#lesbian attempts to not be lesbian on main

[lashysdomain]

"Prosthetics...? How familiar are you with fleet tech...? I get free maintenance since it's from them but uh.... Sometimes I doubt they actually know what they're doing...."

"At least whatever lost you those limbs and gave you those scars clearly hasn't dulled your smile. You're clearly happy with who you are, and want everyone to know it. It's cute."

"Meanwhile... Ah..."

"You're... Also clearly very comfortable with yourself.... I'm neutral with clowns, but you feel... Sly. We agree on more desaturated colors for our hair, though, it matches your eyes really well."

"I don't think I could... Ever pull something like that off, but looking at the actual design I can only assume you're either kind of important, or you're important in your... Carnival? Church? I don't know what it would be. You feel like you'd enjoy lovecore as an aesthetic...."

A freelance prosthetics mechanic and a carnival performer.

[vespertinewisteria]

Shera introduced me to fandom culture and oc making and IT SHOWS

That show rewired my brain so bad lmao

[leafatlaw]

Shinji and his gay moms

[smutoperator]

Art of Escape

Kim Minjeong (Winter), Fukutomi Tsuki x Male Reader

Tags: ahegao, boat sex, creampie, cum licking, doggystyle, dream girlfriend, facial, kissing-and-fucking, (a little) lesbian, mating press, passionate sex, (lots of) oral sex, prone bone, public sex, pussy eating, riding, threesome, voyeurism

Word count: 5155.

Hyundai Yacht Seoul Club, May 9th, 2024

It was just a regular morning for a rich dude like you, anchoring your boat at the Hyundai Yacht Club, completely unaware it was about to host an event for a major brand. As you got there, a blonde girl caught your attention.

Once the event was finished, you approached her. "What's your name?" you asked. "I'm Winter," she said. "Are you sure? Because you're hotter than summer," you told her. "You're not the first to tell me this," she said.

Your first attempt seemed to have backfired, but Winter quickly opened herself up. She was very cute and witty, and you two were quickly talking a lot. After a while, you made an invitation to her.

"Want to ride on my boat?" you asked Winter. "Oh, I would love it," she told you. You detached the boat from the pier and set sail on the river, quickly leaving your boat on autopilot to spend time with Winter on the yacht's main deck. You two had just known each other but were already hugging and kissing like longtime lovers.

"It's so beautiful in here," Winter said about the view. "But is it more beautiful than you?" you asked her, making Winter blush. Her pale skin turning red made her look even prettier. Little did you know, she was about to get much bolder.

"Can I take your pants off?" She asked you, who at first hesitated. "Nobody will see it," she said. Indeed, after the yacht had set sail, you two were just a pair of dots that could barely be seen from the river's banks.

"Let me suck that cock," Winter said to you. Who didn't know such a cute girl could be this naughty? Getting a public blowjob wasn't a fantasy you had on the top of your list, but surely it was quickly rising up your rankings as Winter slowly wrapped her lips around your shaft, kissing and licking it while slowly bobbing her head down it. Her very calm pace of sucking your dick made every licking she gave it even better, as she took her time to run her mouth all over your length.

"I love your taste," Winter said as she kissed your tip. You just gave her free reign, amazed at her great cocksucking skills. Her cute smile contrasted with her sexy tongue, which was making killer moves on your pecker. "Oh, my love, you're so good at that," you told her. "Because I want to have it all," Winter replied.

Winter continued to suck your cock in the middle of the river, not caring about the surroundings. As a matter of fact, if a boat spotted both of you, even better. The cute girl turned into a naughty slut when no one was looking. Her mouth was full of cock, just the way she liked it. But little did she know she had company alongside her on the yacht itself.

"You seem to be enjoying it, Minjeong unnie," Tsuki said out of nowhere. She had followed Winter and you to the boat and was watching her sucking your cock for a couple minutes. "Who is she? Also, Minjeong? Didn't you tell me your name was Winter?" you asked. At the event in the yacht club, you were so focused on Winter that you forgot there was another girl beside her at the event. 

"Her name is Tsuki; she was at the Polo event with me. And yeah, my real name is Minjeong; Winter is just the stage name." Winter explained. "So, are you a model? Actress?" you tried to guess. "Well, not quite; we are singers," she continued. "I wish I had seen her there, because she's very cute as well," you told Winter. "So, Tsuki, do you want to join us?" you asked back.

"You didn't even have to ask," Tsuki replied. "Come here and try it," Winter said to her. "Wow!" Tsuki was impressed by the size of your cock. "She's good, isn't she?" Winter asked you. "Very good," you replied.

But more than Tsuki's abilities to suck cock, what impressed you the most were her facial expressions while doing so. They were a treat on their own. The way she rolled her eyes and moved her facial muscles with your cock in her throat was something else. You weren't aware it was what made her famous in the first place, so it was fairly new to you to see a girl sucking cock while making such crazy expressions.

Tsuki, let Winter have your cock again. Even without it in her mouth, she kept doing her crazy moves, especially while licking your shaft to the side. Her and Winter shared a kiss with your tip right in the middle of it, making you go crazy. "That's such a dream," you told them.

After a couple more minutes of cock-sucking, Winter and Tsuki stripped themselves naked and started kissing each other. You watched them before you took your clothes off yourself. "You like that?" Winter asked as Tsuki gave her a big smile. The two kept the kissing going, with Winter now moving her mouth all over Tsuki's neck, which made the Japanese girl pull off another hot facial expression. 

"She's so tall and pretty." Winter praised Tsuki's visuals as she now kissed her bare tits. "So beautiful," she said, massaging Tsuki's boobs further, a move she was very well-versed at after doing it so often to Karina in Aespa's dorm rooms.

"I'm getting so horny massaging her tits," Winter tells you. "Me too," Tsuki says right after. "Me too," you say, but it takes too long, as the girls are back into kissing each other under your watch.

You soon join the fun, surprising Tsuki from behind as you run your hands into her body. "Ready to share her?" Winter asks you before commanding Tsuki to lay down on her back.

Tsuki spreads her legs and lies down, showing off the fat outer lips on her pussy. "Such a pretty pussy," Winter tells you as she bends over. "I wanna taste it," she says, diving down the Japanese girl's folds. Tsuki rolls her eyes and keeps doing her facial expression show. "Let's try it together," Winter kisses you as you take your first dibs into Tsuki's clit.

Winter moves into kissing Tsuki's thighs, letting you take care of her pussy by yourself. Tsuki starts to moan as she now looks like an anime character with their eyes closed. But things get even hotter as a trio of lips now share a kiss: yours, Winter's, and Tsuki's pussy.

You and Winter move your tongues together along Tsuki's folds, paying special attention to her clit. Tsuki just moans as both of you move your tongues up and down her folds, blowing the air from your noses into her insides. Never in your wildest dreams did you think you would be kissing such a beautiful girl while licking another's cunt at the same time. This feels like heaven on Earth.

Winter and you trade blows eating Tsuki's pussy. It turns out Winter's oral skills aren't just applicable to cocks; she really knows how to eat a pussy well, feasting all over Tsuki's meaty folds, making them throb and pulse each time she licks them. Winter does it so well that you make sure to kiss her as soon as she is done, trying to taste as much as you can of Tsuki's pussy flavor in her mouth.

Minjeong spreads Tsuki's pussy lips further for you to tongue the Japanese girl even deeper. You two keep teaming up as Tsuki's moans grow louder. "Wow, I've never had my pussy eaten like this before," Tsuki says. Winter is clearly the star of the show; her kissing and tonguing of Tsuki's pussy are otherworldly and drive the Japanese girl wild.

"I think he wants some attention too," Winter says, letting Tsuki stand up to kiss you. Minjeong is truly selfless, putting her partner's pleasure over hers. Tsuki and her team up on your cock once again, but Winter goes straight to your balls, letting Tsuki take your shaft all by herself. Groans come out of your mouth as they prove to be a killer combo, with Winter even trying to match Tsuki's ahegao antics while engulfing your testicles.

"Fuck," you curse for the first time as Tsuki deepthroats you and gives you a big smile, bobbing her head without needing to use her hands to work on your shaft. Down low, Winter is just amazing, heating up your balls perfectly while letting Tsuki lick your shaft like an ice cream.

"I want it too," Winter says in a rare selfish act, snatching your cock away from Tsuki. I can't blame her. That shaft is just too big not to get a good taste of Minjeong's sexy mouth. Winter is really horny, her nipples already fully erected as she fulfills her public sex fantasies staring at the amazing views from the Han River.

Winter clearly brings some extra heat compared to the first time sucking your cock. Tsuki smiles as she watches Minjeong go full slutty for your big dick, kissing you while massaging your balls. Winter stays focused, showing off how well she has perfected the art of oral sex. On and off the stage, Winter is a real ace.

"Wow, she's so hungry," Tsuki says as she takes another turn on your cock. Winter doesn't rest, though, going right back towards more ball-licking. "Oh my God, you two are killing me," you tell them. "Glad you like it," Winter says.

You passionately kiss Winter's cock-flavored mouth. She truly feels like a girl who's from another universe, sent by some mystical creature that wanted to bless you. It doesn't hurt that she has a hot, sexy friend as well.

"Let's take it together," Winter says as Tsuki and her team up to lick your shaft. The girls get their mouths close to each other and lick your snake like a pair of snakes poisoning their prey. Tsuki moves down to your balls while Winter keeps licking that hard pole. Even the birds want to watch them work on your cock as a few land on your yacht, just as the two beautiful girls increase their pace of sucking.

"Suck that cock," Winter tells Tsuki using a soft voice, pushing the Japanese girl's head down that dick before doing it herself. The two keep taking turns getting your cock covered in spit. Until Minjeong finally tells her next move.

"I want it inside me," Winter says to you. "Ohhh, you're really horny today, unnie," Tsuki says right after. "Come to me," you tell Winter, putting her head on Tsuki's belly, who assists you by inserting your cock right at Winter's pussy.

You groan the moment you get inside Minjeong. Her walls are ultra tight and squeeze you right from the beginning. You slowly push it up as Tsuki fingers Winter's pussy. "Get deeper inside me," Winter demands. "Let me see that big cock penetrating my pussy," she continues.

"Put it all in. Fuck me," Winter says. She's so cute giving you those commands; her nipples are fully hard as Tsuki rubs her hands on them. You two quickly develop great chemistry as you passionately fuck Minjeong, as she sexily moans every time your cock bulges under her skinny belly.

