#lace lappets
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More early post-Louis XIV fashion -
ca. 1717 Seated woman holding a fan by Antoine Watteau (Metropolitan Museum of Aty - New York City, New York, USA). From their Web site 2400X3882.
ca. 1718 Dorothy Walpole, Viscountess Townshend by Charles Jervas (Dulwich Picture Gallery - London, UK). From the-athenaeum.org; enlarged by half 1161X1416.
Probably Dorothy, Viscountess Townshend, by Charles Jervas (National Portrait Gallery - London, UK). From Wikimedia 2400X3161.
ca. 1719 Maria Clementina Sobieska by ? (National Portrait Gallery - London, UK). From Wikimedia; fixed spots & some cracks w Pshop 2076X2623.
1719 Anna Catharina Herport by Johann Rudolf Huber (private collection). From Wikimedia; fixed spots w Pshop 1693X2067.
#1700s fashion#Louis XV fashion#Louis XIV fashion#Rococo fashion#Georgian fashion#Pierre Mignard#lace bertha#lace ruffled sleeves#lace lappets#Antoine Watteau#corset#Charles Jervas#turban#full skirt#girdle#lace modesty piece#scoop neckline#hair jewelry#Johann Rudolf Huber
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Argentella lappets, 1760.
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La Mode, vol. 23, plate 1, August 1840, Paris. Fauteuil de Maigret. Coiffure de Me. Lassalle. Lingerie de Doucet. Echarpe de cachemire de Gagelin Opigez. Façon de robes de Mlle. Moismont. Sous jupes d'Oudinot Lutel. Epingle de Pradher. Gants Mayer. Robes, spincer, robe de chambre expediée par la Maison de Commission Lassalle, 28 Taitbout. Digital Collections of the Los Angeles Public Library
Left- She is wearing a white round neck dress with a gray overcoat with pink lining. The dress has three tiers of puff encircling the dress. She also has white lace lappets in her hair. Right- She is wearing a white dress with a blue bodice. The bodice has a white ruffle along the v-neck. The bottom of the skirt has a layer of lace and puff. She is holding onto a green shawl with fringe and is wearing a white bonnet with white ribbons.
#La Mode#19th century#1840s#1840#periodical#fashion#fashion plate#color#description#lapl#dress#robe#august color plates
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Getting dressed in 1774 with Felicity and Elizabeth
Getting dressed in the 18th century was a lot of work for women and girls! They used many layers of clothing to create a fashionable outfit. Felicity Merriman and her best friend Elizabeth Cole are here today to show you how it's done.
I made everything seen here, excluding both of their dresses, shoes, stockings, garters, Felicity's shift, and Felicity's nightgown and cap.
Felicity wears a comfy white night shift to bed, and her lappet cap ties under her chin.
But for everyday use, Felicity starts with a simple shift as the first layer of clothing.
For good posture, she wears laced stays.
The stays lace up tightly in the back.
Next is a full-length petticoat, to provide more shape to her skirt.
Pocket hoops give her dresses the right fullness.
They're called pocket hoops because the have slits at the top so that they can be used as pocket.
Felicity usually just puts things in this pretty embroidered pocket, which she can reach through the slits in the sides of her dresses.
That's the last of her undergarments. Now for the finishing touches!
She ties back her hair with a white satin ribbon, and puts on her lucky coral bead necklace.
She wears knee-length white wool stockings held up with garters that her mother wove with a sweet message. Her black leather shoes are single lasted, meaning they fit on either foot.
She puts on her white round-eared cap for modesty, ties her drawstring purse around her wrist, puts on her favorite gown, and she's all done! Now to go out in the world and cause some absolutely hilarious chaos with.......
.... her best friend, Elizabeth!
Elizabeth's undergarments are pretty similar to Felicity's, but there are a few differences.
Instead of hoops, Elizabeth wears a bumroll tied around her waist, to achieve lift at the back of the skirt. And her stays go over the shoulder as well.
She wears knitted white stockings and a pair of white shoes that match her prettiest gown.
Instead of a round eared cap like Felicity's, Elizabeth wears this lacy pinner cap with a pink bow.
She's dressed up for her sister Annabelle's engagement party. I do wish she had been given a more casual dress for her meet outfit, like she wears in all of Felicity's books. But even this dress is improved with the bulk and shape of her undergarments!
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One of the most interesting things to me is the reason I can (usually) tell point de gaze and Alençon needle lace apart is not because of the difference in stitches (which there *are*)—but the difference in designs. Alençon frequently uses a cohesive pattern featuring one, maybe two, types of motifs. Point de gaze tends to value ‘fineness’ or ‘opulence’ over ‘cohesion’. I’m somewhat curious how that would’ve impacted point de gaze’s development if it had more time to evolve (it’s heyday only lasted a couple decades).
