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samyakk-fashion · 7 months ago

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Dress to Impress: The Latest Gown Trends at Samyakk

Introduction:

“Drape Yourself in Luxury”

In this blog, we delve deep into the realm of Exclusive Designer Evening Gown, exploring the latest trends in Latest Designer Gown for Bride and offering insights into the art of creating Bespoke Event Gown. From Party dresses for Women to Bridal Gown Dresses, and Cocktail Dresses for Wedding to Custom-made Designer Evening Gown, we leave no stone unturned in our quest to unveil the epitome of style and elegance in women’s fashion.

As we delve deeper into the world of evening wear, we uncover the allure of Exclusive Evening Gown Outfit for Bride. Perfect for those special moments that call for a touch of sophistication and flair, cocktail dresses exude charm and elegance. With their versatile designs and flattering silhouettes, they are the epitome of effortless chic.

Unveiling Your Dream Wedding Look

Your wedding day is a momentous occasion, and finding the perfect Bridal Gown for Women or Wedding Gown for Women is a crucial part of making it unforgettable. This guide will be your compass as you navigate the enchanting world of evening wear, offering insights into various styles that will make you feel like the most radiant version of yourself.

Exploring a Spectrum of Elegance:

High Fashion Evening Wear: Craving a modern, trendsetting statement? Look no further than High Fashion Evening Wear. Imagine yourself in a sleek, contemporary gown that exudes elegance fit for a red carpet.

Designer Ballroom Dress: Channel your inner fairytale princess with a luxurious Designer Ballroom Dress. Picture yourself gliding across the dance floor in a gown designed by a renowned fashion house, a masterpiece of opulence and grandeur.

Trendy Designer Formal Gown: Embrace the latest trends with a fashion-forward Trendy Designer Formal Gown. Envision yourself in a unique and captivating piece that embodies modern sophistication.

Beyond the Labels:

This journey goes beyond simple categories! We’ll delve into specific styles like a-line, mermaid, and sheath gowns, helping you find the silhouette that flatters your figure and complements your wedding theme. We’ll also explore various necklines, fabrics, and embellishments, allowing you to personalize your Bridal Gown for Women or Wedding Gown for Women and create a truly unforgettable look.

Samyakk offers a curated selection of designer gowns that cater to a variety of styles and preferences. Whether you crave the modern allure of High Fashion Evening Wear or the timeless elegance of a Designer Ballroom Dress, Samyakk has the perfect gown to make you shine on your special day.

Why Evening Gowns Are So Popular?

Evening gowns have long been a symbol of elegance and sophistication, captivating the hearts of women around the world. From red carpet events to gala dinners, these timeless garments continue to reign supreme in the world of fashion. But what is it about evening gowns that makes them so popular?

1. Versatility:

One of the key reasons behind the popularity of evening gowns is their versatility. Whether you’re attending a glamorous wedding or a formal dinner party, there’s an evening gown to suit every occasion. From the ethereal charm of a Latest Designer Gown for Bride to the classic elegance of an Embroidered Net Evening Gown, the options are endless.

2. Luxurious Fabrics:

Another factor that contributes to the allure of evening gowns is the use of luxurious fabrics. From sumptuous satin to delicate georgette, these gowns are crafted from the finest materials to ensure both comfort and style. A Satin Cocktail Gown drapes elegantly against the body, while a Georgette Evening Gown floats gracefully with every step.

3. Exquisite Embellishments:

Embellishments play a crucial role in enhancing the beauty of evening gowns. Whether it’s intricate embroidery, shimmering sequins, or delicate beadwork, these embellishments add a touch of glamour and sophistication to the garment. An Embroidered Glass Tissue Cocktail Gown sparkles under the lights, while a Shimmer Indowestern Gown exudes opulence and charm.

4. Variety of Colors:

Evening gowns come in a plethora of colors to suit every taste and preference. From classic shades of black and white to bold hues of Pink Designer Evening Gown and Blue Evening Gown, there’s a color to match every mood and occasion. An Exclusive Purple Evening Gown makes a bold statement, while a Beige Bridal Gown exudes timeless elegance.

5. Timeless Appeal:

Perhaps the most significant reason for the enduring popularity of evening gowns is their timeless appeal. These garments have been a staple in women’s wardrobes for centuries, transcending trends and fads. Whether it’s a classic White Dress or a trendy Party Dress for Women from brands like Samyakk, an evening gown never goes out of style. Transition seamlessly from ceremony to reception in our Net & Silk Reception Gown, designed to captivate from every angle. Embrace modern elegance with our Crepe Indowestern Gown, which will make you look fabulous on any event.

Glamorous Gown Outfit Selection at Samyakk.com

Looking for the perfect attire for your upcoming events? Look no further than Samyakk. Our curated collection features an exquisite range of attire to suit every occasion. From elegant Contemporary Ethnic Dresses to glamorous Reception Gowns, we have everything you need to make a statement.

Step into the spotlight with our stunning Cocktail Gowns, perfect for adding a touch of sophistication to any soirée. Planning your Sangeet ceremony? Our collection of Sangeet Gowns will ensure you dance the night away in style.

For those special moments, indulge in our Designer Partywear Gowns that exude luxury and elegance. And for brides-to-be, our selection of Trendy Bridal Gowns will make you feel like a princess on your big day.

Materials Matter: Embroidered Net, Satin, Georgette, and More

The materials used in creating exclusive evening gowns play a crucial role in their overall look and feel. From delicate embroidered net to luxurious satin to flowing georgette, each fabric has its own unique characteristics that contribute to the beauty of the gown.

Shimmer Indowestern Gowns: Fusion of Cultures

For brides who want to add a touch of cultural flair to their wedding attire, shimmer Indowestern gowns are the perfect choice. Combining traditional Indian fabrics and techniques with contemporary Western silhouettes, these gowns are the epitome of modern elegance.

Elegance in Detail: Embroidered Glass Tissue Cocktail Gowns

The beauty of embroidered glass tissue cocktail gowns lies in their intricate detailing. From delicate floral motifs to shimmering beadwork, every stitch is carefully placed to create a gown that is both elegant and eye-catching.

Frequently Asked Questions (FAQs)

1. Are exclusive evening gowns only for brides? A: While exclusive evening gowns are popular choices for brides, they can also be worn for other special occasions such as galas, proms, and red carpet events.

2. How can I ensure my evening gown fits perfectly? A: It’s important to work with a skilled tailor or seamstress who can make any necessary alterations to ensure your gown fits like a glove.

3. What accessories pair well with exclusive evening gowns? A: Accessories such as statement jewelry, elegant heels, and a chic clutch can elevate the look of an exclusive evening gown.

4. Are exclusive evening gowns only available in traditional colors? A: No, exclusive evening gowns come in a wide range of colors, from classic whites and blacks to bold and vibrant hues.

5. Where can I find exclusive evening gowns? A: You can explore a wide selection of exclusive evening gowns at Samyakk.com, a renowned designer boutique store. With a dedication to helping customers find their desired bridal outfits, evening gowns, and more, Samyakk.com offers a curated collection of exquisite designs. Additionally, their dedicated customer support team is available 24/7 to assist overseas customers via video call, ensuring a seamless shopping experience.

Conclusion:

In conclusion, when it comes to finding the perfect attire for your special day, look no further than Samyakk, your ultimate destination for exquisite ethnic and contemporary dresses. Whether you’re searching for the Latest Collection Gowns for women or a Custom-made Designer Evening Gown, Samyakk has you covered with its diverse range of options. From elegant Indo-western Dresses to intricately crafted Ethnic Gown Designs, you’ll find something to suit every style and preference.

Located in Bangalore, Samyakk stands out as a premier Online Wedding Outfit Store and Ethnic Wedding Outfit Store known for its exceptional quality and craftsmanship. With a commitment to offering the finest selection of attire for brides and wedding guests alike, Samyakk ensures that every customer feels confident and beautiful on their special day.

So why settle for anything less than perfection? Trust Samyakk to provide you with the epitome of elegance and style for your wedding or any other special occasion. Happy Shopping…

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mensfashion33 · 11 months ago

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Latest Fashion Trends: Discuss current trends in clothing, accessories, and styles

In the dynamic realm of fashion, keeping pace with the latest trends is paramount to making a lasting style statement. A notable trend currently dominating the fashion scene is the revival of western dresses. These garments seamlessly merge classic Western styles with modern sensibilities, creating a look that is both timeless and contemporary.

