#lib fest

[therabbitsmuse]

Forgotten photos from one of my favorite festivals ever, Lightning in a Bottle— back when it was held in Bradley, CA. A sacred place for the weirdos & wooks to return home to.

Some very LIB things —

• Gathering up on the hill every sunset and howling at the setting sun. Unfortunately, I think my video of this got lost somewhere in the Snapchat abyss lol

• The art installations, oftentimes from Burning Man itself. I met many burners during the fest who referred to LIB as ‘baby burning man’

• The nicest bunch of people you’ll find anywhere. I lost my group on one of the days and partied by myself til dawn. It started getting cold and this group that was chilling on a couch (yeah, someone dragged a whole couch to a stage lol) opened up their blankets and invited me in

• If you wanna talk about faeries (apparently this is different from a ‘fairy’), this is the place to be. No kidding, they had a class about faeries for one of the years I went.

LIB is in just a couple of weeks. I’m not going this year but I’m hoping that Burning Man is up next in the not so distant future for me 🖤

[noneedtofearorhope]

i think it's good for anarchism to have the edgy tryhard trolls who make comments about book fairs and fest saying shit like 'fucking liberals holding a LEGAL bookfair, PAYING to use a space, CHARGING money to see the bands. fucking statist capitalists!'. i don't really agree with it as a serious argument, because we are seeking, ultimately, to be a-legal rather than illegal, as seeking to be illegal just lets the state define who we are and what we do. but it is true that many self-declared anarchists are just baby anarchists, they're anarcho-libs, radlibs, etc. and having those voices helps to balance out the liberal tendencies that may creep in, help to push the holders of those tendencies to consider something more radical than peace love and nonviolence.

[goddess47]

Midnight Snack

For No_True_Pair (on Dreamwidth) - September Six - Rodney McKay & Jack O'Neill too many cupcakes -- also on AO3

Also for the still open Stargate Anniversary Fest! Stargate works will be accepted until the end of October!

NTP is a 'mad lib' sort of challenge where you give 8 character names and then you get the 28 (!) prompts that pairs them together with a variety of prompts...

The ficlets will mostly be on AO3 but since this is Rodney and Jack, thought I'd share here...

----

"McKay!" Jack O'Neill called. "What's up?"

"Umm... I was... dammit. I was hungry!" Rodney admitted. "I was looking to see what kind of snacks there might be."

They stood in the kitchen of the mess area. The evening meal had been cleaned up and put away. There were only meals that were prepared for away teams and were clearly labeled. Everyone on Atlantis knew that touching the meals left for away teams was the fastest way to earn John's wrath. No one wanted to be on John's bad side.

"So. What kind of snacks are there?" Jack asked.

Rodney rummaged through the cupboards, not finding anything.

"Okay, this is on your head," Rodney grinned. He opened a cooler to find a supply of cupcakes.

"Do you suppose there are too many cupcakes for whatever those are planned for?" Jack asked.

"There are never too many cupcakes," Rodney shot back.

Jack laughed.

"But they're for the literary reading tomorrow," Rodney admitted. "It's part of the new round of social events. There are music sessions, readings, presentations, and whatever anyone is willing to do in front of a group." He shrugged. "One of the botanists is a writer in her spare time and her work is popular among a segment of the population. They offer dessert like cookies or cupcakes to help boost attendance."

"Will they miss two?" Jack asked.

"Yes!" Rodney nodded. "But leave a note that it was you and me and we'll be fine." Rodney grinned. "I threaten to mess with the hot water in their rooms. They let me get away with a lot."

Jack thought Rodney's work had earned respect similar to Sheppard's but he wasn't going to ruin the illusion Rodney had.

"Sure!" Jack nodded. "I can do that!"

[eliyah-de-dark]

Look, I cannot do art but I had the idea of what the LiB would look like in different times and so I drew a super basic Nibbly. Feel free to roast me idc just wanted to share

The idea was the ye olden times, so he's taken the form of a maiden sacrificed after becoming the Queen of the Honey Fest

[sharpestasp]

Star Wars IV: A New Hope liveblog transcript

Thread for Star Wars IV: A New Hope

"There will be no escape for the Princess this time." Someone give me ALL the almost-captureds she had prior to this movie?!

The marrieds are arguing.

Threepio&Artoo.gif

Ya know, given Threepio's way of thinking, the fact he saw the transport and had hope implies to me that Alderaan treats their droids better than we see in so many examples elsewhere.

TELL ME ARTOO ISN'T FORCE SENSITIVE! He knew there was danger ahead. But he HAD TO GET TO BEN. And his way was through.

(Those Jawas would have been in for it if he'd had his boosters)

Okay, that must be the MOST observant Stormtrooper in the Empire. ("Look, sir, droids!")

I have a conundrum: Did Captain Antilles/Senator Organa instill a protocol that if Leia was captured, Threepio forgot what she looked like/could lie about her? Or was Threepio only aware the Princess traveled on the Tantive IV but somehow had no idea who she actually was? I think it is a 'if this/then that' protocol to explain that 'I don't know who she is'

"What about my theme?" "Mark, the main title is your theme"

Oh right, forgot to interject: When Threepio calls him Sir Luke, that is the most heavy-handed foreshadowing ever.

"C'mon, let's go have a look" IS NOT YOUR BEST IDEA. Gods, you are so Anakin's kid in this movie.

I know it's because of retconning, but wow this whole opening with Ben reads so HYSTERICALLY with Prequel and Clone Wars canon in place.

Alec's face as he's asked if he's related to Obi-Wan Kenobi.

"I don't seem to remember ever owning a droid" is TRUE! Jedi did not own things. And Artoo was not OWNED anyway after TPM

brain inserts: and highly flammable after the "cunning warrior" comment

Ahh, Yularen.

Canon divergence moment - if Beru had managed to hide somewhere the Troopers missed.

wow such a heavy handed Force Compulsion use there. And then Mr Wanted in 12 systems is immune to the Kenobi Charm.

"Should I have?"

