#language interpretation

[pendulum-sonata]

So, it's been a while since I stopped being a video medical interpreter and I'm a translator now (basically only work with text now, and interpreters only do voice) but I'm still in touch with some of my former coworkers, and boy one of them hit me with a realization today:

Apparently so many medical staff and providers are under the impression that audio or video interpreters are not real people, that they're "virtual" or fake people, and with the AI boom, some of them think that they're AI programs??

Which actually goes a looong way to explain why some of them have downright awful behavior with them tbh (srsly it's so bad that I didn't care to be paid a bit less as a translator >.<)

So for anyone reading here who might work in field that requires them to deal with audio or video interpreters, please, please know this:

Those are NOT computer or virtual or fake people, those are real people working remotely to do the interpretation, there is a real person behind the voice and/or screen you're using to communicate, so please, don't treat them like a machine.

So, don't be mean, rude or condescending, if you're too tired or burned out in your job to be nice, being civil and respectful will do, and I'm certain, your experience with them will be a lot better if you can do that.

[languagexs]

Unraveling the Similarities and Differences of Persian vs Arabic Languages

Persian vs Arabic: Unraveling the Intricacies of Two Distinct Languages Persian and Arabic may share the same script, but they are vastly different languages with unique pronunciations, grammar, vocabulary and more. This article unravels the key similarities and differences to understand the nuances between these intricate languages. As two of the most widely spoken languages in the Middle…

[translangua08]

Translator and Convert any Document

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[omegaphilosophia]

The Philosophy of Connotation and Denotation

The philosophy of connotation and denotation deals with the ways in which words and expressions convey meaning. These concepts are central to semantics, the study of meaning in language, and are used to distinguish between the literal or direct meaning of a term (denotation) and the associated or implied meanings that the term evokes (connotation).

Key Concepts:

Denotation:

Literal or Primary Meaning: Denotation refers to the direct, explicit meaning of a word—the specific object, idea, or concept that the word points to. It is the "dictionary definition" of a term, the meaning that is universally understood and unambiguous.

Objective Reference: Denotation is concerned with the objective relationship between a word and what it refers to in the real world. For example, the word "rose" denotes a type of flower.

Connotation:

Associated or Implied Meanings: Connotation involves the secondary, associated meanings that a word carries in addition to its denotation. These meanings can be emotional, cultural, or contextual, and they often evoke certain feelings, associations, or images.

Subjective and Contextual: Unlike denotation, connotation is more subjective and can vary depending on the context, culture, or individual interpretation. For instance, the word "rose" may connote romance, beauty, or love.

Importance in Language and Communication:

Nuances of Meaning: Understanding the difference between denotation and connotation is crucial for grasping the full meaning of language. Words with the same denotation can have very different connotations, which can affect how they are perceived or interpreted.

Cultural and Emotional Significance: Connotations are heavily influenced by cultural context and can carry significant emotional weight. For example, the word "home" denotes a place of residence, but it may connote warmth, security, and family.

Examples in Language:

Positive and Negative Connotations: Words can have positive, negative, or neutral connotations even when their denotations are similar. For example, "childlike" (positive connotation: innocence) vs. "childish" (negative connotation: immaturity).

Synonyms with Different Connotations: Consider the words "slim" and "skinny." Both denote a thin person, but "slim" often has a positive connotation (attractiveness), while "skinny" can have a negative connotation (underweight or unhealthy).

Philosophical Implications:

Meaning and Interpretation: Philosophers and linguists have explored how connotation and denotation affect meaning and communication. The distinction helps in understanding how language can influence thought, perception, and behavior.

Semiotics and Symbolism: The study of connotation and denotation is also relevant in semiotics, the study of signs and symbols. Denotation relates to the literal signified meaning, while connotation involves the symbolic or cultural meanings attached to a sign.

Applications in Literature and Rhetoric:

Literary Analysis: In literature, connotation plays a key role in the interpretation of texts, where the choice of words can convey deeper meanings and evoke emotions beyond their literal sense.

Rhetorical Strategies: Speakers and writers often choose words with specific connotations to persuade, influence, or evoke certain responses from their audience.

Challenges and Criticisms:

Ambiguity and Miscommunication: The connotative meanings of words can lead to ambiguity or miscommunication, especially in cross-cultural contexts where different connotations might be attached to the same word.

Evolving Meanings: Connotations can change over time as cultural and social contexts evolve, making it challenging to pin down the exact connotative meaning of a word across different eras or societies.

The philosophy of connotation and denotation provides a framework for understanding the complexities of meaning in language. While denotation gives us the direct, literal meaning of a word, connotation enriches language by adding layers of associated or implied meaning. This distinction is essential for effective communication, literary analysis, and the study of semantics and semiotics. Understanding how words can carry different connotations helps in interpreting language more fully and appreciating its nuanced impact on thought and culture.

[posalis]

"He loved it not because it looked like a gentle, thoughtful young man, but because it was ghastly and awful and loathsome, and beautiful all at the same time. He loved it the way people love evil, because it thrills them to the core of their souls." — The Queen of the Damned, Anne Rice.

