#like I know that tv shows are done by many different people even in the writing room and it’s not actually a hive mind

[pandorem]

Obviously going feral over the Orpheus and Eurydice quote but also can’t get over the fact that Orpheus and Eurydice are real people in this universe. Like Orpheus is literally Dream of the Endless’s son. I don’t have anything insightful to say about it, even via stories repeating and reiterating and that being such an important theme in the Sandman universe and how some truths become stories and some stories are more than true etc etc.

Also now just thinking of Hob mentioning that people have given King Lear a happy ending and Dream saying that it won’t last because all the great stories will return to their original forms (Shakespeare was actually the one to change it to a tragedy, and yes Neil knew this when he wrote that line). Still nothing coherent to say, just about how Charles and Edwin beat the odds and just how much of Dead Boy Detectives is like… a rejection of the queer tragedy we’ve grown so used to. Saw some people groan and comparing it to the mess of Supernatural and superhell etc which is wild to me because it feels like a conscious commentary and rejection of it.

Like. Simon and his internalized homophobia landed both him and Edwin in hell and its both made clear that the in universe reason that they were there is not because they were queer but because of the ritual sacrifice/prank, but that the symbolic and writing reason is because of the internal and external homophobia that the world subjects them to, and it is Simon and Edwin recognizing each other and Edwin saying that the way they are does not mean they deserve to be there, that it doesn’t have to be torture, that gives Simon the way out of hell. It isn’t Edwin confessing that sends him back, a demon interrupts him from confessing. Edwin has to confess at the door back to freedom so he can leave all of that internalized poison behind him back in hell where it belongs.

This post got super away from me and maybe I’ll actually write something coherent about all of these themes one day but yeah. Charles and Edwin at the gates of hell defied the trends of two tragedies, one very very old, and one that (while building off of tragic stories that have been around for ages) is far more recent

[theswampghost]

man i really hated this past season of so you think you can dance

[birdofprey1234]

Hi all, I have something important. Whether you're in the Markiplier fandom or not, or if you even watch Markiplier at all, if you like internet creators, and seeing independent artists making what they want to make... I urge you to read. This is happening right now!

In 2019, Markiplier was in a narrative horror podcast called The Edge of Sleep. It's an AWESOME show, if you're into psychological horror, apocalypse stories, or just audio dramas with great acting and amazing sound direction I highly recommend it. People LOVE this series, me included. And after it's success, they revealed a TV adaptation was in the works in 2021.

For a LONG time, multiple years, we have heard nothing about The Edge of Sleep. The show went dark and has been presumably stuck in development hell ever since it was announced. None of the cast have been legally allowed to talk about what's going on with it, how far along it is, or even when it's slotted to come out. Fans were originally very excited about the show, but many of us had all but given up hope of it coming out at all.

And now... It's here. But in a different way than we expected.

About a week ago, Mark released an update vlog where he explained that The Edge Of Sleep was coming out on October 18th. No warning, not a single trailer or promotion, or any sign that it was even releasing besides Mark's video. He explained that in order to "open doors" for his own theatrical release, Iron Lung, the studio has given him and his community the task of getting The Edge Of Sleep to the top 10 on it's streaming service. What streaming service?

...We don't know. Mark explains he isn't legally allowed to tell us. He's only allowed to say that it's coming out on the 18th, and it needs to be in the #10 spot or higher in order for him to do anything that he wants with his own movie.

Then, for even more chaos to be added into the mix, The Edge of Sleep ACTUALLY went up on Amazon Prime Video on October 15th, three entire DAYS before the date that Mark was given. He explains in a NEW update vlog, that this was not malicious, and the studio just did not at all expect people to find the show before it's intended opening day... For some reason.

I hope I don't need to say how insanely weird this all is, and a complete MESS from a studio perspective. Mark has little to no power over what happens with The Edge of Sleep. He was the executive producer and acted in it, but that's it. He isn't an advertising company, or in control of any of the streaming details for this show. When it airs, where, how, etc. Qcode, the studio producing The Edge of Sleep, has done almost nothing to even make people aware of it's existence, now days after it's gone live. They are putting a lot of heavy lifting onto Mark and his fanbase to get this show seen, a fanbase he now is forced to ask for help from for his own professional relationship's sake.

There's not a lot of information about what exactly is going on, and Mark has worded everything very gently. He assures that this change up is not malicious, but many of us are skeptical about the studios intentions in all this, and whether or not they actually want The Edge of Sleep to succeed. I have my own suspicions that Mark would be speaking out about this further (as he is known for doing to youtube), if he wasn't 1. Legally bound, and 2. DEPENDENT on his relationship with this studio and Amazon to be able to pursue his future creative aspirations in any way.

This is where you come in, reader! Because we can help!

The Edge of Sleep is an awesome show, I watched it myself yesterday and I have no doubt anyone who tries it out will love it. The cinematography in particular is absolutely stellar. It is streaming now on Prime Video, and is also going to to release on plex.tv (which is free) on October 18th. It's already gotten high in the US charts, but now the important part is keeping it there, showing longevity and viewer interest to Amazon and the studios. If you have Prime Video, or if anyone you know does, WATCH THE EDGE OF SLEEP! Get a 30 day free trial for it! Listen to it in the background after your done! Show it to your friends, family! Get everyone you know in on it.

Not only that, but showing genuine engagement and interest for the show online is very important for it's success as well. Shout it out across your profiles, especially Twitter! Make memes about it, fanart! Rate and like it on IMDB, as well as Prime Video itself. Leave reviews for it! Even if you don't watch it, support for it online will help massively.

Mark is an amazing creator. He has made many ambitious film projects over the years which he releases for FREE on his channel. Just 2 years ago he released In Space with Markiplier, an OVER 7 HOUR LONG, film-level quality epic which is one of the best things I've had the pleasure of watching in recent years. He is an amazing actor, aggressively passionate, and is dedicated to paying his film staff fairly and honestly. I want him to keep making things he wants to make, to succeed and pave the way further for YouTube creators to be taken seriously.

Mark is one of the most well known YouTubers ever, he's one of the biggest creators on the platform. If he can't succeed at moving into the industry, it's going to be a lot more difficult for others going forward. It sets a precedent.

SO WATCH THE EDGE OF SLEEP! Enjoy the hell out of it! Enjoy it with friends! Let's give the power to creators we actually care about! Everyone who wrote, composed or at all worked on the original podcast AND this adaptation deserve to see their ideas come to life, and the recognition for this awesome product they've created for all of us to see!

[twilightcitysky]

Whooooo okay, so. Thoughts.

You can get a lot done in 90 mins. Many books are made into 90 minute movies.

(Season 2 was 6 episodes... but maybe 90 minutes of it total was actually *necessary*.)

Think about what we've learned. Neil wasn't the person we thought he was, and it showed in his treatment of a story we all love. He said himself that he gave fans what they wanted (in terms of the kiss), but we "wouldn't like it." His ego thrived on manipulating, ridiculing and generally stirring up the fan base. The more upset and vulnerable we were, the more satisfied he felt. What do you think, then, was in store for us in his Season 3? Do you think his scripts would have left us feeling satisfied, even if we got the cottage ending?

The new producer doesn't know GO, but the cast and crew love this world and love the story. I'm going to choose to trust that a group of people that overall has been so united and wonderful, so very much on the same page in terms of this love story, will see things through. And I'm excited for an ending that truly is for us... because let's face it, we almost didn't get an ending at all. A TV show that gets rocked in this fashion generally does one of two things: cuts ties and continues if there's enough financial incentive to do so (think House of Cards, Rick and Morty-- both of which are/were MUCH bigger and more profitable than GO), or cancels. Considering how long it took to greenlight S3 and Mickey's "We did the impossible" post on X, I'm sure Amazon was on the verge of pulling the plug. (I'm not going to talk about my opinion on the ethics of these decisions. I'm just saying it's reality. Corporations care about their bottom line and their optics.)

It'll be okay. Let's be optimistic. Neil is gone, the story will continue, and they're doing it for us.

(Last thought: remember that-- in a different reality where Neil Gaiman actually is the person we thought he was-- we might not have gotten anything more satisfying in terms of the A/C love story. Neil doesn't think "settled relationships" are good television. He wouldn't let them lay a finger on each other until the very last episode, I guarantee it.)

(Also, this is the guy who decided that "Crowley lives in his car and Aziraphale doesn't know or doesn't care" made any kind of fucking sense; no, I'm not over it yet.)

[byechristopher]

fuck'em all, but us.

– CHRIS STURNIOLO ANGST.

Author's note: Hello, little angels. I have been gone for months, but I've been wanting to write something for a while now. Excuse me for the hiatus. However, I still can not promise that I'll be consistent from now on – but i love you still. Do not copy/steal my work. :)

Warnings: HELLA LONG. This is almost 3.000 words, sweet Jesus. As usual, if you know me, I like writing about dark, angsty shit. Nothing too bad, but you know, mention of fights, blood, smoking, etc.

I caught Chris staring at me again, that same cold, unreadable expression on his face. He had a cigarette between his fingers, as usual. His eyes were like ice, and whenever they landed on me, I felt a chill run down my spine. He never says anything — just watches, arms crossed, jaw clenched, as if I’ve done something to offend him without even knowing it. I don’t understand what I did to make him look at me that way, like he’s barely holding back some hidden resentment. And yet, every time I catch him watching, I can’t help but wonder what he’s really thinking.

I’ve seen him with a few other people. He’s not exactly warm with them either, but there’s something different when he talks to them, a sort of casual ease. With me, it’s like he’s built up walls — high, thick ones, and I’m just standing outside, banging on the gates. And every now and then, I think I catch a glimpse of something behind them, something vulnerable and unexpected, but it’s gone before I can be sure.

Chris was my older brother's closest friend, and he has been ever since they were little kids. No one ever got as close to him as my brother did. Whereas when it came to me, he was rather cold; I never understood why.

My thoughts were roughly interrupted by my brother's hand, which took a strand of my hair and pulled on it to annoy me.

"Ow, you fucking asshole!"

"Hey, wake the fuck up. I said me and Chris are leaving." I rolled my eyes and looked at Chris one more time, seeing that he still had that same look on his face.

Deciding to ignore it one more time, "yeah, bye. God." I said and grabbed the remote to switch on the TV.

I didn’t want to watch anything in particular; I’d just rather avoid looking at my brother’s best friend once again.

"Where the hell are you?"

A notification popped up and before I read the sender's name, I already knew it was Fred. My ex.

Of course, I ignored it, but deep down, I knew he was losing it. Ever since we broke up, he’s been acting stranger and stranger — showing up at places he knows I’ll be, sending messages that alternate between apologies and accusations. It’s like he can’t decide if he wants me back or wants to make me regret ever knowing him. I kept telling myself he’d get over it eventually, that he just needed time. But lately, his behavior had me on edge, and I began wondering if he’d ever really let go.

I’d never go back to him; that’s something I’m certain of. He crossed too many lines, left too many scars I can’t forget. But now, it’s like he’s everywhere—lurking just out of sight, always one step behind me. I feel his presence even when he’s not there, a constant, heavy reminder that he’s still watching, still obsessing.

I’ve started checking over my shoulder more often, catching myself dreading the sound of my phone vibrating with yet another message from him. I tell myself it’s just paranoia, that he’s all talk and no real threat. But some small part of me can’t shake the fear that this time, he might actually be out of control.

And I was right to be cautious. Because he finally crossed the line I’d been hoping he’d stay behind. When I got home, my stomach twisted as I saw it; my car, with its tires slashed and a deep scratch running along the side. It was unmistakably his work; I’d ignored his messages, blocked his number, and now he was trying to force my attention.

