#lace lappets

[gogmstuff]

More early post-Louis XIV fashion -

ca. 1717 Seated woman holding a fan by Antoine Watteau (Metropolitan Museum of Aty - New York City, New York, USA). From their Web site 2400X3882.

ca. 1718 Dorothy Walpole, Viscountess Townshend by Charles Jervas (Dulwich Picture Gallery - London, UK). From the-athenaeum.org; enlarged by half 1161X1416.

Probably Dorothy, Viscountess Townshend, by Charles Jervas (National Portrait Gallery - London, UK). From Wikimedia 2400X3161.

ca. 1719 Maria Clementina Sobieska by ? (National Portrait Gallery - London, UK). From Wikimedia; fixed spots & some cracks w Pshop 2076X2623.

1719 Anna Catharina Herport by Johann Rudolf Huber (private collection). From Wikimedia; fixed spots w Pshop 1693X2067.

[shewhoworshipscarlin]

Argentella lappets, 1760.

[chic-a-gigot]

La Mode, vol. 23, plate 1, August 1840, Paris. Fauteuil de Maigret. Coiffure de Me. Lassalle. Lingerie de Doucet. Echarpe de cachemire de Gagelin Opigez. Façon de robes de Mlle. Moismont. Sous jupes d'Oudinot Lutel. Epingle de Pradher. Gants Mayer. Robes, spincer, robe de chambre expediée par la Maison de Commission Lassalle, 28 Taitbout. Digital Collections of the Los Angeles Public Library

Left- She is wearing a white round neck dress with a gray overcoat with pink lining. The dress has three tiers of puff encircling the dress. She also has white lace lappets in her hair. Right- She is wearing a white dress with a blue bodice. The bodice has a white ruffle along the v-neck. The bottom of the skirt has a layer of lace and puff. She is holding onto a green shawl with fringe and is wearing a white bonnet with white ribbons.

[desertdollranch]

Getting dressed in 1774 with Felicity and Elizabeth

Getting dressed in the 18th century was a lot of work for women and girls! They used many layers of clothing to create a fashionable outfit. Felicity Merriman and her best friend Elizabeth Cole are here today to show you how it's done.

I made everything seen here, excluding both of their dresses, shoes, stockings, garters, Felicity's shift, and Felicity's nightgown and cap.

Felicity wears a comfy white night shift to bed, and her lappet cap ties under her chin.

But for everyday use, Felicity starts with a simple shift as the first layer of clothing.

For good posture, she wears laced stays.

The stays lace up tightly in the back.

Next is a full-length petticoat, to provide more shape to her skirt.

Pocket hoops give her dresses the right fullness.

They're called pocket hoops because the have slits at the top so that they can be used as pocket.

Felicity usually just puts things in this pretty embroidered pocket, which she can reach through the slits in the sides of her dresses.

That's the last of her undergarments. Now for the finishing touches!

She ties back her hair with a white satin ribbon, and puts on her lucky coral bead necklace.

She wears knee-length white wool stockings held up with garters that her mother wove with a sweet message. Her black leather shoes are single lasted, meaning they fit on either foot.

She puts on her white round-eared cap for modesty, ties her drawstring purse around her wrist, puts on her favorite gown, and she's all done! Now to go out in the world and cause some absolutely hilarious chaos with.......

.... her best friend, Elizabeth!

Elizabeth's undergarments are pretty similar to Felicity's, but there are a few differences.

Instead of hoops, Elizabeth wears a bumroll tied around her waist, to achieve lift at the back of the skirt. And her stays go over the shoulder as well.

She wears knitted white stockings and a pair of white shoes that match her prettiest gown.

Instead of a round eared cap like Felicity's, Elizabeth wears this lacy pinner cap with a pink bow.

She's dressed up for her sister Annabelle's engagement party. I do wish she had been given a more casual dress for her meet outfit, like she wears in all of Felicity's books. But even this dress is improved with the bulk and shape of her undergarments!

[lacewise]

One of the most interesting things to me is the reason I can (usually) tell point de gaze and Alençon needle lace apart is not because of the difference in stitches (which there *are*)—but the difference in designs. Alençon frequently uses a cohesive pattern featuring one, maybe two, types of motifs. Point de gaze tends to value ‘fineness’ or ‘opulence’ over ‘cohesion’. I’m somewhat curious how that would’ve impacted point de gaze’s development if it had more time to evolve (it’s heyday only lasted a couple decades).

