#led tv brand Haves

[havesindia]

Haves Technology Launches Haves LED TV Brand: Revolutionizing Home Entertainment.

Haves Technology, a trusted name in consumer electronics, has entered the home entertainment market with the launch of its latest innovation: the Haves LED TV brand. This move marks a new chapter for the company, which has consistently pushed the boundaries of technology to deliver high-quality, user-friendly products.

A Bold Move into the LED TV Market

The LED TV market is competitive, with numerous brands vying for consumer attention. However, Haves Technology is not just stepping into the race but aiming to redefine it. With a focus on superior picture quality, advanced features, and affordability, the Haves LED TV brand is designed to cater to modern households seeking a premium viewing experience.

What Makes Haves LED TVs Stand Out?

Haves Technology promises to bring unique features to its LED TVs, setting them apart from existing options:

Cutting-Edge Display Technology

Haves LED TVs feature Ultra HD 4K and OLED options, providing vibrant colors, deep blacks, and unmatched clarity. Whether you're a movie enthusiast or a gamer, these TVs offer a truly immersive experience.

Smart Functionality

Equipped with the latest smart technology, Haves LED TVs come with integrated AI voice assistants, streaming platform compatibility, and seamless mobile integration. Browsing Netflix, YouTube, or even controlling smart home devices has never been easier.

Energy Efficiency

Staying true to its commitment to sustainability, Haves Technology has designed these TVs to be energy-efficient, helping consumers reduce their electricity consumption without compromising performance.

Affordable Luxury

Unlike other premium brands, Haves aims to strike the perfect balance between luxury and affordability. These TVs offer high-end features at prices accessible to a wider audience.

Why Choose Haves Technology?

For years, Haves Technology has been a name synonymous with innovation and quality. The launch of the Haves LED TV brand is a testament to the company’s dedication to enhancing everyday life with reliable and futuristic technology. Customers can expect the same standard of excellence that Haves has consistently delivered in other product categories.

Availability and Models

The Haves LED TV lineup will be available in various sizes and configurations to suit different needs, from compact models ideal for bedrooms to expansive screens perfect for home theaters. The TVs are set to hit major retailers and online platforms starting mid-November 2024.

Customer-Centric Approach

Haves Technology also offers exceptional customer service, including easy installation, extended warranties, and a 24/7 support system. The company’s dedication to customer satisfaction ensures that buyers will not only enjoy top-tier products but also peace of mind.

Looking Ahead

The launch of the Haves LED TV brand is just the beginning. Haves Technology is already working on introducing new features like augmented reality integration, personalized content suggestions, and even thinner displays in future models.

Conclusion

As Haves Technology ventures into the LED TV market, it aims to deliver an unmatched combination of style, performance, and affordability. With a focus on customer needs and technological innovation, the Haves LED TV brand is poised to become a household name in home entertainment.

Stay tuned for updates on product launches, availability, and exclusive offers by following Haves Technology on their official website and social media platforms.

Learn More.......!!!!

[hxlda-hxlda]

thank u thank u @fiddleleafedfig for the tag !!

nine people you want to get to know better

last song: when i opened the tag, 'alien blues' by vundabar but currently i'm listening to hozier 'would that i'. as of finishing writing this, radiohead. there you have it.

favourite colour: a deep cherry red. the kind that would make a really lovely lipstick gloss.

last movie/tv show: i'm terrible with shows and movies, but i was watching the bowie doco (moonage daydream) the other day, keeping on brand ik. i also love british comedians so 'would i lie to you?' is probably up there as well.

sweet/savoury/spicy: sweet if it is really well done. i'm talking specifically that one pub down by where i live that for some reason makes the best chocolate lava cake ever. if not, savoury forever.

last thing i googled: beatles guitar songs for beginners. i've decided to relearn guitar and i'm back to the absolute basics.

current obsession: concerts! this is a long-standing love but it is very evident lately. the way concerts down here work is that no one comes for years bc of the trek to aus, and then randomly there's this one month period where everybody is here at once and suddenly i have to choose between favs. that has been this month! hard on the bank account but my soul is thriving with a concert every other week. saw noah kahan, it was life-altering.

last book: i'm between the '50 yrs of led zeppelin' biography by mick wall, and 'anna karenina' by tolstoy atm. (adding it) last fic: blends by rvltn909. finished it yesterday and oh my god. the crime that was me putting it off.

looking forward to: still a little ways away, but i'm moving to america for (my) winter-spring!! i've work in the states, which i'm thrilled abt. it also means i am tracking down artists who refuse to concert in aus (hozier for the love of god) and trying to sneak them in as well.

np tags (apologies if you've already been tagged): @fairylittlebitch @alltoounwellll @the-moon-says-hi @just--vi @whyistarchaser @bellaxisworld @feminist-cult-following @none-of-it-was-accidental @svnflowermoon + ofc anybody else who wants to. tag me. let me know you all.

[cokou]

HIII- I’d like to make a request of Ace w fem reader on their period and Ace uses his flame Devil fruit to ease out the cramps! (y can I just have a shirtless, loud, raven-headed boyfriend with a orange cowboy hat that’s literally ✨GORGEOUS✨.. it’s just sad tbh 😔)

(ps; ur fanfics do NOT fail to make my body tingle 🤭🤭)

Note ✉* ~ I thought that I didn't appreciate Ace at all until i reached Marine ford😞, TYSM FOR REQUESTING ANONN!! || Do not translate, transfer, or reform, this is my only account (exp. Ao3), will not be cross posted anywhere. || 𖤐٭┆Masterlist

Summary* ~ Your sweet boyfriend uses his Devil Fruit to relieve your cramps💗 Warnings* ~ Modern AU || Genre* ~ SFW

ᶜᵃʳᵉ ᶠᵒʳ ˢᵒᵐᵉ ᵐᵘˢᶦᶜ, ᵈᵉᵃʳ ʳᵉᵃᵈᵉʳ?

Hot Man (Literally)

You: can you get me pads on your way to my house bae? Hot man (Literally): Is it ketchup month? Btw i already brought them for you mama :P See you at the doorstep! (You reacted ❤️) You: Love you Hot Stuff <3 (Hot Man (Literally) reacted ❤️)

You shut off your phone was you scatter around your room, brushing your hair, doing extracurricular activities before your boyfriend came over at your place. You had invited him over for dome movie night and simply because you were feeling like having him agaunst your side right now.

You impatiently wait for the doorbell to ring as you rot on your couch, browsing up stuff from the media. You jumped off the couch as you heard repeatedly ringing of your doorbell by the door, rushing over to wuickly answer the door.

"Hey mamas! Feeling good today?" Ace let's himself in as you open the door for him, placing down the take out foods by the living rooms table and slumping himself on the couch, lazily signalling you to join him and cuddle on the couch.

"Just a bit upset is all. " You ranted.

Ace rose up from the couch, still hugging you to his chest,

"What's wrong Princess?" He pats your head.

"Terrible cramps today, haha." You jokingly laugh as you take out the take-out food your boyfriend had bought for you.

"Need anything? You know I'm always here for you." Ace slumped his arm across your shoulder as he looked at the current TV show playing, slightly fixing his hat but decides to just remove it and toss it on the ground.

"Oh and, here. Your pads" He reaches over the plastic set across the living rooms table and slightly dishevel the plastic, taking out a whole box of your chosen napkin brand. You almost choked on how many he had bought and thought of how much money did he even soent and HOW he even got money to spend in the first place.

"..What the— Babe isn't that just a little bit too much? I mean..i asked for a SINGLE box, not the whole shelf!"

"Just incase of an emergency you know! I actually watched something on the media— you can do lots of things using napkins and—"

" Okay, Okay stop! Let's not discuss that subject!" You clutch on your lower abdomen and placing your food by the table as you excused yourself into the bathroom, leaving your boyfriend a little bit guilty for your own place. Whilst you were gone, Ace thought of a (stupidly) amazing idea for your little happiness.

He built a blanket fort by the living room using your huge, huge, huge blankrt from your room and turning on your led lights into something much for comforting. Yoou came back to some, cute monstrosity that he had set up, causing you to laugh loudly together with your boyfriend.

"Come here mama" He once again signals you to beckon closer to him inside the blanket fort, he hugs you making you lean towards his back as he places his hands towards your belly, slightly heading them up making a little hot-water compress made just for you. He switches the tv into a movie that you both very much enjoy eatching together.

Ace settles your position between his arms, his legs surrounding your waists as he continuously comforts you using his hand within your belly. He had also laid out your favorite snacks close to you both as you continued watching movies together.

After a few hours of watching everything you both could watch, you felt the slight hot breathing against your neck. Sce had fallen asleep, his body was warm, warm enough to serve you as a huge blanket on a cold rainy day. You quietly scatter a pillow fort inside the little blanket fort he had made and placed one beneath his head, you slide up between his arms making him slightly awake and hug you tightly towards him again, making you teo fall asleep in each others arms.

Author's Note ✉* ~ HI HI HI, this post was pretty short but i enjoyed writing it a lot! Tysm to anon eho rewuested this, love you all and stay safe guys!! <33

©Cokou 2024, all works belong to me.

[petew21-blog]

Just a party, part 3

"Number 14 and 16"

"Guess it's you and me again." Ben took my hand and we went to the room we were assigned"

We left Ezra and Jason back there. Poor Jason, he was really fed up with Ezra. Hope he'll survive the night in that pip squeak body.

We opened the door of the room. I went on the bed. Ben right down next to me

It was awfully quiet. We wanted to have a party, we were overworked, stressed and probably needed a drink to loosen up a bit. We knew immediately that we both felt the same way. And we headed to the bar of the building.

The emplyees were serving us, asking about our needs and desires. Creepy but somehow nice. I bet the studio must have pay a massive ammount to get us to this event. But they all say that this one even is worth working for Hollywood. It fullfills you.

"You know, we didn't have much time to explore our bodies by ourselves before. With the Comic Con and so on, giving out all the autographs. I'm pretty sure that all the fans that will try to sell stuff with 'your' signature are gonna be pretty sad. I tried to perfect your signature Henry, but it still looks like someone else did it."

"Even better then. Those who really appreciate it get to keep it anyway and the ones trying to sell won't be as succesfull'

"Henry? You know I'm now the one wearing SUPERMAN's body? You don't have to act like him all the time."

"I don't honestly. I am just being polite most of the time. A decent human being."

"How about you show me how my BATMAN body looks like? You know what? Let's call each other by the name of our bodies, ok? To make the experience worth it. I wanna know what it feels like to be you"

"Ok then HENRY, now I wanna show you now what it truly feels like to FEEL that SUPERMAN body"

Henry in Ben's body lowered down to give Ben a head. He unzipped his pants and took out the beautiful hard cock he was already familiar with:"I think it looks even better from this angle" And the he took it in his mouth

It might have been the fact that I knew my cock so well. The way it responded to my tongue circling around the top, sucking his balls made me sure I was making Ben feel good. But I can't let him cum yet.

Suddenly my phone rang. I just looked up at him. He only winked at me and picked up.

"Hey, this is... HENRY Cavill. Sure, I got time. New TV series? The Witcher? I am not sure about that"

I looked at him aggresively. Playing Witcher is my dream, he can't deny them.

"Jeez. Ok, I really want it. When do we start? Ok, thanks. No, I can't talk that long, there is something I need to take care of. Bye."

My blow job was coming to an end. Then I stopped. Can't let him finish that easily.

"Please, go on!"

"Can't do that HENRY! You got an ass to breed. And I wanna have fun too"

I took his hand and dragged him to the entrance hall.

"The room is too far, let's go to one of the closests, I wanna fuck you there."

We took the first door on the right. Passionately making out on the way. Ben pushed me against one of the lockers. Wait, that wasn't a closet. We must have entered the lockers of the employees. We kept on going.

Suddenly we noticed voices from a room around the corner. We stopped and I showed Ben a finger on my lips to shush him. We went closer to get to hear them

"All right. As I have said before, we are now on the full capacity of our guests. They are very busy right now. Each and every one of you has an envelope with a name of the actor or other famous person they get to swap with today. For those of you who haven't read it, the reason of the swap is the Writers and actors strike. You will get a brand new life of a popular person, their money in exchange for absolute loyalty and diacretion about the swap. I am deeply sorry to everyone who wanted to go back to their bodies sometimes in the future, but we have to get rid of them. The actors in your bodies can't let anyone know about this. Is anyone against this?" nobody responded which led us to believe that they agreed"

"Ok. We now have 48 minutes until the door of the rooms get locked completely, sealing our guests inside making it easier for us. We will be going over some details with each and everyone of you. Starting with Miguel who will be receiving Henry Cavil's body..."

I looked in shock at Ben in my body. He was also horrified about what we just heard.

"We have to warn everyone!" Ben said to me

Suddenly a manly voice above us said very calmly:"Haha. But we won't let you, gentlemen" the man above us was Chris Hemsworth, holding a taser. Something was telling me, that Chris wasn't the one controlling his body anymore, or the one of his friends who swapped with him

To be continued...

Story request from inbox by Anonymous: That Hugh and Ryan story was Great! Maybe you can do a swap involving Ben Affleck and Henry Cavill?

And also continuation for part 2.

Inbox request: Your stories are soo good, love the Chris E. and RDJ swap. Maybe a second part involving some actors from dc, like Ezra Miller and Jason Momoa swapping to try new roles & running into Henry Cavill and Ben Affleck in the rooms?

Part 2:

Part 4:

[rynfiles]

dad next door !

✎ᝰ — your brand-new apartment has brought you peace, calm, and freedom. but no one mentioned of a father of a two

★ — satoru gojo x gn!reader

★ — word count: 1.6k

★ — genre + warnings: fluff + dad!gojo, gojo is in his early twenties (21-23), gojo is a nervous mess, megumi and his smart antics, tsumiki is y/n’s number one fan

The space is small, yet livable. Your new apartment brings you this sense of freedom and independence from your loving, yet overbearing, parents. As much as you love them dearly, the thought of continuing to live under their roof was going to drive you mad. Which led to your brand new apartment, not the best but you made do with your stay.

As you continue to unpack your things, you hear noises coming from the other side of your living room wall. You ignored them by putting on your headphones and playing music as time passed.

Yet some hours passed, only three, and the noise continued. You moved closer to the wall to decipher what was creating such a loud noise. The only thing you could make out was a loud TV, yelling from multiple people you assume, and children. Your heart grew soft and sympathy grew in your heart for the assumed noise of children, since you know how children can be, especially at young ages when their emotions run rampant.

Though, as much as children softened your heart, the noise was becoming unbearable and you wanted your first day in your apartment to be perfect. You planned to be nice, introduce yourself, and ask your neighbor to possibly lower the noise coming from their apartment.

You paused your music and took off your headphones. You grabbed your phone and headed out the door, only making a few steps to your left until you reached the next apartment door.

You knocked gently, as you waited you heard the noise more clearly. You realized it was an adult and a child going back and forth while the TV was playing a children’s show. You heard some of the argument and giggled to yourself at some of the insults that were sent.

You continued to wait yet the door hadn’t opened nor had there been any indication that someone was going to open. You knocked again, a bit louder this time, and someone, you assumed was the adult, yelled that they were coming. Not long after, the door was opened and you were met with a man who had a staggering height, but that didn’t bother you.

The man had hair as white as the winter snow, which was decorated with those ball scrunchies and small heart clips that should be found on a small girl, not a grown (potentially over twenty) man. He wore a fitted tank top that had a dad joke on it and black shorts to accompany the outfit. His face in particular was graced with lashes that were thick and lay beautifully above his blue eyes. Also, his youthful face is currently covered in stickers galore, many of dinosaurs and flowers.

He greeted you with a smile, it brought youth to his face and gave sincerity, and apologies for taking so long to answer.

You reassured him that he was okay and also introduced yourself. You explained to him how you were his neighbor but also reported to him the noise from his apartment was bothering you. You tried not to come off as rude, since it is your first day.

He apologizes almost too quickly, mild stutters as he speaks, “Sorry sorry, my two- I mean these two kids have been hauling my ass since seven am.”

“I assumed it was younger children that were in there. Though, could you do me a favor and turn down the TV as well? The whole apartment doesn’t need to hear what you guys are watching.”

The man turns in the direction of the TV and lightly smacks his forehead, “Ah, that must’ve been Tsumiki with her runway model shows. I don’t know why but she always excuses that she has terrible hearing and always has the TV-”

“What about Tsumiki?” A young boy with spiked hair appears behind the man. The boy wears an expression that debates whether to tussle with the tall man or mind his business. With his presence now here, he chose the first option. Yet the stickers and hair clips placed on his hair and face don’t make him serious enough to take.

“Kid-”

The boy scrunched his face, showing a sign of annoyance to the man in front of him. “My name is Megumi, Meh-gu-mi. Don’t try to be all “mister cool” cause you think our new neighbor is hot.”

The man’s jaw dropped and all you could giggle at the compliment that was given. You spot his cheeks beaming with a light shade of red but disregard it as the man clears his throat. “Megumi, do me a favor and stay out of adult spaces.”

The boy sucked his teeth, “You were literally a child not many years ago, in dog years if you count.” The boy mumbled the last part but it was loud enough for the older man to hear.

The two males continue to go back and forth until a small girl approaches next to the small boy. From the height alone she could be the eldest of the two children, and her face was also decorated with stickers. It was cute to see the tall male and the two children behind him covered in all kinds of stickers on their face and their hair styled in hair clips.

The girl comes over to see what all the commotion is. But instead, she turns to you and immediately starts complimenting you, she smiles with such fondness to your beauty. She starts to compliment your hair, even if it is simple for the busy day, your outfit, and how you look so perfect. She believes so deeply that you came out of a magazine and all you could do was thank her and smile back. The girl just seemed all admired about you, even if she only met you about two minutes ago.

She turns to the older male to ask, “Can they join us for dinner papa Gojo?”

The boy scoffs at the question, “Don’t give him any ideas, he might scare the new neighbor away.” The blushing from earlier returns and the older man, named Gojo (?), seems to be slightly offended at the boy's remark.

The girl ignores the boy and pleads with Gojo, you continue to watch the two children and the man banter with one another. The interaction seemed to look serious from an outsider’s perspective, but up close, it was adorable watching them interact. Even if the boy seemed very annoyed with the entire situation, the girl poked his cheeks and played with his hair to uplift his mood, while the man told the two children to turn down the TV and check on the food cooking.

Gojo brings his attention back to you and smiles nervously, he laughs nervously as well. He brings his hand to comb through the back of his hair, “Sorry about them, they’re not usually this noisy on a Friday afternoon. Especially Megumi, he’s usually playing with his figures with Tsumiki, never this intrusive.”

“Don’t worry, I have younger siblings and we bicker quite a lot, so I get it. But I will admit that you guys are an adorable little family.”

The man blushes quickly but tries to hide it quickly, “Ah, thank you.” He grows nervous and lets the air become this sense of nervousness. He will admit, he wouldn’t have thought to have a neighbor as stunning as you and comfortable around his children. Then again, his two children take too much of his time to even pay attention to the people in his environment.

He clears his throat, “Umm, you don’t have to join but Tsumiki, the little girl, is gonna keep asking about dinner and I’m already in trouble with her. If you don’t mind, you don’t have to, but you can join us for dinner if you’re not too busy.” The blushing on his cheeks stayed yet you notice his ears turning into a light hue of pink as well, nervousness is ruining this man.

You think for a little while, letting the man watch you think and his face shows more and more signs of nervousness. You answer with a nod and a small smile, “I don’t mind at all. It would be nice to learn some faces in this town.”

Gojo seems more than happy to hear your acceptance, “We’d love to welcome you, Tsumiki loves making new friends and Megumi could get a friend or two. Geez this kid.”

You gave a small laugh and thanked him, you turned to make your exit until Gojo stopped you. “Oh umm, by-by the way, I didn’t get to properly introduce myself. I’m Gojo, umm Satoru Gojo. I’m right next door, literally, if you need anything.”

“Oh thanks, it was nice talking to you Satoru, and your two kids I assume, Megumi and Tsumiki?” The way you said his first name had Gojo going from a blushing mess to a flustered, stuttering mess. He feels heat rising in his cheeks and ears, embarrassment adds in as thinks that he shouldn’t be this nervous around his new neighbor.

“Yeah, that’s their name.” He pauses and lets his nervousness settle between the two of you, “Umm, well it was great to meet you y/n, and uhh gotta get back to finishing dinner, two hungry children aren’t the prettiest sight to see.”

“I would love to be the judge of that tonight,” you turn to walk away from his doorway and wave him goodbye, “have a good day Satoru, see you tonight.”

Gojo waves back and closes the door once you step into your apartment. He roughly combs through his hair and sighs heavily, “I don’t know who’s gonna end me first, these damn kids or dinner with y/n.”

★ I got this fanfic idea from this fanart actually ! I thought gojo and the kids were so cute with their stickers and clips on their face and hair 🫶🏽

© 𝟤𝟢𝟤𝟥 𝗋𝗒𝗇𝖿𝗂𝗅𝖾𝗌. 𝖺𝗅𝗅 𝗋𝗂𝗀𝗁𝗍𝗌 𝗋𝖾𝗌𝖾𝗋𝗏𝖾𝖽

[remushrts]

evan or barty comforting the reader after they hear someone talking about them??

Catharsis

— pairing: barty crouch jr x reader

— a/n: hii, thank you for the request!! you didn't specify if you wanted that platonic or romantic, so it can be read either way! also i chose barty because this is a little self indulging and i took it in a bit of an other direction, hope it's okay anyway

— warnings: inciting violence (because it's barty), reader (literally) breaks a tv (don't try this at home please), not proof read

When the bedroom door unlocks with a soft click, you don't know who you'd expect to enter, but definitely, it was not Barty. He walks over to you, eyes falling to your watery ones as he gives you a smile, only a bit softer than usual. "So, who do I need to beat?" He asks, sitting on the floor by your side without a care in the world.

"Nobody." You sniff, chuckling softly. "Good to know you're up for it though."

"Yeah, hell I am." You can tell his a bit stiffer too, he's not used to the whole thing, you think. Comforting people, being gentle with them, it was never Barty's strength. "Wanna talk about it? Or smash a tv?" You frown, his offer is tempting, but strange.

"Whose tv?" You ask, laughing softly. The sound is almost a huff, the only hint of humor in the soft curls of your lips.

"Don't worry about it." He smirks, propping himself up on his feet and holding out a hand for you, his eyes exhibiting a dangerous glint to them. "So, you wanna smash a tv? We can find the fucker's house too if you feel like breaking a window."

And yeah, maybe you do.

For Barty's credit, he did tell you you could break a tv. Still, you're a bit surprised as he walks you to his backyard and a full television stands on two bricks, looking brand new except from a few scratches on the led screen. Barty smirks at your reaction. "It's like a rage room, but I don't have a room to worry about cleaning up after." He explains, picking a bat from the floor and swirling it lazily, pretending to hit an invisible ball.

"Did you steal this?" You can't help but ask. Following after him, you can't help but notice the glass shards and wood splinters littering the floor, as well as a few bottle necks here and there.

"Of course not!" He feigns offense like the worst actor in the world. "It was on Evan's flat when he moved, but it's broken. Also, it reeks of beer, he thinks the bastard that owned it dumped a few cans on it and it broke down. He said it's not worth fixing, thus this baby sitting on my yard."

You only nod. Breaking a tv with Barty was not how you imagined your day would end, but you were not one to complain. At least you weren't crying yourself to sleep in your room.

"So, what's it gonna be, princess?" You open your mouth to ask what he's talking about, only to see him holding out the baseball bat and another brick on his hands. "Choose your weapon." You pick the baseball bat, and he handles you a pair of safety googles, to which you raise a brown. "What? I'm not an animal." As soon as you've secured the googles on your eyes, Barty lowers his own. "To who do we own the honor?"

You know what he's asking, the name has been stuck in your throat since he first asked, aching to get out like an ich you can't reach. You don't mean to feel as frustrated as you do with them, but you can't help yourself. You shout their names loudly, raising your bat in the air.

"And their little fucking shit talking friends!" Barty completes loudly, because of course he cracked it the moment he saw your state, raising a crow bar in the air, red painting chipped at both ends, you're not sure why or how he came do possess one of those, but you don't question either.

Instead, you swing your bat in the air, smashing the tv screen with a loud noise, glass shattering at your feet. Barty smiles by your side, and for a moment, you forget why you were so upset in the first place.

[williamswifey]

hiiii! i have been loving your bella fics and i was just wondering if you take requests? just imagine bella playing on the playstation or switch and being mesmerized by how their hands and fingers touch the buttons and then getting oddly turned on by it? and they notice you get a certain way watching how their thumb rolls over the joystick just like how they do it to you 🫣

𝐘𝐎𝐔𝐑 𝐋𝐈𝐏𝐒 𝐌𝐘 𝐋𝐈𝐏𝐒- 𝐁𝐄𝐋𝐋𝐀 𝐑𝐀𝐌𝐒𝐄𝐘

pairing ; bella ramsey x fem!reader

summary ; bella gets a ps5, and you can’t help but get carried away watching their skillful fingers play.

content warnings ; sexual themes, minors dni !!!

a/n ; 18+ content !! while there is no smut, there is definitely suggestive themes so if please sit this oneshot out if this type of content isn’t your thing <3

masterlist

bella had mentioned wanting to play the last of us recently. you, being the wonderful girlfriend you were, decided to surprise bella one morning.

with the help of your friend, you had hooked up a brand new ps5 to your tv in you and bella’s living room, and you had the last of us game wrapped in wrapping paper, an adorable little bow against the gift.

bella had been busy lately, and you let them sleep in. you were still in your pajamas, cooking breakfast; the heavenly smell of french toast wafting in the air.

you were humming to yourself, jumping slightly when you felt a pair of arms wrap around your waist. bella placed their head into the crook of your neck, a hum slipping past their lips.

“breakfast smells delicious, babe,” bella murmured, pressing a kiss to your jaw.

you smiled.

mornings with bella were your favorite. the silence of the day still hung in the air, along with soft conversations held over breakfast.

you and bella were just finishing your meals, when you jumped to your feet. bella looked at you, afraid something was wrong, but they quickly saw the smile that graced your cheeks seconds later, and awaited to see what it was that had you so excited.

“i almost forgot!” you began, “i have a surprise for you.”

bella tilted their head.

“is that right?” they said, as you grabbed their hand and led them to the living room.

bella took a seat on the couch as you slipped the wrapped gift into their hand.

“wow, it even has a fancy bow,” bella giggled out.

you sat on your heels as you awaited their reaction.

they looked at the game in their hand, speechless. they glanced at you, then back at the game, not saying anything.

you sighed, running a hand down your face at their reaction.

“crap. you hate it.”

bella looked at you with wide eyes, shaking their head as they suddenly grabbed you into a bone crushing hug.

“not at all. i love it, you remembered!” bella gushed, “thank you, thank you, thank you!”

***

it had taken a little over twenty minutes to set up the game, and you and bella had set up camp on the couch.

there was a small bowl of popcorn as you rested your head against their shoulder, and they were immersed in the graphics of the game. you breathed in bella’s signature scent of cinnamon and musk as you bit down on your bottom lip.

something else, however, had caught your eye. your eyes were focused on their hands, their ring-cladded fingers that were ever so delicately grazing over the controller’s button.

you noticed the way the veins in their hands popped out every time they flexed their thumb, their slim fingers holding the controller so effortlessly.

your brain wandered to a place of not-so-innocent thoughts, where those fingers had been before…and you knew all too well of what they could do.

you let a sigh slip past your lips, one bella took notice of.

