. Pretty sure it’s not demons, so unless he’s got holy-water-melatonin, I don’t think he can help.

One of the dreams is about Danny and Nicki arguin’ over their old man’s body. Cancer or poisoning or something of the like. Not sure why I’m there at all, I just am. Both keep beggin’ me for an answer. I can’t. Someone’s cut out my tongue and noises don’t help. He’s dead, they’re arguing, I can’t do anythin’.

Father said something offhandedly in a letter about my nightmares being chronic. Happened when I was a kid, stopped for whatever reason, an’ now they’re back. Never told him I was having any, but that’s Father for you. He jus’ knows things. Didn’t tell Sammy or Ellis though, both seem to think I’m fine. Not sayin’ I’m not. Just don’t think it’s worth tellin’ them, worryin’ them over stupid shit like dreams. Got bigger issues than that.

36. total control

Script-ish, John and Connor, 3rd person.

J: You were supposed to die.

A: Yeah, firing squad. I remember. Hard to forget.

J: Would’ve preferred a hanging, actually.

A: Didn’t know the United States still used that method.

J: I’m sure they’d make an exception.

A: (mild discomforting laugh) Of course they would.

J: (faltering, lowering gun, searching for words)

A: Maybe you should set the gun down. Your hand’s twitching. Don’t want a misfire.

J: Shut the fuck up.

A: What, I can’t look out for you? What happens if you twitch and kill that friend of yours out there?

J: Don’t bring him into this.

A: Lincoln, right? Hear he’s taking after you very well. Brazen and theatrical.

J: Yes, because you’re a master at subtlety.

A: Comes with the job.

J: Jesus Chr—a fucking warhead isn’t subtle.

A: Neither is hanging a man from a Ferris wheel. Or, you know, (signaling to cheek with J’s given-cigarette) this.

J: That was self-defense.

A: Sure. Of course.

J: Can you just go one fucking sentence without being an asshole, or is that above you?

A: Give me a reason to, and I will.

J: I have a gun and you don’t.

A: That’s not enough, Johnny, and you know that.

J: Don’t call me that.

A: Sorry, I’m delirious from the blood loss. I thought you were that kid I helped so many years ago. He looked an awful lot like you, too. (painful cough, takes a drag to cover up whatever expression he has on his face) Forgive me, Mr. Donovan.

J: You know, I used to believe in you back then. (voice breaks, begins to pace, having his back to A) Thought you represented everything great about this country.

A: Don’t I still?

J: You don’t. You’re just as fucking greedy and selfish as everyone else. (wheels around to face A, pointing a quivering gun between his eyes)

A: Exactly. That’s the real America. The one that doesn’t care about drafted soldiers drowning in mud, or those who come back seeing shit and knowing they fundamentally aren’t right anymore. The one that doesn’t care about people like your friend out there. The one that would sooner hang you for being a homosexual than me for being a so-called “traitor”.

J: So you’re justified with selling a goddamn nuke, is that what you’re saying?

A: (still fucking smiling) Your comprehension has improved some. Congratulations.

J: (crouches down to be eye-level) So the money was just to sweeten the deal, huh? To ease your conscious— (he presses his hand into A’s wound as harshly as possible, causing A to jolt in pain)— when innocent people inevitably fucking die?

A: We both know I won’t be the last person to do so. If it isn’t the NVA, it’ll be someone else. It’ll keep going until the United States is destroyed.

J: (begins to pace again, silent, blinking hard to avoid tears)

A: I was going to end it, John. I was going to make everyone free from this bullshit. Including you. Including your friend. Including everyone else who is subject to America’s tyranny. I was going to do what you’re too cowardly to do! I was going to end it all!

J: (whips around sharply) Are you finished?

A: (panting, out of energy, the pain finally overcoming the adrenaline and pride, he realizes he’s no longer in total control.)

A: It appears so.

#mafia 3 #john donovan #connor aldridge #lincoln clay #my writing #I’m not insanely happy with this but I wrote and that’s what matters #oh yay I can edit tags now so edit: I’m probably gonna delete this later

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theharpermovieblog · 1 year ago

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#HARPERSMOVIECOLLECTION

2023

MOVIES I HATE

I watched Halloween Ends (2022)

I eventually had to finish out this new trilogy after watching 2021's dissapointing Halloween Kills. My hopes weren't high for this, but somehow it still managed to severely disappoint me.

The Third installment of David Gordon Green's sequels to John Carpenter's Halloween.

Director David Gordon Green and writer/actor Danny McBride have done some good stuff together and are both very talented. When they rebooted the Halloween sequels by going back to the end of the original film and moving forward from there, they did a solid job of making an interesting and fun, if predictable, slasher film. The follow up, Halloween Ends, started off fun and brutal but quickly descended into a weirdly preachy, aggressively obvious and cringe-worthy statement about mob justice. With Halloween Ends, Green and McBride's sequel trilogy comes to, as the tile suggests, an end.

Why this third installment (that's technically a fourth installment) is jumping four years into the future and wasting our time introducing new characters, reintroducing old characters, rebuilding and reorganizing relationships and basically beginning the reboot again, is beyond me. When this film started, I thought maybe we were going to be jumping right back into the story, but instead this film starts unfolding into something wildly different. At this point in a series of films, it's annoying to have to sit through this much setup. This movie mostly revolves around an entirely new character. The survivors of the last film are here, but not the main focus and Michael Myers is barely in the film.

The plot of this movie is pretty terrible and needlessly convoluted. Basically a kid teams up with Michael Myers and starts murdering with him to gain his power to heal through murder. Are you asking, "What?" "Huh?" And "Why would I want to watch that?" The answer is, "I don't know." "I'm just as confused as you." And "You wouldn't."

This movie is boring and pointless on a lot of levels. It doesn't work within the context of the newer sequels, it doesn't work as a continuation of the original Halloween film, it doesn't work at all. It's trying to flip the script and be different, but it's aggravating to old school fans and must be confusing to new fans. What were Green and McBride thinking when writing this? It has no life to it, it has no fun, it has no scares, it has nothing except rehashed character arcs, some form of magical thinking which is trying to explain Michael Myer's powers (which can apparently be learned by other people) and a storyline I couldn't have cared less about because it deviates so far and pointlessly from everything we've watched up until this point. They wrote a script that blatantly shows that Michael Myers has magical healing superpowers and can't die and then gave those powers to someone much more annoying for most of the film.

I couldn't believe how stupid the story gets. How did we end up here? Why write this? It's not clever, it's not interesting, it's not smart. It's simply a waste of our time, until they decide at the very end to give us fifteen minutes with the killer we came to see. And even then he mostly is there so Jamie Lee Curtis can beat him up.

This sequel trilogy has been an incredible letdown. Like a shit that started out solid and turned into diarrhea. I really can't describe how bad this is or how much it doesn't work. Wow, that sucked.

#halloween ends #david gordon green

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manicali · 2 months ago

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Still bored so Ima just answer them all here

1: Reading, Moving a lot as a kid, idk anything else.

Top is cursive bottom is normal i usually use cursive

3: The lord of the rings trilogy.

4: My brother once said he’d have a kid named Lawnmower John, the second one Jarface and the third You Are Not Better Than My Childhood Cat. Running joke since.

5: Pukicho. I joined tumblr cause of Pinterest screenshots of Pukicho posts.

6: Best is all the new friends I’ve made. Worst is the stupid shit people say.

7: Dying in my sleep and a lack of control

8: Yes and it’s mildly prophetic. Every once in awhile I have a dream that everyone thinks I’m dead. Im near a forest, and there’s a treehouse, with s boy my age in it. We become friends, the dream ends when the trees have eyes. The boy is always different and I always meet him later.

9: Uhhh. I can’t really remember any fun ones just boring shit but apparently my grandfather called that I’d be trans when I was two in front of my religious conservative dad.

10: I try not to be.

11: I don’t know. Whatever you want it to be I guess

12: Literally nobody cares. Do what you want dress how you like nobody gives a shit. If they do that’s just sad, get a life.

13: laying in bed

14: Get more piercings and eventually a tattoo. The first I need to save up for the second I can get once Im 16.

15: Surrounded by cats.

16: I would be emotionally and physically like 20 times stronger. Im weak

17: Friends,My Boyfriend <3 and Cats.

18: Ghosts Im iffy on Extraterrestrials yes. Obviously in the infinite universe there’s other living things. May they be microbes or have a whole society.

19: 0/10 fuck the sun.

20: Stars and quiet and it’s so pretty

21: No.

22: My day is literally 100 times better when I think about you. You’re beautiful and wonderful. I would literally die for you.

23: You’re a hypothetical, lying bitch I would kill you if I could you disgusting wretch. You are a stain on society and I will celebrate your death.

24: Chappel Roan cake.

25: Autumn. Basic I know, but it’s beloved for a damn reason who doesn’t love cozy sweaters, hot beverages and Halloween.

26: Red like blood.

27: Manic, Ali, my last name, bunny, insane person, smart girl.

28: Pens. I have many pens.

29: Make a sandwich and Watch gravity falls.

30: Danny Gonzalez Songs.

31:I want things organized so bad but I’m too lazy.

32: 179

35: No, what kind of idiot puts blind faith in people. I test to see if people are trustworthy.

33: Drawing and being insane

34: Hypocrites. (Ironically I am one cause I tell my friends to take care of themselves and be healthy and then I don’t do that)

36: Walls

37: I’d rather not. (Top of my head can’t think of any)

38: Not Allowed by TV Girl.

39: Danny Gonzalez. Why? Bizzare screenshots.

Like this.

40: Every thing I donis a bad habit

questions I think would be fun to be asked

what are 3 things you’d say shaped you into who you are?

show us a picture of your handwriting?

3 films you could watch for the rest of your life and not get bored of?

what’s an inside joke you have with your family or friends?

what made you start your blog?

what’s the best and worst part of being online/a creator?

what scares you the most and why?

any reacquiring dreams?

tell a story about your childhood

would you say you’re an emotional person?

what do you consider to be romance?

what’s some good advice you want to share?

what are you doing right now?

what’s something you’ve always wanted to do but maybe been to scared to do?

what do you think of when you hear the word “home”?

if you could change one thing about yourself, what would it be?

name 3 things that make you happy

do you believe in ghosts and/or aliens?

favourite thing about the day?

favourite things about the night?

are you a spiritual person?

say 3 things about someone you love

say 3 things about someone you hate

what’s one thing you’re proud of yourself for?

fave season and why?

fave colour and why?

any nicknames?

do you collect anything?

what do you do when you’re sad?

what’s one thing that never fails to make you happy/happier?

are you messy or organised?

how many tabs do you have open right now?

any hobbies?

any pet peeves?

do you trust easily?

are you an open book or do you have walls up?

share a secret

fave song at the moment?

youtuber you’ve been obsessed with and why?

any bad habits?

(this post was stolen from @teenage-mutant-ninja-freak, since it couldn't be reblogged anymore)

#ask game #i am often bored huh?

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blacksunscorpio · 3 years ago

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Astro Musings No. 11

Venus/Jupiter aspects in the natal chart...

Will make someone generally likable, charming, generous, and agreeable- especially if it's a conjunction, trine, or sextile you're working with. They'll be the person who might be incredibly popular or someone whose creativity [Venus] is magnified [Jupiter]. They might be very beautiful or well known for their good looks. However, throw a square to Chiron in the mix and this individual might have a hard time believing it. Since Chiron is the place in our chart where we wear our inner wound and a square indicates conflict, the pain to either of these planets has to do with beliefs, how we're educated, and the overall philosophy of life. One could perhaps have a lot of doubt as to whether they are truly attractive. They could be bullied or hated for their attractiveness or popularity. On the other hand, Jupiter Squaring Chiron can make someone have severe wounds concerning their spiritual beliefs. It's common to see this aspect in charts of people who were forced into a particular belief system or religion. In addition, it's also an indicator of those who were abused by organized religion. Often the case/in charts of those in the LGBTQ community who were perhaps shunned by conventional western religious constructs.

12th House Synastry is a bit like Russian Roulette...

Not to scare any of you with significant placements within this house synastrically or in composite, but remember what I said in Astro Musings 1 about Neptune? Wherever he is, there's going to be a feeling that something is hidden. Deception will be a big factor or just naivete or idealism. More so if the aspects in this house are squares/oppositions. With the Trines and Conjunctions, the energy here can feel incredibly spiritual and binding. [Don't bust out the champagne yet, I said FEEL binding- it doesn't mean it necessarily will be]. Sorry. North Node/Neptune might make you two dream of each other or have this strange 6th sense concerning them and their energy. Moon and Neptune will make two people have an uncanny knack for knowing what the other is thinking. It will feel downright Soul-Mate-esque. The same if Mercury and Neptune are joined.

Now, if the aforementioned aspect is afflicted, two people will Pinocchio the fuck out of each other.

The lies will be endless. Now this might not even be malicious, it's more so two people don't want to disappoint each other, so they put on an act they think the other will appreciate/wants to see. There's a lot of pressure to live up to the other person's expectations. Most of the time, the mask will inevitably fall off and bitter feelings may ensue. Choose honesty first.

Aspects to the ruler of the first house will have a similar vibe to aspects on the ascendant.

That’s because your chart ruler and it’s planet are leading your entire chart in energetic expression. By proxy, whatever happens to it [ruler of the 1st], wherever it is in your chart, will be magnified and displayed. For example, if you’re a Scorpio rising but Pluto is in your 3rd house, it might be very apparent to others that you speak and think deeply. Your communication can feel very “psychiatric" and probing. It might be the first thing people notice about you. If you’re a Sag rising and your Jupiter is in your 10th House, you could make a career out of travel or be famous. Everyone will notice your larger than life persona.

Aquarius Moon in the 5th just like these other aspects, can be an indicator of one who might have a fear of motherhood or pregnancy in general. In addition, One with a Cancer Lilith in the 6th might choose career over motherhood. In a woman’s chart, it can also be an indicator of someone who has reproductive [4th house/moon] issues [especially if there are afflictions].

