#lee jeong beom

[rye-views]

The Man from Nowhere (2010) dir. Lee Jeong Beom. 아저씨 (2010) dir. 이정범. 7.9/10

I would recommend this movie to my friends. I would rewatch this movie.

Kim Sung Oh's characters are always kinda vile to me. This whole childhood kidnapping and slavery business makes me vomit. Oh Sang Man disgusts me.

Wonbin and the Thai man are both hot. I love their dynamic together. This movie is just to show that Wonbin is hot. That window breakthrough? We love vigilante savior behavior. Cutie doggies. This hair cut scene is just legendary.

The car accident like stopped my heart. The let me hug you once kills me. I'm crying.

The wrist slices are brutal.

[rosenlily-aka-choconut]

Today’s post: Our handsome gentleman in glasses 🤓

Which one’s your favourite?

[skeletonfumes]

The Man from Nowhere (2010) Lee Jeong-beom

[billornot]

[cosmosbeelover]

The History of Korean Male Soloists from the 20th Century: Episode 3/?

The third episode of 'The History of Korean Male Soloists from the 20th Century' highlights prominent Korean musicians who achieved fame in the early 20th century, during the period of Japanese occupation.

The historical documentation related to these artists is frequently unreliable, largely due to the fact that their contributions occurred almost a century ago, before the Korean War, leading to the loss or unavailability of essential records.

Kim Saeng Ryeo (김생려; 金生麗)

Kim Saeng-ryeo is linked to the Yonhui Professional Orchestra (연희전문사중창단), founded in 1929, as discussed in Part 3. The Yonhui College Orchestra/Quartet, led by Hyun Je-myeong (현제명), held biannual concerts from 1930 for nearly a decade, showcasing emerging talent and reflecting the changing musical tastes of the colonial era. This orchestra was instrumental in the development of musicians such as Kim Seong-tae (김성태), Lee In-beom (이인범), Kim Saeng-ryeo (김생려), and Lim Dong-hyeok (임동혁).

Numerous types of orchestras exist, and I discovered a resource that provides a comprehensive overview of each, including philharmonic, symphony, chamber, opera, string, and wind orchestras, among others. This resource will cover a variety of orchestral forms.

Life and Career

Born on November 25th, 1912, in Yongbyon, North Pyongan Province, and passing away in Las Vegas on December 14th, 1995, at the age of 83, he was the only son among five siblings and married to dancer Kwon Ryeo-seong (권려성). ��His father, a devout Christian and elder, introduced him to the church at an early age, fostering a particular fascination with the organ. Shortly after his birth, his father established a church in Bukcheong, where Kim Saeng-ryeo spent his formative years.

He played a crucial role in the establishment of the Seoul Philharmonic Orchestra and was instrumental in founding the Seoul Symphony Orchestra after Korea's liberation, thereby leaving a significant mark on the country's symphonic music scene. His early life unfolded in Anju, South Pyongan Province, and Bukcheong, South Hamgyong Province. Like other key figures in the early development of Western music in Korea, such as Hyeon Je-yeong (현제명),  Lee Heung- ryeol (이흥렬), and Gye Jeong-sik (계정식), Kim was raised in a Protestant household, which provided him with early access to Western musical traditions.

From a young age, he demonstrated exceptional skill in playing both the organ and harmonica. His journey with the violin began in elementary school, where he had already shown a unique aptitude for the organ and harmonica, often playing during his free time. His passion for music persisted even after starting school, as he would occasionally leave class to visit a church and immerse himself in musical experiences.

In the second grade, his fascination with music deepened when he encountered an amateur violinist, which inspired him to take up the violin. This pivotal moment marked a significant shift in his musical journey. After completing elementary school, he moved to Seoul to pursue further education, enrolling in the second high school, now known as Gyeongbok High School (경복고등학교; 景福高等學校), where he distinguished himself as a disciplined and diligent student.

While attending Gyeongseong Jeigo High School, he received violin lessons from Boots, the wife of a foreign doctor at Severance Hospital (세브란스병원). His serious commitment to violin studies intensified after meeting Gye Kye-sik, a returnee from Germany. He continued to practice diligently at Yonhui College (연희전문학교; 延禧專門學校) and, upon graduation, took on roles as an accompanist and conductor for the Gyeongseong Broadcasting Station Orchestra (조선방송협회(朝鮮放送協會). However, during the Gwangju Student Incident https://en.wikipedia.org/wiki/Gwangju_Student_Independence_Movement (광주 학생 독립 운동; 光州學生獨立運動), he actively participated in protests, which led to his pursuit by the Japanese police and subsequent suspension from school. He was only reinstated after submitting a written account of his actions, but he continued to face challenges, particularly from his Japanese teachers, ultimately graduating under difficult circumstances.

Throughout his academic evolution, his commitment to music remained steadfast. After finishing elementary school, he moved to Seoul to further his education, enrolling in Jeigobo (제이고보), now recognized as Gyeongbuk High School. His association with Kim Hyung-jun (김형준; 金亨俊), a violinist and conductor, facilitated his involvement with the Gyeongseong Central Orchestra (경성중앙관현악단; 京城中央管絃樂團) as a violinist. Upon graduating from Gyeongbuk High School, he encountered Gye Jeong-sik (계정식; 桂貞植), a returnee from Germany, who helped him strengthen his foundational skills in violin, leading to his participation as a second violinist in a string quartet directed by Gye Jeong -sik.

Despite familial opposition to his musical aspirations, he persevered and, after graduating from Gyeongbuk High School, gained admission to Yonhee College through the recommendation of Hyun Je-myeong (현 종양). There, he continued to engage in musical activities and was appointed as the second violinist in a string quartet under Gye Jeong-sik's (계정식; 桂貞���) leadership. Although he attempted to follow his father's wishes by applying to Severance Medical School, he was unsuccessful and instead enrolled in the liberal arts department at Yonhee College, where he benefited from diverse musical experiences and eventually became the head of the school band.

Under the mentorship of Hyun Je-myeong, who began his role in 1929, he collaborated with notable musicians such as Kwak Jeong- seon (곽정선), Kwak Jeong-sun (곽정선), and Kim Gwan (김관). In the early 1930s, he worked with Kim Seong-tae (김성태) (violin), Lee Yu-seon (이유선) (vocal), and Hwang Jae-gyeong (황재경) (flute) within the music department at Yonhee College, further advancing his musical skills. However, following a victorious sports match against Gyeongseong Medical School, which included Japanese students, he celebrated with the band members, leading to an incident that resulted in his indefinite suspension after being held accountable for the situation.

His time in Japan represented a transitional phase, but upon his return to Korea two years later, he re-enrolled at Yonhui College. There, he secured a position with the Gyeongseong Central Broadcasting Station Orchestra and supplemented his income by working as a violin accompanist for the prestigious Victor Records orchestra. Although he graduated in 1937, two years later than his classmates due to his studies abroad, he remained actively engaged in music, including performing violin solos during chapel services at the college.

Kim Saeng-ryeo's experience at Yeonjeon coincided with the return of Hyun Je-myeong from the United States, marking a high point for the Yeonjeon Music Club. During this vibrant period, he collaborated with notable musicians such as Kim Seong-tae, Jeong Hee-seok, Lee In-beom (이익), and Hwang Jae-gyeong. After completing his studies at Yeonjeon, he continued his career as an accompanist for both the Gyeongseong Broadcasting Station Orchestra and Victor Records.

Following the return of Hong Nan-pa (홍난파; 洪蘭坡) (April 10, 1898 – August 30, 1941) from the United States, who expanded the Gyeongseong Broadcasting Orchestra, Kim Saeng-ryeo assumed the role of conductor, fostering a strong musical partnership with Hong. During this time, he also developed a close relationship with Kim Seong-tae, visiting him to study harmony and composition. When Hong Nan-pa fell ill, Kim dedicated himself to supporting him, managing the broadcasting station's responsibilities in his absence and providing care until Hong's passing.

Hong Nan-pa's counsel became a guiding principle for him: “If you aspire to be a flower, abandon music. If you wish to be a seed that flourishes for future generations, persist in music.” This philosophy provided him with resilience and served as an enduring compass during challenging times.

In the 1940s, he adopted the name Kaneyama as part of a broader national integration initiative. Following the death of Hong Nan-pa, Kim Saeng-ryeo assumed leadership of the orchestra and invited Gye Jeong -sik.to conduct. However, when the broadcasting station attempted to replace Gye-sik with a Japanese conductor, the Korean members, led by Kim Saeng-ryeo, vehemently resisted. Ultimately, when their efforts were thwarted, he chose to resign and establish a private orchestra.

He demonstrated his violin prowess at the inaugural concert of the Joseon Symphony Orchestra and at an event organized by the Joseon Music Association in 1941. That same year, he performed a solo at the "Peninsula Entire Enlistment Song Recital," which marked the introduction of the conscription system. He also participated in the "Music Patriot Weekly Music Festival" at Bumin Hall (부민관; 府民館) alongside prominent musicians. In 1942, he became the conductor of the Kyungsung/Gyeongseong Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團) and joined the National Mobilization Federation of Korea/ Music Popularization Corps (國民音樂普及挺身隊) in 1943, performing at various patriotic events, including the "Battleship Donation and Patriotic Chamber Symphony Night." As the first violinist of the Kim Saeng-ryeo String Quartet and later a representative of the Hwaseong Chamber Orchestra, he continued to perform at events that celebrated the conscription system and supported pro-Japanese organizations.

Bumin Hall (부민관; 府民館) in the early 1940s

In 1942-1943, he established the Husung Chamber Orchestra following his resignation from the broadcasting station, which subsequently toured across the nation. Notably, soprano Kim Cheon-ae, a founding member of the orchestra, performed "Bongseonhwa" (봉선화) during the tour, providing solace to audiences mourning their country's plight, which led to her being monitored by the Japanese authorities.