"It feels so good," Winter moans as you get deeper inside her tight pussy, picking up the pace as you share kisses with Tsuki before moving down to kiss Winter herself. "I love your cock," Minjeong tells you, who never thought missionary fucking could be this hot.

"I want more; take it deep in my pussy," Winter cutely commands. You happily oblige, as if you were using the keys to open the gates of heaven every time you stretch her out. The clapping noises emanate from her body as you fuck her faster and harder.

"Ah, ah, ah, ah, ah," Winter keeps moaning as you go even deeper. "Yes, fuck me," she moans again as Tsuki rubs her. You get addicted to her pussy. "You like it?" you ask her. "Yes, I love it so much," Minjeong replies. Everything about her is so genuine. 

"Fuck that pussy, ahhhhh," Winter demands. You are amazed at how cute she still looks, even with that long cock deep in her cunt. Winter becomes fully submissive to your cock as you now pound her in a mating press. "Ahhhh, such a big, big cock," she says, emphasizing your size.

"Ahhh, make my pussy cream," Winter orders to you. Her juices can be seen at your shaft every time you pump out of her hole. You take her balls deep as she praises your cock every time you hit it in her cunt. "Ahhhh, you're so deep inside me," she continues.

"Keep going, all the way in," Winter says. You fuck her harder than ever. "Yeah, yeah, just stretch that pussy," she continues. You can't focus on anything except pounding it. Tsuki becomes just an afterthought in the background as your eyes are all on Minjeong. And more than your eyes, your cock is hyperfocused on destroying her tight pink pussy.

Winter's walls squeeze your cock just as you kiss her beautiful lips. You can't resist anymore, and you paint her insides white. It feels like you fucked her for over an hour, but you could barely last for five minutes inside her tight pussy.

But Minjeong isn't done. "I want to cum all over that cock," she tells you, making you put your cock back in her cream-filled pussy and quickly regain your erection. "Make me cum, baby," Winter tells you, who slowly fucks her pussy as a mix of cum and juices coats your shaft, with Winter getting closer to orgasm as Tsuki rubs her perky little tits and kisses Minjeong's moaning mouth.

"Faster, baby," Winter says as her voice gets more and more out of breath. She fingers herself and starts cumming nonstop as you kiss her while burying your big cock deep in her pussy. The warmth of her wet insides filled with your cum is such an amazing feeling that you make sure to enjoy every second of it.

"And now me?" Tsuki asks as you finally pull out of Winter. "My friend can't wait," Minjeong comments. "I'm very horny, just like you," Tsuki says. "Then come here," you tell her, after giving Winter's pussy a final kiss.

Tsuki gets on all fours as you and Winter rub your hands over her body, paying special attention to her cute butt. "Put your dick inside me; I need it," she says. After a little tease, you grant her wish, with just the feeling of your tip inside her cunt making Tsuki moan.

You and Winter share kisses as you slowly thrust inside Tsuki's pussy. Once again, Tsuki pulls off an incredible show with her facial expressions. But Winter's smile as you fuck her friend is just as good. You let Winter have a taste of your cock, now mixed with her juices and Tsuki's. Winter savors it for a good 30 seconds before putting your shaft back inside Tsuki.

Tsuki closes her eyes and moans even harder as Winter puts her tongue in the Japanese girl's asshole. "Fuck my pussy and eat my ass out, ahhhh" is all Tsuki can say in between more and more moans. "You like it?" Winter asks Tsuki. "Yes," she replies, struggling to even say those simple words as you put extra heat in her pussy.

Winter lays down in front of Tsuki, letting her friend finger her perfect pink pussy. "Come here, baby," Tsuki tells her, pushing Winter's body further close as she dives into Minjeong's pussy. Just as she does it, you pick up the pace much further. Tsuki smiles as your cock makes her pussy cream and her mouth makes Winter's do the same.

"That's so fucking good," Tsuki says as you pump her pussy harder and make her tits jiggle. "You look so pretty getting fucked like this," Winter tells her. She buries her face in Winter's pussy even further in response. "Hmmm, you like that big cock inside that pussy, don't you?" Winter asks. Tsuki answers positively, but it gets muffled by her mouth being all over Minjeong's folds.

"She's such a good girl, being the perfect sleeve for that cock," Winter says about Tsuki to you. "Ahhh, fuck," Tsuki moans as Minjeong does it. You rub your hands all over Tsuki's ass, giving it a little tap. "You like to be slapped?" you ask her. "Hmmmm," Tsuki says.

"Make her pussy cream; slap her hard," Winter orders you, who obviously follow. Tsuki's pale skin is built to get slapped; you love how quickly her ass turns heads. "Ouch!" she screams as you tap her sensitive and cute ass. Winter and her share kisses as you pound Tsuki hard and deep.

"I've never done something like this before," Winter tells Tsuki as she massages her tits. "Me too," Tsuki says, already out of breath as you keep fucking her. "Show her who's in control; get on top of her," Winter orders you, ready to get much spicier.

You mount on top of Tsuki while your cock is still deep in her pussy. "Oh, fuck," Tsuki says as she's about to get turned into a submissive cocksleeve. You and Winter kiss each other as she enjoys watching Tsuki get plowed. But no one enjoys it more than the Japanese fucktoy, who smiles and makes a lot of naughty faces as you manhandle her cunt.

"YEAH. OH. OH. OH. OH." Tsuki moans. "Fuck her like she's your bitch," Winter keeps demanding. You hammer Tsuki like a bull while staring at Minjeong's beautiful and lustful eyes. Tsuki just closes her eyes as her pussy gets utterly destroyed. "OH MY GOD," she says as you pound her to submission, looking now at the perfect sight of her body on all fours while Winter licks her chops, wishin she was at Tsuki's place.

"Put it back; I want more," Tsuki asks when you give her a little relief. She rests her head on the boat's floor as you keep plowing her, fingering herself as she approaches her orgasm. "Yes, yes, yes," Tsuki says in a barely audible manner, her mouth fully open like the one of an onahole. 

But you just can't stop fucking that juicy and tight Japanese pussy. Winter gives Tsuki's head a little kiss and then asks her, "Ready to cum?" Tsuki can't even answer as she looks at you, fucking her like a toy and wishing you could do this to her forever. "Keep going like that," she says, but her voice is so weak now that you barely hear it.

"I'm gonna cum," Tsuki whispers, but loud enough for both of you to hear. Winter loves when those words come from her mouth, making a shocked expression of her own. "Make her cum," she just says, smiling as she watches Tsuki close her eyes and open her mouth to the fullest as her pussy creams all over your cock. With it still deep inside her, you give Tsuki short but fast thursts. "HMMM. HMMM. HMMM. HMMM. HMMMM," she moans, reaching her orgasm with your cock hitting all the way into her cervix.

"Oh God," Tsuki says with a big smile on her face as she stares at you. But Winter is quick to give you another kiss as you slow down until you pull out of Tsuki. "Come here to taste it." You stand up and tell both girls as they get on their knees, ready to worship that cock. Winter arrives first on the scene. "Let me taste your pussy," she tells Tsuki, sucking your big cock without using her hands. Tsuki then follows suit as the two sloppily bob their heads on your prick before placing it in between their mouths.

"Stay like this," you tell the girls, who smile at each other. Winter is the happiest one, as she looks behind and sees you getting ready to take her pussy again, this time from behind. You line your cock up against her entrance so perfectly that you don't even need to use your hands to adjust. Minjeong closes her eyes as her pussy gets slowly stretched out.

"Ahhhh," Winter moans with a sexy smile on her face. You take it slow as her moans get more prolonged with each thrust you give her. "Tell me about it," Tsuki asks Minjeong. "It's... so... big," it's all she can say. But it's the truth after all, as she enjoys your nine-inch monster stretching her out in a prone-bone position. "Ok," Tsuki tells her in such a manner that you can tell she's bragging about taking it like a champion just moments ago.

Winter kisses Tsuki as your cock gets deeper and deeper inside her. You're very passionate, not wanting to hurt your beautiful lover. "Even full of dick, you still look so cute, Minjeong unnie," Tsuki says. She's telling the truth. Winter is truly capable of being the cutest girl in the world, no matter what she's doing.

Winter gets surprised when you finally commit to getting into the depths of her cunt. "Ahhhhh, ahhhhh, ahhhhh," she lets out successive moans. But you stay deep inside her as Minjeong's walls clench around your cock. "Oh, my God," she says. You don't even need to thrust inside her anymore; your meat and her cunt are perfectly interlocked now. It's like the sword in the stone myth, and whoever manages to pull you out of Minjeong will be crowned king.

"This is so good; you're so tight," you tell Winter. "I'm curious to see how your friend takes it," you continue, moving sideways to take on Tsuki next. "She's ready for you." Winter says this as you two kiss each other again.

Tsuki softly moans, as she's next in line. The slow pumps you give her already make her roll her eyes. Winter smiles as she stares at Tsuki, who's struggling to take your cock deep in her pussy. "Yesss, ahhhhh," Tsuki moans as you start clapping against her cheeks. Winter, as the dream girlfriend, gets all the kisses. Meanwhile, for the slutty Tsuki, all she gets is pounding after pounding from your hard cock.

You quickly increase the speed, brining a lot of heat into Tsuki's pussy, her body getting pressed to the floor at each thurst. Winter never thought of herself as a voyeur before, but she really enjoys watching her friend get plowed. "Ohhh, God, fuck," Tsuki says as you pin her completely to the floor, stretching your hands to grope her perky tits.

"YESSS, AHHHH, AHHHH," Tsuki moans under Winter's watchful eyes. At this point, Minjeong is licking her chops, amazed as she watches both of you engage in a torrid sex session. Tsuki is really the perfect fucktoy to pound against the floor of your boat, as she covers it with the juices leaking out from her pussy. "You're hitting her so deeply; I love it," Winter says. Tsuki can only laugh to hide how she gets increasingly sensitive and throbs harder at each new thrust you give her.

"So deep, I like that," Tsuki says as you get completely on top of her, all while sharing kisses with Winter. Her eyes roll, and her tongue sticks out as you make her cum. "That's so good, oh yeah," Tsuki says, barely able to feel her legs now. You even give her a double massage: your hands press her shoulders up top while your meat presses her cunt down low. Even after she cums, Tsuki wants more. "Go back, please," she tells you, who obliges and gives her a few extra thrusts into her throbbing vagina, kissing her and Winter when you're finally done.