[phoenixkaptain]

Reading the novelization of A New Hope already changed how I saw Luke as a character but Splinter of the Mind’s Eye is going one step further and making me question the very fundamentals thought to be obvious about Luke.

Like, Luke is, for lack of a better term, a nerd. He studied languages and cultures -

“”Yes,” Luke admitted modestly. “I used to study a lot about certain worlds, back on my uncle’s farm on Tatooine. It was my only escape, and educational as well. This,” and he indicated the creature resting a massive long arm on his head and shaking him in a friendly fashion, “is a Yuzzem.””

-he wants to study more languages and cultures-

“Empty doorways beckoned to him and he was tempted, very tempted, to enter one of the ruined structures to find out if its interior was as well preserved as the outside.

This was not, he reminded himself firmly, the time for playful exploration. Their first concern was to find a way out, not to go poking around this ancient metropolis. However wonderful it was.”

Luke wants to know about people. He wants to know about cultures and creatures and he wants to be able to communicate and…

He really just. Is a great Jedi. He jumps between Leia and danger and he befriends the Yuzzem the prison guards thought would kill him and he wants to explore the creepy abandoned ruins of a civilization long past and he uses Anakin’s lightsaber underwater to cut the stem of a lilypad they use as a boat and he comments that the rock formations are almost too beautiful to cut down and he knows how to work Imperial explosives and

He’s a Jedi, man. He’s a Jedi. He’s been a Jedi this whole time, before any of us even knew what that actually meant.

[fl00mie]

daisy bell gives me so many fatal error vibes that i can't describe it

swap sans by popcornpr1nce fatal_error by @xedramon

[destiel-wings]

Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

[properiguana]

I cannot fathom how people can watch this show and think Dean and Cas are platonic.

Just in the way they look at each other, I have never seen a better portrayal of sexual attraction, chemistry, and eventually also pure love.

[terriblesolomons]

Ok but guys isn't it actually crazy how Eugene Roe's presence is literally defined by the ineffable silence of God....ep 6 has no narrative voice beyond the languageless vision of Roe's literal perspective....he brings with him silence in every episode he's in like the chaos after Jackson blows himself up stills completely when Doc runs in - they all go silent & frozen & breathless - when any man is wounded the very concept of words beyond orders fail...he talks about how Renee is blessed to calm the wounded she treats but it's evident that he brings with him something even graver than calm; it's unutterable, literally, it's a prayer, it's a response to the silence we meet (Roe meets) in his prayers (it's a reflection on the insane power we - they - have over our own - and their own - mortality - that silent and sometimes apparently godlike capacity to return (to the front lines) from the dead (that hell of lost brotherhood in the hospitals)?)

[uhbasicallyjustmilex]

the body language. the fucking body language ?????

[kingfuc]

may i humbly request for souyo angst….🙏 (feel free to ignore if requests aren’t open)

Oh boy this was a hard one tbh hope this is sort of what you had in mind, anon 🙈

[ourstaturestouchtheskies]

The Language of Flowers: An Alphabet of Floral Emblems – published by T. Nelson and Sons (1857) // Maroon – Taylor Swift

[translangua08]

In this comprehensive blog post, we delve into the fascinating realm of language interpretation and translation. From the importance of accurate communication across language barriers to the roles of professional translators and interpreters, we'll explore the intricacies of these essential services.

[serpentface]

A typical example of a kulimane hunting dog, a prized animal in Imperial Wardin. They represent the most positive feelings towards dogs in this cultural sphere, an animal that otherwise has an often ambiguous or even disdained status.

Kulimane are the 'hybrid' offspring of domesticated sighthound breeds and the kuliku (colloquially called 'salt wolves'). Kuliku are not actual wolves, but rather the feral descendants of VERY ancient domesticated dogs that have been living wild for millennia in grassland, savannahs, and semi-desert, and are fully functional and efficient predators. Kuliku have slender builds, huge lungs, and long legs, and use bursts of tremendous speed to chase down prey. They mostly take small game, like rabbits, hares, birds, and hippegalga, though pairs are capable of bringing down mid-sized ungulates. They do not readily mate with fully domesticated dogs, but can be encouraged to do so in captivity, thus producing the kulimane.

The production of kulimane was introduced by the third Burri empire and has been fully adopted into contemporary Imperial Wardin. Kulimane are commonly seen as the best and most ideal of hunting dogs, combining the speed, power, and heat resistance and predatory instincts of their wild parents, and the loyalty and tameness, and other bred-in qualities of their sighthound parents. In practice, most Kulimane used in hunting will have been the product of several generations of breeding to produce an ideal animal (initial 'hybrid' generations are often still too wild). Their appearance can vary wildly, but the ideal form for a kulimane is to have a domestic-type coat (fully solid colors are preferred, but rare) and to retain the pointed ears and black tail tip of their wild ancestors.

Most kulimane are independent, intelligent animals that will form close and protective bonds with their handlers, but will be shy and wary of strangers. They usually retain strong territorial instincts from their wild ancestors, and can double as excellent guard dogs. Their disposition towards other dogs can vary- a well socialized kulimane can usually be introduced to new dogs with few issues, but some have striking tendencies to aggression towards strange dogs, and are often muzzled in public. Most are kept in same-sex sibling pairs, and away from unfamiliar or unrelated dogs. They are rarely outright cuddly, often preferring to sit at a distance than to sit on one's lap, but are appreciative of praise and affection from their owners.

Well trained kulimane make for truly excellent sighthounds. They can quickly adapt to changing situations in the field with little to no input from handlers, and quickly and instinctively dispatch most small prey. Their high prey drives Can be a problem for owners. They are frequently known to kill livestock and sacrificial stock, and have a tendency towards surplus killing. You don't want a kulimane to get in with your poultry.

Good kulimane stock is very difficult to produce and takes several generations of breeding, and the animals can be very costly to maintain and keep in good hunting conditions. As such they are VERY expensive animals, and function as status symbols. Sighthounds in of themselves have associations with wealth, and kulimane are specifically associated with royalty and the social elite. They represent the most venerated and beloved end of a very, very wide spectrum of cultural opinions towards dogs in the Imperial Wardi sphere.

The status of dogs in the cultural schema mostly depends on their perceived role. Working dogs tend to have positive cultural connotations- guard dogs and especially hunting dogs are seen as noble animals and symbols of loyalty, and herding and livestock guardian dogs are of great practical value in the rural sphere. Keeping dogs for pure companionship is fairly uncommon, though there are a few established companion breeds in the region. The practice of raising livestock dog breeds has decreased or become obsolete in parts of the region, largely due to Burri influence (which regards the meat of predators and scavengers as wholly unsuitable for consumption), but meat specific breeds like the salutachin are still valued in the city-state of Wardin as providers of an excellent, delicacy meat. The commonality between all valued dogs in Imperial Wardin is their utility, well-established roles, and sharp distinction from feral dogs.

Feral dogs are a fact of life around most settlements. Imperial Wardi cultural outlooks on them tend to be highly negative, characterizing these as uniquely greedy, cowardly, lowly pest animals at best and depraved corpse eaters at worst. Exact attitudes vary throughout the Imperial Wardi cultural sphere, but one near-ubiquitous element is regarding the excrement of feral dogs (and corpses of feral dogs) as potent sources of spiritual pollution that should never be touched with bare skin, and should ideally be removed and buried in barren ground (or their polluting influence should at least be mitigated with a blessing of the tainted location). Superstition holds that stepping in the feces of feral dogs can inflict curses, and the word for 'dogshit' is one of the most insulting terms available in the language.

Hatred of feral dogs is particularly acute in the city-state of Godsmouth. The core city experienced a collective cultural trauma as a result of a siege during the formation of the Wardi empire, in which civilians starved en-masse and descriptions of bodies being eaten in the streets by feral dogs (which were, in turn, eaten by starving civilians) dominate historical records of the event. Feral dogs are by and large hated in this part of the region and seen as outright vile animals and acute sources of spiritual pollution via their very presence. They are actively culled on a routine basis. The outskirts of the city of Godsmouth and some of the city-state's towns have unique practices of allowing semi-tame hyenas free movement through settlements, where they fulfill the dogs' function as refuse cleaners and keep dog populations in check.

While the keeping of feral dogs is generally frowned upon throughout the region, individuals caring for their local feral populations or adopting feral puppies is not unknown, and the distinction between feral and kept dogs (and stigma towards the former) is MUCH less pronounced in many rural communities, where semi-feral dogs may be valued as likable or useful village animals.

No dog breeds are standardized (or even technically 'breeds' in any modern sense), but there is usually great effort to keep working, livestock, and companion dog stocks wholly separate from feral dogs. The word that roughly means ‘mutt’ in this language does not refer to mixed dog breeds as a whole (or even crosses between different types of working dog), but specifically crosses between kept breeds and feral dogs, which is generally regarded as unfavorable (though not uncommon, both due to inevitability in a world without spaying, and practicality- these crosses may produce perfectly good working or companion dogs, and introduction of feral stock reduces inbreeding).

The dog is one of the constellations in the Wardi zodiac, found at the heel of the Hunter constellation and variously interpreted as either being a noble hunting dog trailing its master, or a lowly scavenger looking for scraps. The latter characterization tends to win out in terms of the characterization of its associated birthsign. Being born under the sign of the dog is mostly regarded as inauspicious, and a potential indication of a cowardly, stupid, lustful, and greedy character (though some positive qualities are ascribed, chiefly loyalty).

‘Chinops’ (literally ‘dog-born’) refers neutrally to the dog birth sign, while ‘chinmachen’ (‘dog-faced’) is an epithet given to those considered to have the associated personality traits, which is rarely anything BUT an insult. (These also spawn the purely derogatory phrases of ‘chisnops’, ‘chismachen’, and ‘chismache’, which have functional meanings closest to ‘son of a bitch’ ‘bitch/slut’ and ‘cunt’ respectively)

[thirdity]

Even the most ingenuous metaphors are made from the detritus of other metaphors — language speaking itself, then — and the line between first and last tropes is very thin, not so much a question of semantics as of the pragmatics of interpretation.

Umberto Eco, Semiotics and the Philosophy of Language