“you alright there, darling?” bella asked, their tone light hearted as they chuckled, but you could hear the undertones of concern in their voice.

“hm?” you said, trying to get rid of the blush on your face, “yeah.”

just thinking about our late night shenanigans. your skilled fingers. no biggie.

“you sure?” bella asked again.

you nodded.

“mhm,” you said, tone going hazy as bella’s attention was no longer on the game, but you instead.

you had that look in your eye, one that bella would recognize anywhere. your bottom lip was puffy from biting down on it, and your pupils were larger than normal.

“i think there’s something in your mind, yeah?” bella said, briefly detaching themself from you as they adjusted your position.

your blushed deepened, and you shook your head.

“no,” you squeaked.

“tell me, love,” bella began, voice husky and low, “what’s on your mind?”

you didn’t reply, and felt bella hook their finger beneath your chin.

“what was that? use your words, darling, and tell the truth.”

bella’s words made your core flutter. you loved when they were demanding, yet still so gentle.

“iwasthinkingaboutyourhands,” you mumbled, and bella chuckled.

“didn’t quite catch that, y/n/n.”

this was bella’s game with you. it had begun, and it was your turn.

“i said…i was thinking about your hands.”

“ah, i see,” bella flexed their hands, veins popping out as you bit down against your lip, “these old things?”

you nodded.

“my naughty girl,” bella scolded tauntingly, suddenly leaning forward to whisper in your ear.

“thinking about where they’ve been, is that right? how they’ve made you feel? how they’ve made you come…undone?”

you nodded pitifully.

“mhm.” you replied, head going to the crook of their neck.

bella chuckled once more, tucking a strand of hair behind your ear. they cupped your face in their hands, pressing a kiss to your forehead.

“you’re needy,” they commented, “let me help you out.”

it’s safe to say the game was long forgotten after that.

[mossygirl333]

i’m here as soon as i heard your inbox is open 😭

it’s okay if you don’t wanna write it, and it’s stupid but at least hear me out pls!!!! 😭

what if ghost was in love with reader but was kinda sceptical of them, because they’re not british? i meaan due to his line of work he has to have some trust issues JUST BECAUSE OF THAT (not talking about his upbringing and whatever, thats another story….)

yk good ol' being sceptical of your partner and hurting them by that so we could enjoy fluff later 😭😭😭😭

An: This isn't stupid at all!! I think it could be really cute (i'm gonna make this a multi-part series and you cant stop me mwahahahaha) <3

Across The Hall - Pt. 1

Simon 'Ghost' Riley x college student!reader

Tw/Cw: Mentions of Johnny's death (bi!simon, Ghoap), mentions of canon typical violence, mentions of medication - therapy - depression, mentions of suicide, college!reader

Home. Home?

He didn't know what it was. He didn't have one, never did - something he realized a long time ago. Floating through places frequently.

His childhood house was never full of warmth or love. But what it was full of were budded out cigarettes and empty liquor bottles. Every time he drinks that brand he felt close to his father.

Simon rarely drinks now.

That was before. Before Johnny.

Johnny was his home if a home could be a person. With his wolfish grin and loud laugh. With a simple hug that man brought him down to earth. Settled his anxious rapid thoughts and PTSD riddled flashbacks.

He wished he could crawl into him, take a nap in his ribcage, right next to his lover's beating heart. But he settled for cuddling, it was the closest he could get.

That was where he was meant to be, all this time. Every bad memory led to him. It was worth it, because without everything he would've never met Soap. And Soap would've never met Ghost. And all that abuse and trauma was for something beautiful.

Simon was gonna propose. They would foster a baby girl. And they'd live happily ever after.

Everything was perfect.

Except life doesn't turn out like that. Life is just a constant stream of shitty situations with nice commercial breaks. And how much he loved that commercial made it all the harder to skip.

It took one bullet to turn his life upside down and inside out. So close they were to everything Simon ever dared to dream of. Lost to that X13 Auto bullet nestled into his brain, the same brain that held all those memories and beautiful creative thoughts.

Lost.

What his "home" was now, was a small standard apartment in Manchester. Minimalist, he didn't need a lot. He was gone for more than half the time.

Except now he was back. Discharged after almost killing a new recruit during a spar session. He argued for hours with Price, he couldn't leave the base. The same base where him and Johnny met. The same dorm room they shared a drunken kiss and a weak confession of sexuality. Where they cried and made love and laughed their asses off. Not the room where Johnny drew him while he slept.

He couldn't leave that.

Price said it was making it harder to move on. Maybe he was right, he was right, Simon just didn't want the ugly truth.

Price handed him a pass, set him on a plane, and sent him back to his apartment with mandatory therapy sessions every 3 days.

Just the thing he needed.

-

His heavy boots hit the floor, walking across the long hallway. His prescription came in, as much as he hated taking it. Stopping in front of the door, he turned the key and walked in. Pulled down his black mask and threw his hood back, scarred skin now warmed by the sun coming through his windows.

He set down his small brown paper bag, settling down onto his bed. Staring at the Tv. He fell into a shitty rhythm a few days back, but if he told the therapist he was bound to be sent to a mental hospital.

Putting a X13 Auto gun in his mouth. Louded. Safety off. Him and Johnny could die the same way, different times. Meet each other again in the afterlife.

But he couldn't. He was a coward. A pussy. Dumb and weak and small.

His breathing shook and he's snapped out by a gentle knock on the door.

He stares at it, trying to make the walls not seem so closed in. Swallowing thickly he stood up, walking quietly towards it. Hand settled on his gun, hidden away in the holster.

He swings the door open and looks down. A woman..? A woman. Ah. His hand leaves the gun, letting the fabric of his hoodie hide it again. "Is there somethin' wrong lady?" He asked, deep and British.

"Hi sorry, I just wanted to tell you that I'm your new neighbor. Right across the hall!" You sound awfully chipper, pointing at your door across from his.

"Ah. I see." His eyes darken. That accent...

He practically flashbacks to Graves and that cocky smile. Shepard and those cold evil eyes.

"Yer American?" He suddenly asks before you could go.

"Oh yeah!" You smile. "Land of the free ya know!" You giggle and wave goodbye. Leaving him to his own devices.

You seem docile enough. Weak. He could kill you in a real fight. But that stupid fucking accent wormed its way into his head. it's stupid how such little things could trigger his PTSD.

Life, liberty, and the pursuit of happiness. And Americans took all of that away from him.

At that moment he decided he hated you.

[cierraonline]

Missing the podcast real baddddd

EP 1 - No Mean Girl References! Does Billie Like Her Gf's Family? Kimora Has Short Term Memory! You Are The Asshole!

Chapter one : podcast episode #1

Warning: none

Masterlist | next chapter

"Hey you!" Kimora points to the camera, "Were you bored scrolling on TikTok, ended up on YouTube, and realized you have a 'TikTok bird ass brain' that can’t focus on one thing for more than ten seconds? Did you see this thumbnail and think, 'Oh, there’s that Kardashian girl; let’s stare at her face for ten minutes and theorize what plastic surgery she's had'? If so, you’ve come to the right place." Kimora stands straight, looking at the camera with a smile, giving her best five-star hospitality attitude. "Hi, I’m Kimora West, daughter of Kim Kardashian and Kanye West—but you may know them as ‘Culture Vulture Gold Digger’ and ‘That once-good producer before he went... you know, crazy.' I now have a podcast with my girlfriend of four years, Billie Eilish." Billie slides into view and does jazz hands.

"Hi, I’m Billie Eilish, singer, songwriter, and more importantly, her girlfriend," the now-brunette says her short n' sweet line.

"We hope you guys enjoy," Kimora smiles, tilting her head to the side. "Or don’t—we still get paid either way, thanks to YouTube."

XXX

"Sup,kisses and hugs! It’s Kimora, and today is Wednesday, so of course, we’re wearing pink," Kimora says, showing off her baby pink tee and hot pink textured sweatpants. "And over there we have Janis..." The camera slowly slides to the right, revealing Billie in an oversized black shirt and oversized jean jorts.

"Billie," Billie smiles, then turns to her girlfriend. "I thought we agreed on no 'Mean Girls' references."

"Asking me not to make 'Mean Girls' references is like asking me not to be me," Kimora states, before looking back at the camera. "First on the list, a fan question for Billie. Billie, your fan, billiecanslutmeout, wants to know: ‘Do you like the Kardashian family outside of Kimora?'"

"Skip," Billie shakes her head, not wanting to answer because she feels it’s confrontational and doesn’t want to risk upsetting her partner or attracting hate from the 'Kar-Jenner' fanbase.

"Nope," Kimora emphasizes the last syllable. "Answer."

"We’ve talked about this before," Billie begins, but Kimora cuts her off, giving a direct answer.

"She doesn’t like them and is currently in her head trying to find a way to sugarcoat it."

"I didn’t say that," Billie throws her head back, laughing.

"You literally made a song about it—'Overheated,'" Kimora squints her eyes.

"I... I love you and every luxury pink baggage that comes with you. I have love for your family because you’re a product of them. And you are my favorite person in the whole world," Billie says sincerely. "But as someone who promotes body positivity, I don’t support the negative body-image messaging that is part of your family's brand, and there's the constant need for relevancy and exposure, which I’ve developed my own opinions on from behind-the-scenes stories you’ve told me about filming for the TV show."

"Smart answer," Kimora nods. "Now, what about my dad?"

"I honestly think your dad hates me," Billie shakes her head.

"He doesn’t hate you," Kimora insists, knowing deep down that her father actually appreciates Billie’s positive influence on her.

"He literally posted on Instagram that if I didn’t apologize to Travis Scott, he’d cancel his Coachella performance, which led his fans to flood my accounts with hate. I never even mentioned Travis—I was just helping a fan at my concert!" Billie exclaims, eyes wide.

"Yeah, he did do that," Kimora nods awkwardly, acknowledging that her father had actually done it without provocation, putting both girls in a difficult position. For Billie, it was a choice between saying what she truly felt and risking being bullied off the internet by his fans—or staying silent to avoid hurting Kimora. For Kimora, it was about deciding who would get hurt: Billie or her father. "Sorry."

"It was hurtful, but I think you handled it well, especially since it happened in our first year of really being together," Billie reassured her. "Like, as soon as you found out what was going on, you called me while you were driving over with my favorite food to make sure I was okay and could sleep that night."

"I just didn’t want you to feel like…like you and your mental health weren’t a priority for me," Kimora struggled with her words, trying to explain her motivations. "Because I know how my dad can get, and at the time, he’d been spiraling for a few days already. So for me, you were the top priority on my list. I didn’t want to just do nothing and make it seem like his actions were acceptable—because they weren't. I-I-I guess what I’m trying to say is that I wanted you to know I’d be there for you, even if it meant going against my family."

"Yeah," Billie smiled at her with ocean-clear blue eyes meeting warm chocolate brown, speckled with caramel, filled with love and adoration. "Even though we didn’t say it out loud at that time, that was one of those moments when I knew I was in love with you. You stayed with me that whole week, making sure I was okay and taken care of…and even called your dad to apologize to me and ask him to take down the post."

“Aww, you loved me only three weeks in?” Kimora gushed, leaning forward to offer a kiss. Billie smiled and leaned in as well, their breaths mingling in the close space between them. Gently, Billie lifted her left hand, tucking a stray strand of hair behind Kimora’s ear before tracing her fingers softly along Kimora’s cheek, savoring the velvet-like feel of her skin. With a delicate motion, she moved her fingers from cheek to chin, then closed the distance and softly pressed her lips to her girlfriend’s.

“I love you,” Billie whispered, her eyes still closed, their faces barely a centimeter apart.

“I love you, too,” Kimora replied with a smile, then leaned in for one more tender kiss.

"Do you remember how we met?" Billie asks after the ad, now reclined on the couch with Kimora laying across her, leg draped over her waist.

"We met through a reference from Justin, because he would always say we absolutely had to meet. Hailey was like, 'You two would be perfect for each other if you were to date, because you're opposites with a cohesive middle ground,'" Kimora recalls, remembering her conversation with the Biebers. They were very persistent about wanting the two young, popular stars to either befriend each other—or, in some cases, get married immediately.

"So when did we officially meet?" Billie smiles, playing with Kimora's curls.

"In the Met Gala bathroom," Kimora answers with a smile. "I was coming out of the stall, and you were staring at yourself deeply in the mirror. I told you, 'You don’t have to worry about your appearance anymore. By now, everyone is probably drunk off their rockers because the food sucks, so you could be butt naked and no one would even notice.'"

"I’m surprised you remember that," Billie kisses her forehead. "You’re terrible at remembering things."

"No, I’m not," Kimora pouts, playfully slapping Billie’s thigh.

"You literally forgot we were filming today and almost went to work, even though you scheduled the day off," Billie laughs.

"I have a good memory," Kimora insists. "I’m just busy with the new Skims launch, aka Skims by Kimora." Kimora sits up, looking directly at the camera. "Get your favorite new set for 40% off with code 'GirlsInPink,' no purchase minimum."

"During lockdown, we got hooked on Reddit’s 'Am I the Asshole' stories," Billie smiles, back in their original positions on the burnt orange velvet couch.

"I don’t have blood pressure issues, but these stories drive me nuts. Like, why even ask if you're the asshole when it’s so obvious?" Kimora frowns. "For our first Reddit submission, please welcome Georgina!" Billie holds up a pink square remote, and clapping noises fill the room.

"Heyyy!" Kimora pouts at the remote in Billie’s hand. "I was supposed to be Sam in this podcast."

"Well, now you’re Carly," Billie teases, sticking out her tongue.

"No fair," Kimora crosses her arms, playfully sulking.

"You’re acting like a baby," Billie rolls her eyes with a grin.

"Ok, and?" Kimora glared. "If anything, I'm a cute baby..." She turned her head away from her girlfriend and looked to the right, making eye contact with her best friend, Georgina Miller.

"Alright, first Reddit submission is...‘I am a mother of five, 3 bio-Brooke 22, Will 18 and Iris 16 and 2 bonus sons-Sam 26 and Jack 23. All of my kids are currently living at home with me and my husband for various reasons. Sam's girlfriend Tori 21 and Will's girlfriend Mary 18 also lives with us full time, and Jack GF stays over a lot.

We have a pretty good relationship with all the kids, we don't charge them rent but everyone contribute to the household. We have a couple basic rules-input on utilities, maintain the common areas, etc but one of the rules is no babies, we don't expect our kids to celibate. But we do expect them to be careful.

On Friday, I found a receipt and saw someone brought a pregnancy test. I immediately took a picture of the receipt and put in the family group chat, I figured the culprit would out themselves. No one confessed, so I said that all girls that live in or visited are taking a pregnancy test because I suspect someone is pregnant. They pretty much lost their minds and told me no and messaged that I was being weird and invasive.

That is when I got upset and said that if anyone refused a test, they would have to move out. Everyone freaked out and told me that I'm being emotional and crazy. They decide no one would take a test. I think they assume I will not kick everyone out, but I will because I feel like I'm being gaslit. My youngest Iris is the only one I don't suspect because she is gay, not openly, but I know. I have 

given everyone the entire weekend to calm down because everyone has been avoiding me and giving me the cold shoulder. I have tried to discuss the situation repeatedly but I have been ignored in person and over phone.

At this point, I am ready to evict everyone because someone is blatantly lying and all of the others are backing a lie while living stress free in my house. My husband thinks I should let it go for now because the test might have been negative and if someone is pregnant we will know soon. But I feel it a larger issue now of my kids disrespecting me by lying to me. Am I being the asshole?”

“Yes,” Billie answered right when Georgina was done with reading the submission. 

“You’re not an asshole… but you are,” Kimora answers. “I can see the problem from both points of view.”

“Same, but I think what makes her an asshole is how she’s handling the situation now that she didn’t get the answers she wanted,” Billie explains why she thinks the writer is indeed an asshole.

“Yeah,” Kimora agrees. “Like, I get it, you’re upset because your boundaries were stepped on, and that’s unfair to you. But at the same time, you can’t force someone to take a pregnancy test just because you want answers right now.”

“Exactly. Even though it was negative, that person probably needed time to think and process the results. They could’ve been reevaluating what to do better to prevent another scare,” Billie adds.

“Oh my God!” A thought hits Kimora's brain full force. “I have another day off—remind me to register to vote.”

“Baby,” Billie looks at her with concern. “You registered last week at the same time as me when my mom was doing hers and asked if we wanted to come do ours.”

“Ohhh.”

“We’re gonna work on your memory, don’t worry,” Billie rubs Kimora’s thigh with sincerity.

“Anyways,” Kimora brushes off the awkward moment. “At the end of the day, you own the house, and if you feel gaslit and your boundaries were crossed, then kick them out, I guess. Just be prepared for the consequences that come with that action. Because at the end of the day… you literally said you don’t care if your kids are having sex, as long as they’re protected. And the pregnancy test was negative. I just feel like you can be protected and still have scares. I mean, Billie and I use a fake penis, and we still get scares. It comes with the territory.”

“They didn’t need to know that!” Billie looks at Kimora with wide eyes, shocked by her girlfriend’s impulsive thoughts.

“They were probably already thinking it,” Kimora shrugs. “You’ve literally done an interview talking about masturbation. Me saying we use a dildo isn’t anything new or shocking.”

“Just end the video,” Billie covers her face with her hands in embarrassment. “Now, please.”

“Hi, it’s me again,” Kimora awkwardly waves her hand. “Did your TikTok bird ass brain develop and actually let you stay to watch the whole video? Did you like what you saw or heard… or both, for the privileged? If you nodded your head yes or weirdly answered talking to a screen, then you should subscribe to this channel. We update every Wednesday and Saturday, so don’t worry if you don’t have actual friends to hang out with. Instead, come watch me and my girlfriend, Billie, talk about useless shit, vent, and argue about things we’ve done in the past with a couple of inappropriate touches that you shouldn’t be seeing, but our editor is too blind and lazy to take out. We love you, Lisa,” Kimora shouts out her editor at the end. “Bye!”

taglist @billiesrighthand @bilswildflower @bilsluckyheart @billiesgoodgirll @billsvip @billieshrry @dandelions4us @factsbybriggs @rhearipley-69 @cierraonline @amberg1998 @crystalblue88 @mercurylvd @saffsblog @ihavenoideayimhere @umadirectioner @harajukub4rb1e @sun81rise @jamiemundy7773 @cyberdreamlanddeer @steampunkprincess147 @zendayasredbottoms @efemerous @lady0ftheflowers

[nightingaelic]

Things that are Now Fallout Canon

(according to the Special LIVE Report from Galaxy News that preceded the Fallout TV series' teaser trailer release on December 2, 2023)

Vault 33, the focus vault of the Fallout television series, is located beneath Santa Monica, California. It's also implied to be very, very expensive to get into.

Bottle and Cappy, the mascots for Nuka-Cola and its theme park, Nuka-World, were about to embark on a seventeen-movie-long series of animated films before the bombs fell.

The sinking of the RMS Titanic happened in Fallout's alternate universe. The news announcer jokes about the world going down like the infamous ship, including the deadly lack of lifeboats.

Camels exist in this universe, too! The news announcer actually fucks this one up, because he says dromedary camels have two humps - dromedary camels have one hump, while Bactrian camels have two. Or maybe we'll get a sound bite from Todd Howard in a few months where he claims the camel breed names are swapped in Fallout, who knows.

Pets were not allowed in the commercially-advertised vaults. The news announcer regrettably informs listeners that they can't bring their cats, dogs, or even fish with them due to logistical concerns and safety hazards, but they are more than welcome to purchase Vault-Tec-branded gravestones and hold pet funerals before they move underground. Hypothetically-speaking, it wouldn't surprise me if people tried to smuggle their animals in, anyway.

Someone stole the Fallout universe's original moon landing flag from the Museum of Technology in Washington, D.C. - another headline report, with no further details. It was in the same exhibit as the Virgo II lunar lander, which stayed put for at least 200 years.

Vault Boy was named "World's Sexiest Man" in 2077 (when the report is being aired) - no word about which publication or organization bestowed this title upon an animated mascot.

Vault-Tec trademarked the thumbs-up emoji in the Fallout universe - which is very much in character for the company, but something about there being emojis in the world at all hit me wrong.

Vault-Tec instituted a "breeder search program" alongside vault placement purchases, and encouraged polyamory to get people to procreate (and buy more vault spots). I'll admit that this one seems plausible but shaky, because by this point in the report the news announcer is losing his mind while stalling for the vault door to open, and he might just be making shit up.

Nuka-Cola ran its own version of the Pizza Hut "BOOK IT!" reading program, called "ZAP IT!" Kids were required to read over 10,000 books to win rewards. If we use picture books for the math, and allow for five minutes to read each book, that's about 833 hours (34 straight days) of reading to get some soda.

Moby-Dick by Herman Melville and the ancient Greek myth of Daedalus and Icarus both exist in the Fallout universe.

Resulting Thoughts

"The ghoul" in the show is possibly named Howard - unsure if that's a first or last name. In the teaser trailer, Walton Goggins (who plays the ghoul) is shown dressed like a Hollywood cowboy on the day of the Great War, riding a horse to try to escape the nuclear bombs that hit Los Angeles with an unidentified child. Meanwhile, the Galaxy News headlines report that a box office hit called "The Man From Deadhorse" is getting a sequel, which is currently filming at California Crest Studios, and the news announcer says the film is "Howard-led." Whether the ghoul is the lead actor, we don't know, but it seems like a solid enough hint at his origins.

I'm glad that the show is going to delve more into the idea of the haves and have-nots, what with vault entrance being both selective and expensive. The most recent games in the series don't talk about this enough, in my opinion.

This isn't specific to the show adaptation, but it's becoming more noticeable to me that the Fallout series is crawling forward in terms of relating to modernity. I'm not sure how to feel about this - for example, I don't really mind if the soundtrack of Fallout 76 features the Beach Boys and other 1960s songs when it used to be strictly limited to 1930s and 40s music. On the other hand, I thought that using a news announcer that sounds more like a modern podcast host than a Transatlantic-accented journalist was an odd choice, and as I said above, I really did not like the idea that pre-war America knows what an emoji is. I'll get over it, but I'm anticipating that there will be some more artistic choices in the adaptation (and future games) that rub me and others the wrong way because they don't fit our definition of what Fallout "is." I'm not saying anything new, people have been arguing about that forever.

Overall, I'm excited. We're probably not getting a new Fallout game until 2030, so I might as well try to enjoy this. I will be keeping my bingo cards handy, though.

Anyway, I transcribed the damn report because I'm very normal. Feel free to use!

Fallout - A Special LIVE Report from Galaxy News

with occasional commentary from yours truly

[An upbeat, strings-led orchestral jingle plays, and black-and-white picture focuses on a spinning, silver globe. The globe is being circled by a vintage toy rocket. The words "GALAXY NEWS" fly in, and are quickly wiped and replaced by script declaring "Vault-Tec Presents..." The picture is circle-wiped and transitions to a high view of a vault entrance, with no visible script or markings to indicate which vault it is. The large, circular vault door is closed, and the access bridge to the door is not connected. A timer counting down from 60 minutes is overlaid in the bottom left corner, just above the Galaxy News globe logo and a signal tower graphic next to the word "LIVE." News headlines scroll along the bottom of the screen, the first of which reads "GALAXY NEWS SIGNS 10-YEAR PARTNERSHIP DEAL WITH VAULT-TEC." The headlines are separated by small lightning bolt graphics. The music continues throughout, and a male news announcer's voice cuts in.]

Good morning! Or, afternoon! Or evening, depending on where in the world you are. If you're just tuning in with us now, you're in for a treat. Welcome to the unveiling of Vault 33, one of the flagship vaults of Vault-Tec's arsenal of vaults.

[The second scrolling headline reads "VAULT-TEC VOTED AMERICAN COMPANY WITH BRIGHTEST FUTURE."]

Galaxy News is here live with an exclusive look at the next generation of apocalypse-proof, purpose-built luxury housing, sponsored by our friends at Vault-Tec. Vault-Tec: Revolutionizing safety for an uncertain future.

[The third scrolling headline reads "ROBCO INTERPLANETARY PROBE PROBES DEEPER INTO SPACE THAN ANY PROBE HAS PROBED BEFORE."]

If you're a regular viewer of our programming, we consider you an astute, engaged citizen, doing your part to stay informed on the latest news impacting this beautiful country of ours, and so it will be no surprise to you that we are on the precipice of a nuclear armageddon. But, fear not, Vault-Tec is building the ultimate shelter-in-place solution for the more doomsday-savvy customer: A veritable ark meticulously designed to weather the geopolitical storm surely headed our way any day now. And for the first time on live broadcast, the fine folks at Vault-Tec will be giving you a tour of their newest product unveiling, from the comfort of your home.

[The announcer takes a break, and the music swells. The vault remains closed, and no activity whatsoever is visible around it. It might as well be a static image. The fourth scrolling headline reads "NUKA-WORLD BREAKS ATTENDANCE RECORD FOR FOURTH STRAIGHT YEAR. GALACTIC ZONE GIVEN CREDIT FOR INCREASED NUMBERS." The initial song ends, and a new strings song with a more staccato rhythm begins. The news announcer returns.]

Welcome, once again, to Vault 33, nestled in the coastal west side of sunny Los Angeles County, and minutes from the yet-to-be-destroyed, bustling downtown promenade. Should nuclear annihilation one day come for this quiet beach-side town, you can take comfort in knowing you are safely buried deep, deep below what numerous trade publications once called "one of the best places to live." Right now, ladies and gentlemen, what you're looking at is peace of mind. Billions and billions of dollars and decades of R&D funneled into the high-grade protection engineering that only Vault-Tec can bring you.

[The fifth scrolling headline reads "WE ASKED OUR VIEWERS TO ANSWER A SIMPLE QUESTION: WHAT IS THE GREATEST NATION ON EARTH AND WHY IS IT AMERICA? HEAR THE RESULTS TONIGHT AT 10PM EST." At this point, the news announcer starts to sound less formal and more excited.]

Aren't we a bunch of lucky ducks! Vault-Tec has tapped us into their closed loop security feed to bring you a sneak peek behind a vault entrance airlock. That large, fortified steel blast door you see there is the only thing standing between you and the rads.

[The sixth scrolling headline reads "UNITED STATES AGAIN ACCUSED OF ATMOSPHERIC COUNTER-ESPIONAGE BY THE REDS."]

Very soon - very soon, I'm told - Arnold? Are we - yeah - and we're very soon, and we're very soon. Very, very soon, I'm told, that gear door will open, and Galaxy News will be on the ground to give you all a walking tour of the facilities! Including the accommodations one might expect in a state-of-the-art, modern residence thanks to a partnership with RobCo Industries and some of your shelf-stable forever favorites like BlamCo and Sugar Bombs! There's nowhere to hide from explosive good taste! Boom!