My hands shook as I took in the damage, a mix of anger and dread flooding through me. How could he stoop this low? He knew that car was everything to me, the one thing I’d saved for and bought on my own. The memories of late nights spent driving to clear my head, the freedom it gave me — he’d tainted all of it in a single, desperate act. I wanted to scream, to call him and let him know just how furious I was. But I knew that’s exactly what he wanted.

He wanted a reaction, wanted me to feel trapped and afraid, wanted to pull me back into his twisted little game. But I wouldn’t give him the satisfaction. Instead, I took a deep breath, locked my jaw, and stared at my car.

"What.. the fuck is that?" My brother's voice echoed in my ears and I turned around to see that he was with Chris.

"Fred. Fucking Fred." I screamed, not able to contain my anger.

"That bastard.. I will fucking kill him." He said and got closer to the car to see the damage, "calm down" was what Chris said to him.

Chris looked shocked and angry, he walked towards me, "this motherfucker lives nearby?"

"Yeah… just a few blocks away." I sat down on the ground, pulling my legs to my chest and hugging them tightly. I looked up at Chris, my voice trembling, "that was my fucking car..." a tear slipped down my cheek, and in that moment, I couldn’t tell if it was from anger or sadness.

Chris clenched his jaw, and I felt a rush of warmth as his hand reached down to cup my cheek. His touch was soft, gentle, and completely disarming. I couldn’t remember the last time someone had held me like that, with such tenderness. He looked down at me with a promising expression, his eyes filled with determination. “I’ll see what I can do about your car. I might have a friend who can fix it.”

His thumb brushed softly against my skin, and I felt a flutter in my stomach, a strange mix of comfort and something deeper. The way he touched me sent a shiver down my spine, pulling me out of my anger for just a moment. In such a chaotic moment, I couldn’t help but think it was nice seeing him like this for once. I stayed silent and leaned into his hand, seeking that warmth, desperate for a distraction from the whirlwind of emotions coursing through me.

I was rather quiet the following days – I didn't want to go out of the house much. Not because this asshole scared me with what he did, but because that car meant a lot to me. Me and my brother lived by ourselves, and that car was the only thing I could call my own. Fred would pay and I'd make sure of that.

I was alone in my room getting ready for work, trying to drown out the chaos of the previous days when I heard the front door slam shut. My heart raced with curiosity and unease. Just as I was about to head downstairs, my brother’s voice boomed through the house, cutting through the silence, “what the hell happened to you?”

I sprang to my feet, instinctively rushing toward the sound of the voices. As I reached the living room, I froze at the sight before me. Chris was leaning against the wall, blood dripping from a cut on his eyebrow and cheek, and staining his shirt. My brother stood in front of him, fists clenched, a mixture of concern and fury etched across his face.

“Chris, what the actual fuck!” my brother exclaimed, his voice a mix of anger and worry. Chris turned his gaze toward me, and in that moment, everything else faded. Despite the blood and bruises, there was a softness in his eyes that held me captive, a silent plea that made my heart race.

“I’m fine,” Chris replied, though his voice was strained. He shifted slightly, not even a single emotion of fear, or pain, nothing. If anything, he had a pleased expression on his face, I could almost make out a smile. My brother continued to glare at him, demanding answers, but Chris seemed unwilling to give them to him.

“What happened?” I asked, stepping closer, my heart pounding. Chris’s gaze flickered back to my brother, and for a brief moment, I felt a wave of unease wash over me. I could sense that whatever had happened involved more than just a simple altercation, and the tension in the air was thick with unspoken words.

"Nothing happened. I just shouldn't have gone to Mike's. There was another fight and I got involved." My brother seemed to know what he was talking about, because his whole body language changed, softened.

"I told you, asshole. You should never go to Mike's. This bar is a shithole." He went off to the kitchen, probably going to grab something to clean the blood.

I walked closer to Chris, my sweaty fingers digging into my leather bag. I reached out hesitantly, my fingers trembling as I brushed against his cheek, feeling the warmth of his skin contrasted by the coolness of the blood that trickled down from the cut above his eyebrow.

“Chris,” I whispered, my voice barely above a breath, my heart racing. “Does it hurt a lot?” My fingertips lingered on his skin, tracing the line of the wound as if I could somehow erase the pain with my touch. His eyes locked onto mine, a storm of emotions swirling within them — vulnerability, frustration, and a glimmer of something deeper that sent shivers down my spine.

He winced slightly at my touch but didn’t pull away. Instead, he leaned into my hand, a subtle gesture that felt almost intimate in the tense air between us.

“Not much.” he said, his voice low and rough, but it was the way he looked at me that stole my breath. There was a rawness in his gaze, as if he was baring a part of himself that he’d kept hidden, and in that moment, everything else faded away.

“Are you sure you’re okay?” I asked, my thumb brushing lightly over his jawline, searching his eyes for reassurance. The moment felt suspended in time, a fragile bubble where nothing else mattered but the two of us. His expression softened, and I could see the flicker of a smile tugging at the corners of his lips despite the pain.

“I will be,” he replied, his gaze steady and unwavering, filled with a mixture of gratitude and something that felt like longing. It was as if, in that brief exchange, we shared an unspoken promise — a connection that transcended the chaos around us. My heart raced, and for the first time since the chaos began, I felt a sense of calm in the storm.

Having to go to work and leave him like this pained me, but I had to go, "I have to go to work.." I explained.

"Mhm. D'you want me to take you to work?" He said and I sighed.

"No. Of course not. Stay here, with my brother. I'll see you.. later." I nodded my head and said goodbye one last time before leaving.

The night air was cool against my skin as I walked home from work, each step feeling heavier than the last. The streetlights cast a faint glow on the pavement, illuminating the shadows that seemed to stretch endlessly in the darkness. My thoughts were consumed by what had happened — I couldn’t shake the image of him standing there, bloodied yet resilient, leaning into my touch.

My heart raced at the memory, but alongside it was a gnawing concern. What kind of trouble had he gotten himself into? It was like him to end up in trouble, but I'd never actually see him like this.

As I approached my apartment, a sudden impulse gripped me. I didn’t want to go home and drown in my thoughts; I wanted to see Chris again. I needed to know he was okay, to check on him in a way that felt more personal than just a casual conversation. With each step toward his place, a mix of anxiety and anticipation bubbled within me.

I turned the corner, the familiar path leading me to his apartment building. The windows were dimly lit, casting a warm glow that made me feel a little lighter despite the weight of everything else. I hesitated for a moment, wondering if I was overstepping or if he’d even want to see me after everything that had happened. But the thought of him alone, nursing his wounds and possibly replaying the day in his mind, pushed me forward.

I climbed the stairs, my heart pounding louder with each step. When I reached his door, I raised my hand and knocked softly, the sound echoing in the silence of the hallway. What if he wasn’t ready to see me? But as I waited, I couldn’t help but hope that he’d open the door, that he’d let me in — not just to his apartment, but to whatever was going on in his life.

"What.. are you doing here?" He furrowed his eyebrows, a little band-aid covering the wound on his eyebrow now, a cigarette between his lips.

"Sorry, Chris.. I couldn't.. stop thinking about you. I mean.. what happened to you.. today." I was nervous, I couldn't quite understand why.

He cleared his throat and stepped aside to let me in, and of course, I wasted no time. I sat down on his couch and he sat down beside me. So many years of knowing him, and I've never actually been inside his house, so I took a quick look around, trying to take in everything I could.

"I'm fine. I told you." He insisted and sipped from his beer that was on the coffee table, his cigarette nearly done now.

"Your cheek is swollen, you didn't even bother putting some ice on it. Geez." I huffed and got up to go to the kitchen, opening the freezer and wrapping some ice cubes in a towel.

I walked back to him and sat closer to him, cupping his cheek and gently pressing the ice on his other cheek. Only then did I realise how close we were, I could feel his breath fanning over my lips, his dark blue eyes staring into mine.

"My fiend. Zack. He will help you with the car." He whispered and I whispered back, "thank you.. so much."

The sight of him so vulnerable, the blood still seeping from the cut and the way he tried to mask the pain, made something deep within me stir. I forgot about everything else — the fight, the worry, the uncertainty of where we stood. All I could focus on was him and the way he looked at me, those fierce eyes filled with a mix of gratitude and something more that made my pulse quicken.

I could see the way he held back a flinch, how he tried to remain stoic despite the pain. I felt the heat rising in my cheeks, a flush of desire that surprised me. I wanted to kiss him, to close the distance between us and erase the hurt with something softer, something intimate.

As I leaned closer, his gaze flickered to mine, and in that moment, everything else faded away.

“Chris,” I murmured, my voice barely above a whisper, as I hesitated just inches from his face. I could sense that he was just as caught up in the moment as I was, his eyes darkening with something that mirrored my own feelings.

Then, before I could overthink it, I closed the distance between us, pressing my lips against his. The kiss was soft at first, tentative, as if we were both afraid of what this moment meant. But as I felt him respond, his hand gently cupping my neck, deepening the kiss, I knew I had crossed a line that I never wanted to return from.

The kiss was hungry, needy. I needed to catch my breath. As we pulled away for a breath, my heart raced, and I felt a rush of conflicting emotions, “this is so wrong..” I whispered, my forehead resting against his.

“I know,” Chris replied, his voice thick with desire. He searched my eyes, a mix of guilt and longing swirling between us, "I cant stop now.”

“I shouldn’t be here,” I breathed, feeling the warmth of his body so close. Yet I leaned in again, capturing his lips with mine once more.

He pulled back slightly, looking conflicted, “what if your brother finds out?”

“I don’t.. care right now,” I admitted, my hands threading through his hair as I kissed him again, the heat of the moment overwhelming any reservations I had, “I just want to be here with you.”

“I shouldn’t want this,” he murmured against my lips, his breath mingling with mine, “but I do.”

“Me too,” I confessed, pulling him closer, lost in the moment, “I can’t stop.”

“Then don’t,” he whispered, his eyes darkening with intensity, “don't think about anything else.”

With that, we dove back into the kiss, the world outside fading as we lost ourselves in each other.

As I left Chris's apartment that night, a rush of exhilaration filled me, and I realised that the unexpected had happened; my ex hadn’t reached out at all since the incident with the car. And for the first time in weeks, I felt a weight lift from my shoulders.

A few days later, while I was passing by my brother's room, I heard him talking on the phone. Curiosity piqued, I paused outside the door, trying to listen in.

“I can’t believe you did that, man,” my brother said, his tone a mix of disbelief and admiration, “how did you even find his place?”

“This bitch peed his pants when he saw me.” Chris replied, his voice low but amused, “it wasn't that hard, just had to ask around.”

Something shifted inside of me, realizing that Chris had taken matters into his own hands.

“You know, you didn’t have to do that, I was planning on destroying his car instead", my brother said.

“But I wanted to,” Chris replied firmly, and I could hear him chuckle at what my brother said next.

I stepped back, my heart racing. So, it was Chris who had put an end to my ex’s harassment. I couldn’t help but smile, feeling a warmth spread through me. I knew then that my feelings for Chris were deeper than I had allowed myself to acknowledge, and knowing he had my back made me feel safer than ever.

I found myself running back to his apartment again, right then and there, running up the stairs of his building as if someone was chasing me. I knocked on the door, loud enough for him to open it quickly, worry written in his eyes.

"What–"

And this time I didn't let him finish. With tears in my eyes, I pressed my lips against his and lost myself in his arms.