Lilith in the 6th house may feel that they give more than they get. They might also reject the idea of daily work and routine or general discipline. There can be scandal’s at work as well. Wherever Lilith is, you can guarantee that there’s going to be some ‘taboo’ energy involved. Since 6th house is one of the money/career houses, it can indicate that this taboo will be related to whatever you do for a living.

Placements for those who love animals

Will be Neptunian placements ftw. Neptunians/Piscean placements tend to have a monopoly on the “beast whisperer” thing. That’s because Animals sit between the physical and the spiritual world. They see shit we can’t. So they’ll often take to those with strong “veil” energy.

Cancerian’s come in at a cool 2nd. This is because their heightened sensitivity make animals feel them quite strongly. They also have strong nurturing energy which will draw pets to them.

Leos at No. 3- Leonine placements have an uncanny love for animals due to their playful and warm energy. Being ruled by the sun, they’ll be literally “beacons of light” for furry friends.

Virgo is ruler of the 6th house of work and routine. Because of their natural capability towards order and discipline, I often see this sign as pet owners. Often these natives have more than one. They’ll be the sign that has Fido trained and operating like clockwork.

Speaking of animals, the signs I’ve seen to take to cats more than canines are Scorpio and Capricorn. Because of these two sign’s affinity towards introversion, it’s no surprise that one of the most introverted breed of animal feels right at home among them. On the flipside, I’ve seen on numerous occasions where dogs become quite obsessed [Pluto] with Scorpios, on the occasion where they’re not scared of them.

In a female’s chart, Having asteroid Aphrodite squaring her Lilith

will mean her beauty will have a forbidden fruit vibe to it. Her charm will be directly tied to her wild femininity. However, there may be struggles in how she expresses it. Typical placement for someone whose kindness or mild flirtation will be received as overtly sexual. Her charm and grace might have a playboy or pornstar vibe or she may get her value from expressing herself sexually. It can also indicate one who is just oversexed in general. Be sure to keep those Trojans on hand and get those yearly check ups. Nothing wrong with expressing yourself in such a way but Lilith can also indicate diseases of the venereal nature, especially if in the sign of Scorpio or afflicted in the 8th House

Talent in Fashion Design in the Natal Chart will be

Sun in Libra [Andre Leon Talley]

Venus in the 10th

Taurus 10th House

Libra 10th House

Venus in Virgo

Venus in the 6th

Moon conjunct Venus

Venus in the 2nd House

Mercury in harmonious aspect to Venus

Neptune in Libra

Venus in Sagittarius [Expansive/creative mindset/abundance]

Neptune in harmonious aspect to Venus [Anna Wintour]

Talent in Libra

Scorpio Stelliums [Pluto rules the underworld where jewels and finery reside- Gianni Versace and Anna Wintour have this in their charts- So does Grace Kelly]

Having Nessus in Capricorn can indicate that the father figure in your life might have been a bit abusive or a source of pain.

Having Asteroid Talent in the sign of Gemini might make one very well adept at wordplay. They could have a talent for writing or have hardcore skill at wit. In the 12th house might make them very skilled at writing fantasy or even writing for film/fiction.

Uranus in the 1st can make someone unusual looking, they may look androgynous or dress in a ‘rebellious’ or ‘avant-garde’ way. I’ve also seen 1st house Uranians have flat affects. They can have a demeanor that comes off as detached or in general RBF.

Speaking of Uranus, if you had an absentee father figure...

check to see if your 4th house has Aquarian or Uranian influence. In addition, see if your Sun is inconjunct to your Uranus or squaring it. 9 times out of 10 when I’m analyzing a birth chart, I have a native tell me their father skipped out or split from life very early. There’s always a story there.

Asteroid Psyche touching your 10th house/MC might make you a very skilled Psychologist. Asteroid Psyche [16] is about the mind/soul. If it’s in the house of work/reputation/prestige, you might apply this asteroid's energy to your career

Multi-planet oppositions in the natal chart

Will indicate a push-pull in your natal energy. You’ll be the person who struggles between two mindsets constantly.

If it’s between Gemini and Sagittarius you’ll struggle with the logical and philosophical. You may have constant existential crises. On a positive note, if you’re able to balance it, you’ll be able to see multiple sides of an argument. This is an ideal aspect for someone who debates, is in law, or journalism. If it’s between

Cancer or Capricorn you will deal with wanting to be self-sufficient but also have a deep need to nurture or be nurtured.

The Sign your Sun/Rising is in in your Solar Return Chart

Will usually indicate the energy you’ll take on for the year. In Aquarius your might be tech minded and quite detached. In Virgo, you may be especially detail oriented and cerebral. In Scorpio you may find yourself more emotionally sensitive, probing, or ruthless that year. In Leo, you may be more outgoing- self-centered, or unusually popular.

A Taurus Venus will like to feed you to show you they love you. Being Wined and Dined is how this Venus placement likes to demonstrate they care. They may also like to give you gifts to show you their admiration.

Sorry to break it to you, mutable gang...

But Sagittarius, Gemini, Virgo, and Pisces are among the top signs found in Serial Killers. I.E

Ted Bundy- Sagittarius

Jeffrey Dahmer- Gemini

John Wayne Gacy- Pisces

Mary Bell- Gemini

George Chapman- Sagittarius

Charles Cullen- Pisces

Danny Rolling- Gemini

Marybeth Tinning- Virgo

Alton Coleman- Sagittarius

Kenneth Bianchi- Gemini

Andras Pandy- Gemini

Dean Carter- Virgo

Andrew Cunanan- Virgo

Richard Ramirez- Pisces

Randy Steven Kraft- Pisces

Terry Blair- Virgo

Timothy Krajcir- Sagittarius

Yikes....

Taurus Suns, 11th House Virgos, Cancer/Capricorn 5th Houses, and Libra 7th Housers are typically the “Parent/Mom/Dad” of their friend groups.

Believe it or not, when it comes to “jealousy” over material things, it’s not Scorpio. Taurean/Leo placements [typically risings and Suns and moons] and especially underdeveloped will be the types to hate on you for having something [Usually clothing, car, house, etc] they want. Scorpios, though famous infamous for the jealousy stereotype, will usually show this trait only in romantic entanglements. This is because Scorpio is a water sign. Their primary mode of operation has to do with the emotional realm.

Mars in the 10th House is usually seen in those who make athletics part of their career.

Mars in Gemini have the most savage comebacks. They will make you feel so stupid if you argue with them. Mars is war and Gemini is wit. You’ll be hard pressed to win a battle of words with them.

I find those with Mars in Aquarius or aspecting Uranus will swing both ways sexually, regardless of how they identify.

Venus in Aquarius don’t really like to be touched/hugged. Picture Voldemort hugging Draco. Ironically, they will usually be the type of people to take up professions where they have to touch others. I've seen copious nurses with their Venuses touching Aquarius. Massage therapists as well. Might have something to do with the love [Venus] of helping others [Aquarius].

Those with multiple planets in the 12th House can make excellent actors. This is because their personality is in a mutable house. They can morph and chameleonize themselves very easily. Superb for taking on multiple personalities for their craft.

Men with Mercury in Leo, Capricorn, or harmonious aspect to Pluto tend to have very deep voices. There’s also a soothing vibe to them as well. James Earl Jones, Liam Neeson, and Anthony Hopkins all have these placements.

Contrary to popular opinion, Gemini isn’t the only sign that can be a “jack of all trades”. In fact, Libra Suns often fit in in various roles/professions. This has a lot to do with their diplomatic nature. Because they are often the peacemaker and a bit passive than their cousins, they are often welcomed in many different circles. This allows them to excel with networking/social climbing.

Jupiter conjunct/Square Saturn and Capricorn 9th Housers

are the placement[s] I see the most in those who have a deep skepticism of Astrology. Their belief system can be rather rigid [Saturn] which makes it harder/ for them to be open minded [Jupiter] to other schools of thought.

Each Planet/Sign rules a day of the week. Whichever day you were born can inadvertently make you take on some of the traits of that sign, regardless of what your “big 3″ are.

For example: If you were born on a Wednesday, ruled by Mercury, you can be especially cerebral or witty. Tuesday, ruled by Mars can make you fiesty, athletic and perhaps a bit impatient like Arians. Friday, ruled by Venus can make you extremely charming and friendly. Saturday, ruled by Saturn can make you extremely entrepreneurial-minded whereas being Born on a Monday [Moon] can make you security and family oriented.

Venus in Sagittarius, Sagittarius 5th House, 2nd House in Sag or Venus Aspecting Neptune in the sign of Sag might make one have an affinity for entertainment from foreign countries. I see these placements in the charts of those who enjoy anime, foreign film, or those who have a knack for languages [lot of trines to Jupiter is also an indicator of the latter.]

Asteroid Priapus... will make you want to uncontrollably merge with someone.

[I’m not even kidding. I had this aspect with someone and my Priapus touched their Jupiter and I wanted to tear the kid’s clothes off. All my friends had no idea what I saw in him. To them, he was not my “type”- whatever that means.] The sign Priapus is in will give you a hint as to what turns you on. In Virgo, someone clean cut, organized or well-groomed might tickle your fancy. In Libra, someone fashionable and sweet-natured. In Aries, someone outgoing or athletic, Capricorn, there can be an affinity for someone older, someone accomplished, or a general “daddy” fetish.

Sun conjunct Pluto or Sun Square Pluto...

will have gnarly authority issues. Same with Mars in the 1st or Mars in any of the career houses. They do not like being told what to do whatsoever. If you try to boss them around, they will do the opposite just to spite you.

In synastry, a Double Whammy of Sun/Pluto

energy will make two people addicted to each other. All their forbidden fantasies [Pluto] will be exemplified by the other person’s presence [Sun]. The sex will be on the rougher side and can make two people obsessed. However, if a break up were to occur, this placement will make it damn near impossible for two people to be friends again. There’s just too much passion involved.

Astro Musings No. 1 Astro Musings No. 2 Astro Musings No. 3 Astro Musings No. 4 Astro Musings No. 5 Astro Musings No. 6 Astro Musings No. 7 Astro Musings No. 8 Astro Musings No. 9 Astro Musings No. 10

#Astro musings #Astro Musings No. 11 #Hope this helps Y'all #FYP #Astrology #My writing #Blacksunscorpio #Enjoy #feel free to add in comments #astro tumblr #astro notes

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motherwasapapafucker · 3 years ago

Note

You've obviously spoke about the Ghost as a Superman figure within the larger context of Doctor Who but do you think the opposite is possible? A Doctor-like figure within a larger superhero setting?

There's been a couple of attempts, never quite as....jarring as the Ghost but that’s pretty much down to mad scientists and time travel being far more commonplace in superhero settings than overtly super-heroic figures are in Who. To the point the handful of times Who has played with that (Conundrum, Starfall, The Return of Doctor Mysterio) all draw at least some of their story out of the jarring presence of a superhero figure within the narrative. There’s a really nice sequence in Conundrum where the Doctor “explains” the presence of the superpowered figures in a way that reads like he’s as much kidding himself because he would like to think it’s possible as genuinely trying to explain how these people have gained their abilities. Which really feels like a deliberate building on “I wish...I wish I believed in wishing wells” given how Conundrum plays out. There’s obviously the conflation of Captain Britain’s Merlin and Who’s Merlin a couple of times, but that’s really overstated even if only in terms of Britain’s Merlin functionally different beast to the point any doctor connection is largely a minor detail as any attempt at creating a Doctor-like figure. I think then, when it comes to your Doctor-like figure the big thing that would distinguish them from other standard mad scientists and science heroes is the face changing, and basically none of your overtly doctor-influenced characters actually do anything with? Your big one in a standard setting is Professor Gamble in Power Man and Iron Fist #79, who really stands out in terms of being the only doctor-lite comic figure overtly building on Classic Who rather than Cultural Juggernaut David Tennant Doctor Who. Some overlap with Dr. Mysterio’s use of the Ghost in the conflation of the real and fictional but in very different directions; Gamble writing a fictitious account of his own life, dreadlox a fictitious account of the Incinerators. Gamble’s personal Dalek-stand in born of rogue temporal cleaning devices that have decided destroying space and time is the only way to clean everything. Where the overlap falls apart is the fact that Power Man and Iron Fist is arguably a far more flexible book at that point in its history than Who is by the point of Doctor Mysterio. So #79 is less of an out of genre moment so much as just more weird shit happening to Danny and Luke. As far as I know Gamble has popped up here and there since then, and is one of a fairly sizable amount of Who references across Marvel/Marvel UK (Yeah yeah we all know about Death’s Head, W.H.O. and aw that pish) The other big, very very direct and direct to Cultural Juggernaut David Teannant Doctor Who is...weirdly…Qubit in Irredeemable. Which is barely relevant to this question because it’s really not a standard superhero setting beyond the superficial, but bares some comment given it’s arguably the most prominent of recent takes and really hard to ignore how much he’s just David Tennant with a James from Twin Peaks forehead and LEGION hair. Also worth commenting on how fucking strange his entire role in the arse end of Irredeeamble is given the final 20 or so issues largely devolve into “The Tenth Doctor fights Evil Superman.” Given how little that aspect is remarked upon, and how incongruous it is with the broader attempt at presenting an Evil Superman story that gradually pairs back to show that the character’s never really been evil superman because for him to have that “turn” you basically have to have it be the tip of an iceberg that sketches back decades and ultimate reveals the character was never really Superman in any way beyond the iconographic. So the fact that happens while he’s fighting David Tennant is really strange, though I do like so much of that spilling out of the Plutonian forcing Quibit into one of those big, painful NuWho moral decisions, but I really struggle to care about Irredeemable beyond thinking Incorruptible was generally the stronger book towards the end. You’ve also got things like the Allred/Slott Silver Surfer that overtly drew influence from contemporary