[The news announcer disappears again, and the strings conclude and are replaced with a meandering clarinet-led number. Several scrolling headlines go by: "U.S. RENEWS DEFENSE CONTRACT WITH WEST TEK, HERALDS VALUE OF POWER ARMOR IN ALL THEATERS OF WAR." "ESPIONAGE THREAT SUBDUED IN DOMESTIC URANIUM MINES." "PRESIDENT DECLARES NUCLEAR STOCKPILE 'SAFE ENOUGH.'" "BULLETIN OF THE ATOMIC SCIENCES SETS DOOMSDAY CLOCK TO HALF A NANOSECOND TO MIDNIGHT." "ATLAS OBSERVATORY CHRISTENS NEW TELESCOPE, RE-COMMITTING TO A NON-VIOLENT PURSUIT OF KNOWLEDGE." The song ends, a new one begins, and the news announcer returns. The vault still hasn't opened, and he's dropped what was left of his professional tone.]

And we are... stalled out. We're still... having technical difficulties. You know, sometimes things go bad and there's just no way you can plan. It's kind of like what's happening with the world right now, there's no way you could've been born into the world and know how you were going to end - know how the world would end. How will the world end, in fire or in ice? Well, it turns out -

[laughter]

It turns out it's gonna be fire...

[The twelfth scrolling headline reads "CHRISTMAS TOY TRENDS: RETAILERS REPORT SHORTAGE OF POWER ARMOR FIGURINES."]

Arnold! What's that? Okay. Yes.

[sound of paper pages being flipped through]

Okay. Arnold just handed me a fun fact. We're gonna do fun facts, fun facts.

[The thirteenth scrolling headline reads "NUKA-COLA QUANTUM GETS FDA APPROVAL, FOUND TO CONTAIN 'HEALTHY AMOUNT OF RADIATION."]

Fun fact about the construction of these massive vaults: They use concrete. Hm. That hardly counts as a fun fact, Arnold. Now is there an update on when the door... the door's gonna be open? Arnold? I'm sorry, is there an update on the door? Is there an update on the crane? Is it a crane problem, or a door problem? Is it a pr- is it a crane problem, or a door problem? Arnold? Arnold! Arnie!

[sigh]

Okay...

[The news announcer gives up, and a song with a lot of muted trumpet comes in to serenade more scrolling headlines. "NO ONE'S BEATING THIS DEADHORSE. 'THE MAN FROM DEADHORSE' TOPS BOX OFFICE. A SEQUEL IS ALREADY IN THE WORKS AT CALIFORNIA CREST STUDIOS." "ATLAS WEATHER EXPERIMENT BELIEVED TO BE THE CAUSE OF UNEXPECTED SNOW FLURRY IN LOS ANGELES." "DEVELOPING: REDS CONTINUES TO DENY EXISTENCE OF STEALTH SUBMARINES, US INTELLIGENCE SUGGESTS OTHERWISE." Woodwinds replace the trumpet, and the news announcer returns, pivoting to an unrehearsed sales pitch for his sponsor.]

If you have the money, please - please, guys - get a Vault-Tec vault. Get in there! Think of it as a life raft, a bit. Our country is the Titanic, and these vaults are the life rafts - right? - attached to the side of it.

[The seventeenth scrolling headline reads "NUKA-COLA MASCOTS 'BOTTLE AND CAPPY' TO APPEAR IN ANIMATED FILM FROM CALIFORNIA CREST STUDIOS. WILL BE THE FIRST IN A SEVENTEEN PICTURE DEAL BETWEEN THE COMPANIES."]

Now, were there enough life rafts on the Titanic? If you remember - no, no there weren't enough, and so many, many people died, and so, it's a nice allegory actually, because they're not going to die in the freezing ocean, which would be - actually, it's a little faster to die by fire than it is by drowning in the cold, so it is kind of an advantage to be dying now, th- rather than on the Titanic, the RMS Titanic.

[The eighteenth scrolling headline reads "SUPPLY LINES FOR RED FORCES BREAKING DOWN." Sort of like this announcer. He pivots again.]

Now - can you call a survivor of a nuclear holocaust a person, anymore? I don't know. Their brain is going to be cottage cheese, and they will be crawling... crawling on the ground, stuffing sand in their mouth, their blind eyes melted out, like the white of an egg, just dripping and dribbling out of their eye sockets.

[The nineteenth scrolling headline reads "VAULT-TEC ANNOUNCES COMPLETION OF VAULT 33 UNDER SANTA MONICA, CA."]

They raise their face towards their... god... and scream, "Nooooo! Whyyyyyy! What did it all mean?" It turns out it didn't mean much if you didn't get a spot in a Vault-Tec vault."

[The twentieth scrolling headline reads "MILITARY UNITS SENT TO QUELL UNREST IN SEVERAL STATES."]

"Now, let's talk about the luxury interiors of Vault-Tec vaults. We have camel leather. You've heard of cow leather. Probably. Camel leather is a great deal softer, isn't it? It comes from the camel, who keep their water on their backs in a hump. Sometimes two, if they're a dromedary. Now, let's talk about camel leather and why it is more supple, and why it is cooler to the touch, and we can talk about it forever but what you want is luxury, what you need is safety: Where you go is Vault-Tec. That's it.

[I feel like I need to point out that dromedary camels only have one hump, and no camels store water in their humps: It's actually just fat up there that they can live off of while traversing deserts. Regardless, the announcer is gone again. The scrolling headlines remain. "NUKA CORP SPINS OFF ATOMIC RESEARCH ARM INTO SEPARATE CORPORATE ENTITY AFTER SEC APPROV." "SUPER DUPER MART ANNOUNCES RECALL OF BLAMCO MAC & CHEESE FOR TRACE AMOUNTS OF DAIRY." "VAULT-TEC STOCKS SOAR AS US ECONOMY BECOMES FEAR-BASED." "BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND LASERS TAKE DOWN NATIONWIDE WEAPONS SMUGGLING RING." Another woodwind-heavy song starts up, and so does our announcer.]

Um... Arnold?

[throat clearing]

Arnie! Can we- do- do we have a- can we start a clock? Can we - is there, like, anything we can do? I feel like people need something to hold onto, there's a lot of empty air. There's a lot of dead air, here. People need something to hold onto, people are freaking out, and I'm freaking out because I like to have - I like to bring people comfort - uh, in, in this crazy time. There's, there's only a few things you can predict -

[laughter]

In - in the world, and uh, I thought that opening the vault on time would be one of those things.

[The twenty-fifth scrolling headline reads "MILITARY SETS THREAT LEVEL OF POSSIBLE BIOLOGICAL WEAPON ATTACK FROM REDS TO HIGH."]

I was kind of counting on it as a - a thing that would bring some amount of normalcy, some amount of comfort. Something happening the way it's supposed to in a world that feels like it has been turned upside down by evil. But, unfortunately that is not the case. Here we are. Another thing we don't know. Another thing we have to grapple with.

[The twenty-sixth scrolling headline reads "TEDDY FEAR MANUFACTURER SETTLES CLASS ACTION LAWSUIT, DENIES TOY BEAR CAUSES SLEEP PARALYSIS NIGHTMARES IN CHILDREN."]

This particular vault and these technical difficulties that we're having right now have absolutely nothing to do with the product that you will buy when you buy a Vault-Tec vault. Now, Vault-Tec vault living is living the dream, and it's the only way to safety unless you're... the President of the United States, or something like that, and you have a mountain in Colorado to go under and direct the events of the world. Not many of us are that, there's only one of those... uh, and his various and sundry advisors, I'm sure they'll be fine, but you won't! You won't be fine!

[The twenty-seventh scrolling headline reads "WERE TEDDY FEAR BEARS MISUNDERSTOOD? ONE PSYCHOLOGIST THINKS SO."]

If a vault is out of your price range, there are lower-cost alternatives to purchasing a spot with Vault-Tec. They don't sound... good, if you ask me. Anti-radiation pills? Good luck with that. Not sure how anti-radiation pills will hold up against temperatures rivaling the surface of the sun, for example. But maybe that's just me!

[He's gone again. We're 15 minutes into the countdown, and the woodwinds have really started to outdo their own whimsy, at this point. Headlines continue. "TEDDY FEARS SKYROCKET IN POPULARITY AND PRICE DUE TO SCARCITY CAUSED BY RECALL." "VAULT-TEC ANNOUNCES NEWLY AVAILABLE SINGLE VAULT SPACES FOR SALE." "THIS YEAR'S FALLOUT SUIT DESIGN FEATURES ENHANCED PROTECTION, 20% MORE ZIPPERS." The whimsical woodwinds finish up and a bouncy, brassy horn piece takes over. This summons the announcer.]

When you see that vault, it's all gonna be worth it, fellas. It's all gonna be worth it when you see that vault. Now kids, you're probably wondering: Can I bring my pet doggy, or my pet kitty, into the vault? You can't. Unfortunately... it's a hazard in so many different ways. Uh... tch, uh, their hair can get caught in the ventilation system, you'll have endless problems, where do you put their waste? Where do you put... their food? So many, so many problems, so... we have specially-made Vault-Tec gravestones.

[The thirty-first scrolling headline reads "VIRGO II LUNAR LANDER NOW ON DISPLAY AT MUSEUM OF TECHNOLOGY IN WASHINGTON, D.C."]

We have specially-made Vault-Tec pet gravestones for your children to have many funerals for their pets before you go into your Vault-Tec vault. Memorialize your pets now with Vault-Tec mini pet gravestones! Dig a hole in the sand, put the pet in there, and put that gravestone - and it's got a space where you can write the pet's name - right before you go in the vault, no pets in the vault. Not even fish. No, not even fish.

[The thirty-second scrolling headline reads "FLAG FROM VIRGO II LUNAR LANDING STOLEN FROM MUSEUM OF TECHNOLOGY." The news announcer is really getting aggravated.]

What is happening? What is - Arnie! What is - what is happening? Okay - okay! Alright!

[The music and the headlines fill the space again. "NUKA-WORLD TO RAISE TICKET PRICES FOR UPCOMING SEASON, EXPECTING AN 'EXPLOSIVE' YEAR." "GWINNETT ANNOUNCES NEW PALE ALE SO PALE IT'S TRANSPARENT." "HAPPY NATIONAL SOCK HOP DAY!" "VAULT BOY NAMED WORLD'S SEXIEST MAN." The news announcer tries again, attempting to play up the complete inactivity happening onscreen.]

So much is happening here, we've got... the crane, as you can see, it's - it's about to be lowered, and I'm told - and I'm told... the weather. The inclement weather is - keep - I think the weather... there's a pressure cha- it needs to be - yes, of course. The pressure needs to be right to open the vault, or else the differential pressure between underground and overground will cause... a, uh... uh, the furniture to, uh...

[The thirty-seventh scrolling headline reads "VAULT-TEC REGISTERS TRADEMARK ON THE THUMBS UP EMOJI." This one made me physically recoil.]

L- Look... get a Vault-Tec vault. If you can't afford a whole vault for your family, that's fine. Buy time in a timeshare, one of our timeshares. And it's not the kind of timeshare you're going to regret, this is one that's not a scam, because you can look down at your intact body in a Vault-Tec vault and say, "Look at me! I'm whole!"

[The thirty-eighth scrolling headline reads "NUKA-COLA PATRIOTICALLY SALUTES SUCCESS OF NEWEST FLAVOR LAUNCH - NUKA-COLA VICTORY. EXCLUSIVE REDESIGN COMING NEXT YEAR WITH 'A TASTE AS SWEET AS FREEDOM.'"]

Stay whole in a Vault-Tec vault! Keep it together, meaning your corporeal form! Keep it together in a Vault-Tec vault! You'll be skipping around in a workout area, and... check out those barbells! Why not work those biceps while you're down here? What if there's an emergency, and somebody breaches your Vault-Tec vault door? Well, you're gonna want to be in shape to fight off that rageful beast!

[At this point the scrolling headlines loop back to the beginning.]

Now, is it a human? If you kill it, will its soul go to heaven or hell? Don't worry about it! Just get it out, because even its presence in your Vault-Tec vault could kill you and your entire family! These people are irradiated. It's not healthy, right? It's like putting your hand on a radiator. Don't do it.

[Music break. That vault still isn't opening. The song ends, and the news announcer clears his throat.]

We don't... have the exact scoop yet, ladies and gentlemen, so Arnie, why don't we put some music on while we wait for the skinny?

[noticeable pause]

I- I- I- I- don't know what song, put on anything, I'm dying up here.

[The next song opens with energetic trumpets that sound like they're charging through a movie theater snack stand. It's followed by a big band track that seems to re-energize the announcer.]

And, if you're just joining us, we're preparing to head inside the latest and greatest product offering from Vault-Tec. Vault 33, a pristine subterranean society purpose-built for America's best and brightest to wait out the nuclear fallout. There's no telling what will remain once this global conflict reaches its inevitable conclusion: That's why it's important for patriots like you to purchase a guaranteed spot in America's future. It's up to you to keep our golden society going, propagating forth until we have the ranks to repopulate the world outside.

"What if I don't have a partner or family right now?" you may be asking. "Don't give up on love so soon!" I say. Where better to meet eligible partners than in a cherry-picked community of like-minded individuals? If you find you need a bit more assistance, Vault-Tec has breeder search programs to help you find the one, or the two, or the three, four, five! Vault-Tec is a very open society, so go ahead and purchase that single vault space, and that single may become a double before you know it! And what better place to find someone to love, than safe underground?

Please stay tuned as we prepare to bring the crew, and the world at large, inside our Vault-Tec facility.

"But what if I don't have the money for a vault right now?" you may be thinking. You should never let not having the funds today stop you from reaching your dreams. You can always pay tomorrow, into perpetuity. Vault-Tec is reportedly constructing financial packages that allow for customers to continue payments on select economy vaults, in the event of total societal extinction. So don't worry, purchase away! Vault-Tec upholds traditional American values, and they believe no one should be excluded from the pursuit of life, liberty, and debt.

[Music break, wherein the song concludes and switches to something more pensive and staccato.]

A- Alright? Yes? Arnold is telling me - yes? We are moments away! Moments away - from having some kind of movement here. I'll believe that when I see it. Sorry Arnie, but your credibility with me could not be any lower at this point.

Let's talk about the amenities in these concrete miracles. Radiation King will be providing television sets, modern kitchen appliances.

[throat clearing]

The sofas will be... I'm sorry, do we know who makes the sofas? I'm sorry, do we - do we know who makes the sofas? Do we know who makes the sofas? Arnold, do we know who makes the sofas?

[Arnold does not reply. The announcer is miffed.]

What else is new. Yeah.

[Dejection turns to anger immediately.]

If you could please just give me something? If you could please just give me something to update? I'm sitting here with nothing! I'm sitting here... with nothing! This isn't my job! I'm a journalist! I report things, I don't... vamp! Is there even a - is, is there a clue? Is there, do the crane people - have the crane people chimed in? Have the door people chimed in? Is it all one person?

[Arnold presumably says some inaudible form of "I don't know." This does not please the news announcer.]

Well maybe con- maybe connect yourself to them. You should get yourself a radio. Get yourself a radio, Arnold. That's your job, to communicate with me the facts about what's going on, and it's my job to communicate to the people who are watching - we're trying to save their lives - you know, and this isn't advertising for me. This is a product I believe in!

Arnold, what do you do? What skills do you - are you somebody's son? Are you - are you somebody's kid, or something?

[Arnold can finally be heard, somewhat garbled from distance or technology: "My uncle is, uh, is the general manager of Galaxy News, your employer." The news announcer considers this.]

Your uncle is the manager of Galaxy New - mmm. Well, that explains how you got this internship. I'm sorry for everything I said, but... you can understand my frustration, here.

[The music concludes, but the announcer keeps going.]

The, uh, vault foreman is out here, and he is, uh, uh, doing hand signals. Ooh, yes, it's going to be a while, let's play some music for the people, Arnie.

[A new song starts. We're nearly 30 minutes into the countdown before the song switches over and the news announcer starts up again.]

All right folks, we have an update! They've got eyes on the gatekeeper out walking the grounds. It appears he was attempting to retrace his steps after misplacing the key and his wallet - still no word on the key itself, please stand by for more on the wallet, as this story continues to unfold.

Still on standby as we wait for the situation in the vault to resolve, but folks, there is plenty to get the American public up to speed on in the meantime. World news stories! Breaking, breaking news from the international desk. Peace negotiations between America and her adversaries crumbled in Anchorage, Alaska, this past weekend, a city recently liberated from foreign occupation, leading experts to believe nuclear war is indeed on the horizon. One more reason, America, to tune into the presentation Vault-Tec has for us today. Preparation, resilience, and smart spending are the only way our precious republic makes it through that long, dark night.

[This revelation approximates the date of the broadcast, which is happening not long after the Battle of Anchorage. The clash in Alaska officially ended on January 10, 2077: This news bulletin proves that attempted peace negotiations followed, then failed.]

Going the way of the dinosaurs has never felt this fun! If only the dinosaurs had Vault-Tec technology. Now, the dinosaurs died because... a meteor came from space, right? They had nothing to do with it. We have everything to do with our own demise. It's almost like… people are a virus that is destroying the Earth, we're a planet-killing virus. And people do say, "Oh, well, you know, well, the cockroaches... will outlive us and the the aardvarks or whatever will outlive us." Well, they won't. They're going to die too, because this is the real deal, guys. This is the end. So if you're not underground, I don't know what you're doing.

I wonder how we'll evolve. Will we develop a different kind of skin, some kind of leathery, plastic skin to fight off the nuclear fire? Who knows, but the only way to find out is to purchase a Vault-Tec vault, or a space in one of our timeshares.

[Music break again. It's a rather lively waltz.]

For those gathered around their Radiation King TV sets today, thank you for your patience. Rome wasn't built in a day!

[laughter]

Very soon you will witness… one of the greatest modern advances since the Virgo II moon landing - you won't want to miss this, the future of you and your future children depends on it.

[Exasperation sets in.]

Honestly, who wrote this copy?

[Arnold presumably raises his hand.]

You did, Arnold? Well, that's not surprising. It leaves… yes, well, it leaves a lot to be desired. They couldn't hire a professional writer? You look like you're 15 years old.

[Arnold inaudibly corrects him.]

You're 23? Yeah, well, 23-year-olds look like they're 15 now, still too young. What could you know about the - what could you possibly know about the written word, Arnold? Goddamn it. What could you - what do you know about writing and oratory? Nothing, I'll answer y- for you, nothing. The lack of professionalism - myself not included - disgusts me. The lack of professionalism disgusts me, Arnold!

Speaking of nuclear fire, you should see the muffin tray they left out for me. People want a blueberry mu- you want a muffin, okay? A muffin. Not a little squirt of dough, with a little powdered su- give me a muffin, give me a real thing, okay? Give me some snacks! You're going to give me some coffee? Good. I need a snack, to balance it. I'm not the only person in the world who needs a little bit of fat in their stomach when they eat a... big haul of caffeine.

[throat clearing]

Stand by as we wait for the situation in the vault to resolve.

[The music does some flourishes, then finishes.]

Ladies and gentlemen, it's official: We're experiencing some technical difficulties. And before we can open the vault - Vault 33, our flagship vault, full of the, uh, finest luxury items available to mankind, a- as of now - maybe we could put something on to keep people company while we figure out the technical difficulties. Sorry, these difficulties of course have nothing to do with Vault-Tec's vault tech. In- in- indeed…

Look, I need to have a whole cigarette right now. Just put on the song. Where are my smokes?

[The music starts up again while the announcer burns through a cigarette at the speed of a Corvega.]

Well, well, well! Here we are again! Ladies and gentlemen, we're dealing with a hiccup. Now, hiccups... might seem like a momentary stoppage, but this is a big hiccup. It's like God is hiccuping.

Vault-Tec is reporting that there's only one gatekeeper and one key on this vault model. The keys for these vaults are one of one, it fits like a glove, but it's - it's - these - these locks are very, very complicated.

God, it's so good to be on the other side of this. I don't think people know. People really don't know what's coming, and that's probably good. If you haven't watched… if you haven't watched the news up to this point, don't pick it up. Don't… just try and stay ignorant, uh, really don't find out what's going to happen because… it's bad, um, it's over.

[laughter]

The Earth is a slaughterhouse, and we are cattle!

[laughter]

We- we'll go back into, uh, a society resembling Bronze Age Mesopotamia. That's where we're going. It's not fun. Um... disease is… really prominent, um… we don't treat women well - let's just face it, it's - they - we don't treat them well now, but back then… oof. Rough. Rough treatment of women. You think we're racist now?

It's going to get bad. Where you want to be is underground. Vault-Tec vaults.

[A really tinny muted trumpet rises to its occasion as he disappears again for a bit.]

You know what else is great about Vault-Tec vaults? The air purification system. Let's talk about air. You need air to breathe, I need air to breathe, we need air to breathe. Vault-Tec's got it in spades! We've got oxygen candles straight from our finest nuclear submarines that you can burn, that turn nitrogen and carbon dioxide into oxygen molecules. Perfectly breathable, perfectly safe for your children, and your children's children, and your children's children's children in case we're there for three sweaty generations of sweaty living underground! In a fresh vault!

In fact, we put a family in a vault for 10 years and let them out just to see how it would go… and here they are now! "We loved it, uh… We loved it! That was great!" Uh… that's - I'm making it up! I'm making that up. I am imagining what could happen if I had more information about the vaults, but I don't have that information, so I'm making it up! Ha! Vault-Tec vaults, yes. Say yes to the tech!

[The music saves us for a bit.]

Unfortunately, we are back, the vault hasn't opened, and we have had absolutely no movement towards the vault opening, so! Hope you enjoyed that music. I know I was tapping my feet. Let's get back into it, where are we?

The US government has been quietly testing T-60 power armor suits as part of their long-standing defense contract with West Tek, following up the T-45 and T-51 efforts in the ongoing war with the People's Liberation Army.

[hisses through teeth]

How about that? How about that. The Man from Deadhorse gallops to a fast start at the box office! The Howard-led western is said to be the next smash for California Crest Studios.

[So the ghoul's name is probably Howard Something, or Something Howard. Interesting, but the announcer doesn't care and decides to throw another tantrum.]

Am I crazy or is this taking forever? I don't think I'm crazy, but I feel crazy! In fact, I might be the only person involved in this whole production who hasn't lost his mind! I'm looking at you, Arnie, I'm looking at you!

[Looking at Arnie yields nothing, again.]

"You don't know what to do, you don't know what to do." You idiot! I can't even get the word- I can't even get the information from you. Worthless!

[grunt of rage]

It's just me and Arnie here, I'm in hell, he's sitting there smiling at me, I'm in absolute hell!

Do you have a spot, Arnie? Do you have a spot in a vault? Oh! You do! What vault is that?

[long pause]

Oh, that's the one I'm in. Oh. Dear God.

[deep breath]

I guess we should get to know each other.

Ladies and gentlemen, we don't even know what's wrong here… but I can assure you that what isn't wrong is Vault-Tec technology, this has nothing to do with Vault-Tec's patented lock technology and everything to do with stupid people and human error. If you're this inefficient at work, what is home li- do - how do you wipe yourself?

[Uncalled-for, news announcer man.]

Ladies and gentlemen, please enjoy this music while we figure out what's going on.

[Musical break number who knows. Just over 11 minutes remain on the countdown.]

In other sponsored news, Nuka-Cola is celebrating the success of one of their newest flavor launches, Nuka-Cola Victory, with an exclusive redesign release later next year. Students that read over 10,000 books can be part of the ZAP IT! Program, rewarding literacy with sugar!

[deep breath]

I don't like Nuka-Cola. Personally... I don't like Nuka-Cola. Too sweet. I don't drink it. But it's popular, I have stocks in it, I invest - I invest in it. I don't drink it. It's the way the world is. Just because it's popular, doesn't mean it's good, just because it's good, doesn't mean it's popular. A can of Nuka-Cola, what is that, it's energy slowed down, right? It's the energy of the universe slowed down, right? What are we, what am I? We are energy slowed down into the form of a human being. All that's about to stop.

[laughter]

All that's about to stop! All that's about to go away! Maybe there's life on other planets. Maybe there's not. Are they going to come save us, no! If I were on another planet, and I came here, I would have an endless belly laugh at our folly, I mean, the folly of man! It's funny, there's so much written about the "folly of man." I mean, read Moby-Dick. Read… uh… what di- what happened with the - the wax wings, the wax wing guy? Wax wing man, Mr. Wax Wings, Daedalus. What's his name?

[Arnold hazards a guess we can hear: "Shakespeare?"]

Arnold, Shakespeare? Arnold, Arnold, good god… Shakespeare? Where did you go - you went to one of these hippie schools...

[Arnold tries again: "I think it was Icarus?" The announcer is ecstatic.]

Icarus! Icarus. Wow! You are good for something. Wow, Arnie!

Now, Icarus, he was close to the sun. In a Vault-Tec vault, you'll be as far from it as possible. You will be up to 50 feet underground, in a Vault-Tec vault, safe and sound in the knowledge that the wax on your wings will not be anywhere close to anything that will make it melt, except our new Vault-Tec oven!

[The horns come in again.]

Where are you f- what's your family situation? Do you have kids or…

[Arnold probably shakes his head.]

No kids? Good for you.

[laughter]

Are you single?

[Arnold: "Yeah."]

Ahh, yeah. I wouldn't recommend going into a vault single. You might want to lock someone down and take you in there - if only to help you fight - and, uh, survive, it's good to have a partner. Yeah… oof!

Anyway, glad I'm safe and secure in my vault! Um… I'm in the tax bracket that kind of... automatically gets a vault, so, sorry everybody. Uh… I'll be, uh, doing this thing called surviving, while you are all burning.

[deep breath]

What's the point of any of this? What's the point of any of this? Nobody - nobody listening to this can afford one of these things. Everybody listening to this is about to turn into an idea!

[laughter]

Instead of a being! But, here we are! Let's whoop it up! Let's whoop it up! It's a big parade… for the end of mankind! It's a big parade! Here's the final celebration, Arnie! Here we are!

Let's stake our claim in a dying planet! Let's plant our flag in a dead rock, and see how we feel. Let's see how we feel after the flag is planted, Arnie.

[a deep sigh]

I don't know how much longer I can do this, man.

[another deep breath]

My voice hurts, I'm thirsty, we're out of water, the muffins they laid out at the top of the day are dry and old, I feel dry and I feel old.

I give up! I give up.

[chuckles]

What's the point of this? I mean, what's the point of anything? I'm... I'm broken.

[Emotion creeps in.]

I'm broken. I'm changed. I am broken and I have changed. I…

[one more deep breath]

Thanks to you, Arnie. Thanks to you, man. Thanks, you're the best, yeah, thanks to you, pal. Thanks to you, buddy boy. You are just awful. You disgust me. Yeah, I'm just - I'm sorry. I'm - I'm just… I'm fried, man. I'm - I'm fried, pal. I'm fried. Dead. Gravestone, dead. Oh yeah, that's, okay.

Oh, god. Where are we in the process of the door opening?

[Arnold: "Yeah, it's over."]

What?

[A record scratch stops the music. Two minutes remain on the countdown.]

What's that? Oh!

[The announcer clears his throat, and the music changes to a triumphant fanfare.]

Ladies and gentlemen, I'm getting word. Ladies and gentlemen... I've gotten word that we are star- we are starting, ladies and gentlemen. It's happening! Here we are! Here we are, we got it, we got it, and now…

N- and now, this afternoon is unlike any other afternoon, ladies and gentlemen. It was the morning, now it's the afternoon - here we go! The crane is loweri- Here we go!