In 1944, the Husung Chamber Orchestra relocated to Xingjing, Manchuria, where its members integrated into the Xingjing Symphony Orchestra. As liberation approached in 1945, he returned to Korea at the behest of Hyun Je-myeong to reestablish the Husung Orchestra, coinciding with the country's liberation. He took on the role of conductor for the newly formed Goryeo Symphony Orchestra in 1945, having previously been an active violinist during the Japanese colonial era. Following liberation, at Hyun Je-myeong's request, Kim Saeng-ryeo mobilized efforts to assemble around 50 musicians in the fall of 1945, successfully founding the Goryeo Symphony Orchestra under conductor Gye Jeong -sik., marking the inception of Korea's first orchestra post-liberation.

‘Bongsunga’ (봉선화) sheet music by Kim Hyung-jun, composed by Hong Nan-pa (100 Years of Our Western Music)

He subsequently departed from the Goryeo Symphony Orchestra. In 1946, he co-established the Seoul Music Club (서울음악동호회), recognized as the first chamber orchestra formed post-liberation of Korea, alongside Lee Jae-ok (이재옥), Jeong Hoon-mo (정훈모), Lee In-hyeong (이인형), Ahn Seong-gyo (안성교), Oh Byeong-do (오병도), and Jeon Bong-cho (전봉초). This initiative served as a foundation for the eventual formation of the Seoul Symphony Orchestra, where he assumed the role of conductor and later founded the Kim Saeng-ryeo Quartet in 1947, collaborating with Lee Yong-cheol (이용철), Choi Gyu-yeong (최규영), and Kim Jun-deok (김준덕). He was also a member of the Seoul Orchestra, alongside Jo Bong-deok (조봉덕), Lee Gyu-su, and Kim Soon-deok (김순덕). In 1947, he took the initiative to establish and manage the Seoul Symphony Orchestra, which was the precursor to the Seoul City Symphony Orchestra (서울시립교향악단; Seoul Philharmonic orchestra ,─市立交響樂團) founded in 1948, drawing from the Korea Symphony Orchestra (고려교향악단; 高麗交響樂團) and the Seoul Orchestra, and made his conducting debut at the inaugural concert held in February of the following year.

1950s picture of the Seoul Symphony Orchestra

Kim Saeng-ryeo embarked on his professional journey as a conductor through a prestigious invitation extended by the U.S. State Department. This opportunity allowed him to immerse himself in the world of classical music, where he had the privilege of studying under some of the most esteemed maestros of the time, including the legendary Leonard Bernstein and the renowned Eugene Ormandy. These formative experiences not only honed his skills but also enriched his understanding of orchestral dynamics and interpretation. As his conducting career progressed, Kim Saeng-ryeo showcased his exceptional talent by leading prominent orchestras, such as the Boston Symphony Orchestra and the Philadelphia Philharmonic. His performances on international stages garnered acclaim and recognition, establishing him as a significant figure in the global classical music scene.

Upon returning to Korea, Kim Saeng-ryeo was instrumental in founding the Seoul City Symphony Orchestra in November 1958. His vision and commitment were key in defining the orchestra's character, and he assumed the roles of permanent conductor and representative. Initially, he played as the first violinist when the orchestra commenced its activities in January of that year. The inaugural concert was conducted by Kim Seong-tae, and soon after, the orchestra began regular performances under the direction of German conductor Rolph Jacobi, who served as an advisor to the Central Broadcasting Station. However, following Jacobi's unexpected departure to Germany, Kim Saeng-ryeo took over as conductor for a concert in Daegu, marking the beginning of his conducting career.

In October 1995, Kim received a distinguished invitation to conduct at the Korean Symphony Orchestra's 50th anniversary concert, he performed from a wheelchair and received enthusiastic response from the audience.

Under Kim's direction, the orchestra not only expanded its repertoire but also undertook extensive tours throughout Southeast Asia, performing in nations such as Vietnam, Hong Kong, and Taiwan. These tours highlighted the orchestra's talent and promoted cultural exchange, enhancing the appreciation of classical music in the region. Kim played a crucial role in negotiating the orchestra's establishment with the Seoul Metropolitan Government, ensuring a strong foundation for its operations and performances. His dedication to the orchestra's development established it as a significant entity in Korea's cultural scene, quickly gaining popularity among audiences, who often displayed overwhelming enthusiasm during performances. Notable works conducted by him included Kim Seong-tae's "Capriccio," Schubert's "Unfinished Symphony," and Ravel's "Bolero Dance" at various concerts.

Throughout his tenure, Kim Saeng-ryeo conducted a series of notable performances that left a lasting impact on the Korean music scene. Among these were Puccini's "Tosca," which he conducted in October 1958, and the double bill of Leoncavallo's "Pagliacci" and Mascagni's "Cavalleria Rusticana" in June 1959. These productions were significant not only for their artistic merit but also for their role in introducing Western operatic traditions to Korean audiences. In November of the same year, he conducted Bizet's "Carmen" at the National Theatre of Korea, further solidifying his reputation as a conductor capable of delivering powerful and emotive performances.

Photo 1 -> Kim Saeng-ryeo 1972 Photo 2 -> Newspaper clipping published in June 25th 1972

Despite successfully navigating numerous challenges to develop the orchestra, the onset of the Korean War compelled him to abandon his ambitions for the ensemble, leading to a three-month period of hiding under communist rule until Seoul was recaptured on September 28. Ultimately, the Seoul Symphony Orchestra was disbanded after its 23rd regular concert due to the war. At its formation, the orchestra included a wide array of musicians, featuring first and second violinists, violists, cellists, and various woodwind and brass players. Among the distinguished members were Kim Saeng-ryeo and Jo Bong-deok on first violin, alongside a diverse group of instrumentalists such as flutists, oboists, clarinettists, and trumpeters. The ensemble also incorporated percussionists and a pianist, creating a rich auditory experience that defined the orchestra's performances during its short yet significant existence.

Full List of the members at the time of its founding of Seoul Symphony Orchestra were as follows: . 1st Violin (제1 바이올린): Kim Saeng-ryeo (김생려), Jo Bong-deok (조봉덕; 趙鳳德), Lee Gyu-su (이규수; 李奎秀), Kim Soon-deok (김순덕; 金順德), Lee Gye-seong (이계성; 李桂成), Baek Hae-je (백해제; 白海帝), Lee In-hwan (이인환; 李仁煥), Heo Sang (허상; 許湘), Lee Sung-tae (이숭태; 李崇泰), Shin Sang-cheol (신상철; 申相徹), Kim Hae-ryong (김해룡; 金海龍). . 2nd Violins (제2 바이올린): Lee Jae-ok (이재옥; 李在玉), Nam Chang-hyun (남창현; 南昌鉉), Jo Gyu-won (조규원; 趙奎元), Choi Ho-won (최호원; 崔豪源), Moon In-yeon (문인연; 文麟連), Lee Dong-hee (이동희; 李東熙), Kim Seon-hwa (김선화; 金善化), Jeon Chang-jae (전창재; 全昌宰), Jeon Oh-bok (전오복; 全五福), Park Jun-hwang (박준황; 朴俊晃). . Violas (비올라): Ahn Seong-gyo (안성교; 安聖敎), Lim Chun-ok (임춘옥; 林春沃), Lee Yeong-don (이영돈; 李泳敦), Lee Jae-man (이재만; 李裁晩). . Cello (첼로): Jeon Bong-cho (전봉초; 全鳳楚), Woo Dal-hyeong (우달형; 禹達亨), Lee In-gyu (이인규; 李寅圭), Park Guk-rok (박국록; 朴國錄), Kim Jong-myeong (김종명; 金鍾明), Lee Jeong-eon (이정언; 李禎彦), Yoo Jeong-yong (유정용; 劉廷鏞). . Flute (플루트): Oh Byeong-do (오병도; 吳炳道), Lee Gi-yoon (이기윤; 李基潤), Hong Su-man (홍수만; 洪壽萬). . Oboe (오보에): Lee Byeong-woo (이병우; 李炳祐). . Clarinet (클라리넷): Hong Gwang-eun (홍광은; 洪光銀), Kim Seong-hun (김성훈; 金成勳). . Bass (파곳): Kim Yeong-gyu (김영규; 金英圭), Na Moon (나문; 羅文). . Horn (혼): Jeong Hoe-gap (정회갑; 鄭回甲), Kim Jong-sun (김종순; 金宗純), Kim Yun-seong (김윤성; 金潤成), and Hyeon Su-so (현수소; 玄壽瀟). . Trumpets (트럼펫): Kim Jong-dae (김종대; 金鍾大), Park Ju-doo (박주두; 朴柱斗), and Kim Man-bok (김만복; 金萬福). . Timpani (팀파니): Han In-hang (한인항; 韓麟恒). . Battery/ Baeteoli (배터리): Kwon Yong-jin (권용진; 權龍鎭), Han Seong-jin (한성진; 韓聖振). . Piano (피아노): Lee In-hye (이인형; 李仁亨). . Conductor/Arrangement (지휘·편곡): Jacobi (쟈코비), Kim Seong-tae (김성태; 金聖泰). . Vocalists (성악): Kim Cheon-ae (김천애; 金天愛), Kim Hye-ran (김혜란; 金惠蘭), Lee In-beom (이인범; 李仁範), Kim Hyeong-no (김형노; 金炯魯).

The Symphony Orchestra of Seoul City gave a concert in Hong Kong on April 20, 1947. (Photo by: Universal History Archive/Universal Images Group via Getty Images)

Following the recapture of Seoul during the Second Battle of Seoul in 1950, the establishment of the Seoul Symphony Orchestra was initiated alongside the formation of the Naval Military Training Band, which served as the precursor to the Seoul Metropolitan Symphony Orchestra. This endeavour marked a significant cultural development in a time of conflict.