Doctor Who, but it’s building on an already distinctive character so it can never really function as a direct one for one. I know, vaguely, that Ben 10 had a Doctor Who figure. But having never watched the show I’m not sure how he appears within the show and tbh I don’t care enough to look into it. I suppose the thing is that Doctor-lite easily slides into a superhero setting without losing too much and without drawing too much attention to the homage while someone like the Ghost is, by basic nature, designed to be at least somewhat strange within the larger normality of the show’s present day. The closest point of comparison I can think of is something like Silver Sentry in TMNT; There’s really nothing in TMNT or Doctor WHo that precludes the existence of “proper” superheroes, nether show is exactly the height of realism but the sudden introduction of basically superman presents a fundamental shift in their respective idiosyncrasies. I imagine people would be tempted to draw a comparison between the Milligan Shade the Changing Man revamp under Vertigo and Who, and given it’s MIlligan I’m sure there was some influence their even if only in terms of an English-coded otherworldly figure who undergoes startling changes across the run, but tbh it’s basically a passing resemblance and kinda overlooks the fact that Shade kinda hilariously preempts a lot of where Who as a franchise goes during the 90s and 2000s. It’s presentation of Shade’s changes as far-more psychologically damaging than classic who’s regeneration compared to some overlap with how NuWho treats the event particularly, but also in terms of the EDAs there’s a fairly notable arc where Shade gives up his heart to cope with a torrent of emotional loss and devastated worlds. Make of that what you will. I still haven’t answered the fucking question have I, right since you’ve asked me you’re going to get my shite, because here’s how I’d do it. There’s only one way really, one word Metalek Because the fucking rule don’t they? Morrison’s first, best Dalek-homage. The Xenoformers from Galaxy X, sentient construction vehicles serving masters that no longer exist. Terraforming the Galaxy one world at a time. Bow before Metalek. So yeah, those guys exist and they’re fucking great. I have...more thoughts than I’d like to admit about the “Metalek Empire” that’s really just self-indulgent pish. But that’s DC comics. So they exist, and they present what’s probably the best approach to a Doctor-alike in a superhero setting. In the same way the Ghost might as well be Superman in a setting where he isn’t the soul focus, you’re Doctor Who figure might as well just be Doctor Who in a setting where, building on the fact the key elements aren’t that notable, they really don’t stand out that much, so what then? Well he’s the mad scientist, but a good mad scientist. Counterpart to all the lunatics and madmen with their metal monsters, who is he? Who’s the grant morrison character fighting the dreaded metalek menace when they aren’t intruding on Superman’s narrative? Who spent decades trapped on earth, leading a reformed STAR Labs into a strange, wonderful new world? It’s Leo Quantum isn’t it. Basically, Leo’s one of those characters like Lan-Shin in Smashes the Klan or John Henry Irons who click perfectly into place with the larger idea of Superman’s social network. And given I’m an egotist, I’m going to do what I like with him building out of that admittedly bullshit old idea he’s future lex back to repent. If the Ghost is a version of Superman who’s world exists in the shadow of the Doctor, Leo would be a version of the Doctor that exists in the Shadow of Superman. He’s not literally Lex, he’s your Kristin Wells/Legion/DC One Million figure, possibly a future Luthor, possibly the first child of the Luthor/Kent families coming together in the far off 42nd century. A temporal adventurer who’s early experiments caused all his potential futures to crash down on top of him, transforming him into a hypertime singularity. His technicolor dreamcoat crafted from fifth world

wondertech, regulating his body to ensure each hypertime strand gets its time in sun while keeping the darker fringes in line….most of the time. Or at least, that’s what I’d do, feel free to discard this as mental bastard bullshit.

#doctor who #comics #superman #superheroes #rambling bullshit #leo quantum #grant morrison #metaleks #irredeemable #dc comics #the ghost #the return of doctor mysterio #tmnt #silver sentry is pretty great tbh

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fuckyeahisawthat · 4 years ago

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Have you been asked yet to rank Trust eps? Cos I'm asking! But your the criteria for ranking I leave to you to decide.

Ahahahaha I’ll have you know I put way too much thought into this. :-D

Ok so first of all, there is no such thing as a bad episode of Trust. The whole thing is really tightly written, every character and plot thread has a purpose, and even the episodes that I haven’t watched over and over again are important to the overall story. And a lot of the impact of the show comes from things that are cumulative over multiple episodes.

That being said, I do have favorites. Since the definitive ranking of Primo’s outfits has already been taken care of, here is my ranking from least to most favorite based on some nebulous criteria of artistic/narrative effectiveness and emotional impact, my judgement of which is obviously highly subjective and also correct.

Under the cut because this got ummm unbelievably, ridiculously long.

10. The House of Getty (episode 1)

Sorry Danny Boyle and Simon Beaufoy, the pilot is my least favorite episode. Still think it was the wrong choice to open with a flashy (and, I can tell, expensive) sequence showcasing the death of a character we literally never see again. And, look, I’m an impatient viewer. If I don’t get someone to root for/emotionally identify with/otherwise catch my interest early on in a narrative, I’ll tune out. And Old Paul is not only unlikeable--far from a mortal sin in dramatic storytelling--he’s boring. I don’t care about any of his rich people problems, and I’m not the kind of viewer who can be kept engaged just by hating someone and watching them be terrible.

Some of the secondary characters in the Getty household do have interesting plotlines, but we don’t get to learn very much about them in the first episode. And I do think things get interesting once Little Paul shows up (although I maintain that the whole episode is more interesting if we understand what the stakes are for Paul getting the money), but if I had started watching this show with no context I wouldn’t have made it past Old Paul’s pre-coital erotica listening routine.

If this had been anything other than the first episode I might not have ranked it last, but extra penalty points for leading with your least interesting characters.

9. Lone Star (episode 2)

This episode is, I think, saddled by the fact that it has to do a lot of heavy lifting in terms of exposition and setup. It mostly works because Chace is an entertaining narrator, and once we get to Italy with Gail I think things zip along at a pretty good pace. Opens with an attempted rape to show how Bad the Bad Guys are, which is...not my favorite trope.

Once again, I think a lot of the information in this episode would have worked better if episode 3 had been episode 1. (We’d already know who Berto was when Chace meets him; we’d already know about the box of guns in the apartment; we’d know when certain characters are lying.) This whole show runs on the suspense of the audience being the only party who knows what’s going on with all the characters at once; I think trading mystery for suspense here was the wrong move. I also can’t help thinking there was pressure to front-load the well-known American actors in the beginning of the show at the expense of the strongest narrative choices.

Imo the best thing about this episode is the sort of...multiple competing images of Paul that emerge. His mom sees him as an innocent victim who couldn’t possibly have planned any of this. Chace sees him as a spoiled rich kid trying to swindle his granddad. Neither one of them has the complete truth.

Next we get into some episodes that are certainly not bad, but their greatness is more on the level of some bangin’ individual scenes than a whole package.

8. John, Chapter 11 (episode 6)

Again, this isn’t a bad episode. The main reason I put it near the end of the list is that the first time through I got sort of impatient during the first half. We, the audience, by virtue of our extra-textual knowledge, know that Paul can’t be dead, and we spend about half the episode before we know what really happened to him, which felt a bit too long to me.

This episode does have some fantastic individual scenes including: Leo talking Primo down in the farmhouse, Leo and Paul’s conversation about Angelo’s death, Gail being an absolute badass, and the meeting between Salvatore and Old Paul. A lot of these scenes are essential on a thematic level, but I don’t think the episode as a whole is the most streamlined.

7. Consequences (episode 10)

I debated for a while where to put this episode because the overall feeling of 57 Chekov’s guns going off in the space of one episode is SO satisfying, and the resolutions of some of the individual plotlines are delicious. Ultimately I would have liked more space for Paul and Gail and less Old Paul being grumpy about his substitute child museum’s mediocrity (although the scene with the bad reviews is hilarious). Once again I feel like the show creators felt they had to pull the focus back to Old Paul to wrap things up and I just. don’t care.

That being said. The resolution of Primo’s storyline? SO SATISFYING. And tbh I don’t dislike the scenes that exist with Paul and Gail; even the happy scenes have this poignant tone to them. I think they were trying to deal with the fact that his irl story is just...incredibly fucking tragic, and you can see a bit of the strain showing.

6. Kodachrome (episode 7)

I know episode 7 is not one of your personal favorites, but it’s the one where I think jumping between multiple plotlines/sets of characters is used to the most satisfying dramatic effect. It has this sense of dramatic irony that feels like some Shakespearean family tragedy. The whole episode, we are hoping that Paul Jr. will finally do the thing we want him to do, which is stand up to his father. And he does it--but at the absolute worst, most selfish and destructive moment possible.

Paul Jr. may be the literal worst, but I do have compassion for him in the flashbacks, mostly because it seems painfully apparent that no matter what he does, he will never be able to please his father. But he doesn’t seem to realize this, and he keeps trying, even as it’s destroying him and his relationship with his family. Credit to Michael Esper for his performance for making me feel a smidgen of compassion for this bastard.

I think the other thing this episode shows is how both of Paul’s parents keep putting him, a child, into roles and circumstances that he shouldn’t really be in. He’s wandering around through what seem like very much adult environments with his dad and Talitha in Morocco. In the Trust version of events he’s there when Talitha ODs and is the one trying to revive her while his dad is having a breakdown in the corner. Gail seems like the more responsible parent but there’s something about her bringing Paul as her “date” on a night out, and the understanding that this is a thing that happens regularly...to me the disturbing part is not so much bringing a young kid to a party with adults but the unspoken expectation that Little Paul will fill the void of companionship that his father has left empty. (Gettys expecting Little Paul to step in to cover for the failings of his father is a repeated theme, and it even plays into the ear thing. His family has failed to pay the ransom, so this is now a problem he has to solve himself.) Combine this all with Leonardo going, um, excuse me but what the actual fuck is wrong with your family? and I think it makes a very effective episode. And the last couple minutes had me yelling NOOOOOOOO GODDAMMIT because you can see what’s going to happen and you’re just watching it unfolding like a car wreck. Also has one of my hands-down favorite scenes, of Paul and Primo in the car waiting for the ransom.

5. White Car in a Snowstorm (episode 9)

The ~ D R A M A !!! ~ This episode is an opera. I mean this whole show is dramatique but episode 9 really leans into the vivid imagery--that snowy highway in the mountains above the sea, the all-white ransom exchange, Paul clinging to the pole at the shuttered Getty gas station, some Very Serious Mobsters throwing the ransom money around like idiots in a moment where you’re encouraged to be happy along with them.

This is also one of my favorite episodes for Primo and for Primo and Paul’s weird sometimes-alliance. Primo walking away from Salvatore to go tell Paul “they always pay in the end”? Primo and Paul teaming up to argue with Salvatore about why Paul shouldn’t die? Primo being all threateny to the doctor treating Paul because somewhere deep down he is worried (that’s my take and you’ll never convince me otherwise)? Primo dressing up to fake-scab on a postal strike in order to find a misplaced severed ear? All gold.

Fun fact: the letter Gail writes to President Nixon did happen in real life, but as far as I can tell the phone call did not. The real details of who convinced Old Paul to finally pay (some) of the ransom are considerably less cinematic. They’re the same amount of sexist though!

Ok now we are getting to the top tier...

4. That’s All Folks! (episode 4)

This is definitely the episode that took me from “ok this is fun” to “oh holy shit I’m invested now.” It’s the episode where we get introduced to most of the Calabrian characters and their world. It’s also the episode where we start to realize that Primo is not just a fun antagonist but is really a parallel protagonist to Little Paul, with his own set of relationships and motivations that we start to see from his POV. (I’d argue that, with the exception of his very first scene, we’ve mostly seen Primo through other characters’ gaze up until episode 4, and this is the point where we start watching him as like, the character whose pursuit of a goal we’re following over the course of the scene.)

This episode ranks high for capturing so much of the weird mix of tones that makes Trust work. It can be very funny. (I never fail to fuckin lose it when Fifty is on the phone with Gail the first time and when he’s talking to the thoroughly unimpressed newspaper switchboard operator.) It has this weird unexpected intimacy between characters you wouldn’t think would connect with each other. (Primo and Paul, Paul and Angelo; in retrospect the arc of the relationship between Primo and Leo gets started in that scene in Salvatore’s kitchen.) And it has one of the show’s absolute best record-scratch tone shifts when Primo gets the ransom offer. I remember saying “oh FUCK” out loud the first time I watched the end of that episode, when Primo comes back to the house, visibly drunk and clearly furious. We’ve seen him be violent plenty before now in the show, but always in a controlled, calculated way. This is the first time we see his potential for out-of-control rage-fueled violence and he’s terrifying!

3. La Dolce Vita (episode 3)

I stand by my claim that this episode (with a few minor continuity adjustments) should have been the pilot. Can you imagine a title card that’s like “Rome 1973” and then away we go with Paul snorting coke and taking racy photos and jumping on cops and fucking his girlfriend in what is definitely not proper museum etiquette, and then the smash cut to Primo intimidating and robbing and murdering people? And that’s the opening of the whole show? And you’re like how are these characters connected and then they meet each other and it’s the fucking sunflower field scene??

Anyway aside from the fact that I think knowing the information in this episode would have made episodes 1 and 2 more interesting...it’s just a great fucking episode. It’s kinetic and propulsive and funny and tense and violent and features Primo’s sniper skills and his ass in those cornflower blue trousers. I rest my case.

2. Silenzio (episode 5)

I’ll be honest, I went back and forth on the top two a bunch. Silenzio is definitely my personal favorite episode, and I’d argue that it’s the best written, in terms of what it accomplishes narratively, which is to keep you emotionally invested in both Paul and Angelo trying to escape with their lives, and Primo and Leonardo hunting them down. That’s so fucking hard!! And yes some of it is great acting but it starts from the foundation of the writing. It’s just such a perfect little self-contained horror movie, and it has this profound sense of fatalism to it, because you know from the beginning (if only by virtue of only being halfway through the series) that Paul is not going to escape, and you sort of know that there is only one way this will end for Angelo. And yet they escape by the skin of their teeth so! many! times!