"I want something from you girls now," you tell them. "One of them is riding my cock while the other sits on my face," you say. Tsuki kisses you and quickly offers the pussy you just destroyed for you to savor. Winter dives into your cock and warms it up for the ride of her life. The Japanese girl gets the early pleasure, as you are already licking her folds before Winter can even position herself to get impaled by your monster cock.

Winter starts riding your cock, and you feel blessed. The view. The girls. The sex. This day couldn't have gone more perfect for you. It feels like heaven to have two girls using your body as a way to please themselves to the fullest.

As you tongue Tsuki's pussy harder, Minjeong increases the pace of her ride. Their moans blend with each other, and you can't tell which one is getting the most pleasure. But by the way their folds gush all over your tongue and cock, you can tell they are having a lot of it. Tsuki runs her hands over Winter's pale butt as the snow girl gives you such a hot ride that it could make your cock melt. "You're working on this cock so well," Tsuki says, impressed at Minjeong's riding skills.

Winter spreads her cheeks as she lets you thrust upwards against her tight pussy. Every time you get to hit her cervix, she lets out an out-of-breath moan, and her asshole involuntarily winks. Loud noises come out as the hips of both of you clash against each other. Minjeong doesn't hold back, meeting your thursts full of enthusiasm and moaning the loudest she's done so far.

The riding keeps going on as Minjeong shows no signs of slowing down. Out of all positions, cowgirl might be her favorite. She loves the feeling of taking control and stuffing herself full of cock, and she seems to be easily winning the battle now, bouncing on your pole at full speed and enjoying when Tsuki pushes her further down and impales her to the max against your cock.

More time passes by, and Winter keeps going on with her cock-riding show. You and Tsuki basically forget about anything, taking all your focus away from watching the Queen Minjeong ride spectacle. Winter feels flaunted as all eyes are on her, giving all her effort. She is truly the living proof of the planet getting warmer than ever, because you've never seen a hotter Winter than the one on top of your cock.

Tsuki gets out of your face to take a privileged seat at Winter, making your cock melt. The Japanese girl masturbates herself as watching Minjeong get impaled proves to be a massive turn-on for her. "Ahhhhh, ahhhhh, ahhhh, Oh my God, Oh my God," Winter manages to outdo herself in cuteness once again, coming up with the softest moans you've seen. Tsuki watches all of it, all her fingers now deep in her cunt. Both she and Winter closed their eyes at the same time and even managed to say the same words together:

"I AM. CUMMING.".

Winter's legs get weaker as she rests her body on top of yours, only to be surprised by a gush of squirt coming off Tsuki's pussy. You're so addicted to her pussy you don't pull out at any moment, kissing Minjeong as her face gets within your range and giving her waist and butt a little massage. Winter finally pulls out, staring at Tsuki creaming herself, and then gives the Japanese girl the final command.

"Finish him," Winter tells her, getting your cock wet for one final round of pussy pounding. Her heavenly mouth almost makes Minjeong fulfill her own command by herself, as you have to pinch yourself not to cum. Tsuki saves you at the last second, offering you her tits and mouth for you to kiss. 

Tsuki gets a taste of your cock before she sits on it. Doing so in reverse cowgirl, she tells who the audience of her cock-riding show will be: she wants to do it looking at Minjeong's beautiful face and show her first and foremost her best facial expressions.

Winter pushes Tsuki's hair down to get a better view of her face as the Japanese girl finally takes a sit on your prick. Tsuki rides it as Winter stares at her stretched-out pussy. You two put on a great show for Minjeong to watch as Tsuki runs her hands all over your shaft while bouncing on it. Winter stays with one hand fully attached to her pussy, the other rubbing your thighs to get you even closer to the edge.

You grab Tsuki's waist, trying to tame her, but she barely flinches. Fully committed to the mission Winter gave her, she rides you even harder, massaging your balls to add some extra spice. Winter aides her, licking her chops as she sees some sticky liquids straight out of Tsuki's cunt coating your shaft.

"Fuck him hard, make him cum," Winter keeps ordering as Tsuki gets your cock inside her all the way down to your balls. You start losing control and plow upwards against her pussy, making splashy noises when you hit her deep, as her cunt is extremely wet now. Tsuki opens her mouth to the fullest every time you hit her cervix, her ahegao getting crazier the more cock she takes.

Tsuki turns into a moaning mess as you two fuck like crazy animals. Winter can't believe what she's seeing, making shocked expressions as she watches you stuff Tsuki's cunt. "FUCK, FUCK, FUCK, I'M GONNA CUM," Tsuki says as her legs close and she starts orgasming, expelling your cock out of her pussy. "Put it back, put it back," she demands, her voice completely lost at this point. Tsuki masturbates herself as she creams all over your cock.

"Wow, that's beautiful," Winter says as Tsuki opens her legs back up. Minjeong places her hand over her lips and licks her chops as the intense pounding gets replaced by a passionate fucking, with Tsuki making one final wish.

"I want to see your cum covering all of my face," she tells you. As soon as you pull out, you start jerking off to Winter and Tsuki faces side by side. It doesn't take long before blasts of semen come out of your dick and paint Tsuki's face white as she sticks her tongue out in glee after you grant her wish.

Winter quickly comes up and licks the cum from Tsuki's face as the two swap it in their mouths in front of you. "Thanks; that was amazing," Minjeong kindly says. "I can't wait to rock your boat again," Tsuki completes.

The girls get dressed as you bring them back to where it all started. As they leave your boat at the yacht club, it seems like another typical fashion event for the brand they were endorsing.

But the truth is, in that day, Kim Minjeong and Fukutomi Tsuki mastered the art of escape. 

------------------------------

I'd like to give a shoutout to @haiabd as they wrote a very similarly themed smut also featuring Winter and that boat event from last month. We went with slightly different focuses and partners (I picked Tsuki, they picked Chaewon, their smut features anal, mine doesn't). But every time something like this happens, I mention the other author. In the end, I wholeheartedly agree with them when they started their story saying: "These Winter pics are so good so I had to write about them", so I did the same.

[thenationofzaun]

Arcane Season 2: Episode 7 rant

"Arcane Season 2 may have been rushed but episode 7 was the best of the series!" "Arcane 2x7 was so beautiful and the closest to Season 1's vibes!" "Episode 7 was the only good part of Season 2!"

Anyway, Episode 7 was terrible and here's why:

- Multiverses are a sign of creative bankruptcy. Leave shit like that for fanfiction. Or at the very least, non-canon supplementary material. Highjacking an entire episode of the FINAL act for an AU "what if?" in an already rushed and overstuffed season was an idiotic choice. They essentially left only 2 episodes for Act 3 to resolve a multitude of different plotlines, character arcs, and relationships. All for "alternate timeline" drivel that caters to the lowest common denominator.

- The Piltover/Zaun conflict resolution shown in this episode is incredibly insulting. The way a show writer explains it (1:49:00), Vi's death and martyrdom makes people from both cities reevaluate their lives and come together to build a better future. This is implied by Marcus's devastated face when he finds Powder crying over Vi's dead body. This tragedy apparently made Piltover see the error of their ways and decide to turn over a new leaf. In this timeline, Silco also found the apology letter Vander wrote him and forgave Vander. Let's break down why this is insulting. The very first scene of the series shows enforcers brutally killing Zaunites on the bridge without any remorse, and in front of their children. When the kids blow up Jayce's lab, the enforcers chase them down and attempt to arrest them, despite them being kids. Later, Marcus and his enforcers ruthlessly abuse and threaten Zaunites while looking for the children, whom he refers to as "four sump rats". Piltover's Council have no problem with this, as every single one of them bar Heimerdinger urges the enforcers to "turn the Undercity upside down". Marcus later throws Vi into a horrible dark shithole of a prison where she is tortured for years while he lives a cushy life as Sheriff in Piltover. Yeah. So the idea that the death of one "sump rat" would make this 200-year old corrupt, classist, authoritarian and evil government who, up till now, have never given a single fuck about the children of Zaun, turn a new leaf is laughable. Remember when Aang suggested showing Firelord Ozai baby photos to make him good again and everyone rightfully laughed at him? How is a show for 7 year olds more mature than this so-called adult show? This isn't even touching how offensive it is that the lesbian kid's death makes the world a paradise. It was not intentionally homophobic as this plotline was the lesbian writer, Amanda Overton's idea (she said so in the video I linked). But lesbian writer or not, intentional or not, this shit is so sloppy and insulting. Embarrassing that she didn't realize how this would come across in the show.

- People like this episode for Ekko/Jinx shipping fanservice, but their relationship isn't even explored in the main story. This girl Ekko is making out with isn't Jinx. She has been stripped of everything unique about Jinx that actually make her who she is. This is Powder, who's somehow perfectly sane and normal, who has fuckall to do with the Jinx we actually know. Ekko's relationship with our Jinx has zero organic or believable development. He never reacts to her becoming a symbol for Zaun. He never reacts to his Firelight lieutenant's change of heart towards Jinx. He and all the Firelights just suddenly have no problem teaming up with Jinx despite her spending years murdering them and their friends. Jinx never even spared a single thought for Ekko throughout the entire show. She blows him up in 1x07, then never mentions nor thinks about him again until 2x09. If she thinks he's dead, she sure shows zero guilt about it. She doesn't seem to give a fuck about that boy lol. The writers did not have the talent to explore the complexities of this relationship within the main universe, so they crafted a convenient alternate universe where nothing went wrong and absolutely nothing too dark or complicated stands in the way of an Ekko/Jinx romance. Because who needs writing that actually grapples with the complexity of a broken friendship and two people who have hurt each other irreparably, when you can just make them kiss in an uncomplicated, unchallenging, unserious lighthearted AU? This is supposed to be the tragic romance everyone's raving about? "Ekko/Jinx would work so well if Jinx wasn't Jinx and was a completely different character😍" Lol.

- "Didn't he try to kill you?!" Who are you talking to Ekko? If you are talking to Silco, then this is a massive plot hole. Ekko shouldn't know that Vander tried to kill Silco. According to Season 1, that shit took place in the far past and Vander never told anyone about it, owing to the fact that the kids had no idea who Silco was. Season 2 retcons that and says that Vander tried to kill Silco after the bridge incident and the kids all knew Silco, which is a blatant plot hole that contradicts Season 1. If Ekko's talking to Vander and Silco just assumed he was talking to him, that makes a bit more sense. But it doesn't explain why none of the characters question why this kid who's known them for years is asking bizarre offensive questions that he should already know the answers to. Instead of "the greatest thing we can do in life is find the power to forgive" corny ass bullshit line, Silco should have said "Excuse me? We've been together for years and you've never had an issue before. Why bring up such a thing now? Is there something wrong, Ekko?" Same goes for Powder forgiving Ekko so quick after the horribly offensive shit he said to her for no reason, that he didn't give any explanation for ("Vi's dead? Was it you??!!!").

