#language podcast

[agendergenderqueermasculenbyguy]

Tumblr, I implore you!

I’m a French learner (A2 level if I’m being generous, I have some basic knowledge, can read better than I can write, and could probably struggle through an everyday conversation) and I’m looking for podcasts

Now the thing is when I search “French beginner podcasts” I get all the usual reports, news, short stories, bla bla bla

I want a continuous story podcast, I really love(d) TMA, WTSF, TAP, storage papers, Juno’verse, etc. and currently I’m hooked on Malevolent

I want a story-driven and plot-heavy podcast in easy French. I’m most easily hooked by heist- or investigation-stories. But I also just love a good mystery in general.

And I honestly don’t even want to open that can of worms as to why I’m trying to get back into French now of all times

[thoughtportal]

Chinese is one of the oldest still-spoken languages in the world. But when technologies arrived like telegraphy and computing, designed with the Roman alphabet in mind, if Chinese wanted to be able to participate then it had to choose between adapting, or paying a heavy price. And sometimes both were inevitable. Jing Tsu, author of Kingdom of Characters: The Language Revolution that Made China Modern, recounts how Chinese contended with obstacles like alphabetisation, Romanisation and standardisation.

[buniipo]

No Zero Days 32-41/365

Keine null Tage 32-41/365

I haven’t posted about this in a while so here’s what I’ve done in February so far! I started keeping a little digital log to accompany each day as well. It simply has the day, activity, and how long I did it. I’m starting to get at least 30 minutes a day after only a month! I’m also participating in a little listening challenge for February. I’m trying to increase my input of German by listening to anything I can find.

I finished a youtube playlist of beginner German to review and practice speaking. I’m looking for podcasts to play while I do other things. If anyone knows any good podcasts of native German speakers please share! I don’t mind if it’s a bit more advanced as long as it’s all in German. Most of what I find switches between German and English and that’s just not what I’m looking for.

[ian0key]

TMAGP Memes p.2

Sam: "I'm very worried about Colín's mental health."

Lena: "Don't worry Sam, Colin is perfectly fine."

Colin:

My man is not doing well.

PART 1

PART 3

[dyke-in-crisis]

the type of deranged yapping sessions I burden my poor friends with atm

[lonepower]

my dad and I just finished listening to a fascinating (and really pretty alarming) podcast about American literacy education recently—Sold a Story by Emily Hanford—and it got me wondering what my peers’ experience was, so here's my first poll! This pertains to people who learned to read in the U.S. specifically, so even if one of the other options matches your experience, I'd politely ask you to refrain from picking one (presumably you guys have better school districts than we do anyway). 

(the most horrifying part out of the entire thing was the fact that dubbya was the one to realize something was wrong. even a broken clock, I guess...?)

[lingthusiasm]

As its catchy name suggests, “Lingthusiasm” is a show powered by its hosts’ passion for words. Lauren Gawne and Gretchen McCulloch, both linguists, were running separate blogs when they met online in the mid-2010s, and decided to combine their expertise into a podcast. New episodes are released monthly and offer listeners a window into all kinds of linguistic subjects, like the technical side of phonetics and semiotics and the cultural variations in how language is taught in schools. The show is often as much about social habits as it is about language — one memorable episode had Gawne and McCulloch discuss “lopsided conversations,” those verbal interactions that can go off the rails if one person is either dominating or not contributing enough. It’s a fascinating listen that will change the way you see everyday communications.

-5 Podcasts for Word Nerds, New York Times

[sparrow-in-boots]

"My heart is beating, It keeps repeating for you constantly. You're all I'm needing And so I'm pleading, Please come back to me."

[cosmichorrorlesbians]

Chapter 24, And We'd Be Gone Without A Trace

Chapter 45, Of Love, And Gods' Defeat (Part Two)

So Carpenter's worst nightmare came true, in the end.

[memoriesofthingspast]

🌱🍃

[jokeroutsubs]

[📝ENG translation] 'My Parents Gave Me a Strong Sense of Identity'

An interview with Bojan Cvjetićanin.

Original article written by Teja Roglič for Ona plus, published 05.11.2024. English translation by @kurooscoffee, review by @weolucbasu, proofread by IG Gboleyn123.

Full article and Spotify link under the cut 👇

🎧 Article available in audio form on Spotify.

Last year’s craze at Stožice, summer festival performances, the Eurovision Song Contest, international success. And then everyone asks, what could be bigger, what could be better? But as the band Joker Out releases their new album, they consciously follow the motto "I want less". Singer Bojan Cvjetićanin explains why: "This is our home, this is our base. If we don’t feel good at home, we can’t feel good anywhere. We need to rediscover love in our base, that’s what we told ourselves."

With the song Bluza, you’re returning to love. Why?