In his role as conductor, he assembled musicians and sought support from the Navy to create the Navy Military Band. Despite the ongoing war, this ensemble was unique in its provision of employment for musicians and opportunities for music enthusiasts to enjoy performances. He maintained his leadership of the band throughout the duration of the war, ensuring its continued presence in the musical landscape.

As a founding member of the Korean Musicians Association established on November 8, 1949, he played a pivotal role in the organization of the Naval Military Music Band in October 1950, where he served as captain. Following the appointment of all 120 members of the Naval Cultural Promotion Corps as civilian naval officers, the band held its inaugural concert in November 1950 at Sigong Hall, celebrating both the Navy's fifth anniversary and the recapture of Seoul. The band, which returned to Seoul in 1953, became influential in the performance scene, showcasing significant works and ultimately evolving into the Seoul Symphony Orchestra, which was later restructured into the Seoul Metropolitan Symphony Orchestra in 1960.

The main characters Patty Kim (김혜자; 金惠子) (left) and Kwak Gyu-seok (곽규석) (Right) at the premiere of the musical 'Saljjagi Obseye' (살짜기 옵세아이) by the Yegreen Orchestra in 1966. [Joongang Photo]

Kim was appointed as the first conductor of the Seoul City Symphony Orchestra, a role he maintained until 1961. Initially optimistic about fostering a vibrant symphony orchestra movement, his ambitions were thwarted by the political turmoil surrounding the April 19 Student Revolution in 1960 and the May 16 Military Coup in 1961. These events culminated in his resignation, prompted by legal disputes involving current and former orchestra members. Nevertheless, during his tenure, Kim Saeng-ryeo actively guided the orchestra, undertaking performances both domestically and internationally, including tours throughout Southeast Asia, thereby establishing a significant foundation for the orchestral movement in Korea.

In January 1962, Kim assumed the role of director for the Yegreen Orchestra, which was founded with the guiding principle of "Remembering the Past and Yesterday for Tomorrow." By September of that year, the orchestra had successfully staged five performances of the "Chuseok Play," showcasing a variety of musical selections. After the orchestra's dissolution, the exact timing of which is uncertain, Kim established the Arirang Folk Arts Troupe, which toured extensively across the United States, Canada, Europe, and other regions, playing a vital role in the dissemination of South Korean culture.

In the same year, Kim also held several significant positions, including head of the music department at Kyunghee University, representative of the Yegreen Orchestra, and artistic member and commander of the Naval Military Music Band. His diverse engagements in these organizations, along with his role in representing the Seoul Metropolitan Symphony Orchestra, highlighted his prominent influence in the South Korean music landscape during this era.

1967 Yegreen Orchestra ‘Kkotnim, Kkotnim, Kkotnim’ (꽃님, 꽃님, 꽃님). The middle of the second row is Na Yeong-su (나영수), and next to him on the left is Hwang Ik-pyeong (황익평), Moon Hye-ran (문혜란), Lim Yeong-ung (임영웅), Park Yong-gu (박용구), Choi Chang-kwon (최창권), and Kwak Gyu-seok (곽규석) (Fry Boy). The man sitting in the middle of the front row is Hwang Un-heon (황운헌) (Chief of the Literature Department).

In 1962, he travelled to the United States to pursue studies in conducting, and by 1971, he had taken on a professorship in the Department of Music at Hanyang University. He returned to the United States in 1976, where he held the position of permanent conductor for the Southern California Philharmonic Orchestra until 1992.

In October 1995, he received a distinguished invitation to conduct at the Korean Symphony Orchestra's 50th anniversary concert, performing from a wheelchair and receiving an enthusiastic response from the audience. His impact on the Korean symphonic scene was significant; he established the Seoul Symphony Orchestra Association and the Seoul Symphony Orchestra, while also enhancing Korean music through his leadership of the Yegreen Orchestra, his role with the Arts Council, and his teaching at Kyunghee University. His achievements were acknowledged with numerous awards, including the Swedish Red Cross Medal and the Seoul City Cultural Award. Kim passed away due to diabetes-related complications at Sunrise Hospital in Las Vegas, USA, on December 14, 1995, at the age of 83.

Activities and Achievements

Kim Saeng-ryeo's career in music began in 1939 when he served as the conductor for the Seoul Central Broadcasting Station Orchestra. He played a pivotal role in establishing several orchestras, including the Seoul Welfare Chamber Orchestra in 1942, where he was a violinist, and the Goryeo Symphony Orchestra in 1945, for which he was the founding conductor. His influence continued with the founding of the Seoul City Symphony Orchestra in 1948, where he also held the position of conductor. By 1950, he became the Permanent Conductor of the Philadelphia Symphony Orchestra in the United States, while also commanding the Naval Music Band (해군정훈음악대; 海軍政訓音樂隊).

The 14th Program of the Korea Symphony Orchestra (1947)

Throughout his career, Kim received numerous accolades for his contributions to music. Notable awards include the Prime Minister's Cultural Medal in 1948, the Merit Award from the Swedish Red Cross in 1951, and the Seoul City Cultural Award in 1955. His international recognition was further solidified with the Greek Theatre Arts Medal in 1964 and the Republic of Korea National Academy of Arts Award in 1974, among others. These honours reflect his significant impact on the cultural landscape both in Korea and abroad.

In addition to his conducting roles, Kim was actively involved in various artistic initiatives. He conducted the Danwood Symphony Orchestra during the Bergsha Music Festival in 1953 and led the Arirang Folk Art Troupe on tours in the United States and worldwide in 1964. His collaboration with prominent orchestras, such as the Ormandy and Boston Symphony Orchestra in 1968, showcased his versatility. Notably, he celebrated the 500th regular concert of the Seoul City Symphony Orchestra in 1994, marking a significant milestone in his enduring legacy within the music community.

Seoul City Orchestra "Kim Saeng- ryeo's Reminiscence" Concert

Seoul City Orchestra "Kim Saeng-ryeo Reminiscence" Concert 11th Sejong Centre for the Performing Arts - Reporter Ryu Yun-jong

The "Emperor" of 44 years ago has been revived as today's "Emperor." The Seoul City Orchestra's regular concert, held at 7:30 PM on the 11th in the Sejong Center for the Performing Arts Main Hall, will be a meaningful stage with the subtitle "Kim Saeng-ryeo Reminiscence." It is a place to commemorate the first anniversary of the death of the late Kim Saeng-ryeo, the founder of the Seoul City Orchestra, and to honor his achievements and will. In this concert, Kim Won-mo (professor at Dankook University) will be the guest conductor and Baek Nak-ho (chairman of the Korea Music Association) will perform Beethoven's Piano Concerto No. 5 "Emperor."

서울시립교향악단 제 545회 정기연주회 "김생려 회상" [1996] Seoul City Symphony Orchestra 545th Regular Concert "Kim Saeng-ryeo Reminiscence" [1996]

Although it is a collaboration stage between a veteran pianist and a mid-career conductor that anyone would know by name, their meeting that day holds special meaning. In the midst of the smoke of the 1952 war, Baek Nak-ho (백낙호) performed "Emperor" with the Naval Music Band, the predecessor of the Seoul Philharmonic Orchestra, under the direction of Kim Saeng-ryeo in Busan, where he was a refugee. Professor Kim Won-mo (김원모) is Kim Saeng-ryeo's second son. He arranged Tchaikovsky's Symphony No. 6 "Pathetique," which his father enjoyed conducting, as the second half of the concert.

Baek Nak-ho (백낙호) recalled, "During the three years of my refuge in Busan, I spent my time with Kim Saeng-ryeo in the Naval Music Band, and we built a friendship as seniors and juniors."

At the concert, Lim Won-sik (임원식; 林元植) (Professor Emeritus of Chugye University for the Arts), who played a leading role in the founding of the National Symphony Orchestra (now the KBS Symphony Orchestra) in 1957 and competed with the Seoul Philharmonic Orchestra in good faith, will share his memories of the deceased in the form of reminiscences.

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Part 2 will be coming out soon!

[papaya2000s]

Korean Master List:

All the posts presented below are my original contributions, with the exception of those in which I reference the work of others. In such cases, I provide original links to the sources where I found the material, thereby acknowledging the respective creators and authors.

Old Korean Movies:

Emergency Act 19 (긴급조치 19호) - (08/08/2024)

Let's meet at Walker Hill (워커힐에서 만납시다) - Coming Soon!

Crossroads of Youth (청춘의 십자로) - (09/12/2024)

The Taxi Driver (택시운전사) - Coming Soon!

The Housemaid (하녀) (1960) - Coming Soon!

A Flower in Hell (지옥화) - Coming Soon!

The History of Korean Acts - 1900s-Now:

History of Korean music over the past century.

The History of Korean Male Groups (Rewrite):

Part 1 (Background) - (13/08/2024)

Part 2 - (21/08/2024)

Part 3 - (29/08/2024)

Part 4 - (29/08/2024)

Part 5 - (15/09/2024)

Part 6 (Background) - (08/12/2024)

Part 6.5 (Background) - (09/12/2024)

Part 7 - In the Works!

The History of Korean Girl Groups (Rewrite):

A preview on what groups will be mentioned down below. This series will be coming out in the later part of next year.

Coming Soon!

Korean Soloists from the 20th Centaury:

Enjoy the history of some of famous Korean performers that lived in the 20th centaury that have been lost with time.

Female:

Yun Sim Deok (Rewrite 1, 2) - (29/04/2024)

Lee Ari Su (Rewrite - Coming Soon!) - (05/03/2024)

Kim So Hee - (05/10/2024)

Jeon Hae Nam - (13/10/2024)

Park Nok Ju - Coming Soon!

Lee Hwa Jung Seon - Coming Soon!

Male:

Kim In Sik - (21/09/2024)

Lee Eun-sang - (27/09/2024)

Choi Nam Seon - Coming Soon!