Versatility in Design:

Western dresses are witnessing a revival characterized by versatile designs and universal appeal. From casual day dresses to elegant evening gowns, they cater to various occasions, making them a wardrobe essential for fashion enthusiasts.

Fusion of Tradition and Modernity:

A prominent trend within western dresses is the fusion of traditional craftsmanship with modern silhouettes. Designers are embracing intricate embroidery, bold prints, and unique textures, giving indo western dress for women an artistic and expressive edge.

Diverse Color Palette:

The color palette for western dresses is diverse, ranging from classic neutrals to vibrant hues. This diversity allows individuals to express their personalities through their clothing, offering a fresh perspective on Western fashion.

Comfort and Wearability:

The fashion-forward approach of western dresses extends beyond aesthetics. Comfort and wearability are key considerations, ensuring that individuals not only look good but also feel confident and at ease in their attire.

Inclusivity and Diversity:

As the fashion industry embraces inclusivity and diversity, western dresses play a significant role in offering a wide range of sizes and fits. This trend reflects a shift towards fashion that celebrates every body type.

In conclusion, the resurgence of western dresses in the latest fashion trends exemplifies the perfect marriage of tradition and modernity. With their timeless appeal, diverse styles, and inclusive designs, western dresses are not just garments; they are a celebration of individuality and expression in the ever-evolving world of fashion.

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#indo western dress for women #western dresses for women #ladies western dresses #western frocks for women #womens western style clothing #western outfits for ladies #western wedding dresses #latest western dresses in fashion

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daystarvoyage · 5 months ago

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The Dana Terrace Vs Vivienne Medrano, The Great Debate of Two Female Creators

Hello Starry Knights, This is the lovely Kyoko Cane, The Brown Sugah Queen, & cosplayer who performs and visits numerous cons throughout, while making blogs/vlogs on animated media & entertainment.

as you know or are new to this page, I am an artist who also dedicated my fashion in drag, on all my platforms along my artwork & discussions (be it anime or Western) that can affect real-life even fandoms, with a variety of videos.

the title of the post is about The two proclaimed talked about animators, Dana Terrace & Vivienne Medrano, I'll be critiquing how these two women of animation tackle the industry. This will have strong opinions from recent interview videos I've watched.

(I'll be calling Vivienne VIVI FOR SHORT & letting you know, if I were to watch ones in the future affecting my post come on the comments to ask freely, AND YES ALL PROJECTS AND TOPICS ARE NOT WITHOUT THEIR CRITIQUES, FLAWS IF YOU CAN'T HANDLE IT, CHECK OUT THE DAYSTAR VOYAGE, DON'T HATE, APPRECIATE! )

OK LETS GET STARTED In this 3-part segment

1. The Different Artstyles That Made Us Love These Shows.

Vivis work (Helluva Boss & Hazbin Hotel)

Now We all know as fans & lovers of animation when we hear a series that's greenlit after viewing on a television screen, in a magazine, or sponsored in commercials, right? As for these two,

The first time I heard of VIVI's work was on a YouTube ad commercial in line & premiered for the pilot, I was fully captivated by its groundbreaking story, from hazbin hotel to the comedy in helluva boss, along with its ghoulish Beetlejuice-inspired art style.

(which I'm a sucker for the niche, indie projects & gothic horror.)

observing her sketchbook on YouTube, I was drawn in by the captivated humanoid shapes she sketches, along with her fluid & flowing style.

the worldbuilding version of heaven & hell drew me in, after watching hazbin hotel. The pilot had a lot to offer from its dreary horrific turns/obstacles from its character debut, story & distorted beauty that there was a lot to tune Into along my first episode of Helluva Boss,

Now we are gonna get down to lore storytelling and character growth.

(and im fully aware of how the fandom treats the rest of the main & supporting cast not letting them flesh out including the females, btw)

Vivi has so much to offer, after watching the latest episode of Helluva Boss and finishing Hazbin Hotel, I see she has the potential to make a good show on drama & sell it, however with her controversy coming through I feel she needs to learn on how to perceive herself online, so makes it hard for me not to hate her series, be it art and her work.

(its truly good when it wants to be as for the writing ima get to that later. with the stolitz & lumity discourse on part 2)

The owl House by Dana terrace

Now you all know by now, I am a full-on Owl House fan regardless of its show ending early, and my many critics on Dana Terrace drew me in with her macabre art and full-on passionate skeletal pieces after looking at her socials and sketchbook online, as a debut showrunner who made her great stance on lgbt representation she has cemented herself as an acclaimed cartoon creator.

However, she does have her flaws ever since rewatching the series, and a lot to learn about the business, after rewatching The Show and yes I have notes written to prove them,

To add I felt if alex Hirsch wasn't on the project, everyone wouldn't watch that show since yall want it to be the next GRAVITY FALLS,

I love the fandoms that discuss the errors of these creators cause it gives more insight on how to portray yourselves on in the real world, cause lemme tell you, it was all watered down I'm get to that in a minute

one problem i have with particularly since she's a good artist & creator is her depending on certain tropes to carry out her cast, cause some may be harmful, along tropes being flanderized & the writing of character being generic & stereotyped.

She needs work on being a better showrunner cause those skills need Cleaning up including writing certain characters on who gets the spotlight.

NEXT SEGMENT

2. The Good, Great, Bad & Ugly in Fandom Discourse,

Vivis Work (Wow Yall can be Wow)

Vivienne Has made her mark in the YouTube market ever since making her pilot debut on Kesha video & hazbin hotel pilot,

I'm so glad for her contributions towards the indie market cementing her way to showing great representation in the general audience for an adult show, not to mmention disablity rep, yes an adult show and that's not without its controversy,

with her grand debate, I feel everyone took this woman's artwork turning it into something ugly, which is so uncool.

and I for one will not stand for the hate trains of now popular shows flip-flopping and then float back to it cause your series is acclaimed now, let's be real she deserves her crowns and laurels, Just keeping it real, regardless cause its a fire show

The fandom has shown their love of the show cause it knocked down so many doors in many ways, but let's be real the audience is now geared toward children cause we all know, this generation can be doing some crazy things, the way they all need to tone down the language, and let characters breath in the show

which I feel viv needs to work on the jokes. I get, it's an adult show which is concerning and it's a Gen Z world where people have access to computers 247, which contributes to all the nasty discourse and crass behavior not to mention,

fandom needs to calm down her fans when it comes down to her work and the way stoliz is perceived.l can be questionable, not to mention how the females are written which I do know the key word for this below.

cause i rarely do find the females are compelling, but yet to fleshed out like the rest of the male characters so misogynist comes into mind in this show and how it sells

there some moments it only aims to the infamous ship Stolitz (and doesn't let other characters breathe (this is a problem with the owl house which ill get to right now cause the pacing is wow smh)

(next to the owl house which I'll get to cause OMG)

THE OWL HOUSE FANDOM (GRRRR) lemme calm down

If you haven't seen my posts, including the bashing and discourse there's also a list I swear lemme quote

in the words of Biggie Small - if you don't know now ya know.

The owl house fandom i was on ride or die for lumity. however we all know how that ship got it start and built up cause they expected it to be this thing to say (F you to Disney) which is good cause disney had its comuppence howver, after the show ended

fans have become the most foulest ugliest & disrespectful fandom ever since the Steven Universe, Voltron and miraculous incidents,

its sad to see how these two franchises fell into the worse cases, the two creators may come across not caring of there fandom acts cause there's a saying

The captain always goes down with his ship MEANING

A captain should not have to sacrifice their life or crew, simply because the vessel they are in control of is in distress

There’s two fandoms such as Steven universe & voltron fell from grace into toxicity down below that are prime examples

youtube

The Owl House fandom has got to be some of the most entitled, uppity if not (racist) fans!

yall clearly have not listened to other fans or can't take criticism, yes the show did make very feminist undertones and the male characters didn't shine at all in their titular episodes or moments, which doesn't help at all.