We went through a lot. The songs we released after Eurovision dealt with the most acute situational changes in our lives—touring, exhaustion, questioning ourselves. Now, it’s time to have a bit of fun again. And there's probably nothing more beautiful than being in love. (smiles)

I’ve been looking into people’s stories, into the lives of those around me, seeking beauty.

What did you discover?

That I enjoy writing about love the most. When you write from a place of uncertainty, it’s nice to get those feelings out; when you write about love, you search for timeless beats within yourself, not something that’s only fleeting. I write about the ideals of love I held as a child, and in the future, I’ll see how these have either evolved or fallen apart.

It's best to write about love...

When you have a broken heart.

Your Eurovision song was more socially critical, though it might seem, at first glance, to be about joy. In it, you say: "We won’t take part in your games or your divisions." Did the song’s message reach people?

Undoubtedly. A lot has changed in a year and a half, not only personally but also in terms of our views of social issues. For the first time, we've connected with young people from abroad. It was fascinating to see how connected the fans from different countries became, encouraging each other, learning new languages—even a lot of Slovene. The desire for peace and unity is very strong at our concerts, so our messages have touched them. But of course, you can never reach everyone. (smiles)

You mention changed perspectives with regards to society. Have any ideals been shattered?

Many ideals have crumbled. In school, learning about war, it always seemed odd to me that the world could just go on at the same time, despite the ongoing disruption in the system. Now, I see that we have access to all the information, that we see and hear what’s happening, that we witness an influx of people coming from regions where this is happening, yet everything literally carries on as usual.

War has become more of a trend on TikTok or Instagram than something people feel hurt about. This makes me very sad.

A lot of ideals that have shattered relate to the life of a musician. We’ve achieved things we could only have dreamed of—not just as kids; even two years ago, what’s happening now would have seemed impossible to me. But the ideal that’s crumbled is this one: I don’t always know how to appreciate what I have.

On tour, I often slipped into negative thoughts, didn’t appreciate everything happening to us. This links to the idea that this kind of life is easy, that as a successful musician, you only have fun. This, of course, isn’t true; it’s incredibly exhausting, both mentally and physically. I could go on until tomorrow, listing everything that’s fallen apart, but fortunately, a lot of new things have also come to be.

You’re the idols of generations; do you feel pressure because of that? After all, you’re still young guys too…

No. We already lost the childlike joy of music because we had to start working so much so early and get to know so many new systems. If we also take on the responsibility of raising generations of kids, we could truly fall into a black hole.

We need to be role models, but we can’t shape our work around that. On the upcoming album, there’s a song, 'Muzika za decu' ('Music for children'), which touches on this very point. We want to convey that we’re not addressing generations who think all younger people are lazy bums who only hinder the world’s progress. We’re addressing everyone who is young enough at heart to believe in a better world, a brighter tomorrow.

Photo: Vita Orehek

More and more musicians are stopping concerts at large venues when fans are in distress or overcrowding happens. You too?

Absolutely. This summer, we constantly stopped concerts if people were packed tightly indoors or out in the sun. We handed out a lot of water from the stage, and I even paused a concert if some listener (m.) was treating another listener (f.) disrespectfully. A concert is a safe space; there’s no place there for infringing on the rights of others.

That’s an interesting topic I wanted to touch on anyway. So what is the rock ‘n’ roll world of the new generation like?

It’s a lot better. I’m glad we’re not a group of drugged-out dudes living only for today. Carpe Diem really means seize the day, but for us, that doesn’t mean picking every fruit that exists in the world. Waking up healthy and energised, wanting to go to a concert, being open to meeting new people, our fans, being creative...

That’s what it means to seize the day. Sure, sometimes we go on a trip, we do have fun too. But I’m glad that sex, drugs, and rock ‘n’ roll aren’t our guiding principles in the band. When we watched the documentary about Mötley Crüe, we saw how they started with heroin and opiates and ended with smoothies and fruit. Well, we’re already at the fruit and smoothies stage. (laughs)

“We’re constantly building a relationship that gets deeper every day, even though it seems like it can’t get any deeper,” you told me before the Stožice concert, as I was stunned when you said you were going on holiday with the guys right after the concert. How much do you invest in relationships within the band? We know it’s sometimes challenging to nurture a relationship between two people, let alone five.

This is like a partnership with five people. Except for intimacy, all the other elements of partnership are there. We’re companions. We often live together, work together; the dynamics are demanding. I talk a lot about this with fellow musicians. Recently, I was talking to Mr. Vlado Kreslin, and we concluded that being in a band requires a touch of madness.

Even if it ends someday—nothing is guaranteed—I know I have four lifelong friends. We exist as friends even beyond the band.

Success demands hard work; you’ve told me before how sure you were of your path in the band, of your decisions, and how hard you worked to achieve what you have. And we’re back to the topic that some might say your generation isn’t hardworking, that you’re quick to say what you won’t do at the work place...