ALSO, LOL, Chewie is back there going "General Kenobi Got Old"

So thankful I have the Han Shot First edition

Tarkin - fierce and terrifying me - he's wearing fuzzy slippers Kinda like the scene in RotJ and knowing McDiarmid was having to scooch his chair around with tiny movements of his feet

Han reports it was totally blown away… and then argues the whole Fleet couldn't do that. This is why I love Han. He embodies contradictions

Fool or the fool that follows him? Ahsoka, GIGGLING HER HEAD off as she remembers her Master(s)

Also, Chewie is going oh shit, Luke figured out how to manipulate his cub

the detention center scene is a chaos fest worthy of Domino Squad

intothegarbagechute.gif

Also, Han's "he's the brains"

Threepio was SMOOTH

okay, but honestly, I am glad my suspension of disbelief is strong. Have worked with cardboard balers and trash compactors, I actually said 'all they needed was stay on top; there was enough waste that the compactor would not have been able to squish fully'.

Luke's FACE when Han is chastising Chewie. I bet that was ad-libbed

youcameinthatthing.gif

Han's CHARGE!

The stormtroopers: why are we running from one man?

"There's no lock." "That'll hold them for a while." "Find the controls" "I think I just blasted them."

This is SUCH a level 3-6 D&D campaign

Oh Luke. He's lost his family, he's lost his home, now he's lost the teacher he bonded with who KNEW ABOUT HIS DAD

Okay, but Artoo. He'd never been wiped. And while he might not have KNOWN the black suit menace was HIS JEDI, he likely did suspect it more than a little. So that scene was just as traumatic for him.

"Don't get cocky" LOL

You know, Leia hugging Chewie in the cockpit goes a long way to making up for her earlier trauma-induced insult to him. Because she initiated the hug

ya know, I actually LOVE all of the computer screen displays in this; it's nostalgic in the best ways

"Or they'd have a tighter defense" OR MAYBE they had a Saboteur designing it. (I do approve of the logic behind Rogue One 'explaining' that design)

Chewie: he's got a point Han: ain't having it Chewie: fine I will argue with you on the ship

hello first Folger's Kiss (on the cheek, but still). Given Luke had been wondering earlier if maybe…

I so very much LOVE the X-Wings

And the dog-fighting is so good

His former best friend (boyfriend?) and his future best friend as his wingmen is just… perfect

Oh Han

All the hugging

And Threepio being so worried

Big Gay Wedding now

First fandom forever. I still love this canon.

[kinkalot]

Bonus Challenge #2 - Kink Link

The second of our Kinkalot 2023 Bonus Challenges - this challenge is open to EVERYONE.

Welcome to Week 2, Kinkalotians! If you’ve always wanted to participate in the infamous Kink Link but couldn’t because you weren’t signed up, well, this is your chance. That’s right, it’s time for our old fan favourite from @pornalot, but with a fresh, new Kinkalot twist! And this year everyone who wants to can join in and link your kinks! Rather than assigning you a prompt ourselves, this time we’re going to let you build your own, like a porntastic game of mad libs. Your entry for this week must incorporate a toy from Column A, an act from Column B, and an Alternate Universe from Column C. That’s TOY + ACT + AU = PROMPT. Sounds simple? Just wait until you get started… For the kinks you need to link and an explanation of the challenge, head on over to this post. REMINDER: This challenge is open to EVERYONE. You don’t need to be a participant of the fest to join in. So if this challenge has turned your head, why not come along and share your entry over on our LJ Post / Over in our Bonus Challenge channel on our Discord server (18+ only)!

[thelensofyashunews]

Hood Fav Jay Critch Drops Effortlessly Fly 'HUMBLE GIANT' Album

A favorite son in Brooklyn since he emerged with a vengeance as a teenager, Jay Critch towers over his competition. Coming through with a collection of highly-confident NY rap slappers, the Clinton Hill native shares HUMBLE GIANT. A thorough examination of Critch's colossal stature, HUMBLE GIANT displays a more mature attitude from the 25-year-old firebrand, alternating his signature flex-fests with songs that take a more reflective and melodic direction. Still, there are plenty of tracks on the follow-up to his acclaimed 2023 mixtape Jugg Season in which Critch displays plenty of his old self, indicating that the giant might not be truly humble: "I done leveled up, god knows I done took a loss/They be teamin' up against me, I must be the final boss," he spits on "Final Boss." 

Spanning 13 tracks, the tape displays Critch's mastery of a variety of New York rap styles, from the slinking and skittering "Too Rare," which harkens back to the '00s days of Fabolous and Noreaga, to the recently-shared "Kick It," a Cash Cobain-produced slice of sample drill with a video set at "Critch Fil-A." HUMBLE GIANT rekindles Jay's relationship with his favorite sound architects, including Tony Seltzer, whose wistful guitar melodies on "Absent" allow Critch to open up about his traumatic childhood. The rapper expertly ties his own experiences to those of a star athlete: "Lamar Jackson" rides Eastern strings and icy synths as Critch moves around in the beat's pocket like the titular mobile quarterback, while "In The League" reflects on how he's been able to keep his family fed with his rap music. Featuring additional production from B Wolf, Laron, frequent collaborator YungGMoney, and many others, HUMBLE GIANT is available everywhere via Talk Money Entertainment / EMPIRE and is now available for pre-order.

Since he burst onto the scene as a teenager with singles like "Ad Libs" and the beloved Hood Favorite mixtape, Jay Critch has been one of New York's favorite sons. His collaborations with Rich The Kid and Famous Dex on the Rich Forever mixtape series remain the stuff of legend, but he hasn't stopped switching up his style or releasing new heat for the streets. Last year, Critch shared the acclaimed Jugg Season, featuring guest spots from Max B, Baby Money, and his Rich Forever associate Rich The Kid, earning Critch a write-up at Pitchfork. Critch recently expanded his CV to include modeling, as he modeled for the Kors x Ellesse campaign alongside Emily Ratajkowski in 2022. He showcased his energetic performance style on a recent edition of On The Radar, featuring two new songs from HUMBLE GIANT.

