#label avenue

[redcarpet-streetstyle]

[tomsmusictaste]

If you had a band what scene label would you want to be on

Oooooh that's fun! In my teens it felt like most of the bands I loved were either coming off Hopeless Records or Fearless Records, so those are the two that come to mind - however, and I don't know the ins and outs of it, but I've heard rumblings that hopeless haven't been great to some of their artists in the past

So that makes an easy choice - it's gotta be Fearless Records!

With alumni like Every Avenue, The Downtown Fiction, Forever The Sickest Kids, Mayday Parade; and being the force behind the 'Punk Goes' series — it's Fearless Records for me

[bloomingonionbitch]

(take three gummies over like two hours and watch a Fueled By Ramen (c. 2008) music video playlist on YouTube - cannot recommend enough).

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 17]

premierowa emisja 15 maja 2024 – 18:00 Graliśmy: Christian Mc Bride, Edgar Meyer “Bebop, of Course” z albumu “But Who’s Gonna Play The Melody?” – Mack Avenue Records Raw Fish  “Stroganina” z albumu „Crudo” – Loumi Records Andy Milne and Unison “Purity of Heart” z albumu “Time Will Tell” – Sunnyside Records Alec Goldfarb feat. David Leon “And the Red Light was my Mind” z albumu “Fire Lapping…

[lady-arryn]

Is New York such a labyrinth? I thought it was all straight up and down like Fifth Avenue. All the cross streets numbered and big honest labels on everything. THE AGE OF INNOCENCE (1993) dir. Martin Scorsese

[frankiecatphotography]

Brick Wall Label - 20% Off with code BESTGIFTSALE

[handweavers]

something that comes up for me over and over is a deep frustration with academics who write about and study craft but have little hands-on experience with working with that craft, because it leads to them making mistakes in their analysis and even labelling of objects and techniques incorrectly. i see this from something as simple as textiles on display in museums being labelled with techniques that are very obviously wrong (claiming something is knit when it's clearly crochet, woven when that technique could only be done as embroidery applied to cloth off-loom) to articles and books written about the history of various aspects of textiles making considerable errors when trying to describe basic aspects of textile craft-knowledge (ex. a book i read recently that tried to say that dyeing cotton is far easier than dyeing wool because cotton takes colour more easily than wool, and used that as part of an argument as to why cotton became so prominent in the industrial revolution, which is so blatantly incorrect to any dyer that it seriously harms the argument being made even if the overall point is ultimately correct)

the thing is that craft is a language, an embodied knowledge that crosses the boundaries of spoken communication into a physical understanding. craft has theory, but it is not theoretical: there is a necessary physicality to our work, to our knowledge, that cannot be substituted. two artisans who share a craft share a language, even if that language is not verbal. when you understand how a material functions and behaves without deliberate thought, when the material knowledge becomes instinct, when your hands know these things just as well if not better than your conscious mind does, new avenues of communication are opened. an embodied knowledge of a craft is its own language that is able to be communicated across time, and one easily misunderstood by those without that fluency. an academic whose knowledge is entirely theoretical may look at a piece of metalwork from the 3rd century and struggle to understand the function or intent of it, but if you were to show the same piece to a living blacksmith they would likely be able to tell you with startling accuracy what their ancient colleague was trying to do.

a more elaborate example: when i was in residence at a dye studio on bali, the dyer who mentored me showed me a bowl of shimmering grey mud, and explained in bahasa that they harvest the mud several feet under the roots of certain species of mangroves. once the mud is cleaned and strained, it's mixed with bran water and left to ferment for weeks to months.  he noted that the mud cannot be used until the fermentation process has left a glittering sheen to its surface. when layered over a fermented dye containing the flowers from a tree, the cloth turns grey, and repeated dippings in the flower-liquid and mud vats deepen this colour until it's a warm black. 

he didn't explain why this works, and he did not have to. his methods are different from mine, but the same chemical processes are occurring. tannins always turn grey when they interact with iron and they don't react to other additives the same way, so tannins (polyphenols) and iron must be fundamental parts of this process. many types of earthen clay contain a type of bacteria that creates biogenic iron as a byproduct, and mixing bran water with this mud would give the bacteria sugars to feast upon, multiplying, and producing more of this biogenic iron. when the iron content is high enough that the mud shimmers, applying this fermented mixture to cloth soaked in tannins would cause the iron to react with the tannin and finally, miraculously: a deep, living grey-black cloth.

