#like I feel it could help you with fleshing out your character and motives as a starting point

[princesscallyie]

I was bored and started feeding ChatGPT Hopaz info (I also feed it some of Topaz’s bio) for like an hour and asking it questions about their personalities and such, trying to see how accurate it was (pretty damn accurate). And this was the question I threw at and the reply that made me go “yo, wtf???”

I didn’t even put much info about like the tribe’s system or her title in the bio. How did it come up with a cohesive and correct answer like this 😭 like that’s more of an explanation than what I could have gave. That’s crazy man…

[literaryvein-reblogs]

How to Write a Character

For creative writing to have as deep an impact as possible, you need to give the reader strong characters they can relate to on a personal level.

By borrowing from tried-and-true character archetypes and giving them your personal spin, you can create heroes, villains, and sidekicks that will affect your readers as if they were real people they knew.

Come up with a backstory

Crafting a backstory can help you flesh out an interesting character profile.

“When I’m dealing with characters,” says legal thriller author David Baldacci, “and I’m trying to explain somebody's situation and motivations, you have to look into their past, because [the] past always drives motivations.”

Ask what experiences your character had in elementary school or high school that shaped who they are today. Your character’s backstory can greatly inform your plot.

Develop a character arc

A character must evolve throughout a story.

“The character has to change,” insists crime fiction writer Walter Mosley. “The character doesn’t have to become better. The character doesn’t have to become good. It could be the opposite. He could start good and become bad. He could start off hopeful and end up a pessimist. But he has to be impacted by this world that we’re reading about.”

Plan out your storyline based on your character's goals and how achieving or not achieving them will change them as people. This sort of template can help anchor your narrative.

Do research

If you plan to set your story in a specific locale or period, do enough research to make your characters seem true to life and believable.

“What does it mean, for instance, in the Tudor era to be a male person?” asks Margaret Atwood, author of The Handmaid’s Tale. “What does it mean to be a female person? What do those things mean when they’re at different social levels?”

Empathize with your characters

No matter what the type of character you’re developing, try to find some reason you and your reader can relate to their internal conflict.

“You’re living with these people every single day for months at a time—in some cases, years at a time,” says acclaimed children’s author Judy Blume. “You had better feel for them. So, for me, yes, I have great empathy for them.”

When people can empathize with characters, they’re more likely to find them compelling.

Experiment with different approaches

If you usually write characters from a particular point of view (or POV), change things up to challenge yourself.

“Write about someone entirely through the eyes of their friends and family,” suggests journalist Malcolm Gladwell. “So do a profile of someone where you deliberately never talk to the person that you’re profiling.”

There are plenty of ways to craft compelling character descriptions—free yourself up to try new alternatives.

Give your characters flaws

To craft believable characters, you need to give them flaws.

“One, it makes the characters human, just by default, because everybody recognizes that we all have flaws and mistakes,” David says. “But two, it gives you plot elements and plot opportunities because somebody makes a mistake. Why? Because they’re flawed.”

Learn from real people

Pay attention to real people’s mannerisms, personality traits, body language, and physical appearances.

Do research, and be respectful, when you want to write characters with backgrounds that you are not familiar with. Become familiar with different people's cultures, sexual orientations etc.

Talking to people about their experiences will help form your character’s personality.

Let your characters surprise you

Character development can proceed down a host of different avenues.

“Spend a lot of time with your characters and getting to know them,” Judy suggests. “And the way that you get to know them can be different from the way I get to know them. But my way is: They don’t come alive until I write about them, until I put them down on paper.”

As you write, your character’s motivation or perspective might change from what you originally planned.

Play characters off each other

Ask yourself how a secondary character’s personality might thwart the main character’s motivation.

“One of the best ways, as I said, to develop a character is to put that character in relationship to another person,” Walter says. “So as they talk, as they fight, as they work together, we find out more about who they are and what they are.”

The character’s close friends, adversaries, and acquaintances might all have different effects on their behavior.

Take an organic approach

Over the course of the story, be ready for your characters to surprise you as much as the people you know in real life might, too.

Your characters may take on a life of their own.

Avoid static characters by letting yours have their own lives and personalities. Let their stories take you where they lead.

[jaythes1mp]

5070 words, 29086 characters, 239 sentences, 116 paragraphs, 20.3 pages. Tag list: @zero-s-tea @chemicalsandghosts @yandere-enthusiast @starsdotalk @small-mushroom-fae @wpdarlingpan @dhanyasri @tojislvrr @phoenixgurl030 @mel-star636 @lilyalone @lavender-moony

Your secrets are ours, kid

Yandere BatFam x Reader — CH10 -> CH9 -> CH8 -> CH7 -> CH6 -> CH5 -> CH4 -> CH3 -> CH2 -> CH1

Please send me requests. I love writing but I can only do it with actual ideas to motivate me🙏

On your late-night journey home, you're cornered by one of the numerous street criminals prowling the streets of this cursed city. Getting mugged in Gotham isn't anything out of the ordinary, but even still, you can't help but feel surprised. It seemed that strangely enough, the past four years, thugs had begun to avoid you like the plague.

This was a situation you hadn't found yourself in since you were just a fifteen-year-old kid, still struggling to find your footing in the grimy underbelly of Gotham.

The street thug pinned you against the wall, holding you in place while her accomplice jabbed the cold barrel of a gun against your head.

Your heart beat rapidly in your chest, fear and panic clawing their way up your spine. Your breath hitched in your throat, a cold sweat pricking at your skin as you instinctively raised your hands in surrender.

As the cold metal of the gun was pressed harshly against your temple, you fought to tamp down the tremors shaking your body. You knew that any wrong move could spell disaster, so you forced yourself to remain still, praying that the thugs would be merciful enough to let you free.

Your mind raced as thoughts of the worst-case scenarios flickered through your mind. The thug with the gun pressed against your head sneered, her grip on your shoulder growing tighter as she spat out a threat.

The sheer terror you felt in that moment was overwhelming, threatening to swallow you whole. The harsh reality of the situation settled on your shoulders like a crushing weight. You were all too aware that you had no experience in dealing with situations like this, leaving you feeling vulnerable and powerless. Your eyes squeezed closed, a lump forming in your throat.

The rough brick of the wall dug into your chest, the cool air of the night doing nothing to soothe the panicked frenzy of your heart. The thug's hand on your shoulder was a vice-like grip, their fingers digging deep into your flesh.

In times like these, you regretted ever turning down the self-defense classes that your old employer had offered. The weight of that decision settled heavily on your shoulders as you longed to have the skills to protect yourself from the imminent danger.

You silently berated yourself for your naivety and carelessness. It had been foolish to believe that just because the villains had avoided you for the past few years, you would be safe from any harm. Yet, here you were, pressed against a wall, a gun held to your head by street thugs.

As your thoughts ran wild, your mind spiraled into a whirlpool of grim possibilities. The thought of your friends' reactions to your potential death played through your mind - the pain and grief they would feel upon losing you. You wondered if Damian would be upset about his sketchbook, the most constant connection you had to him. If Jason would be filled with anger at the inconvenience of tidying up your belongings, if your... no. She’d probably find relief in your absence... You wondered if Tim would shed tears in sadness. The image of him crying, tears streaming down his face, left a bitter taste in your mouth. Then you thought of Bruce. Would he be disappointed you never got to accept his offer? Your thoughts spiralled as you got increasingly more upset. Who was going to feed your pet turtle...? Would she think you abandoned her?

The weight of those unanswered questions gnawed at your thoughts, the possible reactions of your friends, pet, and the people who had offered you a place to call home. Your mind latched onto the image of them crying, the thought of any of their tears causing a pang of anguish to settle deep within your chest. You didn't want to imagine your friends' pain upon your loss, but the what-ifs haunted your mind like a relentless ghost.

The rough bricks of the wall dug into your chest, the sharp edges of the broken and uneven surface biting into your vulnerable flesh. The cold, unforgiving metal of the gun against your skull pressed further against your skin, an imminent threat hanging in the air. You clenched your teeth together, fighting to hold back a whimper that threatened to escape from the back of your throat.

Damian's heart raced in his chest, thumping out a rapid rhythm against his ribcage. Disbelief and anger twisted his features into a fierce scowl. From his stealthy perch on a nearby rooftop, he had silently tracked your movements throughout the night, his gaze never straying far from your form. But now, as he watched intently as you were cornered by a bunch of worthless thugs, his protective instincts surged through his veins. How dare these lowly criminals think they had the right to touch you?! Especially after all the efforts he had expended to ensure your safety. You were his sibling.

The sight of you in danger ignited a fire within him, burning hot with both rage and protectiveness. He clenched his jaw, his mind racing with a whirlwind of thoughts and emotions. How could he have let this happen? He had been so careful, making sure to keep watch over you from a distance, and yet here you were, at the mercy of criminals who were nothing but scum. His fingers dug into the edge of the rooftop, the urge to leap down and intervene overpowering his self-control. He didn’t have to think twice before swinging into action.

Damian swiftly made his way toward you, propelled by the rooftops with practiced ease. The cool night air kissed his face as he bounded between buildings, his agility and precision a testament to his years of training. He remained hidden from view, his black, yellow and grey costume blending into the shadows, allowing him to quietly approach the scene unnoticed.

As he drew nearer, he could hear the thug's threats, the cold barrel of the gun pressing closer to your head. His temper flared, a dangerous heat building in his chest. These worthless lowlifes were going to pay for putting you in danger.

Robin, perched high above, kept a vigilant eye on the unfolding scene. Every word from the thug's mouth only fueled his anger. He assessed the area, taking in every detail with a cold, calculated gaze. The street was eerily silent, devoid of any other souls. No potential witnesses or interruptions to hinder his intervention. This moment was perfect. A chance to make these pathetic thugs pay for their audacity. They dared to touch what was his.

Each breath Damian took was measured and steady, his heart drumming steadily in his chest. He knew he had to act swiftly and with precision. He couldn't afford any mistakes. You were his responsibility – his blood. No one was allowed to touch you. No one.

Robin’s muscles coiled, ready to spring into action at the slightest hint of danger. His eyes flickered between the thugs and their guns, mentally calculating the best course of action. His instincts were on high alert, every fibre of his being focused on the mission: protecting you.

He’ll make a mental note to have you under tighter security starting in the immediate future.

With a final, calculated assessment, Robin silently prepared himself for the inevitable confrontation. He would protect you at all costs. The thought of you getting hurt, because of his carelessness, was unacceptable. He would eliminate these fools before they could even think to touch you again.

The woman holding you, pinned your arms behind your back in a rough and painful grip. Their hold was unyielding, causing your arms to bend in an unnatural and uncomfortable position. You couldn't help but let out a small, pained whimper, the sharpness of the maneuver making you wince.

Your eyes pinched shut, and you forced yourself to take deep, measured breaths. It was your attempt to steady yourself, to hold back the wave of panic and fear that was overtaking you.

Your chest heaved with the force of each breath, trying to regulate your racing heart. A small shiver ran through your body, the fear and helplessness of the situation gnawing at the edges of your mind. The pressure of the woman's grip on your arms made you want to squirm and struggle, but you steeled yourself against the natural inclination.

Robin, like a silent wraith, leaped into action. His katanas moved in a blur, swiping the gun away from the goons' grasps before they could even register the movement. His presence was both dangerous and deadly, every muscle tensed and coiled like a predator ready to pounce. His sharp, grey eyes fixated on the thugs, a silent warning in their depths.

A sharp gasp slipped past your lips as the cold metal of the gun abruptly lifted away from your head. The sound of it banging loudly against the gritty, dirtied concrete ground echoed through the air, the sudden absence releasing a tiny bit of the tension that had been coiling painfully in your chest.

You stayed still, barely breathing, your body locked in the woman's tight and cruel grasp. Her hold on you was unrelenting, an indication that any wrong move would result in snapped bones. You couldn't turn your head to see what was happening, fear and pain keeping you rooted in place.

The woman's grip on your arms tightened, a painful reminder of the danger of any movement. You were trapped, unable to see what was happening behind you. Every instinct screamed at you to fight, to struggle and get away, but the fear of severe injury made you hold yourself perfectly still. The only thing you could do was remain in this terrifying, vulnerable position.