Stay tuned for more announcements from Jay Critch, as he continues to elevate in NYC and beyond.

[married-2-the-music]

K-pop Discography Deep Dives: Girls Generation / SNSD (Part TWO)

Here are my credentials: So, I’m absolutely a fan of Girls’ Generation, although I’m in that weird space where I’m more than a casual one yet not quite a SONE (a full fan), but just like with Sunmi, I have a feeling that this deep dive will make me one. I’ve heard almost all of their title tracks, and a decent amount of b-sides, but since they have over 100 songs, I’m sure I’ll find some new ones to love too. I’m also a fan of both Taeyeon and Tiffany’s solo careers.

I’m going to take a quick intermission to discuss some of SNSD’s Japanese releases here, which I don’t normally do. Mr Taxi, with its heavy autotune and electronic background, reminds me of a female version of SHINee’s Ring Ding Dong. One of the things I enjoy the most here (besides the roller disco, of course) is that the chorus is given space to breathe when they could’ve cut it for time. Time Machine is a sadder, slower song, and in lesser hands, it could be a snooze fest, but Girls’ Generation’s great voices turn it into a bonafide power ballad.

Paparazzi, as mentioned before, feels like it arrives on a red carpet rather than simply starts with its “ooh la la la”, which is perhaps fitting for a song about fame that features a snippet from Singing In The Rain. This one is probably my favorite of their songs in Japanese; it definitely takes inspiration from disco in the best way, and had me shaking my shoulders and wanting to get a pair of cat-eye sunglasses. Flower Power too is disco, but with a darker synth spin that feels more distinctly Japanese action movie.

Love & Girls takes after SNSD’s cutesier early discography with its colorful styling, poppy background, free-wheeling anti-drop summer chorus, sharp whistles, and peppy ad libs. Beep Beep too follows this thread, but I was won over, as I often am, with its catchy inclusion of several different languages (Italian, Korean, Chinese, Japanese, and English) and fun comic book style illustrations. I also quite like its bridge and last chorus.

So, back to the Korean releases! Catch Me If You Can follows in the footsteps of The Boys and especially Run Devil Run. It has a surprisingly youthful and bubbly pre-chorus, that’s unfortunately followed by the mother of all anti–drops. Unlike in the other songs of theirs that have used one, though, Catch Me If You Can doesn’t do anything interesting with it, and ends up feeling like a dozen other songs. The post-chorus does help it, but overall the track feels incomplete.

PARTY sees Girls’ Generation dipping their toes into a summer fun track, which is new territory for their singles. It’s a little toothless when compared to such iconic and important tracks like Gee, I’ve Got A Boy, or Oh, but it’s still a fun time and it’s a nice break to see them looking so happy. It’s not ending up on my Top 10 list, but I’m not going to skip it if it comes up on shuffle.

Opposite from Genie, which I assumed was much later in their careers, I’d assumed that Lion Heart had been much earlier than 2015, though I’m not sure why. This time, they draw inspiration from doo wop, and turn it into a satire of midcentury love-at-first-sight rom coms. Besides the (as always) great clothes, the MV got some good chuckles out of me with its ridiculousness, over-the-top sound effects, and 60’s dance moves that look right out of a Get Smart episode.

You Think is about as different from Lion Heart as it’s possible to get, with a far more “girl crush” image and a hip-hop beat mixed with synthpop. Funnily enough, I’d actually heard this song’s chorus before (“you think you’re real cool?” “You’re NOT!”), but I didn’t know it was an SNSD song, so that was a nice surprise. It veers a little close to an anti-drop, but thankfully avoids it by the skin of its teeth.

From the Lion Heart album, I really liked the venture into chill bossa nova in One Afternoon, the appropriately vaudeville-style flair and sudden speed-up in Show Girls (which was my hidden gem), the synthy fun of Fire Alarm, and the background guitar in Green Light.

Holiday starts with a guitar riff and an energy that doesn’t slow down to catch its breath until its 3-and-a-half minutes are over. It’s a lot of fun, and immediately makes you want to get up and dance with your closest friends, and besides that, feels like a nice summer vacation for Girls’ Generation too; a new and improved version of Party with a sunny beat straight off a Broadway stage. I enjoyed it much more than I expected to, truth be told, and it went right into my music library.

All Night is the second single from the album, and, although it’s also a dancefloor track, it takes a more minimalistic, sleek approach. The chorus, though I did like it, felt a bit out of left field to me with its tempo change, and the rap likewise didn’t quite fit, but overall I liked this one too, especially the bridge. It’s always a pleasure to see drag queens covered in sparkles on my screen, alright?

From Holiday Night, though I did like the dancefloor citypop of Fan, the expert mix of happy and sad in One Last Time, and the jazzy flair of Love Is Bitter, you can’t do much better for a hidden gem than the confident, movie-soundtrack worthy, anthemic Girls Are Back, which I think perfectly captures the magic of SNSD. Can you really beat “we’re gonna break some hearts tonight, we’re gonna make some noise tonight?” Nope.

Lil’ Touch isn’t exactly a Girls’ Generation song, as it was released with only five of the members, but it’s basically considered one, so I included it. As their discography goes, it’s not the most unique, but it’s still quite solid. Part of that is due to the girls’ vocals, of course, which elevate whatever material they have, but the chorus is genuinely catchy and got stuck in my head. I think that if it wasn’t up against such heavy hitters in their other singles, it would be more highly regarded.

Besides Lil’ Touch, Forever 1 arrives both five years after SNSD’s last comeback and exactly fifteen after their debut with Into The New World, and arrive it does. This was the song that made me a fan of Girls Generation, and for good reason. From the “we’re not stopping!” to the utterly, delightfully sappy profession of love both to their fans and to each other to the “I will love you in my next life”, Forever 1 is a gleeful celebration of friendship and a decade and a half spent in an industry almost impossible to succeed in. Really, it’s everything I love about k-pop in one song, so how could I not love it?