Hyun Je Myeong - Coming Soon!

Lim Dong Hyeok - Coming Soon!

Kim Saeng Ryeo (Pt. 1, 2) - (11,16/11/2024)

Lee In Beom - Coming Soon!

Kim Seong Tae - Coming Soon!

Jeong Jeong Ryeol - Coming Soon!

Im Bang Ul - Coming Soon!

Han Seong Jun - Coming Soon!

Kim Min Ik - Coming Soon!

Baek Seol Hee - Coming Soon!

Photo Collection of Kisaeng's:

All photos below have been AI enhanced for a more clear viewing (there may be some errors in the pictures).

Part 1 - (17/07/2024)

Part 2 - (17/07/2024)

Part 3 - (17/07/2024)

Part 4 - (21/07/2024)

Part 5 - (21/07/2024)

Part 6 Finale - (24/07/2024)

Women considered to be the most beautiful in Korean History:

More than a century ago, a remarkable group of women known as Kisaengs captivated the elite with their captivating performances without ever compromising their dignity.

These extraordinary women, often referred to as the celebrities of their era, were renowned for their beauty and talent, as evidenced by historical records that ranked the most enchanting kisaengs of that time!

Part 1 Oh San-wol (오산월) - (11/07/2024)

Part 2 Jang Yeon Hong (장연홍) (1) - (14/07/2024)

Part 3 Jang Yeon Hong (장연홍) (2) - (16/07/2024)

Part 4 - Coming Soon!

The Birth of Korean Girl Groups Preview:

A preview on what girl groups I'll be posting in my series on 'The History of Korean girl groups'.

Part 1 - 1900s-1945 - (28/04/2024)

Part 2 - 1950s - 1960s - (28/04/2024)

Part 3 - 1960s - 1962 - (28/04/2024)

Part 4 - 1963 - 1965 - (28/04/2024)

Part 5 - 1965- 1966 - (28/04/2024)

Part 6 - 1967-1960s - (28/04/2024)

Part 7 - 1970-1972 - (02/05/2024)

Part 8 - 1974 - 1981 - (09/05/2024)

Part 9 - 1983 - 1987 - (09/05/2024)

Part 10 - 1989 - 1997 - (09/05/2024)

Part 11 - 1997 - (09/05/2024)

Part 12 Final - 1998 - 2000s - (09/05/2024)

Michael Jackson & Friends Korea, Seoul:

S.E.S: Part 1 and Part 2

H.O.T: Coming Soon!

H.O.T:

Stuff about H.O.T.

Discography Discussion:

These discography discussion posts are all made by @high-five-of-teenager-trashblog. All the albums are in released order from there debut to there final album.

We Hate All Kinds of Violence - (13/12/2020)

Wolf & Sheep - (23/11/2020)

Resurrection - (13/02/2019)

I Yah! - (29/08/2018)

Age of Peace - (26/11/2020)

Outside Castle - (24/09/2018)

'Solving the H.O.T. Syndrome'

These 3 posts are all made by @1004sface.

TV Guide 1997.01.23 - (Pt. 1) (Pt. 2) (Pt. 3)

Kangta - Atlantis: The Lost Empire 2001

H.O.T Kangta - Dreams and Faith - (27/07/2024)

Ensign O'Toole - TV Series 1962-1963

Summary & Ep 1-12 - (26/10/2024)

Ep 13-32 - (09/12/2024)

Korean Albums:

Season 1 focuses on the 1980s, a personal favourite music decade. I will discuss 35 diverse Korean groups, duos, bands, and solo artists who released albums or made their debuts during this period.

Episode 1 Lee Ja-ram, Lee Gyu-dae - (13/11/2024)

Episode 2 Yesol - (15/11/2024)

Episode 3 Byun Jin-seop - (23/11/2024)

Episode 4 Heo Young-ran - (27/11/2024)

Episode 5 Kim Wan-sun - (27/11/2024)

Episode 6 One Work - (27/11/2024)

Episode 7 KOREANA - (30/11/2024)

Episode 8 Lee Ji-yeon - (01/12/2024)

Episode 9 Yang Soo-kyung - (02/12/2024)

Episode 10 People Looking for Songs (PLFS) - (04/12/2024)

Episode 11 (Pt.1) The Lost 30 Years - Seol Woon-do/ Jin Bo-ra/ Na Hoon-a, etc. - (07/12/2024)

Episode 11 (Pt.2) - In the Works!

Episode 12 EVE - (11/12/2024)

Episode 13 Blue Sky - (11/12/2024)

Episode 14 Willow Flute - (11/12/2024)

Episode 15 '81 MBC University Song Festival VOL. 1 - (13/12/2024)

Episode 16 '81 MBC University Song Festival VOL. 2 - (15/12/2024)

Episode 17 Wind Flower - (17/12/2024)

Episode 18 Groyzer X (X) - (18/12/2024)

Episode 19 Cho Yong-pil - (19/12/2024)

Episode 20 Yumiri - (20/12/2024)

Episode 21 Lee Soon-gil - (21/12/2024)

Episode 22 Deulgukhwa - (22/12/2024)

Episode 23 Namgung Okbun - (23/12/2024)

Episode 24 Min Hae-kyung - (24/12/2024)

Episode 25 Jeon Yeong-rok - (25/12/2024)

Episode 26 Kim Won-joong - (26/12/2024)

Episode 27 '85 MBC University Festival - (27/12/2024)

Episode 28 City Kids - (28/13/2024)

Episode 29 Kim Hak-rae - (29/12/2024)

Episode 30 Wild Cats - (30/12/2024)

Episode 31 Kim Jung-soo & The Express Train - (31/12/2024)

Episode 32 Boohwal - (01/01/2025)

Episode 33 Kim Jin & The Highway - (02/01/2025)

Episode 34 Rainy Day Watercolour 1. - (03/01/2025)

Episode 35 BlueBells - (04/01/2025)

Season 2 is scheduled to debut later this year, comprising 30 episodes that will delve into a variety of Korean groups, duos, bands, and solo artists, who launched their careers or released albums in the 19..s and 19..s. I invite recommendations for Korean artists that you would like me to research and discuss.

[minyo129]

Minho's movie 'New Normal' first poster released (HQ photos)

'Gidam' and 'Gonjiam' director Jeong Beom-sik's new film 'New Normal' has released two types of first posters with its release confirmed in November.

The first two types of posters released this time first grab attention with their intense colors and impactful titles. First, the pink poster, with its striking pop color, captured the colorful expressions of actors including Choi Ji-woo, Lee Yu-mi, 𝗖𝗵𝗼𝗶 𝗠𝗶𝗻𝗵𝗼, Pyo Ji-hoon, Ha Da-in, and Jeong Dong-won between the titles.

The black and white stills of the actors placed between the titles in the released white poster give a glimpse of their eyes and expressions, which are different from those on the pink poster.

ˢⁿⁱᵖᵖᵉᵈ---

"...to the face of actor 𝗖𝗵𝗼𝗶 𝗠𝗶𝗻𝗵𝗼, who looks at something as if filled with melancholy and stimulates curiosity..."

'New Normal’ will be available in theaters this November.

Source: link Trans ©AFlamer5299

[jinxedmuse]

⋆｡‧˚ʚɞ˚‧｡⋆

MASTERLIST

CONTENT GUIDE

fluff: ღ | suggestive: ✮ | smut: 𖤐 | angst: ☾ | fem: ❀ | gender neutral: ⟡ | male: ✰

ULTS + BIASES

works for: RIIZE (라이즈)

Osaki Shotaro (大崎将太郎)

— none so far

Song Eunseok (송은석)

— none so far

Jung Sungchan (정성찬)

— none so far

Park Wonbin (박원빈)

— none so far

Hong Seunghan (홍승한)

— none so far

Lee Sohee (이소희)

— best friend: your best friend sohee offers a "no strings attached" relief from the stress of your relationship but finds himself falling in too deep. 𖤐 | ❀ | ☾ (?)

Lee Chanyoung (이찬영)

— none so far

ot7 reactions + head cannons + scenarios + mtl

works for: bangtan sonyeondan 방탄소년단

Kim Seok-Jin

— none so far

Min Yoon-Gi

— none so far

Jung Ho-Seok

— none so far

Kim Nam-Joon

— none so far

Park Ji-Min

— none so far

Kim Tae-Hyung

— none so far

Jeon Jeong-Guk

— none so far

ot7 reactions + head cannons + scenarios + mtl

works for: seventeen 세븐틴

Choi Seung Cheol

— none so far

Yoon Jeong Han

— purple rose: you find out that your cranky boss at your bartending job turns out to be quite the mischievous co-host of an exclusive bdsm club. not wanting to back down, you try to ignore this new found info when at work. but once blurred lines are already crossed, can they really be forgotten? ☾ | 𖤐 | ❀

Joshua Hong

— let it happen: reader and joshua are in a confusing relationship. a constant tug of war over who can get each other more in love, and more heart broken. (based on gracie abrams “mess it up”) ☾ | ✮ | ❀

Wen Junhui (文俊辉)

— none so far

Kwon Soon Young

— none so far

Jeon Won Woo

— none so far

Lee Ji Hoon

— none so far

Lee Seok Min

— none so far

Kim Min Gyu

— none so far

Xu Ming Hao (徐明浩)

— none so far

Boo Seung Kwan

— new romantics: the “goody-two-shoes”, university athlete boo seungkwan encounters a “rebel against-all-odds”, biker!reader and truly learns what it means to have fun while living life for himself alongside new found, and utterly careless love. part 1 | ❀ | ✮

Hansol Vernon Chwe

— just wanna ease ya mind: based on jhene aiko’s “bed peace” ft childish gambino. (in other words, high sex with bf!vernon) ❀ | 𖤐

Lee Chan

— none so far

ot13 reactions + head cannons + scenarios + mtl

— if they had a black cat personality type s/o that showed affection (not so) subtly ღ | ⟡

— secret dating idol!svt — 95z line, & if you guys would get caught ⟡ | ღ

works for: t x t 투모로우바이투게더

Choi Soo Bin

— none so far

Choi Yeon Jun

— none so far

Choi Beom Gyu

— none so far

Kang Tae Hyun

— none so far

Kai Kamal Huening 정하원 休宁凯

— none so far

ot5 reactions + head cannons + scenarios + mtl

[dangerousstrawberryshark]

K-pop Boy Bands Stations

Seventeen

Choi Seung-Cheol (S. Coups)

...