[relieved laughter]

Okay! Really close to the time where I can go, and get out of here! The crane is lowering, it is happening, the tumblers are tumbling! The crane is lowering, the tumblers are tumbling, we are… go! We're going! It's opening! It's opening!

[The static image of the vault has not changed in the slightest bit.]

You try doing this! You try doing this, Arnie! You try filling the time! Next time we'll switch places, Arnie, and you can try it! Oh boy, oh boy, here we go, thank god we're doing it and it's happening. I see motion, I see- I see Vault-Tec… I am convinced! Guys, this is great, it's been great, Arnie? It's been great. Arnie, it's been great. You know, I hope we are in the same vault. I'd like to spend the rest of my life with you, Arnie.

[slightly unhinged laughter]

As long as this happens right now, I am fine with spending the rest of my life with you! As long as the vault opens right now. The fact that nuclear fire could fall from the sky at any moment has made this broadcast that much more important. Thank you, thank you so much for joining us!

[blubberquark]

Auto-Generated Junk Web Sites

I don't know if you heard the complaints about Google getting worse since 2018, or about Amazon getting worse. Some people think Google got worse at search. I think Google got worse because the web got worse. Amazon got worse because the supply side on Amazon got worse, but ultimately Amazon is to blame for incentivising the sale of more and cheaper products on its platform.

In any case, if you search something on Google, you get a lot of junk, and if you search for a specific product on Amazon, you get a lot of junk, even though the process that led to the junk is very different.

I don't subscribe to the "Dead Internet Theory", the idea that most online content is social media and that most social media is bots. I think Google search has gotten worse because a lot of content from as recently as 2018 got deleted, and a lot of web 1.0 and the blogosphere got deleted, comment sections got deleted, and content in the style of web 1.0 and the blogosphere is no longer produced. Furthermore, many links are now broken because they don't directly link to web pages, but to social media accounts and tweets that used to aggregate links.

I don't think going back to web 1.0 will help discoverability, and it probably won't be as profitable or even monetiseable to maintain a useful web 1.0 page compared to an entertaining but ephemeral YouTube channel. Going back to Web 1.0 means more long-term after-hours labour of love site maintenance, and less social media posting as a career.

Anyway, Google has gotten noticeably worse since GPT-3 and ChatGPT were made available to the general public, and many people blame content farms with language models and image synthesis for this. I am not sure. If Google had started to show users meaningless AI generated content from large content farms, that means Google has finally lost the SEO war, and Google is worse at AI/language models than fly-by-night operations whose whole business model is skimming clicks off Google.

I just don't think that's true. I think the reality is worse.

Real web sites run by real people are getting overrun by AI-generated junk, and human editors can't stop it. Real people whose job it is to generate content are increasingly turning in AI junk at their jobs.

Furthermore, even people who are setting up a web site for a local business or an online presence for their personal brand/CV are using auto-generated text.

I have seen at least two different TV commercials by web hosting and web design companies that promoted this. Are you starting your own business? Do you run a small business? A business needs a web site. With our AI-powered tools, you don't have to worry about the content of your web site. We generate it for you.

There are companies out there today, selling something that's probably a re-labelled ChatGPT or LLaMA plus Stable Diffusion to somebody who is just setting up a bicycle repair shop. All the pictures and written copy on the web presence for that repair shop will be automatically generated.

We would be living in a much better world if there was a small number of large content farms and bot operators poisoning our search results. Instead, we are living in a world where many real people are individually doing their part.

[mirai-e-jump]

Figure King No.322 2024 Making Report of Kamen Rider Gotchard (pages and translation below, VERY LONG POST)

Publication: November 27, 2024

ft. Chief Producer Minato Yosuke (Toei), Heads of Documents & Literature Yamabe Koichi and Kaneko Shinichi (Ishimori Productions), Character Designer Kita Tojun (PLEX), and Producer of Toy Development Terakawa Ryo (Bandai)

Gotcha Youth Alchemy Journal Gotcha 1: The Combination of Rider and Youth

-Expanding on "touch points" and card demand-

"Fall of 2022…The broadcast of the TV series "Kamen Rider Geats" begins, where within the show, multiple people become Kamen Riders and take part in the survival game called the "Desire Grand Prix." Toei's Minato Yosuke was preoccupied as a Sub Producer, trying to establish the project of the new show "Ohsama Sentai King-Ohger," which would start in March of the following year. In October, the "Virtual Production Division" was established at Toei Tokyo Studios. King-Ohger was an ambitious show that implemented new filming techniques through the use of LED walls. Minato was pushing forward with his work while getting a feel for these new techniques, but was forced to leave the project halfway through. This was because he had been appointed "Chief Producer" of the new Kamen Rider production that would begin in 2023. After working as a production assistant at anime studio Madhouse, in 2019, Minato joined Toei as a "full time tokusatsu Producer." Since then, Minato's been involved as an Assistant Producer on "Kamen Rider Zero-One" (2019), "Kamen Rider Saber" (2020), and "Avataro Sentai Donbrothers" (2022), but this was his first major role as Chief Producer. Likely due to the fact that he was appointed Chief within a few years of changing careers from the animation industry, he said he received a great deal of support when launching the project."

Minato: Shirakura Shinichiro from the Character Strategy Division and Tsukada Hideaki from the Drama Division participated and looked out for me in the form of advisers. As you're well aware, Shirakura's writing style and Tsukada's writing style are the complete opposite. Shirakura's the type of person who moves the story along through human relationships. I think Tsukada's characterized by his mystery drama format, where the build up of events lead to incidents being resolved. I refer to them as "the dragon and the tiger" (laughs), but they're such opposites, that I felt as if I had been worked twice as hard in such a short period of time due to their intense criticisms.

"Shirakura's the Producer behind many Kamen Rider productions, including "Agito" (2001) and "Den-O" (2007), and he was the driving force behind the branding of the Heisei Kamen Rider series. Meanwhile, Tsukada's produced hits in the Kamen Rider series, such as "W" (2009) and "Fourze" (2011), as well as many other TV dramas. Both also have experience as Chiefs of Super Sentai productions, and are indispensable figures in the history of Toei's tokusatsu productions."

Minato: Because of the way things unfolded, the idea of using cards as transformation items had already been proposed by the time I joined the project. I was told that it could change, but since I was super into "Magic the Gathering" during my entire school life, I thought I was lucky that we were going with the concept of card Riders.

"Joining the planning team as the head of toys was Bandai's Terakawa Ryo. After working in Gunpla promotion for many years up to that point, he became a developer in charge of Digimon and other figures."

Terakawa: We also felt that the environment for "having interest in watching these shows" had changed significantly. The company had been conducting their own surveys and found that the recognition of Kamen Rider had been declining year after year since the start of the covid pandemic. Given this situation, we at Bandai thought that what we could do was to increase the number of "touch points" through the toys. This would lead to greater visibility of the characters, and that the more people knew about the show, the more interest there would be in the toys. At the time, when we thought, "What's the easiest item to give to children who have never heard of Kamen Rider?," we decided that cards were the way to go. Cards can be produced at a low unit price, so along with them being easy for children to hold onto, they can be handed out for free at various places. We thought that if we could distribute them at events, in stores, and even put up "peel off posters" at places like large train stations and participating stores, that interested people would peel them off and take them home with them. If they had an actual card in their hand, they may become interested in Kamen Rider and be encouraged to watch the show. We couldn't just give out transformation belts (laughs), but cards are easy to distribute to a large number of people. That was the main reason that made us focus on cards.

"The cards are the ideal "size" to get children to recognize the Kamen Rider characters."

Terakawa: So far, Kamen Riders that have used cards were "Ryuki" (2002), "Blade" (2004), and "Decade" (2009), but it's been over 10 years since they've been used as "linked" items. That's when I felt like, "In that sense, wouldn't this be like a new experience for children?" For starters, cards are items that the Showa generation of Rider fans have a high affinity for. Calbee also released products with cards in them to line up with the release of the film "Shin Kamen Rider" (2023).

"The reason behind the implementation of cards was partly due to the rising marketplace for trading card games."

Terakawa: Even now, the market for card games is quite heated. The trading card games of various companies, including Bandai's own "One Piece Card Game" and "Battle Spirits" series have become so popular, that domestic card printing plants are operating at full capacity and are unable to keep up with production. The user base for purchasing third party games is expanding across all generations, and that excitement is also being passed onto children. Cards take up alot of floor space in toy departments and are easy to sell in convenience stores. As an example, it's pretty difficult to sell a 2,000 yen buckle, but a 200 yen card pack can be found at any convenience store. If it's a card, it can be sold with candy at an affordable price. It can also be sold with children's clothing, or as a bonus in magazines and other items.

-Reiwa Rider's Card Battle-

"The project was started in response to the enthusiasm of the card game market, but developing a transformation belt with a card based gimmick was extremely difficult. Minato, who at this point was in charge of the entire production, says that Ryuki was the first thing that came to mind when he started planning the card Rider project."

Minato: It was one of the shows that led me to becoming an otaku (laughs). I was in my second year of middle school at the time, and I was so absorbed in this show, that I even sent in a call to "Telegong" (a service where viewers voted by phone to decide on how the show would unfold).

"Kamen Rider Ryuki was the third entry in the Heisei Rider series, which ran for a year starting in February 2002. It's a shocking show where 13 Kamen Riders are pitted against one another in a Rider Battle, fighting by using the power of monsters called "Mirror Monsters," and its tagline being, "Those who don't fight won't survive!" Its "death game" style, in which only the last one standing can make their wish come true, caused it to gain alot of attention, making it a highly successful and legendary show. Minato's superior, Shirakura, who was present at the planning meeting, was also the Chief Producer of Ryuki. In planning the card Rider, Minato was handed materials by Shirakura that served as a template during Ryuki's proposal."

Minato: When I read it, a section with a discussion of how to incorporate card battles into a Rider production caught my eye. For example, in the case of "Pokemon," Pikachu plushies and figures are popular, but merch that features the main trainer Satoshi isn't as popular. In the case of Kamen Rider, the Riders are the main characters, so it's the Riders that you want to portray in an appealing way. If he were to summon Dragreder (a Mirror Monster) and have Dragreder fight for him, the Rider wouldn't be as appealing. If the Rider himself doesn't fight, he'd just exist to summon Dragreder. That being the case, the Rider summons a Mirror Monster in order to borrow their power. They can use sheer strength to unleash a special attack from the weapons they hold in their hands, or perform kicks themselves. In short, it's structured in such a way that the Riders themselves become the main part of the battle. The Mirror Monsters don't speak, and are depicted as enemy monsters, but there's a reason for this. Within the materials, there was something written like, "We want children to like the Kamen Rider, not Dragreder."

"There hadn't been a Rider production with cards as the main item since Decade in 2009. Furthermore, there was no concept of "linked items" at the time, and cards for multiple transformations and cards for form changes weren't developed in a very particular way. The cards used by the Riders were included "one at a time" with the toys (although there were 10 included in the main transformation belt), and weren't designed with the assumption that people would collect a complete set. Some of them were commercialized in the Data Carddass game "Kamen Rider Battle Ganbaride" (trading card arcade game), but the difficulty of obtaining them was high because the cards were ejected one at a time, causing collectors to cry. More than 10 years have already passed since Decade. It can be said that the development of cards unique to the Reiwa era would inevitably happen."

Minato: Bandai wanted to sell the cards as if they were part of a trading card game (in packs), rather than in a way where the contents of the cards are known. In other words, it was designed so that you wouldn't know what cards were inside. Selling them like that, you're bound to get duplicate cards, no? We had to think of ways to use those duplicate cards, so we first thought of a way to fight in a deck building style. As an example, I had to create a situation in the drama where you could put multiple copies of the same card in a deck. Then, I wondered about energy cards. For instance, there's always an energy card in a pack, and you have to consume three energy cards to get a powerful attack. I thought it'd be difficult to sell a large number of cards without doing something like that. The act of building a deck may seem abit difficult, but I thought it'd be better to have a gimmick like that, since it could broaden the age range of the audience.

"Younger children would enjoy the flashy card battles, while the older ones would also enjoy “tactics at its finest” when combining decks. It's an ambitious concept that would certainly captivate not only young children and elementary school students, but also the older generation."

Minato: At first, we thought of dividing the cards into multiple categories, including transformation cards, attack cards, special skill cards, monster cards, and so on. I tried to explain that things like skill cards can be used in the development of the show's story or battles, and that each card has value because interesting things could happen when they're combined, but it was hard for people to understand.

"The design team was led by Kita Tojun of PLEX. He's a key Designer who's worked on the Kamen Rider series since "Build" (2017), as well as "Mashin Sentai Kiramager" (2020), and as Chief Designer on "Ultraman Blazar" (2023)."

Kita: Among the countless ideas, there was one to combine 3 cards. The idea was to create a deck with three types of cards, that being, "Material + Shape + Movement," and then perform a move. Being more specific, it'd be something like, "Iron + Triangle + Rotation = Drill." In theory, it's easy to understand, but it'd be difficult for a child. Then there were talks of, "How about a simple "drill" or "bike" card, and then combining the two to make a "Drill Bike"?" From here, we felt that it'd be alittle sad to just use the word "drill," so we decided to turn the drill and bike into a character. In "Kamen Rider OOO" there were the mechs called "Candroids" that would help out, and I thought it'd be a good idea to make it a character with that kind of vibe. Riders are known for their compound eyes, so we came up with the idea of giving every character "bug like eyes."

Minato: When I saw the illustrations of the drill and bike with compound eyes, I thought that what was depicted on those cards looked like small animals. And the fact that all of them are alive……it made me think that they were like Pokemon (laughs). In that sense, the illustrations on the cards were all monsters…… it started to seem like a good idea with the ways things turned out.

"This idea became the prototype for the "Chemies," but at this point, he said they hadn't reached a definitive decision. It was like wandering in a long tunnel with no end in sight. The steam locomotive that would lead them to the exit hadn't arrived yet. The planning team's struggles continued as they hoped for a breakthrough in ideas……"

-Transform with alchemy by shaking the cards-

"In addition to the cards and structure of the transformation belt, meetings were underway in regards to the concept of the main Rider. This was because the concept of the Riders and items were linked to the worldview of the entire show."

Minato: Shirakura would constantly ask me, "What kind of program will people watch each week?" A Kamen Rider engaging in card battles wouldn't leave much of an impact. That's because there's already been so many. If you were to say an "Office President Rider," the audience's imaginations would run wild. A novelist Rider, a devil Rider……your imagination starts to overflow, doesn't it? That's where the word "magic" was brought up. If you were to give some meaning to the cards, then in some way or another, the magical elements would fit. Magical cards are easy to visualize, aren't they? For argument's sake, if you have materials "A" and "B" and then combine them, you can create something new. This is something that came up at a meeting with Tsukada. However, it didn't feel right that there was no logic behind the magic. With that being the situation I chose "alchemy," as it felt like there were more rules.

"So that's why the concept was an "Alchemist Rider." With the word "alchemy" being agreed upon, various elements started to connect to one another."

Minato: I remembered that something called a homunculus existed in alchemy. Then, I wondered if the compound eyed monsters depicted on the card illustrations could be homunculi. I thought it (artificial life forms) would be compatible with alchemy. From here, when responding to Shirakura's question, "What's so entertaining about this program?" my answer was, "Alchemy." Despite that, Shirakura would say, "Alchemy can't be a theme." He also said the words, "It's fine to use alchemy as a gimmick, but use something else as the theme." Trying to find the theme……I was at my limit, and yet, I remembered the conversation about how the illustrations on the cards were like Pokemon. This is where I finally landed on the word "collect."

"The cards depict monsters, and the idea was to create a story about collecting those monsters. At the same time, the word "alchemy" helped speed up the development of the transformation belt."

Kita: We talked about how to present the act of "mixing" multiple cards as a gimmick for the belt. One example, put three monster cards in the case and shake them. It'd be like a drink shaker. What we had in mind was when you pour them into a flask shaped belt, you'd transform through the power of the three monsters fusing.

"A wide variety of opinions were exchanged, among them, the idea of a transformation gimmick, in which the face of the Rider is completed by matching the patterns on the cards, was also conceived."

Kita: However, it was difficult from a design standpoint (making a flask shaped belt). Flasks have a protruding tip, so it'd be hard to fuse the square shaped cards with that design. Because of that, we decided to only keep the gimmick of shaking multiple cards and to make both the belt and the card holder in a square shape.

"A majority of people also said that the transformation action was lacking in excitement."

Kita: They said that simply shaking the card case and putting it in the buckle was weak as a transformation action. For the Build Driver (Build's transformation belt), there were the items called Full Bottles, but at the time, you had to shake the Full Bottles, put them in the belt, and then perform an additional action (turning the handle). It was pointed out that there was no action to that effect this time.

"At the same time, the number of cards were discussed, and it was decided that the total amount would be as large as 100 types."

Minato: That meant that there'd be 100 different linked items this time. I was pretty nervous because there were so many (laughs), but I decided to go along with it because it'd be a new perspective for me, and also because as cards, it might be worth collecting them.

"If three cards make one form, then you need more than 30 different forms, and if two cards make one form, then you need 50 different forms."

Kita: With that many forms, you'll want to swap cards from one to the next and play around with them. Some people voiced how it might be alittle hard to play with, and when we thought about it, the process of removing the holder from the belt, changing the cards, and putting it back on the belt again wasn't a good idea. So we talked about it with, "Instead of increasing the number of actions, wouldn't it be better to reduce them?" In the end, the card case was removed, and we decided to go in a simpler direction.

Terakawa: It took alot of trial and error, but if you want them to play with the intuition that you pair up the cards with the belt, just insert two cards into the belt and combine them together. I thought that was the simplest way to go. There's minimal belt action, since all you do is push and pull the buckle, but being that there'd be 50, possibly more, different forms, we decided that it'd be better to keep the actions as simple as possible. Each form also makes a distinctive sound effect. In addition, it can identify all 100 monster names and says them audibly, so just as a toy, we thought it'd be pretty fun.

"And so, with its colorful, neon like lights emanating, the transformation belt was completed. When two cards are inserted and the lever is pulled, the Rider's face appears. A truly mysterious gimmick was born."

-A Rider's failed transformation?!-

"Let's bring the conversation back to the time when the transformation system was being devised. At the beginning of the project, the idea was to just "insert a card pack directly into the buckle and transform!"

Minato: This was an idea from the design team. The concept was to make the packs structured like a storage box, where you could open and close them repeatedly, and then to "take out the real pack of cards inside and use them to transform!" The concept was to make even the act of opening a pack of cards part of the fun. This is where the drama comes in, as the question of "how do you deal with random cards?" came to mind. Opening a pack would be like a battle, where it's like, "So these are the five cards I got this time. Alright, how should I use them?" Then I was thinking that depending on the specs of the cards, it might be a less powerful form that it transforms into. That's the direction I had in mind for the drama.

"The main character fights by randomly transforming into different forms, taking advantage of the unique properties of his cards, which makes it impossible to know what will appear. Imagining a Rider surviving battles through wisdom and courage really gets your heart racing, don't you think? This led to the concept of a Rider who, depending on the cards he held, could transform into a "grotesque," non human form."

Minato: I imagined the main character as a young man who tries without giving up, even if he makes mistake after mistake. So I thought, "Why not visualize this attitude through his transformation?" Alchemy has a history of failures, so you could assume that the concept reflects that. In response to Shirakura's "what makes this program so entertaining to watch every week?" question, I thought, "what about a program that entertains the audience with its failed transformations?" Using various cards, trying again and again until finally achieving success, it made me think, "Isn't that kind of method abit like alchemy?"

"A failed transformation form that visualizes the act of repeated trial and error. The concept of capturing the form change from a different angle makes the new generation's sense of style shine through. However……"

Minato: When I tried to write the script using this format, it took way too long to reach victory. The sequence of a successful transformation from a failed one simply took too much time. Because of that, instead of repeating failed transformations, many people voiced their opinion that it'd be better to focus more on monster collecting.

"Thinking from a child's point of view, wouldn't it be more fun to have 10 successful transformation forms than to have 10 failed ones? After the planning team's feedback, it seemed like the failed transformation forms would be scrapped, and yet……"

Minato: There's a novel called "The Metamorphosis" by Franz Kafka, and in it, the main character turns into a "poisonous bug." I felt that the failed transformation form had a similar kind of impact. On the other hand, one of the design proposals had a strange form based on the concept of a non human "steam locomotive grasshopper,” which I thought was kind of interesting. I also thought of the main character as a person who would be guided towards "C" in his search for answers, rather than choosing between "A" or "B," so I felt that a bizarre form would fit well with him.

"Both Yamabe Koichi and Kaneko Shinichi of Ishimori Productions are responsible for world building and repair within the Kamen Rider series. So far, they've been behind the scene figures that have caused many Rider productions to succeed."

Yamabe: It's alchemy, so failures can happen. You may end up with a form that's different from what you wanted, or, on the other hand, you could get a tremendous amount of power specifically for combat. A rough and wild form that causes him to abandon his human form. I think it's because we weren't concerned with the human form, that we could express that kind of excessive power. When I was a child, I used to enjoy thinking and fantasizing about things like, "What would happen if "A" and "B" combined?" So, even though we couldn't show all the forms, I thought it might be a good idea to set the rules as they are, and to let people imagine what it would look like if they put "this one" and "that one" together.

Kaneko: We thought that by removing the human form, the transformations could become more unexpected. I wondered if we could slightly deviate from the parts that the viewers would be expecting. We just needed to decide on the combinations, then we could consider using props instead of suits or CG to depict them. The idea was to keep viewers from getting bored and to give the program a sense of variety.

Minato: Although it was a good idea to sell this series with the fact that there are nearly 50 different forms (through the combination of 100 cards), we didn't have the time to depict those 50 forms (within the drama), and it would've taken a large budget to produce that many suits. So I thought, "Why not use the forms I was considering as failed transformation forms?"

"A strange creature that looks like a fusion between a grasshopper and a steam locomotive…These forms eventually came to be known as "Wild Mode." The naming embodies the "roughness of becoming wild." When the design is humanoid, there are limits to how the action can be depicted. By doing as they pleased with how they designed its appearance, it became possible to break away from those limits. This is how the new Kamen Rider of 2023 acquired its unique identity."

-A young Rider who crushes the old-

"The main character in 2023s Kamen Rider was a high school student. Why did you choose an overly straightforward youth, someone who was more than a boy but not quite a young man, to play the leading role?"

Minato: The opening of the drama is that the main character opens a secret door and finds himself in the world of alchemy, but at its roots, the story has an urban, legendary like worldview. There's a mysterious organization, similar to that of the Illuminati or Freemasons, that have already taken control of the world. The Alchemys Union gives off an image similar to a "dark government." Because of all this, you don't know the full picture. During a planning meeting, we asked ourselves who the Rider would fight against. The word "gerontocracy" came up. Usually, Shirakura and Tsukada are polar opposites, but on this one occasion, they both found it amusing (laughs). Because of their reaction, I thought it'd be interesting to have a story about a group of young people crushing leaders who hate change and only talk about things based on their own past achievements. However, I thought that "crushing the old" was too negative of a theme, but then the word "Gotcha" came up at a naming meeting. It's not a made up word, as it means "to obtain" in English. "To obtain" means to encounter something new that you don't have, in other words, that's what I believe the old have already stopped doing. The only thing the young can do to surpass the old is to "Gotcha." That was one of the reasons why I made the main character and his friends students.

"What the new Kamen Rider needed was "youth to fight off the old." The fact that the main Rider repeatedly changes into 50 different forms can be seen as a symbol of his youth."

Yamabe: The main character is a young and naive high school student. He's an amateur at alchemy, so he's not too specific about things, and he's not afraid to try out different things. I feel that the kind of "irresponsibility of youth" he possesses is reflected in the many form changes he makes.

"The design of the main Rider was done alongside his characterization."

Minato: Our initial plan was to use three or more cards. Since W and Build transformed by combining two elements together, we thought about whether we could create a gimmick that increased the number of cards so that there'd be no overlapping. We tried a variety of things, but considering the structure of the belt, the only way to read the barcodes printed on the cards was to scan them one at a time. After taking into account the transformation action and various other circumstances, in the end, we decided to proceed with just two cards.

"W's design is divided into two parts down the center, while Build combines two elements in a spiral shape. What would the next Rider look like?"

Kita: At first, I imagined him in a lightweight suit, as I thought it'd be a nice change from tradition. The style would be similar to "Riderman" and "Ride Kamens," where their faces are visible and armor is kept to a minimum. With this as the base, the direction was to strengthen him through the use of the cards. I tried to draw lines that made the most of the flat surface of a card, and to also add a flask motif to give off the image of alchemy, but I couldn't decide on the direction to take. It was pretty difficult.

Minato: There were tons of strange designs like that. However, since he's a card Rider, and since "people cards" were something that only Decade did, I wondered if there was a different direction to go in. We asked for an alchemy motif, but we couldn't come up with any words that would give him any hints for the design. During this, "plating" became the one thing we attached ourselves to. Alchemy is the secret art of manufacturing precious metals (like gold and silver) from base metals (like iron, lead and copper), so it gives off the image of something shiny. However, that was also just about the subject matter, not the actual design…..In the end, we decided that instead of combining the visuals of "A + B = AB," we would create a completely different form, that being "C." We wanted to proceed with a completely mixed design, a form where two elements were fused together through alchemy.

"Soon after, the motifs for the two cards were decided to be a grasshopper and steam locomotive."

Minato: A grasshopper wasn't exactly what I wanted. Or rather, there's a grasshopper (GodHopper) in King-Ohger, which I was apart of until just before this, so I was wondering……if this would be alright? (laughs). In the end, I thought that it wasn't a hero motif (in King-Ohger), and that this is Kamen Rider, so there was no issue.

"Grasshoppers are a well known motif going back to the first Kamen Rider, and it fits well with the bounciness of the main character's youth. The steam locomotive on the other hand was a suggestion by Minato."

Minato: When I met my nephew during New Years, he had a toy train. It made me think that children still love trains. I also watched the anime "Goldran" when I was a child, which had a steam locomotive transforming into a robot, and so I thought that a steam locomotive might end up being good. So, I went to a mass retailer near the office and bought a steam locomotive toy, brought it to a planning meeting, and presented it, saying, "Steam locomotives are pretty cool, huh?" (laughs). Grasshoppers and steam locomotives are opposites, one being biological and the other mechanical, but I had the idea of combining them together with the alchemy image in mind, so I thought they'd be a good match. "Jump and Power," that being the jumping power of a grasshopper and the charging power of a steam locomotive, it fit the image of a Rider's kick, so we decided to go ahead with this.

"The color of the armor that covers the new Rider entirely is "blue"…The color evokes a clear blue sky, and at the same time, evokes a sense of youthfulness. The blue shine is further enhanced by the dazzling plating. The motif is a grasshopper and steam locomotive. Its stylish silhouette is bold, it combines a grasshopper, which has been used frequently since Kamen Rider 1, with a steam locomotive, which is the first time it's been used as a main Rider's motif. The new hero would rise up, and his name was "Kamen Rider Gotchard"! The broadcast began on September 3, 2023. In the midst of this era's chaos, the dazzling blue hero jumps forward with ease!"