in my dye studio i have dissolved iron sulphide ii in boiling water and submerged cloth soaked in tannin extract in this iron water, and watched it emerge, chemically altered, now deep and living grey-black just like the cloth my mentor on bali dyed. when i watched him dip cloth in this brown bath of fermented flower-water, and then into the shimmering mud and witness the cloth emerge this same shade of grey, i understand exactly what he was doing and why. embodied craft knowledge is its own language, and if you're going to dedicate your life to writing about a craft it would be of great benefit to actually "speak" that language, or you're likely to make serious errors.

the arrogance is not that different from a historian or anthropologist who tries to study a culture or people without understanding their written or spoken tongue, and then makes mistakes in their analysis because they are fundamentally disconnected from the way the people they are talking about communicate. the voyeuristic academic desire to observe and analyse the world at a distance, without participating in it. how often academics will write about social movements, political theory and philosophy and never actually get involved in any of these movements while they're happening. my issue with the way they interact with craft is less serious than the others i mentioned, but one that constantly bothers me when coming into contact with the divide between "those who make a living writing about a subject" and "those who make a living doing that subject"

[rafesdollette]

NEW NEIGHBOR: BOY NEXT DOOR SERIES (1)

PAIRING: NEIGHBOR!RAFE X LUX!BABYDOLL!READER

SUMMARY It's your first day in obx and your neighbor isn't exactly what you expected.

GENRE: Fluff!

WORD COUNT 1,138

a/n: EEE first series I'm so excited!! This whole concept has been in the making before I even started this account so I'm so glad I'm finally making it happen. by the way, I don't care about this being a lil cliche cause I write for me and my enjoyment so if you don't like it, don't take the time out of your day to make a comment about it. SCROLL

Setting your last box down that's labeled 'kitchen', you glance out of your window, seeing a truck drive past your house and park at the one next to you. You were aware someone lived next to you but you weren't exactly sure who since no one was there when you first arrived.

This is your first home away from your family who lives all the way in Virginia and you've lived in that house since you could remember, so you're not sure what to expect of a neighbor.

As the car comes to a stop in the parking lot, you watch as a tall, short haired blonde guy gets out of the truck. His back was turned to you but you could tell by just the way he walked that he was entitled and maybe even a little snobby.

But still, you were a nice person so of course you were still gonna make an effort to talk to him.

So, you make your way over to his lawn as he mutters some sort of sarcastic comment under his breath as he watches you approach.

“Can I help you?” He asks with a bored expression on his face as he takes in the Saxs Fifth Avenue satin dress you were wearing. You definitely had money.

“Yeah, actually. I was just introducing myself. I'm your new neighbor-” He waves a hand, cutting you off before you can even say your name.

“Yeah yeah I know who you are, princess.” Of course he knew who you were already, the island wasn't exactly huge.

“Right. And you are?” You ask, not missing how he called you 'princess' in almost a mocking way. You weren't sure if it infuriated you , turned you on, or both.

He scoffs in disbelief, looking at you in absolute bewilderment. He was goddamn Rafe Cameron. How did you not know that? “Are you serious? What kind of question is that? Everyone knows me.”

You roll your eyes in response. “Well I don't, that's why I asked.”

“Rafe.” He simply answers. He didn't seem to talk a lot.

“Mm, okay.”

Rafe scoffs again, seemingly surprised by your lack of reaction to his name. “So you haven't heard of me?”

“No...I just got here today, remember?”

“Yeah, I got that the first time.”

You weren't sure what pissed you off more, his lack of enthusiasm or his smartass responses to everything.

“And where are you from, anyway?” He asks as his eyes look over you skeptically. “New York?”

“Virginia” you correct with a slight raise of your eyebrow “Why did you guess New York?”

He shrugs. It was either because of the way you dressed or the way you just carried yourself like you were from an expensive part of the city and aspired to be a model or something along those lines. “Just an assumption.”

You weren't exactly sure how to take his 'assumption' since all the people you met from New York were unhinged but either way, you were flattered.

“Need help unpacking or something?” He asks as he glances over at your house. From where he was standing, he could see right into your living room window that was currently filled with boxes.

The question surprised both of you since he knew he normally wouldn't help anyone without something in return, nor would he consider himself polite or 'neighborly', and it seemed you knew that too. But for some reason, he found himself wanting to help you out for whatever reason. Even though you guys barely even had a full conversation yet.

Once you nod and murmur a “Sure”, you lead him inside your house as he takes a good look around. He knew you had money by the way you dressed but he didn't know you were this well off. Your house was almost as nice as his...almost.

