#life over

[tennessoui]

MR AND MR SITH I LOVE IT!!!😭😭😭

I’m just picturing them doing the Angelina and Brad pose and it’s sending me

ok i was thinking about this au this morning so here is 1.1k of a writing warm up set in the mr and mr sith au where the jedi have captured master skywalker to take him home (they think he's been held hostage this entire time), but they accidentally pick up sith obi-wan instead and no one is prepared........

(1.1k)

Ena frowns down at Jedi Master Anakin Skywalker, a bad feeling sprouting in her chest. This all feels wrong, but it isn’t. She knows it isn’t.

“He really fought back?” she asks Mal as soon as he enters the room. “But you told him we were Jedi, right? That we came to rescue him? That he was safe?”

Mal puts his hand on her shoulder. The touch is supposed to be comforting, but Ena isn’t sure how much she wants comfort right now. “I did,” he swears. “But he’s been held captive by the Sith for so long, Ena, who knows what they’ve done to his mind?” “He doesn’t…he doesn’t look tortured,” Ena says, looking over Master Skywalker’s bound figure. They’d had to physically tie him down with rope and chain once they’d subdued him, apparently. Apart from the livid bruise along his cheekbone, he appears uninjured. His hair—auburn and rather short—falls messily over his face.

“You and I both know that sometimes the deepest scars are ones we cannot see,” Mal tells her, squeezing her shoulder once.

“And the child?” Ena asks. “Has the med droid finished looking him over?” “Healthy,” Senaka reports as she comes into the room, montrals twitching at the change of Force, a heaviness in the air that they know comes from their captive even though they’re not sure why. “Five standard years of age, I believe, with a ridiculously high midichlorian count. He’ll be waking up within the hour, I’m sure.”

“Master Skywalker has clearly bonded with the boy,” Mal reports, hand rising to tug at a padawan braid that’s no longer there. “It was only when we separated them that he stopped fighting us. He didn’t even notice Senaka had a force collar until it was already on his neck.”

Ena feels a headache brewing behind her eyes. She knows what they’ve done is the right thing.

It doesn’t feel right though.

To tie a venerated, traumatized man to a chair, to win a fight against him by subduing a child…but they had had no other option. 

After six years of no information, the Jedi Council had finally caught a whisper about Jedi Master Anakin Skywalker’s location. Four Jedi Knights had been dispatched to follow this rumor to its bitter end, to track down Master Skywalker, rescue him from the clutches of the Sith who stole him away so long ago, and bring him home.

Their informant had confirmed that a man with yellow eyes was often seen on the same planet, in the same city. So they’d had to move fast.

And when Master Skywalker had not been receptive…when he’d killed Knight Avas…Ena knows they’d been forced into making a decision that felt wrong but must be right.

Mal squeezes her shoulder once, opening his mouth to say something. Before he can, Master Skywalker shifts slightly in his chair before he freezes completely. Awake.

His eyes flash open a second later, pale blue glowering right into Ena’s soul. “Where is he?” he spits, words spoken in an unexpectedly Coruscanti accent. “What have you done with him?”

“Master Skywalker,” Ena says, holding out a hand to try and soothe the fury thrashing in the man’s eyes. He snarls the moment she comes too close. “The boy is fine. I swear it, you know the Jedi would never hurt a child. We won’t hurt you either. It’s over. You’re safe.”

Master Skywalker rears back as much as he can in his current position. “I want to see him,” he commands. “Bring him to me.”

“We can’t do that,” Senaka shakes her head slowly. “You’re…volatile, Master. You could hurt him.”

“You will let me see my child,” Master Skywalker snaps, voice seeping with danger. “I—”

It is the patter of little feet that interrupts him now, and the three Jedi turn around immediately. Not before there’s a blur of movement from the door and the boy careens between their legs, running to throw himself onto Master Skywalker’s lap.

Though the man’s arms are bound tightly behind him, Ena can see the way he automatically tries to hold the boy, shoulders jerking forward before he sinks back with a snarl of frustration.

“Papa!” the boy is saying over and over again, rubbing over the Jedi Master like an affectionate tooka cat. “I can’t feel you! Papa, why are you gone?”

“I’m here, Luke, it’s alright. We’re alright,” Master Skywalker murmurs, voice becoming impossibly softer as he leans far enough down so that he can tap their foreheads together.

“Master Skywalker, we mean you no harm,” Ena tries to say, taking another step forward. Senaka is right. Master Skywalker killed a Jedi only a few hours ago. He’s unstable. He’s dangerous. 

“I don’t know who that is,” the man snaps as the child—his child?—hides his face in his neck. “Release me at once. I have no ties to the Jedi Order.”

“What?” Mal looks shocked then shaken. Ena understands. None of them ever knew Master Skywalker, but everyone in the Temple had heard of him. He was legendary. A perfect Jedi. To hear that he doesn’t even recognize his name…it shakes Ena to her core. “No—you—you are Master Skywalker. Do you—Anakin. That’s your name. Anakin Skywalker. You’ve been missing for six years. You were kidnapped by the Sith on an undercover mission to Nyrel. We never stopped looking for you.”