Gotcha Youth Alchemy Journal Gotcha 2: The Combination of Isolation and Gorgeous

-Alchemy of a local factory-

"Standing in the main character's way is Kurogane Spanner, a cool, super A class rank alchemist. He's a rival character who calls himself "Valvarad," and who wears a strengthened suit (alchemist armor) which he created himself for use against Malgams."

Minato: At the beginning of planning, among some of our options was the idea of "Agito 2." I brought it up partially because I like Agito (laughs), but personally, I thought it was a pretty good idea. I had no intention of it being a true part 2, rather, I wanted to create a show that would mirror its structure. This is because as I look back on the most recent productions, it feels like there are way too many Kamen Riders. Because of that, I wanted to bring it back down to three, just like in Agito. Furthermore, each of them comes from a different background, which is why each of them use distinctly different transformation belts. In addition, the structure is set up so that those three meet in the same place. The main character is pure and can't remember anything, the secondary is someone who's inherited some sort of knowledge from the past, and the tertiary is an outsider. I was wondering if it'd be possible to depict that kind of structure, where the three of them aren't very close with each other. I wanted to reject the traditional, rule based world. The secondary is Rinne, while the tertiary is Spanner. The structure isn't exactly the same, and there are some parts where multiple elements are mixed together, but I used that as a basis for the structure of the character arrangement.

"For 120 long years, no one has been able to attain that lost technology - alchemy for a Kamen Rider. In order to get as close as possible to this power, Spanner conducted his own research and developed "Valvarad's armor" as a system different from that of a Riders."

Minato: There were requests for more allies on the hero side to join the main Rider, but I had decided from the start to go with just Gotchard during the very beginning. Gotchard's diverse form changes were his selling point, so I wanted to focus on that first. I had decided from the beginning that we would have three Riders, but that there'd still only be one by the end of the year. That's when I decided to come up with a rival hero, and so a non Rider hero was born.

"Spanner dons his Valvarad "armor" not by shouting "Henshin!," but "Tekko!" instead. While Riders bodies are strengthened through transformation, Valvarad's an unorthodox warrior who fights with armor simply worn over his body."

Kaneko: Valvarad dons his armor using only one card. Only Kamen Riders can transform using two cards. This was a way to differentiate him from the others and to explain that this was the alchemy of this world.

"An outsider with a different background from the Kamen Rider. He could be considered the tertiary in the Agito inspired character arrangement that Minato originally had in mind."

Minato: He may be an alchemist warrior, but he's still an imperfect being, so we decided to make the rival rust. This is in contrast to the plated and sparkling Gotchard. The toy team voiced how they wanted car cards to appear, so we created a visual of a car covered in oil and being repaired with tools. He's like a warrior born from the alchemy of a local factory, if you will.

"These so called transformation items were also well thought out ideas (in terms of steel items)."

Kita: There were many ideas, including one based on scissors and another on a helicopter styled weapon, but the tool idea was selected from among them.

"Given his setting as a non Rider hero, some interesting ideas were exchanged on transformation and form changes."

Kita: I thought it'd be funny if he put the end of the Valvarusher (the wrench part) around his head and transformed by tightening screws on his head. Both of his shoulders have parts that look like hex bolts, but during the design stage, I imagined that the Valvarusher would be used by him to remove these bolts, and then to attach additional parts to the shoulders. Instead of transforming, he'd be a hero who tunes up his armor like a mechanical engineer.

"Equipping the armor and weapons with his own hands. That's quite an original idea, don't you think?! As a result, the method of changing his appearance instantaneously was used in the footage, but we can't help but hope that this kind of production technique will one day become more popular."

-The conception of a Rider Taisen Universe?!-

"A high school alchemist Rider finds himself in a different dimension. There, he witnessed a gorgeous, golden warrior who used the cards of past Riders to defeat his enemies in every direction. His name is Kamen Rider Legend!"

Minato: The cards sold in packs had "Chemies" printed on them, but at first, customers were still unfamiliar with the monsters. One of the roles of the show was to make the monsters more appealing, but we weren't sure how popular the Chemies would turn out during the planning stages. On the other hand, the lineup also included cards with Legend Riders printed on them. We thought this would be one of the motivations for customers to buy cards during the very early stages of the show. The toy team still raised their concerns with, "How can we make the cards more appealing?"

Terakawa: Card items are also targeted at adults, and the Card Division's view was that cards of past Riders would be particularly popular with them. If that was the case, then I wanted to highlight the Legend cards more. We consulted with Ishimori Productions and Toei about what steps we could take to achieve this.

Yamabe: Items related to past Riders, or "Legend merch" as they're called, have quite a few fans. We had the option of not adding them in the show, but I also understood what the toy team was thinking. We agreed that it'd be fun to have a hero who uses the cards of past Riders, and that we might as well give it a try with this series. However, if this character were to appear in the main story, it would affect the worldview, so that was something we had to think about for abit.

Terakawa: For example, we thought about things like someone who makes cards, who also makes Chemy cards, and who also makes cards of past Riders. A variety of opinions were exchanged, such as, "How about making a character who's a card shop owner, or a handyman who deals with Chemy cards and explains what a Chemy is?"

"Legend cards were difficult to work with. If Gotchard uses the Legend cards, that would give him unlimited power, which weakens the purpose of using the other Chemy cards. On the other hand, if a completely new and distinct character were to use them……"

Minato: A hero who uses Legend cards is by all accounts the most powerful character in the show, so wouldn't having him around solve everything? I wondered how it would affect the show if things ended up going in that direction. So, I decided to make him a Rider from a different world than the one in the TV series, and thought about developing it as a spin off. In this way, I thought we could fulfill both our goals of bringing Legend cards into the story, and to keep a Legend card using hero outside of Gotchard's narrative world.

"The platform chosen was Youtube. As the name suggests, "Toei Tokusatsu Youtube Official" is an official video site for Toei's tokusatsu productions, and has distributed spin offs of TV series, such as "Kamen Rider Ghost: Legendary! Riders Souls!" (2016)."

Minato: If I depicted how he got the Legend Rider cards, I wouldn't be able to show his abilities in the limited time we had, so I decided to make him someone who had alot of cards right from the start. Initially, I was thinking of a setting where he was some incredible day trader. A successful businessman who's very rich. I even came up with a line like, "I'm a modern day alchemist" (laughs). However, I thought that was alittle too realistic for his occupation……so I changed his setting.

"Needless to say, the concept of "gorgeous" was born as a result of this process. But his appearance……?"

Kita: I had alot of ideas, such as looking like a businessman with a suit arrangement, or like a motorcycle riding police officer who cracks down on Riders from all over the world. Since Gotchard has a concept with arrows, I tried to draw a design with arrows all over his body, but in the end, a design based on the concept of "Rider No. 3 from Decade's world" was chosen.

"One way of describing his appearance would be……the Golden Decade!"

Minato: Gotchard aired on TV every week. A large number of toys were released. It's a production that finally took shape after months of working on the setting and designs. When you throw a new Rider with a completely different setting into the mix, it's only natural that he'd look inferior to Gotchard. That being the case, I thought it'd be better to just have him be a character like Decade.

"From here, they wanted him to borrow Decade's powers. One being his "visuals." The other being his "ability" to copy all past Riders."

Minato: The fact that he looks similar to Decade I thought could be cleared up by using the same logic as Twokaizer (laughs).

"Twokaizer is the additional fighter that appeared in "Kikai Sentai Zenkaiger" (2021), and his visuals are very similar to the Gokaigers (laughs). This isn't surprising. The reason for this is pretty simple, the character Flint, who went to the world of Kaizoku Sentai Gokaiger, copied the appearance of the Gokaigers (laughs). However, the overall coloring and appearance of various parts aren't exactly the same as those on the Gokaigers. The plan was to use a similar approach."

Yamabe: A world where using Riders from other worlds as cards and using their abilities is an established technique. That's the world that Legend exists in. The resemblance in appearance is due out of respect for Decade. That's how I interpret it.

"The enemy that Legend fights against is a mysterious organization called "Hundred." Under their command is Kasshine, an enemy from Zi-O."

Yamabe: I've always thought that there's a world line between Decade and Zi-O, and that there are battles that take place in a different dimension from the Rider battles that we do every year. That's why we used the Aurora Curtain again and had a scene where Kasshine appears. Ishimori Productions wanted to unite the world views of Decade and Zi-O into one.

Kaneko: Legend also had the role of introducing Kamen Rider to the new generation who were unfamiliar with Riders, as well as to people overseas who had never seen a Rider broadcast before. It'd be difficult to ask the new generation of fans to watch all past Rider productions during that time, so we picked out and introduced only the most characteristic and interesting parts of every past Rider. This was the role that had been entrusted to this character.

"Even though the grand plan was unexpectedly surprising, the character of Kaguya-sama is amazing in that he seems to be able to handle his role without any difficulty. Although, Legend would eventually interfere with the world of Gotchard……"

-Cards and Riders, a deceptive duet-

"The very beginning of the program depicts a lively battle between Houtaro and his friends to capture Chemies. It was an unusual journey, going from west to east in pursuit of Chemies."

Minato: The concept of this production was a "story of collecting Chemies." There are friends and rivals, but it's not a battle, what's depicted is a "race" to catch the Chemies. This is because initially, I was going to use a basic storyline pattern……in which human criminals and a Chemy combine to become a Malgam. This is imagery seen in the story of episode 2. A hero who saves helpless Chemies from being trapped by evil people is a new concept, don't you think? However, that'd mean the very first episode wouldn't unravel properly. I thought it'd be fine to go without an enemy organization, but TV Asahi's Producer Inoue Chihiro-san advised me that it'd be better to have an enemy. And so, the "Three Dark Sisters" were born.

"If you ask me, the flow of Houtaro receiving the belt from Kudo Fuga in the first episode wouldn't have been possible without the Three Dark Sisters. The unexpected circumstances of their creation are surprising, but the Three Dark Sisters studied the Chemy cards and succeeded in developing the DreaDriver. It's an evil device that transforms a person into the form of a demon by consuming Repli Chemy cards."

Yamabe: The DreaDriver is a "sacrificial belt." It's a belt that disposes of the Chemy cards. If an enemy that used it were to appear, the Chemy loving main character would no doubt hate them immensely. At the time of planning, the details of the story hadn't been decided yet, so we introduced it with that intention in mind.

Kaneko: At the time of planning, we were thinking of a development in which Chemy cards would be taken by the enemy and then recovered. However, as the project progressed, it was decided that there'd be only one of each Chemy card, so we needed to do something else. Considering the importance that Houtaro places on his Chemy cards, he wouldn't simply hand them over to the enemy. That's when we came up with the idea of "Repli Chemy cards." Things would progress from the enemy feeling threatened by Gotchard, to them creating a card of their own and transforming.

"With a thunderous roar, a human who puts on the DreaDriver transforms into Kamen Rider Dread. The one manipulated by Atropos and forced to transform was……Sabimaru."

Kaneko: We wanted to create an evil Rider, one who would completely change the cheerful mood, but we had a hard time deciding who would transform. At first, we were thinking of the three tiered system, with Clotho using Type One, Lachesis using Type Two, and Atropos using Type Three. We wanted to make it seem like the opponent who used Chemies to create Malgams would then transform into a Rider and stand in the way as powerful enemies, but as of episode 11, I felt that the Three Dark Sisters just hadn't developed as characters yet. Even when they transformed, it was lacking in impact……

Minato: For example, I thought about having Clotho transform and then leave the show, but Screenwriter Hasegawa-san didn't want Clotho to make her exit just yet. Therefore, we decided that it'd be best to leave Dread as a sort of puppet like existence for the time being. With all that being the case, who would do the most damage to Houtaro? From this perspective, I chose Sabimaru as the one to transform. The reason was that up to that point, Houtaro's main motivation for taking action was the Chemies, he wasn't a Kamen Rider who protected humans. However, when his senior and important friend Sabimaru is taken away from him, he has a change in attitude to save both Chemies and humans.

Kaneko: I think we were able to depict Houtaro's consideration for human life and his determination to fight. However, to begin with, Sabimaru's character isn't suited for that kind of role. That's why Dread didn't feel like a formidable opponent. It didn't look like a threat was approaching. Instead, the feeling of pity for Sabimaru was what came out more strongly, which was quite different from what we were aiming for.

Minato: Personally, I didn't want to call Dread a "Kamen Rider." In this world, Kamen Riders are rare individuals who transform by combining two Chemy cards. The Repli Chemy cards are fakes, and Type Zero isn't a Rider, as you transform with just one card. Therefore, we made it possible for anyone to transform, although what they become is quite different from a Kamen Rider. We decided that we'd have Atropos be the one saying, "I'm Kamen Rider Dread."

"Dread would eventually mutate its forms one by one, from Type One to Three, and even altering the person that transforms, causing torment to Houtaro and his friends."

-Power up with the Legendary Chemies-

"Ride Chemy cards are sealed with Chemies, artificial life forms created by alchemy. Each card is assigned a 10 level number based on their attribute, from "level 1" to "level 10." A Level 10 is the strongest Chemy in each attribute. They're special beings with extraordinary power."

Minato: Simply put, the Level 10's are "Legendary Pokemon" (laughs). They're absurdly strong Chemies, so it's difficult to catch them. Houtaro, as well as Gotchard, become stronger when the Level 10s approve of him. I was careful when depicting this sequence, as I didn't want to portray him as becoming stronger just because he acquired a strong asset. So, the process I followed was that as a result of becoming stronger mentally, he gained new powers. I intended on sticking to this concept throughout the show.

"Gotchard's system was to use two Chemy cards to transform, but there was a rule that the sum of the numbers of the two cards that were paired had to equal 10. Like how Hopper1 is a Level 1 and Steamliner is a Level 9. So, 1+9=10, and there can be a transformation. Other forms basically followed this rule, but what about Level 10 cards?"

Terakawa: The basic concept was that you were allowed to power up with three cards. So by adding a Level 10 card to Steamhopper (which requires two cards), you can create a new form.

"There are no cards that can be paired with a Level 10, so instead, the idea was to "add on" to a standard form to increase its power."

Kita: In the beginning, we were thinking of removing the card holder like part from the new weapon and setting it on the belt, but the card holder was small in size. Adding this to the Gotchard Driver didn't change the appearance of the belt much. So, we decided to change our direction of transforming the weapon itself into an additional buckle.

"Transforming with a Level 10 Chemy required a new weapon (Exgotchalibur), which could change shape into a buckle. The main point was that the overall appearance of the belt could be changed by adding additional parts to it. He was told, "you shouldn't control a Level 10," as they're the most challenging of Chemies, but Houtaro becomes friends with these Level 10s thanks to his kindness and battle spirit. His unconventional ideas and drive allowed him to easily overcome the old teachings passed down at the Alchemys Union, and gradually, he began to change the hearts of those around him!"

Gotcha Youth Alchemy Journal Gotcha 3: The Combination of Past and Future

-Daybreak Incident-

"One after another, people were turned to stone by the super giant Orochi Malgam. The crowded Christmas town was in chaos as everyone was turned to stone, including his best friends, allies, and rivals. Would the panicking Houtaro also become a victim?! At that moment, a daybreak colored shadow appeared with a dazzling light. It was another Gotchard!!"

Minato: The toy sale report for the first month of the show's broadcast became available, and while card sales were strong, Driver sales weren't, and the adult fan base seemed to be shrinking. That was just the info I was given. So, I decided that it might be a good idea to prepare some kind of major development for the story.

Yamabe: I had abit of a bad feeling about this……In the last episode of the year (episode 16), the development we planned was to have Houtaro power up into Fire Gotchard. Gotchard would be defeated for a moment, but then complete his powered up transformation at the very end, and then the story would continue in the next episode. That's the process we were thinking of, but after hearing about the toys, I had a feeling that the story would take a turn for the worse if we did that.

Minato: Geats, the previous series, was said to be very popular with adults, while on the opposite end, the response from young children wasn't so good. That's why we had talked about making a show that would attract more children this time, and that it would be aimed more towards preschool aged children. Rider is a long running series that has many adult fans, so I thought I had to try and strike a balance in order to reach that generation, but then I wasn't sure what to do.

"If the primary target was younger children, then it's possible that middle and high school students, as well as the older generation, may not judge it positively. And, what if you didn't get support from those vital young children?"

Yamabe: We understand that it's cool when the main character loses for a brief moment and then gets back up. However, given the situation we were currently going down, we thought it wouldn't be appealing to anyone, regardless of whether they were a child or an adult.

Kaneko: It was probably because of our own lack in ability, but in any case, we hadn't been able to convey the appeal of Gotchard. Tons of Chemy cards were released, tons of form changes appeared, Dread appeared, the Exgotchalibur appeared and turned him into Super Gotchard, and soon, there'd be Fire Gotchard. Shortly after that, Valvarad's power up was scheduled. Taking all that into account, it makes it impossible to create an interesting story, and even if new items were released, viewers wouldn't want to buy those toys, as there'd be no excitement in them. At any rate, we were in a standstill.

Minato: I don't remember much about the meeting because I felt completely drained, but it was decided right then and there that a new character would suddenly appear. "But who'll be transforming?," we couldn't come to a decision. There was a strong divide between choosing either Fuga or Houtaro's father, but I thought that'd be too predictable and simply not interesting enough. This could make it look as if Houtaro, the main character, was having his role downsized and that a new main character was appearing. That would be a betrayal to the viewers, so I absolutely wanted to avoid that. During all this, the words "the hero's future appearance" came out of Yamabe-san, and I was like, "That's it!"

Yamabe: A character who would be known as a "skilled Gotchard," who can handle all kinds of weapons, appears. He also fights brilliantly, using red Chemy cards that no one's ever seen before. So, unlike the Gotchard that Houtaro transforms into, this guy would be showing off his professional fighting skills. Within the show is a picture book, which refers to the story "Alchemist of Daybreak," so we decided to make the character associated with those words. And so, that's how Daybreak was born.

"Following this meeting, Minato immediately set out to negotiate with the toy team."

Minato: Episode 16 would be the last episode to air at the end of the year. Gotcharigniter toys were scheduled to be available in stores by the end of that week. So, at the time of planning, they were thinking of making Kamen Rider Valvarad appear during that episode. The Gotcharigniter was set up to be an item that allowed them to become Fire Gotchard or Kamen Rider Valvarad respectively. However, Gotchard became UFO-X in episode 13 and XRex in episode 14, and when episode 15 was being aired, Majade was making her debut in movie theaters. I couldn't set up such an absurd storyline where Valvarad would power up next time during episode 16. It'd be easy to force something like that out, but as a creator, I didn't want to do it. In Gotchard's story, I can't give power ups to people who haven't "Gotcha!" (obtained) something. So, I asked to let Fire Gotchard and Kamen Rider Valvarad make their appearance after the New Year. As a work around, I explained that we'd be attaching the Gotcharigniter to the new character, Daybreak.

"It's highly unusual for these kinds of series, which are based on linking the show and the toys, to delay the release of characters and items that are set to be sold during the holiday shopping season. This must've been an unexpected situation for the toy team."

Minato: I was expecting them to not agree so easily……but it was still pretty rough. After much discussion, I managed to get them to agree that before the sales launch of the Igniter, Daybreak would appear in episode 16 and use the Igniter to become Fire Gotchard Daybreak, and that only the visuals of the new Riders would be released. That's how we ended up releasing the new visuals at the end of the year for the coming year, unveiling Fire Gotchard and Kamen Rider Valvarad. We had already decided in advance that another artist would participate in the theme song (FLOW in addition to BACK-ON), so we decided to release it at the same time. I was so nervous, that I approached things with the feeling that a new show was set to start in January of the coming year.

"The act of explaining the situation to all concerned parties and getting people to understand the intentions of the planning team must've been an indescribable task behind the scenes. On the other hand, this decision broke away from the conventional mindset of the Rider series and "Gotcha" (obtained) something new, which would no doubt give a big boost to future stories!"

-Time Travel Fire-

"After some difficult negotiations, Daybreak's emergency entry was granted. The appearance of two characters were delayed because of this. Let's talk about one of them, we'll start with Fire Gotchard."

Minato: No one knew the reason behind why Houtaro liked the Chemies. Still, from the very beginning, I heard many opinions. The reason is simply that he just met a Chemy randomly and suddenly started saying, "Chemies are great!" To support this, I decided to have a setting where Houtaro meets Chemies in the past. Houtaro doesn't remember this because his memories were erased (by an alchemist), but the Chemies remember. There's still something like a fragment of "cherished memories" in Houtaro's heart. So, I tried to "combine" Houtaro's past and what leads him to becoming Fire Gotchard. I decided on the details later, but Houtaro travels into the past due to Daybreak. I wondered if I could create that sequence of events……where by remembering his childhood memories that had been erased, that would make him more aware than ever that he must protect people and Chemies, and that he must become a stronger person.

"Daybreak speaks with Houtaro. He says, "A power that gives hope to the future. Use this…" Houtaro refuses Daybreak's offer to accept the Gotcharigniter, and declares that he'll try to produce the power up item with his own hands. Daybreak tells him that in order to do so, he needs to travel into the past. Using the power of Timelord, Houtaro travels to the past, where he learns various revelations. As a child, Houtaro was friends with the Chemies, and despite being young, he was skilled in alchemy……Eventually, Houtaro obtains the "one and only treasure in this world" that his childhood self had made through alchemy, and returns to the present, where he succeeds in refining the Gotcharigniter. He obtains the power of Fire Gotchard!"

Kaneko: It's a speed form with a booster on his back, but if it's just about gaining speed, we've seen so many different patterns up until now that viewers are getting tired of seeing, so we decided to make it alittle different. Ultimately, we decided that when on standby, his body is fixed in place with chains, and when he gains speed, he can only move in a straight line. Combined with Director Tasaki's direction, I think the form turned out really unique and cool.

"Upon seeing Gotchard's new appearance, Daybreak mutters, "That form…..so you're headed into the new future, huh?"…"

Kaneko: Daybreak also uses the Gotcharigniter, but Houtaro's Fire Gotchard has a different appearance. That's where the timeline changed (Daybreak's timeline and the present split).

"Seeing Houtaro in a form different from his own despite using the same item, Daybreak feels relieved and returns to the future. This story……is unexpectedly connected to the Summer film!"

-The girl who was supposed to become Gotchard-

"Kamen Rider Majade made her first appearance in the Winter Film. She's the first female fighter in the history of the series to become the secondary Rider. As the daughter of a renowned alchemist, Kudo Rinne has always been bound by rules and lived by them. Her friends refer to her as "honor student" and "rule follower," and her enemy Atropos teased her by calling her "Serious-chan." A girl who's lived her whole life hiding her own will decides to "make her own rules," and grows from becoming a Kamen Rider!"

Minato: I think Rinne was originally supposed to become Gotchard. Since she's the daughter of Kudo Fuga, an important alchemist, she receives a gifted education to also become a renowned alchemist, and she herself has been making efforts with that intention in mind. And yet, her own alchemy doesn't work against Malgams. However, Gotchard (Houtaro) suddenly appears and defeats the Malgams. This is why she's always wanted to become a Kamen Rider, she didn't want to be beside the hero as the heroine, which is the usual tradition. She may look like a cute girl, but within her heart, she's frustrated and impatient with herself for not being able to transform into a Kamen Rider. And so, by Gotcha (obtaining) her resolve to fight, she was finally able to become her true self (a Kamen Rider).

"The New Year's episodes were a rapid fire of events, with each week bringing a series of dramatic developments. Daybreak's intrusion, Houtaro's past, the truth about Kudo Fuga, the power up into Fire Gotchard, Glion's resurrection, and Majade's appearance gave off the impression that there were multiple surprises packed into a single episode. Additionally, the Alchemy Academy was taken over by Glion, and even Minato, whom she admires, switches to Glion's side!"

Yamabe: We wanted to create a situation where Houtaro and his friends had to figure things out on their own. The situation came to a point where Houtaro could no longer be naive, and he had to finally face himself.

"Minato, who has surrendered to Glion's side, uses the DreaDriver to change his appearance and attack Houtaro and his friends. Houtaro and his friends, who called themselves the "Kitchen ICHINOSE Union," were united in their resolve, but more challenges were coming for them. That would be the rampage of their precious friend Spanner…….and the appearance of Wheel Malgam!"

-Digging deeper into the ridiculous jokes-

"Kurogane Spanner is a lone, super A class rank alchemist, who wears the Valvarad armor he developed with his own hands. He's also a man who was previously promised he'd become a Kamen Rider."

Minato: I decided from the beginning that there would be three Riders starting from the beginning of the New Year. My own concept was to do "Kuuga" during the first year, and then after the New Year, the show would become "Agito."

"Kamen Rider Kuuga (2000) was the first Heisei Rider production. It features only one Kamen Rider. The story is about a lone fighter named Kuuga who fights with the help of the police. The next production was Kamen Rider Agito. This is an interwoven drama about three Kamen Riders (Agito, G3, Gills). Minato had reworked the Rider shows that fascinated him as a boy and incorporated them into Gotchard."

Kaneko: The toy team had requested that Houtaro and Spanner share the Gotcharigniter.

"It had already been decided that Spanner would become a Kamen Rider using the Gotcharigniter."

Kaneko: With such a setup, Spanner would need to use the Gotchard Driver. However, the Gotchard Driver has meaning, as it's one of a kind, but I wondered what would happen if there were more of them. If they lent or borrowed it from each other, there would be situations where neither Houtaro nor Spanner could transform, and in that regard, I thought the idea of lending and borrowing was a bad idea. As a result, we changed it so that Valvarad's enhanced belt was a reference to the Gotcharigniter.

"And so, they decided to have Houtaro's Gotcharigniter be an attachment, but for Spanner to have it appear in the show as a completely new belt, known as the Valvaradriver."

Minato: The timing of Kamen Rider Valvarad's appearance was later than expected, but I approached Director Sugihara when it came to making his first appearance (episodes 20 and 21). At that time, the first thing the Director said to me was, "I understand that you want to depict his first transformation in a cool way, but Spanner as he is now is unappealing. I don't think the Rider transformation will come off as well as you think it should unless you do something about Spanner." The planning team was aware of this, so we decided to rethink what kind of person Spanner was when it came time for his first transformation.

"Edami Kyoka was created to better paint Spanner's background…. She's a brilliant female alchemist, who also develops transformation drivers."

Kaneko: Kyoka's the only person that Spanner can open up to and be honest with. She's the one who accepts Spanner with full affirmation. She's also a mentor who supports Spanner more than anyone else.

"Kyoka is Spanner's emotional support. However, their relationship of trust is shattered by the appearance of Angel Malgam. Spanner's parents show up in front of him for the first time in 10 years. Soon after, they're both killed by Glion! Seeing this scene before his eyes, Spanner recalls memories from 10 years ago. And that's when he realizes what happened…His parents had already been killed by Glion 10 years ago, and the people in front of him were only temporarily revived through Angel Malgam's power. At the same time, he learns that his memory of that tragedy had been erased by someone…He's shocked to discover that the one who had performed the memory erasing technique on him was Edami Kyoka, his mentor, mother figure, sister figure, and woman he admired. Spanner feels his existence crumble beneath his feet as he's overcome with despair. And then, Spanner forms a bond. With help from the Chemy Madwell, who was a "tool," he became Valvarad……!"

Minato: 10 years ago, Spanner was a 14 year old boy who went to live with the 24 year old Kyoka-san, and with that happening, he would definitely fall in love with her, don't you think? (laughs). But since she's like a family member to him, they continue to live together while he keeps his feelings bottled up. That's why he became such a cool character. With the appearance of Kyoka, that background becomes clearer. Because of his cool and stylish position, Spanner had been holding back his performance up until then, but the explosive power he had the moment he let it all out was amazing.

