#less good is the part where like.

[cleromancy]

if anyones curious btw i had what felt like a regular cold from... the symptoms were mostly Wednesday-thursday but i had a little bit on tuesday and friday. mostly sore throat on tuesday and a bit of tiredness/lingering soreness on friday. but since someone in the house tested positive for covid im going to assume thats what it was.

But Also. i got the ick way less badly than either of the others which. is certainly partially luck but also ive been yk. staying in my room & wearing my mask when i have to leave it except when i take it off to eat. like theyve both been sick longer and are still sick while i feel completely better so... masking/distancing good basicly 👍

[tartppola]

very specific au thought, silver if he was the shield instead ( read the tags to see explanations )

[patheticlogic]

yan wushi's betrayal is necessary, his cruelty is the point!!! much like the audience, shen qiao believes that there's kindness in yan wushi, and with time spent together, it will eventually show, no matter how small. that although they walk different paths, shen qiao's is the ultimate truth.

shen qiao's character flaw is not his kindness. it's his ignorance. and he doesn't truly accept (we, the audience, don't truly understand) this until yan wushi betrays him.

[vaguely-concerned]

there are a lot of daddy issues to go around on DS9 in general, but odo, bashir and garak are really in their own special little fucked up 'what am I but wrought in my father's image' club

[bayleafpaprika]

thinking about how Oda chosing Luffy, a pirate, to be the protagonist of One Piece may be one of the most brilliant story moves by any shonen mangaka ever. by virtue of its main character being an in-world criminal, OP naturally lends itself to becoming a story about the exposure of a society festering with corruption for what it really is, and the dismantling of a dystopia and its propagandist facade. you simply do not get a story like that with a shonen protagonist who conforms to or tolerates the shitty system they're born into

[astracora]

The Cat Curse - MC Edition

Characters: Sylus x gn!mc (poly lads)

Warnings: Heavy hurt|Some comfort, Semi-canon compliant heart condition, Spoilers for current story release (Small mentions of Sylus bond up to 102 and all of Sylus' currently released content).

Word Count: 4170

Written: 23rd December 2024

Notes: New relationship Sylus/MC-centric but poly LADs (this time with group chat), with my personal pov of the game and lil headcanons littered in. Unnamed MC, but using my personal MC's basic appearance and adjusted backstory. I take some liberties with what the game offers me.

Now Playing: Monster, by STARSET

Masterlist

Next ->

You've been responding to his messages, Sylus notes, but something's off. He's been away on some inane business trip, ever since you, the doctor, the fish, the prince and he had visited a new kitty cafe opening. He rarely gets to see you visibly excited, you are worse at showing your feelings on your face than he is. Whenever you're faced with animals, of any kind, even Mephisto, your eyes sparkle and you could easily spend hours upon hours sat with them. Even more so if they let you pet them.

The first time you'd seen the evol kitties, according to the doctor, you'd been unsure. They didn't look like cats. Something off and a little wrong, but they mewed at you and straight away you'd gently stroked their noses. As if unable to hold back.

Since then you would drag any of them along to play kitty cards. You didn't like the game, had no patience for strategy, but you did like petting the cats. Sitting there between every round, barely looking at the board, and tickling small whiskers. Much to the fish's distress.

While Sylus doesn't really care if he wins or loses around you, he's almost assured a win when playing with you because it's simply not something you care about. Distracted and unbothered by the game. He's only relieved that when he sprouted ears and a tail (of the caracal kind), you had been just as enamoured with those. Finally smothering him in affection in the same way, and being distracted by his tail. Though he'd never confess to competing with cats, at this point it's just an everyday occurrence.

He found he enjoyed playing most with the doctor, unlike when the man played with you, he took no soft approach with Sylus, and it was fun to butt heads with him. Stubborn as they both could be. That left you to lean your head on the fish's lap, the prince asleep against your side already, and play with cats, to a backdrop of 'You're cheating', 'I'm simply better at this than you.', 'If you would stop getting distracted-' that you mostly blocked out.

Rounds later, he paid the bill before anyone else got chance to, and picked up some cakes to take back.

Then he'd had his business trip to attend, having moved things around so on your rare day off, you could see everyone. It was never fun to drop you off, Sylus missed you anytime he could not see you, and though he was prideful, he had been honest about not being able to sleep without the sound of your voice. A confession you'd flushed at and tugged at one of the straps of your prosthetic.