It’s also the episode where you see how much power the ‘Ndrangheta has over people’s lives in this community: Salvatore is like God, calling his servants to him with the church bells. Combine that with the visuals of two characters running for their lives mostly on foot through this unforgiving landscape, and you really get the sense of this environment as a harsh place where most people have a very constrained set of choices, and the claustrophobia of that. You get the sense in this episode that everyone is trapped in these expectations of violence and duty and honor. Angelo did what anyone with compassion would do, and saved Paul from what seemed like certain death, and he’s doomed for it. At the same time Primo is doing exactly what anyone would expect him to do in response to a subordinate who disobeyed him. In some ways the end of the episode feels inevitable, unsurprising, and yet they do SUCH a good job of winding up the tension until the literal last seconds of the episode, and then releasing it with a big dramatic bang. It’s so good!!

1. In the Name of the Father (episode 8)

Ok I’ll be honest the ONLY reason In the Name of the Father edged out Silenzio for the top spot is that it is really clear they pulled out all the stops in terms of making this episode feel extra heightened in a show where everything is already heightened. Like, the cinematography is different? They still use handheld a lot but I swear there are more still shots and more extreme, editorial camera angles like that shot of Francesco looking upward in church where the camera is looking down from above him. I can’t tell if they actually tweaked the color grading or if the bright white and blood red just stand out against the Calabrian color palette which is mostly earth tones, browns and greens and blues.

There are just. So many layers to this episode. The imagery! The literal sacrificial lamb at the beginning, Francesco being guided by Leonardo through an act of violence against an animal, something that I’m sure they don’t even see as violence but just part of farm life, part of survival and in this case part of a celebration, but something that fathers teach their sons how to do as part of becoming a man in this world. Paul as the metaphorical sacrificial lamb later, drawing parallels to Jesus (the lamb of God), Isaac (a father sacrificing his son), any number of martyred saints, pick your Catholic imagery. The blood of the lamb on the tree stump and Paul’s blood on the stone. The communion wafer (the body and blood of Christ) and Francesco at the end with Paul’s blood and a literal piece of his body held in his hands the same way.

And then there is like, the suspense of watching everyone marking time through the steps of this community ritual that’s supposed to be a joyful, communal celebration, while we know that there is a secret ticking away under the surface. The slow unfolding of the lie told to one person spreading to everyone in the village, and then the knowledge that Salvatore knows spreading to all the people who’ll be in trouble for that. The relationship arcs between the main Calabrian characters...not resolving, but sliding into place for the final act. Primo finally being done with Salvatore. Primo and Leo’s alliance being cemented and Leo physically stepping between Primo and Salvatore, to protect Primo. (No one ever protects Primo!! Still not over it!!!!) The confirmation celebration as a mirror of the Getty party in episode 1, the parallels drawn between the 3 Pauls and Salvatore-Primo-Francesco and how Primo reacts to being passed over as heir vs. how Paul Jr. reacts. Little Paul having two whole minutes of screen time and managing to break your heart with them. Regina! Just...Regina’s whole everything. The music going all-instrumental for an episode and having this haunting, dreamlike but still tense quality to it. And the fact that we never cut away from Calabria to another plotline gives the whole episode this hypnotic, all-encompassing quality. It’s just. SO GOOD!!!!

#fadagaski #asks answered #trust fx #long post #so so long omg #i can't believe how long i spent writing this but HERE IT IS #trust alternate watch order

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slashingdisneypasta · 4 years ago

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Do you have Insomnia? If so, who out of the characters you write for would be most understanding/helpful/comforting or at least not mean?

I do not, fortunately.

Honestly, why would anyone be mean about it though?? I hope you aren't experiencing that man /:

Okay so not all the characters I haven't listed are mean about it but these are the ones that are comforting, understanding or helpful. Like, for example, Jerome Valeska is not included- not because he’s mean, though. Because he pretty much doesn't care. Just gives you two more time to hang! in his head anyway... The only ones I can really see being mean about it, are Black Hat, Peter Hayes and Freddy Krueger but I don’t think you can really take any of those personally.

Below the cut.

Creepypasta:

Splender and Trender obviously, BEN is more then happy to have you up at all hours with him between his arms and legs with your back against his chest till you fall eventually asleep, Candy Cane is here to hum you lullaby's and make you tea and just quietly hang with you, Liu can d e f i n e t l y relate to you, Hoodie is busy a lot of course but he wishes he could be there for you more when you’re really really tired, Jane of-fucking-course (She’s there to help shove better sleeping habits through whatever means seems to work for you, lovingly down your throat. She also probably shares the condition), I think Jeff also for sure has insomnia too or at least did before he stopped having nightmares of burning and learnt to sleep without eyelids, Masky’s gruff (And also busy a lot, like Hoodie) but he’ll try to text you as much as he can to find out how its going (Just quick, one sentence texts checking in on your status), Nathan the Nobody also totally understands, Nina is sometimes too hyper to sleep herself so she understands but also you might have your hands full taking care of her sometimes (Which? Might help? I guess? I dunno) and *deep breath because of the longest sentence ever.* Ticci Toby too is in the Woods Children-Jane-Nathan-Nina group with you. He has no idea how to deal with it though, so...

Disney Villains:

Captain Hook toooooootally understands (Many a night he will spend too terrified of Tic Toc to possibly sleep and others he’s way too paranoid about Peter to sleep) but is in no working state to help you unfortunately, I feel like Clayton would be down to just lay with you all cuddled until you finally sleep (Also- bed times are non-negotiable. Whether you fall asleep or you just lay in bed relaxing for hours, whatever. He’s gonna excuse you at least to do so), Don Karnage, GOOB, Hades is a natural heater which might be helpful, if you actually managed to snag Hans and make him really love you I think he would totally put in the work to help you, LONG JOHN SILVER AS HE IS THE PERFECT MAN AND HUSBAND MATERIAL ALWAYS AND IN ALL WAYS, Lots-’O-Huggin’ Bear, Maleficent, Mother Gothel, Prof Ratigan is always prepared with relaxing oils and herbs, secretly Randall Boggs, Scar is always up for snuggles (especially in his madder state later in the story, at which point I think he totally experienced a lack of sleep), Shan Yu (Similar to Clayton without the cuddles. He not a very cuddly person, Shan Yu), Shere Kahn, and each of the Toon Patrol members in different ways.

Gotham Villains:

Barbara Kean, Jervis, Mr Freeze (We know he’s dedicated to who he loves), Oz, Professor Pyg, Riddler and Ed (They can both relate and they know some things that could help ^^), JONATHAN, and Victor.

Misc:

Beetlejuice (Surprised? XD ), 2003 Hook, Dr Danny Dickens, Eric (Divergent. I just see him being such a softy when it comes to his partner), Gilderoy Lockheart, IVAN, subtly Kahmunrah, Laxus, NAPOLEON, Rothbart, SPIKE and Zack is concerned but doesn't know what the fuck to do.

Slashers / Horror Villains:

Bubba will? Make? Tea? Or at least hot water, CARRIE, Chucky (He’s a little shit but he also gives a fuck about you), Inkubus, Jason, Jed (I can imagine him just standing by your bed gently holding your hand until you finally finally drift off, LUDA MAE HEWITT, Mayor Buckman (I was on the fence about him cuz he’s on the Crotchety old man ‘Suck it up, walk it off’ club with Hoyt and Drayton and Caleb but I feel like he and Caleb are a little sweeter ^^), Pam, Roman, STU!, Jeffrey (... he has drugs... its hopefully up to you though whether you take them or not), Deathslinger, Anna is always up for cuddles and having you snuggled up to her chest (So even if you aren't sleeping man, at least you’re resting!) and Thomas (Totally understands.

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bingsucks · 5 months ago

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okay i'm going to clarify a couple of things because someone just called me a coward, and I think they misinterpreted what this posts means:

1st: don't focus on this. the reason I don't TELL you to go and try and convince him to talk about it and INSTEAD donate to charities/do arab.org clicks and put so much emphasis on UPLIFTING PALESTINIAN VOICES is because we SHOULD NOT BE FOCUSING ON PEOPLE WHO HAVE SHOWN THAT THEY DO NOT CARE. it makes no actual difference to the actual people affected. the reason I didn't say this explicitly is because when I tried to write it, every time it came off as very aggressive towards the person who sent this ask, I thought people could assume it, and I think what they were trying to do was in good intention (but now that we're on the subject, I'm offended they didn't just present this information to me and instead asked it as a question, like i could somehow validate their feelings. i'm not an authority figure. I'm a random tumblr blog with like a thousand followers. PLEASE think for yourself.)

"somehow get through to him" means continuing to support palestine in the ways that you can and HOPEFULLY getting more people involved, including celebrities, not specifically danny pudi. Danny Pudi is someone with a public presence, and an association to other celebrites, some of who are confirmed to be in support of israel like Alison Brie and Jim Rash, which invites US, as the outside observer, to make assumptions about what HE believes, which is why this is an issue in the first place. celebrities aren't going to do what we want, but if they do something that we don't agree with, we are allowed to call them out on it and stop supporting them, the same way we would to literally anyone else who holds that belief.

I don't care if you continue supporting him, but I personally would feel guilty about putting money into the pocket of someone who if given the chance to use it for good would not do it, which is what we can assume from someone's silence.

however: it is MUCH MORE IMPORTANT to actually make a difference rather than point fingers at the people who aren't, which is why i DO NOT TELL YOU to go and try to convert him to the cause/call him out. I say that there's a possibility you can still convince him not to encourage you to TRY, but to present the fact that I believe people can change their beliefs and make a difference. Danny Pudi has not shown himself to be a bad person directly, but it can be assumed that he is by association of being friends with two confirmed israel supporters. a lot of people in this fandom were fans of danny pudi, and to find out that he does not hold the same beliefs as we do is very, VERY disappointing.

I stand by the fact that we should put pressure on famous people WHILE doing actual shit that matters, because a lot of them have MORE MONEY than we do, and can make a much bigger difference. calling out celebrities is the back-burner for this cause, which is why I only made ONE post about it that was short and to the point. if the richest man in the world, elon musk, donated less than a FRACTION of his wealth towards the PCRF or literally any charity based in gaza, keeping him at virtually the same level of privilege as he was before, it would make such a monumental difference, that hundreds of people who make minimum wage wouldn't have to. I'm not comparing Danny Pudi to elon musk, and obviously elon musk isn't going to do that because he's the worst person in the world, but Danny Pudi clearly has enough money to live comfortably, COULD afford to donate, and could make a difference, just like the rest of the cast. (again, that is just an analogy, i'm not saying he is like elon musk) the only two who have expressed support are Yvette Nicole Brown and John Oliver.

"should we call out danny pudi?" THE ANSWER IS STILL YES, and it's ALREADY BEEN DONE, so we can move past it knowing that he chooses to not speak out about this, and continue to do the shit that matters. it is much more important that we have conversations with those around us to raise awareness, and donate, and force representatives to call for a ceasefire, because that is how you ACTUALLY make a difference. BUT: we're allowed to be dissapointed in people, just like the majority of us are in Danny Pudi. it is so aggravating that he hasn't said anything because a lot of us were fans of him, and we're just pointing that out.

also: you shouldn't convert to supporting a cause BECAUSE a celebrity says you should, that should be a given. you shouldn't be going "hrrm.... well, should I donate to the PCRF or should I wait for my favorite celebrity to talk about it?" and that's NOT WHAT I'M SAYING. that was never what I was saying. I was never saying "we can fix him as loyal fans!! let's all band together and tell Danny Pudi we want him to change!!!!" but I understand how it came off that way. calling out celebrities is not going to matter in the long run, and if we did that for everyone tho holds the same beliefs he allegedly does, we would NEVER make a difference, but it is important for people who hold certain beliefs to know if people they are fans of do not think the same way, and decide accordingly if they are going to continue supporting them.

what this post was FOR: to educate the people that didn't know that Danny Pudi was staying silent, like me, and like a lot of the people in this fandom. this was the EXTENT of calling him out, I don't care if you go and harass him. it's not going to make a difference, but you can if you really want to, and i'm not going to stop you, but i'm not going to help you either. like I said, you shouldn't be focusing on him, you should be using your activism more wisely.

honestly, I don't want a half-assed virtue-signaling statement about "troubled times" that downplays the horrors happening in palestine, I just want people to know that he is, in fact, staying silent; and that inaction from someone with a platform, to me, signals a lack of care, because they have the ABILITY to make a change, and do not use their ability. since I was asked about it, I shared my thoughts, but should have done so in more detail. I don't care if he ever shares his opinion on it, because opinions aren't important when it comes to things like this, what's important is stating the facts and making a difference. do I hope that he one day pulls his head out of his ass and retweets someone's charity or even DONATES? yeah. the same way I hope that for EVERYONE who is currently keeping their beliefs close to their chest.

the only way a difference can be made is by focusing on what matters which is, as the person who called me a coward said (summarized): donating, calling representatives, and not idolizing random people who don't care about you, which I did advocate for in the original post, but I admit could have been clearer.

TLDR: I'm not telling you to focus on danny pudi, don't assume that's what i'm telling you, and focus on doing things that actually matter with your time, money, and platforms. rich people should donate because they can make a bigger difference than the rest of us, and it's disappointing when they don't use their platforms for good. Danny Pudi lives comfortably, and associates with israel supporters. that is disappointing. you can cancel out his lack of care by donating, calling representatives, and stopping support of him. that is all I ask of you.

for the love of god, just support palestine. please don't focus on a celebrity who you don't know, that's not what I was telling you to do. hopefully i've made my point clearer.

Should we call out Danny Pudi? It has been 9 months since October 7 and he has not spoken. Are we going to let Danny play Abed, a character who is half Palestinian, yet Danny doesn't dare to speak for Palestinian? Is he really someone good or someone who pretends? I stopped supporting Danny a months ago but I see that several still follow him and it seems hypocritical to me that they say they support Palestine

The answer is yes. I checked his Instagram and it seems as though nobody has called him out to his face, at least from what I can see? there is a chance that we could still somehow get through to him, I don't like to make assumptions about people, but as it is he isn't using his platform for good. he's had plenty of time to educate himself, and yet he hasn't. hopefully he does get educated, I'd rather have a world that can make a difference than one of stubborn bigots.

to be clear:

danny pudi hasn't been using the platform he has to promote Palestinian liberation or speak on the atrocities Gaza has been facing at the hands of the israeli government. as someone with a platform, he has the power to make a difference, and he is not taking the opportunity. hundreds of people are dying of hunger, and dehydration, and thousands more have been killed by bombs, and the fact that someone could hold their belief on it so close to their chest disgusts me. this is something we should ALL be talking about, not just celebrities. A free Palestine NEEDS to be achieved, and we can ALL help.