- Powder being revealed to still have the Hex crystals at the end of the episode. Let me get this straight: Powder accidentally drops a Hex crystal that explodes the building. This gets Vi killed. Enforcers arrive at the scene and find all the kids. Presumably, they know that the kids were there robbing the place. They never search the kids and confiscate the other crystals from Powder? What do they even think caused the explosion? Do they never investigate? Why are the remnants of the exploded crystal STILL embedded into the wall for Ekko to find? If the enforcers found it, they would surely have removed it right? You mean to tell me they either knowingly left that extremely dangerous shit there, or they never even found them in the first place? 100/10 logic.

- Powder being a perfectly healthy and sane girl despite growing up in Zaun, witnessing the death of her parents, and inadvertently causing the death of her beloved sister (remember, it was Powder who accidentally dropped the crystal which then exploded). This is a Powder who was already very insecure, already being belittled by Mylo, and already desperately attached to her sister. Powder who was already having hallucinations on the bridge as a toddler, and then in episode 3 when she's left alone in the Last Drop, before accidentally killing Mylo and Claggor. You're telling me this Powder accidentally kills HER SISTER VI, and she grows up fine with no guilt? Her guilt over killing Mylo and Claggor was crippling. You could argue that Mylo learned the error of his ways and comforted Powder, no one disparagingly called her a "jinx" ever again, and everyone raised her with love. Except...... Silco did all of those things in Season 1, and she still struggled with guilt and psychosis. Damn, I guess it really was The Big Bad Man at the root of all her mental health problems. Fuck complex gray writing I guess. Season 1 shows us that she already had hallucinations as a small child and in episode 3 before the deaths of Mylo and Claggor. But here in this AU she has none? I guess there really were anti-psychotic drugs and therapy in Piltover all along, which they generously shared with the sump rat who exploded a building instead of throwing her in jail like their pre-character assassination Season 1 selves would have done. And Vander, Silco, Mylo, and Claggor all somehow gained amazing skills at raising a traumatized mentally ill child riddled with guilt from accidentally killing her sister, and their combined efforts with the help of Piltovian Mental Health Awareness campaigns cured all of Powder's mental problems. Hurrah.

- Heimerdinger's pointless death that nobody ever mentions or cares about ever again. Jayce and Viktor never find out about it. He was their mentor for years. The character assassination of Heimerdinger in general was insane. In Season 1, he was staunchly against the Hexcore and wanted to destroy it, citing the devastating Rune Wars that he is a traumatized survivor of. Just seeing the Hexcore was enough to give him flashbacks. He pointed out the danger of the Hextech gemstone. He was booted off the Council by Jayce, which was a huge dramatic betrayal, and prompted him to travel to the Undercity and face the product of his failings as a ruler. And in Season 2? He never reacts to the Council's death who were bombed WITH THE HEXTECH GEMSTONE. Three of his colleagues fucking died and he's cracking shitty jokes. (Who even found it funny when Heimerdinger snuck into the lab then kept dropping shit and saying "ball sockets!" Who is this humour for? Three year olds?) He doesn't have any opinions on Jayce using the Hexcore, the thing he was so terrified of, to save Viktor's life. His reaction to Viktor now being fused with the Hexcore is non-existent. He and Jayce never discuss the betrayal nor the Council nor the current political situation between Piltover and Zaun. Viktor ascends to godhood and looks very reminiscent of the destructive mages in Heimer's flashbacks, but Heimer never reacts to this either. What a fucking waste. His death in episode 7 was contrived and meaningless.

- Mage Viktor letting Jayce suffer and go insane for weeks surviving off scraps, then walk for miles and climb up to the top of the Hexgate on a broken leg, all to meet Mage Viktor anyway. Why didn't this mf just immediately reveal himself to Jayce, tell him everything, help him up to the top of the Hexgate and show him all the petrified bodies, and give him the Mercury Hammer? He needed Jayce to do all that shit by himself because? I swear Mage Viktor's convoluted time-travelling plan makes less sense the more you think about it.

[hypvalsqr]

NOTICE: THIS POST IS ABOUT GETTING MURDERFUCKED AND MIND CONTROLLED BY A SCARY HOT TOXIC LESBIAN WITCH.

A lot has been said with regards to Enchantment being the true "most frightening/unethical" school of magic. I don't think you all quite grasp the full picture.

By the time the witch entered the house two of us were already dead. It was an insult to magic, really. Me and the other students had set up all of these sigils and wards and psychic defenses and yet hadn't considered that someone could slaughter us from outside, without ever laying a finger on us. It was me after all that had...but she'd made them attack me! And they looked like..

No matter. I don't have the luxury of time or guilt. She'd made me kill them. She did it. And she just stepped inside the house. I could feel her presence when she crossed the threshold. Like something slithering through reeds in the night. Something passing beneath your boat. I heard another distant scream. A girl? One of the underclassmen maybe. I had to move fast.

I wiped the blood off my blade and refreshed its evocation-edge. I headed to the front door of the classroom and waited to hear another sound. A flurry of magic missiles thumped into a wall upstairs. It was clear, and I rushed out into the main hallway, beneath the grand stair. In the corner was my favorite spot, an unassuming armchair with a potted plant next to it. If I stood in the just right way and wove some simple layers of illusion magic I could become completely invisible to all but the most trained illusionists.

I grasped my dagger.

I waited.

I heard two girls scream to the right of me.

On the opposite side of the house now, still upstairs, I heard a chorus of men scream war cries and the house lit up with lightning and flame and ether for a brief moment before falling silent. Save one voice. It was the Archmage. I'd never heard him speak like that before.

"No! No. Please! Fuck. NO! I can't move. What did you do to me? What did you do to them? Answer me! Your magics are foul. You-"

Then another voice, a woman, spoke with presence, "Hush. They're sleeping. You wouldn't want to wake them."

"Stop. No. No, please stop not that. Not-" Then he broke off into a series of unhinged wails. There was a thumping through the house. Then another, and another. Steadily I began to recognize the sound of an executioners axe crunching through vertebrae.

The Archmages last words, confoundingly, were "Thank you." Then silence.

I reached out with a simple life-detection spell. That was my mistake. It confirmed that the only two people left alive inside or out the house were me and the witch. I also detected her quickly whipping around and walking towards my location. Shit. Fuck. SHITSHITSHIT. I cut the life detection and shifted to the opposite corner of the room, taking my 'cloak' of invisibility charms with me. Just in case.

That's when I heard her in my head.

"I see you, little one."

She's bluffing.

"You're funny. Out of all the people in this school you're the only one who thought not to attack me head on. Or to mount some pitiful attempt barricading me out. Why is that?"

I gripped my dagger tighter to my body.

"I think, or at least I hope, it's because you will be more fun than all of these wastes." She stepped out into the open at the top of the stairs. As expected from a Witch of Enchantments, she was the most beautiful woman I had ever seen in my life. She wore an inky green ballgown, stained red at the feet. Her collarbones and face were exposed and seemed to shimmer in the light. Every breath of hers let out a jet of glimmering pink particles.

"I won't know if you are until I get a peak inside that head of yours."

I heard a girls scream to the right.

What?

That couldn't be...she screamed again. And again. Coming from all angles. My heartrate picked up. This scream was familiar, I'd heard it a few minutes ago. But the more it echoed throughout the house and pounded into my brain I realized with a growing certainty that this scream was mine. It was my voice. This was the sound I would make when I die. How did she know that? How could she?

She took a step down the stairs but instead of descending she floated out gently into the space above me.

"Well, wherever you are in this room - plotting your little ambush - I'm curious. Give me your best shot. Let's see what you're capable of."

She had her back turned to me, about 5 feet off the ground. It was an easy kill. I should have seen it was too easy, or that she was clearly goading me into striking. But something inside me wanted to. It felt like I needed to. So I took my dagger and with a great leap I thrust upwards directly into her spine.

I felt it sink through her muscles, into her guts. I blinked and was face to face with the Archmage. My knife in his stomach. The light fading from his eyes.

The oldest trick in the book. I fell for it thrice, and now I was surely dead. I tried to cry but instead of tears I felt fingers, soft and delicate on my cheeks.

She whispered in my ear from behind, "Good job, darling. That was so wonderful. Now it's time for you to give up, alright?"

"Okay!"

I broke my useless dagger in half and dispelled all my defensive magics. The school had decided to-

"-hire a new teacher who was going to show you real magic. And-"

turn me into a real witch! I didn't need anyone else but her. I was on my knees now, looking up at her gorgeous face. Her brown curls framed her amber eyes and ochre brown skin. She was perfect. She would take care of me. She was saying something to me still that I couldn't quite understand but she was smiling and petting my head and face all over while she said it so it must be good. Then she turned to walk out the door. I stayed kneeling because she hadn't ordered me to follow her yet, I had to follow my Witch's orders. She walked out the front door and turned left out of sight.

"AAAHHHHH! AuughG ASNnOOO NO PELase OGH AH!!" I scrambled backwards on my hands up the stairs. The terror had returned all at once unexpectedly. I think I'd managed to hit her once but I wasn't sure. I had to get moving or she would find me again. My dagger was missing, shit she must have disarmed me but when? And my head was spinning. Did she do something to me? I have to assume no. Just keep moving. As fast as you can up the stairs. God, I was so cold. Had I been hit? Was I bleeding? I took stock of my body as I went up the stairs and noticed I was suddenly freezing cold. My robes were...gone...and the stairs were snow and...

"What? Get over here."

Dreams in waking. Nightmares in sleep. Walking backwards. Falling deep.

"Oh, sweetheart did you get caught up behind me?" My Witch clicked my collar into place around my neck as we stood in the snow outside the house, "Silly me. I should have told you to stick close to me. The enchantments will turn off whenever I'm out of sight," she leaned in close as she conjured a chain and attached it to my collar, "Did you get scared?"