From Forever 1, the album, I wasn’t sure what to choose as a hidden gem. There’s the nostalgic Seventeen, the fast-paced beat of Villain, the chill synths of Paper Plane, and the constant genre shifting of You Better Run (which harkens back to I Got A Boy). It’s a very strong return. Lucky Like That wasn’t technically a single but BTS footage was released as a special video to mark Girls’ Generation’s 16th anniversary. It’s a pretty standard pop song, truth be told, but with the video, it's undeniably charming and made me feel undeniably nostalgic. It was great to see them all smile and have fun performing together, and I wish more groups would have videos like this. I saved it for last, and it was a great place to end.

My Top 5 songs are Into The New World, Hoot, Lion Heart, Top Secret, and Girls Are Back with Show Girls, Love Is Bitter, and Goodbye as honorable mentions. Girls Generation gets a 9.25 out of 10 from me, which I’m not surprised about. There’s a reason I wanted this to be my first review of the new year, and it wasn’t just because they’re a huge group, but also because I had a feeling it would be a lot of fun.

(Please enjoy this photo of the girls celebrating Tiffany’s birthday a couple years ago!) Next time, we’ll be back to our regularly scheduled programming with a one-week boy group. I’m excited about this one, so I’ll see you then! Tchüss!

[deus-ex-mona]

good evening~~ here’s my very cursed(!!!) top 10 list on the most redundant [redacted] anime features off the top of my head~~

debates and disagreements welcome~

10- lxl and basketball

pointless inclusion that was pretty much just an excuse to get chiz to openly thirst over aizo. and to emphasise on just how much better aizo is at sports as compared to his poor sidekick yujiro. just male leads being male leads, ig

i mean, sure, it gave us that beautiful ball e mv, but lxl’s sporty [redacted] anime-induced hobby wasn’t worth much in general.

9- the inclusion of ⅘ of gen 2 tbh

they were pretty much just background extras for the most part, except for ken, who gets bonus moments thanks to being the male lead’s brother. heck, poor kodai doesn’t get much time to shine, despite being the adoring bf of one of the three heroines of the show. mans got more screentime either behind his camera, or as juri love flashbacks during her conversations with the jk trio.

as for the others, arisa got like 5 seconds of screentime (and 4 of them occurred in the sports fest ep, romeo ed included), and kotahina were nerfed to heck and back. they were written to be competitive and stubborn characters, so why were they portrayed to be nothing more than your average caring senpai towards hiyoko? a nd cultural festival w h e r e ? helloooooooooo~~~?

sure, the sports fest ep did give gen 2 in general a chance to show their stuff, but it was clearly more of viewer fanservice for pre-[redacted] anime fans who know and love these characters for who they truly are.

8- aizo’s “trauma reveal”

idk about you, but hiyoko does not need to know about aizo’s trauma. i mean, yeah, i totally get where ken’s coming from. as a scumbag older sibling myself, i, too, get the urge to dump lots of info about my brother to complete strangers. but. it’s just that. hiyori… really didn’t need to go “oh thank god it wasn’t real trauma. now. how can i fix him?”.

she really didn’t need to say that mans. all forms of trauma are valid forms of trauma… if that makes sense. she can’t just decide that someone’s trauma “isn’t real trauma” and then go ahead and liken it to her dislike for squid. and that includes aizo’s trauma with ladies. not cool.

on the bright side, at least aizo’s local idol boo yujiro took his trauma seriously and stood by him even as their manager had a trauma minimising session with his brother. and speaking of yujiro…

7- that someya ‘scandal’

what the heck was that ep 4 someya scandal lmao. it’s never brought up again????? not even by koichiro and tamagoro in the later episodes??? do they even know that there was a scandal about them??? bruh. what was it even there for lol. the gayze???

i mean, yeah, he’s totally the shame of the someya family for going ahead to be the less popular member of a popular idol duo, with said idol-ling being something he had received the head of said someya family’s permission for. but he had debuted without his family’s name anyway so??? does it even matter???

it would’ve actually made sense if it had a call back in a later episode, with, like, the reveal that maybe chizuru or one of the 100000 aizo stans there apparently are had leaked yujiro’s last name online in an attempt to take him down so that aizo can have a solo idol career or something. but no. it’s just never brought up again.

but before we drop the topic of yujiro like how his in-universe popularity dropped to 0 in the adaptations…

6- yujiro arrest reason

this. made. no. sense. either.

did the [redacted] anime throw darts at a dartboard of possible plot ideas to decide how the someya family side plot was going to go?? or was it decided with an online prompt generator?? or was it the result of a game of mad libs with the office crew????

like? lol? who smuggled koichiro into the bar??? and wh o let baby face yujiro into the bar??? and how did none of the staff at the bar question it?

though. wait. how the heck did hiyoko even see enough distinctive features of yujiro’s during the night that she witnessed his police encounter to identify him when they next crossed paths in the classroom? she was looking at him from above from her spot on a flight of stairs in dim lighting. just how good is her eyesight? hello?

5- repurposed yumefan

yeah yeah i k n o w the [redacted] anime staff justified their choice to use yumefan as a song to encourage hiyoko bc “it’s a song about encouraging others” and stuff. but still. yappa saikyou would probably have worked too, since it’s about not wanting to lose to your rivals and aiming to surpass the rest and stuff like that. or they could’ve just. y’know. kept nonfan in their setlist anyway if they wanted to dedicate a song to their friend(?) slash manager, since that song’s mv was the first mv that hiyoko had worked on, and thus, ✨memories✨ are there, y’know?

either way, the [redacted] anime staff saw yumefan, decided “ok it’s for women now” and had it dedicated to hiyoko and got the narumi sisters to cover it as a special ed. much wow. aizo would be proud. and speaking of aizo…

4- yuko in the countdown live

she moved to france in the lxl movie, so what is she doing here in the first place? to watch her estranged son hxld hxnds with some rando onstage? go back to france, yuko.