“You live alone or...?” he questions as he looks around at all the boxes you have scattered throughout the space.

“Just me” You step over a few boxes before adding “Oh and London”

He was about to ask who the hell 'London' was until he saw a golden retriever puppy with a pink ribbon tied onto each of their ears, padding into the living room where both of you stood.

Not too many people on the island had dogs unless they were for emotional support so he was a bit surprised to find out you had one of your own. He assumed yours wasn't for emotional support since you seemed fine to him, but then again, you can never tell. And he wasn't gonna ask either cause he wasn't that much of an asshole

He hums as he squats down to scratch behind London's ears “How old is she?” He wasn't exactly certain why he was suddenly so invested in your dog considering how much of an asshole he was acting just a few minutes ago, but he wasn't gonna dwell on that so much right now.

“Two months” You respond as you adjust her collar

His eyes move down to London's collar as you adjust it, scoffing quietly once he sees the Dolce & Gabbana logo on it. Of course you'd spend money on something like that. But then again, he was in no place to judge since he spent his money on alcohol and drugs.

When he finally stands up from interacting with London, he looks around the area again before asking “So where exactly do you want me to start?”

You shrug, looking around with pursed lips before answering “I mean, you could take the kitchen if you want.”

Rafe nods before picking up a few of the boxes and disappearing into the kitchen while you head off to start unpacking your room.

After about an hour and a half of both of you unpacking, you finally got your room mostly done and Rafe got all of the dishes put away in the cupboards.

“Need help with anything else?” He asks as he enters your living room where you're sorting out more boxes.

You shake your head “Nah”

He found himself a little disappointed by your answer for some reason. He'd be lying if he said he didn't wanna talk to you more. “You into partying?”

You shrug, not looking up from the boxes as you answer “Kinda. It just depends on the party.”

“Soo would you come to one of mine? They're pretty legendary.” It was true. Everyone always raved about a Rafe Cameron party since they were always the most chaotic and exciting parts of everyone's week.

“I don't think so.”

He rolls his eyes at your response. Normally people would be thrilled if he personally asked you to one of his parties, but you didn't seem at all fazed. You just shot him down without a second thought. “And why not?”

“I'm new to the island. What am I gonna do at a party? It seems pointless.”

He purses his lips, nodding slowly as he tries to come up with some sort of counter argument. “Well what better way to meet new people, right? Plus, you could always just hangout with me and my friends so you're not standing on a wall all night.”

He's not sure why he's so adamant on you going to this party or why he's offering to introduce you to his friends, he barely knows you. He waits for a few seconds before adding a “Please.”

Rafe wasn't one to beg. At all. He never begged for anything ever in his life, nor did he think he ever would. But here he is, begging a girl he just met to go to one of his parties.

“Fine.” You reluctantly agree. You weren't sure what made you say yes but you did. It was probably your own curiosity or the man in front of you. “I'll be there, when is it?”

He grins “Thursday at 9”

[grey-sorcery]

New to witchcraft? Awesome! Here's some things you should pursue.

An understanding of sympathetic magic: Correspondences, their metaphysical and theoretical framework, and their derivation.

Magical systems that incorporate the entire gender spectrum.

Energy work that isn't based on visualization.

The means of manifestation: How, where, and when spells affect physical change. The physical mechanisms through which witchcraft manifests beyond just willpower/intent/wishes/etc.

The history and subsequent influences of, and on, popular contemporary practices like Hermeticism, "Ceremonial Magick"/Golden Dawn, Wicca, and New Age/New Thought/LOA/Reiki.

How to approach and practice magic with critical thinking skills.

Influence of consumerism on contemporary practices.

Divination as systems: all methods of divination beyond tarot, their statistical applications, and their different methods of use.

The anthropology of medieval Arabia, Europe, Near East, and Asia relative to the magical or occult publications of the era. What is purely religious, parareligious, or syncretist and what does that mean for the interpretation of the text?

The genuine limits of our knowledge of the ancient world, what's possible for us to know and what can't we know?

Conversations with practitioners of closed or semi-closed practices and perspectives of POC when it comes to what the western world would label as "witchcraft".

The differences and similarities between superstition and the practice of witchcraft.

An understanding of the influence of colonialism on modern witchcraft and the language used to discuss magic.

Critical Race Theory (CRT), Queer Theory, and systems of oppression.

Botany and herbology: An understanding of the physical and medical properties of plants.