(There was a third point de gaze example but I couldn’t figure out how to describe it)

[windermeresimblr]

Late 18th Century Lookbook, Part One

This is meant to be set in the 1760s. I'm also forcing myself to work with EAXIS' meshes and stop mentally complaining about them not being stitch-perfect. (Well, I did cheat a tiny bit with the hat, which is a TS4 conversion based off a TS3 store item. And of course the makeup and skin and eyes and hair textures and fichu accessory aren't from EAXIS...)

Anyways, this is a very proper look for a very proper lady; perhaps she's off to tea. All that's missing is a set of mitts--I need to go on the hunt for some.

Hair: Buckley's edit of EAXIS' "Candy Do" bun with sunglasses | Hats: Bergère hat by me (personal conversion) and lappet cap by @danjaley | Blush by Chagasi | Sack-Back gown by EAXIS, with my channel edits to make the engageantes look better (I need to fiddle with the lace textures more) | Fichu by JingleStartK, edited by me to be sleeveless | Shoes by EAXIS | Patterns by @simlicious

[jamietukpahwriting]

Persy couldn’t help but feel amused at the sight of so many girls all walking together with their feathers and trains over their arms, the required lace lappet headdresses fluttering in the breeze of their passage, their pale-colored dresses differing but somehow still looking almost identical. “We look like a flock of birds migrating south for the winter,” Pen whispered to her. “Birds or lemmings about to go over a cliff?” she replied through stiff lips. “Don’t be ghoulish.”

—Bewitching Season by Marissa Doyle

[historical-closet-raider]

Moire Monday Already!

Light blue silk moire waistband made in Brittany ca.1820 from the V&A collection.

Description from the V&A website:

"Woman's waistband of blue silk moire, embroidered with silver thread and trimmed with a narrow scalloped border of silver lace, and at the end of each lappet is a conventional tree in applied sliver braid and tinsel. The Breton word for this waistband is ceinturen."

[charlotttee4]

Point de Neige needlepoint lace

Venetian, circa 1650

There are several pieces of finely detailed needlepoint lace in the textile collection at Chatsworth. The needlepoint technique used on this panel is known as Point de Neige, so called because of the delicate design's resemblance to snowflake crystals. This type of lace was made from the 1650s to 1710 as lappets and other costume trimmings, worn by both men and women as a mark of wealth and status.

[the-haven-of-fiction]

His email reaction:

Subject line: I prefer these mice, thank you.

Body: In the time of swords and periwigs and full-skirted coats with flowered lappets - when gentlemen wore ruffles, and gold-laced waistcoats of paduasoy and taffeta - there lived a tailor in Gloucester.

Remember my boss who collects egg coddlers and watches Bridgerton?

He walked by me yesterday and greeted me with “Hey, Trouble!”

The nerve.

[thepsgvestments]

Features:

The entire Highline Mass set is made matching in Gothic style with rich woven braids.

The Gothic High Mass Set Consists of

                        * Chasuble Set - Chasuble with Stole.                         * Cope Set - Cope With Stole & Humeral Veil.                         * Dalmatic Set - Dalmatics with stole - 2                                 * Mass Set - Chalice Pal(1), Chalice Veil(1), Burse(1) & Maniple(5)                         * Mitre

The entire set can be made of any of the following fabrics. 

                        * Damask                         * Brocade

                        * Ogee       

GOTHIC CHASUBLE:

The Chasuble set includes a matching stole and a maniple.

It can be made lined for additional $15 only.

The collar type of the chasuble can be made from any of the following collar options with no additional charges                             * Cowl                            * Pullover                            * Standup                            * Zipper

GOTHIC COPE:

The Cope set includes a matching stole and a maniple

The hood design of the Cope is of two types     

                        * Cross-Type                          * Y - type

The Cope can be adorned with or without golden trims at no extra cost.  

It can be made lined for additional $15 only.

DALMATICS:

The Dalmatics set includes 2 Dalmatics each with a stole and maniple

It can be customised to any size.

HUMERAL VEIL:

The Humeral Veil is made matching the Cope 

Humeral Veil measures about 96" from end to end

MITRE:

The Mitre is adorned with a spiritual motif in the front

At the back there are two fringed steamers known as Lappets

Mitre can either be made in Standard size (23.5") or custom sized.

[gogmstuff]

Emily, Lady Isham by Richard Buckner (Lamport Hall - Lamport, Northamptonshire UK). From bbc.co (now artuk.org) 729X944.

[shewhoworshipscarlin]

Point d'Angleterre lace lappets, 1710-30.