3- nagisa arc

the main problem i have with nagisa’s arc is how forced it felt tbh. it kinda felt like it was just. shoehorned into the plot? it just. didn’t flow well. like… especially how nagisa was completely written out of the plot after he hopped on that train. lxl had been teasing hiyoko relentlessly about nagisa till he left. then it was just like. he never existed?? excuse???

i mean. i love nagihiyo. don’t get me wrong. it’s just… the way the [redacted] anime staff plotted it into the story felt… off.

look, you see, i think the nagisa plot would’ve worked better as a season closer. like, after all that friendship drama and scandals and stuff, we get a breather in the form of the nagisa visit. he could be visiting for the countdown live, or for a christmas or new year’s visit for all i care, but it’d give the lxl + hiyoko trio, with newly strengthened bonds of friendship after all they’ve been through (thanks chiz), a chance to show off their cooperative skills with the hiyoko makeover sequence and subsequent nagisa encounter. heck, it’d even give nagisa another reason to be wary of lxl, since “aren’t these the dudes from that relationship scandal you were in? you should be more careful around them fr” could be a legit point of concern. plus! it could lead into a post-series uni timeskip or something for that sweet, sweet nagihiyo uni arc crumbs!!

hmmm. well. in the end, i still hate how nagisa’s existence was all but retconned after his episodes. poor lad. he deserves better!!! and speaking of deserving better…

2- the narumi sisters’ appearance

for sena, as she has co-starred with lxl in the past, and since she is still in the industry, it’s no surprise that she’d make an appearance or two. however, the r e a l problem is how she was handled. she was only abruptly thrown into ep 6 to fit in yet another “uwu woe is me im not cute uwu” hiyoko moment in the 24 minutes of terror. plus, those sena-mona moments make no sense whatsoever if you’re a [redacted] anime-only who doesn’t know how lxl and the narumis know each other. viewer fanservice at its finest, ig.

now. mona.

#notmymona

w h o is that girl and why does she have our angel’s name and face? i swear, the only redeeming trait she has is that her character design was done by moge, which is. yeah, much cuter than her lxl movie cameo appearance.

but aside from that. who is she? she has no goals, no ambition, all she does is go “uwu i look up to my sister who i envy… but nvm i’m here to be your relationship therapist so that’s enough about me—”

she doesn’t even get to perform in the [redacted] anime even though there was an entire joint-artiste concert in the last episode. she doesn’t even salt about her nasty encounter with yujiro (which would’ve made for a more interesting topic during her second encounter with hiyoko when they talked about conflicts with friends, instead of being demoted to a bonus manga tbh). she’s so bland, she makes plain spaghetti taste like carbonara.

and speaking of carbonara, we return to lxl for number one, which is…

1- the lxl shower scene (no image bc g o o d l a w d w h y w o u ld i include it)

they are 15. we don’t need that extended shower scene. we don’t need to know that hiyoko has no qualms about barging into the showers for the opposite gender, with said members of the opposite gender being completely nude and uncomfortable when she did so. we just. didn’t need to see any of that.

who was that scene even made for? help???? just how bad did they think their own show was that they felt the need to put in an out of place scene of teen boys showering to pad the runtime?? excuse???

[selamat-linting]

the anarchists in my city are a joke. they have always been an isolated sausage fest but now theyre even more disappointing. one of them stood up at some lib fem event asking what are their target market for organizing the damn show. are you fucking kidding me? and now i just saw them distributing a zine online called 'the influence of jewish culture in punk scenes' and oh boy its goes as badly as you think it is. talking about hidden conspiracies and hidden agendas from too much nazi hate. this is what happens when you dont have a scientific theory to explain why things are the way they are. this is what happens when you dont learn about settler colonialism and imperialism properly! congrats assholes, you sound just like those right wing cunts who is afraid of judeo-bolshevism!

[dankusner]

Brent Gobert wears his homemade headdress at the Arlington Pride event at Levitt Pavilion in Arlington on Saturday, June 8, 2024.

In 2004, Massachusetts became the first state to legalize same-sex marriage, paving the way for LGBTQ+ rights nationwide.

Same-sex marriage was federally legalized in 2015.

Arlington Pride Event sparks backlash over children getting exposed to sexual content

Arlington Pride hosted an all-ages event at Levitt Pavillion on June 8, and it seemed to draw criticism from many quarters.

Multiple organizations sponsored the event, including Frank Kent Cadillac of Arlington, AMM Political Strategies, Charles Schwab, Lockheed Martin, and the Help Center for LGBT Health and Wellness, which offered free HIV testing, according to the Arlington Pride website.

“We believe in a world where all people are free to express their sexual orientation and gender identity with pride,” the Arlington Pride website states.

The event has garnered blowback from users online, particularly over the sexual content on display in front of children.

“Arlington, TX ‘family-friendly all-ages’ pride fest featured dId0s, sx toys, women flashing their beasts, drag queens, people walking around in bndge gear, and merch with the word c*t proudly displayed for kids,” Libs of TikTok posted on X.

The tweet included a video from the event, which was recorded by the Texas Family Project.

The event, according to the X video, had vendor booths with dildos, vibrators, and hand fans emblazoned with the word “C**T.”

Additionally, drag queen performers present at the event wore provocative clothing that exposed their buttocks.

One of the drag performers, Alyssa Edwards, has been known for competing in drag pageantry, including “Miss Gay America” in 2010.

Also in attendance were members of the DFW Sisters of Perpetual Indulgence, a group whose members dress like nuns and use drag and religious imagery to satirize issues of morality.

The group has been described by a prominent Catholic leader as “an anti-Catholic hate group,” as previously reported by The Dallas Express.

“We believe all people have a right to express their unique joy and beauty, and we use humor and irreverent wit to expose the forces of bigotry, complacency and guilt that chain the human spirit,” the Sisters of Perpetual Indulgence website states.

Arlington resident Kathi Arocha questioned why such an event would allow minors to attend.

“Why is it okay for children, young babies, to be placed in an environment to experience sexually explicit items, nakedness, and erotic dancing at a young age? What is the purpose of that?” Arocha told DX.

Rosalie Escobedo, the director of the Tarrant County Chapter of Citizens Defending Freedom, was also critical of the event.

“The details that were exposed regarding the all-ages Arlington Pride event were horrific and pedophilic,” Escobedo said to DX.