He'd watched you waver over how to respond, biting at your lip, and fidgeting, as you fought against your urge to run away from him.

Trying didn't come easy, you'd told him. Honesty and openness, it got even harder when you'd lost your family, it got easier with every day you were given room to breathe by all of them, and every friend you held dear to your 'broken' heart. He didn't want to dig, or poke at old wounds, not now you were trying to live... but he often saw too much of himself in you.

Whether it was because of the way you'd grown up, or his soul inside of you, it made him even more careful and aware of offering you what you offered him.

"I'll miss you too, Sy. Call me, alright?" Your finally settled on, cool metal hand taking his in yours and squeezing. Before he'd left you, reluctant and complaining, he'd pressed kisses over your face, down your neck, and finally pushed you to the wall of your apartment building, to steal all the air from your lungs. Thigh holding you up, as he tangled his hands in your hair.

When he'd tried to pull away, he couldn't quite, leaning back in once, twice, three times, chasing the warmth of your mouth. Over and over.

You'd laughed, pushing him back to breathe, gasping, "It's a week. We'll be fine for a week."

A week... you aren't possessive enough, he thinks, spinning his pen in his hand. Half listening to Luke and Kieran talk. He feels as though he's emptied and lost, missing parts of what makes him who he is, and your messages feel... the same.

He could be reading into it... you're not exactly one to put your heart on your sleeve, or cling. You're independent because you've had to be, and he still hasn't had enough time to get you to lean all of your weight on him.

So he sends a message into the group chat without you, made in order to plan surprises or outings.

🐦‍⬛: Is everything ok back home?

⛄️: Aren't you busy?

🐦‍⬛: I'm taking a break.

They don't have to know he's tuning out his business partners, hoping they'll talk themselves out so he can leave.

🐠: lucky, some of us have r busy

🐠: [Attached photo]

🐦‍⬛: Please tell me that's not paint on my walnut table.

🐠: won't answer u then

⭐️: looks more colourful now

He rubs the space between his eyes, already dreading returning to the mess, and regretting letting the fish use his space for storing work while his studio is being fumigated. The partners at the table tense at his action, but he doesn't bother sparing them a glance, so they relax and resume talking.

🐦‍⬛: Is anyone going to answer my question?

⛄️: Is there a reason you're asking?

He hesitates, it's just a feeling, if he worries everyone, and it's nothing...

No, he didn't get this far by not trusting his instincts.

🐦‍⬛: Kitten's messages have felt off.

Two exclamation reactions are his instant response, the fish and prince. They start to type, then stop, then start again.

🐠: what way?

⭐️: have U called them?

⛄️: Calm down, they took some time off work because of a cold.

🐠: y didn't anyone tell us?

⛄️: I thought they would have asked Tara to contact you, or contacted you themselves?

🐦‍⬛:  They didn't.

⭐️: ive been on mission for a couple of days, i can stop in tomorrow when its over

He puts his phone down too forcefully and looks at the room. He's... irritated. Not like he normally is when it comes to you, a childish way where he can't have enough as he likes from you. Like you're a toy he cannot stop playing with. He's almost angry, but mostly sad.

He's been patient, surely you can at least talk to him if you feel sick?

Sylus is done with this trip, he's bored of listening to people talk nonsense, and he has no need for anything they have to offer. "We're done here, Luke. Kieran."

Waving his hand absently and ignoring protests behind him, he leaves the room, phone in hand.

🐦‍⬛: I'm coming back now.

-------------

Jenna had sent you home, it's not the first time she has. You're terrified one day she'll get bored of having to keep track of your health. Or you'll really let her down, and get you... or more importantly someone else, hurt.

It's probably not a normal mindset to worry so much about what your boss thinks, or to fear disappointing them like they're your parent.

It's not like you have parents to know what's that like... but gran's disappointment every time you got into fights growing up... well it was enough.

Caleb used to cover for you, within reason. He lectured you, told you to pull yourself up and figure it out. That fighting every battle against every jerk you met, reckless and stupid, would get you killed. "Come on pipsqueak, use that energy for something better. Something worthwhile."