(There was a third point de gaze example but I couldn’t figure out how to describe it)
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Late 18th Century Lookbook, Part One
This is meant to be set in the 1760s. I'm also forcing myself to work with EAXIS' meshes and stop mentally complaining about them not being stitch-perfect. (Well, I did cheat a tiny bit with the hat, which is a TS4 conversion based off a TS3 store item. And of course the makeup and skin and eyes and hair textures and fichu accessory aren't from EAXIS...)
Anyways, this is a very proper look for a very proper lady; perhaps she's off to tea. All that's missing is a set of mitts--I need to go on the hunt for some.
Hair: Buckley's edit of EAXIS' "Candy Do" bun with sunglasses | Hats: Bergère hat by me (personal conversion) and lappet cap by @danjaley | Blush by Chagasi | Sack-Back gown by EAXIS, with my channel edits to make the engageantes look better (I need to fiddle with the lace textures more) | Fichu by JingleStartK, edited by me to be sleeveless | Shoes by EAXIS | Patterns by @simlicious
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Moire Monday Already!
Light blue silk moire waistband made in Brittany ca.1820 from the V&A collection.
Description from the V&A website:
"Woman's waistband of blue silk moire, embroidered with silver thread and trimmed with a narrow scalloped border of silver lace, and at the end of each lappet is a conventional tree in applied sliver braid and tinsel. The Breton word for this waistband is ceinturen."
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Point de Neige needlepoint lace
Venetian, circa 1650
There are several pieces of finely detailed needlepoint lace in the textile collection at Chatsworth. The needlepoint technique used on this panel is known as Point de Neige, so called because of the delicate design's resemblance to snowflake crystals. This type of lace was made from the 1650s to 1710 as lappets and other costume trimmings, worn by both men and women as a mark of wealth and status.
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Persy couldn’t help but feel amused at the sight of so many girls all walking together with their feathers and trains over their arms, the required lace lappet headdresses fluttering in the breeze of their passage, their pale-colored dresses differing but somehow still looking almost identical. “We look like a flock of birds migrating south for the winter,” Pen whispered to her. “Birds or lemmings about to go over a cliff?” she replied through stiff lips. “Don’t be ghoulish.”
—Bewitching Season by Marissa Doyle
#writeblr#bookblr#books#book quotes#quotes#bewitching season#marissa doyle#bewitching season by marissa doyle#bewitching season quotes#jamietukpahwriting
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His email reaction:
Subject line: I prefer these mice, thank you.
Body: In the time of swords and periwigs and full-skirted coats with flowered lappets - when gentlemen wore ruffles, and gold-laced waistcoats of paduasoy and taffeta - there lived a tailor in Gloucester.
Remember my boss who collects egg coddlers and watches Bridgerton?
He walked by me yesterday and greeted me with “Hey, Trouble!”
The nerve.
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Features:
The entire Highline Mass set is made matching in Gothic style with rich woven braids.
The Gothic High Mass Set Consists of
* Chasuble Set - Chasuble with Stole. * Cope Set - Cope With Stole & Humeral Veil. * Dalmatic Set - Dalmatics with stole - 2 * Mass Set - Chalice Pal(1), Chalice Veil(1), Burse(1) & Maniple(5) * Mitre
The entire set can be made of any of the following fabrics.
* Damask * Brocade
* Ogee
GOTHIC CHASUBLE:
The Chasuble set includes a matching stole and a maniple.
It can be made lined for additional $15 only.
The collar type of the chasuble can be made from any of the following collar options with no additional charges * Cowl * Pullover * Standup * Zipper
GOTHIC COPE:
The Cope set includes a matching stole and a maniple
The hood design of the Cope is of two types
* Cross-Type * Y - type
The Cope can be adorned with or without golden trims at no extra cost.
It can be made lined for additional $15 only.
DALMATICS:
The Dalmatics set includes 2 Dalmatics each with a stole and maniple
It can be customised to any size.
HUMERAL VEIL:
The Humeral Veil is made matching the Cope
Humeral Veil measures about 96" from end to end
MITRE:
The Mitre is adorned with a spiritual motif in the front
At the back there are two fringed steamers known as Lappets
Mitre can either be made in Standard size (23.5") or custom sized.
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Emily, Lady Isham by Richard Buckner (Lamport Hall - Lamport, Northamptonshire UK). From bbc.co (now artuk.org) 729X944.
#early Victorian fashion#Romantic era fashion#Biedermeier fashion#Louis-Philippe fashion#Emily - Lady Isham#straight hair lappets#lace bertha#bow#wrap#full skirt
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Point d'Angleterre lace lappets, 1710-30.