Yoon Jeong- Han (Jeonghan)

...

Joshua Hong (Joshua)

...

Wen Jun-Hui (Jun)

...

Kwon Soon-Yeung (Hoshi)

...

Jeon Won-Woo (Wonwoo)

...

Lee Ji-Hoon (Woozi)

...

Lee Seok-Min (DK)

...

Kim Ming-Gyu (Mingyu)

...

Xu Ming Hao (The8)

...

Boo Seung-Kwan (Seungkwan)

...

Hansol Vernon Chwe (Vernon)

...

Lee Chan (Dino)

...

TXT

Choi Soo-Bin (Soobin)

Choi Yeon-Jun (Yeonjun)

Choi Beom-Gyu (Beomgyu)

Kang Tae-Hyun (Taehyun)

Kai Kamal Huenging (Huening Kai)

Monsta X

Sohn Hyun-Woo (Shownu)

Lee Min-Hyuk (Minhyuk)

Yoo Ki-Hyun (Kihyun)

Chae Hyung-Won (Hyung-won)

Lee Joo-Heon (Jooheon)

Im Chang-Kyun (I.M)

EXO

Kim Jun-Myeon (Suho)

Kim Min Seok (Xiumin)

Byun Baek-Hyun (Baekhyun)

Kim Jong-Dae (Chen)

Park Chan-Yeol (Chanyeol)

Do Kyung-Soo (D.O)

Kim Jong-In (Kai)

Oh Se-Hun (Sehun)

Zhang Jiashuni (Lay)

Li Jiasheng (Kris)

Lu Han (Luhan)

Huang Zitao (Tao)

Stray Kids

Christopher Chan (Bang Chan)

Lee Min-Ho (Lee Know)

Seo Chang-Bin (Changbin)

Hwang Hyun-Jin (HyunJin)

Han Ji-Sang (Han)

Felix Lee (Felix)

Kim Seung-Min (Seungmin)

Yang Jeong-In (I.N)

Kim Woo-Jin (Woojin)

NCT

Lee Tae-Yong (Taeyong)

Moon Tae-Il (Taeil)

Seo Young-Ho (Johnny)

Nakamoto Yuta (Yuta)

Qian Kun (Kun)

Kim Dong-Young (Doyoung)

(Korean Name) Lee Young-Heum (Ten)

Jeong Yoon-Oh (Jaehyun)

Dong Si-Cheng (Winwin)

Kim Jung-Woo (Jungwoo)

Huang Xuxi (Lucas)

Mark Lee (Mark)

Xiao Dejun (Xiaojun)

Wong Kunhang (Hendery)

Huang Ren Jun (Renjun)

Lee Je-No (Jeno)

Lee Dong-Hyuck (Haechan)

Na Jae-Min (Jaemin)

Liu YangYang (Yangyang)

Osaki Shotaro (Shotaro)

Jung Sung-Chan (Sungchan)

Zhong Chen-Le (Chenie)

Park Ji-Sung (Jisung)

ENHYPEN

Yang Jung-Won (Jungwon)

Lee Hee-Seung (Heeseung)

Jay Park (Jay)

Jake Sim (Jake)

Park Sung-Hoon (Sunghoon)

Kim Seon-Woo (Sunoo)

BTS

Kim Nam-Joon

Kim Seok-Jin

Min Yoongi

Jung Ho-Seok

Park Ji-Min

Kim Tae-Hyung

Jeon Jung-kook

Solo Artists

Lee Ho-Seok (Wonho)

Kang Dong-Ho (Baekho.)

Cho Seung-Youn (Woodz.)

[wascherin]

Daily Chosun, Friday, October 12, 1956

The Friendly Baseball Game Between the Ruling and Opposition Parties Will Be Held on the 13th

By The Correspondent

The opposing baseball game between the ruling and opposition parties of the National Assembly, sponsored by the National Assembly Correspondents Association and hosted by the National Assembly Sports Club, will be held at the baseball stadium of Baejae High School from 3 p.m. on the upcoming 13th. This game will be the first event in the nation to raise funds for dispatching the athletes of the Republic of Korea to the Melbourne Olympics, and to promote friendship between the ruling and opposition parties of the National Assembly. Details of both teams are as follows:

Team A

Ruling Party (Liberal Party)

General Manager: Kim Beop-rin

Manager: Lim Heung-soon

Travelling Manager: Jeong Dae-chun

Captain: Kim Jae-hwang

Pitcher: Ham Ji-hoon

Catcher: Yeom Woo-ryang

1st Baseman: Yoon Yong-gu

2nd Baseman: Kim Dal-soo

3rd Baseman: Choi Yong-geun

Shortstop: Kim Jae-hwang

Left Fielder: Park Man-won

Center Fielder: Song Woo-beom

Right Fielder: Kim Cheol-ju

Team B

Opposition Parties (Democratic Party, Association for the Constitution and Politics, and Independents)

General Manager: Jang Taek-sang (I)

Manager: Lee Seok-gi (DP)

Travelling Manager: Min Kwan-sik (ACP)

Captain: Kim Hong-sik (ACP)

Pitcher: Jo Young-gyu (DP)

Catcher: Kim Pan-sul (DP)

1st Baseman: Song Bang-yong (ACP)

2nd Baseman: Kim Jae-gon (ACP)

3rd Baseman: Kim Ki-chul (I)

Shortstop: Lee Cheol-seung (DP)

Left Fielder: Kim Hong-sik (ACP)

Center Fielder: Kim Dong-bu (ACP)

Right Fielder: Kim Young-sam (DP)

[olympianrol]

👻 Song Menor: Choi Beom Gyu (TXT), Song Eun Seok (Riize), Yoon Jae Hyuk (Treasure), Joo Chang Uk (Drippin), Sim Jae Yun (Enhypen).

👻 Kang Primogénita: Kim Ye Rim (Red Velvet), Choi Ye Won (Oh my girl), Kim Jung Eun (ARTMS), Son Chae Young (Twice), Moon Su A (Billie).

👻 Kang Mediana: Oh Hae Won (Nmixx), Yoon Se Eun (Stay C), Shin Ryu Jin (Itzy), Huh Yun Jin (Le Sserafim), Nakamura Kazuha (Le Sserafim).

👻 Choi Primogénito: Han Seung Won (Victon), Moon Tae Il (NCT), Chae Hyung Won (Monsta X), Nam Joo Hyuk, Kang Tae Oh.

👻 Choi Mayor: Choi Mi Yeon ((G)idle), Park Ji Hyo (Twice), Roseanne Park (Blackpink), Jung Eun Bi (Viviz), Kim Se Jeong.

👻 Choi Menor: Hong Eun Chae (Le Sserafim), Lee Won Hee (Illit), Choi Jung Eun (Izna), Lee Hyun Seo (IVE), Kim Chae Won (TripleS).

👻 Wáng mediana: Ning Yi Zhuo (Aespa)

Todos los físicos son sugerecias, excepto el la hija de los Wáng.

Fundadores - Petición

[rosenlily-aka-choconut]

was watching clips from BOF, kim beom has been a heartthrob since day 1 😍😍

Nice to meet you my friend and fellow KB fan 😀😀

So… from your ask I’m assuming you’ve watched BOF many times, and like me, you reach out to youtube to for those SoEul scenes. Am I right?

I do that a lot with his shows. Most frequently watched is Lee Rang, of course, and then Law School. Every time he smiles in Law school, I just… swoon ❤️❤️

[skeletonfumes]

The Man from Nowhere (2010) Lee Jeong-beom

[no-where-new-hero]

Since we seem to be the Lee Rang/ Yi Jeong / Kim Beom fan club leaders, I have to ask:

Have you ever read the classic "Heart of Porcelain"? I wept buckets over it. https://archiveofourown.org/works/24380932/chapters/58805542

LOL very glad to find another Kim Beom fan club leader (I am embarrassingly fond of making sure everyone knows he's my Blorbo of All Time)!!! I actually haven't read that yet because the idea of 141k words lowkey terrified me, but I've been enjoying other Yi Jeong fics, so I think that soon I will need to bite the bullet. That show really is made for fanfiction though because the canon is SO bizarre but also so ripe for imaginings. I can't say I'm the biggest SoEul (is that their fan name?) shipper but after making my tour around everything Kim Beom has ever been in, Yi Jeong is a bit of an iconic character.

If you have any other fics to recommend, I'd love to see them! The BOF fandom is a sprawling and unwieldy place lol.

[cosmosbeelover]

The History of Korean Male Soloists from the 20th Century: Episode 3.5/?

This section explores the ongoing journey of Kim Saeng-ryeo, focusing on the orchestras he established and participated in throughout his career. In the first part, I discussed his life and professional achievements.

Kyungsung Welfare Chamber Orchestra

Gyeongseong, which can also be spelled as Kyungsung, refers to the same Welfare Chamber Orchestra.

The Kyungsung Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團), originally established as the National Music Popularization Corps (국민총력조선연맹; 國民音樂普及挺身隊), aimed to disseminate quality music and its artistic values to the public. This pro-Japanese ensemble was created to support the welfare initiatives of the Government-General of Korea (朝鮮總督府), performing in diverse settings such as educational institutions and various production areas, including agriculture, industry, and fishing, to provide uplifting music to the community.