So many reasons you didn't want to or couldn't, you wanted to tell him... a hand clenched over your chest.

You were so tired of disappointing them both though, so tired of seeing worn eyes tending to cuts and bruises. Bandaging your back, or fixing the set of your arm.

Being a hunter was that answer. If you used what little life you had in you, unsure when your busted up heart would give out finally, then you could greet Caleb and Gran with pride. Your life was a tool, to make others better.

So every day you weren't working, felt like a day you were failing them... failing to be worth anything other than the core in your chest. A vessel with no purpose or value but to hold something you hated. That could kill you.

It wasn't like you could work like this though... you'd laughed at your partners when they'd sprouted ears and tails. Especially Raffy, he'd been so disgruntled at the fate that had befallen him. This was... probably karma. Pointed, soft ears on top of your head, pinned back against your skull. Pristine white, so they at least blended into your hair.

At your back, a bristled tail, huge and furry... already having picked up some dirt to sully what had been pure white.

It hadn't settled since it had appeared, and you wondered what that said about you...

Fucked up mess. Stupid fool. Useless.

Too loud, everything was too loud. You could hear your neighbours through the walls, all the cars below your apartment, every child crying, dog barking, cat mewling.

It hurts.

You covered your ears with your hand, but noise filtered in through the new set you'd acquired.

Hurts.

You'd grown accustomed to the state of your heart. If you don't pay attention you can miss something, and you care now... perhaps you always did, just too raw like an open wound to let yourself.

It's racing and panicked. You don't need your hunter's watch to know it's too fast. 

Burying yourself into your bed, you cover your head with the duvet, grab at your headphones to shove them into your ears, turning them as loud as they can go, and bury your head under the pillows.

Your phone buzzes at your side, and you don't want to touch it. Scared to leave the cocoon you've built for yourself.

You'd begged Tara to tell Zayne you were sick with a cold, that you would be fine soon. She'd given you a heartbroken look that had made you bristle further, pity. Always pity.

You didn't want pity.

Before your fraying emotions could get the best of you, you'd fled the hunters association, hood up over your head and run home.

You can feel your tail trembling, struggling to swish under the blanket as you struggle to calm down, to at least get some sleep.

Maybe if you sleep it will go away.

Maybe when you wake up you'll feel better.

Useful.

Worth having around.

Not on the cusp of disappearing with nothing to show for yourself.

-----

When you'd woken up, tail still bristled, and newly acquired fangs digging into your bottom lip. Blood staining the bedsheet, you'd finally fished your phone out from your nest.

3am.

The world was quieter for it, and you wondered if this was part of why Sylus preferred the night to day.

You didn't remove your headphones, but you did finally open up your messaging app, seeing messages from everyone.

TaraTara💖: I hope you're ok bestie, if you need anything let me know.

Number One Lumiere Fan: Tara said you were sick, if you have time, I have a few shows you could watch to waste time. Only one is about Lumiere! Promise!

Simone (the one whose guns explode): Hey! Tara said you weren't doing so hot, if you want some company for a movie night, I make the best soup you'll ever have!

Captain: Remember to actually get some rest, take advantage of the break, alright? Everything will be fine here.

🐠cute fishie 🐠: hey cutie, wat do u think?

🐠cute fishie🐠: [Attached Image]

⭐️little star⭐️: missions going well, how are U?

⛄️sweet snowman⛄️: Tara said you're sick, I'll come over to check on you as soon as I can. Make sure you eat and drink.

🐦‍⬛pretty bird🐦‍⬛: Meetings are always more boring without you kitten, I hope you're missing me as much.

Your tail settles, curling against your side, fur flattening and you try really hard not to cry. You wish you'd thanked Tara when you left instead of fleeing, overstimulated and hurting.

Wounded like the cat you're teasingly referred to as. Feral and ready to hiss and scratch. You've spent so many years shutting people out.

Shutting Gran and Caleb out.

Shutting them out you wasted so much time until it was too late.

Why can't you learn?

You force yourself to respond, trying to sound as much yourself as you can... it's unnerving, to wear a mask over a mask. You wonder if you'll ever recognise your reflection.

You hesitate as you go to respond to your partners. You should tell them, reaching up to roughly pull the ears on your head. They'd understand, they've been where you are. Your brain says you should go to the kitty cafe, find out how to fix it this time around... but being out there, in the noise...