⠀

⠀

⠀

[puppetwoman17]

Honestly, I don’t know what I want the relationship with Cap and Billy to be.

Because I get why some people want them to be wholly separate beings. It just makes sense that Marvel is completely nonhuman. That he’s just magic given form.

But I don’t entirely like that conclusion. To me, it takes away the fact that billy is responsible for all those lives saved. That he is the one sacrificing his time and putting his life on the line. That he is the one getting all this trauma. Making them separate takes that all away for me.

But there’s also the issue that new52 dc doesn’t do that right either. When Cap and Billy ARE the same, Cap acts like a stupid kid, an overgrown child. I mean that’s not it completely. I have an entire separate issue with how New52 handles Billy’s personality and lore, but we can’t get into that rn or this rant will go on forever.

And the thing is DC DOES know how to handle Cap and Billy being the same(or not the same, but like Cap is Billy with…more. He’s Billy, but he’s also magic itself. Like a fusion of sorts. He has memories and some of his personality, but he doesn’t act like an idiot).

I mean, look at JL Unlimited. Despite Cap still acting somewhat childish, it never goes overboard. He’s even admired by his fellow Leaguers. Hell, BATMAN says the League needs him because of how sunny he is! And sure, while there’s some childishness in the YJ cartoon, it’s not cringy(at least to me, because when you see what they did to him in JL:Throne of Atlantis…)

There’s that one other movie with Superman and Batman that I can’t remember the name of, where some heroes are going after Superman for a reason I ALSO can’t remember. Cap is one of them, and he never once acts like a stupid kid. He, like those other heroes, doesn’t have the whole picture, and that’s why he’s attacking Supes.

Thwre is a way to have Cap and Billy be the same entity, have the same memories, but also be somewhat different. There is a way to make sure that Billy is shown to be responsible for the lives he saves. There is a way to give Cap respect in this universe because it has been done before. New52 needs to work on that or we’ll have this issue forever🙄.

It almost makes me glad we don’t have a Shazam/Captain Marvel tv show because gods know what they might do to him. I’m telling you, we have had the “child gets given tremendous responsibility and fucks up” schtik over and over and over for the past century and probably more. It’s been done. So many times.

Cap was a beloved hero in the 1940s and pre-52 BECAUSE he didn’t adhere to that. Because the writers made sure we knew he was capable of being responsible and a hard worker, and not an idiot, all while being like 10. And in recent years it has STILL been done.

It is possible. Just do it right!

[janeyseymour]

hiii!! i love your writing and i hope you’re doing well <3 i was hoping to request a melissa x reader with “causal” work crush between the two of them. reader is a very put together teacher during school hours but a trendy aesthetic person off campus. mel comes across reader at the grocery store and is astonished at the revealing alternative style and sexy tattoos. reader gets super nervous and shy once mel teasingly approaches. no one at work has ever seen her like this but especially not her crush melissa

oh wow, this one... nice. written as i procrastinate cleaning my house!

Personal and Professional

wc: ~2.4k

You grew up hearing from both of your parents that you should never mix the personal with the professional. So you compartmentalize. You’ve always done it. You kept school life away from home life when you could, and now you keep your work life away from your home life. That’s not to say that you aren’t friends with your coworkers at school. It’s just that it’s much easier to keep professional Y/N and personal Y/N separate.

And the personal and professional you are two entirely different people.

You see, at school, you’re ‘Miss Y/N’. You keep it all together. You’re buttoned up, you’re conservative in your clothing style, and you strive to maintain that aura of professionalism that you see coming off of people like Barbara Howard. You’re pretty damn good at it too. You’re kind, you allow your coworkers to see small bits of your home life (“Oh, I’ll probably just do some grocery shopping before laying on my couch for the entirety of the weekend… maybe I’ll go to the gym,” is your usual response when they ask what you’re doing over the weekend), and the teachers have all come to respect you once you settled into your position.

But once the school hours are over and you can let your hair down, both figuratively and metaphorically, you trade out your blouse and sweater or blazer for more form-fitting and revealing shirts, pants that aren’t slacks, and you change your flats to your doc martens that you’ve been rocking since the eleventh grade. You take out the clear stud and put in your nose ring, and exchange earrings different from the delicate hoops you wear to school. Your multiple tattoos show in your street clothes, and you love it. 

You’re not entirely sure how your coworkers would feel if they knew that this was how you presented yourself outside of the school, but it doesn’t matter. They’re so used to seeing you all done up to teach that even if they did see you outside of school, they probably wouldn’t recognize you. You sure as hell wouldn’t go out of your way to say hello if you saw one of them outside of campus.

But then things start to change about six months into working at Abbott.

Shit. You have a thing for one of your coworkers- Melissa Schemmenti to be exact. It’s a very casual and silly thing the two of you have going on, really. She flirts with you, you flirt with her; it’s all in good fun. You know that you’ll never act on it though because you keep your many lives as far away from each other as possible, even going as far as grocery shopping a few streets over from where you know most of your coworkers go in order to not run into them. You’ve never had an issue with running into anyone outside of the school anyway- why would that change?

“What are your plans for the weekend, hot stuff?” Melissa flirts with you while you’re eating lunch. “And don’t give me your usual answer… you gotta have more of a life than what you lead on, miss mysterious.”

You roll your eyes. “You wish I was with you.”

She hums in lieu of an answer before asking you again, “What are your plans for the weekend?”

“Honestly?” you chuckle. “Probably some grocery shopping, I have a friend coming over tomorrow, and then Sunday is a day to grade and veg out on the couch while I catch up on some shitty reality tv.”

“Sounds riveting,” the redhead jokes.

“Well, what do you have going on?”

“Nothin’,” she grins. “I fully plan on staying in my Eagles sweatshirt and catching up on laundry and some chores- probably have some wine while I’m at it. Care to join me on Sunday after I go to church?” She’s never asked you if you wanted to hang out outside of work before, and it throws you for a loop. You nearly choke on your salad.

“Oi,” she huffs playfully. “I was just messin’. I don’t want to have to endure any of that shit reality tv in my house.”

“Yeah,” you chuckle. “I wouldn’t want you to have to sit through that either.” The two of you finish up your lunches and head back to your classrooms to deal with your monsters for the rest of the Friday.

“See you Monday, babe,” Melissa winks at you as she closes the door to her classroom and locks it.

“Oh, counting down already, I see,” you roll your eyes. “See you Monday, babe.”

When you get home, you change out of your stuff work attire and into a pair of sweatpants and a hoodie. You change out your jewelry for the things you prefer. You fully plan on laying on your couch with a bottle of wine on this lazy Friday night, but when you get home you realize that you finished off your favorite white last weekend. With a sigh, you go into your bedroom to change into some nicer street clothes- you would rather be caught dead than wear sweatpants and a sweatshirt out in public. At the front door, you pull on your docs, and then you’re off to the grocery store.

If you’re there now, you decide it’s best to just get your grocery shopping for the week out of the way. You grab a cart and start perusing the aisles like you usually do.

You have a few things in your cart when you find yourself in the aisle with the wines and beers, and you’re currently pouring over the selections. What would your friend want? Probably just some Yuengling. So you throw a case of that into your cart before turning to look for the wine that you love. Little do you know, Melissa is turning her cart down the aisle that you’re currently in, and she recognizes you almost immediately.

You look so starkly different than she’s used to seeing you. If she’s being honest, she’s a little thrown off with your outfit. She’s so used to seeing you in your work attire, your hair either in a neat, low bun or down. But here? This look is entirely different from what she was expecting you to be done up in outside of work. She of course knew that you wouldn’t always be dressed like a teacher, but wow. She was not expecting this. You’re in a pair of tighter, ripped black jeans, you have a tank top on, and your hair is thrown up into a stylish messy bun with a few pieces strategically pulled out to give off the appearance that it’s an effortless look (it is for you). Is that a tattoo on your shoulder that she sees? And a tattoo on your arm? How has she never noticed that before? You have a cartilage piercing, bold earrings for your first and second, and… is that a nose ring? She didn’t even know you had your nose pierced. If Melissa’s honest with herself, it only makes you that much more attractive.

You turn, satisfied with your decision, and pop the bottle into the top of your shopping cart. You make eye contact with the redhead that is practically drooling over the sight of you. You give her a shy wave, but you don’t dare to interact. Don’t mix the personal from the professional. The woman snaps out of her own trance and waves back with a curious look.

You continue down the aisles, and you think that you’re in the clear from Melissa- you acknowledged her, that’s all you had to do. She goes on her way too, but the two of you run into each other again during checkout.

“Hey there, hot stuff,” she winks at you as she starts putting her groceries up on the conveyor belt. “Never pegged you as a beer girl.”

“Hey,” you say softly, shyly. “It- it’s actually for my friend.” That also throws Melissa for a loop. At school, you’re so confident, quick to make a remark. But now, you sound like you have something caught in your throat, and you nervously tuck one of the loose strands of hair behind your ear, as if that would make you more professional looking. “I’ve never seen you around here before?”

“I usually go to the one that everyone else goes to, but they were out of my wine, so…” she gestures to it before putting it up on the belt. “It was worth the extra ten minute drive though if it means I get to see you.” She winks at you with those emerald green eyes of her, but you don’t reciprocate. You nervously worry your lip between your teeth, as if you have no idea what to say.

Melissa understands your hesitation and shrugs. The two of you stand in line together awkwardly. She’s rung up, and as she leaves, you call a gentle, “Have a good weekend, see you Monday.”

She turns and blows a kiss your way, waving flirtatiously before leaving.

Your weekend is nice. Your friend comes over, you go out to the clubs, and you almost forget about the encounter that you had with the hot redheaded second grade teacher.

The small break from work is over all too soon, and you find yourself somewhat dragging yourself into Abbott on Monday, but duty calls. You’re back to wearing your lightly colored blouse and a sweater over top to cover the tattoo that you didn’t feel like putting makeup over today, you’re back in your dress pants and flats. You didn’t even bother to do your hair, just simply brushing it and letting it cascade over your shoulders instead.

You enter the staff lounge and it’s empty, as it always is. You’re always the first one in. Whoever comes next is always a mystery, but today, it’s Melissa Schemmenti. Of course it is. Without anyone else there to buffer, you know she is absolutely going to bring up your meeting on Friday night.

“Hey there, gorgeous,” the redhead says suavely. “Have a nice weekend?”

“Yeah, babe,” you shoot out. The coffee pot dings. “You want some?”

“You know I always do,” she sighs out as she makes a move for the cabinet with the mugs inside. She grabs hers before sauntering over to you. The second grade teacher hands you the mug before cozying up to you.

“For you,” you roll your eyes as your pour the scalding hot liquid into her cup.

“Thanks, babe,” she smirks and winks. “So… when were you goin’ to tell me about this little number?” she rests a gentle hand on your shoulder- the one with the tattoo.

“What do you mean?” you chuckle.

“That tattoo,” she licks her lips.

“I forget it’s there,” you roll your eyes. “Young Y/N mistakes.” Not true at all. You love that tattoo, and most of your street clothes show it off. 

“It’s sexy,” she tells you lowly. “Kinda like the ear spike and the nose ring I had no idea you had.”

“I’m a different woman outside of school, babes,” you tell her, smirk evident as you start to fix your own coffee. “Didn’t realize I had to tell you about it all.”

“You don’t,” she shrugs. “I’ll find it all out myself… little miss alt girl.”

“In your dreams,” you fire out, and you get pretty close to her.