Thank you for telling me about this, I had no idea - I don't actually care about celebrities so this is out of my wheelhouse.

what YOU can do: what you can. donate to charitable causes, do your arab.org clicks, and UPLIFT. PALESTINIAN. VOICES.

'should we call out danny pudi?' YES. THERE'S NO QUESTION ABOUT THAT.

#community nbc #nbc community #community #abed nadir #danny pudi #mythic quest #brad bakshi #free palestine #ducktales

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stop-breaking-my-heart-telltale · 4 years ago

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It would be cool if they did another 400 days type mini series with some characters. like showing us the beginning/middle/different parts of the apocalypse from the perspectives of: Marlon, Louis, Violet, Sophie, James, and Lilly. I think it would do well

I think something like this would do well, too. We talk about this a lot and I keep hoping that if we continue to talk about it, they’ll somehow hear us and actually do it haha.

Just think of the possibilities- a game with each episode dedicated to following a different protagonist during a different time in the apocalypse, telling a previously unheard story. They could even do more character-driven stories that focus more on that aspect rather than the walkers and outside dangers, y’know?

Really the only downside I could see if they actually did this is that people outside the fandom would be whiney about it? I mean, people who casually played Telltale games would look at Skybound like “Rehashing old characters who aren’t muh Clementine? Pass.” Y’know? And to be fair, I could see people within the fandom being disappointed, too.

But a majority? I think we’d all be happy to just have another twdg installment if Skybound wanted to make one... as long as they leave Clementine alone. That’s my one condition haha.

Leave her alone, Robert.

I’ll even throw out a bunch of possibilities for episodes-

Carley and Doug - I would love an episode that starts with Carley working as a reporter just as the walkers come. We could meet her crew, go through when they were attacked and explore the trauma she experiences after watching her producer get eaten alive in front of her.

Then, in comes our hero: Doug. Doug saves her life, and the two of them manage to escape and hideout. This is the perfect time to explore Doug’s character, too, as well as the relationship he and Carley had before they met up with the drugstore crew.

We can learn more about how Carley came to be so good with firearms and more about Doug’s technical background. Not only that, but it would be interesting to see these two actually interact since, y’know... they canonically have romantic feelings for one another.

Then the episode could end with them meeting Glenn outside, who brings them back to the group at the drugstore.

The St Johns - Here me out, but I would totally be on board for an episode about these people and how they starting picking off their farmhands for food. We don’t even have to play as any of the St Johns, we could play as a farmhand that actually escaped that fate after discovering what these people were doing.

It could definitely be more horror based, too. Like a cat and mouse sort of chase scene with the protagonist and Andy or Danny with them escaping with their life at the end and journeying off.

We could also see more of the bandits and how that agreement came to be with them. We could see more of Jolene, too.

Lilly - Okay, I want to know what the hell happened to Lilly between s1 and s4. From what I’ve gathered and inferred, Lilly wandered alone for years before finding the delta, the first place she ever considered home since... well, the motor-inn. Which... is nuts.

Then there’s all the trauma of losing Larry on top of what a piece of shit he was. I know I laugh at her for being all “No more ice cream, no more hair dryer” when she was telling Clementine about Larry cutting their power but we don’t know much about just how abusive Larry was.

Plus, we don’t know what happened to her mom. Larry still carried her wedding ring even into the apocalypse and died with it in his pocket. There’s just... a lot of things.

So I think an episode about Lilly by herself could be an interesting exploration of her being her own enemy, y’know? When I say character-driven, I mean solely character-driven with Lilly having flashbacks or nightmares or talking to herself or even hallucinations. Think Michonne, but even better executed. And with no ghost children. Maybe a ghost Larry, though. Which is arguably worse.

And it could end with someone from the delta finding her.

Christa and Omid - I feel like this is an obvious one since everyone loves these two and we’re still salty that they never brought Christa back. So it’d be cool to see these two either before meeting Lee’s group, or their time with Clementine between s1 and s2.

This is the only time I’ll allow Clementine to be here. If they feel they have to plop Clementine into this, then do it this way. We could explore Clementine’s guilt of what happened to Lee and the trauma she suffered while with the stranger, we could explore Christa’s pregnancy and learn more about her and Omid’s relationship.

We could see some dad moments with Omid as he and Clementine bond, perhaps dive into the fear and anxiety of a baby that’s coming, too.

Kenny and Sarita - So... while Kenny’s not my favorite person, I can’t deny that I’d be interested in seeing him after he apparently escapes the walker horde after killing Ben and what he went through before he met Sarita.

Hell, have an episode where we play as Sarita as she stumbles upon Kenny and how she saved him from the restaurant he was hiding in. We could get a glimpse into Kenny from Sarita’s point of view and what they went through during their time together. We could learn about Walter and Matthew, too.

Honestly, I just want to know more about Sarita as a character rather than a plot device to die in order to further Kenny’s development, y’know?

Bonnie - Yeah, yeah, I know. No one likes Bonnie and “who wants to play as Bonnie again?? she sucks??”, but damn it... I want them to redeem how badly they fucked up with her story in 400 Days.

I want an episode about her struggling with her drug addiction and how it affected her when the dead started walking. What she was willing to do to get her fix, y’know? Bring back Leland and Dee and how they helped with her road to recovery.

Leland himself even said that when they found her, she was still so stuck on those drugs. I think exploring that could be a fascinating experience.

Jane - An episode about Jane and Jamie? An exploration of Jane’s struggle with keeping her sister alive while having that internal survival instinct trying to take over all leading to her finally giving Jamie what she wanted- to leave her. Then how that guilt and loss took a toll on Jane and hardened her.

And like, I know Jane is kind of in the same boat as Bonnie where a lot of people [specifically Kenny followers] absolutely hate her and would whine about an episode dedicated to exploring her character, but I don’t care. I’d play it, I’d love to understand Jane more, even if I don’t particularly like her.

David - This one is here for selfish reasons. I want an episode all about David. I don’t care what you do, but I want to see David’s struggle of literally losing his entire family in a single night, as well as losing the world to the apocalypse and having to move forward.

Like... seriously, remember what Kate was all “I bet David was happy when the world ended” or some shit? I actually disagree, Kate, since the day the world ended, he lost his father, mother, brother, uncle, his fucking children, and you, his wife within a night. He spent years thinking you all were dead while traveling with Ava and his unit, fighting the dead and trying to survive.... but no, the day the walkers came was probably super great for him. Ugh.

The bonus is we get more Ava, too. Also, I don’t think anyone would oppose if you threw in the whole “David and Lingard might’ve had a thing”... just sayin’. We stan bisexual David.

Javier - Throwing this one in there because I think an episode about Javi, Kate, Gabe, and Mari would do incredibly well. Everyone misses the Garcia’s, everyone was bummed that we ever got a follow up to what Javi was up to after ANF.

Y’know... since ANF was a mess, they probably didn’t feel they could do a follow up because people wouldn’t play... but I��m telling you, we’d play another adventure as Javier Garcia. I don’t know what kind of story you’d tell, but it doesn’t matter. Well, it does... but ya get me.

Plus, more Gabe and Mariana content. C’mon.

James - *slams fists on table* I want my James and the whisperers episode damn it!! And I’m gonna keep saying it until someone either makes it or pays me to shut up.

I don’t care if you like James or not, you can’t deny how fascinating it would be to have an entire episode dedicated to the whisperers. On top of that, we’d get to see James and Charlie and how their relationship suffered during their time with the whisperers, as well as James realizing what a monster he became.

Maybe we could have a scene where James actually makes his famous mask, or a scene of James escaping them and leaving Charlie behind. It could end with James in his camp until he hears gunshots one night. When he goes to investigate, he finds Clementine and AJ trying to escape Lilly and Abel and we get him intervening from his perspective.

There ya go, there’s a second Clementine cameo that doesn’t fuck everything up. Ta-dah.

Sophie and Minerva - A popular one that most of us would want. Them after they were taken away and how they suffered within the delta. It’d be cool to play as Sophie, and tragic since we know how that would end. But we could be the one who acts out and tries to escape all while doing our best to keep Minerva from giving into them... which again, imagine the heartbreak.

The Ericson crew - Like with the twins, this would be a popular one that most people would want to play. While I’d rather they kept their fingers off Louis and Violet since they’re bound to fuck them up, I can’t deny that I want to know what happened at the school during the first days.

We could even play as Ms. Martin as she chooses to stay and take care of all these kids, how she bonds with them before inevitably meeting her fate in the greenhouse.

And c’mon, you know you want to see baby child versions of our Ericson kiddos. Imagine Louis and Violet at these young ages? Seeing other kids we never got to meet? We’d eat it up! ...Well, assuming they did a good job with their characterizations. Y’know.

---

Those are all the major ones I’d like to see, but hey, if any of you had other ideas for episodes following characters I didn’t mention, feel free to share!

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wanderingcas · 5 years ago

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5 times Dean had work to do, and the one time he actually enjoyed it. pairing: dean/cas a commission for @jensenackhles <3 2k words

One

Dean first heard the phrase a few weeks after his mom died.

John had checked them into a motel—one of the many that they had cycled through in the past few weeks. Sam was asleep in the crib, and John was on the opposite bed. Dean had woken up to a strange sound; he rolled over and saw John at the foot of the bed, head bowed, shoulders shaking.

Dean had never seen his dad cry before. Even right after the fire, when he was telling the detectives what happened at the police station: completely dry-eyed. So seeing his dad cry was… strange. Dean wanted to make it stop.

He pushed back the sheets and hopped off the bed. Walking on unsteady, sleepy toddler legs to his dad, he put either hand on John’s knees, looking up at him. John was clutching a worn picture of Mary between his fingers.

“Are you okay, dad?” Dean asked.

John continued to stare at the picture of Mary’s smiling face. After a moment, he sniffed. Wiped his face that was striped with tears with the back of his hand. He ruffled Dean’s hair and said gruffly, “Yeah, kid. I’m fine. Get back to sleep, okay? We got work to do in the morning.”

And the next morning in the car, when Sam was crying in his carseat and kicking up a storm, Dean patted his head and said, “It’s okay, Sammy, shh. Stop crying. We got work to do, okay? So you can’t cry. We got to work.”

Sam just stared at him with big teary and trusting eyes. Dean didn’t even know what he was really saying at the time; what he was getting them into.

Two

He didn’t make it a habit to say the words out loud often. He said them more to himself, as a mantra to keep himself on track. But sometimes they would slip out, when he really needed to orient himself: when he really needed to kick his own ass into gear and push down the emotions.

The second time he remembers saying it was when he was 25. He was driving to a case with Danny, the son of one of John’s hunting friends. John was out of commission from a nasty encounter with a wendigo, so they were tag-teaming the ghoul hunt.

Dean felt his phone buzz, wedged between the driver’s seat and his leg. He pulled it up, glancing at it, just in case it was important. His stomach immediately sank when he saw Sam’s number.

Got to Stanford okay, in case you were wondering. Too hot here. Miss you and Dad.

The muscles in Dean’s jaw jumped as he clenched it tighter.

“Who’s that?” Danny asked, cocking his shotgun. “Somethin’ about the case?”

“No,” Dean said. He pulled into the driveway of the house where the hauntings were taking place. Eased the Impala into park. “Focus up,” he commanded, cocking his own gun aggressively. “We got work to do.”

Three

The seal to the gates of hell are open. Ruby tricked them, and Sam triggered the apocalypse.

Dean doesn’t know what to say.

History is repeated again, where Dean is sitting helplessly on one hotel bed, Sam crying on the other. He’s bent at the waist, shoulders hunched, tears silently streaming.

Dean knows that he’ll blame himself forever. He knows that this might break him.

He knows he needs to say something.

Getting up unsteadily, he walks over to the bed and sits down on the other side of his brother. The bed creaks from his weight. “C’mon, Sam,” he says into the silence. “We didn’t know, okay? We couldn’t have seen it coming.”

Sam remains silent, glaring at the ground.

A lead in his gut, Dean reaches out a hand, and places it on Sam’s shoulder. “We gotta keep going, okay? We just… we gotta keep fighting. We can’t just sit down and take it.”

“What’s the point, Dean?” Sam asks. He shrugs off Dean’s shoulder and twists around to glare at him. “Why even try, if I keep fucking everything up? Huh?”

“Because people need us, Sam,” Dean snaps. “We need to finish what we started. We gotta make sure the world is safe, okay? There’s no time to sit around and feel sorry for our damn selves.”

Sam stares at his hands, stonily silent.

Dean stands. Holds out a hand to his younger brother. “C’mon. We got work to do.”

Sam glares at Dean’s hand for a moment before sighing resignedly. He takes it, and stands.

Four

When Dean met Cas, a lot changed.

His view on angels not so much: he still thinks they’re a bunch of dicks. But the way that things aren’t always so black and white. That people—angels—can change. That Dean can maybe be… loved. Saved. Worthy of it.

At least Cas seems to think he’s worth it, anyway.

He tucks all these feelings into his back pocket; doesn’t want them to see the light of day. Because if they did… well. Then he would have more than his brother to be worried about. And in his line of work, any attachments are frankly a terrible decision.

Except, it’s Cas, and Dean can’t keep his eyes off him.

And he stares at Cas a lot. He knows he does; it’s almost like there’s a magnet that pulls his eyes to Cas’s face and stays there. Sam notices it; Cas notices it; everyone notices it. Dean just… can’t seem to help it.

Maybe it’s that otherworldly look that he always has on his face. Maybe it’s the perpetual five o’clock shadow that paints his sharp jaw. Maybe it’s because Cas is usually staring right back at him, all up in Dean’s personal space no matter how much Dean complains about it (even though he really doesn’t mind. Not at all. He’d love to have Cas even closer, actually).