"Mmm! Yeah! You walked outta the house and I got really scared and missed you and it was really weird I didnt. Uhh, I don't uhm-"

"Shhh, it's okay. I'm going to take you back to my cabin and lock you up somewhere nice and safe until I can turn you into a good student. But only if you behave. Can you do that for me?"

I nodded while staring into her eyes, feeling a warm blanket of security and joy cover my naked body as it was dusted in snowflakes.

"Thank you!"

WILL CONTINUE IN PART 2

[radiantcircle-if]

The Radiant Circle

The Radiant Circle is a work-in-progress contemporary fantasy interactive novel with elemental magic, a heavy hand of romance, and a salt-sprinkle of mystery. The story is rated 18+ and may contain triggering content for some.

↪ introduction (updated 7/22/24) ⟢ demo (upcoming fall/winter)

You were born without any magic into a long lineage of sorcerers who serve the Night Circle—a division of the Radiant Circle, the central governing body that maintains order among sorcerers. Even now when you live outside of the magical community, you’re still required to report to the local leadership about the magic you still don’t have.

Of course, only after having accepted a life without magic, you awaken a latent magical power too great to be yours. Myths speak of such a sorcerer, a Resonant Soul capable of mastering all four elements, reincarnated throughout history to bring balance to the magic community. So little is truly known, but that can’t be you.

But what if it is?

Thankfully, as an investigative journalist, what you do best is hunt for the truth. To unravel the secrets of your soul, you’re forced back into the world of sorcery to navigate ancient rivalries and contend with those who may fear your newfound power and seek to bury it for good. 

Because while most didn't believe the myths to be true, others have been preparing for your return. Most of all? You four souls bonded to yours for eternity.

Play as the main character ⟢

Choose your name, appearance, gender, and sexuality.

Develop your personality as a harmonizer or disruptor—will you bring unity or will you bring destruction?

Gain mastery over elemental magic as the Resonant Soul—how much mastery in each element is up to you.

Travel the world while earning or losing influence through your decisions—will your reputation precede you or will you remain unknown?

Five romance options ⟢

Two pansexual men, one lesbian, and two gender-selectable romance options... and a hidden sixth romance option... with the potential for more to unlock later.

Four soulmates who will be revealed over the course of the story—your bonds, whether platonic or romantic, are yours to develop.

And if you don’t like romance, you can improve your friendships instead.

Or if you’re a misanthrope, deteriorate all your relationships to your liking.

Good endings? Check. Bad endings? Also check.

You ✦ 26-year-old journalist from Seattle, USA (ℹ) Rejected by the magical community because your magic never awakened, you once sought to understand why before later turning to a career of journalism to attempt to uncover truths that don’t have to do with magic. Your dissertation was titled “Unveiling the Hidden: A Comparative Study of Secret Societies and Their Influence on Modern Media." After landing your dream job as an investigative journalist, you're returning home to Seattle for your assignment.

⟡ tropes include main character (surprise! you're the main character), insider/outsider, the most wanted (because you are a…), person of mass destruction, (possible) living legend, (possible) lust object, (seemingly) cosmic plaything…

Arseau Nassiet ⟡ High Justicar 31-year-old water sorcerer (he/him) from Seattle, USA (ℹ) A talented water sorcerer, your older brother Arseau is well loved within the Night Circle's upper echelons, but he'd never brag about it. He has been away from home for over a decade, raising ranks within the circle alongside his best friend. He coordinates his visit home with yours during the holidays so he can see his favorite younger sibling (never mind that he has only one sibling—you).

⟡ tropes include protective older brother, brainless beauty (yeah, he's a himbo), the caregiver/caretaker, the confidant (if you want), the informant, nice guy (someone has to keep the peace between the Pico brothers), the reliable one...

César Pico (RO) ⟡ Archumbricar 31-year-old earth sorcerer (he/him) from Tijuana, MX (ℹ) One of the highest ranking earth sorcerers in the world, César is seen as the unofficial heir of the current Night Luminary—and he takes the role seriously. As your brother's best friend, he has been a permanent fixture in your life as far as you remember—another persistent reminder of the magic that has remained inaccessible to you and the community that left you behind. He's at least an attractive reminder, even if it's unfortunate that his rare smirk proves that he knows it.

⟡ tropes include the hero, the cold & brooding heir, older brother's best friend/forbidden love, age gap, opposites attract, danger deadpan, glory hound, tall dark & handsome (obviously) ⟡ solo-route (with a possible rivalry with his brother), borderline enemies to lovers, (possible first love), forced proximity, maybe the slowest burn

Rafa Pico (RO) ⟡ High Justicar 27-year-old fire sorcerer (he/him) from Tijuana, MX (ℹ) The younger brother of César....and also his left hand man even though he doesn't take his position within the Night Circle very seriously. He doesn't take anything very seriously except his freedom. Especially his freedom to flirt his way into anyone's good graces.

⟡ tropes include the explorer, the charming playboy, childhood/long time friend, (his) unrequited crush (on you), the (horny) bard, speed demon, hell seeker, elegant classical musician... ⟡ solo-route (with a possible rivalry with his brother), friends to lovers but he never really saw you as a friend, forced proximity, slow burn

Gazi Gharib (RO) ⟡ Photojournalist 28-year-old (she/her or he/him) from New York City, USA (ℹ) Your roommate and best friend ever since you moved to NYC, they're always ready to help you investigate something new and dangerous.

⟡ tropes include the innocent, the best friend, the encouraging charmer, the serial romeo, the casanova, agent mulder (the believer), empathetic communicator, spirited competitor, the klutz ⟡ solo-route or poly-route with Deniz, besties to lovers (and you can start at the lover bit if you'd like cause this one is a...), faaaaaast burn

Deniz Yılmaz (RO) ⟡ Private Investigator 26-year-old (he/him or she/her) from Istanbul, TR (ℹ) Your next-door-neighbor and childhood best friend. You haven't kept in close contact, but they're the first person you think of seeing when you visit home.

⟡ tropes include the jester, agent scully (the skeptic), street-smart investigator, hardboiled detective, erudite stoner, literal-minded/snark knight combo, childhood friends, loyal supporter, gadgeteer genius ⟡ solo-route or poly-route with Gazi, childhood friends (or was it more?) to lovers, (possible second chance romance...), somewhere between slow and fast burn

Dr. Noel Sung (RO) ⟡ Journalist 41-year-old (she/her) from London, UK (ℹ) Your graduate school mentor who you credit for preparing you to land a job at The New York Times as prestigious as it is. She's now your direct supervisor, and she has quite the assignment for you.

⟡ tropes include the magician, high-powered career woman, absent-minded professor(/former forbidden love?), age gap, charismatic intellectual, intuitive leader, pragmatic idealist, deadpan snarker, determinator, shrinking violet, (your possible unrequited crush on her goes here)… ⟡ solo-route, workplace romance (technically; she's your boss now), slow burn

An ancient, hidden society of sorcerers ⟢

The Radiant Circle is the central governing body that maintains harmony and order among sorcerers, as well as keep their community secret. It was originally formed and led by the Resonant Soul (called the High Guardian—this is you) and the most powerful elemental sorcerers of the time (called the Founding Guardians—these are the four souls bonded to you) as an alliance of sorcerers from across the New Kingdom of Egypt.

After its formation, the magical community grew, and eventually, the Radiant Circle was divided into four smaller regional circles called the Ephemeral Circles: the Night Circle (you know the most about this one), the Dawn Circle, the Day Circle, and the Dusk Circle. These four circles, also called luminariates, are the main governing bodies of the current world of sorcery. Every known family of sorcerers lives under the eye of the Radiant Circle and one of the four Ephemeral Circles.

Only the Resonant Soul can be the High Guardian of the Radiant Circle. Only the four souls bonded with Resonant Soul can be the Founding Guardians. During periods where the Resonant Soul or the Guardians aren’t alive, these positions are left vacant and the Ephemeral Circles meet as the Radiant Council annually instead. Unfortunately, it's been so long since there has been a Resonant Soul that there aren't many people left who remember who sits at the top of the hierarchy.

You live as a Threshold—an uninitiated sorcerer, typically a child who can't use magic yet—within the luminariate called the Night Circle. You sit at the bottom of the hierarchy, but every other sorcerer you know? César is an Archumbricar, the right hand of the Night Luminary and leader of the Night Circle. Arseau and Rafa are César's High Justicars, his right and left hands. Your dads even play a role, advising the Luminary from their position in the Night Weave.

A single soul that can control all four elements, reincarnated once again—you ⟢

Before you became the Resonant Soul, you were a child born without magic to two prominent sorcerers sometime before recorded human history begins. Back then, it was common to put the child of every sorcerer through a resonance ritual, even children of sorcerers born without magic who always died in the process. But where there's a will, there's a way, and someone really wanted you to live and created circumstances that bound your souls together—one into endless reincarnation and the other into endless immortality.

You meet the four original Guardians over the course of hundreds of years. Your bonds are unique and have chained the fate of their souls with yours so that they are reincarnated in an endless cycle by your side. Even so, you've lived more lives without them than with them, lived more lives without magic than with it. Almost as if you're fighting a losing battle against knowing your true soul.

Only the Resonant Soul can resonate with all four types of elemental magic, but your magic remains locked away until you regain your memories (how're you supposed to regain memories you don't remember you need to regain? then again, how safe would it be to give you all that power and no recollection of all the mistakes you've made?). The Guardians are known for their extraordinary abilities in one element; their magic isn't sealed away, only their memories (which still isn't convenient—how are you supposed to know who they are if they don't know who they are?).

⟢ retweets & asks are welcome! there is no better writing motivation ♡

〉 Sections: Profiles, Editorials, Articles, Ask Me, Answers, Quotes

[nothorses]

I think one of the ways that tranandrophobia seems to distinguish itself from the other forms of oppression it is connected to is in the way it attempts to convince you it is indistinguishable and that transmascs are always just collateral damage to everyone else's "real" problems.

One example is the very blatent tirf claim that transphobia on its own isn't real, that it is all misdirected transmisogyny, and that transmascs only experience oppression due to our association with transfemmes.

But there is also the insistence that anti abortion laws and similar things are targeted at cis women and therefore are "women's issues" - transmascs shouldn't complain about being excluded because it "isn't about us". Same with homophobia and butchphobia. Even the terf talking point that they are just protecting "little cis girls" from making irreversible mistakes pretends that actual the transmascs being harmed is just an accident and not the goal.