However, others expressed their approval of the event as a safe place to express their “true colors.”

“A lot of us don’t go out with our true colors. It’s very dangerous, unfortunately, in our time where we’re at. It’s a place where we don’t have to worry about kissing in public,” attendee Max Wood told the Fort Worth Report.

At the Dallas Pride event held on June 1, the DX saw several parents in attendance with their young children despite an abundance of sexually explicit merchandise on display by vendors. Some booths were selling hand fans emblazoned with phrases such as “MAKE ME CM AGAIN,” “B*y,” “HE/HIM/HOLE,” “DADDY,” and “CT.” Other items available for sale included magnets depicting female breasts and buttocks and aprons printed with a picture of a naked man covering his genitals with a black hat.

[lithium-battery-service]

𝗡𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿 𝟬𝟳-𝟮𝟬𝟮𝟯

Hier die heutigen Themen im Überblick:

1. 𝘼𝙪𝙛𝙯𝙚𝙞𝙘𝙝𝙣𝙪𝙣𝙜 𝙪𝙣𝙙 𝙋𝙧𝙖̈𝙨𝙚𝙣𝙩𝙖𝙩𝙞𝙤𝙣 𝙯𝙪𝙢 𝙊𝙣𝙡𝙞𝙣𝙚-𝙎𝙚𝙢𝙞𝙣𝙖𝙧 𝙯𝙪 𝙙𝙚𝙣 𝙉𝙚𝙪𝙚𝙧𝙪𝙣𝙜𝙚𝙣 𝙪𝙣𝙙 𝘼̈𝙣𝙙𝙚𝙧𝙪𝙣𝙜𝙚𝙣 2024/2025 𝙢𝙞𝙩 𝙑𝙤𝙧𝙖𝙪𝙨𝙨𝙘𝙝𝙖𝙪 2026 𝙞𝙢 𝘿𝙤𝙬𝙣𝙡𝙤𝙖𝙙-𝘽𝙚𝙧𝙚𝙞𝙘𝙝 𝙯𝙪𝙢 𝙃𝙚𝙧𝙪𝙣𝙩𝙚𝙧𝙡𝙖𝙙𝙚𝙣 𝙫𝙚𝙧𝙛𝙪̈𝙜𝙗𝙖𝙧

2. 𝙇𝙪𝙛𝙩𝙫𝙚𝙧𝙠𝙚𝙝𝙧 𝘼𝙧𝙜𝙚𝙣𝙩𝙞𝙣𝙞𝙚𝙣 𝙍𝘼𝙂-01 𝙆𝙡𝙖𝙧𝙨𝙩𝙚𝙡𝙡𝙪𝙣𝙜

3. 𝘼𝙥𝙥𝙡𝙚 𝙇𝙞𝙣𝙠 𝙯𝙪𝙧 𝘼𝙗𝙛𝙧𝙖𝙜𝙚 𝙫𝙤𝙣 𝙋𝙧𝙤𝙙𝙪𝙠𝙩𝙙𝙖𝙩𝙚𝙣𝙗𝙡𝙖̈𝙩𝙩𝙚𝙧𝙣 𝙪𝙣𝙙 𝙐𝙉 38.3 𝙋𝙧𝙪̈𝙛𝙪𝙣𝙜𝙨𝙯𝙪𝙨𝙖𝙢𝙢𝙚𝙣𝙛𝙖𝙨𝙨𝙪𝙣𝙜𝙚𝙣

4. 𝙒𝙚𝙞𝙩𝙚𝙧𝙗𝙞𝙡𝙙𝙪𝙣𝙜𝙨𝙩𝙚𝙧𝙢𝙞𝙣𝙚 2024 𝙖𝙪𝙛 𝙙𝙚𝙧 𝙒𝙚𝙗𝙨𝙚𝙞𝙩𝙚

1. 𝘼𝙪𝙛𝙯𝙚𝙞𝙘𝙝𝙣𝙪𝙣𝙜 𝙪𝙣𝙙 𝙋𝙧𝙖̈𝙨𝙚𝙣𝙩𝙖𝙩𝙞𝙤𝙣 𝙯𝙪𝙢 𝙊𝙣𝙡𝙞𝙣𝙚-𝙎𝙚𝙢𝙞𝙣𝙖𝙧 𝙯𝙪 𝙙𝙚𝙣 𝙉𝙚𝙪𝙚𝙧𝙪𝙣𝙜𝙚𝙣 𝙪𝙣𝙙 𝘼̈𝙣𝙙𝙚𝙧𝙪𝙣𝙜𝙚𝙣 2024/2025 𝙢𝙞𝙩 𝙑𝙤𝙧𝙖𝙪𝙨𝙨𝙘𝙝𝙖𝙪 2026 𝙞𝙢 𝘿𝙤𝙬𝙣𝙡𝙤𝙖𝙙-𝘽𝙚𝙧𝙚𝙞𝙘𝙝 𝙯𝙪𝙢 𝙃𝙚𝙧𝙪𝙣𝙩𝙚𝙧𝙡𝙖𝙙𝙚𝙣 𝙫𝙚𝙧𝙛𝙪̈𝙜𝙗𝙖𝙧

Die Aufzeichnung und Präsentation der Neuerungen und Änderungen wurde nun um die Vorgaben zum Ladezustand ab 2026 ergänzt und steht für Lizenz-Kunden nach dem Einloggen über den Download-Bereich zur Verfügung.

2. 𝙇𝙪𝙛𝙩𝙫𝙚𝙧𝙠𝙚𝙝𝙧 𝘼𝙧𝙜𝙚𝙣𝙩𝙞𝙣𝙞𝙚𝙣 𝙍𝘼𝙂-01 𝙆𝙡𝙖𝙧𝙨𝙩𝙚𝙡𝙡𝙪𝙣𝙜

Zum Glück gab es eine Klarstellung zur RAG-01 in den IATA DGR durch die Argentinische Luftfahrtbehörde. Die Anforderung die Dokumentation und Markierung in spanischer Sprache zu haben, gilt nur für die Beförderung gefährlicher Güter mit Abgangs- und Bestimmungsstaat Argentinien, also nur für innerargentinische Flüge. Dies hat Argentinien über eine Änderung zu den ICAO TI 2025/2026 bekanntgegeben. Die IATA wird diese Änderung natürlich in einen Zusatz zu den 65. IATA DGR 2024 aufnehmen, sobald einer veröffentlicht wird.