[chic-a-gigot]

La Mode, 2 octobre 1841, Paris. Chapeaux de Lemonnier Pelvey. Chale du Persan. Robes de Mme. Ambroise, 165 Montmartre. Mouchoir de Chapron. Dentelles de Doucet, 17 de la Paix. Gants Mayer. Souliers de Baudraud, 348 St. Honoré. Digital Collections of the Los Angeles Public Library

Left- She is wearing a square neck green and purple dress. The skirt of the dress has two tiers of black lace ruffle. She is also wearing a white shawl with fringe. She has on a pink bonnet with a pink flower. Right- She is wearing a blue checkered pattern dress. The dress has a symmetrical hem down to the bottom of the skirt. She is also wearing a green bonnet with ribbons and white lappets.

[fashionsfromhistory]

Coif

1550s-1600

This coif is made of fine linen, gathered into a small needle lace roundel at the top, and with very long lappets which are integral and which taper gradually to a point. It is decorated with horizontal bands of cutwork with needle lace fillings, and edged with small triangular needle lace motifs, each one finished off with a tiny trefoil. Nothing is known about how the coif was preserved before it entered the Museum's collection in the 1960s, and the survival of such a fragile object, intended to be functional even though it is so decorative, is rare. The needle lace which decorates it is Italian in style, and similar to designs published in Venetian pattern books of the 1590s. The overall shape of the coif, however, with its long lappets, is Flemish. Italian pattern books for lace circulated in Flanders, and the coif may well have been made there.

Victoria & Albert

[namesetc]

moth names part 1

because. list source (x)

an / ann - annulet

antler

apple

argent

ash - ashworth

arch / arche - arches

bar - barb - barber - barberry

barred

beau - beauty

belle

belt

bird

blair

blood

blot - blotch / blotche - blotchy

blox - bloxworth

blu / blue / bleu

bord - border

box

bri / bry - bright / brite - brighton

brown

brim - brimstone

brin / bryn - brind - brindle

braud - broad

bee / bea

buff - buffy

bur / burr - burn / byrn / byrne - burnet / burnett / burnette

brass

button

blush

car - carpet

cher / cherr - cheri / cherry

canary

case

chalk

chestnut

chim - chime - chimney

choco - chocolate

cin / cinn - cinna - cinnabar

cis - cist - cistus

clan - clance - clancy

clif - clifden

cloa - cloak

clou - cloud

cream

crims - crimson

cur / curr - currant

clear

clove - clover

dark

death

dec - dece - deca - deco - decem / decemb - december

dew - dewick

dingy

dot / dott

drab

drink - drinker

dusk - dusker - dusky

dag - dagger

ermine

em - emer - emera - ermeral - emerald

eye

earl - early

el / ele / elle - elephant

em - emp - emper - emperor

es / ess / esse - essex

es - est - estu - estua - estuar - estuari - estuarin / estuarine

egg - eggar

for - forest / forrest - forester

fea - feath - feather

fest - festoon

fier - fiery

fire

fish - fisher

five

flame

four

fox - foxglove

frost

goth - gothic - gothica

grey / gray

green

gal - gali - galia - galium

gar - gard / guard - garden - gardenia

ghost

goat

gold

grass

glory

hook

hawk - hawkmoth

heath

honey - honeycomb

haw - haworth

heart

horn - hornet

hum / humm - hummer - humming - hummingbird

jersey

july

knot

ken - kent - kenti - kentish

Lune - Luna - Lunar

leaf

line

lute - lutestring

loop - looper

lack - lackey

lace

lappet

lattice

lead

leo - leopard

lichen

lime

liquor - liquorice

moth - mothy / mothie - mothica

mocha

magpie

maid - maiden

manchester

map

mar - marble

march

mer - merv / merve - merveil / merveille

mint

mist - mistle - mistletoe

mot / mott

narrow

net / nett

north - northern

nov / nove - nova - novem / novemb - november

ora / aura - oran - orange

Pine

per / par - pareil

plume

plus - plusia

pug

pier - pierce - piercer

pearl

quake - quaker

rust - rustic

riv - rivu - rivul - rivulet / rivulette

red

shade

sable

skel - skele - skeleton - skeletonizer

stripe

straw

snout

silver - silverline

sweep - sweeper

swift

spot

speck

shell

swallow

tooth

tree

tail - tails

thor - thorn

tiger

treble

umber

vein

wing

white

wave

wane / wain - wainscot

wax

yellow