Since Dana drew inspiration from Powerpuff Girls

(which comes on and the writers being all female, might have some damaging effects)

Cause its stifled the male characters in a way where there not as prominent or impactful,

So this word MISANDRY comes to mind

The fandom has gone down to the point of no return, I mean,

one fan from a webcam interview WANTED DANA's ADDRESS EWWW! (in one disccus video0

its not that the Disney drama was too blame for the project, (to an extent) which I'm proud for the fandom for banding together on animation, but need to take off the lgbt glasses, cause boy the show's writing was pushed in favor of that.

CONGRATS You did at the cause of Harassment and bad behavior in fandoms,

NEXT TOPIC

3. Make The Business Makes Sense & epilogue

THE OWL HOUSE

Dana Terrace has the makings of doing good shows however when it comes down to an audience to kid she has some major damage control on how the fandom will come across,

i mean have we not learned from the Lilith and Camilla toxic issues, you can tell the show likes to demonize the adults which is unacceptable, and can damage storytelling and characters.

the truth i feel there needs to be proper staff on how to write POC, ethnic and cultural representation In the show, Amphibia, Molly mcgee, Haileys on it and other break-out shows did it better,

hell even Amphibia doing those cuisines food culture in Frogworld, can you imagine the boiling isles taking on Hispanic cuisine.

Which i felt could've hit a mark on luz home life and culture if written & fleshed out,

Like the staff didn't know how to write those topics, they've coulda gone so far with it but unfortunately fall flat in that area,, not to mention the fashion. UGH

sigh.

ViVI WORKS ( i try not to make this quick but i can discuss more on comments be NICE)

Vivienne Medrano has good fashion and business sense

its important to have that cause having a Cloud Nine franchise coming from nothing can do wonders for how you are perceived as an artist,

The discourse has come due to her take on the controversy on platforms talking on her many harsh topics

(in my opinions she too needs to work on controlling scenarios & damage control that can affect her

So tried but yeah

vivi is a dominant artist who takes her business seriously so I am glad to have her flourish in Spindlehorse,

but just i wish i cant help but fall outta love with her work, knowing of the problems in today's animation comesacross how you say even snowflakes can break under if heard by there favorite creators.

lets be honest these two can learn from each other. and vivi does sure know angles and promoting

youtube

very glad to get this written so I put some thought into this

i wish nothing for the best for these awesome artists and creators thank you all for coming so far and have a wonderful voyage thanks.

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stellastra-scribbles · 2 days ago

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Finally completed the outfit reference for Jayna Stiles, a half-elven NPC follower from Arcanum: Of Steamworks and Magick Obscura.

Outfit breakdown (or "outfit onions" as I like to call them lol~)

I really like Jayna Stiles and her backstory + goals of becoming a technological healer. I'm also a sucker for 19th-century fashion and I have an unhealthily large collection of reference books and a bunch of files saved from online museum collections (I've got about 22+ gigabytes of refs downloaded from the Library of Congress alone haha I need more hobbies).

Back on track, I really just wanted to design Jayna an outfit that suited her character more than her in-game sprites while also being practical for travel/adventuring.

More unrestrained detailed design ramblings below the cut~

Individual layers. I pulled most of her colors from her default outfit.

Since Arcanum's starting year is 1885, I usually picture the "modern" sense of fashion in big cities like Tarant and Caladon taking cues from real life 1885-1890s western fashions (to give myself some leeway with references). Smaller towns can be a bit more dated, but I try not to go back further than the 1870s in most cases.

However, for a character like Jayna, who hails from Dernholm, I gave her clothing from references dating back to the 1850-1860s. I did this because Jayna says in her recruitment dialogue that "[her] parents weren't wealthy people, and [she doesn't] make much money here in Dernholm," so I took this to mean that she likely wears clothing to last, wearing hand-me-downs, makes her own clothes, and mending it over the years rather than buying new clothes.

Given that Dernholm (+ the Kingdom of Cumbria in general) isn't in the best state when the game starts, they may be behind the times and the latest fashions take longer to reach Dernholm.

Gar: “Alas, poor Dernholm! Once home to the legendary Dragon Knights, it has fallen on hard times since Praetor became king some 60 odd years ago. He despises all technology, and I think he's recently become sour on magick as well.”

Herkemer Oggdoddler: “For two generations Cumbria languished as an economically abused and technologically impaired backwater in the shadow of Tarant. Its once fine capital, Dernholm, has become a ruin.”

Layer 1 - Chemise + Open Drawers. I deliberately drew the drawers as fairly loose so as to not expose her without having to redraw the pose or resort to "Barbie doll anatomy."

Various resources demonstrated the chemise being tucked into the drawers or worn fully untucked/loose, but I drew it as tucked-in for the sake of reference visibility, so perhaps either one works in practice.

Layer 2 - Corset + Socks/Stockings. I picked a more "contemporary" (1880s) design for the corset as I imagine it would be a more custom-fitted garment. Plus, anyone who has ever worn bras will attest that a bra that properly fits is comparable to a good pair of shoes: never cheap out on it because if you take care of it, it will take care of you. Perhaps that same logic can be applied to corsets in ye olden days and historically-inspired fantasy settings.

For Jayna, despite the simplistic design, it might be one of the few luxuries she can afford for herself given the necessity of the garment for bust support.

Layer 3 - Trousers + Shoes. I was inspired by vivandières and Dr. Mary Edwards Walker, who typically wore trousers beneath their skirts. Dr. Walker was a "surgeon, women’s rights advocate, abolitionist, and spy, [and] the first female U.S. Army surgeon during the Civil War." Since Jayna is an aspiring technological healer, I feel like an allusion to Dr. Walker and her practicality was appropriate.

Layer 4 - Petticoat. It's just something to fill out the skirt volume a tad. I considered adding a corset cover in this layer but I did like having the upper outline of the corset somewhat visible in the shirtwaist layer to illustrate her living situation (aka she doesn't have one or just has a poor-quality one). As a modern-age woman, I think this this all already looks like a laundering nightmare to wash by hand.

Layer 5 - Shirtwaist + Outer Skirt. I really like the shape of the 1860s Garibaldi blouse's sleeves (I think these are bishop sleeves? correct me if I'm wrong...) and the stripes allude to some 19th century nurse uniforms. I initially went for a plaid pattern but that was a pain to draw and using a pre-existing plaid brush/pattern just didn't look as good as I wanted it to be.

Layer 6 - Sash + Pistol Holster + Bag. Given Jayna's goals of becoming a tech healer, I took design cues from vivandières, who were 19th-century women attached to military regiments, with a few known vivandières being nurses (like Anna Etheridge).

However, rather than lifting the vivandière look completely, I imagine Jayna would attempt to replicate the silhouette with her own clothes. The bag is a bit of an amalgamation of various 18th-19th century hunting/frontier bags, so I apologize that I don't have a direct reference image.

---------------

Of course, in the end, I did take some liberties with the outfit so it's not completely historically-accurate, but that's okay since Arcanum is a fictional universe.

I guess I should've prefaced that I'm no expert on historical fashion, just a casual enthusiast who thinks "ooh old dress is pretty!"

I just wanted to see how far I could go before I had to make some concessions, such as:

Jayna's hair is short and worn loose while irl Victorian women typically had long hair and wore them up (there were documented exceptions of course). Many portraits for both female player characters and female NPCs across all in-game races show short hair and loose long hair, so let's just assume that 19th-century Arcanum has more relaxed feminine hair standards compared to the real-life 19th century western world. Also, irl 19th-century rural women did sell their hair for money, so maybe there's something to apply to the world of Arcanum with that. Or maybe the short-hair craze just hit Arcanum a few decades early *shrug*.

I initially planned to give her gloves, but many resources show vivandières not really wearing them, preferring to go barehanded.

The clothing colors may be a bit too saturated for the era I took inspiration from, but I wanted to stay somewhat faithful to Jayna's original sprite colors.

I did simplify some garments down for the sake of me having to draw enough layers as it is lol. Sorry if the lace wasn't fancy enough or that she doesn't have headwear. ¯\_(ツ)_/¯ Sometimes you just wanna finish a project and be done with it.

hoo boy, that was a lot

Thank You For Coming to My TED Talk :)

Now go play Arcanum: Of Steamworks and Magick Obscura~

#stellastra's art #Arcanum #arcanum of steamworks and magick obscura #arcanum: of steamworks and magick obscura #Jayna Stiles #half elf #historical fashion #steampunk fantasy #character design #victorian fashion #19th century fashion #unashamedly tagging this bc this game doesn't get enough love #to the like 10 or so Arcanum fans here on tumblr - this is for you!