Trying to talk about transandrophobia is a constant stream of "It's just transphobia. It's just misogyny. No, you can't call your experiences misogyny because that isn't about you. You can't call yourself a lesbian or a butch or compare your oppression to lesbophobia. It isn't about you. Yes, terfs hurt you, but you aren't their main target. This isn't about you. Yes, you need abortions and experience medical misogyny, but you can't talk about it because this isn't about you. You were sexually assaulted because of misdirecred misogyny. Don't make it about you. You've never contributed to the history of gay men, or lesbians, or the trans community. It isn't about you. Those cross dressers weren't trans. Stop trying to make women's history about you. You can't reclaim cunt or faggot or dyke because those words aren't about you. I don't care how many times you've been called a tranny. That word isn't about you. Why must you make everything about you?"

Because sure, transmascs exist, and we might be impacted by everyone else's oppression, but it is always thought of as a theoretical consequence of what is really going on, if it is thought of at all. Transmascs are not considered to be oppressed in our own right.

This idea gives the lawmakers plausible deniability, allies an excuse to ignore us, and feeds into transmasc erasure. If we are never the actual target to begin with, then clearly, we can't be uniquely targeted. The law makers don't need to be held accountable for their transandrophobia because it isn't like they are trying to hurt transmascs, right? We need to let the real victims speak, the ones being targeted on purpose.

Nobody ever sees the way it all piles up, and even if they do, they think "well it's just an accident, right? If we fix the main problem, then this fringe issue will go away on its own" without ever considering that transandrophobia isn't as rare, fringe, or accidental as society wants it to appear and that actual effort needs to be put into dismantling it.

It isn't that they actually believe that transandrophobia isn't real. It's that they just don't believe it is about transmascs. Because even if we are the common denominator, we are still just collateral damage and could not possibly have anything of value to say. Because as collateral damage, our issues are never our own and thus never need to be discussed on our own terms.

100%. And I think this is exactly what this sort of cycle of erasure depends on.

We are erased, our problems are erased, and our oppression is erased, which means it's easy for people to ignore us, our problems, and our oppression. There's so little evidence, so few people talking about it, and they never really see or hear anyone name us in this violence, so surely, it isn't about us at all! It must be about the people they know about already, the problems they know about, and the ones who are always readily named in these conversations.

If we're speaking up, there's no reason to believe us; if anything, we come under scrutiny for trying to talk about these issues nobody else can see. We must be crazy, hysterical, whiny and overdramatic, or perhaps malicious. We're stealing attention, stealing space, and stealing help. We might be victims, but we are incidental and unworthy victims.

And ignoring us, our problems, and our oppression means we continue to be erased. Which makes it easier to ignore us, and erase us, and easier to perpetuate violence against us. And so on.

It's understandable, in a way, for people to ignore us; most people don't know about any of this in the first place, and when they do, they're not inclined to take any of it seriously. Even if they do see convincing evidence that our problems are real and worth talking about, it's easy for that to be a one-off that they eventually forget about. Everyone else is talking about everything else, so we sort of fade away.

It's not their fault; they're not trying to ignore us. They just haven't learned to recognize violence against us, and they just don't seek us out, and can they really be blamed for that? Can they really be blamed for the violence that continues because they and others don't see or try to stop it? We're so hard to find in the first place. You know, because we've been so thoroughly erased.

There are a lot of people who've been fighting this for a long time, and even more we don't-- and probably won't-- ever know about, who've been fighting for even longer. I think it's getting better; the organized backlash against us is, imo, a sign that our reach is getting stronger and wider. But it's a hard cycle to break.

[sacred-algae]

One of my favorite things about BG3 is that the main 7 so perfectly encapsulate how the average DnD party interacts with each other.

And not only that but you can tell a lot about what their players would be like!

Shadowheart was made by the edgy bisexual “good Christian girl” who’s discovering herself in college for the first time away from her family. She’s falling out of her faith and her friends are waiting for her to crack. She thinks playing DnD is so rebellious of her. She WILL become emo after this is over

Halsin was made by the secret nudist in attempts to live vicariously through his character but has now revealed ✨things✨ about himself, and is totally unaware of it but everybody else knows it and just love that he’s having a good time

Lae’zel was made by a dude (probably straight and cis) who just wants to play as a hot fantasy chick

Gale was made by the most nerdy autistic boy who just wants somebody to date. Anybody. He’s really not picky.

Wyll was probably made by a trans man with. Idk why but he was. He doesn’t even have trans vibes to me but his player does

Karlach was made by a lesbian with mommy issues who’s never played DnD before, didn’t know if she’d like it, but got dragged into it by her friends who “know she’ll like it” and they were 100% right (and she and Shadowheart’s player WILL end up dating)

And Astarion was made by a gay person who is infamous for torturing every single character they create. They kept his character under wraps during creation but then announced on the first day of the campaign that this would be their, quote, “magnum opus of fruity traumatized characters”

[raisinchallah]

xena warrior princess was the closest we ever got to a mass attempt to make straight men into femslash fujoshis that is making straight men appreciate and engage with f/f relationships in the way that women play with their tortured tormented gay barbie dolls in great works of literature it all starts with the placement of women in battle against and beside other women and this being a place of bonding camaraderie and love and by placing this in ancient greece it begins to attempt its bold rewriting of history and working as a grand femslash manifesto by yurifying one of the great root yaois of the western canon but also this ultimately understands that in the same way many of the most high octane and insane homoerotic relationships between men often appeal most to women that xena is positioned with a foot in the hot babes breasting boobily genre of previous attempts at lesbicious homoeroticism between women aimed at men of things like barbarella and lesbian vampire films while also understanding that women watch these films but also that this is the girl power 90s and that lesbians will be tuned in and so also engages in a tongue in cheek fashion with the feminist rewriting of mythology and constructs a world a beautiful mirror of yaoi world the world of men where all the most important relationships are between women and men are evil exes or mediocre husbands or enemies to vanquish or silly jesters kept around to laugh at much in the way women can be set dressing or romantic rivals for the main relationship in great works of homoerotic literature about men sadly this did not seem to work as a manifesto to inspire grand change within the genre as the only straight men converted to this cause were the straight men writing for xena and the straight women believed it was unfeminist to make women lesbians and that by seeing xena as a great work of homoerotic television it was undermining its feminist message and television decided that only the worlds most boring lesbians and bisexual women would be allowed to write for tv thus unable to truly construct a grand second generation of xena inspired works with even more homoeroticism rather than less thus leaving it somewhat of an evolutionary dead end in that regard tragically

[justawasteoftime1122]

I thought I'd do one of these cuz I'm bored and don't expect it to get that far

No more limit

A note game!

10 notes- I'll make an aroace bracelet/anklet ⚘

15 notes- I'll redraw a drawing from my old sketchbook ⚘

20 notes- I'll redraw my first digital drawing ⚘

25 notes- I'll clean up my drafts and inbox -

30 notes- I'll make Gender Fluid bracelet/anklet⚘

35 notes- I'll put GF and Aroace beads on my shoe laces -

40 notes- I'll draw a ship from a ship wheel -

45 notes- I'll learn to draw more body shapes +

50 notes- I'll try to fix my sleep schedule +

60 notes- I'll get my friend to stop making trans + jokes (they annoy me now. It's not transphobic just annoying)

69 notes- I'll write a short smut story -

80 notes- I'll get into drawing more horror +

85 notes- I'll branch out and start dressing and asking for more clothes that help me feel masculine and neutral +

90 notes- I'll draw characters based of off the main LGBTQIA flags +

100 notes- I'll start drawing more infectious aus and share more art with my family -

110 notes- I'll ask my parents to get Vocal lessons-

(Edit, adding more)

120 notes- I'll redraw an entire sketchbook +

130 notes- I'll force myself to do more writing (and on my fanfics)

140 notes- I'll start branching out into new series and continue arcane. +

150 notes- I'll work up the courage to tell my friend when I feel masculine +

160 notes- I'll start writing the story about The Lesbian and the Conversion Therapist that fell for her -

Edit 3:

170 notes: I'll animate more +

180 notes: I'll expose my main Spotify playlists

190 notes: I'll finnish more art in my ibis paint gallery

200 notes: I'll draw a something for a random liker (no corn but I'm willing to do gore)

210 notes: I'll practice more drawing on paper and will use my alcohol markers more.

220 notes- I'll draw the cheese burger spider from cloudy with a chance of meatballs

250 notes- I'll animate a gif

270 notes- I'll animate cheese spider

300 notes- I'll animate something small for a random person who liked/likes this post ( I will not animate corn but am willing to attempt gore)

That's all for now

⚘= Done

+ = Started/ In progress

- = Haven't Startes

[monstatron]

OBASI ADEBOWALE, THE BIG BOSS (character is a woman and butch lesbian, she/he!!) Obasi is the current leader of the Phantoms and a stoic gorilla animan with a determination to protect the city of Haderia and the ones she loves. Birthed from a legacy of heavy-hearted pessimism, Obasi struggles to find herself whilst still attempting to hold true to her values and empathy. Her sense of self is otherwise skewed, but regardless, she remains steadfast in maintaining the criminal underground of Haderia and keeping her family safe. She has been the leader of the Phantoms for over 25 years, nearing 30 soon. This has earned her the title as the "King of Haderia". She is respected by many, but not all. Obasi could care less about this, as her goal is to ultimately maintain peace within the city. She strives to provide for those in need, including the lower class and others who have been let down by the higher government. Obasi is seen as a protector of sorts because of this, as she puts a large effort into keeping military activity to a minimum in the city and ensures that resources are distributed evenly- or at least as much as possible. There is only so much that Obasi can do, but it is wise to never doubt her determination. Aside from her work as a kingpin, Obasi is a mother. She's raised three daughters. In addition, she's a maternal figure to the younger members of her syndicate, one of which she's taken under her wing. Despite being stoic and sometimes cold, Obasi is incredibly caring to her family and friends. She tries to spend as much time as she possibly can with her loved ones, and she will always make time for them if she is able. Obasi will always put her family first in dire situations, and she wants only the best for her children as well. She encourages them to seek lives outside of the criminal underground and supports them in this. Obasi herself has also sought a career far from criminal work. From a young age she had an interest in music, and this later led her to occasionally perform at adult clubs or small events under the artist name of "Amethyst Blood".

a new and more official reference of my big gorilla gal, obasi! she's been an oc i've had for so long and one that has gone through countless changes, but now more than ever she truly feels authentic to me.

obasi is the main character of a hopefully upcoming book i've been planning to write within my "blade in the city" world! blade in the city is a cyberpunk thriller novel about anthropomorphic animals in a post-human world, following obasi and her journey to find individuality.