Maybe it’s just because Dean has a damn crush on an angel and he doesn’t know what to do about it.

“So, you’re sweet on my brother, huh?” Gabriel asks Dean with a leering grin.

Dean snaps his eyes back into the room instead of watching Cas’s back leave the room. “What the fuck? No.”

Across the room, Sam puts a hand over his mouth to hide his smile. Dean wants to punch him so that he’ll finally respect his damn elders.

“Liar,” Gabriel says.

“C’mon, that weirdo? In a trenchcoat? What are you smoking?”

“He has a… jeno se qua,” Gabriel says with a wave of his hand in the air. “A certain sexiness, if you will.”

“I’m not sweet on him.” Dean can feel the blood rising in his cheeks, and he hates it.

“Sure, Dean-o.” Gabriel winks. “Sure.”

Cas walks back into the roomthen , looking adorably confused, and of course Dean’s blush increases. He tries to look casual as he leans against the wall with a glare, avoiding Cas’s eyes.

Sam sputters as he tries not to laugh at Gabriel batting his eyelashes in Cas’s direction.

“Okay, knock it off, you idiots,” Dean snaps. “We got work to do.”

Cas tilts his head in that adorable way, asking, “What do you want me to knock off, Dean?”

“Your pants,” says Gabriel casually.

Sam loses it then, bursting into laughter.

Five

The apocalypse is done. By some miracle, they all lived through it—Cas, Bobby, and even Sam, who managed to push Lucifer out before throwing him into the pit.

There’s no imminent danger, no immediate threat—which is probably why Sam decides to bring it up.

“Are you going to tell him how you feel?” Sam asks. They’re sitting at Bobby’s table, each nursing a beer. Sam is still exhausted from his encounter with Lucifer, so he’s not getting out to hunt much these days; they normally spend their nights like this, just soaking in the quiet before the next inevitable storm.

Dean looks at his brother incredulously. “What’re you talking about?”

“Don’t play stupid,” Sam says. “I’m not an idiot, Dean. I see the way you look at him.”

Dean grumbles, sipping at his beer.

“Dean.” Sam sets his beer down. “The world is quiet. For once. The apocalypse is avoided, Michael and Lucifer are in the cage, just—there will be crap that comes up later. It can’t be avoided. But at least now, in this quiet moment, you can figure things out. With him.”

“Just leave it alone, Sam,” Dean sighs. He doesn’t even have the energy to argue with him anymore. Snatching his beer off the table, he says, “Think I’m gonna finish this outside.”

He ignores Sam’s worried eyes that follow him out of the house.

Leaning against the porch railing, he sips at his beer, glaring out into the salvage yard. Something familiar catches his eye: a figure wrapped in a trench coat, head tilted back and staring up at the stars.

Dean takes a steadying pull of beer before stomping down the porch steps. He stands next to Cas, the neck of his beer bottle hanging loosely from his fingers. Cas gives him a nod of acknowledgement before looking back up at the twinkling stars above them.

Clearing his throat, Dean says gruffly, “So, you thinkin’ of going back there?”

“Back there?” Cas asks.

“To, you know.” Dean waves his beer at the sky. “To Heaven.”

“Heaven is not in the sky, Dean,” Cas chides.

“Okay, whatever. Just answer the damn question: are you going back?”

Cas lifts one shoulder in barely a shrug. He looks at Dean then, blue eyes sparkling in the night. “I might not go back—if I have a reason to stay.”

“Well, you might have one,” Dean says. “There’s plenty more shit to take care of down here. Rumor has it Raphael is pissed about you rebelling against the apocalypse, so he’ll probably stir some shit up that you have to—”

“Dean.” Cas turns to him, suddenly very serious. “Do I have a reason to stay?”

Dean can feel his breath catch in his throat. He realizes that he could lie. Could laugh it off with a joke or a snarky comment, like he usually does. But he knows it’s now or never. Cas could leave. He’d do anything to stop that.

“Dean,” Cas says again. There’s a filter of emotion that comes through to his eyes—it looks like hope. That makes Dean crack.

“Maybe you do have a reason,” Dean says. “Maybe we want you to, I don’t know—stay.” He looks at the ground. “Maybe I want you to stay.”

Cas takes Dean’s hand. Dean’s heart rate increases as Cas rubs his thumb against Dean’s calloused knuckles. “I want to stay, too.”

“Good, that’s, uh.” Dean smiles wide. Steps closer to Cas so that their chests are nearly touching. “That’s good, Cas.”

Dean asks Cas to marry him six months later on the hood of the Impala, burgers and beers between them.

He doesn’t see the point in waiting when he just…. knows. Cas seems to know too, since Dean can barely get out the question before Cas is tackling him to the hood and kissing him senseless, whispering Yes between each breath.

Sam cries when they tell him. Of course. Bobby pretends not to get emotional, but Dean sees him wiping at his face a minute later. The angels are, of course, pissed—but Cas couldn’t care less.

Apparently Cas had been planning to ask Dean from the beginning—he and Charlie had even been making a wedding scrapbook with Charlie in the past few months.

Cas pulls out the scrapbook to show Dean the next morning, both in their pajamas and sitting at Bobby’s kitchen table. His cheeks are stained from embarrassment, unsure how Dean will take it.

But Dean finds it the least embarrassing thing in the world—he just flips through the pages and pages of wedding decorations, tuxes, and rings, and gets increasingly choked up. He almost loses it when he sees the Enochian words for “Forever” inscribed on a ring that Charlie made in photoshop as a mock-up.

Dean puts down his coffee, and kisses his fiance soundly. When he pulls back, Cas is smiling, bright as the rising sun.

Shutting the book, Dean stands, and grabs Cas’s hand with a wink. “Well, Cas. Looks like we got work to do.”

#<33 #thank you so much for commissioning me!!#this was so much fun to write #destiel #destiel fic #commission #tatiana requested i share this with you all <3

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coll2mitts · 4 years ago

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#77 Grease (1978)

Slick your hair back and grab your team jacket, we’re hand-jiving our way through Grease, a movie about bunch of hot, self-motivated ladies with their whole futures ahead of them settling for a bunch of schmucks.

Grease is a strange experience to relive as an adult, because it was (as I suspect with a lot of people) ever-present in my childhood, and I didn’t understand the great majority of references then. This movie was intended as an 8th birthday present from my mother; I came home from school one day and the VHS was sitting on our kitchen countertop unwrapped. I didn’t recognize it, so when I asked my mom what it was, she feigned confusion for about 10 seconds before she gave up and said, “I bought it for your birthday, I guess you get it early now.” She promised me I’d like it when I popped it into the VHS player, and she wasn’t wrong. I hadn’t watched this movie in over a decade and I still could recite the majority of the dialogue.

While this movie is a toned down significantly from the stage show, it is still fairly raunchy in parts. What is kind of hilarious to me is Grease’s gradual shift in categorization over time as a “kids musical”. In 5th grade, my sister played Sandy in her elementary school’s production of it. I asked if she remembered any of the lines they changed to keep things “appropriate” (the Kidz Bopification, if you will) and she responded, “No, I just thought it was weird I had to go out and buy a sexy outfit.” Conversely, my 5th grade play was about the history of America and I dressed up like Martha Washington. I’ll never forget the 50 Nifty United States from 13 original colonies... SHOUT ‘em, SCOUT ‘em, TELL all about 'em, ONE BY ONE till we’ve given a day to every state in the U-S-A. AL-A-bama, Alaska, Arizona, Arkansas, California, Colorado, CON-NE-TI-CUT...

Anyway, do I think it’s weird that a movie about a bunch of horny teenagers has become Baby’s First Adult Musical? Sorta. Not really. I mean, the dudes act like children for the majority of this, so I’m not surprised, at least. It had, for sure, turned me off from wanting to date high school dudes when I was in high school. The high school girls, however... we’ll get there.

It’s the first day of school, and the oldest high school seniors I’ve ever seen are poised to take on their last year at Rydell High. The “T” Birds and their very uncool matching jackets are reunited after a summer apart and their super-senior leader Kenickie, played by the late Jeff Conaway, regales the tale of lugging boxes to earn money for a sweet ride, which you could feasibly do back in the 1950s. Danny, played by John Travolta, spent his summer getting action at the beach, which he eloquently describes as “flippin’”.

Frenchy and her new neighbor Sandy rendezvous with the Pink Ladies, who have very cool matching jackets and the unabashed confidence to go with them. Stockard Channing, who plays Rizzo, is turned off by Sandy’s pure, seemingly holier-than-thou persona, and is dismayed when Sandy starts to describe her sickly sweet summer romance. Her interest is only piqued when Sandy mentions her hunky date was notorious playboy and Rizzo’s ex, Danny Zuko.

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Sidenote: When I was a child, I thought Sonny asked if her “jugs were bigger than her nets”. I asked my mother what “nets” were, since I surmised that jugs meant breasts, and she didn’t know, which I thought was weird. It wasn’t until THIS MOMENT that I realized he was asking if her jugs were bigger than Annette’s. Who the fuck is Annette? Like the Mickey Mouseketeer Annette?! Rizzo sings about her later and I’m just like.. this revelation has lead to more questions than answers.

Rizzo hatches a plan to call Danny out on his shit and reunite Sandy with Danny at the school pep rally, as they know her boyfriend is an asshat. He predictably reacts maturely; Not wanting to admit his previous story of getting fresh with some cute Australian girl down in the sand was somewhat hyperbolic, he plays it off like he doesn’t give a shit about her, reducing Sandy to tears. Frenchy comforts Sandy like the supportive queen that she is and invites her to join the Pink Ladies at a sleepover.

Honestly, a Pink Ladies sleepover looks lit as fuck. As a kid (and now, tbh) I was Jan, I wanted to be Marty, I wanted to fuck Rizzo, and I wanted Frenchy as my best friend. I would totally be down to drink champagne, eat Twinkies and mutilate our body parts with needles. Sandy is a bit of a late bloomer and reacts to these series of events by puking. Rizzo decides to be a bit of a slag and make fun of Sandy for being an inexperienced virgin before shimming down a drainpipe to get laid by some jerk with a shitty car and a 6-year-old condom.

Sandy, whose night has done nothing to alleviate her heartbreak, sings a song about being in love with a coward. Part of the deal Oliva Newton-John signed to be cast in this movie specified she have her own solo number, so “Hopelessly Devoted” was written and filmed after the rest of the movie had been completed. This feel pretty obvious, since it gives off a very strong 1970s pop Best Original Song vibe. When I was a kid, I used this song as a break to use the bathroom or grab a snack, but as an adult I find myself humming it every so often.

Speaking of contract-obligated solos, we’re treated to a Travolta-led “Greased Lightning”, which I always thought was weird, cause like, who is going to sing a song about their friend getting tit in their sweet car? Jeff Conaway played Danny on Broadway, he deserved better... Also, I’m CONVINCED this song got the Pop-Up Video treatment, but couldn’t find it online anywhere. Otherwise, how the hell else would the fact that they thought John Travolta putting the saran wrap on his crotch was too racy live rent free in my head for like 20 years?

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After encountering Sandy on a date with a jock, Danny decides he’s going to join a sports team to prove to her he can be a motivated team player. Instead, he just physically assaults several members of his school, but it’s fine because he’s wearing a uniform when he does it. This is enough to impress Sandy, as she accepts Danny’s invitation to the school dance.

The other gang members are going through their own drama, as Rizzo is sick of giving it up to Kenickie without receiving a modicum of respect.

“A hickey from Kenickie is like a Hallmark card. When you care enough to send the very best.”

Danny regresses and continues to act like a shithead to Sandy in front of her friends.

“I don’t like tea.” “You don’t have to drink tea!” “Well, I don’t like parents.”

Jan and Putzie begin an innocent and adorable romance, which proves it’s possible to start off a relationship with mutual respect, even if your friends make fun of you for it.

“I also think there’s more to you than just fat.” “...Thanks.”

I love this scene, there’s so many good lines.

Frenchy, who had dropped out of Rydell to pursue a career in cosmetology, is also in crisis as her stint in beauty school went very poorly. After hours, she somehow hallucinates Frankie Avalon advising her to get her high school degree.

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As a child, I was so proud of myself when I realized all these women played other roles in the movie, as if facial recognition was an important skill.

The day of the big dance finally arrives, as National Bandstand comes to Rydell High with roofie-wielding predator and television host Vince Fontaine. Rizzo arrives with the leader of the rival gang, while Kenickie has his best girl, Cha Cha, as his date, because they are both very well-adjusted teenagers that know how to work through conflict by communicating and not using desperate attempts to make each other jealous. Danny and Sandy are cutting up a rug until Sonny attempts to physically assault Sandy, and Danny just lets it happen because another one of his exes, Cha Cha, starts to dance with him while Sandy is rebuffing Sonny’s advances. Cha Cha and Danny subsequently win the contest. Honestly, this is so fucked up, I would have dropped Danny after this lapse of good judgement.

But no, Sandy still allows him to take her on a date to the drive-in, and it’s not until he elbows her in the boob and then tries to cop a feel in front of everybody that she finally blows him off. Then he has the absolute gall to act emo about it because he’s afraid people will think he’s a loser. Jesus Christ.

Kenickie is also hurting, as he discovers that Rizzo is pregnant and she doesn’t want anything to do with him, regardless of what being an unwed mother will do to her reputation. He decides to process these emotions by racing Greased Lighting for pink slips, as he likes to live his life a quarter mile at a time. Unfortunately, Danny steals Kenickie’s thunder (road) yet again, as he’s forced to take his place in the race because of a car door-related closed head injury. Sandy is impressed by Danny’s driving skillz and decides to sex herself up for an unreliable and emotionally manipulative teenager. Danny has a similar inclination and decides to put on a nice sweater to win Sandy back, which is something, I guess. They declare they’re the one each other needs, oh yes indeed.