Instead you send some version of you're fine, and things are fine, everything is good. You're good.

You're together. You're useful. You're not a burden.

You aren't fragile and sick and useless.

You are worth keeping around, even when your heart picks up speed again, beating so hard against your chest that you fear the core wants to escape its fleshy vessel.

The straps attaching your prosthetic are digging into your skin, rubbing it raw, but you ache to even try to remove it. Fighting with the buckles and biting at the bit. You're still in your uniform, and you're sure by now you need a shower. The idea of water shooting a shot of anxiety straight into your chest, flaring up your tail, and your ears flatten as far as they can.

No water...

Maybe later.

Or you can really fill out how shit you feel with a wet wipe bath.

Caleb would kill you.

You don't want to think about it anymore. You want to let the quiet take over, or reasonably so with the screamo in your ears. Blasting the noise outside into nothing.

So you go back to sleep. Easing the pain in your heart with the only sure fire way.

---------

You can't breathe. You can't breathe.

Bolt upright in bed, hissing through your teeth, chest so tight you can feel your ribs.

You flounder, pulling at where your straps should be, but they're gone, no leather under your fingers. So you move to claw at your chest with one hand, gasping.

Hands grab you, and you struggle and you fight and you hiss. Fangs out, feral and ready to claw your way free. Arms far stronger than you pull you against a warm chest, tilt your head back and pills are placed in your mouth. You try to spit them out but a hand is on your throat, rubbing at your larynx. You swallow and then water follows it.

You splutter and cough, and you wriggle and struggle. Your head is pressed against skin, and you sink your fangs in.

Out. Out. Out.

"It's alright, you're alright, I'm here."

Blood fills your mouth and his scent surrounds you and you shiver. Blinking as your heart medication begins to do its job, easing the fractured organ in your chest. You spit, trying to clear your mouth of the taste of metal, shivering and shaking but your chest isn't constricting you now.

"Sy-" You cry outloud, he holds you, not bothered by the blood tricking down his shoulder. Of course he isn't, he heals it, the pain nothing in comparison to watching you choke on air you can't breathe. "Sorry. Sorry." You mumble against his skin, licking where you bit, crying and shaking. Wrapping your arm around his neck.

He assures you, and he rocks you both in his arms, rubbing your back and running a hand through your hair. Careful around your ears, not going far enough down to touch your bristled tail.

He hums and he rocks, and he squeezes you tight enough to ground you.

It's an hour or two later when you can finally feel any semblance of stable. You can't bring yourself to look at Sylus, he's stroking your cheek and wiping tears from your face, and all you can do is stare at the bed. You can't think of what to say.

You didn't take your medication, you hurt him... it's not the first time, but when this happened with Caleb you didn't have a cats' fangs.

Between you opening up and me prying, I prefer the former. He'd told you, after a terrible day, listing every way he would support you.

With all your sharp edge, you place your hand over his on your cheek, "I'm sorry, Sy."

He huffs, turning you in his arms so you're facing each other, but his one hand grips your hip, sturdy. Solid, strong. He doesn't hurt, but escaping would be hard. You try hard not to.

Though you can feel the... your tail swishing.

He looks at it, at your ears, then at you, red nosed and disheveled.

"Explain."

It's a command, brooking little argument, and though normally you'd refuse to take orders, you duck your head now. Avoiding molten eyes and seeking out something to focus on. The hand that was on your head, stretches out in between you both, palm up, and you take it quickly. Toying with his fingers, squeezing it in your own. Finding connection in your hand on his.

"Jenna sent me home, my evol doesn't work, I can't fight. I... it hurt. Everything's so loud."

You can't see it as he frowns, as your ears prick, then settle, seeking out all the things that hurt them. "I went to sleep, thought it would make this go away, but it didn't."

"Why didn't you tell me?" You hear it then, the pain, like he's biting down on glass. Your eyes dart up and his eyes are glassy, warm red gone dull. "You left your prosthetic on. It was rubbing your skin raw at the angle you were sleeping. There was blood on your sheets." He presses his forehead to yours and breathes you in, "Then this. Why didn't you tell me?" His voice cracks, and you want to be sick.