The man in front of them freezes again, face expressionless as the seconds tick on. Slowly, a red eyebrow arches its way up his forehead. “Oh,” he says like he’s suddenly realized a great mystery of the universe. “Oh, I see.”

The child on his lap tugs at the front of his robes before deciding to tug at the bristles of his beard instead. “Papa,” Luke says in that way children do when they are demanding attention. “I can feel Daddy though. He’s not feeling good.”

Skywalker’s nostrils flare at this, and he cuts his eyes from the far wall down to the boy and then up to Ena. “Did you hurt him?” he demands, voice like ice. “When you captured me. Did you hurt him?”

“The boy? No—you can see, he’s fine—”

“A man,” Skywalker shakes his head. “Golden hair. Blue eyes. Tall.”

“No, papa,” Luke tugs at Skywalker’s beard again. “No. He’s okay. But he’s not feeling good things.”

Skywalker’s attention is fully on his child. “What do you mean, Luke?” he asks, voice gentle and coaxing.

“Angry,” Luke says. “Daddy is angry and close.”

For some reason this makes Master Skywalker smile, lines around his eyes crinkling with the force of his joy. “That’s very good then, Luke Love. Do you know why?”

Ena feels Mal shift next to her, unease growing in the air around them as Master Skywalker turns his face up to them. “Why?” Luke asks.

“Because our friends here really want to meet your daddy,” he says. “And I think your daddy’s going to be absolutely charmed.”

[possuminnit]

i would love to draw uhh but unfortunately i cannot

[clumsypanda27]

i was literally about to read the last chapter of this fic please ao3 come back to me

[missbehavior0u0]

Can’t draw anything for 4/13 because I am going to be on a plane to Italy. Fuck it all

[crabussy]

JAYROCKIN LIKED MY SIPHONOPHORES POST??!?!??!??????????

[civetcider]

so embarrassing to be drawing an OC and forget to add some part of their design...like yeah i made this guy...hand picked everything about them....yeah i forgot to add the things i like about them....

[apartfromgod]

The people in my phone are asleep ??!?!

[sadclowncentral]

TOYOTA HILUX TUESDAY

source: toyota hilux durability test #1 by whistlindiesel

[lakecountylibrary]

Just the essentials!

Music credit: "Cinema Blockbuster Trailer 7" by Sascha Ende Link: https://filmmusic.io/en/song/329-cinema-blockbuster-trailer-7 License: https://filmmusic.io/standard-license (CC BY 4.0)

[Video Description: A 26 second video. Orchestral, cinematic music plays. Text reads The library is on fire! Grab the most important things!

A librarian at her computer spins around in her chair in slow motion, a look of horror on her face. Video cuts between various librarians frantically rescuing items. Each scene is labeled with the item:

The South Shore Posters: A librarian completely obscured by a framed South Shore Line poster she is carrying backs out of a room.

The hand chair: A librarian hauls away a large red plastic chair shaped like a hand.

Patron holds: A librarian shovels patron holds off the holds shelf onto a cart.

Benny the library skeleton: A librarian princess-carrying a large skeleton dressed in an oversized t-shirt frantically looks around for an exit before dashing away

The cardigan pile: A librarian almost completely obscured by the pile of cardigans in her arms runs toward the camera.

3D printer: A librarian dashes up to a large 3D printer and attempts to lift it off the table

Cecily the giraffe: A librarian pats a life size baby giraffe statue and then grabs it by the leg and begins slowwwly scooting backward to slide it across the carpet

The library tree: A librarian grips an enormous planter out of which springs an entire tree and pulls with all her might. It doesn't move.

James Patterson books? : The librarian carrying Benny sprints into frame between shelves loaded with endless Patterson books. Record scratch. The sound of a clock ticking as he considers the books for maybe two seconds.

Text changes to "Not enough hands". The dramatic music resumes as he sprints off frame with Benny.

End card with the library logo. The words 'Not actually on fire. Everything is fine.' are typed across the screen. End description]

[cl0wnah0lic]

I fucked up

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[possuminnit]

deranked😞😞😞😞

[griffin-ktb]

[hansoeii]

guess who finally finished the main part of their final and can now draw poolverine without feeling guilty?? It is I!!!

[lavenderbones-sophisticatedcats]

suicide has played in my mind rather loudly over the last few days and i’m not entirely sure what to exactly make of it. i hear one song that just brought me down to my knees (figuratively). i was driving in the dark with a handful of street lights on and my window began to fog up while the tears started to flow down my cheeks. “nobody wants me to stay, here’s my goodbye” i sang out and all i could do was burst into tears because i started to really feel these lyrics “no one will cry over me, im not worth any tears”, well damn did these lyrics scream out so loudly. my tears kept coming, my heart is hurting and all i wanted to do was drive my car right into that tree. i don’t really have anyone that’s mine anymore because they walked away, my cat is my only friend, im lonely and hate the sight of a loved up couple as it makes me want to drown. i don’t want to feel these up and down emotions because it’s too much to bare, it hurts what’s left of my soul, i feel completely and utterly broken. i wish i could just say goodbye for good.