Robin's mouth curled into a snarl, his anger flaring as he saw you trapped in the woman's grasp. Your small gasp of relief at the gun being removed from your face only fueled his rage. How dare these pathetic humans touch you, his sibling, his family, without any regard for your safety and wellbeing. The thought alone filled him with anger he had trouble controlling. He had failed you.

As Robin stood before the thugs, his katanas held at the ready, he locked his gaze with the woman holding you in her iron grip. His eyes darkened with a fierce intensity, a silent challenge in their depths.

Robin's gaze, burning with righteous anger, fixated on the woman who held you captive. The air around him crackled with a dangerous aura, his muscles coiled tensely as he held himself back from pouncing on the pitiful excuse for a human being in front of him.

The woman holding you in an iron grip was clearly an amateur, her sloppy and harsh moves betraying her lack of experience. She seemed to rely on brute strength, rather than skill, to overpower her victims.

Her careless and overly aggressive approach was a stark contrast to Robin's years of training and discipline. He took in every detail, every movement and expression, noting the flaws in her techniques. She was like a novice facing a seasoned warrior. It was downright pitiful.

To Robin, the woman's every move stank of amateurishness. Her clumsy and brute force tactics were as subtle as a bull in a china shop. It was clear that she had never received any formal combat training; relying solely on the ability to intimidate and overpower her victims. In comparison, Robin was a paragon of discipline, control, and skill. The difference in their approaches could not be more stark. She was insulting you for even thinking someone like her could ever be in your presence.

The woman's lack of finesse and skill made Robin's blood boil. She was like a pathetic child playing at being a thug, an insult to the name of criminals everywhere. He clenched his jaw, the muscles in his neck taut with restrained anger. He could see her flaws from a mile away, her amateur tactics screaming for correction. His eyes narrowed as he assessed the situation, his mind racing with possible ways to take her down without harming you further.

Robin's intense gaze continued to pierce through the woman holding you. He was like a coiled spring, his muscles tense and taut, ready to pounce at the very next moment. He couldn't help but feel a sense of revulsion as he observed her sloppy moves. This is the type of amateur who would get themselves killed in Gotham in the blink of an eye. His anger flared further as he saw how carelessly she was handling you, her fingers digging into your flesh in a painfully tight grip.

For a brief moment, he considered just knocking the woman unconscious and freeing you from her grip. But then, with a cruel and calculated grin, a different thought occurred to him. He wanted to teach her a lesson. Maybe if she was truly frightened, she might actually learn something.

With a subtle flick of his wrist, Robin tossed one of his throwing stars at the ground, the sharp and sudden movement drawing the woman's attention. Startled by the sound, she turned her head to look at the star, her grip on you loosening just a fraction.

Robin seized the opportunity, and in the blink of an eye, he moved behind her, his footsteps so silent that they made no sound.

The woman's eyes widened as she realized Robin's presence behind her, but before she could turn to face him, he had her by the throat, his hand encircling her airway in a firm grip.

As Robin observed your trembling form, your eyes still squeezed tightly closed, his heart clenched in his chest. He could see the fear and helplessness your body was radiating and it infuriated him. You looked like a terrified animal caught in a trap, desperately trying to hide from your captor. The thought of how scared you must be only served to fuel his obsession. You needed their protection.

Robin's grip on the woman's throat tightened as he drew her closer to him, his face inches from her ear. His voice was low and filled with a dangerous edge as he snarled, "You dare lay a hand on MY family and think you'll get away with it? You're a pathetic excuse for a thug."

The ringing in your ears and the shortness of your breath is all you can focus on, having not heard the boy’s words. Luckily for him.

Seeing that you were still too scared to open your eyes or listen, Robin tightened his grip even further on the woman, his eyes narrowing as he leaned his head closer to her ear. "You thought you could get away with this? Pathetic."

As the woman began to struggle in his grip, her eyes widened as she realized the severity of the situation. Fear and panic filled her gaze, and her chest began to heave with labored breaths. Robin took a sadistic pleasure in seeing her fearful reaction. He smirked, his grip unwavering.

He was enjoying this. Teaching this low-life a lesson was like music to his ears. He wanted her to be terrified, to feel the same fear she had inflicted on you. You were his family. His.

As the woman gasped for air, her attempts to break free growing more frantic, Robin leaned in even closer, his lips almost touching her ear. The smirk on his face only grew wider. "Not so strong now, are you?" he whispered, his voice dripping with mockery.

As the woman's grip on you suddenly loosened in panic, it caused you to lose your balance and fall unceremoniously onto your knees with a thump. The sudden movement startled you, freezing you in fright. Your limbs locked up in response to the sudden movement, leaving you vulnerable and exposed as you knelt on the dirtied ground.

Robin's heart stopped as he saw you fall to the ground with a thump. His eyes widened briefly, his grip on the woman loosening slightly in shock. He watched as you knelt on the ground, frozen in fear and vulnerability.

His protective instincts flared up, and he had to suppress the urge to immediately rush to your side. Instead, he forced himself to remain focused, keeping the woman pinned in his grip.

Robin's sharp gaze snapped from the woman to you as he heard the thud of you falling to your knees. Concern immediately replaced his previous satisfaction. He could see the terror freezing up your body, rendering you frozen and vulnerable.

He gritted his teeth, feeling a mixture of anger and worry. He needed to get you out of this situation, preferably without causing you further stress or harm. His grip on the woman tightened again, cutting off her panicked gasps as he held her at bay.

With a quick, sharp jerk, he slammed her against the wall, the force knocking the breath out of her lungs. "Stay still," he commanded, his voice harsh and authoritative.

He then turned his attention to you, quickly crossing the distance between you. He crouched down in front of you, his eyes flicking over your form, assessing for any signs of injury.

"Are you alright?" he asked quietly, his voice a stark contrast to the harshness of moments ago. He reached out a hand, gently touching your shoulder as he tried to coax you out of your frozen state.

You looked up, your eyes wide with surprise and wonder, as you took in the sight of the young vigilante towering above you. Your throat closed up for a brief moment, your mind struggling to fully believe that it was indeed Robin, the Robin, standing before you.

You managed to force out a meek whisper, the word barely audible. "Robin...?"

In your current frightened and bewildered state, there are a million questions and thoughts running through your mind. In a normally clear state of mind, you would have jumped at the chance to ask the Boy Wonder for an interview. In this moment, however, the only thing you manage to let out is a hesitant whisper, his name. Your mind trying to piece together the reality of the situation.

Robin knelt down in front of you, watching as realisation flooded your eyes. He could almost see the thoughts spinning through your mind like a whirlwind. For a brief moment, he was thankful for your stunned silence. It gave him a chance to assess the situation without being bombarded by a thousand questions.

He watched you take in his presence, your gaze wide and filled with wonder and disbelief. The word 'Robin' escapes your lips in a barely audible whisper.

He nods slowly, acknowledging your tentative recognition, a small smirk tugging at the corners of his lips.

He could see the questions brimming behind your lips, but to his surprise, you remain silent. It seemed your fear had rendered you speechless, and for a moment, he found himself relieved. It gave him a few precious seconds to focus on the task at hand: getting you out of danger safely. He gave your shoulder a firm, gentle squeeze, his voice remaining hushed as to not startle you further.

"I'm here, you're safe." He tried to keep his tone calm.

Robin swiftly scooped you up, pulling you against his chest in an easy movement. For a brief moment, he allowed himself to pause, relishing the feeling of having you so close to him. His heart beat fast and loud in his chest, an undercurrent of fierce protectiveness and possessiveness rushing through him. The thugs already forgotten, as he now focused solely on getting you to safety.

As he quickly leaped from one roof to the next, never slowing his pace, he spoke, his voice low and even. "Where do you live?" He’s already running in the direction.

He kept a firm but gentle grip on you, making sure that you were held safe and secure in his arms as he ran. The wind whipped around you, cool and exhilarating, as Robin navigated the Gotham rooftops with practiced ease. He repeated his question, his tone now slightly more demanding, as he continued traversing through the city.

You tried your best to gather yourself, blinking against the cool night air buffeting your face as Robin held you against his chest. Your voice was soft and slightly shaky as you spoke, the wind attempting to carry your words away.

"Just... just around the corner.."

Robin nodded, accepting the information without question. His strides didn't slow as he continued moving, the muscles in his legs propelling him forward with trained speed.

The city lights flashed by as Robin swiftly carried you through the maze-like labyrinth of Gotham's rooftops. His strides were long and purposeful, his movements fluid and precise. His arms held you firmly, one hand tucked under your legs and the other looped around your back.

Despite the circumstances and the speed at which you were moving, he took great care not to jostle you any more than necessary. It was clear that you were in pain and scared, and he wanted to minimize any further distress.

“... thank you.”

As you murmured your thanks, Robin's heart clenched in his chest. The pure gratitude in your voice was a stark contrast to the vulnerability and fear he could feel in your trembling form. He wanted so badly to respond, to tell you how much you meant to him, how much he was willing to do to protect you, but he remained quiet. He had to stick to their plan. Right now, he was solely focused on getting you home, where you would be safe from harm. His arms wrap tighter around you. He gives a simple nod in response.

You lifted your hand slightly, carefully pointing in the direction of your apartment balcony. The gesture was small, but it was enough for Robin to understand your meaning.

Without a word, he altered his course, angling his body to head towards the balcony you had indicated. Each leap and bound over the city skyline brought him closer to your apartment, the destination in sight.

Despite his casual demeanor, Robin was fully aware of the path they were taking. Years of patrol and countless hours of study had etched the city's layout into his memory, a map constantly present in the recesses of his mind.

He could flawlessly navigate the maze of Gotham's buildings, his muscles and movements guided solely by pure instinct. Every twist and turn was memorized, a testament to his extensive knowledge and dedication.

As they approached your apartment, he adjusted his hold on you, preparing to make the final leap onto the balcony.

With a final powerful bound, Robin lands on the balcony gently, steadying you against his chest. He carefully lowers you to the ground, his hands lingering on your body for a moment longer than necessary, as if ensuring you were truly safe and sound.

He takes a moment to glance around the vicinity, his eyes scanning the area for any potential threats. The Gotham night is relatively quiet, the sounds of the city reduced to a hushed hum in the background.

Once satisfied that the area is clear, he turns his attention back to you. He takes a step back, giving you a moment of space. His eyes watch you closely, searching for any signs of distress or injury.

He lifts a hand, reaching out to gently touch your cheek. His touch is gentle, but his voice is firm. Emerald eyes searching your form. "Are you alright? Did they hurt you?"

Despite his mask concealing his face, the concern in his voice is palpable. He takes a step closer to you, his hands moving to your shoulders as he steadies you against him. His gaze remains fixed on you.

You gently shook your head, a small, reassuring grin playing at your lips. Despite your earlier fear, you were clearly feeling somewhat better. Perhaps it was the adrenaline rushing through you, or the simple fact that you were safe now.

Robin noticed the shift in your expression, a slight furrow forming between his eyebrows as he looked down at you. He could feel the tension slowly draining out of your body.

Robin observed the small smile on your face, his eyes studying you closely. The brief moment of relief he felt at your reassurance was quickly replaced by a sense of caution. He could see the adrenaline still coursing through you, but he knew from experience that it was a temporary high. The fear would return sooner or later.

He nodded, accepting your answer but still feeling a small pang of unease. "Are you sure you’re okay?" he repeated, his hands still on your shoulders.

Your brows raise in slight disheveled amusement. This was the infamous arrogant vigilante? You call bull.

“Yeah, I’m alright now. Thank you.”

Robin's eyes narrow slightly at the amusement in your tone. Despite your gratitude, he can sense your slightly disbelieving and slightly amused. For a moment, he wonders if you are treating him like a kid playing dress-up.

He straightens up, his grip on your shoulders tightening ever so slightly. He cocks his head to the side, his voice a mix of annoyance and determination.

"What's so funny?" he asks, the slightest hint of defensiveness in his tone.

Despite the irritation in his voice, there's a hint of vulnerability. He's not used to being questioned, especially not by someone he feels responsible for. He wants to be taken seriously, to be seen as more than just a young boy playing at being a hero.

He takes a step closer to you, his gaze never leaving your face. "I'm serious. You could’ve been seriously hurt," he says, his voice stern. He's not used to expressing his emotions openly, but the thought of you in danger is making his typically controlled facade start to crumble.