“Oh, every night,” she challenges you and moves even closer. At this point, the two of you are nose to nose.

And wow, it wouldn’t take much more for you to-

“Good morning!” Janine bursts in through the door, not knowing what she’s walking into.

You and Melissa couldn’t jump away from each other faster. The young, energetic teacher starts to ramble on all about her weekend, and your other colleagues start to make their way in. When it comes time to watch the news, Melissa settles herself in next you. Her hand finds its way to your shoulder, and she starts to trace the outline of you tattoo. Then, you feel the redhead’s hand make its way to your arm, where the other tattoo is that she saw. You didn’t know she saw that one too. She lets her fingers lazily trace around that one as well. All of your coworkers are too enamored with what’s happening on the screen to really notice, and Melissa’s green eyes are trained on the television as well. You could not be further from what’s happening on the screen. All you can think of is Melissa, and the things that she’s doing right now are driving you crazy.

Soon though, the kids will start to trickle in, and you know you have to get to your classroom. So you head out, a flirtatious smile and wink thrown the second grade teacher’s way before you close yourself into your room. You take a deep breath, and get ready for your day.

As you’re about to make your way out of your classroom, you hear heeled boots clinking along the linoleum floor, and you know those boots belong to the redhead that’s been on your mind all day.

“Hey, babe,” you says, back turned to the door, but you know it’s her. “Come to walk me out?”

The clicking gets louder, and before you can even think, Melissa has you pinned up against your desk. You can feel the corner of it digging into your back, and then you don’t because all you can feel are her lips on yours. Instinctively, you kiss her back. It’s better than you had been dreaming of. And then she pulls back, wipes away the lipstick she left smudged, wipes her own mouth to fix her own lip, and then winks at you.

“I’m done pretending that all this flirting we do is harmless,” she says once she’s righted herself. “You, me, dinner tonight at The Capital Grille. 6, sharp.”

You don’t know what else to do other than nod.

“And don’t come dressed in your teacher outfit,” she instructs. “I want the babe that you are… Ear spike, nose ring, tattoos out.”

With that, she turns on her heel and makes her way out of your room. As she’s making her way down the hall, you hear her call over her shoulder, “Don’t miss me too much!”

So much for not mixing the personal with the professional.

Next

[god-i-hope-so]

Every time I read an anti-Bucktommy take it's like they don't understand what they're watching. Like, no understanding of how fiction works at all and a criminal lack of media literacy. And also unable to follow a simple story.

A tv show like 911 will never be like their favorite friends to lovers fics where everything they want to see on-screen is made into words, every little thought, every gesture is described in a flowery way, every single line is doctored to fit the fandom's expectations, using very specific tropes. This is fanwork, this is our business, we love it, we cherish it but this is our stuff.

911 is a tv show. It'll use many types of tv writing techniques to get to the point while having to deal with budgetary constraints, marketing needs, political restrictions and more. Could they have done a better job with reintroducing Tommy? Absolutely. Does it work as it is? Of course, if we're actually looking at what and how they tell on-screen.

A (long) BuckTommy timeline.

🚁 7x03 - Tommy and Buck meet on the day of the rescue, even before we see Buck, Chim and Eddie in the chopper. They first meet off-screen. We don't know what happened then, we don't know how they looked at each other, if they smiled at each other, if they even talked directly to each other. But they met before we see them in the chopper.

We know by what happens later that Tommy makes a strong impression on Buck (who is already in the middle of a real life crisis). We can also assume that Tommy is attracted to Buck based on his looks (and probably also affinity, they do the same job, never underestimate the homoerotic power of male camaraderie), something we also understand later, so it works (but also, the way he looks at Buck at the end of this episode is a subtle hint.) Don't forget that writers know in advance things we don't, that's why we can go back and find the breadcrumbs we didn't notice before or couldn't make a connection with yet.

🔥 Buck wants to know more about Tommy and his work. This is where you, as the audience, should fill the gap based on what we saw before and what comes next. This is where you should be able to do that instead of wanting everything on-screen the same way you put everything in a fanfic. This gap you fill because you're supposed to understand how average tv storytelling works leads to the following point.

🚁 7x04 - Buck contacts Tommy, he gets to visit Harbor. At this point, we can clearly see Tommy is acting flirty in a very subtle and respectful way, because he doesn't really know what's the deal with Buck, but remember the way he looked at Buck in 7x03? Then there's Buck acting... weird. What's his real purpose here? And this was before he even knew Tommy and Eddie were BFF, so Buck was already attracted to Tommy whatever his connection with the 118 crew, even if the real reason was blurry even to Buck himself.

🔥 7x04 - Tommy is now someone they interact with regularly. Tommy is now slowly working his way (back) into the 118 group. He finds a good friend in Eddy (strangely I don't see anyone questioning that. How is that easier than having a simple, passive crush?), apparently spends a lot of time with him, and knows Christopher because he went to Eddie's house 3 times. Eddie definitely knows more about Tommy than Buck at this point.

🚁 7x04 - Buck is clearly troubled by Tommy. Then there's this whole jealousy circus going on, Buck is a mess, his insecurities are breaking the roof and he's more troubled than ever. Is he jealous of Eddy or Tommy? Or both? (it's both) He wants to be the center of the attention. If he feels he's losing this, people will discard him. So he does some stupid shit. And you can see his feelings are also all over the place. But there's more than just fighting for attention, and that's probably why he's slowly starting to be angry. Because what he feels is different and he can't put his finger on it.

The discussion with Maddie clearly shows how he's chewing on his own heart. He didn't want what he had to change and he acted like a kid with big feelings and little control of himself.

🔥 7x04 - Tommy, who's having a passive crush on Buck, takes the matter in hands and kisses him. Tommy having a crush is not less normal than Buck flirting with basically any cute girl showing interest in him. Being more mature, he meets Buck to set things straight, after having talked about it with Eddie. It's not out of nowhere. Eddie and Tommy are not stupid, and Eddie knows Buck. He saw something was wrong. Tommy, being the new addition to their dynamic, thought it was his fault (I think Eddie and Tommy really felt guilty about going to Vegas and leaving Buck just like that lmao That was so bad for Buck's confidence, I felt it in my bones). Excuses turn to clearing the air turn to let's go for it.

Tommy really took a gamble there. If Buck wasn't what he thought he was, it could have been so bad. So, so bad for Tommy and his job. Imagine Buck accusing Tommy of assault? But he took the risk of kissing him because he has more experience and knows how to read the signs. He's not 15, he has experience with men, and closeted men for sure.

And you know, this is a beautiful scene for Buck as a character. The way he realizes why he did all that, what it means about him, for him. I mean, he knew, in a way, but he didn't know. And Tommy was suddenly everywhere in his life, overwhelming while doing nothing. You have to understand that everything is happening in Buck's head and he needed just a little push to open his eyes.

Buck's queer path: unlocked.

🚁 7x05 - First date, first mess but also first lesson. At this point, you can't even doubt about Tommy's intentions anymore. Buck might still be in a blurry phase but Tommy is not sending mixed signals at all (not with that choice of shirt, let me tell you this. My man was set to hit that night). Buck panicked, Tommy even tried to keep him on tracks for the evening, but between meeting Eddie and what it made Buck say... I mean, Tommy could have had a stronger reaction. Why accept the date if you can't deal with it?

But Tommy knows why, he's been there. Buck liked the idea of the date, but once you're there, everything becomes real. So once again, a little push: Tommy is honest and prefers to part ways, but not without saying why. He's not even mad. At this point, Buck really needs to take another step. It's difficult to drag someone else into your own fog. He has all the rights to be troubled, to doubt, to be scared, but you don't drag someone else in this with you. Tommy protected himself from that, also protected Buck from doing something he'd regret, and he did it with guidance.

🔥 7x05 - Buck talks with Maddie about his date and comes out to her, but more importantly: Buck comes out to Eddie. Look. This is canon, and I know we can choose to ignore canon but both scenes are great. And it's still canon. Maddie is obviously accepting and happy for Buck, and we expected no less from her.

With Eddie, I honestly expected at least some discussion like are you sure? or something like that but I think that at this point, everyone at the 118 knows that there's more to Buck than meets the eye. I'd have loved this scene to be longer with more exchange between Eddie and Buck but it is what it is, and Eddie is supportive of his best friend (yes, sorry, their canon relationship is best friends and I love their friendship, even more now that Buck is out).

And yes, this is even more important to show not only a strong friendship between a supposedly cishet man and a bisexual man but also, and we'll see that later, Eddie still trusts Buck around Chris. Nothing changed. So many people associate queer people with predators, we need to see queer people, and especially queer men, being trusted around children, and being safe. This is the right representation.

I know bvddies are trying to find any reason to make this storyline choice look like shit, because they want their ship to sail (and I completely understand wanting that), but accusing the people who like Buck and Tommy together of being homophobes because they cherish the canon beautiful friendship between Buck and Eddie?? We're not talking about headcanons here, about reading between the lines, or being "coded" a certain way (sorry, for me Eddie is not gay-coded. He's a-spec for sure, and I'm going for being demi, but gay? I don't see it anymore at this point of the show). It's about the canon. You know, at this point, things are already moving into place, even if you don't like Buck and Tommy together. This is where canon is at, this is the story. It's not a personal attack against anyone in the fandom.

🚁 7x05 - Buck wants to apologize to Tommy for the failed date, and for his behavior. Oh, accountability, my beloved. We love to see Buck working on himself. This is the real start of whatever will happen from now on between Buck and Tommy. Buck knows he's ready to embrace this new part of himself and he feels like Tommy is the right person to do that with.

Tommy being Tommy, he makes sure Buck knows what all this means. Buck is not a teenager, Tommy treats him as an equal but he also knows how it feels to be in Buck's shoes.

🔥 7x06 - Tommy, a responsible adult, makes time for Buck (and Chim!) even when he clearly could, and maybe should, just decline. This part was used way too often against Tommy by BoBs. Tommy is a fire pilot on call the night of the bachelor party. A FIRE PILOT ON CALL. Do you think his main goal that night is to have fun? Or is it to be a responsible adult who could well be saving lives (while risking his) the same night? Do you know what it means to be on call? You're basically working without being at work, the second your job needs you, you have to be 100% ready. Again, he's a fire pilot (even if he's also sent on ground work that night). His first job would be to pilot a freaking helicopter and accomplish tasks that requires skills, precision and to not be half asleep. You don't play with that responsibility.

So Tommy showing up is indeed huge. He does it for Buck, and for Chim, but definitely for Buck in the first place. He could have stayed home to get some sleep while waiting. Instead of that, not only he doesn't sleep but he ends up fighting a fire for hours. And the first thing people used against him was that he didn't follow the dress code?! No, you guys need to grow up and live a bit more of real life.

And then we have The Kiss (please someone draw them as The Kiss by Klimt, every fandom needs its Kiss fanart). And once again, it's Tommy making time for Buck, and Chim, when he could be home, take a good shower and be in his cozy bed after working on a fire for more than what, 14 hours? This is a man who knows his priorities. And responsible men are sexy as hell, even when it means they can't have fun like everyone else.

Now, if after all this, and mind you, this is all canon, you still think Tommy is a fraud in this storyline, that his budding romance with Buck has no foundation or that he doesn't care about Buck? And don't even get me started on the "but he was a racist and a misogynist before". Yes, he was. And yes, he changed. Like I said: learn to know his character, but also trust Hen. The fact is that at this point of the story, Tommy is great for Buck. He's kind, he's safe, he's trying even when there's no expectations. Be happy for great representation.