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hel-the-growl · 2 years ago

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Nezha Reborn annotations - Part 1

Since New Gods: Yang Jian is about to enter NA theaters this week, and before I do a huge information dump about that movie, I wanted to write about its prequel - Nezha Reborn.

I've already seen Yang Jian twice in cinemas here in Australia, and the animation has markedly improved in the one year since Nezha came out - it's definitely worth seeing on the big screen. You don’t need to watch Nezha before Yang Jian but if you’re interested in the lore, then you should lol. It's on netflix.

My original thread on twitter.

Background

Nezha is one of the most well-known characters from the 16th Century Chinese Novel Investiture of the Gods (IOTG), with countless adaptations based on his legend.

New Gods: Nezha Reborn is one of the latest portrayals of the character, and is the first move in Light Chaser Animation Studios' attempt at establishing a New Gods cinematic universe.

Nezha’s origin story

Nezha was born as a round ball of flesh after his mother Lady Yin was pregnant for three years. His dad Li Jing thought he was demon spawn, so tried to kill him but was spared by the immortal Taiyi Zhenren who became his master. At seven years old, he caused a lot of trouble like accidentally killing a demon from 1000 miles away and killing the dragon king Ao Guang’s third son Ao Bing as well as his right hand man the Yaksa Li Gen. When Ao Guang demanded retribution from Li Jing, Nezha chose to sacrifice himself instead. His master later resurrected him using lotus roots to construct a human body, and he came back more powerful than ever. 3000 years later...

Breakdown

Donghai (East Sea). It was the mythical underwater city that Nezha once conquered, now depleted of all its water resources. Set design is inspired by Republican-era Shanghai and Manhattan in the 1920s and 1930s. The poor Chinese style backdrop is contrasted against the glitz of the Western style architecture in the rich area. Rickshaws were commonplace on the streets.

Fashion is also blend of east and west, like the guy wearing kung fu shoes with a denim jacket.

The qipao was a favored dress among women at the time, popularized by Chinese socialites and high society women in Shanghai. Flapper fashion also influenced Kasha’s outfit, blending eastern and western styles.

Li Yunxiang shares the same surname as the original Nezha. His brother Jinxiang’s name is also similar to Nezha’s eldest brother Jinzha. Jinxiang’s look is very typical of the republican era - complete with his center-parted hair and round glasses.

Old Li has the same temperament as Nezha’s dad, The Pagoda Bearing Heavenly King Li Jing.

Who is Yunxiang’s adoptive sister Kasha? She’s an orphan of Belarusian descent, however not much else is known about her past. Her name means porridge in Belarusian. It might be a corruption of Katyusha (喀秋莎) with middle character removed in order to follow Chinese naming conventions idk.

If you know the history of the Republic of China, there were many girls like Kasha in that era. Her father was a soldier and left Kasha and her mother after the war.

✨Princess✨ Ao Bing～～ and the Yaksa Li Gen. Ao Bing is the third son of the Dragon King of the East Sea. The Yaksa Li Gen is the dragon king’s right hand man.

The four big clans - De, Li, Shun, Song (德家、利家、顺家、松家) - actually corresponds to the titles of dragon kings of the four seas. King De, Dragon King of the East Sea; King Li, Dragon King of the South Sea; King Shun, Dragon King of the West Sea, King Song, Dragon King of the North Sea.

A netizen looked this up and really wanted to kneel to Light Chaser for their worldbuilding.

Fun fact: the white horse from Journey to the West is the third son from the Song family.

H*rley-D*vidson Darrley-Hudson product displacement on the arm of Kasha’s jacket:

Actually the film has left some hints about her past. There are some Soviet-style badges pinned to her jacket, along with some small badges that Kasha herself added as well. Since this jacket is huge, it can be assumed that it was left to Kasha by her biological father.

The giant buddha statue is reminiscent of the Longmen Grottoes in Luoyang, Henan.

Daddy! Ao Guang, the dragon king of the East Sea.

Art deco details on the hood ornament, decals and invitation card.

Monkey’s suit is basically a hot pink version of the Zhongshan suit, a style of menswear introduced by Sun Yat-sen during the republican era, adapted from Japanese student wear. The four pockets are said to represent the Four Virtues of propriety, justice, honesty, and shame. He's blinged up his prayer beads too.

Does this mean Dr. Su is a descendent of Su Daji, the femme fatale of IOTG? Or could she actually be Daji’s reincarnation? Now I don’t know whether to trust her or not.

All these sea creature demons. Why? Chinese dragons are aquatic. They live underwater, and command water-based attacks, unlike western dragons who breathe fire. So it makes sense for them to control an army of demons that came from the deep.

So this is the crystal palace.

After Nezha’s death, Li Jing found out that Nezha’s mother had built a temple in his honor and burned it down because he was still angry at his son for all the trouble he caused to the family. The soul of Nezha was pissed and after his reincarnation, began to pursue his dad with the intent to kill. It took several parties to step in before matters were resolved.

Looks like monkey likes to listen to Peking Opera.

The Pukui fan, commonly known as the cattail fan, is a fan made from palm leaves and stalks. Lightweight and cheap, it is the most widely used fan in China.

Part 2｜Part 3

#nezha #wukong #new gods: nezha reborn #new gods #nezha reborn #新神榜 #新神榜：哪吒重生 #哪吒重生 #哪吒 #jttw

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religion-is-a-mental-illness · 7 months ago

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By: Andrew Doyle

Published: Apr 8, 2024

One of my shortest-lived jobs was as a teacher at a school for girls near Sloane Square in London. I resigned after just two weeks because the headmistress was a religious zealot who had objected to me teaching a text which featured a gay character. In my resignation letter, I explained that I wasn’t prepared to work at a school which fostered such antediluvian attitudes. I stayed on to finish the term, but was delighted when I eventually made my escape.

I had previously worked at a boys’ school, and I soon noticed that there were some broad differences that manifested in an all-female environment. One of the most concerning was that many of the girls were engaged in what can only be described as competitive starvation. During lunch duties, I was warned to keep an eye out for pupils who had taken just a single lettuce leaf from the salad bar. If I saw any girl doing so, I was told I must immediately intercept her and demand that she return and fill her plate.

My first teaching post had been at a co-ed school in which cutting one’s own skin was the fashion. We even had a visiting expert telling us how to encourage these pupils to hold ice cubes in their hands until they felt shooting pains as a substitute for the razor. I remember at the time thinking that this wasn’t the best advice, but I was too green to raise an objection. Besides, this speaker had spent a considerable part of the session reminiscing about a shepherd she had once counselled who had, over the course of many months on the hillside, used a sharp wire to whittle his penis so that it eventually became forked. To this day, I am none the wiser as to the purpose of this anecdote.

But the shift from cutting to starvation was striking. At the former school, pupils were not refraining from food, and at the latter there were very few who were injuring themselves with blades. It was almost as though only one form of self-harm could predominate at any given time. And when a small group started doing it, the trend spread with remarkable rapidity. I hadn’t seen an equivalent back when I was teaching boys.

I have since learned that social contagions are especially common among teenage girls, and that there are numerous historical precedents for this. I have written elsewhere about the Salem witch trials of 1692-93, in which a group of girls began seeing demons in the shadows and accusing members of their own community of being in league with the Devil. Then there were the various “dancing plagues” of the middle ages which seemed to impact young women in particular. In 1892, girls at a school in Germany began to involuntarily shake their hands whenever they performed writing exercises. And when I visited Sweden last year, I was told about a local village where, during the medieval period, the girls all inexplicably began to limp.

It's perfectly clear that the latest social contagion to take hold in the western world is that of girls identifying out of their femaleness, either through claims that they are trans or non-binary. Whereas in 2012, there were only 250 referrals (mostly boys) to the NHS’s Gender Identity Development Service (GIDS), by 2021 the figure had risen to more than 5,000 (mostly female) patients. Gender activists like to claim that this is simply the consequence of more people “coming out” as society becomes more tolerant, and at the same time insist that it has never been a worse time to be trans. Consistency is not their strong suit.