You bite your tongue, holding back the sarcastic remarks and jokes that usually come so easily to you. You were well aware of how close you had come to serious danger, and the severity of the situation.

Robin can see the restrained smirk, the flicker of a joke on your lips, and it irks him more than the actual sarcasm. He's used to dealing with sarcastic criminals and sarcastic bats, but the thought of you making light of your own safety is frustrating. He clenches his jaw, trying to keep his annoyance under control.

"This is no joke," he finally says, his voice firm. "What you did was stupid. Walking alone in Gotham at night."

Robin's eyes held a mixture of emotions, anger and frustration and worry and protectiveness. But beneath it all, he was most angry and frustrated with himself. He should have been there sooner, he should have been able to stop those thugs before they even got close to you. This event was only proving to him what he already knew - you were not safe in the city, not without someone to protect you. They needed to speed up with their plan before he goes insane.

He withdrew his hand from your cheek, the loss of his touch leaving a cold emptiness in its wake. He fidgeted with his utility belt, a nervous habit.

"I have to go." He murmured, his voice low and laced with a hint of reluctance. His eyes scanned over you one more time, mentally committing your features to memory. It was as if he were trying to memorize every detail, every curve and contour of your face.

"Be sure not to walk alone at night. Or ever." The last words came out as more of a command than a warning, a hint of desperation laced in his tone.

Before you could even think of a response or express your gratitude, Robin had already vanished into the night, leaving you standing alone on your balcony.

Despite the circumstances, a soft, almost wistful grin crept across your lips as you replayed the events of the night in your mind. Despite the danger and the near brush with violence, you couldn't shake the thrill of meeting the young vigilante, the Batman’s associate himself.

Even though you didn't get to ask all the questions you wanted, the encounter was still something exciting.

You silently crept into your room, taking care to be as quiet as possible so as not to wake Jason who was probably asleep in his room down the hall. You shrugged off your bag and jacket, discarding them to the side before crawling into the safety and warmth of your bed. You bring your hand out to tap softly against the glass of your turtles enclosure as a silent good night, cuddling further under the blankets.

Feeling the comfortable weight of the sheets surrounding you, you let out a soft sigh, already feeling the exhaustion starting to pull at your eyelids. Unaware of the chaos that was brewing at Wayne Manor, nor the many sets of watchful eyes observing you through the carefully placed cameras that dotted the room.

The cameras strategically placed throughout your room recorded every subtle movement as you got yourself settled into bed. Every blink and every shift was captured in sharp, high-definition video, the images streaming directly to the computer screens at Wayne Manor.

In the depths of the batcave, the video feeds played on several large screens, each one displaying a different angle of your room.

Multiple figures looking over the room full of monitors, displaying your every breath, every toss and turn as you drifted off to sleep. Watching each and every twitch, each flutter of your eyelashes.

The silence in the batcave was heavy, only disrupted by the soft hum of the computer equipment and the occasional murmur between the group of figures huddled in front of the bank of monitors.

Each screen showed a different angle of your room, the camera feeds streaming smoothly, giving an intimate view of your every movement. Every breath, every twitch, was recorded, observed and analyzed by the watchful eyes monitoring you. Every inch of your room was on display, the cameras capturing even the tiniest detail.

Even in your sleep, you were still being watched.

No use of y/n, no descriptive features for reader, no mention of gender.

Does anyone have any ideas for the name of your pet turtle?

[ilovechuuy4]

Touch me, baby, put your lips on mine

BSD X Reader, SHORT DRABBLES

warnings; slight description of s3xual intercourse, kissing, vague talk about penetration, snow balling/snowball kissing, head/bj, swallowing sperm, ERM sex..?

How they would kiss you during sex ;3

Characters; Chuuya, Dazai, Akutagawa & fyodor

A/N; GUYS I'M SO SORRY FOR NOT POSTING I'VE LITERALLY HAD ZERO MOTIVATION WHATSOEVER AND LIKE I'M WAILING BECAUSE I DON'T POST ENOUGH FOR Y'ALL. SORRY I LAV YEW ALL. (creds to @anitalenia for ribbon banner!

Chuuya - Needy & Passionate♡

"Nggh, cmere, doll. Please" Chuuya panted, you were sat on top of him the two of y'all stripped naked, flesh against flesh. He was burried deep inside you, your hips grinding down against his. "Mhm? Do you want kisses..?" You say with a smile, slowly leaning down to give the ginger what he wanted. Before you could even brush your lips against the other, his lips were slammed into yours until it turned into a needy kiss. His hands trailing down, gripping your thighs tightly.

"Ouhm.. Fuck you taste amazing, darlin'." Chuuya groaned, his tongue pushing past your closed lips. His tongue roamed in your mouth rubbing against the roof of your mouth before tangling with your tongue, yalls saliva mixing together. The kiss was so needy and passionate, as you slow against chuuyas hips causing chuuya to groan loudly, thrusting up inside you.

"Phaw.." You gasp as you pull away from the kiss, a soft whine escaping you at you could feel chuuya pulse inside you. A smirk spread against chuuyas lips as he looked up at you, his hands sliding up your hips before lifting you up before he thruster deeper making you choke on your saliva before letting out a loud moan that echoed through the quiet house. "Let's finish what we started, shall we doll?" Chuuya teased with a sly smirk.

Fyodor - Gentle & Breathy

You were squirming under the russian man, whoms fingers were deep within you. Soft whimpers and whines escaping your mouth as you felt the others fingers withdraw before pushing back inside. It didn't hurt but his bitten nails scrapped lightly against your walls, it just felt weird.. But a good weird. You let out staggered breathes as your hands shakily cup your boyfriend's face. "Kiss me, please my love?" You spoke softly between soft moans of pleasure. "Of course, a kiss for moyo lyubov, always." He spoke softly, his thick accent rolling off his tongue as he leaned down kissing you slowly. You allow your eyes to drift shut your arms wrapped tightly around the others shoulders. You couldn't help but arch your back off the bed slightly as you feel his fingers curl inside you rubbing against that one spot that felt immaculate.

The kiss was so slow and gentle compared to how he was basically massaging your insides with his long, boney fingers. Every twist and turn made you gasp into the kiss. You watched him slowly pull away, your lips centimeters apart as you panted. You could feel his breath on your face before he spoke. "You're all prepared now, yes? Let's get into something more, intamite." He said, kissing slowly down your neck.

Dazai - breathless

Dazai was panting softly, one hand holding your leg up while his other hand held his erection that was pressed against your entrance. "Babe, don't worry there isn't anything to be stressed about." The brunette spoke tenderly, gently easing your leg down, cupping your face with that same hand. "I know, I know.. It's just been a bit. I trust you, 'samu." You mutter softly your face painted with a red hue.

"Look at you, so pretty and ready for me." Dazai teased, leaning down pressing a slow kiss to your warm lips. You arched into the kiss, your hand cupping the back of his neck. Your eyes widen as you felt his tip push inside you causing you to whine into the kiss, your nails digging into his flesh. The other's eyes squinted, your nails digging into his skin causing a slight pain but he put through with it.

He gently pushes his tongue in your mouth, roaming around not once pulling back as he sunk his cock inside of you and before y'all both knew, he was in to the base. You quickly pull back breathless from the passionate kiss, saliva connecting the two of yalls mouths. A smile spread across the brunettes lips as he looked at you "Lookie there, it's all in. I told you that I'd be gentle hm?" Osamu said rolling his hips slowly in a nice and slow pace.

Akutugawa - snowball kisses & aggressive/rough

Starting off with soft thigh kisses that soothed slowly into your head between you lover's legs sucking him off. Akutugawa's lengthy fingers thread through your hair, head thrown back against the headboard. "Fuck, you're really just taking it." The black haired groaned, soft pants following. You suck greedily, your eyes trail up his abdomen before they met his. Akutugawa's face a bright red as he looks away from your gaze his free arm over his face. His entire being was trembling as you sucked him off, it way too stimulating.

"Gah.. I think im going to cum, y/n." He grumbled out and when you took him to his base, a choke came from him as he came in your mouth. You pull back slowly, sitting on your knees. As you went to swallow the thick glue like texture in your mouth, the other that sat breathless in front of you grips your cheeks between his thumb and other four fingers pulling you in for a slightly aggressive kiss.

His tongue quickly shoved into your mouth, your saliva mixed with his own, slightly salty semen, made him shiver. You kiss back, shocked but nonetheless acceptive of the kiss. Yalls tongue mingle in an aggressive dance of love, his pale hands sliding down and gripping your hips, pulling you closer. After a minute or two, he slowly breaks the kiss, swallowing thickly. Akutugawa quickly drags you into his lap, his cock rubbing against your entrance. "Can we get to the best part yet?" He asked before slowly easing his erection inside.

[iwritefandomimagines]

I COULD KISS YOU — GREG HOUSE

masterlist

pairing: greg house x reader

description: when an offhand comment to praise house for helping you diagnose a patient leads to the silent treatment, you’re both forced to confront the feelings that had been lingering unspoken for too long.

warnings: swearing, angst to a teeny bit of fluff, may be a lil ooc as i’m still iffy on fleshing out how i write the house characters but i’m trying <3

author’s note: had this idea and got excited so bashed it out quite quickly while i was motivated af — hopefully you enjoy !!! let me know what you think

“Gregory House, you bloody genius,” you exclaimed, clenching your fists in excitement, unable to stop the words that came flying out next, “I could kiss you!”

You’d been trying to diagnose your patient for nigh on a week now, and with the young boy’s symptoms rapidly progressing and his condition rapidly worsening, House’s diagnostic expertise provided exactly the breakthrough you needed.

You were ecstatic — mentally piecing together just how he had to be correct — and so without another word you practically skipped out of his office to run some tests and reach the certainty needed to treat the boy as soon as possible.

What House had suggested made perfect sense, accounting for every symptom and every adverse reaction to the treatments you had tried so far, and though you usually mocked his tendency to always smugly assume he was right, at present you were immeasurably grateful for his input.

You were disappointed, then, when you rushed to tell him that the young boy was responding incredibly well to the treatment he suggested and he simply gave you his smug “I-told-you-so” smile and rushed away from you.

He didn’t speak to you again for the rest of the day, choosing instead to actually take time to visit his patients rather than deal with encountering you again.

“What did I do to piss House off?” you asked Cameron, Foreman and Chase shyly as you stood near the nurse’s station with them.

They all just eyed you like the answer was obvious, but Chase shrugged, “When has anyone ever needed to actually do something to piss him off?”

“No, he won’t even talk to me right now,” you frowned, brows furrowed, “It’s weird. I don’t know what I’ve done wrong since this morning.”

The group all looked between eachother, as though deciding who would be the one to have to tell you the honest truth.

“Probably something to do with your little ‘I could kiss you’,” Chase replied, doing a terrible impersonation of you and batting his eyelids flirtatiously as he quoted you, “He didn’t seem to like that very much.”

Your mouth was parted in confusion, “Firstly, I do not sound like that. But secondly, why would he give me the silent treatment for that? Is the idea of kissing me that repulsive?”

Cameron scoffed, rolling her eyes, “You’re both as oblivious as each other, Y/N… He’s ignoring you for literally the opposite reason.”

You shook your head in disbelief.

Was she seriously trying to tell you that House was ignoring you because he didn’t like you joking about kissing him?

“Don’t be ridiculous!”

“It’s literally painfully obvious, Y/N,” Foreman groaned, “You’ve had this weird sexual tension going on forever and given that he’s usually bad at giving a damn about people, he gets weird about you. And he obviously has feelings for you, so it rubbed him up the wrong way.”

Chase chuckled, “They’re right. He’s only mad at you because you’re the only person he’s never mad at but you hurt the feelings he apparently has.”

You pondered what he was saying for a moment, trying to piece together whether there was any semblance of truth behind their explanation for House’s weird behaviour.

Truth be told, it was the exact kind of petty and ill-fitting behaviour you’d expect from House.

For such a brilliant man, he could be utterly childish at times, especially if he wasn’t getting his way.

Your relationship had always teetered on the edge of professionalism — he was always making flirtatious comments, he always took your suggestions on board more than the others, always sung your praises to your peers and superiors.

Whilst everyone else was certain it was proof of his feelings for you, you had just thought he appreciated that you never pried into his life unless he offered to divulge information himself, and you were excellent at your job.