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La Mode, 2 octobre 1841, Paris. Chapeaux de Lemonnier Pelvey. Chale du Persan. Robes de Mme. Ambroise, 165 Montmartre. Mouchoir de Chapron. Dentelles de Doucet, 17 de la Paix. Gants Mayer. Souliers de Baudraud, 348 St. Honoré. Digital Collections of the Los Angeles Public Library
Left- She is wearing a square neck green and purple dress. The skirt of the dress has two tiers of black lace ruffle. She is also wearing a white shawl with fringe. She has on a pink bonnet with a pink flower. Right- She is wearing a blue checkered pattern dress. The dress has a symmetrical hem down to the bottom of the skirt. She is also wearing a green bonnet with ribbons and white lappets.
#La Mode#19th century#1840s#1841#on this day#October 2#periodical#fashion#fashion plate#color#description#lapl#dress#bonnet#shawl
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Coif
1550s-1600
This coif is made of fine linen, gathered into a small needle lace roundel at the top, and with very long lappets which are integral and which taper gradually to a point. It is decorated with horizontal bands of cutwork with needle lace fillings, and edged with small triangular needle lace motifs, each one finished off with a tiny trefoil. Nothing is known about how the coif was preserved before it entered the Museum's collection in the 1960s, and the survival of such a fragile object, intended to be functional even though it is so decorative, is rare. The needle lace which decorates it is Italian in style, and similar to designs published in Venetian pattern books of the 1590s. The overall shape of the coif, however, with its long lappets, is Flemish. Italian pattern books for lace circulated in Flanders, and the coif may well have been made there.
Victoria & Albert
#accessories#fashion history#historical fashion#headwear#coif#1550s#1560s#1570s#1580s#1590s#1600s#elizabethan era#linen#italy#flanders#belgium#16th century#17th century#victoria and albert#v and a#popular
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moth names part 1
because. list source (x)
an / ann - annulet
antler
apple
argent
ash - ashworth
arch / arche - arches
bar - barb - barber - barberry
barred
beau - beauty
belle
belt
bird
blair
blood
blot - blotch / blotche - blotchy
blox - bloxworth
blu / blue / bleu
bord - border
box
bri / bry - bright / brite - brighton
brown
brim - brimstone
brin / bryn - brind - brindle
braud - broad
bee / bea
buff - buffy
bur / burr - burn / byrn / byrne - burnet / burnett / burnette
brass
button
blush
car - carpet
cher / cherr - cheri / cherry
canary
case
chalk
chestnut
chim - chime - chimney
choco - chocolate
cin / cinn - cinna - cinnabar
cis - cist - cistus
clan - clance - clancy
clif - clifden
cloa - cloak
clou - cloud
cream
crims - crimson
cur / curr - currant
clear
clove - clover
dark
death
dec - dece - deca - deco - decem / decemb - december
dew - dewick
dingy
dot / dott
drab
drink - drinker
dusk - dusker - dusky
dag - dagger
ermine
em - emer - emera - ermeral - emerald
eye
earl - early
el / ele / elle - elephant
em - emp - emper - emperor
es / ess / esse - essex
es - est - estu - estua - estuar - estuari - estuarin / estuarine
egg - eggar
for - forest / forrest - forester
fea - feath - feather
fest - festoon
fier - fiery
fire
fish - fisher
five
flame
four
fox - foxglove
frost
goth - gothic - gothica
grey / gray
green
gal - gali - galia - galium
gar - gard / guard - garden - gardenia
ghost
goat
gold
grass
glory
hook
hawk - hawkmoth
heath
honey - honeycomb
haw - haworth
heart
horn - hornet
hum / humm - hummer - humming - hummingbird
jersey
july
knot
ken - kent - kenti - kentish
Lune - Luna - Lunar
leaf
line
lute - lutestring
loop - looper
lack - lackey
lace
lappet
lattice
lead
leo - leopard
lichen
lime
liquor - liquorice
moth - mothy / mothie - mothica
mocha
magpie
maid - maiden
manchester
map
mar - marble
march
mer - merv / merve - merveil / merveille
mint
mist - mistle - mistletoe
mot / mott
narrow
net / nett
north - northern
nov / nove - nova - novem / novemb - november
ora / aura - oran - orange
Pine
per / par - pareil
plume
plus - plusia
pug
pier - pierce - piercer
pearl
quake - quaker
rust - rustic
riv - rivu - rivul - rivulet / rivulette
red
shade
sable
skel - skele - skeleton - skeletonizer
stripe
straw
snout
silver - silverline
sweep - sweeper
swift
spot
speck
shell
swallow
tooth
tree
tail - tails
thor - thorn
tiger
treble
umber
vein
wing
white
wave
wane / wain - wainscot
wax
yellow
#moth names#types of moths#names from#names from moths#name suggestions#read dni#name ideas#name lists#name blog#read my dni#name request#name inspiration#baby names#gender neutral names#fleur speaks
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