"In order to protect the heart of the young Spanner, Kyoka erased those haunting memories, taught him alchemy, and showed him affection as they lived together. This eventually became Kyoka's reason for living. She also taught Spanner how to play chess, as it's a game that requires you to always calmly think ahead without being swayed by your emotions. Spanner possesses dangerous powers that make him easily susceptible to the power of darkness, so she tried to protect him by putting him in "armor" known as the "aesthetics of battle." When Spanner realized her wishes and feelings, he recognized that he wasn't alone. At the same time, memories of the deep love he received from his parents come back to him, and Spanner gains new powers. His name is Kamen Rider Valvarad!"

Minato: Gotchard and Majade transform through traditional alchemy, but Valvarad's transformation is alittle different. He transforms using alchemy that's been applied to modern industrial technology, or other words, alchemy from a local factory, so his appearance is purposely different from the other two. When I think, "What's the alchemy in this show?," I have a pretty good idea of what it is, but his still feels alittle more industrial. I have the impression that Kyoka's alchemy is the latest alchemy (the alchemy related items in Kyoka's lab are different from those in Fuga's room). Valvarad has a reinforced suit, but it's set up so that when he becomes a Rider, his body physically changes. Still, the pointed part on the left side of his mask (the silver part) is the only part that's armor. The design of Kamen Rider Valvarad was completed by combining physical changes (due to legitimate alchemy) with the alchemy techniques of a local factory.

"Spanner became more appealing as a character, and grew into an indispensable and reliable presence in the story."

-The Chemies become transformation items-

"Gotchard evolves with different concepts, including a 3 card transformation (Super Gotchard), transforming with a special card that combines 5 cards (Star Gotchard), and a transformation with an additional buckle (Fire Gotchard). What style would the next power be?"

Minato: Since we had finally reached the point where we had all 100 Chemy cards available for sale, the subject of coming up with a battle style using those 100 cards came up.

Kita: As part of the design team, I was looking for a different approach. Along with the idea of transforming with all cards of the same attribute, there were many other ideas…….but the best response we got was from the concept of a power up transformation for Hopper1 and Steamliner. There'd be a plate buckle (in the shape of a card case) that featured Hopper1 and Steamliner's forms, and he'd transform by inserting new cards into it one by one. I was thinking of a three phase transformation system with slots on the left and right sides, with Hopper1 for the enhanced form, Steamliner for the second enhanced form, and both Hopper1 and Steamliner for the third enhanced form.

Terakawa: After consulting with the design team, we found that there'd be some difficulties with the mechanics. Because of this, instead of a card case, we'd insert a solid item into it, and the three phase transformation became a two phased one. As a toy, the concept was a figure, and it'd be a transformation item that looked like Hopper1 and Steamliner's powered up forms.

"At the time, the new lineup of card products to be released would include ones with the attributes "Cosmic" and "Ancient," so they decided to combine those elements into the power ups for Hopper1 and Steamliner."

Minato: The concept was a two phase transformation, using two different Chemy shaped items. It's standard to start with a "rampaging" form, then a form that overcomes it, but I wondered what we could do to avoid going in that direction. So, I went back to the idea of the single and double card transformations.

"First, Steamliner (in its powered up form) transforms by itself, then adds Hopper1 (also in its powered up form) for a combined transformation! Although its appearance is of a Chemy, the logic is the same as to whether one or two cards are used to transform."

Minato: It's just like Valvarad, he transforms by incorporating the power of one Chemy that resides inside a human. Valvarad uses items so he doesn't have to become Malgam. I wondered if we could think of it in the same way. We had a request for an ancient element in connection with the cards, so I came up with the concept of the "Ancient Forbidden Arts," which used a similar method as alchemy.

Yamabe: At the time of planning, I thought that an enemy boss would appear during this time, and that we could go on to explain about the origins of alchemy. This is why I was thinking that it wouldn't be out of place if there were ancient designs.

"The general concept of the transformation system had been decided upon, but discussions were also held on how the Rider using it would transform, and in particular, how they would differentiate between the two forms."

Minato: The concept was that the first form would be heavily based off an ancient Egyptian styled design and specialize in punching, while the second form would be light due to its heavy armor being removed and specialize in kicking. Still, it had been determined that Gotchard would finish things with a kick in any form, so specializing in kicks makes it difficult to differentiate from the other forms. So, we started to think about a different way of presenting it.

"The result was the ability to activate the power of two scanned Chemy cards as his own technique. Its name, "Platina Shoot Fever"! It has a variety of techniques, including striking attacks from its spiked arms (Saboneedle + Wrestler G), dodging enemy attacks while moving at high speed and firing needle bullets at high speed from its legs (Kaiserbee + Mechanichani), and electric attacks while binding enemies with reinforced webs (Raidenji + Catchula). The more you know about the Chemies, the more excited you become, and their diverse attack styles have captured the hearts of children and won't let go. A new form was born, one that shines with the concept of fighting alongside the Chemies."

Gotcha Youth Alchemy Journal Gotcha Final: The Combination of Hope and Challenge

-Arrow Transformation using the Kaiju Chemy!-

"What were known as the "strongest forms" became a staple during the last half of the show. What was the strongest form that the cheerful and positive high school student Gotcha (obtained)?"

Minato: Since we had Crosshopper and Tenliner, I thought it was possible that the power up item could be a Chemy. Still, I debated until the very last minute on whether or not I should make it the 101st Chemy. This was because at the time of planning, I hadn't decided on what the Summer film would be about yet……Personally, I wanted to save the 101st Chemy for the story in the Summer film. To use Pokemon movies as an example, I was thinking about a story in which the legendary Chemy appears in a similar fashion to "Mewtwo Strikes Back" or "Revelation Lugia." Originally, I was under the impression that the strongest form would likely appear about 40 episodes in. That's when I wondered if it would even be okay to collect all 101 of them. I thought that if it was done in that way, the show would practically be over, right? At the time, there were many parts of the setting that hadn't been decided on. "What should this program do after they're done collecting Chemies?," I hadn't fully figured that out yet. To begin with, 101 is the number that Shirakura advised me to prepare. The idea was to have an extra one in case of any problems, so that we could have more flexibility. That's why we left anything in relation to the 101st Chemy as a mystery. Was it really okay to use it as the final power up? This caused me alot of distress.

Kita: Minato-san wanted something different with the 101st Chemy, so we proceeded to work on the items and forms based on the concept of "all 100 Chemies included."

"He says that this direction was immediately "paused." The reason was that if all the Chemies combined, Gotchard's strongest form wouldn't be able to stand alongside Majade and Valvarad."

Kita: Would something other than the Chemies be better? I tried to design something with the image of a gadget based on "arrows," which had become synonymous with Gotchard, or a gadget that lets you put in all the cards you've collected and use the power of 100 cards, but they were all no good.

Minato: This was just around the time that I came up with the idea of a setting for Daybreak. I thought if I could make the Summer film into a Daybreak story, we could make it work. So, using that process, I decided to put the 101st one on TV. Although, the result was that the last two Chemies caught in the show were Pakuraptor and Ojilacanth (laughs).

"The decision was made to make the 101st Chemy a transformation item, and out of countless concepts, a Kaiju Chemy was chosen. It's appearance looks alot like Gotchard……"

Minato: Its design inherited elements of Gotchard, which reflects the setup that it was born from the Gotchard Driver. It also gives off a special feel when compared to the other Chemies. If it was raised as an egg inside the Gotchard Driver while watching Houtaro's actions, it'd be natural for it to have alot of trust in Houtaro, and it'd be easier to explain in many ways. So, I came up with the idea that Fuga had already placed the 101st inside the Gotchard Driver.

"The Kaiju Chemy is born from the egg thanks to Houtaro's ideals! Transformed by its power, Gotchard's strongest form is……arrows?!"

Kita: The words that came up in our discussions were along the lines of Houtaro's positivity and straightforwardness. So I drew the mask with arrows, Gotchard's symbol, meeting in the middle. Although I got the OK, I wasn't sure if it would actually work as a physical shape, so I decided to do a test by printing it out using a 3D printer.

Minato: I was surprised when I saw the 3D model of the mask. This was because I realized that such a mysterious design was actually possible to produce. I liked the design instantly because it seemed to be a direct expression of Houtaro's positive attitude.

Yamabe: Houtaro has experienced many things since becoming a Rider, so it was as if he had decided on his direction. That's why the arrow is so pronounced in the design. I love that face, because it gives the impression that a beautiful rainbow has formed at the end of the arrows.

Kaneko: The 101st Chemy contains some of the Philosopher's Stone, which explains why the strongest form is in fact the strongest, and I think we got it just right. There's backstory that the perfect form of alchemy is a "rainbow," and I thought the way this was expressed visually was a fantastic design.

"The strongest form, which received great support from the planning team, is called "Rainbow Gotchard"! The dynamic mask structure, which looks different from different angles, is the most energetic and explosive design in the history of Rider designs."

-The Daybreak Alchemist and the Secrets of the Picture Book-

"While it was a traditional Summer film, the decision to have the two Houtaros as the main characters was made very early on."

Minato: When we were in the process of asking DAIGO-san to voice Daybreak in the TV series, I knew that I wanted the next Summer film to focus on Daybreak. I wanted DAIGO-san to appear in the film and show his face. We had just finished filming the Winter film, but we got internal approval early on.

"The Winter film was "Gotchard & Geats." Apparently, deciding on the Summer film's cast before the New Year is unusually fast for a Sunday morning Rider."

Minato: Sometime after the New Year, I had a meeting with the Film Promotion Division and planning team. We were told that the box office revenue of the Winter film was almost the same as the previous film (Geats x Revice). However, looking closer at the details showed that the percentage of attendance for children's tickets had increased. With that being the case, we decided that the Summer film should be a fun, easy to understand movie that families can enjoy together. For the Winter film, we decided to promote the Chemies and put more focus on the Voice Actors. We tried to go in a direction that would appeal to Voice Actor fans who like anime, but it seemed like that wasn't enough, and TV Asahi wanted to supplement that with the guest cast. Based on all these things, we wanted to create an exciting tokusatsu hero action film. We didn't want to create a cluttered and complicated story, but rather, a single theme that would run through the entire film without stopping.

"The meeting also ordered that Gotchard and Daybreak appear in a film only form. In addition, there were even more requests……"

Minato: The Advertising Division asked us if we could bring in someone from the "Legendary cast" in order to appeal to the fan base that had continued to love Kamen Rider. It'd be something similar to the sequence in the Geats Winter film, where the Ryuki cast appeared. We agreed that if we could incorporate Decade, which was the basis for Kamen Rider Legend, into this project, it would be a good idea. That's how we decided on the appearance of Kadoya Tsukasa (Inoue Masahiro).

"The script was entrusted to Hasegawa Keiichi, who also worked on the TV series."

Minato: As for Hasegawa-san, he wanted to make a film that would make people cry. At the time, "Godzilla Minus One" was a huge hit. Hasegawa-san's analysis was that, "Japanese people who were forced to live in hardship after the war rose to their feet, and those kinds of dramas win the hearts of the audience." So I thought, "Let's also do a hero who rises from the ashes."

"The story follows Houtaro as he struggles in the Future World. The world has been taken over by Glion, and his precious friends are already dead. Unsurprisingly, Spanner and Minato are now under Glion's control. They're fake forms, masked with evil. A trap to mentally drain Houtaro……20 years later, the world has become a literal "living hell" for Houtaro. On Christmas Day, when Daybreak showed up to save him, Houtaro was supposed to have been defeated by Glion. To stop that tragedy, Daybreak had come from the future Even though he knew it was futile……."

Minato: I'd been thinking of connecting the "Alchemist of Daybreak" depicted in the picture book with Daybreak, but nothing concrete had been decided at the time of episodes 16 to 18. As I was working on the script for the film, it was Kaneko-san of Ishimori Productions who recommended, "It'd be better to connect it to the past lore, with Daybreak crossing over into the past to become the Alchemist of Daybreak at the end."

"Originally, the "Alchemist of Daybreak" depicted in the picture book is wearing a red hood. However, the picture book that appeared at the end of the film depicted "Shining Daybreak" defeating the Dark King……."

Minato: Strictly speaking, the illustrations of the picture book shouldn't have changed from the "Alchemist of Daybreak" to "Shining Daybreak" in the last part. If Future Houtaro was wearing a red hood, it would cause an unclear outline in the story……The reason why I did it that way is because if he goes back in time and "seals" the Dark King, it wouldn't feel like Daybreak had won. If the story unfolded that way, the history of Houtaro being defeated by Glion and suffering in despair would be repeated all over again. I wanted to put an end to that if possible. This was something that Hasegawa-san suggested. He said that unless I made it something like, "In the end, the Dark King was defeated, and they lived happily ever after," it'd be difficult to convey Daybreak's victory. If it came to that, the foreshadowing in the TV show of the picture book couldn't be resolved, but I thought people would understand that the story, which had been repeating itself, had entered a "new step," so we decided to just go with it.

"In the final scene, the Dark King, defeated by the two Houtaros, travels to a "past without Kamen Riders" to rule the world once more. Daybreak also follows him and travels back to the past. The film ends there……It's a very sharp and brilliant ending."

Minato: It was Hasegawa-san's wish that we didn't depict the battle between Daybreak and the Dark King in the past world. At the time, Matsuura asked Hasegawa-san a question. "It's fine as long as it's depicted that he goes back in time and becomes the Alchemist of Daybreak. But after that, would it be okay for Future Houtaro to return to the future and live with Atropos and Clotho and all the others in a world where the threat has disappeared?" Hasegawa-san said that it would be abit of a stretch to depict what happens after that. He said that it's a beautiful story because it ends with the picture book explaining Daybreak's victory by going back to the past. He said something along the lines of, "This film has many characters, but it's a story about two people, Houtaro and Rinne, so wouldn't it be a wonderful, happy ending if they went to the past together (even though Rinne had passed), defeated the enemy, and lived happily in that world?" I think the quality of the film was enhanced because of that decision. I'm extremely grateful to Hasegawa-san.

"This film is excellent in that it's the "final episode" of the story starring Future Houtaro, but what's even more remarkable is that this film is an important piece that ties the story of Gotchard together. Has there ever been a Kamen Rider film that's so completely linked to the TV series? "Kamen Rider Den-O: Ore, Tanjou!" (2007) was in a similar position, but it didn't leave such a deep impact on the overall story. Of course, there's a reason for this. The theory has always been that a film of a TV series should be considered "outside content." This is because it was believed that the content needed to be understandable to first time audience members who went to the theaters. However, in the age where the streaming environment has improved to the point where people can access old and new content as soon as they're interested, can this still be called a "theory" today? This truly "Gotcha" film attempts to break away from conventional thinking, and is also a "challenge" that presents a new form of Kamen Rider films in the age of distribution."

-Arrogant Gods and Homunculi Deception-

"As he works towards becoming a great alchemist, and to live in harmony with the Chemies, an enemy stands in Houtaro's way…was it the three Dark Kings? Or perhaps, Glion?"

Minato: At first, I thought of the Alchemys Union as the final boss. The reason why I didn't set up an enemy during the early stages of planning was because the enemy that the main character's were expected to fight were the higher ups of the organization. In a Rider's sence, it's "The Dark Society Gorgom." It's an evil that's skillfully infiltrated our society.

"The Dark Society Gorgom is an enemy organization that appears in Kamen Rider Black (1987). Their setup is that powerful political and business leaders and scientists were controlling the world of its members from behind the scenes."

Minato: The higher ups of the Alchemys Union have taken over the world from behind the scenes. That's why all they want is for the world to continue as it is. They don't want change. I had envisioned "the old" as the enemy and theme of the show, which is why I was thinking of such a structure. However, with the creation of the characters I called the Three Dark Sisters, the Alchemys Union was no longer the distinct enemy of the main characters. Instead, Glion and the Dark Kings were created. They were, as one would say, the founders of the Alchemys Union. In other words, they are the symbols of gerontocracy. They're like the ancestors of the old, desperate to preserve their own self interests.

Kaneko: Houtaro and the other youths are trying to move into the future through repeated trial and error. On the flip side, the Dark Kings don't want to think about the future, nor do they feel there's any need to. They're fine with the way things currently are. They believe that things will come to an end gracefully. That's why they're seeking "unending stillness." Glion was simply following those words. His "Golden Paradise" was just a simple way of saying that, but it may have been difficult for viewers to understand, in part due to our lack of explanation.

Yamabe: The Dark Kings were the ones that created Glion. They were originally human, so even though they said that as an analogy when they created Glion, with him being a homunculus, he was honestly trying to make it a realization.

"In other words, Glion, who was created by the Dark Kings, couldn't go beyond being their puppet, even though he saw the Dark Kings as his enemy."

Minato: Eventually, the younger generation who suffer from the burdens of the old won't be able to retort, and will just accept things as they are. As they grow older, they'll eventually find themselves in a similar position, becoming a burden on others, although it might be hard for them to notice.

"Glion's existence is also placed in this chain of events. Meanwhile, Glion's creators the three Dark Kings, or in other words, the ancestors of the old, also have a profound position."

Minato: Gigist likes to act like he "understands everything about humans." This is a metaphor for "thinking you know everything." Gaelijah says to "leave things to fate," which also means to "avoid your responsibilities." As Germain's "I love you" expression suggests, he thinks of himself as a "superior being" to humans. They all think that they're of a higher class compared to everyone else. Each and every one of them are "old."

"Although the Dark Kings expressions are pleasant and sound humble, they all have a hint of arrogance behind them."

Minato: The ones they must stand up to are those who have created the ruling structure of this world. By overlapping this with the Dark Kings, I wanted to depict a confrontation between youths and adults, between change and stagnation, and other issues like that throughout the story. However, the main focus isn't on battles, but on "Gotcha" (obtaining). I tried to keep that in mind as I worked on the story.

"A story of young confronting the old…….It's an unexpected theme, but from that perspective, the final battle between Glion and Houtaro can be seen as the culmination of all of this. Glion, who's turned the city and its people into gold, finally uses his golden technique on Houtaro, but for some reason, Houtaro can still move while in this golden form……"

Kaneko: Glion's gold making technique was actually just making things gold plated. It's simply a deception. The story goes that Glion can't make real gold. Glion is confronted by Houtaro with the truth. That his alchemy isn't perfect. Glion thought he was perfect. He had all the materials and knew how to do it. But when he tried, it was gold plated. He thought he had everything ready, but just about everything was missing.

"Come to think of it, Glion was always imperfect. Kamen Rider Eld appeared before Houtaro. Kamen Rider Dorado controlled the future world. Both were the transformed forms of two Glion's from different timelines, but the former could only produce fake gold plating, while the latter was merely a puppet for the Dark Kings. I guess that means the road to "El Dorado (Golden Paradise)" that Glion was looking for was just a fleeting illusion……"

-Houtaro's father and the adults who entrust-

"This production is also a story about young people breaking away from stereotypes and what's accepted to be common sense."

Yamabe: Alchemy has a history going back to ancient times, right? Its rules seem to be very strict, and we initially thought of a development where an amateur like Houtaro would come along and cause reforment with sound arguments like, "Isn't this what it's all about?" The fact that the people in the Alchemys Union shifted their blame and ran away from the situation was included as a way of portraying the old.

Kaneko: The Alchemys Union isn't an organization that gathers in a specific place and works on things collectively. They're scattered all over the world, each having their own profession and doing alchemy behind the scenes. They're what we'd call a "secret society." It's also because of that kind of set up that it's hard to see the full picture. They're the people at the top of the world's hierarchy, those who'll forever cling onto their status and reputation. In many ways, they're "people who have stopped growing up" and "people who undermine the youth." Those at the top don't take any responsibility, but they won't hesitate to say things like, "I don't know. You'll have to handle it on set" (bitter smile). They also don't take charge. They're positioned as people who seem to possess authority, but no one knows why they have it. Houtaro doesn't care about people like that. He doesn't pay attention to them, almost as if to say, "Huh, so there are people like that." Minato Sensei and Kyoka-san would have displeased looks on their faces as he resolved the situation at hand, but he would only wonder why they were making those faces. That's the kind of hero I was looking for in Houtaro.

"Houtaro's an easygoing high school student that can be found just about anywhere, but he's quite unusual for the main character of a hero production."

Minato: In the very beginning of the show, Spanner was working under Kyoka's directions, but initially, I hadn't made any decisions regarding who would become this character. There was even a time when I was thinking of making Glion the person giving instructions to Spanner. His superior's a bad guy, so Spanner would express hostility towards him. There'd be a development where he abandons his previous beliefs that he was on the side of the organization and becomes a Kamen Rider. I once thought, "What if Spanner's true identity was that he's a homunculus?" Learning such a fact would bother him like, "What has my life been up to this point?" But then again, a Chemy is a homunculus, isn't it? Since Houtaro's a Chemy loving character, it wouldn't shock him if Spanner were a homunculus. He'd be like, "I'm totally okay with that!" (laughs). He wouldn't mind. That's when I felt that it'd be better to go ahead with Spanner being human. That's how it happened.

"Houtaro's appeal lies in his generosity and tolerance caused by his carefree personality. It's strange how amazing it is that Houtaro's able to do something like that."

Minato: When the program first started, some people said they didn't understand why a young man named Houtaro wanted to pursue something called "Gotcha." What I was considering here was the presence of Houtaro's father. His father is an adventurer, and despite being an adult, he's a man who still travels the world in search of "Gotcha" (obtaining). That's why he never comes home (laughs). However, the son would grow up to be a boy who aspires to Gotcha just like his father. That's how I thought of it. Maybe I could've let Houtaro and his mother explain that alittle more.

Yamabe: Why did Houtaro go to the Ouroboros Realm to play as a child? It's not depicted, but I've always wondered if his father made a hole that led there. I think we could've tried to do a story where he's acquainted with Fuga……but we put it off because it would've been the start of yet another story. If we wanted to do it in a V-Cinext or through Youtube, we could, but to be honest, we just left things as they were.

"While the father isn't fully explored, his character as an adult seeking to Gotcha is pretty fresh in the context of this production."

Minato: The reason I didn't have the father appear, or rather, hesitated to include him, is because Gotchard is a show about fighting against the old. In other words, I didn't want to show the existence of adults who had "obtained." I wanted to depict all adults as old as much as I could. If the father who continued to Gotcha appeared, the theme of the program would be affected.

"Still, there are some reliable adults that appear throughout the show. There's Fuga, Kyoka, and Minato. Houtaro's mother (Ichinose Tamami) is also one of them."

Minato: This is because they're "adults who have entrusted themselves to the youth." They think that adults who decide to concede to the youth are good adults.

"Ichinose Tamami to Houtaro, Fuga to Rinne, and Kyoka to Spanner, each and every one of them is an "adult" who entrusts themselves to them. To entrust is to believe. This is why they're portrayed as good people for the youth."

Minato: The reason why Minato Sensei surrendered to Glion's forces and went to the enemy's side was because he felt that he "couldn't entrust" himself to Houtaro and the other youths. The incident 10 years ago made him make that decision. Minato chose the "safe side." He advised them to stay away from him because it was dangerous. There's an adult's logic to that. However, after everything that's happened, he got over that trauma and decided to trust Houtaro and the others, so he left the Alchemys Union and returned to the youths.

Yamabe: In that regard, Spanner was on the old's side at first. His elite mindset also contributed to him rejecting Houtaro, even though he's young. But, he eventually changed, trusted Houtaro and the others, and became his friend.

"This means that Future Houtaro, who appeared in the Summer film, was also considered old."

Yamabe: Having lost many friends and living in despair, Future Houtaro was looking for a place to die. Then, present day Houtaro appears and gives him angry encouragement. Seeing his younger self genuinely pushing forward strengthens his decision to fight together. He's determined to fight alongside him. He Gotcha (obtained) all over again.

"As Future Houtaro crosses over into the past, a new world line is created for present day Houtaro. Although the events took place in a different timeline, there's a world where his friends who should've died are still alive and well. This new world, which he had seized through his own decisions and actions……is what gave hope to Future Houtaro. Freed from the nightmare that happened 20 years prior, Future Houtaro forgives himself and was finally saved. The harm caused by the old isn't something that comes only from age or position. It's the refusal to accept new ideas, being bound by past experiences. It's about not taking a new step forward. Challenge is the key to the future, and only progress can be the light that leads us to what's beyond."

-Kamen Rider from a Business Perspective-

"Houtaro saves the world from Glion's plan, and even creates another Earth through alchemy for the Chemies to live on. The story ended with Houtaro showing us a glimpse of being a great alchemist……The days with Gotchard were now told……"I wanted to make a program that would convey the excitement I felt when I watched Agito during my first year of middle school." This was what Toei's Minato Yosuke, the Chief Producer responsible for the project, had said."

Minato: I feel that the Kamen Rider series, especially those produced during the Heisei era, have their own "strengths and weaknesses." The appeal of the series is that each year's unique worldview isn't connected, but on the other hand, I think the fact that the series ends after only one year reveals its character's weaknesses. At first I thought, "What is this?," but after five years of continuous production, the program "Paw Patrol" has become overwhelmingly popular among preschool aged children. I think one of the reasons is that it's been running for five years. If Gotchard continued for another five years, it could possibly surpass Paw Patrol in recognition. Because it's something that children can enjoy for a long time, their parents feel that it won't hurt to buy products related to the show for them. I can understand why parents would think it'd be a waste if they knew that another new program would start next year. I think times are changing in that way. I was also thinking about the question, "Should the character change every year?" When Heisei Rider started, it was probably nice to have a format where the characters changed every year, but I wonder if it's a good fit currently. Along with streaming services and Youtube becoming more normalized, the viewing environment is changing. I feel that our past successes are holding us back, or that we're not adapting to these changes. The strategy is to start a new program every September and have people buy a new transformation belt in time for Christmas. In an age where there's so much content available, is this really a good mindset to have? I've been thinking about that for alittle over a year.

"Bandai's Terakawa Ryo, who was involved in the development of the toys, weighs in on the importance of Kamen Rider's content."

Terakawa: When overlooking the toys, while the adult fans of Geats were excited, there was a point where the popularity among children stagnated. Currently, there are many products of the Kamen Rider characters that are aimed at adults. CSM and S.H.Figuarts are typical examples, but I think this business is only possible because the people who buy these products were exposed to these shows in their childhood and still love the characters. The Legend Chemy cards and Kamen Rider Legend were aimed at those adult fans. In order to increase the number of similar customers who'll continue to love Kamen Rider for a long time, I have a desire to help make the project more exciting for today's children. This production made me think more than ever about making shows and toys that children will love.

"Kamen Rider, a program aired on Sunday mornings, is an important "touch point" between today's children and the Kamen Rider IP. In the current age of streaming, the archive of Kamen Rider, including its past shows, is huge, but there are many rival shows. How to attract attention and increase popularity among them is a long term challenge for the future."

-Gotcha all around the World!-

"Although this production aimed to regain popularity among children, its style was too child oriented, which resulted in the alienation of the adult generation of fans. As discussed in Gotcha 3's "Daybreak Incident," the impact was so great, that they had to quickly introduce a new character. Yamabe Koichi of Ishimori Productions, who has overseen the setting of the Rider series for many years, opened his remarks with deep emotion."