Of course, you couldn’t deny that you enjoyed your ambiguous relationship, given the crush you had harboured since very early on in your acquaintance. That’s why you always flirted back, always made sure your input was carefully though out, and why you were always singing his praises too.

But it was Greg House — a man who so famously behaved as though he didn’t care about anyone. So of course you didn’t think that things would ever progress past your unprofessional professional relationship.

“Where is he?”

“In his office,” Cameron smiled, “He told me to make sure nobody bothered him, and I think he meant you because he’s still throwing his toys out of the pram.”

You rolled your eyes with a laugh, “God, he’s ridiculous. I’m going to go and talk to him. Or try, anyway. Wish me luck.”

“Is this House we’re talking about?” Dr. James Wilson made an appearance at your side now, his brow quirked in curiosity as he butted into the conversation.

You nodded, “He’s being a baby instead of actually talking to me about why he’s mad.”

You hoped he’d have some kind of more concrete explanation, given that he was the only person House was even remotely honest around.

“He’s hardly an expert at talking about his feelings, is he? Or having them, actually,” Wilson chuckled, “But he’s been grumbling all day. Please do go and speak to him. For my sanity’s sake, if not your relationship’s.”

“Slow down, Wilson,” you scoffed, but though you didn’t want to get ahead of yourself, you couldn’t deny the fluttering in your stomach at any sort of reference to you and House’s potential relationship, “I’m going!”

You entered the room without even knocking, folding your arms over your chest with a stern expression on your features as you strode towards his desk and stood firmly in front of him.

“I’m busy.”

“Busy being petty and ignoring me?”

He looked up now, narrowing his eyes as he realised you were not going to meekly scuttle away like you had done every other time he’d dismissed you today.

“What makes you think that?” sarcasm dripped from his words, “I just so enjoy spending time getting to know my patients and doing paperwork!”

You huffed out a sigh, frustrated by him already trying to dodge the subject, “Greg.”

“Y/N.”

“Greg!”

“Y/N!” he matched your tone just to challenge you, and you scoffed, “Are you really going to be like this?”

“Like what?”

“So deliberately evasive?”

His lips drew together in a thin line as he eyed you carefully, “How’s your little boy from this morning?”

“You are so fucking frustrating, Greg,” you scowled, “Can we have an adult conversation here?”

He appeared to ponder over another joke to make, but apparently for the first time in his life thought better, as he remained silent and waited for you to continue.

“I’ve been so stressed out about that kid, and you helped me to help him massively — he’s likely to be discharged by tomorrow. I was so happy, so relieved, and I said I could kiss you,” you began, avoiding his gaze at first until your final sentence, “And it was a silly offhanded comment about how grateful I was, but at the same time I honestly could’ve kissed you because I quite honestly want to a lot of the time.”

Oh my God — you’d stunned the Greg House into silence?

Your breathing was jagged, “I don’t know if you’re just being an ass because you don’t like being on the other end of jokes, or if the team actually aren’t just blind hopeless romantics and you actually care about me. But I just wish you’d talk to me instead of doing all this and making me feel like you don’t care at all.”

He pulled himself up onto his feet, grabbing his cane to lean on as he inched closer to you.

“It’s a bit of both,” his voice was low, and you were sure that if you didn’t know him better you might believe him to be shy about telling you the truth, “I’m not good at caring, and I don’t usually like caring, but I guess I do. Sue me!”

You took another step forward, so that you were so close you were breathing right in each other’s faces.

You were trying to be brave and command the conversation, but your stomach was doing backflips as it dawned on you that what he meant was that he really did feel the same about you.

“Why would you go silent on me then instead of talking to me about it?” you bit your lip as you spoke, and caught notice of how his eyes trailed to your lips as you did so.

He swallowed thickly, “Didn’t feel right to. Hardly professional, is it?”

“Oh, because you’re the picture of professionalism usually aren’t you?” you laughed dryly.

“Point taken,” he shrugged, “Maybe I was little scared. And we’ve got a good thing going, it’s a risk pushing things any further.”

You weren’t happy with that, not when this was Greg House — king of taking risks and breaking rules — and you were certain that it was a risk worth taking anyway.

“When has risk ever stopped you?” you asked, whispering now as your eyes darted between his and his lips whilst he mirrored your behaviour.

“Point also taken,” he mumbled, before finally taking the plunge and bringing his lips to yours in a heated kiss that you leaned into immediately.

He quickly leaned back to sit on the edge of his desk, his hands finding your waist as he pulled you to stand between his parted legs.

You pulled back, suddenly aware that anyone could come in at this moment and see you — and whilst the biggest risk here really was endless teasing from the team or a scolding from Cuddy, you did still have some things to discuss too.

You didn’t want to ruin the moment, overcome with giddiness at what had just happened, but you wanted to make your feelings clear; Even if it was to a man who would probably make a jokey remark and underplay his own feelings.

“I don’t know your relationship history, and I don’t care to,” you shrugged, moving your hands to your hips but hardly moving away from him, “Well, I’m not rushing to. I can assume it’s not great, but I just want to take every day as it comes and see where things go because mine isn’t great either. I’m not gonna hurt you, Greg.”

The sincerity in his eyes as he gazed up at you made your heart melt, and you could tell that somehow, some way, you had gotten through to him.

“Don’t make promises you can’t be certain that you’ll keep, Y/N,” he mumbled, before shaking off his own words and standing back up to stare into your eyes intently, “But fine. Because it’s you, I’m willing to try. Provided there’s more of this,” he kissed you again before continuing, “And less of them ogling and concocting their little romantic stories about the lovely doctor Y/N and her damaged old fool.”

You turned around to see the entire team peering through the window, all smiles and whispered chatter at the sight before them.

You raised your middle finger to them, turning back to look at House and stepping back a little from him.

“Unfortunately, those nosey fuckers are not going anywhere,” you rolled your eyes, “If you’re willing to try then we’re going for dinner. Tonight. And we’re going to have a good time, and not talk about this place or about anything you don’t want to.”

He nodded, “I’ll pretend I’m not furious you’ve robbed me of making the grand romantic gesture of being the one to ask,” he cocked his head as he joked, truthfully very much pleased you were the one to ask and confirm that your interest in him was genuine, “But sounds good to me. I’ll wear my nicest tux, eh.”

“Yeah, yeah, ha ha,” you hummed, “Now I’ve got a living patient to go and visit thanks to you. Enjoy your afternoon with that lot,” you gestured to your friends, who were all still stood there watching you, “Good luck. Oh, and pick somewhere to book for us to eat. That can be your grand romantic gesture, hm.”

“Gee, thanks,” he laughed, shaking his head, “I’ll see you later.”

“See you later,” you grinned, swanning out of his office with the biggest smile possible painting your features.

You nudged past your friends as they watched you walk down the corridor, happier than they had probably ever seen you in the time that you’d known them.

They immediately filed into House’s office when you were out of sight, and his head fell back in irritation for a moment despite the smile still gracing his lips.

“Things went well, then?”

“Go away,” he replied, “I’m in a good mood for once, and you idiots aren’t going to ruin that, alright?”

“Woah, okay,” Foreman laughed, “Who are you and what has Y/N done with Greg House?”

———

thanks for reading !!! i hope enjoyed and this wasn’t too ooc lol. let me know what you though pleaaase & if you’d like — feel free to request!

in the meantime, here is my masterlist!

[bethanydelleman]

Writing Villains (Advice from Jane Austen)

One of the reasons that I find Jane Austen's novels so wonderful is that they have amazingly realistic villains, some that are fully fleshed out characters. Austen's biggest strength is that she gives her villains clear, logical motives. In fact, for many of her villainous characters you can turn the entire story around and see a rational story from the other side.

For example, Lucy Steele. She doesn't attack Elinor out of mindless evil, but because Edward Ferrars is her golden ticket to wealth and she knows that Edward loves Elinor. Lucy might twist the knife a little on Elinor out of sadism, but generally she attacks Elinor in an attempt to secure Edward. When it comes to other characters, Lucy is overly sweet if she wants something from them, otherwise she acts normally. As an example, she leaves Marianne alone because Marianne is not competing for Edward and also can't do anything for Lucy. Anne, Lucy's sister, likes her. Lucy has friends and family she stays with, she's a fairly well-rounded person.

You can put yourself in Lucy's shoes, you can turn the entire narrative on it's head and play it out from her perspective and it would make complete sense. You could even make Lucy sympathetic! She probably sees herself as a hardworking underdog, trying to wrest her one chance at prosperity away from the conniving Elinor Dashwood. I'm sure she thinks the pain she causes Elinor is justified.

If you can't do that with your villains, then there is a good chance they are just evil for evil's sake. I picked Lucy Steele on purpose because I hate when the entire motivation for a antagonist female character is "bitches be crazy". Bitches may be mean, but almost always for a good reason.

Even Mrs. Norris, who is probably the most cruel of Austen's female villains, can be perspective switched. Her life is about being useful to the Bertram family so she can feel important because her married status/wealth is lower than she wished. As she must always be deferential towards the Bertrams, she takes out her negative emotions on those below her, the servants and Fanny, while also showing off how good she is at "managing" those people. (And yes, she is your childhood bully)

We often hear her perspective and she clearly sees herself as a useful part of the family and a defender of Sir Thomas's wealth. She thinks she's a good person! Which is also an important point: most people doing wrong do not believe that they are doing wrong. That is what really makes a villain scary. Mrs. Norris thinks she's helping Fanny in a very twisted way by teaching Fanny her station in life. If you asked her, she'd give you a self-justified answer and she'd probably actually believe it.

Another way to do a good villain is to just make a person very selfish. Henry Crawford doesn't sit around all day laughing about how much pain he causes women, he doesn't think about it. He only thinks about the fun of flirting for himself, not the harm to others. The glimpses we get into his perspective are not cruel at all. It's the same with Willougby, he thinks only of his own pleasure and tries very hard to ignore that he has crushed Marianne and destroyed Eliza Williams. When he is forced to accept that people were hurt, he blames everyone but himself.

Wickham thinks that he's a victim, Caroline Bingley is ambitious and doesn't care who she steps on to get to the top, Mr. Elton is insulted that Emma could even dream he's a match with Harriet but he can't touch Emma so he punches down at Harriet. They all make sense, they all probably believe that their actions are justified.

Also, imagine taking the heroine/hero right out of the story, would the villain still act the same way? If Anne didn't exist, Mr. Elliot would still try to bring himself into the Elliot family because he was afraid of losing the title. If Elizabeth didn't exist, Wickham would have had another favourite in Meryton. If Fanny didn't exist, Mrs. Norris would have found some other puppy to kick. The villains don't just appear for the plot of the main characters, they have their own reasons for moving around and messing shit up.

Lastly, explaining but not excusing (though unfortunately some people will excuse anyway but that's not your fault). Mary Crawford is mercenary and doesn't seem to believe that love is even a real thing. It's pointed out several times in the novel that her defects have to do with being raised in an immoral environment and a broken home. She was taught by her aunt to marry for wealth and disregard love. Austen doesn't excuse Mary, she doesn't give her a happy ending, but she does explain how she came to be. She's not just greedy, she has been taught that wealth is the best recipe for happiness. As an adult now, it is her responsibility to question that maxim or remain a villain.

Austen wrote amazing morally grey characters and "villains" (a term I used a little liberally here, some of them probably only count as antagonists, not full blown villains). I love how real and human she made her characters, it's something I aspire to myself!

Linking my Caroline rant because it's related, people remove her motives so often and flatten her into a "bitches be crazy".

[jennifer-jeong]

Okay so first, I really love your LnD fics (patiently waiting for more of your amazing works) 🥹🫶 and hear me out...

Reader who is reincarnated as a Fae being and has been alive since. But the thing is, her wings had been clipped off (with the use of silver chains, meaning she's vulnerable against silver) for a century and is in Linkon city since she feels that part of her (her wings) are somewhere hidden in the city (Think of Maleficent live action ig where her wings were taken from her) and meets the guys and so on :)

HI ANON THANK YOU SO MUCH FOR YOUR ASK AND YOUR KIND WORDS FJDSKLAFJSDL;A I APPRECIATE IT SM!! TY FOR INTERACTING!! I’m so glad to hear you like my fics and I promise more are on the way hehehe please do request me again if you have more ideas!!