Members of the Gyeongseong Chamber Orchestra in the 1930s.

This chamber orchestra, established in 1942, comprised musicians who had previously performed with the New Beijing Symphony Orchestra, which originated in Manchuria. At its inception, the orchestra was conducted by Kim Saeng-ryeo, with notable members including Kim Seong-tae, Kim Cheon-ae, Lee In-beom, Kim Tae-yeon (김태연), Lee Yu-seong (이유성), Lee In-hyeong, Park Pyeong-su (박평수), Lee Yong-cheol, Ahn Seong-gyo, and Lee Kang-ryeol (이강렬). Following its reorganization in 1944, Hyeon Je-myeong took on the role of chairman, while Kim Won-bok, Yun Ki-seon, Lee Heung-ryeol (이흥렬), Jeong Hee-seok (정희석), Lee Gyu-yong (이규영), Na Un-yeong (나운영), Jeong Yeong-jae (정영재), Kim Yeong-ae (김영애), and Lee Jong-tae (이종태) continued to contribute as active members.

He performed at the Music Patriotic Concert organized by the Joseon Music Association under the Japanese Government-General. In 1944, he travelled to Manchuria to help integrate the Welfare Chamber Orchestra into the New Symphony Orchestra. As a result, he was listed in the music section of the Dictionary of Pro-Japanese Figures compiled by the Institute for Research in Collaborationist Activities in 2008.

In February 1943, the orchestra, backed by the National Mobilization Association of Korea, organized a national music concert at Bumin Hall (부민관). During its inaugural year, the orchestra conducted a total of 152 performances over eight months, which included 36 general concerts, 46 school concerts, 19 consolation concerts for industrial soldiers, 44 consolation concerts for the military, and 7 additional concerts. In acknowledgment of its contributions, the Gyeongseong Welfare Chamber Orchestra was awarded the 5th Joseon Arts Award (朝鮮藝術賞) by Shin Taiyosha (新太陽社) in Japan in May 1945.

Lee In-beom, Kim Seong-tae, Kim Cheon-ae, and Lee In-hyeong appearing in the advertisement for the Gyeongseong Welfare Chamber Orchestra. 경성후생실내악단의 광고에 나오는 이인범·김성태·김천애·이인형

Activities

The Kyungsung Welfare Chamber Orchestra has a rich history of performances, beginning with its inaugural concert on June 11, 1942, followed by a second concert on December 24 of the same year. The orchestra continued to showcase its talent with a third concert and a Japanese National Music Concert on February 24, 1943, and a solo performance by Kim Cheon-ae in April 1943. Notable events included a patriotic chamber symphony night dedicated to a battleship on June 29-30, 1943, and participation in the Song of the Peninsula Liberation Day Concert on August 3, 1943. The ensemble also organized an open-air music and film night to commemorate the conscription system on the same day. In 1944, the orchestra toured mines and factories in North Hamgyong Province at the invitation of Cheongjin University, followed by concerts aimed at uplifting fishing villages and mining communities in Gangwon-do from August 12 to August 19. The Jeollabuk-do Industrial War Memorial Concert took place from August 22 to August 29, 1944, and the orchestra held its 11th concert from October 2 to 4, 1944. The year concluded with a Grand Concert from January 20 to 22, 1945, and a Hope Concert from March 23 to 25, 1945. The orchestra was honoured with the Joseon Art Award on May 8, 1945, and performed in China from May 5 to May 7, 1945, culminating in an evening of literature and music on August 1, 1945.

The National Music Popularization Corps/ Total Mobilization Federation

A pro-Japanese organization identified "When We Go to the Sea," "Battleship March," "The Power of Asia," and "National March Song" as key selections for the National Song Collection, promoting their performance across various regions. They established a singing guidance team known as the National Song Singing Movement Volunteer Corps, which was mandated to tour and perform these songs. The National Mobilization League, influenced by Western-oriented figures such as Hyun Je-myeong, Kim Seong-tae, Go Jong-ik (고종익), and Lee Heung-ryeol, played a significant role in advancing the Japanese name change policy implemented by the Government-General of Korea. This pro-Japanese entity was ultimately dissolved in July 1945, merging into the Korean National Volunteer Corps.

1977 Broadcast 50th Anniversary Commemorative Performance. In 1927, Gyeongseong Broadcasting Station was established and began radio broadcasting. This is generally considered to be the origin of broadcasting in Korea. This is a photo of the 50th anniversary commemorative performance in 1977.

Chosun Symphony Orchestra (조선교향악단; 朝鮮交響樂團)

The orchestra was established in 1940 through the reorganization of members from the Gyeongseong Orchestra and the Gyeongseong Broadcasting Orchestra. Directed by Park Gyeong-ho (박경호), it held its first concert in 1940 at Bumin Hall, featuring works such as Schubert's "Unfinished Symphony" and Beethoven's "Egmont Overture." Additionally, it premiered the dance drama "Heungbu and Nolbu," composed and conducted by Kim Seong-tae, which marked a significant development in dramatic music inspired by folklore. Shortly thereafter, the orchestra presented Kim Seong-tae's original work "Heungbu and Nolbu" under his direction, engaging in ambitious performances. However, the onset of the Pacific War ultimately led to the disbandment of the Joseon Symphony Orchestra.

People who led the Western music of Gyeongseong Broadcasting Station

In the photo is says Hong Jae-yu (Left) and Park Kyung-ho (Right). Below it says Gyeongseong Broadcasting Station (In Red) and Central Musicians Association 1927 (In Blue).

Kim Saeng-ryeo (김생려), along with Hong Nan-pa (홍난파) and Park Gyeong-ho (박경호), played a pivotal role in introducing Western music to Korea during the Japanese occupation and in the subsequent periods, including the Korean War. These three individuals endured one of the most challenging eras in Korean history, and despite facing censorship, destruction, and loss of their works, their legacy endures. Kim Saeng-ryeo was the last to continue his musical career until his death in 1995. Although their contributions are not widely recognized, many Koreans today continue to honour their achievements, particularly through performances of orchestral works created by them, highlighting the significant impact these artists had on the cultural landscape during a tumultuous time.

The inaugural broadcasting station in Korea commenced operations on February 16, 1927, following preliminary test broadcasts initiated in December 1924 by the Governor-General and the Chosun Ilbo. These early broadcasts included a test by Yangak, although detailed records of the Governor-General's broadcasts on the 9th and 10th remain scarce. Notably, Hong Nan-pa participated in the Chosun Ilbo's test broadcasts on the 17th and 18th, with documented evidence and photographs showcasing his violin performance.

The photo says ‘Special broadcast of the launch of the second broadcasting station with the Gyeongseong Broadcasting Station Orchestra and Isu’.

The introduction of Western music to Korea can be traced back to the 1910s, particularly through the efforts of Hong Nan-pa, aligning with a broader cultural exchange during that era. This music, referred to as Gukak or Changga, distinguished itself from children's songs, pop songs, and folk songs, appealing not only to Koreans but also resonating with Japanese audiences, indicating a successful integration of Western musical influences. In 1919, the Gyeongseong Music Friends Association was established, marking the inception of an orchestra. By 1926, prior to the country's opening, the Central Music Association was formed, which performed a celebratory piece for the inauguration of the Gyeongseong Broadcasting Station. During this period, Hong Nan-pa was studying in Japan, while key figures such as Park Kyung-ho and Mrs. Boots from Ewha Woman’s University (이화여자대학교; 梨花女子大學校) played significant roles. The Central Music Association was comprised of approximately 15 members, including notable musicians like Kim Hyeong-jun and Choi Ho-young, who contributed to its leadership. Mrs. Booth, a graduate of the Pittsburgh Conservatory of Music, was proficient in multiple instruments and significantly advanced the local music scene.

The trombone on the left was Park Geon-won (박건원), and the trombone on the right was Baek Byeong-gon (백병곤). The photo above is a performance scene taken when the group was first formed and broadcast.

The JODK orchestra made its debut on April 13, 1928, initiating a new era of music broadcasting. This ensemble, which began as an amateur group, was notable for being the first professional orchestra in the region to compensate its members. Among those involved were Park Kyung-ho and Hong Nan-pa, with around 18 musicians participating in performances two to three times monthly. In 1929, after returning from his studies in Japan, Hong Nan-pa witnessed a flourishing Western music environment. He dedicated himself to education at the Central Day-care Centre and revitalized the jazz band, which subsequently engaged in active broadcasting efforts.

The initial volume of Hong Nan-pa's extensive collection of 100 children's songs from the Joseon era was published, coinciding with a surge in music broadcasting activities at Gyeongseong Broadcasting Station. In 1931, Hong Nan-pa travelled to the United States for further studies, yet the foundation of his work remained intact, allowing him to return in 1933. During this period, a second Korean language broadcasting station was established, contributing to a more vibrant musical landscape.

From right to left of name shown in the photo -> Baek Myeong-gon (백명곤), Lee Jil (이질), Lee Byeong-sam (이병삼), Kim Won-tae (김원태), Hong Sae-yu, Hong Nan-pa, Choi Ho-young (최호영), Kim Seong-sun (김성선) and Park Won (박원). Below it says -> ‘1929 Summer JODK Broadcast – Jazz broadcast in Seoul for the first time’ - From Mr. Nayoung Yoon's home page.

A trio of violinists, including Hong Seong-yu (홍성유) and Lee Young-se (이영세), emerged during this era, alongside notable musicians such as violinist Jeon Su-rin and clarinetist Kim Kyo-seong. These artists, along with drummers and other instrumentalists, were not only prominent composers but also integral members of broadcast orchestras and jazz ensembles. The distinction between classical music, popular music, and children's songs was increasingly blurred, reflecting a unique cultural moment where the categorization of music was less significant than the enjoyment it provided.