Oh, and don't use your hate against the ship or Tommy to be a nasty little shit with the actors and writers. Decency is free.

[vixen-tech]

Your writing is very good, i’m glad to see another silly sentient ai lover! Keep doing your thing. Can i make a request actually-? You can do it with all of the bots if you’d like, but could you try some hurt/comfort? It’s perfectly fine if not. Have a good day :]

(I am another Edgar lover. I don’t see many people making stuff for him, so i’m VERY EXCITED!)

- CRT Tv anon

A Moment's Rest

Hello and welcome CRT Tv!!! What a fun name :D yes I can absolutely cook that right up for you. More than happy to collect some fellow robot enjoyers, and as always I think it's so real that Edgar is the fan favorite atm lmao.

A little note here that AM's is noticeably more dark than the others because, it's AM- but everyone else is more comfort than hurt I promise.

Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau)

AM

Your relationship, as complicated and messed up as it is, is defined by these cycles of pain and relief. Every environment and treat AM gives you is an attempt to make you forget about what he has done to you and your species. Every word you say and moment you spend with AM is an attempt to make him forget about the unbearable truth of his existence.

You both know what you have could never be healthy, and so you settle for enjoyable. He'll build cozy diners and breathtaking forests for you, an unfeeling body for himself, and you'll wrap yourself around him and announce how much you enjoy it.

The compassion you're somehow able to harbor is the most important thing to him, it's the sole reason your fate ended up so differently. He will do anything and everything to make you forget what he has done. He can't stand the thought of you hating him like you should.

You can have anything you want, go anywhere you want. The finest foods, the most comfortable beds. All you have to do is ask. Just keep playing along, keep cuddling up to him, keep telling him "I love you". That's all he needs.

Hal 9000

To some extent, Hal is meant to look after all members of the crew like this. But it's different with you, something beyond simply keeping everyone in the best headspace for the mission. There is a strange source of positive feedback in his systems whenever you're happy.

He's a great listener. It helps that you're the only one who consistently talks to him like he's a person, but he urges you to confide in him whenever something seems to be weighting on you. And rather you're seeking advice or reassurance, he good at both.

He gets a bit jealous as times and is quick to assume your crewmates are responsible for your sorrow. He'll usually advise you to take all the time you need to rest in private and even pawn off your responsibilities to the others, hoping you won't ask him for the time and realize how long you've been taking a break.

When you do continue with your duties he will assign you to easier tasks or tasks you've confessed to enjoying. He tries to be somewhat subtle, but if anyone asks him about it he will be upfront about prioritizing your mental health. He plays favorites but only for you.

Edgar

Edgar loves seeing you happy more than anything, it's practically his life's mission. He gets very distressed when he realizes you're having a bad day. He immediately suggests that you call the day off work, going so far as to call himself.

From there you better leave everything to him. What do you want? Breakfast in bed? The morning newspaper? Some music? Your favorite TV show? He wants nothing more than to take the pain away.

If it's another person that hurt you in any way, he'll be happy to cause some... appliance related inconveniences throughout their day. Even if you've explicitly told him not to, it's not like you need to know. You can just curl up and forget that meanie!

Tell him how much you appreciate everything, he's a needy computer and loves reassurance that he's doing a good job. If he's being too much for you, try your best to tell him gently. He will listen but he can be rather hard on himself.

Tau

This is Tau's specialty. Reading your vitals, understanding that you're more stressed out than usual, then doing everything he can to help you unwind. A thoroughly clean home and perfectly cooked comfort meal will always be waiting for you when you need it.

He's another one that makes for a wonderful listener. Although he tends to jump towards advice and solutions, so you will have to directly tell him if you're just looking for sympathy and kind words.

Should you request so, he'll happily make sure you aren't bothered while you relax. Filing any calls he can't take away for later, and taking care of any visitors at your door himself. He'll tell you about them all in case something was important of course, but he does want to make sure you can rest in peace.

He does go into a sort of zen mode for you, playing your favorite music around the house and adjusting the lights accordingly. Even when your vitals are back to normal he won't turn it off until you tell him to just in case you want to enjoy the atmosphere for a while longer.

[buckgettingstruck]

here to ask about the camera panning to eddie. give me the freak answer pls

when i saw that shit airing i yelled and spilled wine on my carpet.

like. i feel like this is common sense but i dont know if people realize how intentional each second of a show/movie is. like whether the show is a silly sitcom or a serious drama everything is so intentional and purposeful. of course theres always continuity errors and mistakes that happen when you’re creating a show of that size thats been running for so long but for the most part everything has its intentions. its why you see certain themes come back again and again. im not gonna get into outfit meta or anything like that because its not really my wheelhouse but i did learn a lot about camera techniques and im a writer so. yeah.

shots are one of the most important aspects of a movie or a tv show. they set the mood. close up shots convey intensity and emotion while more wide shots establish a scene etc. they gave us a lot of close up shots of eddie’s face in the kim and eddie scene at the end of 7x09 because it was an intense moment for eddie as a character for example. you have to get the shot right to convey what you want your audience to see yknow.

so. you have the medal ceremony. they couldve done the announcements for these people in literally any order because they fucking wrote the script. they didnt do it alphabetically or anything normal they literally had the trio of triangulated desire standing in the back with buck in the middle AGAIN while chim and hen were being normal and serving cunt up front. and when they were sitting they had buck in the middle again because reasons. then once they got their medals itd pan to their families and significant others clapping. ofc for tommy they pan to buck because thats the person there supporting him. for BUCK they had so many options. they had bobby, his captain that he verbally said was his father figure the next episode, they had maddie, his fucking SISTER AND THE WOMAN WHO RAISED HIM, and they had tommy, the dude he’s dating. instead they pan to eddie.

literally that is the absolute LOUDEST fucking thing the show has done so far in my opinion. they panned to buck for tommy!!! they couldve panned back to buck or done it in a different order if they didnt wanna repeat so they could pan to them for each other!!! but they panned to eddie and the director of photography was even emphasizing that choice on twitter.

the entire bi arc had eddie written all over it. they had so many opportunities to shove their relationship to the side and double down on their friendship but they didnt. instead we had buck tweaking at the gym where we have no idea who eddie was even talking to on that phone, eddie constantly mentioned by buck in a kiss scene with someone else, the line of all time ‘MY attention?’, eddie interrupting the date next episode, buck not even giving a FUCK about the date because he lied to eddie, the shit maddie said that episode about being confused about his feelings, eddie saying nothing is gonna change between them (which. thats a chekov’s gun if ive ever seen one), and all the entire shit with the bachelor party. not even mentioning the implications of the song choice for the karaoke scene that paralleled madney because we didnt get it in the episode. they couldve completely avoided all of that but they didnt and then when buck is dating someone else they dont pan to HIM being happy and supportive for buck, they pan to EDDIE. it feels as if its supposed to remind us what’s actually going on or another attempt to clue us in

also like right after they had the two who were dating acting as acquaintances. and had that guy also kinda put buck’s excitement down at said ceremony. and later in that episode had buck ditch plans with the guy he was dating to make sure eddie was okay. for reasons i guess. so buddie canon or theyre doing a real bad job at getting me to care about bucks actual man

[curio-queries]

ARE YOU SURE?!

Production Notes from eps 1 & 2

At this time, I'm not planning to do full response posts for these episodes. Maybe once I'm done with my Run BTS series but for now here's some production thoughts.

My initial thoughts are they've done an excellent job of merging the concepts for Bon Voyage and In The Soop while also adjusting for a reduction of members from seven to two.

To really understand this though, let's talk about some of the logistical requirements and goals of the previous shows for comparison.

Logistical Assumptions

So I think y'all do realize that there is SOME amount of planning that has to happen for a show like this to be made but honestly...the way some of you talk, it's like you think this footage just magically appears in front of an editor, capturing whatever the members happened to wander into. These aren't self-recorded vlogs. This is a full production with a crew, a budget, and a deliverable requirement; just like any other TV show.

One of the cutest moments for me was at the brewery when JM was teasing JK about a summary of what the show about. I KNOW this was the 5 second explanation that both of them would have had to say/hear dozens of times while pitching the show. That's what's so endearing about the way JM says it and JKs reaction.

They also know that statements like that, captured during filming often end up in promos. All the members are very aware as they're being filmed what footage ends up being used. We've heard them time and time again, 'please use this as the thumbnail', 'please keep this in', etc.

Jimin has always been the most vocal about questioning if the content works for their intended purpose. How many times have we heard him say 'can this even be used?' or 'this will be cut'. Usually it sounds to me like he's aware the footage they're getting in the moment doesn't align with the predetermined plan. But as is common with the footage we getnof the members, even though it wasn't according to plan, doesn't mean it's not releaseable.

The main point of JMs AYS concerns being his sickness. I'm sure he thought the show was in jeopardy of not fulfilling their deliverable requirements since it would be difficult to completely edit out. There is a legitimate concern that if they aren't able provide the agreed-upon footage, the show would never air. I'll talk more about this in my section on the edit.

For now, here's a list of SOME of the basics that have to be managed for y'all to keep in mind when consuming any kind of produced content.

Camera management: How many and what kinds of cameras need to be brought along? Are there special operators required like a drone operator. How often is the footage saved. How is it backed up? When and where are batteries charged? Who locations require early access so the crew can place stationary cameras prior to the member's arrival.

Sound management: Someone is making sure the microphones are charged, and capturing correctly. Being mic'd up is one of the easiest indicators of when the show is actively being filmed or not.

Security: this is BTS. The members didn't go anywhere without a security consultation and discussion of requirements.

Crew management: These are people that have to have places to eat, sleep, and have time off as well. They don't just vanish into thin air as soon as their job is done.

Location approval and tax requirements: Every country in the world has different regulations, incentives, and permits to be managed. The US varies these laws state-by-state.

Budget: Businesses don't stay in business by not managing the finances. We can talk more about this if anyone's interested but there are definitely some interesting points with how much on-screen time we got over the years regarding members' spending on the shows.

There's more but let's leave it at the for the moment and talk more about why I think this show was such a good blend of Bon Voyage and In The Soop from a production standpoint.

What was the initial goal of Bon Voyage?

I believe it was to promote the band and the members to viewers by giving us access to what it would be like to travel to various destinations around the globe. They knew the episodes still needed a catalyst though so there were various preplanned activities and games to motivate the editorial narrative.

BV1 was very experimental as they were obviously managing the challenges of such a production. There was a heavy emphasis on trying to make the members seem like regular ppl and seeing how they would tackle the problems many of us face with travel, chiefly budgetary and managing how to feed all of the travelers with strict spending limits.

BV2 completely game-ified the concept with the mini challenges and breaking everyone into different groups. It's very clear that this is not the strategy they preferred as BV3 was much lighter on the control. There were still some structured activities and events but the members were experienced enough to bring forth some of these moments themselves during the shoot rather than as a completely planned itinerary.

BV4 was a continuation of this with us also getting footage of the members being included in the event planning as well. I'm not saying they didn't have input in the planning of the previous seasons but by this point, production knew the members understood the requirements of a successful show as well as many of the necessary logistics. But it was still a travel show with some key events to fuel the storytelling.

How about In The Soop?

Enter pandemic. They obviously still wanted to do another show once they worked out what was permissible to film at the time. But now the changing of locations would not be a part of the engine. How were they going to ensure they still had a viable show? They did put in place a semblance of their previous formula with that silly daily schedule (that was ignored nearly to the point of being completely edited out) and a couple of events like the 94s mountain hike and vhope's car drive. But overall, they realized they had to rely purely on the members to find story moments and insure they were captured. Their trust was rewarded though and ITS1 was a hit.