[mono-blogs-art]

Ayaka is in Love with Hiroko - The Lesbian Office RomCom You Needed

Blatant flirting, hilarious misunderstandings, and lesbian shenanigans aplenty - this show is funny, over-dramatic, and most of all gay as hell. Here's my review! Spoiler-free version first, and a more detailed spoiler-y version under the cut. I hope you enjoy!

A quick summary: Overall: 9/10, you should absolutely watch this! Genre: RomCom, with some serious elements and a heartfelt exploration of sexuality Watch if you are looking for... : A silly and fun time, a happy ending, misunderstandings, and character development. Highly recommended to watch this with your partner(s) or your sapphic friends! Watch out for... : Although the tone of the show is mostly comedic, it contains discussion & depiction of homophobia at the workplace and past trauma relating to that Where to watch: Official TL on GagaOOLala, or Fansubs by @furritsubs (highly recommended!)

"Ayaka is in Love with Hiroko" (Ayaka-chan wa Hiroko-senpai ni Koishiteru) is a Jdrama adaption of a manga by the same title. The series premiered this year July 2024 and has wrapped up a short while ago, with a total runtime of 8 episodes of 24 minutes each.

The title of the show already says all; the plot is simple: Junior staff member Ayaka is head-over-heels for Hiroko, her senior at the company she works at. And she has decided to go on the offensive.

There are many obstacles in Ayaka's way: first of all, Hiroko is 13 years older than her (they are 23 and 36), and her superior at the workplace. Hiroko is beloved by both her superiors as well as her staff, so Ayaka's love for her is just one of many. And no matter how blatantly she ups her advances (and girl, she is BOLD), Hiroko is 100% convinced that all the flirting is just misplaced, straight-woman obliviousness.

The irony of it all is that Ayaka is absolutely barking up the right tree, because Hiroko is a lesbian, but has been firmly in the closet at work - something that she has no plans on changing. Her professional life and her personal must stay completely separate, at all cost. The only place she can truly be herself is the lesbian bar she's been a regular at for years.

^ Me when I'm a lesbian disaster doing insane mental gymnastics

However, "giving up" is not in Ayaka's vocabulary. As her seduction attempts keep escalating and being misunderstood, Hiroko's hard exterior begins to crumble bit by bit. Can Hiroko finally overcome her rigid ways, and let herself fall for someone?

Although the show is first and foremost a comedy, both Ayaka and Hiroko as characters are handled really well. They have their own problems, insecurities, reservations about the other, and both have a simple but great arc over the course of the series. Ayaka is discovering her sexuality, something she had never even considered before falling for Hiroko. What does being in love with a woman mean for her future? And Hiroko, who is already very confident in her sexuality, is confronted by her past trauma, and the fact that she's still not ready to come out despite the changing times. And while being undercover has saved her career in the past, it has also made her feel alone and isolated. She likes Ayaka back, but can't allow her true colors to show.

Something that I find very hard to achieve with comedy shows is the switch between funny and serious, and I think that Ayahiro manages this very well. Both of our main characters feel grounded enough in reality that when they get emotional, it feels relatable and sincere. For a silly show like this, striking a balance like that is crucial, and save for a few pacing issues in the later half of the show (that I honestly didn't mind at all), I think the show totally nails it. Ayahiro is not a realistic show, but it contains elements of reality that made me connect to it, despite all the insane shenanigans that go on. And because of that the show made me laugh and cry as much as it did, often in the same episode. It works, and Kudos to the writers (and actors!) for that.

Speaking of actors, one thing I must mention is that the show is very well made. The actors (especially Mori Kanna as Hiroko is the standout for me, she has a natural charisma and gay swagger) do a fantastic job, the leads' chemistry is great. The production overall has some real money behind it, with lots of changing sets that all look great and have been crafted with care. Ayaka's outfits are absolute KILLER, she is giving insane femme energy. The show also looks very pretty, the color graders turn that saturation up to 100 and it fits Ayaka's rose-tinted world well.

That's it for the spoiler-less part, I'll now get into specific characters and plot points with full spoilers up to the end of the series under the cut. If you don't want to get spoiled, I hope the review until now made you want to watch the show for yourself! I hope you enjoy!

First of all I need to disclaim that I have not read the original manga that she show is based on, so I can't compare the series to its original and how the plot is written there. I do intend to read it (I hope it gets localized to German so I can support the official release, but I might check out the English Official TL anyway before that) but for now, I will only judge the series as is.

Ayaka: Our protagonist is a femme fatale, in... another meaning of the word, I guess. She is a disaster, bad at pretty much everything she does except not giving up. Once she has set her mind to something, she will get it done. That leads her to often be inconsiderate and unable to see what others around her are feeling, which goes mostly for her best friend Risa, but also for Hiroko, whose feelings she also fails to consider even when pursuing her. Ayaka has to learn the hard way that her naivete is hurting others, and herself. She hasn't really thought her advances through, simply acting on instinct. But as the series goes on, she takes her feelings and her newly discovered sexuality seriously, and grows comfortable with calling herself a lesbian. She is also unashamedly horny, like, Oh My God, this girl is trying to get laid so bad. This is hilarious and refreshing to see, and although her seduction attempts are often played as comedic, it doesn't feel like she is being ridiculed for her sexuality by the show. Ayaka often crosses boundaries (physical and emotional) with Hiroko, both out of naivite and in deliberate attempts to seduce her. To me this was never truly infuriating, even though sometimes she really did go too far, but for me it always kept in tone with the comedy of the show. Even when Ayaka finally comes out in front of the entire office, she makes it clear that she doesn't want Hiroko to do the same if she's not ready.

Hiroko: Our deuteragonist is probably my favourite character in the show, and I think she's very relatable and well done. As an older lesbian, she's got plenty of experience, having even earned the title of "The Ace" in her lesbian friend circle for being a talented womanizer. But a traumatic experience of losing her last partner due to being found out at the workplace has changed her. She's afraid to get attached, she's unable to let people get close to her true self. So when Ayaka is fighting tooth and nail to get to her, Hiroko is caught in conflict between her feelings of attraction and her past trauma. She does everything in her power to dismiss Ayaka's advances to protect herself, and later when she learns that Ayaka is in fact not straight (duh), she still turns her down to protect Ayaka's (and her own) career. Hiroko is a bit of a conservative - something she's also called out for in her lesbian friend circle - she believes that coming out at work is impossible and irresponsible. And you know, I get it. Not only does she have personal bad experiences with exactly that, it's also not unreasonable to think it would be a bad idea to hook up with your junior of 13 years. Like, I get it girl. Hiroko is clearly attracted to Ayaka, not just physically but also emotionally, because Ayaka is everything Hiroko wants to be but can't. And that leads to Hiroko constantly underestimating Ayaka, even treating her like a child. She thinks Ayaka is not really thinking the gravity of her actions through, and she gets called out for that and has to overcome it. In the end, Hiroko ends up being a character that needs time, and needs to unlearn a whole bunch of shitty behaviour, something the show clearly also shows is being worked on and that Ayaka also respects (more on that later).

Risa: Easily the character I struggled with the most, Ayaka's best friend Risa is complicated. She's very observant but also shy, and secretly harbors a crush on Ayaka. Quietly struggling with her sexuality, she only decides to come out when she realises that Ayaka's feelings for Hiroko are serious. Oh, it's messy! She confesses to Ayaka, who in turn has to struggle with her feelings for someone else, but also not wanting to lose her closest confidant. And to her credit, Risa takes the rejection quite gracefully and continues to support Ayaka in her pursuit of Hiroko. However, Risa also outs Hiroko against her will to Ayaka, which... is just a shitty thing to do, even though she just wanted to help her friend. Good motive, still murder. After the conflict between Ayaka and Risa is resolved, Risa just kind of... is around, quietly worrying in her corner and kind of (in my opinion) overstepping her boundaries with Hiroko. I don't dislike Risa, but I thought her character was not done super well in parts, and although I understand the complicated situation she herself is in, the show doesn't really let her grow as much as the other characters. Anyway, good for her for bagging the hottest chick at the lesbian bar, though. Good for her!

The "break-up": The story's conflict comes to a peak when Hiroko finally realises there is only one way to shut this all down. She needs to fulfill Ayaka's desire, and then turn her down, once and for all. But Hiroko at this point still thinks Ayaka is immature and hasn't really thought her actions through. Ayaka sheepishly asks for a kiss, so Hiroko kisses her. "Now you've achieved everything you wanted." We're done, you can give up on me and this childish crush you have on me. And most importantly, I can let you go, too. Not realising that Ayaka wants much more. She wants a real relationship, she wants the kiss, sex, real emotions, she wants to see Hiroko's true self too. She wants a partnership.

The Finale: With the encouragement of her peers, Ayaka finds the courage to express her feelings to Hiroko one last time. And she finds just the right words to finally get through to her. Hiroko realises how much of an ass she's been all this time, how she ended up hurting the girl she loves and herself by denying herself happiness. This whole scene was so well done (Kudos to Kato Shiho as Ayaka, this is probably her best scene in the entire show), brother I cried so hard. And finally Hiroko can say what she should have a long time ago: "I'm sorry."

One year later: In the show's worst case of bad pacing, we immediately cut from their tearful reunion to "one year later", lol. I don't mind the sudden jump too much, but maybe a bit of a slower fade-out would have softened the blow, because I think a few people probably found this very jarring xD not too bad for me. I was actually positively surprised that we actually get to see the aftermath, see how their relationship has developed a year into it.

I've seen a few people complain about this "no-sex scene" (lol) and I just want to add my two cents. I actually really like how this scene played out, for two reasons. Reason 1 is that it's just very much in-character for Hiroko. We've seen her struggle back-and-forth with the intimacy Ayaka wanted from her for the past 7.5 episodes, and her own internalised homophobia and constant fear of "crossing the line". She's a traumatized person, and it makes total sense to me that even one year into the relationship, she's still struggling with sexual intimacy. Sure, a whole year is a long time not having sex with your partner (even though you both clearly wanted to from day 1) but like... it makes sense for Hiroko. She's still working through the past 10+ years of repression. I do understand how this scene can be interpreted as "the show is afraid to show them being horny and sexy together, they're cowards for making Hiroko so obsessed with Ayaka's "purity" etc" and like, yes, that is a totally valid interpretation, but IMO also a quite bad faith one.