3. 𝘼𝙥𝙥𝙡𝙚 𝙇𝙞𝙣𝙠 𝙯𝙪𝙧 𝘼𝙗𝙛𝙧𝙖𝙜𝙚 𝙫𝙤𝙣 𝙋𝙧𝙤𝙙𝙪𝙠𝙩𝙙𝙖𝙩𝙚𝙣𝙗𝙡𝙖̈𝙩𝙩𝙚𝙧𝙣 𝙪𝙣𝙙 𝙐𝙉 38.3 𝙋𝙧𝙪̈𝙛𝙪𝙣𝙜𝙨𝙯𝙪𝙨𝙖𝙢𝙢𝙚𝙣𝙛𝙖𝙨𝙨𝙪𝙣𝙜𝙚𝙣

Unter diesem Link kann man direkt ein generelles Produktdatenblatt aller Apple und Beats Produkte erhalten:

Und unter diesem Link kann über eine Eingabemaske bei Apple das entsprechende Produktdatenblatt oder die UN 38.3 Prüfungszusammenfassung abgefragt werden:

4. 𝙒𝙚𝙞𝙩𝙚𝙧𝙗𝙞𝙡𝙙𝙪𝙣𝙜𝙨𝙩𝙚𝙧𝙢𝙞𝙣𝙚 2024 𝙖𝙪𝙛 𝙙𝙚𝙧 𝙒𝙚𝙗𝙨𝙚𝙞𝙩𝙚

Unsere Termine 2024 stehen schon länger fest, doch nun sind diese auch unter dem Reiter Weiterbildung auf unserer Webseite gelistet. Wir freuen uns darauf den einen oder die andere live oder virtuell wiederzusehen!

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Sie können sich heraussuchen, welche Checklisten Sie für Ihren Transportfall benötigen. Sie können einzelne Checklisten oder Gesamtchecklistenpakete erwerben.

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Wir bieten Ihnen und Ihren Mitarbeitern auch Schulungen mit und ohne Prüfungen an. Hier finden Sie unsere aktuellen Seminare:

Auf unserer Website finden Sie auch Hinweise zu Lagerung, Entsorgung, Handwerkerregelung, Besonderheiten im Luftverkehr und viele Informationen rund um Lithiumzellen und Batterien in unserem Blog und Downloadbereich.

Wenn Sie mehr über die UN Testreihe nach 38.3 wissen möchten, schauen Sie hier:

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Bei Beratungsbedarf oder Anfragen zu In-House-Schulungen nehmen Sie Kontakt mit uns auf.

Einer unserer zwei Experten Jürgen Werny und Eva Glimsche weiß bestimmt Rat rund um den weltweiten Versand und Transport von Lithiumzellen und Lithiumbatterien.

[solarmorrigan]

Bond Libs 3

How to play Bond Libs: It is almost exactly like playing Mad Libs, except it’s not Mad Libs, because I’m pretty sure those are copyrighted

You can play by yourself or with other people (the bigger the group, the sillier it’s likely to be). Fill out the list of words required of you below, either in turns or on your own. Once you have completed the list, look at the story under the cut and plug the words into the corresponding numbered blanks. For more detailed instructions and word examples, GO HERE

1. Country

2. Number

3. Type of building, plural

4. Weapon

5. Body part

6. Verb

7. Animal, plural

8. Plural noun

9. Piece of furniture

10. Verb ending in “ing”

11. Adverb

12. Exclamation

13. Body part

14. Emotion

15. Adverb

16. Plural noun

17. Adjective

18. Physical expression of affection, plural

19. Adjective

20. Plural noun

After-Mission Ritual (00Q)

Another successful mission, and Bond was glad to be home from 1._____. He may have accomplished his goal, but he’d been in no less than 2._____ firefights, blown up several 3._____, and had sustained a 4._____ wound to his 5._____ that was really starting to bother him.

Rather than going directly to MI6 to 6._____, Bond let himself into Q’s flat, where he gave a few head-scritches to Q’s two pet 7._____, treated himself with the first aid kit (well-stocked with 8._____), and proceeded to pass out on the 9._____.

Bond woke to the sound of someone 10._____ around the flat. A very familiar someone.

“Hello, Q,” Bond said 11._____.

“12._____!” Q shouted, clutching his 13._____ in shock. “Bond! What are you doing in my flat?”

“I finished the job,” Bond said. “Don’t you feel 14._____ to see me?”

“That depends,” Q replied 15._____. “Did any of the 16._____ I sent you out with make it back?”

Bond gave Q a(n) 17._____ smile. “Would it help if I said I brought back something better?”

“Like what?”

“18._____?”

“Hmm. Well, I hope you brought a lot,” Q relented. “My equipment is 19._____.”

“I always pay my 20._____ in full,” Bond promised, and leaned in for a kiss.

[puresephone]

going to be going to life is beautiful this weekend ✨ so grateful for all these amazing opportunities and experiences

[adultswim2021]

The Venture Bros. #20: “Twenty Years to Midnight” | August 6, 2006 – 10:30PM | S02E05

In this episode: Brock stumbles on a box of old shit. Among the items is a video left behind of the senior Dr. Jonas Venture relaying a message to his son with instructions for assembling an important device. It will involve Team Venture going to several locations to secure various parts for this machine. Thank god it's not season one, because this'll require a lotta new backgrounds, baby!

I don't call this one a favorite, but I do think it's really good and has a lot of things going for it. The design of the episode is fairly elegant; it has the plot of a very solid sci-fi adventure film (quietly ignoring that the ending is basically a parody of Contact). The second act has a few strong funny scenes that barely have anything to do with the story. Jonas Jr. and the ghost Pirate from season one (whom we learn is now working for Jonas Jr.) visit a drug-addled Jonny Quest who is living in some kind of underwater pod. Hank and Dean visit Colonel Gentleman who is apparently passed away in his bed. They read his diary that's filled with nonsense.