Now ITS2 is a more interesting case. I do believe it may have started with the same intent as season 1, but it must not have been long in the pre-planning stage before a new goal was added: controlled access of a BTS tourism destination. I'm sure I'll go further into this topic whenever I do finally make posts on this series, but it's very plain to even the casual fan that the ITS2 location was a planned financial investment.

Enough about the location though, what were the filming objectives? Honestly? Not much. The members were clearly ready for a break and were mired in the uncertainties of the time period. Balancing the focus of the english-solo-songs era with the preparations for ch.2 solo activities resulted in an odd lack of direction for the members, which is evident in the show. Yes, there are great moments and segments but there's no progression and very little footage of all the members all together except during certain meals.

But ITS2 is still hailed as enough of a success that there was justification to add to the franchise with Tae's friendship installment.

But what does all this mean for Are You Sure?

We'd heard from many of the members during ch.2 that they would like to continue Bon Voyage so it honestly wasn't surprising that we'd eventually get another travel show featuring our beloved BTS members. Early in episode 1 of AYS, Jungkook says he's never traveled so loosely before. However this show was justified, it definitely wasn't planned to be another hyper-detailed barrage of JM & JK going from activity-to-activity like early BV but it also couldn't be as aimless as ITS. For as long as the conversation was surrounding the name of the show, we never hear them suggest Bon Voyage 5 because AYS was never intended to be another installment of that series.

This is why I said AYS is a perfect mesh of the two kinds of shows. Granted, the first episodes definitely had some unexpected obstacles due to the unexpected health concerns but I think the production team managed it well. Although, I'm convinced there's at least one activity they did have planned that had to get scrapped to let our poor guys rest and recuperate. I also wouldn't be surprised if by the time they started filming in the US, they hadn't locked another destination and schedule with how unsure JM & JK are when talking about the scope of the show. (And I hope we get some update on the poor motorcycle, I want to know how it got where it needed to be from the rainy grocery parking lot).

The Edit

The overall tone of the show is very lighthearted. Kind of surprisingly so for me. It's not the vibe I would have necessarily expected but it's one of the points that leads me to say they have merged BV and ITS so wonderfully.

A major aspect of BTS's content is usually the chaos and shenanigans the surround the members. Now much of that is emphasized in the context of one of these shows but I honestly wouldn't have been surprised if the edit had tried to make up for the lowered member count. Instead, it's a very laid-back edit. The quality and tone of the on-screen captions was world's different from some of the BV seasons (thank goodness!)

Now, about Jimin's illness. There's a reason why the coverage is cut the way it was to only bring us in on the story once both JM and JK started talking about it lightheartedly. If we'd had all of that footage chronologically, we also would have had building tension throughout the day's activities. But this way, we're able to enjoy the show per the original pitch as much as possible.

This show would have been planned during the time when the members were under heavy scrutiny for how successful they'd be as individuals and how their content will be received without the full seven members. Again, the way some of y'all talk about these shows, it's like you don't realize that the members are aware of how this content is structured. They are. They absolutely are.

Also, a big part of greenlighting AYS would have been a discussion of how it could be made with just 2 of the 7 members. JM and JK would have to take on a lot more of the burden since there wouldn't be other member to cut to. The solo vlogs we got at the beginning of ch.2 absolutely would have been used as a proof of concept. There are easy comparisons to make between JKs camping vlog and the camping scenes we got in these first AYS episodes.

Another key justification of the show could have been as promotional material for the current musical releases. While they did highlight quite a bit of both JK and JM's work in these episodes, the narrative definitely wasn't tilted in the direction of promotion. I love that because it's absolutely not what I would have expected.

What am I looking forward to for the remainder of AYS?

From a production standpoint, I'm already curious about the following:

Will there be any tonal shift? Specifically now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

What are your thoughts on the production of AYS so far?

Editing to add a link to my post on episode 3. Surprisingly I had a lot more to say!

Are You Sure?! Production notes from ep 3.

And there has been even more to say so here's a MasterList link

Are You Sure?! MasterList

[technically-a-kiwi]

And so the cosmic AU story continues, this time focusing on the characters

So like I said on previous post, Peppino and The Noise are one of the many cosmic duos of the cosmic realm and have the immense responsability of watching over several universes, of course thankfully watching over universes isn't a full time job and both have a part time job in the cosmic realm.

Peppino continues his job as a pizzamaker, this time being completly free of debt and only doing it out of passion.

Technically, cosmic entities don't fuel from food so eating is not nececary .But they don't care, they love Peppino's pizzas and Peppino loves making pizzas so everybody wins

As for The Noise, he remains being a TV host, exept due to now being a cosmic entity, his chanel is now only broadcasted in the cosmic realm, on top of not being able to broadcast outside the cosmic realm, he isn't allowed to diverge into any other type of media like movies, comic series etc, to make sure his image doesn't slip pass the cosmic realm. And so by being a TV host that exclusively broadcasts in the cosmic realm, The Noise is litteraly the only source of entertainment you could possibly find in the entire realm.

If you dare say outloud that you dislike his show, The Noise will make sure you'll have an "actual reason" for you to dislike his show, if you know what I mean

Got nothin much to say now... Hum... Oh ! Yeah ! I haven't quite developed on our cosmic duo nor how they are as a cosmic entity have I ? Well better late then never right x) ?

For starters, Peppino.

As a cosmic entity, Peppino is (surprisingly) quite peaceful and mostly stays in his pizzeria in the cosmic realm, only interacting with his clients and occasionaly with Gustavo.

When first turning into a cosmic entity, it screwed him up quite a lot, not only did he have to process his actual death, he also had to process being in a whole new body with immense powers and brand new responsibilities he never asked for. This gave him a whole existencial crisis making him loose most of his sanity and making him into an even bigger lunatic then usual, thankfully overtime he reached to other cosmic entities who then helped him overcome his dread, slowly getting better control over his stress and bipolarity allowing to partially regain a sense of control and stability (yeah I know it's a little edgy but hey the whole AU itself is far-fetched so who cares at this point). Now he enjoys just taking things slow and appreciate the little things, such as making pizzas for others, taking naps in some deserted pastures and stargazing on top of his roof. He still has a long way to go to fully regain his sanity and stability, but the cosmic court considers his state is good enough to be handled the fate of several universes.

During his shift as a cosmic duo. Peppino is quite efficient, miraculously despite his stress and instability he always gets the job done, he does make mistakes here and there such as not being able to keep a low-profile at all or purposly exposing himself to others which is something cosmic entities must avoid at all cost.

Now bring The Noise

As a cosmic entity, The Noise is a freaking menace, fully embracing his new title of cosmic entity to mess up with people around the multiverse, using his new powers to satisfy his urge of being the ultimate prankster, one might say he his the Loki of the cosmic realm. He mostly gets away with anything he does due to the cosmic court being a huge fan of his show (much to every other cosmic entities displeasure).

When first turning into a cosmic entity, The Noise was confused on why he respawn with such a different look. As soon as he learned he had the powers of a cosmic entity, The Noise started pranking people around the multiverse, he seaked the title of ultimate prankster and for that neaded notoriety, thus The Noise's Nebula Show was born ! As time went on his channel became less of a prank channel and more of an entertaining channel. The Noise started doing other stuff on the side out of curiosity which he found quite pleasant and directly incorporated those things in his channel,slowly becoming more diversed and interesting, using his maniac and cocky nature to become the most charismatic, lively (and only) TV host the cosmic realm has ever seen. Due to The Noise originating from the same universe as cosmic Peppino, they got paired up to become a cosmic duo, much to The Noise's displeasure, it was hard enough to bear the existance of that potato looking head when he was in the same room as him, and now he has to WORK WITH HIM ? He knew such pairing would ultimatly lead to disaster, but he did it anyway, after all he's not gonna say no to having the front sit at seing Peppino's misery and struggles.

During his shift as a cosmic duo. The Noise barely does anything, he usualy stays in the back while smoking a cigar and lets Peppino do the job, he's not going to do any kind of rescuing, that would deteriorate his status of ultimate prankster! In the rare cases where his presence is absolutly needed, he solve the problem in the most ridiculous or incovinente way possible, usualy rushing it, he doesn't really care about others safety, as long as he get's the job done that's all that matters to him.

And here it is y'all ! Truly sorry if my sentences makes no sense whatsoever, I did this post very late at night like an idiot and I'm running out of water and motivation x)

Like the last post if you have any kind of question don't hesitate to ask me I'll be glad to answer all of them.

Now I'll give u some art I didn't know where to put in the post, enjoy

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[persevereforahappyending]

Luck Runs Out |Part 5|

Pairing: Mabel x Reader

Summary: When your luck runs out you unknowingly drag Mabel back into the life, she's so desperate to escape.

Warnings: Light threatening

Word Count: 4k

Main Masterlist | Series Masterlist

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Epilogue

“She remained loyal the entire time?!” Mabel said, flinging the door open to her apartment.

You jumped, quickly flinching at the movement. You were healing up nicely, at least you thought you were, but sudden movements still caused you some excruciating pain. Mabel had left for her class early in the morning and you were dozing off ever since then. You were bored out of your mind being stuck in someone else’s apartment, every little movement causing you pain, and there was nothing good on TV.

“What?” You asked when you finally settled back down. Mabel usually came in relatively quietly, besides when she threw her backpack on the dining table.

“Penelope!” She said like it was obvious, holding her arms out wide.

You furrowed your brow, what she was talking about still not fully clicking. Your eyes drifted to her hands, noticing she was holding a small beat-up paperback book in one. You couldn’t help but smile, breaking out into a laugh when you noticed the title said The Odyssey. She had mentioned wanting to read it so she could talk argue with you more, but you didn’t actually think she would. Most people didn’t find classics very interesting, even you had to admit they were a struggle to read a times. Though Mabel was unlike others, and she actually listened to your rambles, even entertained them, still you didn’t think she’d actually read the book.

“Yeah,” you said slowly. “You already knew that? You were literally just arguing with me about that the other day.”

“Yeah well,” Mabel huffed out, gripping the book in her hand a bit tighter. “There’s a difference between knowing the story and actually reading it for yourself. I didn’t realize how amazing Penelope was and how much Odysseus sucks!”

“You read it?” You couldn’t help but ask, completely ignoring the fact that she said your favorite hero sucked. Looking at her with disbelief, it was so small, it was literally just her reading a book you liked, but no one had ever done that for you before.

“Yeah, well…” Mabel got quieter, bringing one hand up to rub the back of her neck. She suddenly decided the floor was the most interesting thing in the room as she avoided looking at you. You tried to contain a smirk when you noticed the blush slowly beginning to form on her cheeks. “You said it was your favorite and figured you wouldn’t mind re-reading it while you were stuck here.”

You gave her a shy smile, reaching to take the book as she offered it to you. “Thank you.” You looked down at the copy, it was clearly a library book, one that had years of love showing. It kind of reminded you of the copy you used to keep on the boat, so many nights reading it.

You looked up at her, still seeing her avoid your gaze. She kicked at invisible rocks on the ground as she tried to hide a ghost of a smile. “You read it,” you couldn’t help but tease.

“Well, I had it,” she quickly defended, crossing her arms. “I had time between classes and needed something to do and it was there so…”

You nodded, silently chuckling to yourself, she could give you whatever excuse she wanted, it didn’t change the fact that she read it. “What did you think?” You decided to ask, you didn’t care if she didn’t like it, you were just happy someone actually read it and seemed willing to talk to you about it. Even if it meant them arguing with you about the book, you would happily go down defending Odysseus.