Of course there are no easy answers as to the explosion of this latest fad, but surely the proliferation of social media has something to do with it. Platforms such as TikTok are replete with activists explaining to teenagers that their feelings of confusion are probably evidence that they have been “born in the wrong body”. For pubescent girls who are uncomfortable with their physiological changes, as well as sudden unwanted male sexual attention, the prospect of identifying out of womanhood makes complete sense. These online pedlars have some snake-oil to sell. And while a limping epidemic in a medieval village would be unlikely to spread very far, social contagions cannot be so confined in the digital age.

Much of this is reminiscent of the recovered memory hysteria of the late twentieth-century, when therapist cranks promoted the idea that most victims of sexual abuse had repressed their traumatic memories from childhood. It led to numerous cases of people imagining that they had been abused by parents and other family members, and many lives were ruined as a result. One of the key texts in this movement was The Courage to Heal (1988) by Ellen Bass and Laura Davis, which made the astonishing and unevidenced claim that “if you are unable to remember any specific instances… but still have a feeling that something abusive happened to you, it probably did”.

A common feature of social contagions is that they depend upon the elevation of intuition over material reality. Just as innocent family members were accused of sexual abuse because of “feelings” teased out by unscrupulous therapists, many girls are now being urged by online influencers to trust the evidence of their emotions and accept a misalignment between their body and their gendered soul. We are not talking here about the handful of children who suffer from gender dysphoria, but rather healthy children who have been swept up in a temporary craze.

Activists have been quick to demonise the entire notion of “social contagion” as a “transphobic talking point”, but the evidence for it is now indisputable. The review into paediatric gender treatment by Dame Hilary Cass is due to be published this Wednesday, and is likely to include recommendations that schools stop the “social transitioning” of children. The interim review had already pointed out that enabling pupils to adopt alternative names, pronouns and dress codes was “not a neutral act”. And there is mounting evidence that such an approach consolidates a child’s psychological conceptualisation of herself as a member of the opposite sex. While social transitioning is seen as compassionate, in reality is causes long-term harm.

It would seem that teenage girls will always be prone to these social contagions, but some are more damaging than others. Whereas limping and dancing and trembling can be overcome, the lifelong impact of puberty blockers, cross-sex hormones and surgery will not be so transient. Let’s hope this particular hysteria soon goes the way of all the others.

#Andrew Doyle #gender identity #social contagion #mass psychogenic illness #hysteria #mass hysteria #born in the wrong body #metaphysics #gender thetans #gendered souls #religion is a mental illness

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arlo-rose · 1 year ago

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My ramblings about On the Brink of Scientific Discovery and fashion history

I’m very very normal about both Brink and historical fashion, so I decided to go down a research rabbit hole of what the characters would realistically be wearing in this fic, and it just kinda spiraled from there. I’m not in any way a professional or super qualified, I just think historical fashion is neat. I’m also not a writer so I apologize if any pacing or formatting in this is weird.

(WARNING, VERY LONG POST)

(Seriously I’m gonna go into detail about a lot of the characters and my reasoning for why they’d wear that, and sometimes background on the clothes themselves if it’s really interesting)

Disclaimer: a lot of the fable characters, and therefore the characters in Brink, are nonbinary or otherwise don’t fully conform to one gender, and while Brink takes some liberties with historical accuracy so these characters can live openly as they are, I’m still going to sometimes refer to the clothing as “men’s clothing” and “women’s clothing” because that’s how it was categorized in the period.

“On the Brink of Scientific Discovery”(by ConnorsNotHere on Ao3) is a Victorian gothic/cosmic horror AU of FableSMP that takes place in 1889. Brink and its sequels do a decent amount of globe-traveling, but most of the characters are from and live in England. However, a lot of them have connections to or are from places like France, the US, etc. By this time in history there’s(very generally) not drastic differences between the fashions of America and western Europe, so while I’m gonna try to find things as accurate as possible to what I think the characters would wear, I’m also not going to be overly picky about if say, a specific suit is from England or America.

What were the clothes like then?

In 1889 we are coming off of the second bustle period, so skirts still had a lot of fullness in the back, however, they were starting to transition into the more “trumpet shaped” skirts of the 1890s. Bodices and sleeves were both still very fitted, and sleeves are starting to get a little bit of a puff on top, rather than the smoother, more rounded styles of previous decades. In the 1880s more tailored, menswear-inspired clothing also started to gain popularity for women, so you’ll start to see jackets and bodices that resemble menswear more than in previous decades.

Year to year men’s clothing doesn’t change a drastic amount, but there are still a lot of things characteristic of the 1880s. Suit jackets were often buttoned very high up, sometimes to the point where you were barely able to see the shirt and tie. When the jackets were left open, it was actually quite fashionable to have bolder, more colorful waistcoats, which were often beautifully patterned.

However, not every person dresses like the latest fashion plates, and this photo is a good example of people who are still fashionable, but also just normal people and not wearing anything overly fancy. The entirety of the Fable Society has a decent amount of wealth, so they would be able to afford fashionable, good quality clothing, however, they still wouldn’t be dressing in their best, fanciest clothes every day, especially if it’s not practical for their job.

This is a photo of some teenage boys from 1889. This gives a really good idea of what characters like Athena, Easton, and Jamie would be wearing when they’re not wearing more casual or practical things.(side note, I really like the suit on the left I would 100% wear that)

Individual Characters

I’m not going to go into detail about *every single one* of the characters in Brink, as that would get repetitive and excessively long after a while, but I wanted to talk about a lot of them still.

Momboo

I want to start with Momboo cause in my opinion she would probably be the most fashionable(to the period's standards) of the Fable Society, and I had a lot of fun looking for things I think she would wear. Lots of pretty trims, ruffles, and florals were very popular at the time so there was a lot to choose from. While I can see her enjoying fancier clothing a lot of the time, she also loves to garden and care for the plants on her estate, so obviously she would wear different clothes for that, something with darker colors and less elaborate decorations so it would be easier to wash when it got dirty. There honestly isn’t much super unique going on with her clothing, it’s just very pretty so I wanted to talk about it first.

(That green and pink dress on the right is one of my favorites that I found the entire time I was researching for this, it’s so pretty) (also these 2 fashion plates give me such world sisters vibes, I like them a lot)

More pretty pink dresses :Athenafire:

Sherbert

In the 1880s there wasn’t yet standardized protection or uniform for chemists and people working with more dangerous compounds, and in pictures I’ve seen they just seem to be wearing normal(if slightly more casual) clothes with maybe an apron over them. In Brink neither Sherbert nor Easton wear any protection in their lab out of pure “well nothing bad has happened yet”(which I’m sure will be great for their health and will never have any adverse effects later in life /s) which is actually pretty accurate to chemists of the time.

(I had a really hard time dating this photo, it’s probably closer to the 1870s but still gives really good examples of protection used by chemists in their labs)

It was pretty difficult to find pictures of chemists in the clothing they would wear while working, but I did find a lot of really cool pictures of chemistry labs that are really interesting to look at.

A really fun detail that I realized when I was researching things for Sherbert(that was probably accidental but I still like it) is that Sherbert’s jacket is often described as being very long and having a large collar that is often turned up. This actually wasn’t a very common style for overcoats in the last couple years of the 1880s, *however* it was a lot more common just a couple years beforehand, so I like to think of Sherbert’s jacket in Brink as being something they’ve held onto for a while either out of practicality or just because they like it.

Caspian

One of my favorite details about Caspian’s clothing in Brink is that even when he’s given new clothing from the other characters after he’s rescued, he still wears his old blue jacket from when he was traveling around the world in the mid/late 1810s, looking for a way to bring back the lady of the world. To me It’s a really cool detail, and if Brink was in a visual medium rather than written, it would be such a cool way to show the audience that Caspian doesn’t quite belong, and has been in the End for a lot longer than the characters think.

During and slightly before the regency period(1811-1820), men’s fashion went through a massive shift from the elaborately embroidered and patterned fashions of the 1700s to a more toned down and subtle style(and contrary to popular belief, Beau Brummell was not the sole reason this change happened, he just became the face of popular trends that were already happening, but that could be its own whole rant). The most common type of men’s coat in this era was called a dress coat or a tailcoat, which was cut high in the front with long “tails” in the back, and large high collars.