It is often believed that Hong Nan-pa exclusively performed children's songs and classical music; however, he also released popular songs under various stage names. Actively involved in both broadcasting and academia, he played a significant role in the establishment of the JODK Orchestra at the Gyeongseong Central Broadcasting Station, which was formed on April 13, 1935. This orchestra marked the beginning of extensive musical activities, enhancing the breadth and depth of the station's musical offerings. Notably, in 1985, the Korean music history published by the Korea National University of Arts acknowledged Hong Nan-pa's contributions alongside those of Chae Dong-seon (채동선) and others, highlighting their performances of orchestral works by Im Dong-hyeok and the emergence of creative music in Korea. His composition "The Heart of a Traveler" was particularly significant, as it was made possible through the efforts of this orchestra.

From left to right - > Hong Seong-yu, Lee Young-se and Hong Nan-pa Gyeongseong Broadcasting Station’s 1st performance – August 1933

A photograph capturing contemporary musicians, including Hong Nan-pa, Hong Seong-yu, Kim Won-bok, Hong Jae-yu, Hong Eun-yu, and Park Gyeong-ho, showcases their collaboration with Hyun Jae-myeong and Dokgo Seon at the broadcasting station. Hong Seong-yu and Kim Won-bok, a couple united by their passion for the violin and piano, gained fame as a duo through numerous concerts and activities. After studying in the United States, they adopted their current name in 1929. Hong Nan-pa also served as the first chairman of the Joseon Music Association, established in 1930 while he was a professor at Yeonhui University, and he earned a doctorate in vocal music in 1937.

From top left to bottom right -> Dong Ko-seon (독고선), Hyeon Je-yeong (현제명), Park Kyung-ho (박경호), Hong Eun-yu (홍은유), Hong Jae-yu (홍재유), Kim Won-bok (김원복), Hong Seong-yu (홍성유) and Hong Nan-pa (홍난파). Musicians who attended the Yunim Budda Concert – Na Woon-young’s Hall (홍성유님 부처 연주회에 참석한 온악인 나운영 선생님 홈에서). There is also another translation of this –> ‘At the home of Na Woon-young, a musician who attended Hong Seong-yu's Buddha concert ‘

Although Hong Nan-pa passed away prematurely, his legacy continued to flourish after Korea's liberation. He was instrumental in the founding of the Seoul National University College of Music and remained an influential figure in the music industry until his death in 1970. His connections in broadcasting extended to notable figures such as Chae Seon-yeop, Lee Heung-ryeol, Park Tae-hyun, and Hong Jong-in, further solidifying his role as a pivotal figure in the development of Korean music.

Gyeongseong Broadcasting Station Orchestra and Wang Su-bok (경성방송국 관현악단과 왕수복)

The musical endeavours of Gyeongseong Broadcasting Station were significantly impacted by the outbreak of World War II, coinciding with the death of Hong Nan-pa. Following his passing, Kim Saeng-ryeo, who had been assisting Hong as a conductor, assumed leadership of the Broadcasting Orchestra and appointed Gye Kye-sik as a temporary conductor. However, the arrival of Japanese conductor Eiji Nakagawa led to complications in the conducting process, reflecting the broader turmoil of the war, which rendered the activities of Gyeongseong Broadcasting Station increasingly futile during this tumultuous period.

The legacy of Hong Nan-pa looms large, overshadowing many contemporaries whose contributions remain less recognized, yet numerous individuals forged connections with Gyeongseong Broadcasting Station. Notably, figures such as Park Kyung-ho and Kim Saeng-ryeo played pivotal roles in this narrative. Park Kyung-ho was particularly influential in the station's musical landscape, especially during Hong Nan-pa's absence abroad, and he was instrumental in significant events such as the station's inauguration in 1927 and the celebratory concert for the second broadcast in April 1933, highlighting his central role in the station's history.

From left to right -> No Jeong-pal (노정팔), Park Kyung-ho (박경호), Ahn Ik-tae (안익태), hwa Jae-gyeong (활재경), Choi Chang-bong (최창봉). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Following the liberation in 1946, KBS assumed its current programming responsibilities, with Kim Saeng-ryeo serving as the planning manager. In June 1949, he made history as the first individual in broadcasting to undertake a six-month training trip to the United States, subsequently working with the Voice of America during the 1950s. Born in 1912, Kim was a student at Yeonhui College in 1939 under the direction of conductor Hong Nan-pa. After Hong's death in 1941, Kim took over the leadership of the Broadcasting Symphony Orchestra at Gyeongseong Broadcasting Station and continued to oversee the KBS Orchestra until after the liberation.

From left to right -> Lee Gye-won (이계원) and Park Kyung-ho (박경호). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Kim Saeng-ryeo's Memoir (from the 1977 edition of Korean Broadcasting System)

In the spring of 1939, during the JODK period, he assumed the position of conductor for the broadcasting orchestra, which initially comprised around ten members. Hong Nan-pa, previously known for his accompaniment work, was appointed as the music director of JODK. Following his appointment, he initiated an expansion of the orchestra by acquiring instruments from Japan, which led to an increase in membership to twenty-five. This development culminated in the live broadcast of the Haydn Mozart Symphony, marking a significant milestone as it was also transmitted to Korea.

The formal establishment of the professional orchestra is recognized as occurring on May 16, 1940, under the direction of Hong Nan-pa. The orchestra's repertoire included notable works such as "Spanish Night" by Bizet, "Humoresque" by Dvorak, "Golden Wedding Anniversary" by Marie, "Little Toy Soldier" by Rosey, "Dancing Doll" by Poldini, and "Objects of the Desert" by Zamenik.

Kim Saeng-ryeo (김생려)

Shortly thereafter, Mr. Hong Nan-pa fell ill, prompting my engagement as a contractor in 1944. I assumed Mr. Nan-pa's responsibilities and transitioned into a permanent role. Following his passing, I was appointed as a temporary conductor and subsequently became a full-time member of the broadcasting station. Additionally, we expanded our team by recruiting approximately 20 new members and sought opportunities for external performances, culminating in a 40-member orchestra supported by a budget for 25 full-time positions, which proved advantageous for JODK.

At that time, Onoda, a Japanese individual leading the business department, had studied conducting in Vienna under Eiji Nakagawa and was invited to serve as the chief conductor around 1942. Although we held high hopes for his leadership, our initial rehearsal left us disheartened. Nevertheless, around 40 musicians rallied behind Mr. Gye Jeong-sik, who endeavored to facilitate international performances. However, Onoda's nationalistic tendencies hindered these efforts, as he was reluctant to engage in public appearances, possibly due to personal sentiments.

Negotiations with Onoda occurred multiple times, with around 20 unpaid members participating in broadcasts under Eiji Nakagawa's direction. Despite his willingness to continue, he insisted that external performances be managed by an accountant, a request that was consistently denied. This marked the initial attempt to cultivate the Korean orchestra movement, which was initiated by a Japanese individual named Han, yet it faced inevitable challenges due to prevailing prejudices.

Double Broadcast Commemorative Performance - Sogong-dong Gyeongseong Public Hall - (2중방송 기념 공연 - 소공동 경성공회당-)

Ultimately, with the exception of approximately ten exclusive members, all individuals departed from JODK, leading to his resignation and withdrawal from the organization. The former members who left attempted to unite and establish a new orchestra; however, their efforts were unsuccessful. Consequently, the JODK Orchestra reverted to a ten-member ensemble, transforming into an accompaniment orchestra before ceasing to exist after August 15th, maintaining its current form since 1949.

The Seoul Symphony Orchestra, which served as the precursor to the city orchestra, was situated at the Jeongdong Broadcasting Station during this period. Under the guidance of American advisor Rolf Jacobi, a genuine broadcasting initiative commenced, marking the beginning of the symphonic movement.

The War of National Foundation (Movie)

This section discusses President Syngman Rhee, featured in a 2024 Korean independent film directed by Kim Deok-young. The documentary explores the historical significance of Rhee, the first to third President of the Republic of Korea, highlighting his efforts to rescue classical musicians from abduction by founding the 'Naval Military Music Band.'

Following Korea's liberation from Japanese rule in 1945, the peninsula was divided by the United States and the Soviet Union at the 38th parallel, leading to divergent ideological paths for the North and South. North Korea, influenced by Soviet communism, evolved into a repressive dictatorship that violated human rights and stifled freedom. In contrast, South Korea embraced liberal democracy under American influence. This film examines how two nations, sharing a common language, history, and culture, became polarized into vastly different states, emphasizing Rhee's pivotal role in shaping the Republic of Korea over the past seven decades.

1st Trailer

2nd Trailer

Evaluation

The film occupies a unique space between a biographical portrayal and a documentary focused on a historical event, presenting a nuanced interplay of broader societal changes and individual experiences. It diverges from the typical binary of good versus evil often found in Korean political narratives. Given its exploration of political figures and events, it inevitably elicits varied interpretations influenced by viewers' political affiliations, irrespective of the film's artistic merit.

Syngman Rhee, a figure marked by both significant achievements and controversies, has sparked polarized assessments; some argue the film prompts a reassessment of his legacy, while others contend it distorts historical facts. Critics have labelled the film as one that undermines Rhee's contributions, alleging it misrepresents the spirit of the March 1st movement and unduly glorifies pro-Japanese elements associated with the New Right, despite Rhee's clear anti-Japanese stance.

The discourse surrounding the film reveals a spectrum of opinions, from those who find merit in its message to others who deem it overly simplistic and biased, resulting in a stark division in public reception, as evidenced by emotional responses from viewers.

Establishing the 'Naval Military Music Band'

The film 'The War of National Foundation' is said to have exceeded 820,000 viewers by the 22nd, merely three weeks after its February 1, 2024 release. While it is customary to pay tribute to the founding president, discussions regarding President Syngman Rhee among Koreans are just beginning to emerge. However, an important narrative remains untold in the film; few are aware that President Rhee played a significant role in the advancement of high-level classical music, which is now celebrated by Koreans as a 'K-classic'.