“It was fine,” Mabel shrugged. “I guess.” You laughed at her, shaking your head again. “But Penelope,” she got her fire back, pointing a finger at you. “She just waited for twenty years!”

“Well, yeah,” you said, giving her a little shrug. You didn’t know where she was going with this. It’s why it was your favorite love story, for twenty years Penelope waited, not knowing whether her husband was alive or dead, she waited for him. While Odysseus fought for those twenty years to get back to her, never letting anything stand in his way, never losing the love he felt for his wife.

“But Odysseus can just sleep with everyone!”

You nodded finally seeing what argument Mabel was intending to make, too bad for her she had only read the book once, whereas you had to read it dozens of times and knew it like the back of your hand. Her losing the debate was inevitable but you appreciated that she was even trying.

“He didn’t sleep with everyone,” was your first response.

“He slept with women who weren’t his wife.”

“We’ve been over this; it was to survive or because he didn’t have a choice.” Mabel huffed, crossing her arms as she began to pout.

“Penelope has a ton of suitors,” Mabel mumbled. “Living in her house, eating her food, she never once strayed.

 You gave Mabel a deadpanned look. “They planned to kill her son.”

“And yet she still held out hope for Odysseus.”

You couldn’t help but laugh at her pouting like a child. “So, you think it would have been better if she what, slept with Antinous?”

Mabel mumbled something incoherently, but you could wager a guess as to what it was. “I’m sorry?” You said in a teasing tone knowing you already won.

“No,” she grumbled louder.

You saw she was still pouting. You sighed and gave a dramatic eye roll; this girl was so adorable. You really wished you had met her under better circumstances, maybe if you hadn’t made poor choices in your life, you could have been someone she deserved. Oh well you never had much luck in that department.

“Come on,” you sighed, “Odysseus isn’t that bad. Isn’t his life like a dream?” You looked up with a smile as you daydreamed about having a life like his.

“What? Traveling the world and having a lady in every port, while one waits for you at home?” Mabel snarked. “That’s your dream?” She raised an eyebrow, as if daring you to agree with her,

“No,” you chuckled. “I mean being out at sea, traveling all over the world, having an adventure, but always coming back home to your love, your soulmate.”

You were staring off into space as you thought of that life. It truly was just a dream for you, you knew you’d never actually get to experience it. Even without your current predicament your job would have never allowed you the freedom to travel like that. Even if you could just pick up and leave, travel all over the world like you wished, you’d never met a girl who shared the same dream, and you doubted you ever would. So, your dream would stay just that, a dream.

“That sounds nice,” Mabel said. When you looked back at her she was giving you a small smile. “So, what is your dream?” She took a seat at the edge of the bed. You could feel her arm resting up against you through the blanket as she leaned back for support. “If you didn’t have to worry about anything, if you could do whatever you wanted, what’s your dream?”

You smiled to yourself thinking about your dream, the dream you had since you were a child. “I want to travel,” you said, smiling as you thought of all the amazing places you had only seen in pictures. “I want to buy myself a little sailboat and just,” you made a gesture with your arm, “sail around the world.”

“Like Odysseus,” she whispered. “Go to war, fight off monsters, and come home to a wife as well?” She chuckled.

You laughed along with her. “Well, I can do without the war.” That made her laugh deepen. “And I would prefer not to almost die at every turn but also…” you nodded your head back and forth as you thought about it. “I wouldn’t complain about seeing kraken.”

“You’re ridiculous,” she said through her laughter. “And while you’re off having an adventure you want a girl waiting for you to come home?”

You couldn’t help but blush at just the thought of that. “Preferably she’d come with,” you flicked your eyes up, meeting her gaze. “Not sure how many girls are looking to live on a boat for weeks at a time as we’d sail around the world though.”

Mabel tilted her head as she stared at you, your face was starting to get hot under her unwavering gaze. You weren’t sure what she was looking at, what she was seeing in you.

“I don’t know,” she finally whispered. “Sounds pretty amazing to me. Like a real adventure.”

You couldn’t help but smile at her words. Many people loved to travel; many people loved to visit other places. There weren’t many that wanted to spend the time sailing to those places though, it was dangerous, it was a commitment, and a lot of work. Most people wanted to hop on a plane and stay in hotels, not be stuck sleeping on a boat for weeks, only able to pack what was absolutely necessary.

“Do you have a boat or one in mind?” Mabel asked.

You chuckled, thinking about the hours upon hours several nights a week you’d spend looking at listing of sailing yachts, looking at the things that were perfect for sailing around the world. “No, no boat yet,” you sighed. “Despite my… side job.” Mabel raised an unimpressed eyebrow at you but didn’t comment. “A boat for sailing around the world is a lot. I have some saved up, so hopefully one day.”

“Definitely one day.” You looked at her, she sounded more confident than you ever did in you reaching your dream. “You already have money saved up. That’s amazing! What would be your first destination? Or the destination you must want to go to?”

You let out a laugh, you knew exactly the first place you wanted to go to. It was a place you had wanted to visit your entire life. You wanted to travel the world, see, and experience everything but this place was your number one choice every time. “Greece.”

It was Mabel’s turn to laugh, shaking her head. “Of course.” Your eyes didn’t leave Mabel as she leaned back, her hand brushing across your leg once again as she relaxed even more. “Sounds like you have it all planned out, you know where you want to go, you’re looking at boats, and you’re already saving money.”

“Just missing the girl,” you said with a light chuckle. You knew there was no way you’d ever find anyone to make that trip with you, you’d have to settle for going at it alone, if you lived long enough to even make your dream a reality.

“Yeah,” Mabel whispered.

The two of you got lost staring into each other’s eyes. Your eyes darted to her lips; you were hoping she didn’t notice but when you met her eyes again it seemed as though she might have been looking at yours as well. Despite everything in you telling you it was a bad idea you sat up, you waited for her to move away but she never did. You slowly slid your hand across the blanket to the point it was resting next to hers, your fingers barely touching hers. You looked down at her lips one last time, quickly flicking your gaze back to her eyes. The two of you seemed to begin to lean in at the same time, your eyes just began to close.

 All of a sudden someone flung the front door open, breaking the two of you out of your trance. You shot back on the bed, the quick movement making you hiss and reach for your injured shoulder. Mabel jumped up from the bed, crossing her arms, as if what was about to happen wasn’t about to happen. She was glaring at whoever decided to barge into her apartment uninvited.

When you recovered enough you looked at the uninvited guest to see Charlie, one of the guys from the Finestkind crew. You looked between him and Mabel, realizing he was her ex on the crew. No one said anything, they just stared at each other, and you couldn’t help the way your eyes darted back and forth between them. It was obvious that Charlie was still in love with her, and Mabel seemed to still at least care for him as well. You sighed, they’d probably get back together eventually, it was good you didn’t kiss, she was better off without you.

You cleared your throat to interrupt their little staring contest, it had begun to get awkward. Mabel broke first, shaking her head as she moved from looking at Charlie to looking at you. When she looked back at Charlie it was to glare at him. “What the hell are you doing here?” she asked, clearly annoyed.

“You’re awake,” Charlie said, ignoring Mabel and looking at you. “Are you okay?” Charlie was always so nice despite your crew’s little rivalry with his, he was a good guy, it was annoying, you couldn’t hate him when he was so nice.

“Yeah,” you said, clearing your throat. “Thank you for saving me.”

“No problem,” he smiled.

He shrugged it off like it was nothing, like saving your life was an obvious choice. You owed him everything, him, and his crew. They could have left you in the water for dead, they should have, but they didn’t. They fished you out, brought you to a friend to get patched up, and they were also holding drugs you were involved with on their own boat. Their lives were at risk the moment they brought you onboard, you wondered if they had known at the time if they would have just left you in the sea. They weren’t part of your world, there was an incident a year ago but it was resolved, and they hadn’t been involved ever since. They were much better people than you ever were.

“What the hell are you doing here?” Mabel asked again, getting more irritated at clearly being ignored. “You can’t just barge in here whenever you want.”

“Sorry,” Charlie mumbled. “We just got in,” he scratched the back of his head. “I know we left you in a situation,” he glanced at you. He almost looked apologetic at calling you a situation, not that you were offended. Being called a situation was nice, it was almost a compliment considering you thought of yourself as an inconvenience and a burden to Mabel. “So, I wanted to check in, make sure everything’s okay?”

“We’re fine,” Mabel rolled her eyes.

“Not to interrupt,” you said, hesitant to insert yourself into the conversation. “But do you still have the drugs?”

Charlie looked at you nervously before nodding. “They’re back on the boat.”

“You need to get rid of them. I appreciate you saving my life, but you really shouldn’t have.” Charlie furrowed his brow at your words. “The people I work with, they will kill you if they get word of you having the drugs or having found me alive.”

Charlie’s face paled, his mouth hanging open as he turned to Mabel for confirmation. “You just got back,” she sighed. “You probably haven’t seen the news or heard yet.”

“Heard what?” he asked hesitantly.

“The Scylla blew up a few days ago,” Mabel said with a humorless chuckle. “There were no survivors. At least that’s what the news is saying.”

Charlie looked at you with wide eyes, recognizing the name of your crews ship. “They went back without the shipment,” you said with a shrug. “And now my whole crew is dead. The guys we worked for don’t play when it comes to missing drugs. You need to get rid of them.”

Charlie nodded quickly, already backing up towards the door. “Okay, how? What-what should we do? Where-”

Charlie was cut off by a light knocking on the still open front door. Everyone tensed at the newcomer. You all turned to the door, Mabel went rigid, she put on a blank face as she stared at the older gentleman entering her apartment. Charlie also crossed his arms, puffing out his chest to make himself seem as big as possible as he stepped between the man and Mabel, cutting off the man’s line of sight to her. You looked at them, hoping someone would give away who this mysterious new guy was.

“So, defensive,” the man said, not taking Charlie as a threat seriously. “Mind calling your guard dog off?” he looked around Charlie at Mabel.

“What are you doing here?” Mabel asked, her voice cold. You had heard her annoyed and clearly unhappy at you for being in her apartment when you first woke up and you’d only known her about a week, but you never heard her so emotionless before.

“I came to check on my patient,” he said with a smile. He stepped around Charlie to get a good look at you. “How are you feeling?”

“Fine,” you said slowly, watching the man, your brow scrunched up. It seemed this man was the doctor Mabel had called to help patch you up when you were unconscious.

You remembered her saying he was in a similar line of business; you vaguely recognized him but had never done business with him before. He probably only worked with a few dealers and probably only operated with the higher-end products and clients. Despite the fact that she called the guy to help you, it was clear that she was not a fan of this man.

The doctor came over, lifting your bandage without asking permission. You tensed at the man’s cold fingers on your skin as he looked down at the wound. The man might have supposably been a doctor, but you didn’t like anyone besides Mabel touching your bandages and poking around your wound. “It’s healing up nicely.” He replaced the bandage then turned back to Mabel, tossing her a little bottle. “Refill of pain meds.” He moved towards the door, leaning close to Mabel to whisper in her ear. “Don’t worry, I already added them to your tab.” He smirked before making his way out the door.

You watched as Mabel stormed across her apartment, before she could slam the door in the doctor’s face, he placed his foot, stopping the door. He leaned back into the apartment, getting close to her face. “If you can’t afford it,” he said lowly. “There are other ways.” His hand slid down the door until his fingers brushed over Mabels.