I’m not sure if I really like this style of coat personally, but I think it’s really interesting that the men’s coats from this era are so different from what all the other characters would be wearing in the story.

(Don’t pay attention to why his hand is in his pants here, I have no idea why but a lot of men in fashion plates from this era are posed like this)

Rae

Rae’s research comes before most things in his life, including staying up to date with the latest fashions. However, in fable, Rae really likes fancier clothing so I think it’d be fun to have Brink!Rae also really like good clothes. Rae also does a lot of traveling and working outside at archeological sites, and so most of the time would be wearing more practical things.(though in the 1800s this still means he would often wear a full suit, just one made of different materials and not as fancy)

I really like this painting and I can definitely see brink Rae wearing something like this when at his home(or at least when not traveling or working in the field), I like the super dark blue/almost black of the suit and whatever he’s wearing on his neck is really pretty(I can’t actually tell what that is specifically but I like it)

Haley

I can see Haley wearing pretty fashionable clothing, but probably more subtle and practical designs than Momboo, and she would wear things in more subtle colors, but she would still have an overall pretty feminine style.

I wish I could have found more purple or gray dresses to use as examples for her, but I don’t think those colors were very common, at least in the fashion plates I was looking at. I was able to find some really pretty darker navy dresses though, which I think fits really well too. I don’t have a ton to say with her either but pretty dresses>>>

Jamie

Connor has talked about Jamie’s clothes in Brink before so I’ll keep this one shorter, but Jamie is the only person in the main Brink cast who regularly wears sweaters, which was a deliberate choice. At the time sweaters were associated with college students, working class people, and people who had very physical jobs, such as sailors. Sweaters were considered extremely casual and people outside of those groups didn’t really wear them often, but as Jamie is an orphan who was later adopted onto a very large farm, it makes sense that they would wear one often and feel more comfortable in one.

Ocie

I think Ocie is the character I’m taking the most liberties with when it comes to historical accuracy, mostly cause she is described in some scenes as wearing a naval jacket, and as it was only men wearing those, I couldn’t find anything completely accurate to what she was wearing. I can definitely picture how her jacket would look though. I picture it as being mostly in the men’s style, just cut more like a woman’s jacket of the time.

During the 1880s some popular styles of women’s fashion started to become more tailored and more resemble menswear, especially in jackets and some bodices, so it was pretty easy to find menswear inspired women’s jackets that I think fit pretty well.

Riding habits(outfits for horse riding) have also been very inspired by menswear for hundreds of years, and I can see ocie wearing something similar as her jacket.

this image is very crunchy and slightly too early for brink (1886), but give a good idea of menswear inspired womenswear from the late 1880s

Other than her jacket I actually found some blue dresses I think fit Ocie really well.

The blue dress on the right is probably more fancy than Brink!Ocie would realistically be wearing, but it fits her so well I had to put it in, and I just think it’s really pretty.

And this is what actual navy captain’s uniforms like around the 1880s(it was really hard to reliably date these but they’re from approximately then)

Galahad

Contrary to the popular image of the brave lone wolf cowboy who lived a life of courageous freedom, a majority of old west cowboys were actually very poor and rarely owned even the horse they were riding, which usually belonged to the man who owned the cattle they were herding. Obviously there were exceptions to this, including Galahad in Brink, but I think it’s interesting to see how much the fantasy of the old west has changed the image of the cowboy in America.(I highly recommend checking out Kaz Rowe’s video on YouTube, “Exploring the Queer History of the Old West… Yehaw”, its a really fascinating video on the old west as a whole, and honestly just check out Kaz Rowe’s channel in general, it’s so good)

There was no one uniform way cowboys looked, as they had to adapt to a ton of different climates depending on where they were working. Galahad travels often but he stays in the southwest, which makes their wide brimmed hat very practical, and he also wears a serape, a type of colorful wool shawl that’s draped around your shoulders. A serape isn’t the same as a poncho because a poncho has a hole for your head in the middle, while a serape doesn’t.

The variety of clothing cowboys wore in the old west is really fascinating to me, because even though fashion and style was pretty low on the priority list compared to things like their work and getting their next meal, these people still valued what they wore and took pride in it, and the variation of it is so cool to see in photos.

Athena

Throughout Brink, Athena wears both suits and dresses depending on their environment and what they are doing at the time, but I want to use this section to talk a lot about Victorian mourning wear, cause that’s what Athena is wearing for the end of Brink and a large portion of On the Edge of Worlds Unknown.

In the Victorian era, mourning was a very serious practice with many many rules that depended on gender, class, time period, and closeness to the deceased. While Victorian mourning clothes existed and were widely worn before the death of Queen Victoria’s husband Prince Albert in 1861, the fact that she wore mourning clothes for the rest of her life skyrocketed their popularity and made mourning wear a social requirement.

Depending on how you knew the deceased you could be in mourning anywhere from a few months to several years, and some(usually widows) chose to be in mourning for the rest of their lives. The exact time you should be in mourning varied greatly, and was often a source of anxiety for the mourners as coming out of mourning “too soon” could be a social death sentence for some.

As mourning practices became longer and more complex, different stages of mourning started to become common. During full mourning, you would wear only black, dresses were usually less ornamented, and close family of the deceased would very rarely take visitors or go in public. During half mourning, black was still the predominant color but some purple, white, or gray was also allowed, and the close family of the deceased was allowed to venture out in public a little more.

As dress styles and silhouettes started to change more rapidly starting in the 1870s, It became more impractical to buy or make a new fashionable mourning dress every year just in case someone died, and extravagant mourning practices started to become less common, though mourning dress was still a requirement for a few decades afterwards.

WWI was the final thing that ended mourning wear as a common practice, as so many people lost loved ones that practically everyone would have been in mourning if it was still a social requirement, and many people who’d lost sons or husbands simply wore a black armband to symbolize their mourning.

The one plate that started this whole thing

The one fashion plate that started me down this entire research rabbit hole was this plate from 1851 that I think just works so so well for Brink!Isla, and it lines up with the timeline too, cause as long as Brink keeps the timeline relatively the same for the Morningstar family, 1851 would be right before all of the god drama starts happening with her. I wanted to include her as a kind of honorable mention to the rest of the character breakdowns, cause that blue dress it so pretty and fits so well for her, and it’s what started me down the path of “what would all the other brink characters be wearing?”

If I got any details or information wrong please let me know and I’ll correct it!

If ya’ll have made it this far in the post, thanks so much for reading. This has been a project for me since like July for a while now, and I’m so glad I finally got it finished and out here! It was so cool doing all the research for this, and turning all of my semi-coherent bullet points into something that would actually be comprehensible was a lot harder than I thought, my hat goes off to anyone who writes things ever.

Most of the fashion plates I put in here are from the Metropolitan Museum of Art Libraries, as well as Mark Hartley(bygonewhimsy) and Melinda Kovács on Pinterest, but a lot of the plates and portraits were just things I had in my camera roll so I unfortunately don’t have sources for all of them.

#My two huperfixations meet again #This was so much fun to do I’m so glad it’s finally done #Life kicked my ass so this has technically been in progress since July #But it turned out so good!!#On the Brink of Scientific Discovery #fable smp #historical fashion #rambling

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bareeravogue · 23 days ago

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ikichic1 · 4 months ago

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@charliechauhan wore a stunning Iki Chic Floral Printed Long Sleeve Frill Hem Mini Dress. This stylish dress has a pretty floral print that looks elegant and feminine. The long sleeves and frill hem add a playful touch, making it perfect for any occasion. Charlie looked beautiful and confident in this dress.