This is a photo taken by the Jeonghun Music Band, which was founded during the war, during its Jinhae tour in December 1950. All members are wearing navy uniforms as naval personnel, which is unusual. Courtesy of Jeong Seong-yeop, Executive Director of the Republic of Korea Military Song Commemoration Association.

The outbreak of the Korean War in 1950 led to the fall of Seoul, forcing musicians to flee amidst the turmoil. In this chaotic environment, there was little support for these artists, compelling them to navigate their own paths. Conversely, Kim Il-sung recognized the strategic value of music for propaganda and invited Jeong Yul-seong, a member of the Chinese Communist Party, to North Korea, granting him the rank of Major in the North Korean Army. Jeong Yul-seong subsequently recruited and forcibly abducted musicians who remained in Seoul, resulting in the capture of many, including baritone Professor Kim Hyung-ro, who was married to Professor Kim Soon-ae, the composer of the Korea Military Academy's school song and known for "Because of You."

In response to these developments, conductor Kim Saeng-ryeo of the Seoul Symphony Orchestra and the era's leading soprano, Kim Cheon-ae, proposed the establishment of a military music corps to President Syngman Rhee. Despite resistance from various military branches due to operational priorities, Chief of Naval Operations Son Won-il, who understood the significance of music as his wife was an Ewha Womans University music graduate, successfully advocated for the initiative, leading to the formation of the 'Naval Military Music Corps' on October 1, 1950.

President Syngman Rhee meets with the Children's Press Corps in 1957. Courtesy of the Ministry of Patriots and Veterans Affairs.

A total of 130 musicians, both male and female, resided in the 'Bupyeong Inn', a distinctive three-story building shaped like the letter 'ㅁ' in Bupyeong-dong, Busan. This group was responsible for operating a symphony orchestra, a choir, and a creative department. Notable figures among them included composers such as Kim Dong-jin, Kim Seong-tae, Na Woon-young, and Yoon Yong-ha, along with conductors Kim Saeng-ryeo and Lim Won-sik. The ensemble also featured prominent musicians like violinist Ahn Byeong-so, cellist Jeon Bong-cho, pianist Baek Nak-ho, and vocalists Kim Cheon-ae, Lee In-beom, Kim Hye-ran, Hwang Byeong-deok, Oh Hyeon-myeong, and Ahn Hyeong-il. Their performances provided comfort and morale-boosting support to both troops and civilians.

Many of the musicians rescued from potential abduction by North Korean forces under President Rhee Syng-man have become foundational figures in the classical music scene of Korea, contributing to its rich heritage. This location was also the birthplace of Korea's first mixed professional choir. In 1957, the 'Navy Symphony Orchestra' rebranded itself as the Seoul City Symphony Orchestra, continuing its tradition as a leading musical institution. Additionally, it launched 'Jeonghun Music', Korea's inaugural music magazine. Following the recapture of Seoul on November 11, 1950, the 'Jeonghun Music Band' commemorated the Navy's fifth anniversary with a series of six concerts over three days at the 'Sigongwan' in Myeongdong, aimed at uplifting the spirits of UN forces and local citizens affected by the war.

The upcoming year will mark the 80th anniversary of the Republic of Korea Navy, established on November 11, 1945. This milestone raises the question of whether there will be a celebratory performance to honour the Navy's role in founding the Seoul City Symphony Orchestra. The unprecedented policy of safeguarding musicians during wartime is a significant aspect of history, and it serves as a reminder of President Rhee Syng-man's contributions to the arts and culture during a tumultuous period.

[papaya2000s]

The History of Korean male groups’ evolution over time -> Part 3.5

Before i start, i will be mentioning other Male Groups' that come after the Yeonhee Professional Orchestra (연희전문사중창단) and briefly mention the ‘Youth Member’ again, as they are similar in a way and are important in the timeline of Male Groups' weather they were the 'First' or 'Not First' Male Group to appear in Korea.

Before Liberation - 1930s

The phonographic album under discussion features the Yeonhee Professional Orchestra, recognized as Korea's pioneering male vocal ensemble, transitioning from performing hymns, cheer songs, and school songs to popular tunes. Dating back to the 1930s, a period marked by Japanese colonial rule, the sound albums produced by the Yeonhee Professional Orchestra are regarded as exceptional and scarce collectibles, adding to their allure and historical significance.

I am carried / Ha.ha.ha Album front - 나는실혀 / 하.하.하 앨범 앞면

Yonhee College Choir, formed by Yonhee College students

The 1960s saw a surge in male quartets in Korea, with groups like the Bluebells, Mellotone Quartet, Johnny Brothers, Bongbongsa Quartet, and Arirang Brothers gaining popularity. The Bluebells, known as 'Korea's first male vocal group', were a pioneer in the genre. However, the Yeonhee Professional Orchestra, a group from Yonhee College, had already made significant contributions to the music scene during the Japanese colonial period. The Bluebells played a crucial role in shaping the male quartet landscape in Korea, but it is essential to acknowledge the contributions of earlier groups like the Yeonhee Professional Orchestra in paving the way for male vocal harmony groups in the country.

Yeonhee Professional Orchestra, featuring tenor Lee In-beom, Choi Seong-du, bass Hwang Jae-kyung, and second bass Shin Young-gyun, debuted in 1932 with the release of Yeonhee College's and they released folk songs, original and adapted songs, and appeared on Gyeongseong Broadcasting Station (JODK) with Hyun Je-myeong. In April 1935, the team changed to 'Yeonjeonsa Intertwine', and their last album was composed by Hyun Je-myeong in December 1936.

Songs that they released: 1. September 1932 with the release of Yeonhee College's <Cheering Song> (응원가) and <School Song> (교가) 2. Folk songs, they also released original and adapted songs such as <I Am Carried> (나는실혀) and <Hahaha> (하하하) 3. December 1936, their last album <Lamb> (절늠발이), composed by Hyun Je-myeong.

History of domestic male vocal teams

The traces of male vocal teams in the history of Korean popular music begin with youth members singing the first song, “Hakdoga,” (학도가) released by ‘Youth Member’ in 1923. It is difficult to consider the ‘Youth Member’ specified in the album as a team name. The exact names of the members still cannot be confirmed.

In November 1925, Choi Dong-jun, Kim In-jae, Ahn Ki-young, and Jeong Seong-tae released <Let's Go for a Safe Delivery> (순산을 향해 갑시다) as a gramophone Album (SP) (Album number k579 on Nibbonohong). The names of the members were written here, but only ‘male master’ (남성 사부) was recorded without the team name. The first male vocal team to officially decide on a team name and release an album was the Yeonhee Professional Ensemble, formed by four college students from Yeonhee College.

At first, sung Hymns, School songs, and Cheer songs.

This is where it might become a bit confusing for some as it mentions other songs and Album Numbers that might not make sense to how its apart of the History Korean Male Groups, but it does is some way.

The official debut song of the Yeonhee College Choir was the Yeonhee College cheer song and school song recorded on the Columbia SP Album (Album number 40358) in September 1932 . In other words, they were not a male vocal team singing popular songs from the beginning. So, at first, the team name was written on the album as Yonhee College's quartet.

Those who sang hymns and school songs on campus released <Watermill> and <Farmer's Song> in September 1932, following <Idiot Tour of Seoul>, an adaptation of a song by foreign composer Smith, and <Let's Play>, a black folk song (Columbia Records, Album Number 40359). The folk song SP (Colombia Records, Album Number 40361) containing , was released under the same team name.

Korea’s 'First' Male Vocal Group, Yeonhee Professional Orchestra.

In April 1933, the Yeonhee Professional Orchestra released <Hahaha>, an adaptation of a song by foreign composer Crown, and <I am Silheo>, composed by Sherbone, as a sound record on Columbia Records. It is unusual that the name of the arranger, Ji Gong-bo, who is presumed to be a foreigner, is specified on the album.

I couldn't find a picture of the album only the record, as show at the top of this post.

This album is the first male vocal group in Korea, the Yeonhee Professional Singers' Intertwine, which began singing popular songs of various genres in earnest. This album tells us that they left school and began their full-fledged activities as a male vocal team. In fact, after the release of the album, there remains a photo of the Yeonhee Professional Orchestra appearing on Gyeongseong Broadcasting Radio with Professor Hyeon Je-myeong, who played the piano.

Yeonhee Professional Orchestra (1932) Members - In-beom Lee, Seong-du Choi, Jae-kyung Hwang, Young-gyun Shin (Piano Hyun Hyun-myeong) In Korean - 이인범, 최성두, 황재경, 신영균(피아노현재명)

Afterwards, in August 1933, <Song of the Wanderer> and the song <Song of Joseon> (Album Number 40450) were released, and in September 1934, the Manyo-style popular songs <Dream Janggayo> and <Goodbye> (Columbia Records, Album Number 40450) were released. 40536), and in January 1935, <My Wife Who Sleeps Not> and <Sapsalgae> were released in succession. Until this album, the team name was written as Yeonhee Professional Orchestra.

Afterwards, in April 1935, the team name was changed again to the Yeonjeonsa Orchestra, and in December 1936, they released <Lambly>, composed by Hyun Je-myeong, which cannot be found and the phonograph albums they released are evaluated as rare albums, as mentioned further up in this post.

Included Songs:

The two song that were sung by the Yeonhee Professional Orchestra.

Sources:

https://terms.naver.com/entry.naver?docId=3435260&cid=60487&categoryId=60491

https://terms.naver.com/entry.naver?docId=5680834&cid=58276&categoryId=58607

https://lyrics.aztext.net/2023/08/blog-post_58.html

https://blog.naver.com/hanjy1053002/223335966054