#light crazy hour

[stopitlight]

"wolf 359" and the crowd goes wild ... wait the crowd, theyre all standing ... not a standing ovation though ... no, the crowd is actually going wild ... theyre ripping off their shirts and transforming into wolves ... they're howling at the moon ... guys help the crowd its wild

[hyunpic]

HYUNJIN: FAN CONNECTING - TOY WORLD

[fawnforevergone]

the way hozier titles a song "i, carrion (icarian)" where he sings about the self-destructive idea of sacrificing himself by flying into sun to save his relationship, and compares himself to 'carrion', the decaying flesh of animals, often a word used for roadkill. to then go and write a song called "abstract (psychopomp)" about how holding an animal whilst it dies mirrors the mercy of ending a failing relationship, similar to a 'psychopomp' - a deliverer of death. and we watch as hozier turns from 'icarian' to 'psychopomp' when he realises that prolonging suffering is crueler than just letting love die. i'm both in awe and crying on my bedroom floor.

and the way a carrion crow is also a symbol of death ?? and how 'carrion' sounds like 'carry on' the way icarus kept going ?? and how he sounds envious of his lover's courage in "abstract" ?? how when the sun is gone - "streetlights in the dark blue" - he can no longer blind himself and is forced to look at the corpse of his relationship ?? how to love is to let go ?? how can he keep getting away with this i'm sobbing ??

[ackitscaramel]

STAND PROUD! (aka the artist is abt to get beat up)

time: 9h 30m

pov: You’re cooked

[meiloorunsmoothie]

me too, jeremy. me too.

[1driedpersimmon]

My favorite ship is actually L x a good nights rest

[rebornrosess]

A WORLD OF NOISE: THE ZABAJABA JUNGLE

ZABA by Glass Animals is 10 YEARS OLD TODAY.

A poem/stream of consciousness I wrote about ZABA on a rainy September night in 2022, one month after seeing Glass Animals live. ZABA was the album by which I found Glass Animals in 2018, and its abstract yet visceral nature continues to fascinate me. The more I listened, the more I felt I could understand the imagery drawn across its 11 tracks.

Essentially, I believe ZABA can be understood as a Queer reading and apologue of Plato’s allegory of the cave. There are many lines that allude to a (Queer) awakening from perceived societal constraints such as in Walla Walla (“it’s a ruse, all these creatures are a lie” & “i clap my hand and they’re gone into the night”), likely referencing the shadows projected by the puppet showmen in Plato’s allegory. Thus, the anguish expressed in songs predating ZABA’s release such as in Golden Antlers and in Exxus are symptomatic of a speaker trapped in a cave, unable to escape a deeper feeling of unease because they are only seeing the reality projected to them by a cisheteronormative system. It is only when the speaker escapes this metaphorical cave in Flip, the opening track of ZABA, (“I’m gonna shake my fetters / I’m breaking loose”), that they finally enter the confusing, overwhelming, but beautiful and fluid “world of noise” mentioned in Pools (and sonically created in Intruxx). Over the course of ZABA, the speaker wrestles with their preconceived notions of reality (Walla Walla uses a ton of imagery from The Matrix), relationships, gender, and sexuality, while simultaneously feeling betrayed by their family and society (Hazey and Toes).

The B-Side of ZABA dips into existential dread, as the speaker mourns the time they lost to the incomplete reality they had accepted in the cave, and the effects it had on their mental health (Wyrd), climaxing in Cocoa Hooves, as the speaker (or someone else), confronts them(selves) and the changes they have undergone in the ZABAJABA jungle. The speaker must choose if they wish to stay in the confusing yet euphoric jungle, or self-destruct (“set [their] wings on fire”) and return to the cave after flying too close to the sun and after indulging too deeply in their primal instinct. However, just as the freed prisoner in Plato’s allegory, the speaker runs the risk of never being able to live in blissful ignorance again, as their eyes may never re-adjust to the incomplete, crafted reality of the cave.

The last track of the album, JDNT, presents a conclusion as ambiguous as the title Dave refuses to explain. It is possible the speaker is accepting their doomed fate as prophecized to them by the antagonist in Wyrd, or radically accepting their outcast status, enjoying the “life untamed.” And perhaps, in the end, they triumph over their internal turmoil by recognizing it only has power over them if they allow it to, as it cannot “breathe without [them].” And thus, they return to the Earth, unfettered and born anew.

[daveyfvckingjacobs]

happy pride month <333

[aniraklova]

First of all, finally my fucking Internet is back, yay yay for me thanks Secondly I didn't sit and play games all the time, well I did but:

I was bored a few days ago and decided to play Shadowrun. I used in game portraits and created this one human male shaman class charaacter. Handsome lad ain't he.

What I did later, I decided to build some cyberpunk build and what I built is this gritty market warehouse??? still gotta decorate it more.

Well, that's it, most of the time I just played games and decided to get rest from tumblr and sims due to my shitty internet, glknhdhsfdlk;;lk

[candy-crackpot]

One of my favourite things about how Hoshino writes Allen is the ways different characters will admit to, admire or in the Earl's case be unsettled by his strenght.

Allen doesn't have as much destructive force as Cross, Sokalo or Klaud but everyone acknoledges his crackhead determination and resolution, but the characters are so dead certain in him as if he was an unstoppable force of nature.

From the time the Earl and Allen meet on screen for the first time

How Kanda is stunned by his Anti-Akuma weapon's evolution

How Bookman trusts that Allen is still alive even as they got some very vague information on Allen's condition

Komui doesn't even try talking Allen out of boarding the Ark because of course Allen would and Komui knows there's no stopping Allen once he decided to do something

How the Earl pursued eliminating Lenalee even with Cross and Tiedoll lurking nearby, but Allen shows up and he grabs his kids in a blink of an eye and disappears as if the IRS was after him

When fighting Jasdevi Lavi turns to Allen to discuss the plan, as if he was the leader of the group

Lenalee outright calls his willpower superhuman and how Krory backhand deems him strong enough to carry while Krory back him up

How Tyki and Lenalee are shocked by him fixing his weapon on his own

Or be very unsettled when Allen surpasses the Critical Point

How both Komui and Reever almost instantly figure it out that Allen was the one who broke the Critical Point

Road guessing that she probably couldn't kill Allen with direct physical attacks

How Cross knows and trusts Allen's spirit and abilities

How Kanda likewise covertly acknowledges Allen to be strong by demanding he pays attention so together they can destroy the Level 4

Apocryphos commends his fighting spirit, that Allen could withstand what Crows and even Kanda got folded by, on three tries, AND retained his memories

Kanda once again trusts Allen to deal with the fusion Akuma going after him.

Everyone who even remotely knows Allen consider him a force to be reckoned with and I really enjoy how it's shown within the story.

[berrydoodleoo]

re-reading old letters from the long night

[goatyoat]

Just a sane guy doing normal things & having life-changing revelations mere moments before disaster.

[jonathanbyersphd]

Thinking about Jonathan "abandonment issues" Byers leaving Hawkins (and Nancy) first.

[kath-artic]

i know it would be insane to say i love him when it's only been a week, so i won't say that. but being around him today felt like magic

[popstart]

the moment people stop being comically against courtney is the day i stop making fun of them for being weird and wrong. stop being weird about a fictional character in ways that are hilariously stupid and ill stop calling you hilariously stupid

[sunflower-chai]

rewatching gravity falls (as one does) and i don't think i've ever fully appreciated how pretty the show can be. particularly the lighting/shadows are so stunning. i feel like we talk about the characters and story all the time (which are both incredible obviously), but dang. major props to the animators.