I hope I did your prompt justice! I definitely did think a lot about maleficent when writing this hehehehe

Fluff + Angst | LADS x Fae!Reader Angel

CONTENT Angst to fluff, gender neutral reader, mentions of violence, blood, trauma, torture, healing alongside them, mutual pining between you and the boys, happy and open ended endings! ALL CHARACTERS ARE 18+

Your wings were a pretty and pearly milky white. Your wings resembled those of high flying birds. They were thick enough to allow gliding and also strong enough to give you lots of control in the air. They were iridescent in the sun and carried you high in the bright sky. The air was thin but more refreshing up there. You played with clouds and soared through the endless blue. It was freedom. It made you feel alive, warm.

It was your gift, but unfortunately, it was on someone else’s wishlist.

You’d never been a spiteful being, nor had you ever hurt a fly. But when silver chains ripped your flesh and tore your muscle to take your wings, severing your very soul from your body. When they destroyed your forest, your home, your family, your heart. You swore to make them suffer.

You were powerful and hunting these fools down was nothing difficult for you. The problem was hunting without your wings, your best weapon.

The lack of mobility and being forced to fight on the ground made it so that you could maim the weak ones, but you could never reach the ones who profited off the suffering of you and your people.

Linkon city is where they were. You knew this. You could feel your wings there. You also knew that you’d need to hide, figure out who did what and how to get your damn wings back. It would take time, but time was all you had as a fae. You’d do whatever it took to make them pay.

It’d take years, but it was worth it.

2 years later and you’ve already made moves to apprehend (and torture) a few key figures, always leaving them in front of the police station when you were done. You still had so much good in you and it always prevented you from killing. But it made you seethe that they were filthy fucking rich from what they stole from your homeland. They sold your resources and displayed your bodies, your wings, like they were trophies. Life was still cold and depressing for you but you did manage to make some friends in Linkon. They’d even help you with your mission. You only trusted them with the information because they had similar goals.

XAVIER

Xavier was a local policeman you had met a few decades into your plot when you were hired to help with the case. He was coincidentally also investigating illegal hunters and black markets selling goods stolen from other civilizations such as yours. It was a big ring of crime and he was determined to end the atrocities that were being committed in it. Meeting you was just extra motivation on top of his already relentless drive for justice. You became investigative partners since you were both capable in combat and often investigated the same people anyways.

Xavier was kind, gentle, quiet, and stronger than he let on. He always worked without expectation of reward and you appreciated that. You just wanted justice and he wanted the same. It helped that he didn’t seek publicity because it would’ve made your life harder since you were probably wanted as a vigilante from before. Xavier taught you his philosophies and you realized you’d been consumed by your desire for revenge, unable to enjoy life outside of it. You admired him for his morals, so you learned from him, and it made you two grow closer. He was more than happy to help, it was so rewarding to see you slowly become your bubbly self that he guesses you lost a long time ago.

He had his suspicions that you might be fae. The man was smart but he played his cards carefully, he always held them close. He acted aloof with you and pretended to not constantly stare at the back of your shirt, trying to see if you had imprints of missing wings on your shoulder blades. He also figured that your motivation for wanting to crack these cases came from somewhere. If he also managed to figure out that you’d been behind some of the previous mysterious arrests, he’d turn a blind eye. He knew your actions weren’t crimes. He felt glad that you got them back for what they did to you and your people.

After a few years of planned raids and dozens of arrests, one of the recovered items from the warehouse was a beautiful pair of wings. Still buzzing with magic, craving to feel the wind again. You felt them when they were being transported to the police HQ. The surge of energy that continued to approach you made you hold your breath and bounce your leg out of pure anxiety. Xavier put a hand on your shoulder to try to calm you down. He’d already figured out what was going on just by looking at you. You didn’t need to say a word. It was something that slowly came naturally since you two spent so much time together. You smiled and he smiled warmly back. You were in the middle of panicking because Xavier was still touching you when you were presented with your missing soul, your wings. You requested to view the “evidence” privately with Xavier and wasted no time in feeling your delicate wings with your fingertips again.

Xavier stood behind you, his right hand found its way to your upper back. He finally traced the outlines of your cut wings. It made you gasp at first, but you trusted him. As he continued to feel them, you shivered. They were scars, they were more sensitive. He stepped to your side and you turned to partially face him, his hand sliding off of you. You looked into his eyes and your longstanding feelings for Xavier were making their presence known by heating up your face, flushing your cheeks. You swore you saw a slight tinge of red on the tips of his ears too. He spoke to you in his familiar voice that you loved so much. He decided to tease you slightly.

“I think I always knew that you’d have wings, you were too perfect to not be an angel.”

ZAYNE

Zayne was a surgeon you’d met one day when he treated your wounds since you collapsed outside the hospital. He discovered the scars where your wings used to sit on your back. You were high off the morphine when he checked your back for more injuries so you barely even realized.

He questioned you but not in the way you expected. You thought he wouldn’t know what they were or try to take advantage of you. But instead he asked what you knew about the hunters that took your wings. He already knew exactly what happened to you just by looking. He was involved in cracking down on research related to Fae and Lemurians since there were people trying to fuse their genetics with these races to gain their beneficial traits such as immortality.

He knew some things you didn’t know and vice versa. You both began working on this together, investigating research facilities, interrogating suspects, and fighting only when needed. You were unstoppable and the law didn’t plan to ask you to let up. You both hand delivered them collectors and shadowy figures that had hid from the police for so long. When you fought, Zayne could both heal and attack from afar while you rushed them head on. You were unafraid because you believed in your partner, your trust in Zayne only grew as the years went on.

Early on, Zayne encouraged you to let go of the spite, the revenge. You knew he was right when he said that they did not benefit you in this. He saw the rage in you and could see that it was hurting you, mentally and physically. You listened, you knew better. You stopped the relentless tortures and instead, let the collectors rot in jail, but not before you got in a few good punches. Zayne watched you slowly come out of your shell again, actually taking the time to enjoy the little things in life instead of being hyper focused on revenge. He’d be lying if he said you weren’t one of the most rewarding patients he’d ever had.

Working with your partner was definitely quite the rollercoaster. He was always so professional and mature but would also randomly tease you as if you were kids, albeit with a fully deadpan expression. Zayne was reserved and often came off as cold but he made you so warm. You knew he was an extremely compassionate and kind person under his exterior and you admired him for it. Zayne also adored you in the same way. You had gone through so much pain and suffering but you still smiled and shined like the sun.

Over time you adapted to live without your wings but after one specific raid on a collector’s mansion, you knew exactly what the collector’s prized possession was because it belonged to you. You could feel your wings. They still surged with energy and upon seeing them when you went to do follow up investigation, you immediately called to them. They flew towards you and you inspected them, almost not believing the scene in front of you. Zayne stayed close ready to support you, especially if you were to fuse with your wings again, he knew it’d be hard to keep them hidden and it’d just bring up so much previous trauma.

You turned to face him slowly, leaving your wings behind you. You hesitated. Not letting your wings fuse with you yet. Zayne looked into your eyes, trying to comfort you with his presence. After a few seconds, Zayne held out his hand, you took it. His skin was cold but somehow it made yours burn, the heat spreading through your body as your face warmed up. He spoke quietly to you, telling you to take your time. You closed your eyes and took deep breaths, your thumb slowly caressing the back of Zayne's hand as he did the same back.

Zayne had always been good at comforting you with his words, maybe it just came naturally since he was a doctor. Regardless, you knew it was exactly what you needed right now. You didn’t know what you’d do after you got your wings back. Would you go home? Would you continue this mission with Zayne? Would having your wings make it harder? Would it make it easier? You confided in Zayne as you spoke your thoughts out loud. Once you were done, you were overwhelmed and he could tell. He started his reply with a sentence that filled you with warmth, hope, and a little bit of giddiness. He speaks, teasing you a bit at the end, his face flushing.

“It doesn’t matter what you are or if you have the wings or not, you’re beautiful and you should follow your heart… especially if it’s here.”

RAFAYEL

Rafayel was a painter “looking for art or inspiration” that you met at an underground event where illegal goods were being sold, but you quickly figured out it was a front. Rafayel was a Lemurian, you sensed it immediately since you weren’t human. As a fae you had the ability to sense certain things, and so did Rafayel. Upon meeting each other at an art exhibition, you quickly exchanged information and agreed to meet up again the next day. You almost simultaneously revealed that you were both after the hunters that destroyed your homes when you finally got to chat alone.

The two of you start to frequent more underground events, both of you being well connected and hiding your true intentions very well. You use the events to gather information and then put your plans into action when your targets are alone. It worked amazingly well, you were both extremely skilled and efficient at what you did. It slowly chipped away at this network that shamelessly destroyed your beautiful homes.

Rafayel was a bit of a loose cannon. The man was so sweet and bashful one second and deadly serious the next. He was so gentle with you but didn’t hesitate when there was business that needed to be done. He could easily switch it on and off too. You were just glad you were on his side of this war.

Both you and Rafayel were out for revenge but something about your partnership changed you two. You both slowly helped each other heal, confiding your worries and traumas in each other. You were still both ruthless when it came to apprehending the people who did you wrong but the tortures stopped and the warmth returned outside of the violence. You two actually started to make good memories and live life instead of just trying to survive. You’d often watch the sunset over the ocean together, it was peaceful and you’d chat about anything and everything.

Eventually, after dozens of raids and missions, Rafayel finds weapons that used to belong to his family at the same time you find your wings again. You kept quiet until the mission was done, knowing you could feel your wings but not wanting to startle Rafayel. You looked at the weapons with him, you put your hand on his back to show your support for him. His eyes stayed glued on the knives and his face was a painful melancholic expression. You rubbed circles into his upper back with your thumb, hoping it could ease some of the pain caused by resurfacing memories.

After ensuring that the weapons would be sent to his personal studio, he continues to explore the mansion with you, following you while you find your wings. You communicated to him about your wings and he knew this would be tough for you too but you were both glad you had each other in this moment.

When you saw your wings in a display case at the end of one of the hallways, you bit back tears. It was a lot to take in. You passed millions of dollars worth of paintings to reach the most priceless thing in this whole building. Rafayel lags slightly behind you, wanting to give you a moment. You turn to face him, telling him that you don’t know if you want the wings back or not. Would they make you complete again? They can’t bring anyone back, can’t take away the pain. You couldn’t hide them like Rafayel could hide his true form, would it be a nuisance?

Rafayel makes his way towards you as you ramble, clearly distressed. He quickly envelopes you in a hug, letting you cry lightly into his chest, a painting of Lucifer on the wall next to you. You stay like that for a while. When he finally pulls back, he cups your face with his hands. You were his fallen angel, he wasn’t always great with his words but he truly spoke from the heart when comforting you like this.

“You never needed these wings to be complete, you’re ethereal with or without them. You’ll always be my angel, no matter what.”

|| MASTERLIST ♡ || Thank you for reading! ||

[valentine-cafe]

could I possibly get a sub!top (male) reader w/alessio arias? something with him riding reader?

👉👈

. ˚◞♡ 𝒎𝒆𝒓𝒄𝒆𝒏𝒂𝒓𝒚 𝒃𝒐𝒚𝒇𝒓𝒊𝒆𝒏𝒅 𝒙 𝒃𝒕𝒕𝒎 𝒎𝒂𝒍𝒆 𝒓𝒆𝒂𝒅𝒆𝒓 ꒰ 𝒕𝒉𝒆 𝒖𝒏𝒌𝒊𝒍𝒍𝒂𝒃𝒍𝒆 𝒎𝒆𝒓𝒄𝒆𝒏𝒂𝒓𝒚 ꒱◞ ₊˚

⊹ ۪ ࣪ ᥫ᭡ 781 alessio / bttm male reader ꒱ he loves making you desperate for him - even if it means riding your lap until you're whining and spluttering 

𖹭. content warnings◞  explicit content . penetrative sex . riding . dirty talk . 0.5k

𖹭. receipts◞  hope I got this right! was a little confused ah

. ˚◞ ꒰ 🍰 𝒍𝒊𝒏𝒌𝒔 ꒱ m.list . guidelines . characters . lorebook ⊹ ۪ ࣪ 

“feel s’good baby. s’fucking good.”

a groan leaves the depths of his throat. hips rocking into yours in a way that makes you dizzy. fingers clawing at the black leather of his sofa that you lean back against. the material sticking to your back from sweat.

your line of vision finds his face. the small furrow in his brows and the way his dark lips part makes your tummy twist. the epitome of beauty, is what you thought your boyfriend to be.

it doesn’t take long before your gaze falls to your joined flesh. the way his ass so perfectly takes your dick. how he squeezes orgasm after orgasm. he must like the feel of being filled up with your seed.

the mere thought has you panting.