I'm just observing where the episode COULD be stronger, which is not necessarily the same as complaining. Actually it's exactly the same as complaining. I just don't want to get yelled at. These scenes are funny but I always remembered them separate from this episode. This episode has a strong story and those scenes are fun detours, but it’d be nice if those characters had more bearing on the plot and not just there as a goofy obstacle. They're mostly just stuff happening, driven by the location of a macguffin. I actually found myself saying “oh! So THIS is the episode where this scene comes from!”.

I still consider these scenes a net positive for the episode. It's just imperfect in my eyes because this could be a very good standalone adventure and a gateway episode for new viewers, except for the fact that it does wind up being a bit of a previous-episode-reference fest. This episode directly references events from “Ghosts of the Sargasso” and the third act is a sequel to “Ice Station Impossible”. This could actually have the opposite effect; further intriguing people into visiting the backlog of the series. There WAS a season one DVD for sale.

Actually... now that you mention it: that might be what happened to ME. No shit! I actually remember sort-of half-watching this episode. I was a “person who did not watch Venture Bros.” mostly because of the bad pilot episode and the lukewarm first regular series episode. I did have a positive experience watching the first Burger King Have It Your Way marathon, which included a small handful of season one Venture Bros. episodes. I do credit that night for helping thaw the freeze-out I was perpetrating on my now-beloved brothers.

I remember half-watching this episode, and hearing Stephen Colbert's voice, and thinking “wow, Stephen Colbert is on this show sometimes? I should probably watch it?” (NOTE TO YOUNGER READERS: Before Stephen Colbert did limpdick lib comedy for CBS he was a highly-respected subversive comedy writer and performer that none of us knew was a Christian). Even though I remember having this thought about this episode, I still considered this the “try before you buy” phase.

Somebody else already made this point, which is why I'm tacking it onto the end of my write-up: The scene where Hank and Dean discover Colonel Gentleman dead (or is he?) and go through his stuff, they leaf through his journal and find a bunch of inane lists, like “TOYS HE WISHES HE HAD AS A KID”, “GOOD NAMES FOR AN IMAGINARY FRIEND” and “HOLLYWOOD ACTRESSES THAT COULD USE A GOOD PUNCH IN THE MOUTH”. The very smart point, which I nearly passed off as my own until I remembered somebody on twitter did already, is that this is basically what clickbait articles are now. That guy was ironically presaging the future of the internet. It somehow wasn't badly writing up cartoons for a tumblr blog that nobody reads.

Oh! Also: the Jonny Quest scene was maybe the last explicit reference to the Ventureverse and the Questiverse being one-and-the-same. They kept this character but only refered to him as “Action Jonny” after this, I’m pretty sure. Remember when I promised to watch every episode of Jonny Quest in preparation for this? Whatever happened to that idea? I wonder.

EPHEMERA CORNER:

Ed's Burger King "Have It Your Way" Lineup (August 5, 2006)

Speaking of the Burger King “Have It Your Way” marathon! This happened! It was all anime. The end! Nothing else to say! Bye bye Ed!

[thelensofyashunews]

Jay Critch Pops Off in Paris in Video for Ambezza-Produced "Leaf"

A flexer since birth, Jay Critch knows how to make a scene. Taking over Paris in his latest music video, the Clinton Hill native brings Brooklyn to the Boulevard in "Loaf," his new video. Produced by Ambezza, the multi-Platinum producer known for his work with Drake, "Leaf" employs splashy, filtered synths and gently-knocking percussion to create a smooth and futuristic atmosphere. The rapper who calls himself Hood Fav slices effortlessly through the beat like a hot knife through premium French butter, as he stacks ultra-confident bars about his luxurious playboy lifestyle and insatiable appetite for financial success: "Tell me like what you gon' do for the check?/Imma tell you I'm doing the most/And my pockets is full of the loaves, you play with the bread and you toast," spits Jay Critch. In the video, directed by Suave, the Hood Fav takes over the City of Lights, as he prances through Parisian streets and enjoys a five-star meal.

"Loaf" is a highlight track from HUMBLE GIANT, Jay Critch's new album. A thorough examination of Critch's colossal stature, HUMBLE GIANT displays a more mature attitude from the 25-year-old firebrand, alternating his signature flex-fests with songs that take a more reflective and melodic direction. Still, there are plenty of tracks on the follow-up to his acclaimed 2023 mixtape Jugg Season in which Critch displays plenty of his old self, indicating that the giant might not be truly humble. Spanning 13 tracks, the tape displays Critch's mastery of a variety of New York rap styles, from the slinking and skittering "Too Rare," which harkens back to the '00s days of Fabolous and Noreaga, to the recently-shared "Kick It," a Cash Cobain-produced slice of sample drill with a video set at "Critch Fil-A." With additional production from Tony Seltzer, Laron, B Wolf, and more, HUMBLE GIANT is available everywhere via Talk Money Entertainment / EMPIRE.

Since he burst onto the scene as a teenager with singles like "Ad Libs" and the beloved Hood Favorite mixtape, Jay Critch has been one of New York's favorite sons. His collaborations with Rich The Kid and Famous Dex on the Rich Forever mixtape series remain the stuff of legend, but he hasn't stopped switching up his style or releasing new heat for the streets. Last year, Critch shared the acclaimed Jugg Season, featuring guest spots from Max B, Baby Money, and his Rich Forever associate Rich The Kid, earning Critch a write-up at Pitchfork. Critch recently expanded his CV to include modeling, as he modeled for the Kors x Ellesse campaign alongside Emily Ratajkowski in 2022. Earlier this year, Jay showcased his energetic performance style on a recent edition of On The Radar, featuring two new songs from HUMBLE GIANT.

Stay tuned for more announcements from Jay Critch, as he continues to elevate in NYC and beyond.