Yamabe: This is well known among fans of the Showa era, but in the first "Kamen Rider" (1971), the lead actor Fujioka Hiroshi-san was injured during filming, which resulted in him being unable to perform. Normally, there would've been two choices. Either the show would end or another actor would take over the role, but the staff at that time came up with a new character, that being Kamen Rider No. 2. Amazingly, the program became even more popular. I believe that the Kamen Rider series was founded on the spirit of doing something in a pinch. Just like with Daybreak in this show, it gave me a strange sensation, like there was some kind of invisible force at work

Minato: This was my first time as Chief, but when making a program, there are times when you have to take risks. After all, everyone wants to be happy. That's why I think I learned that if you can make your "opponent" happy, you can win. Any proposal that makes the other person unhappy will only result in a "battle" and both sides "covered in blood." Even if my demands were met, I'd be unhappy too. I thought that in order to meet my own demands, I also need to be mindful of meeting the other's demands. If you think about it, it's the same thing that Shirakura's been doing up to now. "The show was a hit, don't you think?," and then it all works out peacefully. I'd have talks with Bandai, TV stations, and other relevant entities to explain my vision to them, saying, "I think this development will definitely be more interesting and will make the show more exciting, so I'll try to make it happen!" In someway or another, I managed to convince them, and I'm glad that it all worked out in the end. I'm grateful to all the staff members who came up with this type of arrangement, and to all the companies involved for accepting my plans.

"Kaneko Shinichi participated in the project as Ishimori Production's Literary Director. "It's become a lovable production," he said with a smile."

Kaneko: Many of them are young, including the three Producers Minato-san, Matsuura-san, and Harashima-san, as well as the Screenwriters. I think it was a year in which I learned alot about their new ways of thinking. For example, when you build a house, the theory is that you first lay down the foundation and then construct the exterior walls, right? Instead, it felt like we started with the roof and then raised up the pillars (laughs). And, it's really unstable, crap, we have to lay a foundation. So, we laid down a foundation, but it started to lean because we still didn't build any walls. I hope I conveyed that right (laughs). I've never done it that way before. But it was a really good experience. Should I have just said that the way it's put together was different…..? It may sound odd to say, but I think that nothing more may happen in the future. Including myself, there were parts that were too much and parts that we were unfamiliar with, so I think it's important to strike a good balance. I think this was a production that really left a strong impression on me. The pains of creating, and the joys of creating, things like that came in waves. And, it happened every episode (laughs). I've never experienced that before. For example, I had my own interpretation of what things Houtaro would say, and we talked about it during meetings, but then someone else would say, "Well, I'm sure someone Houtaro's age wouldn't think too much about that." I thought, "I see." When I was his age, I used to think about things deeply, or take it in a twisted way, but children today are different. I think Motojima-kun's character is one of them, but there were many things that made sense to me, things which were definitely typical of Houtaro. I found that really strange. Of course, there are differences among the younger generation, the way they approach things and the way they respond to things is different. I think that happened within Gotchard many times. It was a show that allowed me to experience things I had never experienced before, and I personally learned alot from it.

"PLEX's Kita Tojun, the design team leader for this production, said that the amount of designs had his eyes spinning."

Kita: This time, I designed many different types of Chemies, and there were 101 of them. Of course there were the designs, but the process of drawing each of them for the cards was also enormous. The Rider's mask was displayed on the back of the card, so the mask had to be designed at the same time. First of all, this was for 50 of them. We got through it with the help of Designers who weren't apart of the Rider team. In addition, I was also asked to design the illustrations and Chemies for the Legend Rider version of cards that were added to the collection. It was completed in part to having the company help put on the finishing touches. They then needed me to draw additional illustrations for the rare parallel cards……I was in a situation where I couldn't finish no matter how many drawings I did. It was really challenging. And it didn't end there, as I had to create full body designs for all the forms used in the app…..There were about 50 of those……I designed and illustrated so many Chemies, that I thought it would never end.

Terakawa: First off, I'd like to thank the design team at PLEX. This production allowed me to experience firsthand how a show progressed and developed. The process of bringing the "Chemies," who were at first mysterious illustrations, to life and gain popularity within the show was an exciting experience. Dozens, even hundreds of people do their very best to make Rider items, right? It was such a big project, that I was afraid to talk about it alone, and because of my inexperience, I spent alot of time wondering and worrying about it. The number of cards was quite large, and the management, as well as debugging work, was enormous, but everyone on the team worked hard together. Despite the difficulties we faced as creators, it was a memorable work that we all overcame together.

"For Chief Producer Minato, Gotchard wasn't only a show for the Japanese market, but for the international market as well."

Minato: Gotchard was designed to be an easy to understand and enjoyable show for children to watch every week. I made this show with the vision of making it understandable to children all over the world. This had something to do with the fact that the items are inexpensive cards that can be picked up by anyone and are linked to each other. I think that if a child gets even one Chemy card, it could be the beginning of their love for Kamen Rider. I hope that the number of people who watch Kamen Rider will grow on a global scale through the increase of experiences like that. I made Gotchard with that kind of spirit, as I wanted it to take on that kind of responsibility. So, I personally believe that the true assessment of Gotchard hasn't been made yet. Its outcome will be seen further ahead in the future. That's what I'm thinking. There's a show called "Voltes V Legacy" that was made in the Philippines, and it was made due to the passionate love for the original TV anime "Chodenji Machine Voltes V" (1977). The love of the fans brought the show back to life in the modern age. Learning about the Filipino Director's thoughts and feelings made me want to cry. That's why, let's say 20 years from now, if a foreigner said to me, "I loved Gotchard when I was younger," I might cry (laughs).

"The fact that the main character uses the English phrase "Gotcha!" was also done in anticipation of this kind of international expansion. I want you to imagine. Imagine that when children all over the world become adults, Gotchard items for adults will be on sale everywhere around the world, and they'll be playing with them. The future where children from all over the world will be shouting "Gotcha!" will be here soon enough."

-Gotchard Hymn-

Houtaro uses alchemy to create another Earth in order to move the Chemies there. Although the ending is absurd, it can be said that it's a typical characteristic of this show.

I won't say that it was a flawless show. It had its faults and shortcomings.

It had many weak points.

However, even after removing these complaints, there's still a sense of exhilaration that remains……That's what Gotchard definitely had. There are things that can only come from challenges. It was Gotchard that taught me that.

"Ichinose!" "Kudo!"

Two high school students who never called each other by their first names. A precious time, like a jewel box containing the brilliance of youth. The Kamen Rider born in the year 2023 depicts young people who never gave up and continued to challenge themselves despite their failures. Their never ending search for answers and their constant drive brought a bright light to these uncertain times.

This show was a story about the Chemy cards. There have been so many Rider productions, and they must've left a mark on the viewers hearts and minds. If each of these stories were sealed onto cards, what would they say?

What would be written on Gotchard's card?

"I'm Ichinose Houtaro! I'm a great alchemist who'll build the future world!"

A youth Rider who becomes stronger through support……

That's what we love about Gotchard.

[matchesarelit]

Pikmin! (Spencer Agnew x Gn!Reader)

A video game themed bar was exactly what you needed, maybe even a little more...

Smosh Masterlist

Requested: Sort of... 'reader meets him at a bar and than they go home together and have a fun nerdy time at his place' -anon

A/N: Sorry anon they don't make it home, also hope you like video games, I thought it was a safe bet for a Spencer fan, Hope you enjoy.

Warnings: Mentions of fighting (mortal combat game play, smash bros)

W.C: ~2.1k

You'd been eager to try this place since your 'for you' page had all but taunted you with it while you were sick in bed with the flu. So crossing the threshold, the outlook of a dive type bar decked out in gaming memorabilia was both overwhelming and exactly what the doctor ordered.

LEDs behind the bar were mesmerising as they throbbed and changed, it was only after you'd straddled a stool that your eyes floated up past the assortment of alcohol, to the large collection of consoles and plug-ins suspended above.

Eagerly seeking out your favourites, you simply nodded when an approaching figure inquired after the stool to your left. Snaking your gaze down the shelving, your stare fell low enough to catch the figure of the bartender on the other side of the bar. The older woman was watching you with an amused smirk, clearly your enraptured state was not a rare one among first time visitors. Casting a glance to her headwear, you noted the Mrs Pacman sitting on her headband as you considered your drink order. Opting for a familiar brand you retrieved your phone from your pocket to pay, the case making it difficult as usual, as the bartender produced a bottle and left with a smile.

As you sipped your beverage you let your focus flit around the bar, There were a few larger screens with small groups of people crowding controllers and consoles, there were more displays and shelves chocked full of all sorts of gaming nostalgia and a few retrofitted old computers playing arcade gameplay.

Finding yourself watching more than a few rounds of mortal combat on an old box TV, your attention only shifted as a rather larger group of spectators erupted in cheers on the other side of the space. Noting some other set ups around the bar, ones much less crowded that that one, you stood from your chair, drink long since drank in many an unconscious sip as you'd watched the fights.

There was a couple duelling in some newer game you couldn't recognise, a group of older people screaming their encouragement alongside a woman playing pinball and lucky as ever, right at the back in a little alcove, there was an empty GameCube setup. Although a few other familiar titles lined the small area, the screen was already displaying your game of choice; Tony Hawk's Pro Skater 3.

After frying your own console years before you'd been itching to get your hands on this game for a while. Yet as if it was only yesterday you found yourself navigating the menu with ease, selecting a map you felt you might recognise, the name sounding somewhat familiar, possibly one you'd sold your soul to over fifteen years before.

Admittedly, navigating the menu came easier than recollecting the controls, but after a few minutes you were finding your groove well enough to hit a couple special moves and terrorise a few pedestrians.

Concluding your first level you'd indulged in the character select menu, although finding the original Tony Hawk much too nostalgic, you continued on all the same.

Before continuing, you took a brief glance around your little station, cautious someone else might be wanting a go.

Satisfied by the empty space around your chair, and the empty one by your side, you continued on to the next location. Finding yourself revisiting some favourite tricks and areas from years before, you felt yourself relax into the game, it was only when as you sat back in the chair and the stats for the completed level popped up that you noted the presence of someone talking by your side.

'-still can't believe you stuck with Tony, Demoness all the way'

Turning towards the voice you caught sight of a man around your age, sipping some colourful concoction, as he shifted his gaze from the screen to you.

Although, you noted to yourself, the mess of curls adorning his head surely meant his sight was solidly obstructed, so how he managed to notice which character you'd chosen was a mystery.

He was nonchalant as he plopped into the chair by your side, and you felt yourself of similar affect as you responded,

'Well, I must admit my old favourite was the Eye Guy as I knew him, but its been so long i wanted that Vanilla playthrough effect ya know, nostalgia and all that.'

'Oh I'm very familiar. Do you mind if I have a go?'

Hand gripping the back of your chair you go to move,

'Of course I'll just-'

'You don't need to leave, I'll only probably play the one level, I was never the best at Pro Skater,' His words were said softly vet with a surety that left no room for argument,

'Are you able to hold this?' He seemed hesitant to ask as he continued scouring the space despite holding his drink out in your direction.

'Keep me here just to hold your drink did you?' your tone was light enough that despite the flush on his cheeks he still held it out when he saw you nodding.

You took it into your hands, holding the glass in your lap atop crossed legs as you watched him grasp the controller and navigate the menu just as you had done.

As he began to play you let your eyes drift from the menu to the assortment of games along the wall, spotting a couple of old favourites you made a note to try them if you got the chance later.

Returning your attention to the screen you sat in the relative silence of the little alcove, enjoying the small sounds and voice lines from the game you'd long forgotten the AI were capable of, until the man by your side spoke up.

'How do you do the... The double flip? I'm completely blanking' He looked momentarily back to you as his character drifted about the landscape,

'Oh its just the same button as flip, just twice,' your voice was soft, hoping not to come off as patronising with the simplicity of your answer.

'Oh yeah, simple eh?' He laughed it off easily as he turned back to the screen, watching him go on to try, and nail, the trick, you smiled to yourself.

Concluding a second level you'd urged him to play, he handed the controller back to you as you returned his drink.

'Did you want to play another level? I'm thinking of changing the game,' letting your mind drift once again to the cases along the wall, you considered your options.

'Nah I'm good, what're you thinking?'

'Ooh, im not sur- OH' You cut yourself off as a certain title caught your eye.

Tugging it free of its sleeve you held your choice aloft, being careful of the disk surface of course,

'Luigi's Mansion? Good choice...' his words although genuine came with a familiar hesitance.

'I know right I've-' Your excited reminiscence was cut short as he cut in,

'...Fair warning; their copy doesn't work'

'Oh damn...' you slid the disc back into its place

'Agreed, I felt exactly the same when I tried booting it up last week.' He watched your movements before scooting his chair back a bit and starting up again, 'They do have the third one on a switch over there,' he pointed his drink in the direction of the largest crowd in the room, the chalkboard wait list filled to the brim in progressively smaller and smaller writing desperate to be fit in. 'But you'll probably be waiting a while.'

Your lips sucked into a defeated line, you moved your gaze back onto the man by your side. His own focus set on the glass beneath him as he seemingly attempted to skewer the floating lime on his straw. You noted that just as you'd thought before, his hair had clouded the space between his eyes and the drink.

'Do you have any suggestion then? Any that work?' You pondered with a laugh as you flipped through the cases, the sound drew his attention back to you, not that you noticed as he remained silent, stare caught on the back of your head.

A few moments of silence later and upon finding nothing you turned back to him, a brow raised as you sat awaiting his response.

'Oh um, there's always Smash?'

Nodding slightly you put the controller on the tabletop and began to search for the disc, 'I never really played it, you'll have to show me how...' Unsure where the confidence came from for that request, you stalled slightly in taking the game out, and replacing the other with it before sitting back down.

Letting your peripherals catch what you refused to look directly at, you watched as he nodded, his lips pursed for few too many moments before parting with a soft utterance, 'uh-yeah of- of course'.

Holding your hand out for his drink you held out the controller with the other, and as you felt the weight of the glass in your hand you studied the screen as he began a match.

'So with this one you have all the regular moves, which use the regular buttons but, for example, Falco's Phantasm you need to use- '

His explanations were comprehensive and before long, you were playing and winning matches on your own, well mostly on your own. The man beside you seemed unable to stop himself from leaning closer and pointing out special attacks you could manage at any given time. By the time you'd won your second stage his shoulder was knocking your own, his face inches from yours.

Sitting back in your chair once again, all but pooped from the adrenaline rush of such a victory as your character filled the screen almost as happy with themself as you were, you felt the warmth of his closeness fade as he followed your lead, slumping in his own seat.

Your short reprieve was cut short however as a voice, much harsher than that of the man at your side, crackled from behind you,

'Sorry, Are y'all done with this console?'

Sharing a brief look with him you shrugged and glanced to the bar, a small nod was enough for you as you turned and addressed the newcomers, 'Yeah, we are. Go for it'

Stepping out of the alcove you moved no more than a metre, before turning back to check for him. Part of you expected him to leave for another spot in the bar, another console, but a bigger part of you was sure he wouldn't, at least not yet.

Sitting up on a stool you grabbed your phone to pay for a drink yet as you waited you addressed the man once again by your side.

'Well that was great fun! Little bit of nostalgia is good for the soul, ain't it?'

'Definitely. Although... Are you sure you haven't played Smash before?'

'Weeelllll... I admit I have played some of the newer ones at parties and such, but I really thought it'd be completely different on such an older console.'

Your cheeks were hot at the reveal, it wasn't as if you'd lied, but the suggestion you'd done so to get him to help you was an interesting one.

A small smile on his lips, he fixed you with a playful glare, the crinkling of his nose a dead giveaway. Never the less you played along, dropping your phone to the bar top and raising your hands in the air as if to profess your innocence.

'I promise. Next time though, I'll have to get your help on something else, something have no idea about, maybe Pikmin? I assure you I have absolutely no clue about that game.' Your face as stoic as you could manage, not very stoic at all, you watched as his smile splurged into a wide grin as his eyes looked between you and the phone discarded on the between you on the bench.

The device was hugged by a bright red silicone case with a telling red stem that ended in a single green leaf dangling off the top end.

You continued, 'What even is a Pikmin?' Getting the question past your lips without laughing between syllables was a struggle, but a worthy one as he soon broke into giggles at your sincerity.

'Well, you seem completely cluel-' He was interrupted as your phone rung out a hearty Pikmin!

'... Completely clueless... and that's okay, I'm happy to help.'

'You're too kind...' You trailed off realising you still didn't know his name.

'OH... I'm Spencer by the way,' Nodding, you failed to supress the smile that had spread across your lips as you spoke,

'Well, Spencer, I really need your help. So how about nex-'

Pikmin!

[immaturityofthomasastruc]

IOTA Reviews: Revelation and Confrontation

Well, here we are. The final seven episodes of the season. For the most part, Season 5's episodes have been boring at worst and passable at best, with only about four episodes I'd consider to be outright bad. That pretty much disappears starting here. It's like the writers held back for most of the season, and just as the final arc was about to begin, right when most of the audience was led into a false sense of security, they were like:

Let's get into the twentieth and twenty-first episodes of Miraculous Ladybug's fifth season: Revelation and Confrontation

So, for an episode titled “Revelation”, you'd assume it would focus on Marinette and Adrien finally learning the other's secret after all these years, right? Nope, it's a Lila episode, as in Lila is the character we follow. How does it open? By revealing that Lila has different moms she's conning into believing she's their daughter.

I believe Linkara best captures my reaction to this.

YEP. Right out of the gate, we get arguably one of the dumbest plot twists in TV history. For an episode that's supposed to help us learn more about Lila's life, it's only raising more questions than it's answering, and it feels like it was there just for the sake of shocking the audience.

First off, why is she doing this? What does she possibly have to gain living with three random women who, as far as I can tell, have no political, social, or financial power whatsoever? Her entire motivation is lying to make herself look good so she can kiss up to famous people and ride the coattails of their success. Who the hell are these three people and why did Lila chose to pretend to be their daughter? In fact, are any of them even her biological mother?

Second, how did she even pull this off? I can somewhat buy her tricking her peers into believing her lies, but three grown women all believe this person is their daughter? Did she fake a DNA test or something? Did she frame some other kids for murder? Is one of them the kid in Omelas? Did the other moms adopt Lila? They must have, because I'm pretty sure any of them would know they were pregnant, but how did she fake being an orphan? How has she not been caught? The scene establishing this shows her ending a call with one of her mothers right as another one enters her room. You're telling me nobody has ever walked in on Lila talking with one of her mothers?

Third, just how long has she been doing this for? Has she been doing this her entire life? Did she frame her real mother for tax fraud at the age of five so she could explore the world? When the hell did she start doing this, and how did she even get the resources to do it? Does she have more than three moms?

Finally, what the hell does any of this tell us about Lila? We already know she's a liar and a villain, but what does learning she lies about who her mother is accomplish for the narrative. Outside of a single line to Sabine later on that heavily implies she wants to make her her next mother, this scene is entirely pointless. Sure, it shows how effective of a liar she is, but that's what the episode is already setting out to show us! We already know she's manipulative, so what's the point of any of this?!

Jesus Christ, we're only on the first scene, and I'm already pissed off. You see what I mean about these last seven episodes?

After lying some more, Lila learns an update to the Alliance rings has Kagami replace her as the female avatar. When she goes to ask Gabriel why he's cutting off ties with her, we learn just why Gabriel is such a tactical genius.

Gabriel: You were only the face of my brand in exchange for a mission: to monitor my son's relationships and keep him away from bad company. You failed. My son got close to this Marinette Dupain-Cheng who's been nothing but a terrible influence on him. But you did give me one excellent idea: to create a new media-friendly pairing for my son, which is why Kagami Tsurugi will be the new female face of the Gabriel brand. Perfection itself! All that remains to do is perpetuate this facade until it becomes truth in everyone's eyes. And until jealousy eats away at Marinette Dupain-Cheng...

Lila: But... What's to become of me?

Gabriel: You just remain what you are. Nothing.

Because it's not like Lila is easily your most competent ally (at least, by comparison), and is the only one who doesn't hate your guts, right? Seriously, Lila's biggest motivation other than fame is to ruin Marinette's life, and for the most part, as bad as the writing has been, she has been mostly effective in damaging her reputation (Chameleon, Ladybug, Adoration). For God's sake, if it wasn't for her, you would have been exposed as Monarch earlier this season in “Illusion”! Say what you will about Lila as a character and how stupid everyone acts when she's on-screen, but at least she's good at her job.

Lila walks off fuming, and Gabriel considers akumatizing her, but doesn't want to risk it because of how much she hates him... even though multiple Akumas over the course of the show were people who hated Gabriel or wanted revenge on him (The Bubbler, Simon Says, Style Queen, Heart Hunter, Passion, Action). It also doesn't stop him from akumatizing Lila later on in the episode, because her hatred is now directed at Marinette. And as we all know, it's physically impossible to hate more than one person at a time.

After a quick scene showing Marinette and Adrien's relationship is now public knowledge, we cut to class, where Ms. Bustier is handing back tests.

Also, despite being in the second trimester of her pregnancy (which hasn't been mentioned since the New York Special, over two years before this episode premiered), Ms. Bustier is wearing no maternity clothes to speak of, just her usual outfit with a noticeable baby bump.

I'm obviously not an expert, but I don't think that's good for the baby. If anyone reading this has experience with being pregnant, feel free to correct me.

Ms. Bustier points out that Sabrina put her name on both hers and Chloe's. Ms. Bustier naturally wants to know what the hell is going on.

Ms. Bustier: How long has this been going on?

Chloe: Oh, since we learned to write-- I mean, since Sabrina did.

Yep, after almost five seasons, the writers are now officially resorting to making dumb blonde jokes, the only kind of humor rivaled by fart jokes and racist jokes in terms of being overused and unfunny.

Ms. Bustier lets Sabrina off with a warning and decides to help Chloe make up for the lost work and salvage her academic career. For some reason, even though this is a reasonable response to discovering one of your students has been cheating for years, Marintte has a problem with this.

Marinette: Everybody knows that Chloe been cheating, taking advantage of Sabrina and not making any efforts compared to the others... for years! And the only consequence is that she's going to get help?! Of course, we need to support students who have problems, but not when they're the problem!

If you had a problem with Chloe mistreating Sabrina, THEN WHY THE HELL DIDN'T YOU TELL MS. BUSTIER YOURSELF? Even Lila points out that Marinette should have pointed this out to the teachers as class representative (I'm not sure if that's a thing in French schools, but let's assume it is for this episode's sake), but Marinette herself says she chose not to.

Marinette: Why would I have? She doesn't have difficulties! Only privileges! And if you need proof to see how the teachers will let her get away with anything!

What was it Alya said in “Origins”? Something about evil triumphing if good people do nothing? Eh, I'll think about it later.

Also, who's to say this isn't a punishment? Chloe is still going to have to make up her work, she'll need more attention from the faculty as a result, summer school is most likely on the table now, and who's to say her dad won't have problems with this? Yeah, we know he's a spineless coward, but let's assume he'll actually act like a parent for once, for the sake of argument.

Despite outright saying that she neglected her duties as class representative, Marinette is shocked Lila takes the chance to suggest she replace her for the job. Later at lunch, like what's happened in every other Lila episode, Marinette tries to tell Alya that Lila is a liar, Alya doesn't believe her for a second, and nothing changes. Oh wait, I forgot to mention that this time, Adrien and Nino are there too! That makes it different!

Seriously, why are we still doing this? It's almost the end of Season 5, and even though Alya is one of Marinette's trusted confidants, the show still needs to have this drama with her not believing her. It honestly feels like a lot of the Lila episodes this season were originally written before Season 4 aired, but something changed, so they just threw them here when it makes no sense for Alya to still doubt Marinette after all this time. It's also why they randomly threw this line in to remind us that Alya knows.

Alya: You know, even Ladybug accepts help from Scarabella every once in a while.

Yeah, mind telling me what happened the last time Alya transformed into Scarabella?

OH RIGHT.

It's during this little conversation where we get the first hint of the episode's moral, and believe me, I'll get to that. Alya tries to reason with Marinette that maybe it's possible for Lila to help Chloe change for the better, which Marinette vehemently refuses to believe. We're clearly supposed to see Alya as being too naive and is oblivious to Lila's true nature, but neither of them know just how bad she really is. We, the audience, know that Lila has worked with Gabriel and Monarch willingly in the past (Heroes' Day, Chameleon, Miraculer, Illusion, Adoration) and that she's living under several fake identities. Yeah, we know Lila hates Marinette and tried to get her expelled in “Ladybug”, but nobody else knows just how bad she is. It doesn't help that Marinette's reasons for Lila only amount to “She's a liar!”, and not “She tried to get me expelled!”, intentionally making her come across as petty so it's easier for Alya to doubt her.

Another thing that makes the whole “Alya thinks Lila can help Chloe change” deal is that we already know Marinette has done nothing to really stop her behavior as class representative or as Ladybug, so it's hard to really act like Marinette contributes a lot to the job, especially when, once again, she willingly admitted to not even trying to reach out to the other teachers about Chloe's grades or how she's using Sabrina to get by in class. Even though Alya doesn't know about Lila's true nature, she's not wrong when it comes to believing someone else could bring something new to the position of class representative.

And this only gets worse, as we see Lila's latest plan to win over the class.

Lila: My dear classmates, I am convinced that even the worst person can change if you reach out to them. And to prove it to you, Chloe, will you be my deputy?

(The whole class gasps in shock)

Chloe: (sighs and walks to the front, putting on a fake smile)

Nino: Wow, is Chloe actually going to be a mere deputy?

Alya: That is so not Chloe!

Rose: Does this mean it's already working?

Mylene: Can Lila actually get her to change?

Marinette: (slams her fists on her table) This is so crazy! It's all lies!

Lila: Poor Marinette... couldn't succeed because she was too busy with her love life, as well as being reminded of her disdain for Chloe. But you know me. You know all about my humanitarian work. I'm used to going into conflict zones. I can do this. There are two weeks left. What do you have to lose? Help me, help Chloe change. Vote for me!

OH, YOU NO GOOD MOTHERFU---

Sorry, sorry. Had a little... episode there. Where were we?

Okay, first off, wow. Are you trying to seriously piss off your fanbase? The whole argument of being able to appeal to the humanity in the worst person is one of the biggest arguments people in favor of Chloe redemption make, so you know damn well this scene was targeted towards them. What was the original draft for this? A still image of Thomas Astruc flipping off the audience?

Second, once again, Lila isn't wrong. As far as we know, Marinette did nothing to really help or stop Chloe over the school year other than foiling the occasional scheme. While we know it's a lie, can you really blame the rest of the class for believing Lila will actually make things better for them by finding a way to stop Chloe from bullying them? It doesn't help that the case Marinette makes for her class representative campaign is that she's giving up on helping Chloe, saying she sucks, and that she's going to help the rest of the class instead. Because we all know showing blatant bias against one of your classmates is a surefire way to win the favor of your peers, right?

As for the speech itself? Well...

Marinette: My dear friends, of course, you should always do everything in your power to help people. And we all hoped that Chloe would become a better person. Ladybug reached out to her. Ms. Bustier reached out to her. So did Adrien and so did I. You all reached out to her. This proves how big your hearts are. And yet, Chloe remained the same. Why? Because as far as she's concerned, having a big heart is a weakness to be exploited. Chloe already believes she's better than all of us. So... don't be fooled. I, for one, am done wasting my energy in vain. As class representative, I'd much rather help all of you because you deserve it a thousand times more.

So here's the main moral of the episode, kids: If you ever decide to be the bigger person and show kindness to someone who is mean to you, it's going to bite you in the ass sooner or later, so never try helping other people change. I just... what the fuck, Astruc?

Yeah, the show tries to point out that being kind to others is still important, but the context of the episode itself doesn't show any examples. You could have used Kim as an example of someone who has changed his ways, but “Derision” retconned him into not being a bully, and Felix isn't even in this episode, so he can't be used as an example. The episode never really provides an argument showing the difference between people who can change their ways and people who choose not to, which is why the lesson doesn't work. How exactly is a child watching this supposed to tell when they're being taken advantage of for their kindness? For a show with an opening that has the lyrics, “The power of love always so strong”, this episode really isn't doing a lot to encourage its audience to show compassion to others.

And we're not done yet. Lila makes up a sob story relating to getting fired, and tearfully says there's no hope for Chloe. Once again, the writers think by having a villain say stuff certain fans believe in, it's meant to automatically invalidate the argument. What are you going to have Lila say next? “Felix should face consequences for his actions”? “Gabriel is far worse than Chloe will ever be”? “Somehow, Chloe is worse than either of her terrible parents”? I'm all ears here.

The entire story was a gambit by Lila so she'd have a cover story, as she plans to attract an Akuma with her sheer hatred for Marinette. Like I said earlier, Monarch assumes that since Lila hates Marinette at the moment, it's impossible for her to harbor any negative feelings towards his civilian identity, choosing to akumatize her into Hoaxer.

Ignoring the fact that the name sounds like it belongs to an antidepressant, Hoaxer is an okay recolor of Volpina. There's not much else to say visually. Her powers involve brainwashing anyone who hears her lies through the Alliance rings... even though she was already able to manipulate others through lying, so this seems like a redundant power to give her. Sure, she can also teleport through the Alliance rings, but that's just something Lady Wifi could already do. Monarch also gives her the Fox Miraculous' Mirage to use so she can create fake footage to back up her lies... even though she already has the power to make everyone believe her lies. Yeah, this upgrade is kind of pointless, isn't it?

Hoaxer's first lie is to say that Marinette is really Monarch. With the exception of Adrien, Ivan, and Mylene (who don't wear Alliance rings), the entire class is brainwashed into hunting Marinette, believing they'll save Paris if they stop her. After Adrien points out how it wouldn't make sense for Marinette to be Monarch if she wants Lila to expose her secrets, he ducks out to transform into Cat Noir, soon meeting up with Ladybug.

Ladybug and Cat Noir steal an Alliance ring from Officer Roger to learn how this power works, only to learn the brainwashing is only effective as long as the victim is wearing an Alliance ring. Hoaxer senses that one of her victims lost their ring, so she turns the rest of Paris against the two heroes by saying that they're from the planet Saturn and fart bubbles that destroy the ozone layer. Believe me, I wish I was able to come up with a line that stupid.

Ladybug summons her Lucky Charm, and gets a sewing machine. She goes back to her house, only to be ambushed by Alya. Ladybug takes off the ring and detransforms, lending the Ladybug Miraculous to Alya so she can transform into Scarabella as part of her plan. Because even though Alya has already been exposed three times in the past two seasons, the animators paid for the Scarabella model, and goddamn it, they're going to get their money's worth out of it. While Cat Noir fends off some brainwashed civilians, Hoaxer uses her powers on Nathalie to get her to send all of Gabriel's private secrets to her. How Monarch doesn't sense this is anyone's guess. Marinette pretends to appeal to Lila's conscience as part of a plan involving her, Scarabella, and Cat Noir, but Lila then rejects the Akuma with ease.

The Akuma somehow de-evilizes itself, Scarabella makes her only contribution to the fight by using Miraculous Scarabella to fix the damage, Monarch still doesn't know Lila now has intel on his civilian identity when he should have a telepathic link with her, and instead blames Marinette for all of his problems.

Back at school, Adrien apologizes to Marinette for not telling her to act against Lila, something that should be huge. It's just that both of them make it about how bad he feels, not about Marinette.

Adrien: I'm sorry, Marinette. I was wrong. I shouldn't have told you to act against Lila. If you give the slightest opportunity to people like her, they'll grasp at it and cause disasters in no time. And now, you're the one who looks like a bad person.

Marinette: You thought you were doing the right thing. Just like with Chloe. That's another reason why I love you, Adrien. You always want to see the good in other people. But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness. But we'll find a way to expose Lila eventually.

Nevermind the fact that Lila's lies haven't done anything to negatively affect Adrien at school, only Marinette, so his little pity doesn't feel earned. There's a difference between feeling bad about something and making it all about you. Also, once again, the episode's moral still comes across less like “mean people can take advantage of your kindness” and more like “never trust anyone, as your attempts to show kindness can backfire horribly on you”.

Lila is elected class representative, and Alya still believes her over Marinette. How does Marinette respond?

Marinette: I decided to let her have her way so I can finally prove to you all who she really is.

Spoiler alert, next episode, someone other than Marinette does the heavy lifting to expose Lila, and I doubt it was ever part of Marinette's plan.

The episode ends with Lila learning all of Gabriel's secrets, which would have been a much better opportunity for her to learn he's Monarch instead of learning about it off-screen as far back as “Emotion”.

THE BIGGEST IDIOT OF THE EPISODE IS... MARINETTE

Once again, Gabriel was very close to earning the Biggest Idiot Award for the third time for ditching Lila for no reason and later giving her the tools needed to learn his deepest and darkest secrets, but Marinette edged him out here. Not only did Marinette outright admit to neglecting her responsibilities as class representative, blamed Ms. Bustier for not doing anything about Chloe when she hasn't done anything to stop her either, and made a very poor argument for her reelection campaign by saying that being nice is bad. But hey, maybe her genius plan next episode will make up for it.

“Confrontation” starts off with Adrien struggling to fill out an orientation form for what kind of school he wants to go to next year and what he'll study. I'm not really an expert in French schools, but I'll assume this is how things are done there. Either way, Adrien isn't willing to fill out the form because as we saw in “Pretension”, Gabriel is planning on sending him to a private school in London next year. Why Adrien wasn't excused from this assignment is beyond me.

Adrien: If Marinette finds out that my father's decided to send me to a private school in London next year, it will break her heart and mine, too.

Again, it's really funny how a huge portion of his screentime in Season 4 involved being angry at Ladybug for keeping secrets from him, yet now, Adrien sees nothing wrong with keeping secrets from Marinette, even when it's inevitable that she'll find out. Then again, Plagg's response isn't any better.

Plagg: I know how I would feel if I had to be separated from you, Adrien, and there is nothing funny about that at all.

Then why did you force Adrien to give up his Miraculous in “The Kwamis' Choice”?! I'm pretty sure that was all your idea, as was what happened afterwards with Monarch almost winning.

As Marinette worries about the career stuff, but through some flashbacks showing just how selfish and one-dimensional Chloe and Lila are, she's not exactly confident they have her best interests in mind. Also, remember how Marinette said she supposedly let Lila win at the end of the last episode in order to make progress on finding a way to stop her?

Marinette: I feel like I'm betraying our friends by entrusting their forms to such awful girls.

As we'll later learn, while she does come up with a plan to expose Lila, it was after this scene that it happened, so this doesn't really make it look like Marinette has any ideas to stop Lila after she won at the end of the last episode. After the rest of the class fills out their forms, Lila destroys them all so Sabrina can forge their handwriting. Of course, not before we get another “funny” scene where Chloe struggles to understand their own plan.

Lila: After you destroy the forms, you'll fill out new ones using your talent for forging student's handwriting. I'll tell you what to write.

Chloe: Not so fast! You're using too many words to explain your plan!

GET IT? DO YOU GET IT?! SHE'S RICH AND BLONDE, SO THAT MEANS SHE'S STUPID! WHY AREN'T YOU LAUGHING AT THIS COMEDY GOLD?!

Meanwhile, Nino calls for another meeting of the totally useful and not at all irrelevant Resistance, citing an issue. Because they're all planning to go to different schools next year, they're not sure how they can help Ladybug and Cat Noir... other than, oh, I don't know, meeting outside of school? It doesn't matter, because everyone unanimously volunteers to go to the same high school next year. Well, everyone except Nathaniel, but that's not important.

After Marinette gets a call from someone, Mylene suggests that the class go on strike against being forced to decide their careers so early in life. This would have made a lot more sense if you chose to do this before submitting your forms, but hey, whatever floats your boat. Adrien finally figures out what he wants to do, so he hands his form over to Lila. What did he write down?

Lila: (reading the letter) “I've been thinking a lot, and still not know what I would like to do later in life. The only thing I know for sure is that I love Marinette Dupain-Cheng. But I guess that doesn't really help you. I'm sorry. Adrien Agreste.”

Minimum wage at Wendy's it is. Good choice, Adrien.

Yeah, I think now's as good a time as any to talk about how flat Adrien's character has been this season. Even though Adrien has gotten more character focus thanks to not being hampered by loads of other side characters and temp heroes, he hasn't really had a lot of strong moments overall. Scenes that should feel like a big deal, like him accidentally Cataclysming Monarch or realizing he has feelings for Marinette are usually downplayed or brushed off so we can see how those events affect other characters. We don't get any scenes with Adrien feeling guild for possibly condemning a man to death because more focus is given to Gabriel dealing with his impending demise. We don't get any scenes that show how Adrien has come to see Marinette in a romantic light because more focus is given to Marinette struggling to deal with his sudden confession. And here's this scene. Rather than showing Adrien developing an interest in something he wants to do for a career, a huge sign of his growing independence, what do we get? Adrien saying he loves Marinette and admitting he has no goddamn idea what he wants to do with his life. Such a defining moment for one of the two main characters in the show. I'm just saying, if the last season made a big deal about Adrien wanting to be treated more importantly, why is he still getting shafted by the narrative?

And for the umpteenth time this season, because Chloe is the one saying that Adrien's form is “pathetic”, we're supposed to not agree with her, even though this is supposed to be a serious form that your teachers will see. Just what is this show's obsession with using strawmen to try and invalidate criticism? I've seen more nuanced takes from political cartoons.

Lila and Chloe present the forged forms to the teachers, assigning all kinds of inaccurate assignments for careers that the students don't want. Lila manages to get one student in particular held back, Marin—Juleka. Yeah, Juleka, Lila's most hated enemy is being forced to repeat a year. Why didn't Lila try to keep Marinette held back?

To be fair, Lila's plan is to slander Marinette specifically, but screwing over the entire class feels like a bit of a reach. I don't even know if part of Lila's plan was to attract an Akuma or not. Speaking of, Monarch senses Juleka's negative emotions and sends a Megakuma her way. Because it's a day that ends with a “Y”, the Magical Charm does nothing, so for the sixth time in the series (not counting her brief appearance in “Ladybug”), Juleka is akumatized into Reflekta. I swear, at this point you could make a drinking game for every time an old character model is reused this season.

Reflekta's design is pretty alright. I like the idea of the shy and quiet Juleka getting a brightly colored form that's impossible to ignore, and her power to make everyone else look like her fits her character. Unlike other returning Akumas this season, Reflekta gets a noticeable upgrade to her powers, as now she can essentially create a hive mind with all of her victims on top of getting the Tiger Miraculous' Clout to do some extra damage. Wow, it's almost like the Miraculous powers should actually serve as upgrades to established powers instead of being the only thing that gives the Akuma their powers.

Reflekta goes to town assimilating more victims, Marinette does nothing to get the still pregnant Ms. Bustier to safety so she can dart off and transform into Ladybug. By the time Ladybug and Cat Noir meet up, the city is crawling with Reflektas.

Ladybug summons her Lucky Charm, getting a plastic tape dispenser. Using Cat Noir's staff and the tape, the two put up a fake brick wall poster in an alleyway. The two heroes split up and draw a Reflekta's attention respectively, pretending to be helpless once they reach a “dead end” at the fake brick wall. When the two Reflektas try to use Clout, Ladybug and Cat Noir duck out of the way, letting the two attacks collide.

Ladybug de-evilizes the Megakuma, uses Miraculous Ladybug to fix the damage, and gives Juleka yet another useless Magical Charm.

And while you'd think this is where the episode ends, unfortunately, we're only halfway done. Id anything, this entire fight was pointless, and it's going to lead to a lot of problems with the pacing later on.

Back at school, Lila takes the opportunity to pin the blame on Marinette, though when Marinette points out how good Sabrina is at forging handwriting, Sabrina admits to helping them out. While the blame is still on Marinette, Chloe and Lila follow Sabrina when she runs out of the classroom. In the bathroom, Sabrina is still upset about what she had to do, and when Chloe and Lila confront her and try to keep her in line, only for Sabrina to reveal it was a trap for Chloe and Lila to confess their plan in front of the rest of the class, and one that had been set up a few days ago by Sabrina and Marinette.

So after an episode that went out of its way to show how apologetically irredeemable Chloe and Lila are, Sabrina is the one to ultimately turn a new leaf and is the key player in stopping Chloe and Lila's tyranny. Let's go into all the reasons as to why this failed to be a triumphant moment.

First off, why is Sabrina the key player who helps finally expose Lila? Why not Adrien, or Alya, or anyone else in Marinette's class? Rather than work together with her friends to show she wasn't lying, Marinette only works with Sabrina, and they act like they're the close friends working together. What, you thought Adrien or maybe Alya would help Marinette expose Lila like the end of the last episode hinted at? HA! Of course not.

Second, Sabrina's redemption is forced as hell. I'm not saying Sabrina turning a new leaf is entirely impossible, but the show just expects us to forget all the times she's gone along with Chloe's bullying antics (Origins, Mr. Pigeon, Lady Wifi, Dark Cupid, Horrificator, Darkblade, Reflekta, Zombizou, Stormy Weather 2, Lies, Sole Crusher, Gabriel Agreste, Derision, Adoration), and even in this episode, she still helped forge the new forms for Chloe and Lila. Remember how “Derision” said Chloe's actions couldn't be excused by how poorly she was treated by her mother? Funny how Sabrina's actions can be excused by how poorly she was treated by Chloe. The redemption honestly could have worked if it was Marinette who reached out to Sabrina and saw the good in her, teaching the lesson that while some people refuse to change, that doesn't mean other people can't change either. But instead, Sabrina's just a good guy because the plot said so, a deus ex Sabrina if you will.

Third, this was Marinette's plan to stop Lila? Like I said, while the previous episode made it seem like Marinette had an idea on how to expose Lila, this episode showed that Marinette had absolutely no plans prior Sabrina's call, and she handed over the sheets to Chloe and Lila earlier. What was Marinette even going to do if Sabrina didn't call? This only makes Sabrina's redemption feel even more forced, because that was what led to Chloe and Lila being exposed.

And finally, we don't even get a lot of resolution with Marinette's classmates believing Lila over her once she's exposed.

Yes, there was a deleted scene where Alya and the others apologize to Marinette instead of just Ms. Bustier which was supposedly cut for time constraints, but why would you leave that out when Marinette's friends believing Lila over her has always been a sore spot among viewers? If only there was another scene that could have been cut out of the episode that added nothing to the plot over an important character moment showing how guilty Marinette's friends feel.

Chloe and Lila are expelled by Mr. Damocles, but then he gets a call from Andre ordering him to keep them in and do nothing to change the forged forms. Normally, this would be something to make Andre out to be a bad guy, but like Sabrina, because he's being belittled and ordered around by someone else (in this case, Audrey), we're meant to sympathize with him. Trust me, it gets even worse next episode.

Mr. Damocles is upset enough to attract another Megakuma from Monarch. You would think Marinette would transform into Ladybug and save him,but the episode does something different. Somehow, because of the other students telling him to believe in himself, all of their Magical Charms resonate with Mr. Damocles' Magical Charm. And then, his Magical Charm transforms into a shield which de-evilizes the Akuma as soon as it touches it?

I'm sorry, WHAT!?

Yeah... that just happened. I'm happy the Magical Charm actually did something for once, but I don't get why this was the climax of the episode. Why did this episode spend more time focusing on Juleka, Sabrina, and Mr. Damocles instead of Marinette's final battle of wits with Lila? Forget it, it's almost over anyway.

Mr. Damocles sends in the correct forms for the students before he resigns as principal, and we then cut to Ms. Bustier realizing that Chloe is pure evil and needs to face consequences for her actions. What does Chloe say that causes her to come to this revelation?

Ms. Bustier: Where's Lila?

Chloe: How should I know? I'm not the betrayer's mother.

Yep. A somewhat rude answer to a question Chloe doesn't even know the answer to is the last straw for Ms. Bustier. Maybe it's the hormones? Ms. Bustier decides to give extra attention to Chloe going forward, and somehow, that's different from Ms. Bustier wanting to help Chloe make up her schoolwork at the beginning of the last episode. But what happened to Lila, you may ask?

Oh my God, she's cosplaying as T'pol from Star Trek: Enterprise! The fiend!

Yep, Lila abandoned her old school and moved onto one of her other lives, now calling herself Cerise. Okay, a few questions.

First, was she wearing makeup as Lila or something? I'm not sure if it's the lighting in this one scene, but I swear, her skin looks lighter than Cerise here.

Second, how is Lila going to blend in under her new identity when for a while, she was the face of the Gabriel brand? What, is she going to claim that “Lila” is her twin sister or something?

Third, if Lila's trying to blend in as Cerise, why did she throw her old wig in the trash, in broad daylight?

Fourth, why wasn't this scene the one used to establish Lila has multiple lives? It actually feels plot-relevant, unlike the revelation of her having three different mothers last episode.

Finally, we're really going to brush over Lila facing any setback to her vague goals? She got expelled, and we don't even get to see her face consequences for her actions after all these years? What a load...

THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE

Yep, Marinette got the award twice in the same two-parter, and this is her third one at that. Adrien was sort of close to winning it with his stupid application form and not doing anything to stop Lila himself, and even though Marinette's plan to expose Lila worked, I still had to give it to her. She willingly gave her and her friends application forms to Chloe and Lila without any plans in case they tried something bad, had absolutely no plan to stop Lila in general until Sabrina came alone, and didn't think to simply de-evilize a Megakuma targeting her principal when Lila was able to sneak out with no problem.

Anyway, these episodes SUCK. I know it might not seem as noticeable compared to my reviews last season, as I've been trying to not get too angry, but I still couldn't stand these episodes.

As always, Lila's lies are incredibly stupid and don't work under the suspension of disbelief, especially with what we learn about her here. What I don't get is that we still don't know why Lila does what she does. I still don't know why she is so obsessed with getting the better of Marinette and Gabriel outside of being petty, and given what happens by the end of the season, it makes her unclear motivation even less excusable. In a pair of episodes meant to give more focus to Lila as she tries to ruin Marinette's reputation right before the school year ends, we really needed more depth for her character.

Marinette wasn't any better. What should have been a standout moment for her this season, she spent most of these two episodes complaining about Chloe and Lila when she did nothing to really stop them, and only made progress when Sabrina had a change of heart out of nowhere. Hell, even then, Chloe and Lila barely faced any setbacks for their actions. Marinette honestly felt very underutilized in what should have been an important set of episodes for the season.

Adrien didn't fare any better. He barely got to do anything and unlike Marinette, he wasn't even involved with the final plan, despite the ending of “Revelation” hinting that he and Marinette were going to work together to stop Lila. And then there's the form he filled out where he pretty much confirmed that he has no goals in life and that the writers just have no idea what the hell they want to do with him now that he's Marinette's boyfriend.

But let's talk about what I think really killed these two episodes, specifically “Confrontation”: The unnecessary focus on side characters. I can understand why Ms. Bustier needed more focus in these episodes, considering it was focused on the school environment, but I can't give that kind of lenience to “Confrontation”. That episode decided rather than focusing on Marinette finally outsmarting Lila, we needed more focus on Sabrina, Juleka, and Mr. Damocles. Why did we need to give Sabrina a change of heart over Marinette's friends working together to help her expose Lila? Why did we need Juleka to be targeted by Lila and subsequently akumatized by Monarch in a gambit to slander Marinette when all Lila had to do was have it look like Marinette tampered with Chloe's form? Why did we need an extended sequence of Mr. Damocles fending off an Akuma with the help of his class when he had no real presence in this arc, and if anything, took Chloe and Lila's side more often than not (Ladybug, Derision)? I don't get why the writers chose the tail end of the season to actually develop some of its side characters at the expense of major players like Marinette, Adrien, and Lila.

Look, these episodes were just awful, okay? And somehow, things manage to get worse as we get closer and closer to the end of the season.

[goldfades]

MANAGERS OFFICE: (I want to hear your individual headcannons on this so plz anyone feel free to add on)

First off, girly has snacks EVERYWHERE, so many cabinets and drawers and secret spaces with snacks in it. Something tells me the manager likes gummy and sour candies so there's lots of those.

Pr packages from brands, at one point her office was overflowing with boxes

She has one of those type writer keyboards and the girls will just be in her office chilling and relaxing/falling asleep to the keyboard clacks

Manager has a keyboard collection on the wall with different keyboards and keycaps.

Diffuserssss everywhere, the moment you walk into her office you're just hit with a wave of calm.

Baby also has candles lit and things like plants and eucalyptus.

Fluffy blankets!!!!

Comfiest couch and bean bags.

Big TV facing her desk (the girls 100% hooked up their consoles to it)

Manager also has a wii so they'll play wii sports, wii sports resorts, mario kart, and any just dance game

(Of course they're getting competitive at the basketball game on wii sports resorts)

Extra clothes for both her and the team, sometimes she just doesn't feel like going home to change, or she has a late night.

Organized as HELL, nothing is out of place and if something is she's gonna lose it. She literally needs to be organized she's the manager, assistant coach, photographer, & the media manager. If she's not organized she's not gonna have a good time.

She's an artist so she has some of her paintings/drawings, clay figures, origami just everywhere around her office. She also has the art things that old students have made her as well.

PICTURE WALL, it gets more and more full by the day.

Bookshelf that she has both hers and books for the girls

Adding onto that, next to Paige, Ice, KK, & Nika. Azzi is in her office the most just relaxing or reading. Manager always gets new books for Azzi to read or books Azzi has been talking about. They just sit in comfortable silence.

Manager's office is placed where she can see the sunset and sunrise sooo

The SKY PICTURES

OH OMG and the GOLDEN HOUR PICTURES????? I'm gonna die

I can go on and on about her office pictures alone, girly can POSE!... PHOTOSHOOT! POSE POSE

The tiktoks tooo....... don't get me started

Speaking of the windowww

Rainy days in her office must be heavnly.

The rain hitting the window (the girls watching the raindrops race <3), the candles and diffuser doing their thing, tea brewing, lofi playing in the background.

She has a fluffy ass carpet that the girls lay on.

manager has appliances in her office backroom, tea kettle, air fryer, microwave, yeah-

Let's say manager takes her pet to school (it's either take your pet to work day or she has a service animal) baby is laying on that carpet and sunbathing

Fidget toys

Manager has that big ass Snorlax beanbag

The girls always getting her new candles and essential oils <3

She has a mini fridge that she fills with drinks.

The backroom has an even bigger fridge.

Manager collects minifigures from a series and puts them on a shelf

She has suncatchers everywhere

https://i.pinimg.com/564x/4e/8a/17/4e8a1738f067a8f4d18147cf08e45aae.jpg

^ like that :b

Led lights (either the strips or the lamps)

Bomb ass computer set up, I think she has multiple computers and a big ass desk

Perfume shelf with her favorite scents

She's always going to office supply stores cuz she's always running out

Manager journals and has a shit ton of stationary items for it like pens, stickers, washi tape, etc.

She keeps her space C L E A N, and WILL scold anyone who fucks it up

Something tells me she's one of those people that hate shoes in her office, like she has slippers she makes people put on or they take off their shoes, keep their socks on and put them next to the door before they enter.

All the pain medication, go to her for it, it's in her drawer.

All of the teams comfort snacks and items are in her office in case they're overstimulated/ need a break.

Makeup drawer with a little mirror incase she needs a touch up.

Her lunches are amaaazing, she kinda had to start bringing extra cuz the team

Manager has little art projects sometimes, like those DIY wisteria flowers you hand from the ceiling or that cloud LED light thing where you put cotton over the led light strips and it looks like electricity.

But they buy her fast food so she doesn't mind,,,,,too much

"KK get the FUCK OUTTA MY PASTA GIRL!"

Since manager sucks with her phone, especially when she's locked in. The girls got her a LoveNote box where the heart spins everytime she gets a message, and they're just reminders from the girls or other silly messages.

The most common one being "You better be home in 15 minutes or we're gonna drag you out."

To be honest, if I were the manager, I wouldn't want to leave my office either, working or not.

-🐹

this is. a damn masterpiece CAUSE YES

baby girl is soooo damn organized and the whole food thing is so real, they're eating her lunch and she's just like... "but my pasta..." and they're like WE NEED THE CARBS!!!!!!!!!

if i was manager i'd never wanna leave either CAUSE IT SOUNDS... AMAZING HOLY COW

[lol-jackles]

I saw this post about THR discussing Jared and the CW: https://x.com/Cherryoliv40095/status/1794016212281864455

Which led me to their podcast. I thought I'd forward it on because they make some really great points, not just about losing Walker, but the current state of the CW, what the industry is losing with their new direction, and how the industry, as a whole, is losing creative pipelines for up-and-comers. I thought it might be something you'd be interested in, in case you haven't already listened!

https://www.hollywoodreporter.com/tv/tv-news/tvs-top-5-podcast-the-cw-freevee-netflix-ratings-1235907525/

(The section about the CW starts right about the 28:00 mark.

Link and Link. lol at the 29:00 mark the reporters dissed Gotham Knights.

Summary: They discuss the old CW network purpose as marketing platform for two studios for international and streaming rights, thus it was "massively profitable for the studios''. Rights for All American and Walker were already sold off before Nexstar took over.

The end of the old CW era is a "heartbreak for the entire industry" because for countless number of writers the old CW was the entryway into the industry to hone their talent and learn on the job by being on the set. Old CW essentially gave the key to showrunning and these writers went on to write and/or showrun on bigger networks. CW basically set the stage for Marvel to become the juggernaut it became.

And now it's gone.   The loss of CW is a loss for the TV ecosystem. Not just CW, there are number of networks are going away from their brand and just becoming remnants. (I like to say it's an era of channel drift.)

Time stamp 44:45 "What was so innovative and interesting about the CW when it as at its most successful was when Pedowitz said the ratings were not telling the story." And understood the audience they were appealing to aren't watching live TV and they can still run a business because they weren't worried about profit, which is a great luxury to have.

An emailer asked who is the new CW that can fill the void?   The answer is, "I don't know".

At least two from Hollywood Reporter doesn't plan to cover the CW anymore. End summary.

This was part of the reasons why I had a soft spot for the old CW, not only did they had a plethora of comedy, drama, sci fi and fantasy shows outside the formulaic procedural shows glutting the 3 big networks, but they also mentored countless up and coming tv writers that heavily contributed to the tv eco system.   (sidenote, probably why I watched Walker because it wasn't straight procedural, I got NCIS for that).