You twine your fingers with his and choke on the words, "I didn't want to be a bother."

He hisses, his grip on your hand almost hurts, but you probably deserve so much worse. You lied to him, to them, and you hurt him. More than just biting at him.

"You need to tell me. No matter what. No matter what I'm doing, beloved. No matter the issue." He kisses your forehead, over and over and over again. "Promise me."

You nod, and curl your pinky around his, just like you used to with Caleb when he made you promise to come to him with an injury. The words are too stuck in your throat, your voice too sore to use, but you nod. Desperately.

"You're not a burden to be carried, kitten. Ever. Do you understand?"

You don't. You want to, but it's hard. There is no part of you that feels easy or fun, but you do love him. So much. More than you thought yourself capable of. More than you wanted, on borrowed time.

"I'll try." You promise, and it feels like you've cycled back around to the start. Promising to figure things out at home, promising to aim for something. A future you're not sure you're going to ever see.

He takes it in earnest, you do not go back on your word. You are loyal and once you trust, you trust with your heart and your soul. It is yourself you do not trust.

Instead he eases you back into his lap and stands, you flinch and release his hand to grab his neck with your hand. "You need to be cleaned up, I'll help." You go to tell him no because it's water, and you're more a cat than even he teases you for, but you have your head in his neck at this angle, and his scent is so strong. Your tail flattens and begins to flick, lazy and soothed. You hear him chuckle, vibrating through his chest and through yours. "I'm not going anywhere."

-----------

Sylus eases you through steps. He's seen you injured, he's seen you with phantom pains, and he's watched you battle nightmares. Wanderers with swords through your chest, your heart stopping, an explosion you can't stop. He knows what you look like when wounded, he also knows that you fear his reaction when you are.

It takes time to heal wounds, he knows that intimately. You'd never shed your rage or anger, not really. When someone has made mention of gods you'd scoffed, when someone has talked about EVER and their many plans to help humanity, you'd snarled. You trust no king, no god, no corporation to fix the world or the people in it. He knows you're always scared but you keep walking forwards anyway, and he admires and loves you for it.

He just wishes you'd take his hand when that happens.

He has not felt fear like seeing your heart failing you in his arms before, and no matter the violence of your struggle, he would let you rip him to pieces to survive.

He has so much time, and his greatest fear is losing you too soon.

He cleans, and he dries, brushing hair and rubbing lotion to ease the burns on your skin. He helps you dress, finding clothes that don't irritate your tail, because at least he is intimately familiar with that, and then he sits you down on the couch with vegetable soup. Not handmade, though he'd rather have done so. He doesn't want to leave you alone, so he orders what he needs. Sending the twins running around. He's sure you'd like to see them, but he's worried their exuberance will agitate the overstimulation you're combatting.

Watching your ears flick this way and that, picking up too much. As though you don't already struggle with the world's input.

He almost feeds you, wanting to heal you with his own hands, like he's anything like the doctor... he's not. His skills are in bloodshed, and he is as sharp edged as you are.

Except you have made yourself a weapon, to be worth the pain, and he was made a weapon, to survive the pain.

He does not move far away, however, kneeling at your feet, and massaging your calves while you eat. You try to pull your legs away, but he keeps them held, and continues his movements. You have soothed his body before, stitched his wounds, kissed where his scars would be, and he will not have you lacking his own love and affection.

A dragon does not love lightly. Though you don't remember the depths he has gone to for you. This is an easy act of devotion.

"You need to tell them too." He finally speaks, as you clear your bowl. He's relieved to see your ears are no longer flat, your tail is not bristled, you are as relaxed as you can be. You nod, guilt written in your face, and he retrieves your phone for you on black and red mist.

Sitting at your side, he grabs your brush and begins to brush your tail. You almost leap into the air, startled and dropping your phone onto the couch cushions. "Sy!"

"Cat fur can get tangled, especially long fur." He smirks, pulling you closer, and brushing through it with long fingers, "So let me take care of it."

You flinch at the contact, stare at where his hand is in the new found attachment, then keeping your eyes trained on your phone, you nod.

He's content to let you write out what you need to, to be honest with the others, he doesn't want to have that job. It's your mission to step out of your self made cage. So he brushes quietly, the twitching tail in his hands restless, but soon as soft as you can be in your relaxed moments.