“you feeling good too hermoso?” his breath fans your face. strong forearms leaning against your shoulders as he leans down. the mess that is his dark hair tickling your skin. the burning pleasure swelling around your tip sated by the balm of his kisses.

“m-. . . mhhm.” your nod is greeted by a twist of your nipple when his fingers reach down. a rough kiss pressed to your lips with a few shallow bucks of his hips against yours.

“use your words baby.”

“y-yes - yes you feel s-so good.”

the whimper sprouts pride through him. motivated his movements so that he’s bouncing on your dick so feverishly. the wet sounds and blissful tightness has your head hanging back and tears welled up in your eyes.

you can’t help it. you have to touch him. needy hands reaching out and fingers curling into his hips.

“hey.” the click of his tongue has you shaking.

“p-please - please let me touch you - alessio. . . a-alessiiiooo hngh. . .”

the chuckle that leaves his throat shoots right to your cock. it doesn’t take long before you’re twitching and cumming again. drawing a ragged groan from his lips right after his little laugh.

“f-fuck. yeah that’s it. well since you ask so nicely.”

the ability to touch him feels like heaven. so you do yourself another favour and bury your nose into his shoulder. inhaling his scent as your arms loop around his body. hips bucking needily into his. synching with the way he expertly rides you.

you aren’t sure how may times he has milked your poor dick. only that you’re a babbling mess by the time he lifts his ass off of you with a small pop.

still, you whine. even with all your drool and tears.

“n-no nooo baby come back - come back please-”

you’re cut off by the rough feeling of his hands cupping your face and his silencing lips. the piercing of his tongue rubbing against yours when he shoves it into your mouth. stealing your air all over again.

“sshh. turn over,” alessio groans into your lips. reaching down to stroke at your throbbing dick. “wanna fuck that cute lil’ ass. can I?”

anything to feel him in whatever way you possibly can. of course you roll over to your tummy and have his large cock pound you senseless until you’re both gasping for air.

𖹭. taglist◞ wanna join the taglist? fill out this form

𖹭. remember◞ you make a writer's day every time you like, reblog and/or comment on their piece. if you enjoyed my work, please considering doing so<3

. ˚◞ ꒰ 🍰 𝒑𝒍𝒆𝒂𝒔𝒆 𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓 𝒔𝒖𝒑𝒑𝒐𝒓𝒕𝒊𝒏𝒈 𝒖𝒔 ꒱ tip jar . masterist ⊹ ۪ ࣪

[writingquestionsanswered]

I love planing out my ideas in great detail but when it comes to actually writing the story it’s like pulling teeth. It goes from being fun and interesting to being nothing more than a dull chore. I’ve tried planning less to see if having some things unknown might help, but that didn’t work. I could spend forever writing and rewriting my ideas and making changes to them. But when I try to write an actual story it’s like I physically can’t. What should I do?

Details Planned But Unable to Write

If you have the details of your story planned out but still aren't able to write it, it's probable that one of the following things is happening. See if any of these strike a chord with you...

1 - Details and Plot Are Not the Same - Sometimes writers say they have all the details in their story planned out, but what they actually mean is they've fleshed out character and setting details, maybe even backstory and some general scene ideas, but they couldn't tell you what the story's conflict is, what the inciting incident is, what goal the protagonist is pursuing and why, what's at stake, or what the major plot points of the story are. No matter how detailed your story is in terms of characters, setting, backstory, and even general ideas about scenes, if you don't have a conflict to tie them all together, you don't really have a story. You just have details. A plot can't be moved forward if it doesn't exist, and if you don't have a conflict, goals and motivation, stakes, an antagonistic force and obstacles, etc., you don't have a plot. Solution: take some time learning about Goals and Conflict, Plot Driven vs Character Driven Stories, Basic Story Structure, and How to Move a Story Forward.

2 - You Lost Interest in the Story - If you have your story properly plotted in addition to having the details fleshed out, and you're still unable to write, it could be that you've simply lost interest in the story. This can happen when we spend a lot of time on a story, especially if we spend a lot of time fleshing things out. Solution: Guide: How to Rekindle Your Motivation to Write, Getting Unstuck: Motivation Beyond Mood Boards & Playlists, Getting Excited About Your Story Again

3 - Something in the Story Isn't Working - Imagine someone riding a horse and they come to a rickety old bridge, but the horse balks and refuses to cross. The horse may just be stubborn, but it's quite possible it's picking up sensory information its rider can't... creaks and groans the rider can't hear, a worrisome tilt or sway the rider can't perceive... If you sit down to write your well planned out story and can't, the same thing could be happening with your gut instinct. Like the horse that doesn't want to cross the bridge because it senses danger, something inside you is saying "this story doesn't work" and isn't excited to get involved. Solution: Read through your outline or plan and see if you can spot the problem. Maybe the character's goal doesn't make sense with the events of the story. Maybe the antagonistic force isn't doing enough to oppose the protagonist. Maybe the character arc is out-of-sync with the events of the story. If nothing else, talk it through with a trusted writer friend to see if they have any thoughts. Sometimes just hearing the questions they have about the story can be enough to highlight what isn't working.

4 - Life Stuff Is Getting in the Way - Even if your story is well fleshed out and thoroughly plotted, and everything works and you're excited about writing, there can be other things going on in your life that stand in your way. If you're putting too much pressure on yourself to write or reach certain writing goals, it makes writing feel stressful and our brains are wired to avoid stressful things. It could be that you're not feeling well physically or mentally. You could be distracted by other things you want to write or do. You could just be too busy with other things to really get into it. Or you could just be not in the mood to write. Solution: Try to pinpoint what's getting in the way and see if there's a work around. For example, if you think writing has become stressful and that's why you're avoiding it, figure out what you can do to make it fun again. Or, if you think you're just not in the mood to write, figure out some things you could do that would put you in the mood to write.

5 - Fear Is Getting in the Way - Details are easy, writing is hard. No matter how much planning and plotting you've done, actually putting those details into coherent words in a way that is compelling and well-paced--that's not so easy. And, the tough reality is that until you've had a lot of writing experience, your writing probably isn't as good as you want it to be. You want it to be good, and you know what would qualify as good, but you're just not able to produce that quality yet. And the only way to get your writing quality to that level is to let yourself write things that aren't as good as you want them to be. You have to write a lot of "just okay" stuff before you can write "really great" stuff. AND THAT'S SCARY!!! And--that's not even the only thing that can cause fear for writers. Maybe you have written a lot and your writing is where you want it to be, but maybe your fear is with the next step... sharing it with others. Maybe you're afraid others won't enjoy it as much as you want them to. Solution: figure out what's causing the fear, whether it's quality-related or next step related, then try to push through it. Remind yourself that writing not great stuff is part of the process. Remind yourself that sharing with others is part of the process (usually, unless you're writing for yourself.) Have a spin through the bottom half of my Motivation master list for other fears and solutions.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[writing-with-sophia]

How to write a good Anti-Hero? How to find the perfect balence, lay out a good personality + backstory?

I love your blog so much! Your suggestions are so helpful💕

Writing a good Anti-Hero

I'm glad that my blog can be of assistance to you! Here's a step-by-step guide to help you create a well-rounded anti-hero:

Identify Their Key Traits: Start by identifying the key traits and characteristics of your anti-hero. Consider what makes them different from a traditional hero and how those traits contribute to their complex nature. Are they cynical, charismatic, or morally ambiguous? List these traits to have a clear picture of who they are.

Develop a Compelling Backstory: Create a backstory that justifies the anti-hero's behavior and motivations. Their backstory should provide insight into their past experiences, traumas, or circumstances that shaped their worldview. Consider how their backstory influences their choices and drives their actions.

Establish Their Moral Code: Define the anti-hero's moral code and ethical boundaries. Anti-heroes often operate in shades of gray, so their moral code may be different from society's expectations. Determine what principles guide their actions and explore the conflicts that arise when their code clashes with societal norms.

Flaws and Vulnerabilities: Give your anti-hero flaws and vulnerabilities that make them relatable to readers. Flaws could include arrogance, a short temper, or a tendency to push people away. Vulnerabilities humanize the anti-hero and create opportunities for character growth and development.

Motivations and Goals: Clearly define the anti-hero's motivations and goals, which may be complex and multifaceted. Determine what drives them and what they seek to achieve. Their motivations can evolve throughout the story as they confront challenges and face personal revelations.

Create Conflicting Relationships: Develop relationships for your anti-hero that challenge their beliefs and motivations. These relationships can include allies, enemies, or ambiguous connections. Interactions with other characters can push the anti-hero to question their choices and evolve as a character.

Internal Conflict and Dilemmas: Explore the internal conflict your anti-hero experiences as they navigate their choices and actions. They may struggle with the consequences of their morally ambiguous behavior or question the validity of their goals. Internal conflict adds depth and complexity to their journey.

Moments of Empathy and Redemption: Provide moments of empathy and potential redemption for your anti-hero. Show glimpses of their capacity for goodness or selflessness, even if it's buried beneath their rough exterior. These moments can create emotional connections with readers and open the possibility for redemption arcs.

Growth and Change: Allow your anti-hero to experience growth and change throughout the story. This can involve challenging their beliefs, confronting their flaws, or reevaluating their moral code. Their journey should be transformative, leading to personal development and self-reflection. Remember to demonstrate your anti-hero's growth and transformation through their actions and choices. Instead of relying solely on internal monologues or self-reflection, emphasize how their behavior and decisions shift over time.

Avoid Excessive Villainy: While anti-heroes may engage in morally ambiguous actions, be cautious not to make them excessively villainous or unsympathetic. Give them redeeming qualities or justifications for their behavior to maintain reader interest and empathy.

Consistency and Complexity: Ensure consistency and complexity in your anti-hero's personality. They should feel like fully fleshed-out individuals with nuanced emotions, motivations, and reactions. Avoid one-dimensional portrayals and explore the various facets of their character.

Reader Engagement: Keep readers engaged by providing them with a window into the anti-hero's thoughts, emotions, and motivations. This can be achieved through introspection, dialogue, or interactions with other characters.

There are some questions to help you develop a well-rounded anti-hero with a balanced personality and backstory:

Personality:

What are the defining traits and characteristics of your anti-hero? How do these traits set them apart from traditional heroes?

How does your anti-hero interact with others? Are they charismatic, aloof, or manipulative?

What flaws does your anti-hero possess? How do these flaws contribute to their complexity and relatability?

What vulnerabilities does your anti-hero have? How do these vulnerabilities influence their behavior and choices?

How does your anti-hero handle conflict and adversity? Are they hot-headed, strategic, or unpredictable?

What defense mechanisms or coping mechanisms does your anti-hero employ to protect themselves emotionally?

How does your anti-hero's personality influence their relationships with other characters in the story?

Backstory:

What significant events or traumas from their past have shaped your anti-hero's worldview and motivations?

How do these past experiences contribute to their moral code and ethical boundaries?

Are there any formative relationships or connections in your anti-hero's backstory that have influenced their behavior?

What led your anti-hero to adopt their morally ambiguous or unconventional methods?

How does your anti-hero's backstory justify their motivations and goals?

Are there any unresolved conflicts or unfinished business from their past that drive their actions in the present?

How does your anti-hero's backstory create internal conflicts and dilemmas for them throughout the story?

Balancing the character:

How do you strike a balance between your anti-hero's morally ambiguous actions and their redeeming qualities?

What moments of empathy or vulnerability can you include to make your anti-hero relatable and sympathetic to readers?

How does the anti-hero's moral code and personal motivations create conflicts and challenges for them?

In what ways can you show the growth and evolution of your anti-hero's personality and beliefs over the course of the story?

How do the relationships and interactions with other characters challenge or influence your anti-hero's personality and choices?