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The school year ends, and all the boys end up paired with the girls. Rizzo finds out she’s not pregnant and reunites with Kenickie?! Marty ends up with Sonny even though he’s a handsy creep. Danny and Sandy are just an mess with incompatible expectations of each other. But at least Jan and Putzie and Frenchy and Doodie are fairly inoffensive. The end.

This movie is great, even all these years later. The entire cast is fantastic, even those with smaller bit parts. I was *living* for the school staff, Principal McGee and Coach Calhoun especially. Grease also jump started my lifelong love for Stockard Channing. She’s great in The West Wing, but her part as Sister Husband in Where the Heart Is may be my favorite performance of hers. I’ve watched that movie so many times I can’t even call it a guilty pleasure, I love it so much.

Olivia Newton-John wasn’t even sure she wanted to be in this movie and requested a screen test so she could see if she was good at acting. John Travolta was enamored with her and helped convince Olivia she was perfect for the part, and he wasn’t wrong. She gives such a strong performance as Sandy; I bought her transformation from clean-cut cinnamon roll to sexpot completely. John Travolta was also unbelievably charming as Danny, and I found myself giggling at his line deliveries constantly.

The songs are also unbelievably catchy (albeit somewhat annoying after you’ve heard them 700 times). Barry Gibb, my favorite Pras-adjacent composer, wrote the theme for the movie and it just bops so hard. As a well-documented detractor of Doo Wop music, there’s not a whole lot else here for me, but that’s not going to blind me to the excellence of this soundtrack. There is a reason this movie is revered as much as it is. 10/10, fun for the whole family, as long as the kids don’t understand the references.

#100 best musical movies of all time rotten tomatoes #unwarranted opinion #grease

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ugly-crying-over-bucky-barnes · 5 years ago

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Field of Poppies Part 3

Summary: After being apart for six years, childhood friends Tommy and Amelia reunite under odd circumstances. Tommy is an outspoken young man and Amelia is pregnant and out on the streets. The bond of family can be unbreakable but it is tested often. Especially when Europe descends into war.

Part 3: Amelia questions the Shelbys actions as they establish themselves as bookies.

March 1909

Polly said that Amelia wasn’t feeling well and wouldn’t be joining the family for dinner. The only one who seemed hung up on this fact was Tommy. The others were happy to go about eating and chatting about their day. As John had predicted, Ada seemed to forget what she was crying about that morning. She was all too excited to tell everyone that she had been the best at double-dutch in the schoolyard. Even better than that no-good-pigtailed-bratty-stuck-up-snob Ingrid.

Tommy wasn’t too interested in the mundane details of his family’s life. His mind was elsewhere, so he finished dinner quickly and headed upstairs.

When Amelia arrived, Polly had to rearrange the Shelbys to make room. Tommy had to camp out on the couch a bit longer than he would’ve liked because none of his siblings could agree to any proposed arrangement. John and Ada didn’t want to bunk together. Arthur argued he was the oldest and should have his own room. And none of them wanted to be placed with Finn. Finally, Polly put her foot down. Tommy and John would share a room and that was that.

But when Tommy passed what once was his room, the door was open and it was empty. He frowned and continued down the cramped hall. The bathroom door was closed and he could hear retching from inside. He lightly knocked on the door. “Mel? Alright?”

The young woman cleared her throat and stood up from her spot kneeling at the toilet. She rinsed her mouth out in the washbasin and opened the door. “I’m okay.”

“Sounded like you were getting sick.”

“It’s normal with the baby.” She assured him; a bit embarrassed that he’d heard her.

“Oh.” He nodded and could remember times when his mother was ill with his siblings. But he hadn’t thought much of it. She had always put on a brave face for her kids. “Pol said you weren’t feeling well.”

“Long day, I guess.” She moved past him and went back to the bedroom.

Tommy followed even if she didn’t really invite him to. He leaned up against the doorframe. “Anything you want to talk about or I could fuck off ‘n leave you be.”

She laughed softly and waved him into the room. “Close the door, would you?”

He obliged, going to sit on a chest across from the bed, by the nearly empty desk. Even if it was his room, he didn’t want to invade her privacy.

Amelia sat down on the bed and leaned down to remove her stockings. She felt so sluggish and weary but couldn’t tell if it really was just because of her busy day or because her mind was a factory of worries. She tossed the stockings toward the hamper and began to unpin her hair.

“What’s on your mind? You look-concerned.”

“Do you think that not having your father around really…well, I guess that’s a stupid fucking question. I just…” She groaned when she couldn’t find the words to voice her distress. She realized she wouldn’t get anywhere if she was asking rhetorical questions in some roundabout way. “Do you think that my child will hate me because they won’t know their father? Honestly, be honest.”

Tommy was surprised. He expected she would go to Polly with such a problem. True, they were longtime friends but what did he know about children and parenthood? “I don’t think your child would hate you for anything? You’ll be a great mother, Mel, you know that.”

Amelia tipped her head up to the ceiling. She could feel tears welling up in her eyes and she didn’t want them to fall. “I want you to be honest with me, Tom, not to say nice things. We both know nothing in this fucking world is nice.”

“Hey, now. Look at me. Amelia, look at me.”

She did so, reluctantly. A tear slipped down her cheek as she met his blue eyes.

“Yeah, so the world’s a pile of shit. But there are nice things if there weren’t then what would be the point of living, aye?” He pointed out. “I don’t know what your child will say ‘bout anything. But I know that they’ll think the world of you because you did everything for them. That’s something, right?”

She shook her head. Everything in her wanted to stay miserable. She wanted to torture herself because she felt she deserved it. All of her actions had led her to that moment. She deserved what she got. But Tommy’s words coaxed her gently to a nicer place. A place where there was hope. There was the possibility that she could succeed in raising her child.

“I’ll say it again but you’ve got a family here. We’re gonna help you out. And-and if I need to step in as some sorta father figure than I will.” He straightened up a bit as he finished. Suddenly determined to take on the challenge he’d thrust upon himself.

“Tom…”

“I’m serious.” He reiterated with a half-smile. “I mean, I may not be any good at it, but I’ll try. I said I’d take care of you and I intend on doing that. I’m not some good for nothing like-” He purposefully didn’t finish his thought. It didn’t need to be finished; they both knew they were talking about Arthur Sr. Tommy strove to be the exact opposite of his father. He wouldn’t beat his children, wouldn’t drink their money away, would provide for them, would make sure dinner was always on the table, would give them a sense of safety and love. He could give that to Amelia’s child, they both deserved to be treated well. Why shouldn’t Tommy be the one to do so?

“I can’t ask you to do that.” Amelia looked hesitant. Would it be nice to have a strong male figure in her child’s life? Of course. She worried what would happen without one. But to put that responsibility on someone else her age? They were both still so young.

“You don’t have to ask.” He shrugged and stood up. “Are you feeling a bit better? I could see if they spared you any leftovers downstairs.” He offered as if it were the first thing he could do to prove he was fit to help her out.

She smiled. “Maybe a bit of bread.”

“Alright, just be a mo’.”

May 1909

After his talk with Amelia, Tommy was more intent on setting up the betting shop as soon as they could. The empty place offered so many possibilities in his eyes. Possibilities that could lift him and his family out of poverty. Both he and Arthur knew it would be an uphill battle. There were already plenty of betting shops tucked away in the dark corners of Birmingham and elsewhere. Using fronts as laundry, pubs, or even butchers. Beyond that, there were men who controlled the tracks. They fixed races to their heart’s delight and didn’t take kindly to others who tried to do the same. Without explicit permission, of course. Their bookies were violent and no one in their right mind would go after them. Maybe that’s why everyone thought Arthur and Tommy were mad.

And perhaps they were, but that didn’t stop them from beginning to take bets out of the shop attached to the flat.

Polly wanted to be upset that her nephews were bringing trouble so close to their home. But she couldn’t deny the income that they were starting to bring in. It wasn’t much at first, but it was something. Something that could be counted on for groceries or unexpected expenses. And since Tommy and Arthur had stopped attending school around thirteen, they made mistakes with the odds. So, Polly felt she could step in and mind the books better than they could. She never claimed to be a saint.

Being a charming man meant Tommy could count on a lot of people joining his little setup. People he’d known for years and could trust. Danny Owens was a good friend with a good heart, Freddie Thorne knew him from Greta’s meetings. Jeremiah attended church with Polly but he wasn’t shy of a little criminal behavior to survive. There were others, but there was a hierarchy of trust that Tommy took very seriously. Family always came first.

But with the betting shop came trouble. Other bookies weren’t so keen that the Shelbys were starting to dip their toes in the business. There was already enough competition in Birmingham alone. So, trouble started to brew.

It started with just some harassment. A few threats and taunts. The Birmingham Boys apparently weren’t going to chalk the Shelbys up to just some amateurs. Even if there was a whiff of a potential threat, they learned to step in and snuff out the problem.

~~~~~~~~~~~

That’s why, a few months after the betting shop was established, Tommy was jumped by five men. Luckily, they hadn’t roughed him up too badly. But he did look to be in bad shape when he staggered into the flat. He was limping and held a blood-soaked handkerchief to his nose

“Tom!” Amelia gasped in horror when he came inside and ran into her at the base of the stairs. Six months pregnant, Polly had warned her to be a bit more cautious when it came to surprises and overexerting herself. But of course, she couldn’t be prepared for everything Tommy decided to get into.

“S’alright, s’alright.” He grunted and made his way into the kitchen. He was certain one of his ribs was broken and his nose might have been too. It hadn’t exactly been a fair fight. He was taken completely by surprise as five of the Birmingham Boys popped out around a dark corner and immediately pummeled him to the ground. Once the initial blow wore off, Tommy tried to fight back but there wasn’t much use. Had Arthur been there, maybe they would’ve had a chance. But alone, he was knocked to the ground and had his ribs kicked in as the older men shouted slurs at him.

“What happened?” She followed him, still in shock.

“Got attacked.” He answered through the cloth over his nose and mouth. He went to the water pump and tried to get it going but the pain in his side was too much. He winced in pain and stifled a yelp.

Amelia quickly dragged a chair over to the pump and made him sit. She filled up the basin with a bit of water and found a dishcloth to use. “Can I see?”

Tommy removed the bloodied handkerchief. The blood seemed to have ebbed by the time he limped home.

She carefully began to wipe the blood away from his face. “What else hurts?” She asked. They could talk about what happened when she was sure he was okay.

“Me ribs.” He rested a hand over the painful spot.

“Alright, well, let me clean you up and I can have a look.”

Tommy took a few deep breaths. His heart was still racing and of course he was still pissed off that he’d been bested. Of course, he could take some solace that he was severely outnumbered and at a disadvantage. Still, it bruised his ego.

Amelia tried to lighten the mood a bit. “You looked like this after you beat up Ben Hearn because he kissed me.”

It drew a smile from him as he remembered the event from when they were around ten-years-old. Tommy was heartbroken when he heard around school that Ben had kissed his best friend and secret crush. But when he got word that Amelia hadn’t wanted to kiss Ben in the first place, Tommy decided to get retribution. Ben had gotten a lucky punch and made Tommy’s nose bleed. But that only angered him more to the point where Arthur had to pull his younger brother off the other boy because it looked like Tommy had murder in his eyes.

“You knocked out his tooth.”

Tommy shook his head. “I knocked out two of his teeth.” He corrected with a familiar smirk. “And he deserved it.”

Amelia sighed. “You were always getting into trouble back then. I thought maybe it would change when we got older but…” She rinsed the cloth and watched the red water trickle into the basin. “Maybe this betting shop idea is too dangerous.”

“Mel-”

“I know why you’re doing it, and I admire your initiative but you have to know what you might be risking. Money won’t do us any good if you’re injured or-”

“It’s alright. You don’t have to worry.”

She hung the wet cloth against the side of the basin and turned back toward him. “Tom, if you’re coming home like this then I think I have a reason to be worried!” She exclaimed.

“I know, and I’m sorry. I’ll sort it out.” He promised.

Amelia wanted to scold him further but didn’t have the heart to. Besides, once Tommy set his mind to something, there wasn’t much hope for swaying him. Getting beat up never stopped him before, it likely wouldn’t stop him in the future. “You said your ribs hurt too?” She asked quietly.

He nodded.

“I can take a look at them but if they’re broken you ought to go see a doctor.” She washed any stray stains of blood off her hands and the washbasin.

“Can’t afford a doctor right now.” Tommy stood up with a grunt and returned the chair to the table. He didn’t want Polly asking questions the next morning if she found the kitchen in disarray.

“What do you mean? I thought Arthur said you had a good week. Said you had extra money.” Amelia dried her hands.

“We did.”

“So, where’s the money?” She questioned further.

“I spent it.” Tommy grabbed a bottle of stout and uncorked it.

“On what?”

“You’ll see tomorrow, Mel.”

~~~~~~~~~~~

The next day was Saturday and Amelia had the day off. She watched over John and Ada to give Polly a well-needed break.

The weather was unseasonably warm so she took the two kids outside to play so they wouldn’t be cooped up indoors. Amelia sat on the steps darning one of her stockings while Ada skipped rope and John played football in the street with other neighborhood kids.

There was a small group of people next door waiting to place bets for the next day’s race. To the untrained eye, they looked fairly inconspicuous. Amelia hadn’t asked what might happen if the cops would catch wind of the operation. No one mentioned it, so she assumed they either had it handled or intentionally didn’t want to think about it. Still, Polly had instilled in everyone that if the police were to come around, no one knew a thing about betting shops.

“S'cuse me miss, is Tommy Shelby ‘round?”

Amelia looked up from her stockings and smiled. “Danny?”

The young man’s face broke into a look of disbelief. “Mellie? Is that you?” He removed his hat and got closer. “Tom said you’d come back; wasn’t sure I’d recognize you.” Danny Owens had been a longtime friend of the Shelbys. As a boy he was much taller than anyone in class but was quite awkward and quiet. He was from a very poor family, just like the rest of them. He was painfully shy from growing up with an abusive father. But once Tommy and Arthur took him under their wing, he became a bit more confident. He wasn’t much for fighting but if it was necessary to protect his friends, he would step in. Though, most kids wouldn’t even try to fight him because of his size and broad shoulders.