Your head hits his shoulder, ears twitching in sleep as all the pent up energy and stress escapes you. Held in long white furs in a small brush. You mutter in your sleep, words he can't understand, and whistle through your nose, little noises that make him laugh.

The best, however, is the purring in the back of your throat, broken up by sleep, and the tail that has found its way around his wrist.

He does not move you, but he retrieves a blanket and holds you against him, cheek pressed to the top of your head, against your fur ears, and keeps watch while you finally find some peace.

⛄️: Are they alright?

🐦‍⬛: They will be.

[creme-meme]

I hate myself for simping for a twitch streamer, but my god whenever Hasan posts a pic where you can see his freckles I’m just like

[tritoch]

Something that bugs me a lot in Dawntrail discourse is watching people who think they are defending the expansion argue away its best aspect. Because here's the thing: Wuk Lamat isn't like prior FFXIV characters. She takes up way more space than them. That's good!

A common thread you see in defenses is that people are complaining about things they were fine with earlier in the story. "Oh well actually Lyse was also the main character of Stormblood and people didn't hate her as much!" or "Heavensward is the story of Aymeric and Estinien and Ysayle, and the Warrior of Light doesn't do that much!" or "No one complained when Gaia jumped into the Eden raids, or when Emet showed up during Seat of Sacrifice" with the implied conclusion of "Wuk Lamat's not different from any other previous major character, your complaints have more to do with [sexism/transphobia/your crippling insecurity about not being the main character] than the way she's written." First of all people did hate Lyse. I get what you are saying but they very much did hate Lyse.

But Wuk Lamat is different. She's different because Dawntrail is unapologetically, full-throatedly her story. She is there at the start, she is there at the end, she is there basically all the way through except for a brief interlude. She is the character you talk to the most, she is also the character that talks the most. She has more of a complete arc than anyone else in the expansion. The antagonists develop much stronger direct and personal relationships to her than they ever do with you. Several major characters have relationships to you through her more than they do with you directly. At multiple points in the story you explicitly step back and are like "Go right ahead, queen, do the main character stuff." She 100% takes your role in certain ways. She's literally a new WL to your WoL!

and that's awesome! Like, holy shit! If you had traveled back in time and told me after Endwalker, "Hey, the next expansion will be almost solely and entirely focused on the character journey of a young woman, and she'll be nuanced and complex and allowed to fail but also allowed to succeed wildly, and her characterization will be interesting and her ideals will be very directly challenged, and she'll get to do some real classic 'sorry my noble opponent but I must stop you, even though I sympathize' shit, and the way she is framed won't feel excessively male-gazey, and she won't get stuck in the FFXII Ashe Miniskirt, and she won't just be someone you watch and clap for while the real protagonist and narrator is some random guy in her entourage," I would've been like "haha, okay, I like FFXIV as much as the next guy but I don't think it's shaken its baseline sexism off enough to do an expansion entirely about a woman and her personal growth and what makes her a good leader, especially after Stormblood's mixed reception. And CBU3 definitely doesn't have the guts to make her even more of a main character than any other prior NPC, and you didn't mention this part future time traveler, but I also don't believe they'll be willing to cast a trans woman in the role." And I would have been fucking wrong!

Yes, Wuk Lamat is the main character. Yes, she does get more attention than other NPCs, or even your Warrior of Light. And yes, that's totally fine, and even something to praise!!! You don't have to run from it to accommodate people who are looking for something to complain about!

[larabar]

"so, that was fun"

[anxiously-sidequesting]

how about you shut the fuck up Mr. Irresponsible

[averlym]

fairest of the fair

[atomicengineerdetective]

I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask

Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???

Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.

BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after

I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-

The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.

There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.

But above all else THE LYRICS

ESPECIALLY THAT LAST ONE

"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"

DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.

It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.

[turtledotjpeg]

dumb.......but it appeared in my brain and i had to do it (ﾉ •_•)ﾉ

bonus: wip ft. even less hinged kurapika

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[bi-dykes]

“What do you mean there’s still so much biphobia in fan spaces? Bisexuals are like some of the most popular characters!”

Yeah, and they either get treated like this:

Or like this:

“Biphobia isn’t real” neither are your braincells

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy