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nyoomfruits · 28 days ago

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osctober day thirty one

prompt: halloween pairing: lando/oscar word count: 1200w

“Lando,” Oscar says, when he makes his way into the living room to drop his work bag next to the couch. “Why is my baby dressed as a pumpkin?”

Becca is in her little baby playpen banging a few blocks together, dressed in a felt pumpkin suit. There’s even a little hat with a stalk on top perched on her little blond curls. “Da,” she says, when she spots Oscar.

“Hi love,” Oscar says, picking her up and snuggling her closing, earning him another, more decisive ��Da!”

“Oscar!” Lando says, appearing from the kitchen. “I can explain.”

Oscar raises an eyebrow, putting his daughter back down. “Can you?”

Lando bites at his lip. He has a spatula in hand, which means he’s attempting to cook dinner again, which means Oscar needs to make this as short as possible so he can make his way into the kitchen and salvage whatever is going on there.

“It’s Halloween?” Lando eventually settles on. “And like. I don’t. I’m not overstepping, or like, I don’t want to overstep, but I just thought. It’s her first you know. I think she should go out trick or treating.”

“She’s fourteen months,” Oscar states, but he’s mostly amused.

“Yeah? So? It’s Halloween, Oscar,” Lando says. Something in the kitchen beeps, and Lando quietly curses under his breath, making his way in there. Oscar throws one last look to Becca, who’s gone back to banging blocks together, and follows Lando into the kitchen.

“Maybe it’s time to revoke your babysitting privileges,” Oscar says, leaning against the doorway and watching Lando flit through the kitchen. There’s a pasta sauce bubbling away in a pot, next to one filled with pasta. It doesn’t seem disastrous yet, so Oscar’s happy to lean back and watch.

“Oh, please,” Lando says. “You would die without you convenient next door neighbor who works from home and loves your kid and is therefor willing to watch her whenever you need someone.”

Unfortunately, this is true. For reasons other than just the convenience, too. Like the way Lando smiles at him sometimes. Or the way Lando’s eyes sparkle in the sunlight. Embarrassing stuff like that.

“You really want to go trick or treating with her?” Oscar asks.

“We are going trick or treating with her,” Lando says, grinning at Oscar, clearly feeling like he’s won something here. “I have matching outfits.”

The matching outfits, thankfully, are just headbands with little pumpkins on bouncy springs. Oscar is pretty sure he looks ridiculous, especially next to Lando, who somehow makes the damned things look cute.

There really is no going back now, so after they finish their pasta, they put Becca’s coat on under her little pumpkin suit, don their stupid little headbands, and head to their first house.

Which is when things get kind of. Weird.

“Oh, your family is so cute,” The first lady says, as she deposits a few pieces of candy in the little bag Lando is holding. “Reminds me of my own daughter and her husband. Precious. Have a good night.”

“Uh,” Lando says, but she’s already closing the door.

Oscar adjusts Becca on his hip, mostly so he kind hide the blush on his face. “On to the next one?” He says quickly, mostly hoping that means Lando won’t bring it up.

“Yeah,” Lando says, still staring at the now closed door. “Yeah, next one.”

But at the next one, roughly the same thing happens. And the Next one. And the next one.

Oscar is coping with this wonderfully, mostly by pretending none of this is happening and no one is actually confusing them for some kind of cute young family rather than for what they are, which is two totally platonic neighbors who are friends who are trick or treating with one of the neighbors kids.

It’s going swimmingly, if he says so himself, even though is heart aches at the thought. Becca, entire unaware, babbles happily in his arms and tries to grab at the pumpkins on his headband.

Lando is quiet, too, doesn’t say anything, doesn’t correct anyone and that’s. Something, right? Nothing, for sure. But.

But.

Except then he does say something, when an young mom smiles at them and says, “Oh, what an adorable little family you have. My kid is her age, too. It’s the best, isn’t it?”

“We aren’t-“ Lando blurts, a little too loud, making Becca startle a little as she looks at him with wide eyes. “A family. I’m just. We’re not. Together. That’s his kid. She’s not. She’s not mine.”

Oscar doubts that. Becca thinks the sun shines out of Lando’s ass on most days. She’s just as much Lando’s as she is Oscar’s, but that’s. That’s dangerous territory, he thinks.

“Oh,” the woman says, a little taken aback. “I’m sorry.”

“It’s okay,” Lando says, smiles tiredly. It must’ve been bothering him more than Oscar thought. Oscar tries not to be too hurt about that. “Have a good night,” he says, and stalks off the porch.

“You too?” The lady says, but Lando’s already gone. Oscar smiles awkwardly at her, and then follows Lando as quickly as he can with Becca in his arms.

“Hey,” he says, when he catches up.

“Hey,” Lando says, not looking at him, setting a pretty brutal pace. “Let’s go back to the apartments, yeah?”

“Okay,” Oscar says, noting how he says apartments, plural. Nothing how he doesn’t say home.

They walk in silence, for a bit, Becca dozing off on Oscar’s shoulder, before Lanod finally speaks again.

“I’m sorry,” he says.

“For what,” Oscar says, confused. He doesn’t think Lando has anything to apologize for. If he’s uncomfortable being linked to Oscar as a husband, that’s. I mean. He’s allowed to feel those feelings, even if they hurt.

“I just. I’ve been inserting myself in Becca’s life, in your life, and this should have been a cute little milestone, her first Halloween, and instead you spend the whole time listening to people thinking we’re like, what. Together?” Lando is still not looking at him, aggressively biting at his lip.

Oscar takes a moment, unpacks everything Lando’s just said, tries to think of the right thing to say. Eventually he settles on. “We wouldn’t have had Becca’s first Halloween if not for you.”

When Lando finally turns to look at him, if only to send him a confused look, Oscar continues. “You got her the outfit. You got the headbands. I was just going to spend the night inside giving candy away to kids, but you made it special. So you’re not inserting yourself. If anything, I think you’re making her life much, much better.” And then, because he feels like it’s important Lando knows, even though it will probably not lead anywhere, “Also I don’t mind. When people think we’re together.”

“Oh,” Lando says. “You don’t? I mean. I don’t, either.” They’ve stopped, in the middle of the walkway, staring at each other over Becca’s head.

“Good? That’s. That’s good,” Oscar says, a little unsure all of a sudden. If this means what he thinks it means…

“Oh fudge it,” Lando says, and leans forward, softly presses his lips to Oscar’s. It’s a little awkward, with Becca still snoozing happily between them, but it’s the most perfect kiss Oscar’s ever gotten. When Lando pulls away, he’s smiling, a smile Oscar is sure is mirrored on his own face. “Let’s go home, yeah?” He says.

“Home,” Lando says, nods. Shakes his head like he can’t quite believe it.

They can’t hold hands, because Oscar’s are still occupied, but Lando’s hand finds a place at the small of his back, and that’s just as magical, Oscar thinks, as they slowly start making their way home.

#landsocar #osctober 2024 #AND THATS A WRAP ON OSCTOBER #thank you everyone who reblogged/liked/send asks i love you all <3 #i'm going to hibernate for a million years now lmao this took a lot out of me #but i can't believe i did it!!!!!!!!#wooo!!!!!!!!!

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starry-bi-sky · 8 months ago

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Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #amnesiac danyal al ghul au #songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart #musician danny has my heart and soul #yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks #implied good mom talia al ghul #danyal is a momma's boy send tweet #dpxdc ficlet #dpxdc prompts #dp x dc au #dp x dc fanfic #danyal is sTILL five years older than damian in this au #no beta no edits we die like danny fenton #poc danny fentons #i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense #ugh im gonna have forgotten to include things and im gonna be kicking myself later #morally ambiguous danny whoo! we love to see it #since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous #phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe #not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him

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