#light industry

[garadinervi]

Michael Snow, Cover to Cover, Nova Scotia College of Art & Design, Halifax, Nova Scotia / New York University Press, New York, NY, 1975 [then Primary Information / Light Industry, 2020] [Saint-Martin Bookshop, Bruxelles-Brussel]

[dinosaursknowwhatimtalkingabout]

The fact that we don't put up lights for every holiday is preposterous! The lights Industry is falling behind, we could totally sell thanksgiving lights! Give me my turkey shaped lights! Or my fish shaped lights for April fool's day! And I know exactly how to make them! You just put glass in the fish mold, then put the light in it and voila! They don't even need to make new lights! They can just reuse the ones that they already have!!!

And when people stop buying them (presumably because everyone already has one) they can just make new shapes and colors! Where is my shamrock for Saint Patricks Day?! Or my heart lights for Valentine's Day?!!

I rest my case. The light industry needs me.

[alexricevape]

ready to share this video with the world

[research-lighting]

Artistic Bird-Shaped Canopy Bed Follow Research.Lighting on Tumblr

[mienar]

at the artist's loft

instagram | shop | commission info

[chriscawthray]

The reissue series continues! Light Industry X Jon Brooks (titled on streaming services as LIxJB to comply with the robot algorithms) features my acoustic trio Light Industry (Sean O'Connor on tenor sax and Andrew Furlong on bass) collaborating with singer/guitarist Jon Brooks.

The EP features two medleys, one of my songs morphs into one of Jon's. We were trying to achieve a melding of the freewheeling improvising of Light Industry and Jon's very carefully and masterfully crafted songs. I think we most definitely took a good bite out of it, but COVID 19 had others plans for this venture. This album was recorded late in 2019 and released in early 2020...

Light Industry X Jon Brooks

Jon Brooks: acoustic guitar, vocal

Chris Cawthray: drums

Andrew Furlong: acoustic bass

Sean O'Connor: tenor saxophone

recorded by G. Mark Weston at Annette Studios, Toronto CANADA

mixed by Lucio Menegon at Kingtone, Joshua Tree USA

artwork by Chris Cawthray

Catacombs (Cawthray) > Cage Fighter (Brooks)

Lowered Expectations (Cawthray) > Ballad Of A Bullet (Brooks)

[soudasouda]

Moon Aligns with Observatory Dome Follow Souda on Tumblr

[helfinchindia]

हमने अपनी नयी वेबसाइट रिटेलर्स के लिए लांच कर दी है. अब आप सीधे हमसे संपर्क कर सकते है. (We have launched our new website for retailers. Now you can contact us directly.)

To know more about our products and to buy our products you can visit our website which is mentioned below!!

[fuckyeahchinesefashion]

by 邂逅

[destroyer-of-monsters]

ULTRAMAN: RISING

Trailer GIFs!

[maryharrisk5]

The increasing need for reducing the operational costs in industries arising from energy consumption is expected to propel the demand for industrial smart meters.

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[aishavass]

By application of the Industrial Smart Meters Market the heavy industry is expected to generate the fastest growth at nearly 3% CAGR over the forecast...

[evonnebaker]

The increasing need for reducing the operational costs in industries arising from energy consumption is expected to propel the demand for industrial smart meters.