The young people I know could hardly be described as not hardworking. I’d rather say we’re diligent, and the drive to work comes from the strong pressure that you need to achieve a lot very quickly, or else you won’t make it in this world. As for them being quicker to say no... Maybe they know they can’t live that way if something doesn’t work. And to live is very costly.

Young people feel they don’t have to stick rigidly to one profession, that they can change courses, jobs, and find something that suits them. We’re far from the days when the son was a blacksmith because the father was a blacksmith, and the daughter stayed home as a housewife. But we also have to know that there’s more and more uncertainty, precarious work.

If Gen Z is the way it is, I wouldn’t attribute that to the generation itself but rather to the Boomer generation. Everything that makes life harder for us isn’t the product of our ideas and actions. But it’s also true that sometimes, you need to stop, think, and make a decision. I’d like to do something today, something different tomorrow, but that’s not realistic. When you’re bombarded by choices from all ends, you have to make decisions. If there are three shirts in a store, I’ll pick one; if there are 250, I might end up buying sneakers instead. (laughs)

You performed at a concert aimed at contributing to the best possible care, treatment, and support for women with gynaecological cancer. You probably get invited to participate in quite a few charitable events; how do you choose them? This concert likely wasn’t a hard choice, as both of your parents are doctors...

My father is a gynaecologist, my mother is a pediatrician, so naturally, when I got the invitation, I immediately thought my dad would be happy if I could perform there. Otherwise, I choose events based on two criteria: whether it’s something important and whether I’m home at that time. I've often had to turn down an event I would have really liked to participate in simply because I wasn’t here.

Life has taken you all over in recent years. What have your parents given you that has stayed with you and has been proven most useful today?

They gave me a sense of normality. I'm an ordinary person who takes everything in moderation. I didn’t become a hedonist, nor did I give in to the patterns that the environment might impose. They gave me a strong sense of who I am and what I am, unconditional self-confidence, and self-respect. And the certainty that I’m never alone in anything.

Recently, the dramaturg Nina Kuclar Stiković and I talked about how Generation Z might be the first to actively work through its traumas, though she noted that taking on such responsibility across generations is a huge task. In the end, you might even feel worse. If you only become aware of your baggage but can’t overcome it, it can feel even worse than if you had never been made aware of it at all, she said. What do you observe around you, in your own generation?

Mental health has never been as openly discussed as it is today. I know many people who go to therapy. It’s actually strange that mental health was never treated before, that this stigma existed. If you have a cold, you stay home, you also heal a broken arm. Today's generations have managed to break free from these shackles. The individual is becoming increasingly more important.

People are working through the things in their minds. And this bothers many people from generations who suppressed everything and unleashed their traumas onto others. I often think how unfortunate it is that we don’t practice everyday therapy in our surroundings. Everyone surely has someone whom they trust. We talk about all sorts of things, but we never ask each other how we are and share that honestly. Now, I do this with a few friends, and it’s really nice. I go to my friends for therapy. (smiles)

Nina also mentioned that patriarchy has wronged not only women but men too. It’s unfair that men couldn’t show emotions and always had to be strong. It always helps if you can share your feelings with someone. What do you think?

The Neanderthal perception of masculinity is passé. We can all first tell ourselves, and then tell others, how we feel and what’s going on in our heads.

This summer, you performed at festivals. Now you have a new album, and you’ll be performing at various venues again, with tickets quickly selling out. It's a carousel that never stops. You mentioned earlier that you caught yourself maybe not appreciating it anymore. What do you do now to keep that from happening?

For the tour that’s coming with the release of the new album, we consciously followed the motto, "I want less." Last year, we played in Stožice, before that in Križanke. This year, we toured Europe, and everyone was asking us what big thing we’re preparing next. But we were only talking about how nice it would be to play at Ljubljana's Cvetličarna again.

Pass by Maribor too, go a bit to the clubs in the Balkans, and that’s it. This is our home; this is our base. If we don’t feel good at home, we can’t feel good anywhere. We told ourselves that we need to find love in our base again. I’m glad we recognise this, that we’re not just banging our heads against a brick wall. The purpose of this tour is simply to enjoy it.

A few years ago, you told my colleague Robert Rebolj, my fellow journalist, and your fellow musician, that you’d like to have kids while still young. Yet you also say that you're in a period where several of your ideals have collapsed as you look at the world around you. Does the desire still remain?