"I'm happy to know you feel that way. Which is why, could you please wait a little more, just until I sort my feelings out?" "What?" "I want to cherish you, Ayaka." "Right." "I'm sorry for everything, Ayaka." "For everything?" "In the end, it seems like I still haven't came out yet. I understand that I'm making you endure something when you don't have to. But… I do want to be with you, and I want to keep my job. I'm really sorry for making you put up with my selfishness."

^ Like, that is the conversation that follows. It's not just about sex for Hiroko, that kind of intimacy holds a deeper meaning to her and she's just not ready for it yet, and trying to sincerely tell her partner that. And when Ayaka reaffirms her willingness to be patient in this scene and is respectful of Hiroko's choice, Hiroko realizes that she's being a stupid coward, and finally makes a decision...

... to come out in front of the whole office, who's been gossiping about their relationship the whole year anyway.

And that is the end of the show!

So really, Hiroko did manage to overcome her fears in the end, and it took her a whole year into a healthy relationship to do so. And I think that is honestly much more realistic than some people would like to believe. Is the smooch in front of the whole office silly and cheesy and over-dramatic? Of course, but that's the entire show so far. And if you think that kiss-and-dip is dumb then I can't help you, I think you just don't like fun.

Oh yeah, and my reason 2 why I thought that no-sex scene was done well is because it's just funny. Ayaka has been DTF since minute 1 of the show, and her still being unable to get it this far into it is just funny. I would have loved a little nod to them finally getting down at the very, very end, but eh, I can live with it like this. They've conquered the emotional hurdles, I'm certain they will cross that other bridge when they get there on their own time.

Conclusion: "Ayaka is in Love with Hiroko" is a great and incredibly funny lesbian show that touched me emotionally much more than I thought it would. It made me cry several times, the production and acting quality positively surprised me, and honestly deserves my Nr 2 spot of favourite Lesbian JDrama after Tsukutabe (which is a 10/10 show) for now. I really hope this type of show gets imitators, adapting relatively short stories into mini-series with great quality. I appreciate the more adult tone of this series, its shameless comedy while still being able to hit serious beats with real emotion. From what I've seen of the BTS, the actors and staff also handled the subject matter with respect and care and had a lot of fun making the show. I don't think a season 2 is needed, but I do hope that the series can inspire more similar works. I love Ayaka and Hiroko, and I'm so happy they got their happy ending, and by God, I hope they have the best sex ever in their beautiful lesbian future. God bless.

That's it from me, thanks for reading, and I hope you enjoyed this show as much as I did! Hopefully see you soon!

[shaylogic]

Queer Experience Watching Barbie - AFAB Masculinity

I started to go into this in tags on another post but I wanted to type this up separately and try to develop my thoughts a little more. . .

Ryan!Ken’s arc in Barbie (2023) has been buzzing in my head for days.

I got fixated on it for a couple of major reasons:

1) We rarely have seen a feminist movie take time to address men with compassion in how patriarchy harms them too.

2) As a trans masc person, I think it hits a specific part of my identity that I don’t consciously let myself think about for too long. Something about being raised in a female world with sisterhood and community. Then being isolated in adult manhood without the tools to prepare you for that. Conscientious of respecting women and being unbothered by feminimity around you, but not knowing your place in the world.

How do I put it?

I know it’s not the direct intention of the film itself, but I’ve seen other trans folks (especially transmasc), reacting similarly to the feeling we get from it.

Ken’s arc feels pretty reminicent of the struggle afab lgbt folks go through when considering masculinity in their identity (butch lesbians, afab nbs, trans men, etc.)

How to make peace with masculine aspects of yourself without losing the women in your life? (One can argue Kate McKinnon’s Weird Barbie has aspects of this as well.)

Of course, then Ken goes off on the adopting patriarchy ride, which IS the point of the movie, and may skew a bit from the transmasc read on it--though I have known a trans guy here and there who avoids being misgendered so hard that they can become somewhat sexist. To which I say: “You don’t need to have a dick to be a man, and you don’t need to BE a dick to be a man.” But I digress.

Something about Ken being comfortable in a woman’s world but not understanding why he’s being shut out from socially bonding with them (in any sense! Romantic, Familial, Platonic Friendship. . .)

The overall theme of the movie for both Barbie and Ken--in an allegory of heavy gender roles harming all--leading them each to have to figure out who they are in themselves, regardless of others. . . 

Trans masc folx can relate to both Barbie and Ken’s arcs.

I don’t want to detract from Barbie’s arc being the main point of the movie.

I think the reason why we get hung up on Ryan!Ken’s character is because. . . we’ve related to the Barbie plot in other movies and shows before, thinking back to our “girlhoods” as children.

I have never seen the arc Ken has in this in any other story!!!!

There are some Man Movies that have attempted to discuss the struggle of Being a Man--but they often come off as too dismissive of feminine experiences, and are therefore as offputting to transmasc people as women.

Because of the nature of the two worlds exhibited in this movie, and Ken’s backround in his setting, personality, and purpose in relation to the Barbies, he’s a Man living with Female Socialization, in a Woman’s World; he’s a male character that inherently admires and respects women in his nature (until the real world influence distorts it).

This isn’t a perfect example of a transmasc experience either, but it’s a lot closer than most of us generally get to see! That’s why so many of us are getting caught up in this.

Please, other trans folx (transfems, too!), I really need us to have a discussion about this. What were your experiences and thoughts around this movie?

P.S. Yeah, we kinda get that nonbinary allegory from Allan (not a Ken, not a Barbie, siding with Feminism in the Gender War), but he wasn’t in significant focus of the plot the way Ryan!Ken was. If I try to read into Allan, I don’t have much to work with.

[comingdownwithme]

I love your creepypasta au and designs and lore. Do you have anything for Nina the killer, Jane the killer and clockwork?

Sure! Sorry for the late response! had school n' stuff, and I had to reread the old original stories of some of the creepypastas and catch up on any newer additions since this is (technically) my first run in the fandom.

Anyways! Here's my take on the girls! Hope these are alright! This was like- my first time reading Jane and Nina's and my 2nd time since I was 12 reading Clockwork's ekdjske

Nina the Killer

Growing up with a love for horror, Nina Dagon was a young girl isolated from her fellow peers from a young age, with no one else but her brother and mother to confide in. As she grew, so did her love for the macabre, and that love soon grew into an avid interest in True crime. There, at a young, impressionable age where she's at her most isolated and vulnerable, was when she found the man who would change the course of her life, whether he knew or wanted to, or not.

Out of the Creepypastas I've drawn so far (as of Sept. 2024), she's the youngest adult at 25-ish! (Though this may be subject to change as with the actual ages of other characters ://)

Bilingual! Spanish is her first language, English is her second. She's not the best at it, but she's trying.

Grew up with unrestricted Internet access lmao. This... severely impacted her development and how she acted around people at a young age, and a small part of that influence is still present in her childish demeanor as an adult.

Found out about the death of Mr. And Mrs. Woods, alongside the murder of three other kids in the family's suburbian town following their deaths and the burning of their home, through true crime channels.

That is also how she found out about Jeff and related a little too much to his background (her blorbo from her shows).

Jeff's copycat killer, down to his iconic smile, (though hers is a lot thinner and cleaner than Jeff's). They say that imitation the highest form of flattery.

She gets a chainsaw. I think it looks cool :))

Learned exclusively through true crime. Though she's less graceful or experienced than Jeff, she still managed to keep the police off of her, especially when the first of her bullies had gone missing.

Follows Jeff's murders closely. Wherever he strikes, she strikes soon after.

Jane the Killer

While the fires of his own grief and rage still burned bright, Jane E. Arkensaw was a woman that came home at the wrong time. Despite the risk of death as she stands before someone who's hands were stained with the blood of many- including her own parents- Jane fought with adrenaline and anger coursing through her veins like a drug.

The rest of the night was a blur. All Jane remembers as she looks up at the golden silhouette of her burning home amidst the dark backdrop of the evening was that disgusting, Glasgow smile and the fact that within the chaos, she had managed to hurt him.

Jane was scarred worse than Jeff was if comparing their burns. This was because amidst the fire, Jane stayed in a vain attempt to save her dying parents.

As she stands outside, injured, confused and alone as the weight of exhaustion slowly settles in, she wonders why exactly Jeffery "Jeff the Killer" Woods dragged her out of that house before she could die in that fire.

Jane's father used to be in the military, so she learned a thing or two from him in terms of holding one's own in a fight.

Stole the mask she now wears from a Halloween sale at some nearby store during October. A lot of the things she wears has also been either stolen or bought at cheap from thrift shops.

She a lesbian :))

Hasn't and will never kill anyone. Her main target is Jeff.

Despite that, due to her inexperience and Jeff's tendency to escape without a trace, she's sometimes caught in the scene of his crimes instead, leading her to be indirectly framed when she had first decided to hunt around for the white-hooded killer. She's gotten better now though.

Has a complex relationship with Jeff. Despite her seething hatred for him and his apparent distaste in turn, the killer had helped her escape the cops on several occassions, even feeding her during her earlier days.

Still, she won't and will never forgive him, and she dare not try to make sense of the mind of a literal serial killer.

She was an avid enjoyer of the occult and the supernatural before the incident. She still is now, though she's often busied with other priorities.

Clockwork

Having been raised in a broken family and knowing nothing but pain for most of her life, Natalie Ouelette, even at a young age, felt as if both time and space were working against her, puppeteering her life to entertain whatever twisted Gods were watching over humanity. As the years went on, the line between pain and the mundane- even enjoyable- had began to blur, which is reflected in her art during her younger years which she had used to cope. After a series of continuously concerning events, leading to her hospitalisation at a mental institution, Natalie "Clockwork" Oulette escaped, leaving a trail of blood in her wake, including her so called "family".

Practically homeless (like most of my interpretation of the creepypastas are tbh) and had never changed out of the scrubs she had to wear during her stay at the mental institution.

The mutilation and replacement of her eye was a desperate attempt to regain some control of her life, and in the end, she felt like she had

Often confuses physical pain with other sensations.

Doesn't like being touched. Even with injuries where it would prove easier with someone's help, she'd much rather do it herself, leaving some injuries to heal for far longer and scar worse.

Her jacket was one of the few things she brought along with her after she had ransacked her family home.

Usually targets families, especially its older members. She then stays in the family home for a short moment before she moves on.