What internal conflicts or dilemmas does your anti-hero face as they navigate their morally gray path?

How can you create opportunities for your anti-hero to question their actions, reflect on their choices, and potentially pursue redemption?

Remember, crafting a compelling anti-hero requires careful consideration of their traits, backstory, and journey. Aim for complexity, relatability, and a balance between their morally ambiguous actions and redeeming qualities. With thoughtfulness and depth, you can create an anti-hero that captivates readers and challenges traditional notions of heroism.

Additionally, if you need, you can find the post on villain redemption here.

If you want to read more posts about writing, please click here and give me a follow!

[nerendus]

Okay, this is a little bit of a tangent ramble about Miquella and may not make the most of sense, but bear with me.

I know baseline the PC's motivations are going to be left up to the player, but I do love how Fromsoft sets up the player's motivations for killing Miquella.

Because at first, based on the dialogue options you have with Freyja specifically, it appears you come to the shadowlands to be somewhat of service of Miquella, but then you go meet St. Trina who asks you to kill him, and that's why you end up fighting him. Because it doesn't necessarily make sense to fight him if you just wanted his Great Rune like the Tarnished are inclined to want, you would just fight the sunflower if that was the case.

But other than St. Trina wanting him dead--not out of revenge but as a way of freeing him from the shackles of godhood--, another reason the PC would want him dead is because he is most certainly to end up like Marika.

Miquella is not a villain. The cutscene of him from as an Empyrean is very much of him having naive innocence of wanting to make the world a better place. I'm still a little confused as to why Empyrean!Miquella thought that Radahn could help him reach those goals (other than the whole Godwyn eclipse thing), but I feel like I know fully why Radahn would be of great service of God!Miquella.

Miquella's motivations for becoming a god is first and foremost to heal Malenia. That's why he left the Golden Order and that's why the Haligtree was created. Along the way, he came to realize the injustice of the Omen and every creature that lives outside the Golden Order's grace as well as the cruelty of Godwyn's murder, and it all ties into him needing to become a god to fix all the injustices he sees around him.

To pass through the divinity gate and become a god, Micky had to strip himself of who he was before. His flesh, his love, his other self, they all had to be ripped from him in order for him to ascend, and that's where he became unsaveable.

St. Trina tells us that godhood would be a prison for him, but not only that, becoming a god means that he will end up like Marika. If he separates himself from his love to become a god, how is he supposed to save the people he loves once he ascends?

At the point that we fight him, I don't think he is anywhere close to "evil", but he would eventually get to that point. He already charms many of the NPCs, however, I feel inclined to mention that at that point, he wasn't exactly mind-controlling them. Ansbach's dialogue is still riddled with a sense of suspicion before the charm is ever lifted, and quite a few of them seem almost aware of the fact that they are charmed but they can't do anything about it. The only time I think he is fully mind-controlling someone is the player character after he does his grab attack twice.

And the reason why the god Miquella wanted to use Radahn is that I think he knows at that point war is inevitable. I think if we left him alone, he would eventually attack the Golden Order. Which, is fine, at first. But once you fight the soldiers of the Golden Order, what if that one day extends to its people it serves? And what if you find another civilization that you deem needing to be saved from another civilization, or if someone threatens your new order? In that sense, he is destined to end up in the same situation as his mother.

Which is why I love the lore attached to Marika in this DLC. At first, she may have only attacked the armies of the Hornsent, but I think one day it just extended to all of its people regardless of their innocence or guilt in the slaughter of her people. The lore of her past serves as a warning for what will become of Miquella if we allow him to become a god.

And one of St. Trina's last words is to kill him in order to grant him forgiveness. If we kill Miquella before he has the chance to return to the Lands Between, he could still die as an innocent being unlike Marika.

[bibibbon]

Did I ever saw the MHA movies? No. Never bc I know it would be a BK fest (as if canon isn't one too)

But talking about Nine...

It makes me wonder how Nine would approach Izu ?

Bc shig in canon is this and ....I hate it for the simple fact he decided to be amicable to BK.

Hi @mikeellee 👋

I know you haven't watched the movies but nine and izuku have interacted and fought each other during the movie, while nor deep or meaningful conversations took place the movie does establish them to be enemies as izuku is against nine stealing kasumo's quirk.

Nine is very hostile towards everyone who isn't his team so unlike shigaraki there is no bias where he is amicable to one character and hostile towards another.

Due to this iam going to assume your question is: what if nine was in shigaraki tomura's position?

Nine in this scenario starts out with his team that is founded after he helps them and he already has the ideology that the strongest in society should rule while the weak should stay in their place.

By having nine attack the usj with just his small highly skilled team trying to take down the symbol of peace it adds a lot more meaning and symbolism as

1) it makes sense for society to underestimate their attack

2) it would intoeduce us to the main villain group and their real capabilites early on

3) we would get more time to flesh out and develop the found family bond of nine's team

It's during the usj arc that we get both nine's ideology introduced and that we see that same ideology being indirectly challenged by

1) who nine is trying to take down (all might)

2) Izuku midoriya himself

This is because nine is trying to destroy the own natural order he pleads and praises by taking down the strongest person in society. Nine is trying to destroy the already establishes hierarchy where all might is clearly more powerful therefore, making him a hypocrite. However, he could plead his case and use the argument that all might and his reign of peace is inevitably coming to an end so nine will take this opportunity fight and prove himself to be the strongest and bring about change to the system.

Izuku midoriya as well as many other characters like eri or nejire are interesting characters that end up contradicting the system and ideology that nine has in place. I mention izuku midoriya specifically because he is the only charactwr our of the others that I listed that is involved in the usj arc.

In the usj arc nine will figure out that izuku holds a powerful quirk which would cause him to develop mixed emotions. On one hand nine would be intimidated by izuku as he has the ability to take over as the strongest and choose to uphold the status quo which nine wants to annihilate and change into what he label's the natural order of things. However, on the other hand nine would also relate to izuku as both of their quirks have horrible consequences in their body and would feel a sense of hatred as he sees another person discarded by society because his quirk is too strong.

Due to these feelings nine chooses to investigate the case of izuku midoriya further and choose to recruit him onto the team as a means of disabling the threat and also gaining a power tank on his side.

This feeling and motivation is reinforced by the sports festival arc where nine is introduced to both izuku and todoroki. However, another person also enters nine's field of vision: katsuki bakugo. Nine feels like he could manipulated bakugo to fit a narrative and mold that he wants him to fit and exploit him to show society that the strongest are being oppressed by the weak. This is a mistake that nine makes and he learns that this is a grave mistake through the consequences he receives (the kamino arc) and the new information he gathers during the kamino arc.

Through research and the kamino arc (where izuku and bakugo are kidnapped) nine finds out that izuku was quirkless. This would be an interesting development as izuku was and may still be someone who nine thinks should be at the bottom of the cycle but also izuku is too similar to nine. This discovery would send nine spiralling what does this mean for him? His ideals? His plan? People will suffer, people have suffered and people are suffering. Nine's plan wouldn't change a thing but would just make one group of people suffer less than another group of people.

Nine would have to go back to the drawing board and his interactions with izuku become more frequent trying to understand izuku and izuku trying to understand him. They fight, they argue, they talk and all of that to reach a middle point. What should be done with society? It's flawed, they have managed to acknowledge that but upholding the status quo would do no improvement and changing it to have it be a cruel cycle of the strong abusing their power would also be a horrible thing.

With all of this occurring one thing that brings nine and izuku closer to one another is the overhaul arc, specifically one character Eri.

Eri infulences them to meet a middle ground one where society isn't determined by power of quirks but a society where everyone has potential and is taken care of. No people aren't born equal but a sample of equity can be achieved if they try hard enough.

Izuku meets more people who got exploited by their quirks and so does nine. Nejire is a good example of a character being bullied because of her quirk and she is a direct foil to izuku midoriya which makes her more interesting

[tsukasalvr]

hihi I'm starting to hyperfix on tbhk again and the lack of tbhk writers on here is criminally low :,)

sooo could you do teru minamoto x supernatural!reader but the reader is a type of supernatural that's like a vampire but not really like she needs blood and flesh to survive but she can like be in light. maybe she blends into the school to try to regain any type of humanity and teru notices and thinks shes gonna harm a student but when he confronts her she confesses that she just wants to fit in. So teru kinda just drags her around to make sure she doesn't go bonkers and it turns out she actually is nice and not malicious but still seems extremely weak from the lack of blood to maybe teru offers his arm to drink from and he realizes that not all supernaturals are bad

I'm tried while writing this so sorry if the plot seems to complicated or something

also I dont mind if its headcanons or a one shot whichever fits you're schedule <333

AN: FRRRR like the tbhk writers rn are doing amazingggg!!!!!! But there’s literally so few of them and idk if I would consider myself an active tbhk writer cus I’m so inconsistent with my works LMAO but I do have a lot of tbhk works so I guess I’m pretty good

supernatural!vampire!reader

Anime/fandom: Tbhk

Character: Teru Minamoto

Warnings: I don’t proofread

A/n: I love girls and I love girls girls bless all the girls

Tbhk masterlist | Main masterlist

Teru Minamoto

It’s one thing that you’re a supernatural, but it’s another that you’re also a vampire which makes you an even more danger to other students

He watched you sneakily, hoping to catch you alone, but you’re always hanging around other people smiling and laughing that it makes him curious on what’s your motive. Are you getting close to these people so you can feed on them later? But he hesitates on that thought with how real your smile looks, as if you really do enjoy hanging around others and don’t want to feed on them

It’s hard to catch to you alone and is only able to find you alone when it’s the end of the school day, you looked at him worried and explain your situation on how you don’t want to feed on others and just want to be a normal student and how if he wanted, he can watch until he believes her

Teru doesn’t know why he decides to believe and trust you, he’s never hesitated like this. So the next day he never strays far away from you and it isn’t till a week later where he finally believes you but still wants to watch you just for the safety of others, which you agree with

Teru can’t help but want to smile whenever he sees you and even though he knows it’s wrong, it doesn’t take long until the both of you become a couple and he sees how tired you actually are and how you try to hide it but it only seems to get worse every day

He gets worried and without thinking offers his arm and neck for you bite on so you drink some of his blood. But even after he realizes what he said, he doesn’t go back on what he says and reassures you it’s okay and although your hesitant, you agree and at least once a week, Teru lets you feed on him a little and will ask if raw meat will work the same if he isn’t available

Although Teru thinks it feels weird and can’t help but blush whenever you bite him, it’s all worth it to see you better

[iambicpentameterhamster]

Every umbrella academy character ranked

Prior to Season 4 coming this year, thought I'd share my character rank with you for the first 3 seasons all together. (Spoilers ahead)

#33- Marcus, Jayme, Alphonso and Fei

Painfully insignificant and underdeveloped. Their only character traits being "spoiled and a bit evil" made them EXTREMELY captivating villians...

#32- Christopher

Only higher because I find the idea of someone carrying around a cube on a stick onset really funny.

#31- Sparrow Ben

Hard to watch honestly, especially in comparison to his lovely counterpart Umbrella Ben.

In general, the Sparrows were terrible and pointless characters, and clearly the writers knew this because most were killed off pretty quickly. All except for Sparrow Ben, which just meant we had to suffer watching him for even longer.

#30- Viktor

This is a controversial choice. He is tolerable in season 1, but then just becomes a moochy emo sod who is boring to watch. I don't know if it's the acting, script or both, but he’s just such a meek and flavourless character who is PARTICULARLY bad in season 3 when he jeopardises his whole family and is repeatedly selfish and has a victim complex.

#29- Luther

He caused the apocalypse in season one and you can't convince me otherwise. Got some alamaba shit going on with Allison...

There are so many reasons I hate Luther. He's a self-centred man child who couldn't care less about his siblings and their feelings, showing zero empathy to Klaus or Vanya, for example. He only shows respect and kindness when he is attracted to the person (As shown when seasons 1 and 2 he is only nice to Allison, then completely ignores her when he moves on to Sloane) or when they pose as an authority figure to him. All he does is whine and feel sorry for himself.