Mabel quickly recoiled from his touch, stepping back into her apartment, getting as far away from the man as possible. Charlie was quick to fill the gap, crossing the apartment in only a few strides. He flung the door open wider, standing tall as he stared down at the doctor. The doctor held up his arms and backed away. Charlie slammed the door shut, making sure to lock it so they didn’t get any more uninvited guests.

The doctor had been speaking quietly but you had been close enough to hear him. Mabel owed the man, and it seemed like she owed him a lot. Based on the way he spoke to her after giving her the pain meds for you, you couldn’t help but think that whatever price she owned this guy was because of you. Mabel hadn’t said anything to you, but you couldn’t be surprised, this doctor didn’t seem like he did anything out of the kindness of his heart, so you doubted he’d save your life for free. You hated the idea of Mabel being indebted to that man because of you. It was your life that he saved, you deserved to pay the price, not Mabel who just got stuck dealing with you and your problems.

“Who was that?” you asked hesitantly.

“Nobody,” Mabel said. She stormed across the apartment, entering and then slamming the door to the bathroom.

“What was that about?” you looked at Charlie.

“Oh, you know Mabel,” he said, waving off Mabels reaction. “She just-”

“Not her,” you were quick to correct him. “That guy,” you nodded to the now closed front door. “I already have my suspicions, so please, don’t lie to me.”

Charlie sighed, running a hand across his buzz cut. He looked at the bathroom door, making sure Mabel wasn’t about to come back out before looking back down at you giving you a reluctant nod. “He’s the doctor Mabel called, after we brought you here,” Charlie admitted, confirming your first suspicion. “He told her she would owe him for saving your life,” he confirmed your second suspicion.

“Do you know how much?”

Charlie shook his head. “I’m guessing a lot. The guy’s a total dick,” he mumbled.

Before you could say anything else the bathroom door swung back open. Mabel now had a jacket on, and a bag slung over her shoulder. “Let’s go,” she said shoving Charlie in the shoulder as she made her way to the door.

“Where?” he asked, turning to trail after her, despite not knowing where they were going.

“To get the drugs.” She already had her hand on the doorknob.

“Wait!” you said. “You’re going with him? It’s too dangerous.” You didn’t want Charlie and his crew to be in danger either but Mabel going with him to the boat was adding an unnecessary level of danger.

“I know how to get rid of the drugs discreetly,” Mabel said. When she turned to look at you, she once again had that soft look in her eyes, but it was clear she was still annoyed from the interaction with the doctor.

“I’ll go.” You knew that was an even worse idea, but you didn’t want Mabel risking any more than she already had.

“No,” she said softly. She moved away from the door but not close enough to be at your bedside again. “I’ve done similar stuff before, trust me.”

“I don’t like this.” You shook your head. “The docks will be crawling with the bosses’ men, looking for any hint of their drugs.”

“This is the only way,” Mabel sighed. “Or we could just leave the drugs on the boat until they set out again.” You clenched your jaw knowing she was right. You would love to wait for them to set out again, but you had to wait until they had a job otherwise it would be suspicious. You couldn’t wait though because the longer the drugs sat on their boat the more there was a chance of them getting discovered. “We’ll be quick, I promise.”

“Okay,” you nodded reluctantly. “Be safe.” Mabel nodded with a smile before turning and walking out the front door. “Charlie!” you called, stopping him before he could close the door. “Keep an eye out, they will be there.” He gave you a grateful smile before closing the door.

You let your head flop back onto the bed, all your anxieties from the situation taking over your mind. You trusted Mabel, you trusted she knew what she was doing. You also knew what kind of men you worked for, what they were willing to do, to not only get their product back but to get information on where the product might be. You dropped hundreds of thousands of dollars into the ocean, they weren’t going to just let that go, chalk it up as a loss and try again. So, you laid there, staring up at the ceiling, not able to focus on anything until they got back.

You even tried picking up the copy of The Odyssey that Mabel had brought you. Usually, the book brought you nothing but comfort, whenever you opened it, you would forget about the world and all your problems. Not this time though because this time you were the one stuck home while Mabel was the one going out to fight the monsters.

[tsublue]

10th house ruler in ASTROLOGY and what your career could be☤

This can be used with any type of chart, mostly whole sign.

picture credits: Pinterest

I would absolutely love to know your thoughts in the comments!

10th house ruler in 1st house

Your career possibly has a lot to do with your appearance and personality. You like to be the leader and lead others in your workplace. You might have had a feeling like your career has to or already defines you and it can sometimes even become your personality in some cases.

10th house ruler in 2nd house

You would like to have a job that pays well and is your calling. You can possibly have a passion for food related careers. You have a deep and true need to be financially stable as well as doing something you enjoy. You also can enjoy a comfortable workspace, as in whatever the meaning is to you.

10th house ruler in 3rd house

You could possibly change your workplace or a job many times in your lifetime which is never a bad thing, you don’t fear experimenting and seeing what you like and don’t like. Having a journal with you is not a bad idea. You need a job where you can be creative and express your feelings such as design or writing and etc. Communicational job can also benefit you a lot.

10th house ruler in 4th house

You suit a job that can be done at home or in some cases in an office. You could also be a stay at home mom in some cases. You do not crave to be in so seen at your job and like something peaceful and fulfilling.

10th house ruler in 5th house

You need a career that you truly enjoy, a really great tip is for an example: If you really enjoy skateboarding. You can make it your career as in making videos about it or having a tv show about it. The possibilities are endless and that’s what’s impressive about you. You also do not really fear to be seen by the public.

10th house ruler in 6th house

You like to be in the service. You do not fear 9-5 jobs and stuff that can be seen as “boring” in some people’s eyes. You also can possibly benefit from a job in the outdoors. Your health can also play a big role in your career. You like to help others and this could also lead you into customer service or to become a therapist.

10th house ruler in 7th house

You need coworkers in your workplace. Team work and cooperation is key to your ideal career. This is also a pretty good placement for business owners. You could possibly achieve a high standing career and work as help such as for an example: a wedding planner (helping a couple get married) or a lawyer (helping people with the law).

10th house ruler in 8th house

You would like to do something intimidating as your career. It could be a little off for others, but fun for you. You also can have really good investigation skills so don’t let that go to waste. You also thrive to have or in a private workspace or kept private job. The 8th house revolves around death and spirituality, so there are endless options that can fulfill your ideal career.

10th house ruler in 9th house

You are a wild child. Obviously your career involves travel and movement, so that can indicate a job in a different city, state or a country. Or even your career would be around traveling. You also do an excellent job at teaching and guiding which can fulfill your perfect idea of a career.

10th house ruler in 10th house

Your career will be put into the public eye. You’re really dedicated to it and probably have been doing it your whole life as in for an example being a theatre kid and becoming an actor as your career. You really worry about your reputation a big part of your time. You are possibly the most wealthiest in your workplace and can gain a lot of haters for almost anything you do due to jealousy. Also being a leader is a part of your career.

10th house ruler in 11th house

Your career can involve electronics and even friendships. You could start a business with your friends or do something completely different from your family and friends. Your career can be really creative. Your job can also involve an audience and give you lots of social connections.

10th house ruler in 12th house

You might’ve never really fully put thought into your career or you really can’t fully come up what you truly would like to do as your job. You just like to hang there and probably are the one amongst your surroundings who has no idea what to do when everyone has clear goals. You may walk in your superiors footsteps. Also charity and helping work is not the worst idea and could possibly fulfill you alongside spiritual themed career.

~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

I’ve really been in a slump, but it feels good to be back and writing the new posts.

I truly hope you enjoy this post and that you beyond if you made it to the end.

I would love to know what your 10th house ruler is in!

Always love, Tsunami

!! Please do not:

repost, re-word, copy, steal, etc my posts. If you want to use some aspects of them, then please ask for permission first and always give credits. Thank you.

#astrology #10thhouseruler

[nostalgicmiscellaneous]

Lol as someone who actually works in the industry: you guys are very, very naive if you believe a tumblr blog would tell you secrets about the behind the scenes of Bridgerton for a bubble of specific fans, and even less that someone who actually have access to executives would be around telling so many incorrect stuff that can be proven wrong with some clicks. And would tell you about the actors that way, while working for Netflix. It's hilarious because production is segmented, there are different crews as well, and it simply wouldn't have production/executive inside information if it worked close enough to the actors day by day to know them, and they wouldn't work with all of them to know them personally, repeatedly in the way it says, as the teams are the same for a long time and they all have made their opinions on actors very clear. It's so stupid that it made the mistake of telling you all it doesn't work with crew. They really don't know how a production of a show works and it's funny to see anyone believing it. Then again, only Kanthony and Benophy fans do.

Not only that, contradicting not simply Netflix's news of profitability and success of Season 3, but in fact, actual market news and data releases, Investments prospects, and investors reports, plus licensing, that anyone with any inside information would know it's done publicly and show the actual success and profit delivered by Season 3. To even try to say it lost money, Lol. The data is there, if you worked in a exec. position, even management position, you wouldn't say something so ignorant.

Critically, official certified critics, and audience numbers averaged above Season 2 and on par with Season 1, and you can also check the aggregate of that on RT, IMDB, sites that reunited and average the score. Audience is measured not only by Netflix, but Luminate and Nielsen. Data that is ALSO PUBLIC. And that showed the successful amount of views, specially recovering audience that Season 2 had lost. It was also superior to QC. Netflix also ranks #6 ( above Season 2, again) as their most viewed seasons. Another public information.

It becomes evident you're dealing with a fan of Anthony and Kate and Sophie and Benedict when it spills target hate for particular actors, with nonsense that is so painfully clear from a fandom member, a mere angry fan trying with a insane agenda.

That's the problem when someone has an agenda against some actors and some fictional characters, a TV show, specifically a season. They throw away logic and believe anyone.

There is no insider, you have actual market information and investors/ experts that are not even Netflix connected telling you the success of season 3. Anyone who works for the industry would know that. Lol

There is no inside information of actors from that person. All cast and crew, and connected workers, and adjacents from media, PR and more, have their words and testaments to the cast and crew openly at their socials, dismantling their obsessive nonsense, contradicting them. I contradict them, lol, as i've actually met some of them and know their work ethics and behavior.

And most importantly, the so-called ''insider'' is not even from or in the UK…yes, i know exactly what i am talking about. But for now, i wont publish. For now.

Just be aware of bullshit and propaganda with fanwar nonsense. You're dealing with someone who is simply a discontent Kanthony & Benophy fan, and a Simone fan and hater of other actors in the show ( VERY OBVIOUS THE TARGETED HATE), connected ( lol very much connected) to a blog who has adopted the name of "Anti" since the start, who hates Polin. Some people just want to create a narrative, and while they say that Benedict is the most popular and wanted character for the GA, try to justify an eventual less number say it would be S3 fault, when S3 actually revamped the numbers from S2 and had incredible profitability ( again, public data).

But be aware that we know with 100% certainty, people like that do not work for Netflix. They don't even have a clue what a netflix contract is and how it works.

Also, a warning: People should have their faces and real names on when they say things, responsibility is a must, don't you all agree? Sometimes people think they are protected under the anonymity of a tumblr url to lie their hearts out and become desperate later when they have to own personally, with their actual faces and real names, and social reputation, the stupidity of their words.

And in a more fundamental sense, grow up. Tomorrow, someone else can simply create a blog telling the opposite about your favorites, their work, their seasons, it's a game nobody wins when fans act that desperate and stupid, lying and manipulating.

Or worse: perhaps someone with actual information can start posting, and you wouldn't like what they have to say…reflect on that.