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runthepockets · 2 years ago

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The most acceptable forms of presentation for trans men are "ubermensch body builder who gets all the retweets and reblogs when it comes time to post transition timelines because rigid adherence to masculinity is the only way people can comprehend manhood" or "super skinny twinky androgynous dude who gets all the retweets and reblogs because cis people (and sometimes other trans people) are very fragile and need to project insane fantasies on anyone they can perceieve as a cis woman with a pixie cut", and when you're not dealing with that you also have Juiced Up Hollywood Male Celebs flexing in ads for body wash or flippantly posting their shirtless selfies to their IG stories like they don't adhere rigidly to shaving any and all body hair and have personal trainers, chefs, etc, Andrew Tate types constantly berating and flexing on dudes for having more money and access to all the latest fashion and tech bullshit, and incels who have, for some god forsaken reason, deluded themselves into thinking any human being is too "ugly" to be worthy of love, as if there aren't over 3,000 women right now who have happily been married to an overweight 5' 3" balding dude or like some 5' 7" guy in a flannel with a beer gut who still can't grow a full beard at 27 isn't about to propose to his GF of 10 years tomorrow. It wasn't uncommon to see trans men parroting incel talking points in context of their own dysphoria, either, especially during the pandemic.

This is why being Just Some Guy feels borderline empowering to me. It kinda feels like a massive "fuck you" to everyone on all sides. I don't wanna have body dysmorphia, I don't wanna be another porn category, I refuse to go to the gym more than 3 or 4 days a week and I refuse to let abstract and highly personal / conditional criteria for what's considered attractive under white western patriarchy have a stranglehold on my mind, I refuse to be a weird fantasy or to have my self esteem withered to dust. I'm just some guy who looks like he works at a skate shop and has the same name and interests as your brother or your childhood best friend. Nothing to misconstrute or latch onto here. It's a mindset and presentation that has improved my self esteem more than any other depiction of masculinity and it fits like a fuckin glove to boot.

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mensfashion33 · 11 months ago

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claudia1829things · 11 months ago

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"EMILY" (2022) Review

I have been aware of only four productions that served as biopics for the Brontë family. I have seen only three of these productions, one of them being a recent movie released in theaters last year. This latest movie, the first to be written and directed by actress Frances O'Connor, is a biopic about Emily Brontë titled "EMILY".

This 2022 movie began with a question. While Emily Brontë laid dying from tuberculosis, her older sister Charlotte asks what had inspired her to write the 1847 novel, "Wuthering Heights". The story flashed back to 1839, when Charlotte returned home to the Haworth parish in West Yorkshire to visit before her graduation from school. Emily attempts to re-connect with the older sister about her fictional works, but Charlotte merely dismisses her creations as juvenile activities. Around the same time, their father Patrick, the parish's perpetual curate receives a new curate name William Weightman. While Charlotte, younger sister Anne and several young women seem enamored of the handsome newcomer, only Emily is dismissive of him. Emily accompanies Charlotte to the latter's school to learn to become a teacher and their brother Bramwell goes to study at the Royal Academy of Arts. Both Emily and Branwell return shortly to Haworth after as failures. When Branwell manages to find a job as a tutor, the Reverend Brontë charges William to provide French lessons to Emily. What began as lessons in French and religious philosophy lessons, eventually evolves into a romantic entanglement between the pair.

"EMILY" managed to garner a good deal of critical acclaim upon its release in theaters, including four nominations from the British Independent Film Awards. It also won three awards at the Dinard British Film Festival: Golden Hitchcock, Best Performance Award for leading actress Emma Mackey and the Audience Award. I have no idea how much "EMILY" had earned at the U.K. box office. But in North America (the U.S. and Canada), it earned nearly four million dollars. Regardless of this . . . did I believe "EMILY" was a good movie? Did it deserved the accolades it had received not only from film critics, but also many moviegoers?

I cannot deny that the production values for "EMILY" struck me as first-rate. I believe Steve Summersgill did a first-rate job as the film's production designer. I thought he had ably re-created Britain's West Yorkshire region during the early 1840s with contributions from Jono Moles' art direction, Cathy Featerstone's set decorations and the film's art direction. Nanu Segal's photography of the Yorkshire locations created a great deal of atmosphere with moody colors that managed to remain sharp. I found myself very impressed with Michael O'Connor's costume designs. I thought he did an excellent job in not only re-creating fashions from the end of the 1830s to the late 1840s, he also ensured that the costumes worn by the cast perfectly adhered to their professions and their class, as shown below:

However, according to a relative of mine, Emily Brontë's fashion sense had remained stuck in the mid-to-late 1830s, something that the 2016 movie, "TO WALK INVISIBLE" had reflected. On the other hand, "EMILY" had the famous author wearing up-to-date fashion for someone of her class:

And I must admit that I found those moments featuring actress Emma Mackay wearing her hair down . . . in an era in which Western women did no such thing . . . very annoying. Otherwise, I certainly had no problems with the movie's production values. The movie also included a fascinating scene in which Emily had donned a mask and pretended to be the ghost of the Brontës' late mother during a social gathering. The scene reeked with atmosphere, emotion and good acting from the cast. I also found the scene well shot by O'Connor, who was only a first-time director.

"EMILY" also featured a first-rate cast. The movie featured solid performances from the likes of Amelia Gething as Anne Brontë, Adrian Dunbar as Patrick Brontë, Gemma Jones as the siblings' Aunt Branwell, Sacha Parkinson, Philip Desmeules, Veronica Roberts and other supporting cast member. I cannot recall a bad performance from any of them. The movie also featured some truly excellent performances. One came from Fionn Whitehead, who gave an emotional performance as the Brontë family's black sheep, who seemed overwhelmed by family pressure to succeed in a profession or the arts. Alexandra Dowling gave a subtle, yet charged performance as Charlotte Brontë, the family's oldest sibling (at the moment). Dowling did an excellent job of conveying Charlotte's perceived sense of superiority and emotional suppression. I wonder if the role of William Weightman, Reverend Brontë's curate, had been a difficult one for actor Oliver Jackson-Cohen. I could not help but notice that the role struck me as very complicated - moral, charming, intelligent, passionate and at times, hypocritical. Not only that, I believe Jackson-Cohen did an excellent job of conveying the different facets of Weightman's character. The actor also managed to create a dynamic screen chemistry with the movie's leading lady, Emma Mackey. I discovered that the actress had received a Best Actress nomination from the British Independent Film Awards and won the BAFTA Rising Star Award. If I must be honest, I believe she earned those accolades. She gave a brilliant performance as the enigmatic and emotional Emily, who struggled to maintain her sense of individuality and express her artistry, despite the lack of support from most of her family.

"EMILY" had a great deal to admire - an excellent cast led by the talented Emma Mackey, first-rate production designs, and costumes that beautifully reflected the film's setting. So . . . do I believe it still deserved the acclaim that it had received? Hmmm . . . NO. No, not really. There were two aspects of "EMILY" that led me to regard it in a lesser light. I thought it it was a piss poor biopic of Emily Brontë. I also found the nature of the whole romance between the author and William Weightman not only unoriginal, but also unnecessary. Let me explain.

As far as anyone knows, there had been no romance - sexual or otherwise - between Emily Brontë and William Weightman. There has never been any evidence that the two were ever attracted to each other, or one attracted to the other. Many have discovered that the youngest Brontë sister, Anne, had been attracted to Weightman. In fact, she had based her leading male character from her 1947 novel, "Agnes Grey", on the curate. There have been reports that Charlotte had found him attractive. But there has been no sign of any kind of connection between him and Emily. Why did Frances O'Connor conjure up this obviously fictional romance between the movie's main character and Weightman. What was the point? Did the actress-turned-writer/director found it difficult to believe that a virginal woman in her late 20s had created "Wuthering Heighs"? Did O'Connor find it difficult to accept that Emily's creation of the 1847 novel had nothing to do with a doomed romance the author may have experienced?

Despite Mackey's excellent performance, I found the portrayal of Emily Brontë exaggerated at times and almost bizarre. In this case, I have to blame O'Connor, who had not only directed this film, but wrote the screenplay. For some reason, O'Connor believed the only way to depict Brontë's free spirited nature was to have the character engage in behavior such as alcohol and opium consumption, frolicking on the moors, have the words "Freedom in thought" tattooed on one of her arms - like brother Branwell, and scaring a local family by staring into their window at night - again, with brother Branwell. This is freedom? These were signs of being a "free spirit"? Frankly, I found such activities either immature or destructive. Worse, they seemed to smack of old tropes used in old romance novels or costume melodramas. In fact, watching Emily partake both alcohol and opium reminded me of a scene in which Kate Winslet's character had lit up a cigarette in 1997's "TITANIC", in order to convey some kind of feminist sensibility. Good grief.