Yet, Amelia had always known him as someone with a gentle side. “It’s been a while.” She agreed. “How’s your family?”

“They’re good. Yeah, everyone’s good.” Danny fidgeted with his hat as he spoke to her.

She could tell he didn’t really want to talk about his family which was all well and good. Amelia didn’t want to talk about hers either. “You were after Tommy?”

“You haven’t seen him ‘round have you?”

“He should be in the shop. You can go through the kitchen if you’d like.” Amelia scooted to the side so Danny could get by.

“Thanks, Mel. Glad you’re back.” He smiled and walked into the flat.

As he passed, she noticed his knuckles were bruised and there was a bit of blood smeared over the top of his hand. It sent a shiver down her spine as she realized it wasn’t just Tommy getting into trouble. Everyone she once knew as a child was getting caught up in this violence. It might’ve been small skirmishes, akin to the ones they used to get into in the schoolyard. But Amelia reasonably knew that there were much larger stakes at risk. None of them labeled their actions as organized crime, but that’s what it was. Amelia had heard about large scale gangs in London who controlled a lot more than just horse races. They had control over pubs and other businesses, paid off the police, and there were rumors that they had influence over government too.

She wasn’t sure that was Tommy’s end game but she also didn’t know if he had any control over that. Could someone remove themselves from the lifestyle? Or were they in it for life?

With a sigh, she set her stockings aside and checked on John and Ada across the street. There were so many questions about the future that she couldn’t even try to begin to answer. All she could do was see what came of it.

~~~~~~~~~~~~

That same night, Amelia was in the kitchen making dinner while Ada rattled on about how she was going to go riding tomorrow and how Uncle Charlie might let her try to jump.

The front door opened and Tommy poked his head inside. “Mel?” He called.

“In the kitchen!” She replied.

“Right, stay there, don’t come upstairs ‘til I say.”

She raised an eyebrow but listened and continued peeling potatoes while Ada went on about horses.

There were a few bumps against the wall and the staircase railing after the front door shut.

“Fucking hell, this thing weighs a ton!” Arthur cursed.

“Oi, be careful.” Tommy chided.

“Be careful? It’s gonna damage me ‘fore I damage it!”

A couple bangs and thumps and swears later, Tommy called Amelia upstairs.

She and Ada went up and found him and Arthur in the bedroom. She looked confused until she saw the cot in the corner. Her mouth popped open in shock. “Tom?”

He smiled a bit sheepishly. “For the baby.”

“But I thought…I thought we would just move Finn’s in here.” She walked over to the new piece of furniture.

“That thing’s older than any of us.” He shook his head. “Ought to toss it once Finn’s done with it.”

Amelia ran a hand over the smooth oak wood. It was pristine, no nicks, or peeling varnish to be found. There were even intricate designs in the solid wood side and legs. She felt herself getting teary-eyed. She was didn’t even notice as Arthur herded Ada out of the room and back downstairs. “This is what you spent the money on?” She asked.

Tommy nodded and shrugged. “The baby needs one, so why not?”

She sniffled and went to hug him tightly. “It’s beautiful, thank you.”

He hugged her back, feeling a sense of accomplishment. Then adoration swept over him. He hadn’t realized how much he loved making Amelia happy. He was always fond of her, but seeing her smile was one of the best things to see, in his opinion. Maybe he was still too young to know what love was, but he had a hunch that what he was feeling was love.

Permanent Tag: @papa-geralt-of-cirilla @giftofdreams @biba3434 @kimmietea @karmezii @enrapturedbythemoon @vampgirl1997

Tag list: @shelbyblinded

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magiaesabiduria · 4 years ago

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💗 (... I dunno, whatever ship of ours you’re feeling? All of my babies are 🥺🥺 and could you some love, so any of them would appreciate it xD )

<3 ty for ask, love.

Nathan: “Danny?...” his face immediately spread into a soft smile, “shit.” Nate laughed quietly, “I’m not good at this part of it, y’know? The words and all that -- it’s more his thing than mine. I can tell ya I feel better when he’s around, like things clicked into place ‘cause of him. Can tell you I love him with my whole heart and that I plan on protecting him from everything I possibly can for the rest of our lives together. Can say say as soon as I had him I knew I never wanted to let him go and would do anything in my power to make sure he knows how much he means to me.. a guy like that, like him: all fuckin’ sweet, smart as hell, attractive as fuck, deliciously shy at times, funny, understanding.. yeah, a guy like that deserves the entire fuckin’ world and I’ll do what I can to give it to him. He’s my number one priority.. him and our future we’re building together with the boys and any future kids.. damn he’d make a great fuckin’ dad. ... Danny makes me feel like I found my purpose, if that makes any sense? I was happy before, sure, but.. fuck.. life just makes sense now. Shitty days don’t even feel bad ‘cause I know at the end of the day I get to go home -- to our home -- to an amazin’ man who’s so entirely in love with me.. that.. that right there is what life is all about and.. I get that now, y’know?”

John: “How I feel about Ev?” his voice already had a softer lilt to it, lips curving into a bright smile so wide it was making his cheeks ache. John bit his lip after a moment and let out a nervous little laugh, “Evan’s like the dream I forced myself to forget I had..” he felt his cheeks flush and shifted but attempted to explain, “when I was a kid.. and just about until I met him.. I told myself certain things just weren’t meant for me. Things like being happy, belonging, feeling appreciated, and being wanted.” John shrugged, a small and sad smile on his face, “I know it’s fucked up but that’s the reality of it.. it’s how I felt. -- but then I met him and he showed me friendship and acceptance right from the beginning.. then that turned to more and ... he reminded me what hope feels like. What it’s like to wake up in the morning and actually want to be here,” he sniffed, biting the inside of his lip, “thing is.. he did this without even saying things like this. He showed me kindness and acceptance and ... love and next thing I knew I was treating myself with kindness and acceptance and love and.. it’s all ‘cause he taught me how to do that again. I feel grateful for him, I love him, I feel at peace with him, I adore him, I respect him, I feel like I have somewhere I finally belong... with him. He’s a hero out in the real world and.. in my world as well and I tell him that all the time.”

Dracona: “Why?” she quirked a brow, arms crossing as she shifted in her seat, “fine... I suppose I can tell you how I feel about Sophie.” Her lips pressed together for a second, the whole opening up thing was not something she enjoyed or even tolerated most days but this was different; kind of, it was about Sophie. Draco blew out a slow breath, “my little bunny is... a wonderful little thing. How I feel about her should be plain to see, the fact I called her my anything says enough. --” Draco rolled her eyes but continued on, “I care about her. I feel lighter around her. I feel needed around her too. I ... she’s a lot of good things and an incredibly resilient person on top of it all. I love her.” Draco pressed her lips together after that, shifting again, arms hugging around her chest tighter as she shrugged, flipping her hair back and staring anywhere but at them.

@mirrcrxball

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muckrakerhq · 4 years ago

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PRESENTING … FONDUE FOR TWO, EVERY TUESDAY, HOSTED BY JOEY HUMMEL-ANDERSON.

featuring… this week’s guests, @ivystjamess & @lincolnonline

fondue for two is a weekly internet talk show hosted by joey hummel-anderson. fondue for two, joey, and the muckraker team strive to get all the steaming gossip while he interviews guests of his choice over a steaming pot of cheese.

[Joey's room - once again, Joey sits across from his guests, but this time it's Ivy St. James and Lincoln Clarington-Smythe; Gil the Fish is in the same spot]

JOEY: Hi everyone! Today's guests are very special, since I have here with me McKinley's biggest bitches, Ivy St. James and the new kid that is already more popular than Fiona Beckett, Lincoln Clarington-Smythe! Do you guys feel honored to be here, on what is the greatest internet show of all time?

LINK: A title I am more than proud to share. I can also say with complete confidence that the bar for internet shows is so low that I can't dispute that this one may just be the best.

IVY: okay, winnie is totally a bigger bitch than me but i'm like happy to be here before her anyway. even if it's with the new boy.

JOEY: Okay, you guys could smile a little more though, this is the internet after all. Moving on to the first question, a fan actually sent this one and it's for Ivy! Ivy, is it true that you got Danny Zuko because, just like your mom, you have what people call "man hands"?

IVY: oh my god that's like so. . . mean? i dont have man hands and neither does my mom! but if the people like really wanna know, i have my dad's hands. mine look like the exact same as his, even when we used to do jazz hands in our family dance routines they were the exact same down to like every flutter of the finger.

JOEY: I wasn't the one who sent this in, so you can blame someone named LucyQ99, because she was the one who sent it. Moving on from the story about Ivy's hands that no one asked for, the next question is for Link! Is it true that you got kicked out of Dalton because you were caught having sex with someone on the stairs and not because of a list?

LINK: Unfortunately, no, there's been a mix up in stories. I was actually caught having sex with someone on the stairs last year and I lied and said I was helping him check for STD's because 'he was too scared to see the nurse.' The list thing was totes the reason and it was unjust so please email and call your local council and accuse Dalton of homophobia, that would mean a lot to me.

JOEY: You heard it here first, I will leave the phone number and email down below because Dalton is homophobic... Anyways, next question is for both of you, who is the second hottest guy at McKinley? I'm number one, obviously.

IVY: ugh that's like so totally easy, Joey! Everyone knows it's--

IVY: actually you know what? i bet link is like SO totally unbiased from personal experience with these guys.

IVY: link, who do you like think is hottest?

LINK: Uh...okay, well, in all honesty, the bar in on the fucking floor. And as much as I know you hate to admit it, I'm gonna say Leo because he gives me big Jack Skellington vibes if Halloweentown had a film school and I'm really into that, ya'know. Also maybe Theo but only when I admire him from afar, I don't need to hear him talk, it ruins it for me.

IVY: oh my god.

IVY: PLEASE say you're joking like right now.

IVY: leo? like? mccarthy?

LINK: Yeah, and? I like the angst of it all!

JOEY: Wait, Ivy you didn't answer, and I'm not even going to comment on that, Link... This is the last time you'll be on my show.

IVY: i dated leo for like eight months! so not cool! the angst like totally isn't worth it. and from personal experience? you're like definitely better off with theo.

IVY: joey i didn't answer because there's like. . . not even a second behind you. maybe a close fifth though. . . yeah!

LINK: Listen, I'm not gonna try anything with Leo, I respect his heterosexuality! I'm allowed to admire from my bubble of him being my manic pixie dream film bro! And stop avoiding Joey's questions, you're dodging and weaving that shit. You may be McKinley's lil' actress ingenue, but you're not a good liar.

IVY: i am like . . . an incredible liar!

JOEY: Okay, that's enough talking about Leo in my room, you guys are bumming out my whole area... I liked Ivy's answer, moving on! How do you guys feel about the musical?

IVY: thank you! anyhow, i'm gonna like totally make everyone forget who john travolta even is. duh. ever thought you could cry to a rendition of sandy? no? well just like wait until you hear mine.

LINK: I'm hype. I really don't care about musicals but I was born to play Rizzo, it just makes sense. I'm gonna steal the show and Ivy and....uh...no, no, I'll get it....Jonathan? Jason?......Anyways, Ivy and the Schuester guy playing Sandy, well I'm sure they'll be great too. I've never been too pure to be pink, that's for sure.

IVY: Julien.

IVY: but yea like im sure you'll make a good Rizzo. that's a compliment I don't give lightly.

JOEY: Good! I can't wait until everyone else in rehearsal to not fit in the room because of your giant egos. And I do know what ego means, I learned that word recently. Okay, between you two, who's more talented? The people want to know.

LINK: Yeah, him. Big hair. I'll get to know him when I have to bully him on stage. And let's look at the facts; I can sing, I can act, I can dance, I can write and direct, I can and have arranged multiple Cupcakke songs into acapella versions, I can work industry standard special effects equipment, I can give you splits and dips and I dress like Sharpay Evans. Make your own conclusions on who's more talented.

IVY: Listen, everyone thinks I'm like kind of a bitch, but the fact of the matter is I'm not just a bitch. I'm a talented bitch. And if acknowledging my ability makes me a bitch then like . . . whatever! Link's stuff is impressive but at the end of the day, I managed to be successful in the arts and like a totally hot and popular cheerio at Mckinley. It's no easy feat juggling both. So like . . . the proof is in the pudding or whatever.

JOEY: There's pudding? I want pudding... Well, I guess it's up to everyone else to decide, please leave a comment and say who you think is more talented! Right, next question is a serious one - do you guys think Gil looks okay? He looks tired, right?

LINK: I mean, yeah, why lie, this fish is probably moments away from the sweet, salty grips of a literal watery grave. But, hey, I'm no fish expert maybe he just needs to pop a Zoloft.

IVY: Ew, morbid. Maybe he just needs to like nap!

JOEY: I think he'll be fine. He hasn't been the same since I found out he's a secret slumlord... [turns to the bowl] The way you treat those families is really mean and they don't deserve that, but I think there's still good in you... Right, since I like to end it on a positive note, the two of you have to say something nice about each other!

IVY: Even though he's kind of delusional about who's gonna be the Grease show stopper, for someone who came from like a private school, Link does dress nice!

LINK: Why, thank you. You are very pretty and I get what the hype is about. You have a nice face and from what I can tell you have talent and when I get famous and if you weren't straight, I'd totally consider you for a part as the Final Girl in one of my movies. I try not to work with hets, it's not personal, I promise.

IVY: i see

IVY: but just so you know, i have like two gay grandpas and i'm jewish so like when I'm inevitably the best and only option you can pull that info for the sake of being diverse

JOEY: Right, that was kind of nice! Last question of the show, did you guys have fun here? And if you say no, you're not allowed in my house anymore.

IVY: i'd never be banned from your house but yea this was like super fun!

LINK: It was a blast. I should point out though that this fondue cheese kinda tastes like, um....pure garbage. But I can look past that.

JOEY: Anyways, thanks for watching everyone and I'll see you next week for another Fondue for Two!

[The End]

#fondue for two #fft: episode ii #joey hummel-anderson #lincoln clarington-smythe #ivy st.james

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