What's that? You lived in the apocalypse all alone for 40 years? You are addicted to drugs and lost the love of your life in a war? You have a power you can't control and a lifetime of rejection? WELL LUTHER WENT TO THE MOON

#28- Carl Cooper

Hated him as a character but he was a menacing villian which I can respect

#27- Harlan

Couldn't care less about him, only there for plot convenience and Victor's arc pretty much

#26- Sloane

An improvement from Luther's literal sibling. Further evidence that Luther will simply fall for any woman who gives a flying fuck about the moon.

Personality: attracted to Luther

#25- Pogo

Basil exposition of the first series

#24- Detective Patch

Barely remember her

#23- The Swedes

They were kind of goofy as villians but there was some good acting and they posed a real threat. Cute moments with the cats. In general, alright, but they could have easily been replaced plot wise with something more interesting.

#22- Cha Cha

Lack of character development for me. I think she deserved to be fleshed out more, I don't think it's fair that only her partner got to be a three-dimensional being. What are her motivations? Who is she underneath it all?

But overall i liked the acting and she was a good villian.

#21- That hotel worker from season 3

He's barely a character but I liked his sass so he's on the list.

#20- Reggie (Reginald Hargreeves)

He is supposed to be the main antagonist/villian of the show, yet The Handler stole his spotlight. He's a bit too stereotypically evil and asshole-ish for me, basically twiddling his moustache and stroking a cat in a dark corner the entire show. The delivery is too blunt and that doesn't help to build the tension and mystery surrounding him as much, but if he were more complicated and cryptic in his personality it would be more effective.

This is very nit picky and overall Reggie is fine. He has some hilarious moments with Klaus in season 3 and I am genuinely intrigued about the unanswered questions surrounding him.

#19- Elliott

He wasn't a particularly important or central character but I enjoyed it when he was on screen and he played his role convincingly. He was a good comic relief in some scenes, and when he died (spoiler alert) the reactions from other characters were realistic and quite impactful. I felt for him throughout, which is impressive for less significant characters and he had a lot of depth relative to the size of his role.

#18- Destiny's children

Not a singular character, but I LOVED Destiny's children. It fit Klaus's character perfectly to have a cult and led to some of the funnies moments in the series.

#17- Dave

From the very limited moments we see with this character, a lot of personality and emotion was communicated, and I feel like we got a big sense of the character. That is down to the brilliant acting from both of Dave's actors and from Robert Sheehan that really sold this character with so little screen time.

Anyway please come back to life Dave! Death doesn't look good on you!

#16- Agnes (Donut woman)

Very sweet and I wish her all the best in life.

#15- Sissy

BRILLIANTLY acted and impactful. Stole every scene between her and Vanya.

Also, she looks EXACTLY like Sheldon's mum in young sheldon...

#14- Herb and Dot

I want to put them both in my pocket and protect them from harm.

#13- Kenny's mum

Again, barely present but I love her. She's a queen. I would go to a rave with Kenny's Mum.

#12- Stan

I love Stan, and he's a big part of Diego and Lila's character development and motivations. I hope they adopt Stan and live happily ever after.

But yeah, great one-liners from Stan.

#11- Grace

Very well acted and haunting.

Top 10 *drumroll please*

#10- Harold Jenkins (Lenoard Peabody)

Again, quite a controversial placement, but I stand by my decision. The acting and delivery of Harold Jenkins as a villain is possibly the best in the whole show. I was totally convinced Lenoard was a nice guy and I was rooting for him and Vanya, until he started dropping hints and slowly revealing his true self and losing the facade and its... it's chefs kiss. So realistic. The actor deserves an award and a standing ovation.

The writers also deserve a pat on the back for this one because he has a convincing motivation and backstory, and the dialogue is DELICIOUS when it comes to Lenoard. He is a truly menacing villain without being overtly scary and powerful and dangerous.

#9- Ray

Charismatic, gentlemanly, empathetic, loving, trusting, supportive... Ray is THE IDEAL MAN. I'm a little bit in love with Ray so I don't blame Allison.

HUGE step up from Luther, for sure.

#8- Umbrella Ben

I would have liked to see more of his character, but I liked what I did see. He loves his siblings and shows it. He is selfless and sacrifices his own existence for Vanya, he is blunt with Klaus because he cares and wants him to improve. Of course, he and Klaus are also a hilarious duo.

#7- Hazel

One of the most touching arcs that offers an insightful message about what life is for, and about Love. Beautifully acted, a very real and lovable character who probably resonates with many in some ways. Hazel is adorable and i miss him in later seasons.

#6- The Handler

I LOVE THE HANDLER MORE THAN WORDS CAN EXPLAIN!!! Funny, playful, entertaining, uexpected and whimsical and yet simultaneously dark and menacing, AMAZING villian that stole EVERY SINGLE SCENE she was in. Kate Walsh was the perfect choice for the role and she played it to perfection.

A bit of trivia about the role, The Handler was originally written for a man, and when Kate Walsh got the role she insisted they didn't change the script (which, let's be honest, they would have.) She put a wonderful spin on it and it's just perfect, I wouldn't change a thing. I would 100% watch a spinoff all about the handler. Season 3 was worse than the previous two thanks to them killing her off (amongst other questionable plot choices)

#5- Allison

Allison was the only character who knew what they were doing, and honestly, if everyone just listened to Allison, there would be no apocalypse. Her storyline losing both Claire and Ray and her powers driving her crazy with power breaks my heart but is well portrayed and impactful.

She's charismatic, clever, strong, and kind. I love Allison and I think most of us do.

#4- Diego

He's stupid but in an endearing way, I find him to be so entertaining and funny, and the actor's face is like an open book. He's not show-stopping but his consistent presence just sets the mood and allows others to act off of him, while he really sells it with his expressions. He's like the rock of the show.

#3- Lila

Lila. Mi amor. Mon amour. Amore mio. Meine Leibe.

#2- Five

For several reasons:

A) He is the daddy here, Luther!!

B) That should be the only reason you need

Seriously, though, I was SUPER impressed with Aidan Gallagher and his incredible screen presence, especially at such a young age. He really embodies the character. Five is the face of the Umbrella Acadamy, and is undoubtedly the most iconic character. 10/10, two thumbs up, absolutely BRILLIANT.

#1- Klaus

No justification necessary.

[atelierwriting]

so you want to build a character 102

written by popular demand of nicole @seasteading’s cat meowing into the mic

so you’ve got a story idea, and now you need to populate it with characters—where do you begin? or perhaps you have the vaguest idea of a character in your mind, but you need a little help figuring out their story. characters are absolutely vital in the story you want to tell, because they’re your readers’ eyes into the world. they experience the story as your characters do. you might even hope that your readers will get attached to them and send you a million all-caps messages crying about the fate of said characters. 

whatever your goals are, here are a few things to keep in mind as you begin.

TRIED AND TRUE RECIPE FOR MAKING THE PERFECT CHARACTER (run them through the mary sue litmus test)

don’t write characters, write character arcs. characters are not static. throughout the story, there will be conflict that should—and will—change your character. the character arc can either compliment the main plot or be that plot. many conflicts are resolved by characters overcoming their own personal or mental battles, or developing in a way that makes a solution possible. the person your character begins as at the beginning of the story will not be the same as the person they are at the end.

think of lord of the rings and how frodo ends up at the end of the story as compared to the very beginning. the struggles he went through ended up changing who he was, and he realized that there was no way he could return to how he was before his journey.

point a to point b. this is one method that i use to write character arcs. i first figure out who my character is and what their situation is like at the beginning of the story. then, i come up with how i want them to end up at the very end. once you have these two points, you can work on how it is possible for them to develop from point a (the beginning) to point b (the end).

along the way, there will be a lot of intermediate points. you can flesh these out as you come to them, and even discover more things about your characters. point b can eventually become point z, or point 1000. how did we go from letters to numbers? who knows! but the journey of character development doesn’t happen immediately. it is a gradual shift.

conflict. pay attention to how your character responds to conflict. conflict can be used as a catalyst for change for your character. when coming up with conflicts, it is important to keep in mind your character’s values and limits. in order for the conflict to feel worthwhile, these two things need to be challenged. it is an ideal situation for development, and even a little angst, if you want that.

character relationships. how does your character view the rest of the cast? if you’re working on the previous point, how might they come into conflict with them? relationships between characters allows the readers to understand more about nearly everything in the story—the plot, the world around them, and in turn, the characters themselves. the way they treat each other can reveal a lot about their own backstories. think about all the ways that they can play off each other, and how this may change as the story progresses, especially when the characters each branch off and develop.

character-driven narratives. if your story is character driven, it becomes even more important that your character motivations are solid and progress in a believable manner. they are the ones enacting change around them—specifically, they will be the ones moving the plot along. think about the ramifications of your character’s actions: how it affects those around them and how it affects the larger picture. then, think about where your character will go from there as a reaction to the things their own choices have caused.

the plot doesn’t just happen. even if you are writing a more passive character, the plot doesn’t magically part for them like the red sea for moses. there are other factors, such as other characters within the story, or perhaps your own character’s desires. of course, this all depends on where you want the character to go from here. you might consider what would make a more passive character less passive, or how else you can ruin their lives to force them to act. either way, plot is something that moves the story forward, not something that just happens to characters.

fundamental character traits. we’ve been talking a lot about how the characters change, but we also need to keep in mind that in some ways these characters must also remain the same. they each have fundamental character traits that will remain by the end of the story. for example, kaz is still the bastard of the barrel at the end of the duology—but he’s opened up more to the crows. the changes a character goes through must be proportional to the events of the plot. they might change a lot, but they must still be recognizable at the end of the story due to the things that they have gone through.

flaws. last but not least, make sure your character has flaws! these can be their weaknesses, things they work on throughout the story and eventually improve upon, or even just character traits that aren’t exactly the best to have—simple facts about them. people aren’t perfect, and your characters shouldn’t be either.

[markantonys]

Rafe said that they have plans for Anvaere down the line and I am like 90% positive she's gonna be the show's version of Colavaere with her motives being restoring the Damodred name. And with Rand knowing her plus her being Moiraine's sister that's gonna give that whole plot, especially with Rand refusing to kill her (and it'll be cause she's all he has left of Moiraine rather than cause she's a woman) a lot more emotional weight

yes!!! i might even go so far as to say i'm 100% positive haha the idea of this merger had never occurred to me prior, but once rafe said they have plans for her later, i went OH. i should've guessed straightaway that all the focus on a basically show-only character would be A Surprise Tool To Help Us Later in addition to the present benefit of fleshing out moiraine and cairhien! the show's always doing its best to kill multiple birds with one stone.

anyway, audiences typically feel the impact that killing someone has on a character more strongly if the victim is somebody we and/or the killer and/or other major characters have a connection to. of course in real life, for an innocent country villager who's not accustomed to violence, killing someone would be traumatic no matter who they are, but this isn't real life, it's a story, and in a story audiences are more likely to roll their eyes over a character being overburdened with morality for freaking out over killing some random asshole we hated anyway (especially a fantasy story where death and violence are commonplace). this is why laila's death being the origin of perrin's fears of his own capacity for violence hits harder than it being the deaths of a couple of random whitecloaks who were threatening him and egwene.

and similarly, we will feel how traumatic anvaere's death is for rand way more deeply than colavaere's, because out-of-world she's a character we've spent time with who was friendly to our heroes and who we came to like and because in-world she's someone rand came to like and is the sister of his mentor whose death he feels responsible for, like you say. plus, the show establishing anvaere as someone who spent her whole life working admirably hard to improve the reputation of her family - not only does it set up why she might be driven to suicide upon having her house stripped of its titles, it even lends some sympathy and dignity to it, framing it as that popular idea of honorably falling on your sword rather than living to be humiliated in defeat (very roman of her), and this will make it more emotional, and if WE'RE emotional over anvaere's death on its own merits, then we'll completely understand and feel rand's pain over it too. colavaere was just some random selfish power-hungry idiot with no redeeming qualities whom rand only tried to spare and whose death only upset him because Women Are Delicate And Precious And Must Be Protected.

sudden thought: if the end of this plotline is house damodred being permanently stripped of its status, could that be more evidence to predict elayne's dad was not a damodred in showverse? since she wouldn't have a claim on the sun throne if house damodred were to be completely, irreversibly ruined in this plotline. i've already been assuming her dad wasn't a damodred in showverse since there are other signs pointing in that direction, but this could be yet more possible evidence to add to the pile.