What made O'Connor's movie even worse was her portrayal of the rest of the Brontë family. As far as anyone knows, Reverend Brontë had never a cold parent to his children, including Emily. Emily had not only been close to Branwell, but also to Anne. And Branwell was also close to Charlotte. All three sisters had openly and closely supported each other's artistic work. Why did O'Connor villainize Charlotte, by transforming her into this cold, prissy woman barely capable of any kind of artistic expression? Why have Charlotte be inspired to write her most successful novel, "Jane Eyre", following the "success" of "Wuthering Heights", when her novel had been published two months before Emily's? Why did she reduce Anne into the family's nobody? Was it really necessary for O'Connor to drag Charlotte's character through the mud and ignore Anne, because Emily was her main protagonist? What was the damn point of this movie? Granted, there have been plenty of biopics and historical dramas that occasionally play fast and loose with the facts. But O'Connor had more or less re-wrote Emily Brontë's life into a "re-imagining" in order to . . . what? Suggest a more romantic inspiration for the creation of "Wuthering Heights"?

I have another issue with "EMILY". Namely, the so-called "romance" between Brontë and Weightman. Or the illicit nature of their romance. Why did O'Connor portray this "romance" as forbidden? A secret? I mean . . . why bother? What was it about the pair that made an open romance impossible for them? Both Brontë and Weightman came from the same class - more or less. Weightman had been in the same profession as her father. And both had been college educated. Neither Emily or Weightman had been romantically involved in or engaged to someone else. In other words, both had been free to pursue an open relationship. Both were equally intelligent. If the Weightman character had truly been in love with Emily, why not have him request permission from Reverend Brontë to court her or propose marriage to Emily? Surely as part of the cleric, he would have considered such a thing, instead of fall into a secretive and sexual relationship with her. It just seemed so unnecessary for the pair to engage in a "forbidden" or secret romance. Come to think of it, whether the film had been an Emily Brontë biopic or simply a Victorian melodrama with fictional characters, the forbidden aspect of the two leads' romance struck me as simply unnecessary.

What else can I say about "EMILY"? A rich atmosphere filled the movie. The latter featured atmospheric and beautiful images of West Yorkshire, thanks to cinematographer Nanu Segal. It possessed a first-class production design, excellent costumes that reflected the movie's 1840s setting and superb performances from a cast led by the talented Emma Mackey. I could have fully admired this film if it were not for two aspects. One, I thought it was a shoddy take on a biopic for author Emily Brontë that featured one falsehood too many. And two, I found the secretive and "forbidden" nature of Brontë's false romance with the William Weightman character very unnecessary. Pity.

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juryandkia · 1 year ago

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The Filipino Uniform

A crop top and skinny jeans for girls and a Penshoppe shirt and shorts for boys, or something close enough. The Filipino Uniform. I’ve noticed that trend since I was a child, a trend in which all of us have fallen victim for. As my style developed throughout the years, I grew to despise that “uniform”. I express so much of myself through my fashion sense and style and most people in our poverty-striken country wouldn’t really acknowledge or appreciate it, which is understandable but was an unfortunate fact for a fashion girlie like me. What happened to our beautiful culture? I was always envious seeing our neighboring countries wear their traditional attire like Hanfus and Kimonos casually as their everyday attire just to fee la sense of connection to their culture and history.

The history of Filipino fashion is a rich tapestry of cultural influences, reflecting the nation's diverse history and heritage. Early Filipinos wore clothing made from natural materials like cotton, abaca, and piña, often adorned with embellishments such as beads and shells. Spanish colonial rule brought European styles to the Philippines, and traditional Filipino garments like the baro't saya and barong tagalog evolved to incorporate Spanish elements.In the late 19th century, American fashion trends influenced the Philippines, leading to the creation of the terno, which combined American and Filipino dress styles. After gaining independence in 1946, the terno remained popular for women, while the barong tagalog became a national symbol. In recent decades, Filipino fashion has become more eclectic, with Filipinos embracing Western fashion trends while also celebrating their traditional heritage. Unfortunately the rise of fast fashion has significantly changed the course of our fashion history. “Fast fashion” is a term used to describe the production of clothing at a rapid pace in order to meet the latest trends. Despite all of it’s negative consequences (pollution, waste, exploitation of workers, and even child labor!), it has become a global phenomenon especially in places with high levels of poverty where people don’t have much disposable income but still want to be able to wear stylish and trendy clothes. Because fast fashion is affordable and easily accessible, it’s an industry that will remain extremely popular in the foreseeable future. Even though fast fashion causes more harm to our planet than good, we can’t blame people of a lower socioeconomic status for buying cheap clothes. To counter this, we must try to prioritize and remain sustainable by buying secondhand, not shopping excessively, and if we could, shop from ethical sources. Luckily, we have one of many solutions in trying to combat the wasteful nature of fast fashion by buying from ukay-ukay stores!

“Ukay fashion” refers to the practice of wearing pre-owned or thrifted clothing, and it has gained significant popularity in the Philippines, where you can find numerous ukay-ukay shops scattered across neighborhoods. These shops offer a wide range of secondhand clothing, footwear, and accessories at highly affordable prices. The widespread appeal of ukay-ukay in the Philippines can be attributed to several factors. Firstly, it is seen as a sustainable approach to clothing shopping. Purchasing second hand items reduces waste and contributes to environmental conservation. Additionally, ukay-ukay provides an avenue for discovering distinctive and stylish clothing options at a fraction of the cost of brand-new garments. In recent years, the trend of ukay fashion has also found favor in other parts of the world. This surge in popularity can be attributed to various factors, including the rising prices of new clothing, a growing awareness of the fashion industry’s environmental impact, and the increasing trendiness of vintage and retro fashion styles. All of these sound very promising, however, shopping ukay-ukay can have it’s negative consequences too. To name a few: the wear and tear of second-hand clothing, hygiene concerns, the time and effort to find a piece you like, and of course, the inconsistent selection of sizes and styles.

But what steps can we start to take to improve our style? First is to make sure that our clothing fits well and compliments our figure. Clothes that are too tight can restrict our movements and even make us look bigger than we actually are, this is important to remember for people with different body types. Because of this, intentionally oversized clothing is tricky to master. It can either go right or completely wrong, making us look like we’re drowning in fabric or give the illusion that we’re short and shapeless. Second is grooming. Style is more than the clothing that we wear that’s why we need to take everything else into consideration. Our personal hygiene is as important as everything else. Smelling good, having healthy skin, nails, and hair, making sure that the clothes we wear are ironed and washed, and all the other little details can help in the big picture. Third is to explore and experiment. Don’t get stuck on the Filipino Uniform, it’s easy to fall into trends and fads that will look out of style sooner than later. There are tons of blogs, artists, social media apps, aesthetics to get into and get inspired by, you just have to find the one that speaks to you most. Through this, you’ll be able to learn how to color coordinate, mix and match, accessorize, and more. And last but definitely not the least, be confident. Nothing can help an outfit shine more than a bright and confident personality that outshines it. Be yourself and be proud of who you are and what you have to show for it.

Filipino and Fashion - Issuu. (2023, June 28). Issuu; issuu. https://issuu.com/wheninuae/docs/wheninuae_june_2023_issue/s/27199343#:~:text=Local%20designers%20and%20brands%20are,modern%20designs%2C%20and%20global%20trends

Perez, D. (2019, March 16). How Fast Fashion Invaded the Philippines Retail Market. Eco Warrior Princess. https://ecowarriorprincess.net/2019/03/how-fast-fashion-invaded-philippines-retail-market/

Sunnexdesk. (2019, July 20). Fashion appetite vs the environment. SunStar Publishing Inc.; SunStar Publishing Inc. https://www.sunstar.com.ph/davao/weekend/fashion-appetite-vs-the-environment#:~:text=When%20in%20Western%20countries%2C%20consumers,shop%20in%20ukay%2Dukay%20stalls

Williams, E. (2022). Appalling or Advantageous? Exploring the Impacts of Fast Fashion From Environmental, Social, and Economic Perspectives. Journal for Global Business and Community, 13(1). https://doi.org/10.56020/001c.36873

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