When I said that, I was thinking I’d have my first child between the ages of 28 and 30. Then Robert told me that having a child young doesn’t necessarily mean that. (laughs) I see it now, too, as some of my friends already have children, and some even their second. My calendar no longer just has friends’ birthdays, but, for instance, the first birthday of a friend’s child. (laughs) Yes, I think a lot about how this world is in many ways not what I imagined it would be, but I guess it’s always been that way throughout history—things have never been ideal. I think everyone, in every era, has felt the world is going to- hmmm, well, that’s how it seems to me too. (laughs)

[wyrmwright]

butcher boy, dennis collins

[thoughtportal]

Photographer Gaspard Duval has a growing archive of the historic Paris Catacombs, a network of tunnels and burial grounds underneath the city of Paris. He navigates the underground labyrinth to highlight his favorite spots, from the official tour area to secret chambers that are forbidden to the public.

Click here for photos of places mentioned in the episode.

[ros3ybabe]

Spanish Media/Input Recommendations?

Can you guys comment me some good media/input recommendations for someone learning Mexican/Spain Spanish? I' talking about any and all that you guys find interesting, whether you learned Spanish on your own or it's your native language!

Books

Podcasts

Tv Shows

Movies

Youtube channels

Songs/Musical Artists

Favorite Spanish teachers/tutors on Italki

Literally anything!

Thank you guys <3

[ian0key]

TMA AU ( TimSasha Lives) P.1

Desolation!Tim / & / P.2 -> END!SASHA??

( Fancast -> Manny Jacinto) -> FIRST DESING

P.3 -> S3 final

P.4 -> Jon's kidnapping

P.5 -> GERYYY

P.6 -> Eye-apocalypse

So.... I created an au in which Tim and Sasha survived their respective deaths, but with big consequences.

They turnerd into fears avatars.

Tim became part of desolation after the circus explosion.

He ended up in coma for 4 months, bc at first he refused to be one of the monsters who killed his brother.

But he stayed for Sasha.

Unlike Jon, his body suffered many more damage, doctors said he would definitely die from his wounds, but he didn't.

An extra detail that I would like to add, is that after waking up, someone (Anabelle) sends to him a prosthetic mask, which was clearly inspired by the circus.

Tim set it on fire.

I will publish the design and history of Sasha later, (which gives more context to Tim's history)

(Also,many of his wounds are recovering little by little, thanks to his regeneration and surgeries.)

Extra: ->->-> JONATHAN SIMS

[tokidokitokyo]

Podcast Review: Let's Talk in Japanese

Podcast Title: Let's Talk in Japanese!

Ease of Listening: ★★★★★

Length of Episodes: ★★★★★

Level of Engagement: ★★★★★

Episode Frequency: ★★★★★

Overall: ★★★★★

Today I will be reviewing the Let's Talk in Japanese! podcast by Tomo-sensei. This podcast is aimed at Japanese learners who want more chances to listen to spoken Japanese but using vocabulary and grammar that they can understand. The podcast is for levels N1 (the highest level) to N5 (the lowest level), but I would say that a majority of the content is focused on level N3 or N4.

Do I currently listen to this podcast?: Yes, I like this podcast a lot and listen to it frequently.

General Overview

Good For Levels: Beginner | Intermediate | Advanced

In this series, Tomo, a Japanese teacher for foreign students, discusses in Japanese only a variety of topics either selected by him or suggested by the audience. These can range from topics about daily life to JLPT related topics. He understandably discusses topics that he has a decent knowledge of, and admits when there are gaps. He is quite faithful to the level of each episode, which he indicates at the end of the episode title, so you can be sure that you will be able to understand the majority of the content or challenge yourself as the case may be.

Length of Episodes ★★★★★

The podcasts are usually around 10-15 minutes long. This is ideal for a quick listen when you are short on time or just want to supplement your studies, but may not be ideal if you are looking for something a bit longer. I usually listen to two or three podcasts in a row during my commute and feel like I've spent my time well. The short length can be useful if you are not interested in a particular topic, because you can make it to the end of the episode without losing interest and a new topic will come up with the next episode.

Level of Engagement ★★★★★

Although this is just one person (Tomo) talking throughout the podcast, he is engaging because he speaks as though he is talking to a small group. I find it engaging because I can, in the privacy of my room or car, reply to him when he poses questions, or make a response if I am surprised by what he says, etc. Even though it's not interactive per se, it can feel interactive because of the way he speaks in his podcast. I find myself engaged in most episodes, and the shorter length means I don't have to work as hard to stay engaged through the entire episode.

Episode Frequency ★★★★★

New podcasts come out about weekly, and sometimes more frequently than that. I have heard that he works very hard to put out the podcasts so frequently, and I think this intense schedule plus the large archive of material means you can listen almost indefinitely to this podcast.

Overall ★★★★★

This podcast is completely in Japanese and designed by a Japanese teacher for foreigners learning Japanese, and has material for everyone from beginners to advanced learners. The shorter episodes mean you can fit it into a busy schedule, and the JLPT labels mean you can pick and choose episodes based on your own level and be confident that you will get what you expect. I highly recommend this for those looking to improve their listening skills.