Building a personal lexicon for modern and/or colloquial terms used in and by the witchcraft community to describe and discuss practices.

Spell design: What makes a spell a spell? What is the smallest or slightest action that can be considered a spell and why? What are the most important and influential elements of the design and application of a spell?

Altars: Their use, design, and potential; whether or not an altar would benefit your practice or goals for practice.

A critical approach to spirit work and astral projection, being able to discern between personal narratives and probable experiences.

A safe and solid community to become a part of. One that does not allow the influence of personal narratives (Without addressing them as such), doesn't allow for the mixing of adults and minors, and with established and enforced logical and reasonable rules.

Collect and cross-reference correspondences from as many sources as possible, then start to create your own.

Try to find a STEM subject that interests you and study it through any non-dogmatic avenues available to you.

The items highlighted in blue are things I highly recommend!

Here is a list of things to avoid.

This is, of course, not an end-all-be-all list of possible responsible and healthy pursuits.

You can learn more about me, find my master-post, check out my Patreon, and suggest content here.

[peachdues]

WISH

Compass one-shot • bad boy!Sanemi Shinazugawa x f!Reader

A tooth-rottingly sweet one-shot honoring my sweet boy’s birthday.

This takes place a few months into Sanemi x Reader’s relationship in Compass — the main story is still in the hot, sticky summer. So think of this like a flash-forward. Don’t worry if you’re not fully caught up — no real spoilers here!

CW: 6k • MDNI • the cozy comfort winter oneshot of your dreams • mostly sickeningly sweet fluff but enough allusions/references to these horny idiots’ very active sex life • some references to gang violence (not descriptive) • swearing • abuse of cake

COMPASS MASTERLIST

Good birthday?

The two words sit on his home screen, a notification labeled with Genya’s name.

It takes Sanemi a moment to make sense of his brother’s text, until he spies the date reflected in the upper corner of his phone.

It’s November 29th.

For someone like Sanemi, dates are only important as far as they signal when something is due — and when something is late. The only dates that matter to him are the ones he’s told to care about; those hard deadlines that go unmet and require Sanemi to strap his crowbar to his back and his gun to his hip, so he can pay some poor bastard a visit.

Today is one of those deadlines, and Sanemi has a list of obligations to follow through on. But Genya’s text is a glaring reminder of the other thing today represents.

It’s his birthday.

Every year, his brother asks him the same thing — though, admittedly, Sanemi thinks the text is more a reminder rather than a happy wish of another year’s passing. Without Genya’s annual good birthday? Sanemi is fairly certain he’d forget November 29th held any significance to him at all.

I’ll be damned, Sanemi thinks, walking up the back entrance to an old computer parts shop — his first stop of the morning. Made it another year.

As unenthused Sanemi is about his birthday, he usually answered his brother with some pithy little acknowledgement. A biting Still alive, ain’t I? or, if he was feeling particularly festive, he’d simply send a thumb’s up, one that signaled his brother that Sanemi was working and didn’t want to risk smearing more blood and sweat across his phone screen than absolutely necessary.

This year, though — his twenty-second, he realizes after doing a quick bit of math — Sanemi’s not in any position to reply to his brother. Not yet, at least. So for now, his phone will have to sit in his pocket; his hands are about to be busy.

He’s got debts to collect.

—

Two hours later, Sanemi sits on his bike in an empty alleyway spliced between Market and Eastern Avenue.

In the last week or so, a strong front of arctic air had swept through the City, plunging it deep into the throes of winter. For a moment, Sanemi was grateful for the chill of the air; he always gets worked up after a collection, his limbs abuzz with hot blood and adrenaline. Cold air helped him settle down faster, cleared his mind so he could approach the next job with the same, violent precision.

Except, it’s now colder than he likes, but that itch still burns hot inside him. Hence, why Sanemi remains here, tucked away in this dark, forgotten alley, huddled over his bike. He’s got nothing to keep warm with but his worn leather jacket and the cigarette perched his lips, its end flowing a faint orange.

Tobacco-tinged smoke curls around his head, mixing with condensation of his breath as he exhales long and slow. The rush of nicotine is both a welcome distraction and extra sedative and finally, Sanemi feels his shoulders relax.

He’s only halfway through his cigarette, but he flicks it to the ground anyway. He’s not sure whether the burning in his throat is from the cold air or this particular bad habit of his, but it’s enough to kill his desire for anything more now that his edge has been sufficiently dulled. Still, he considers whittling himself down to the occasional cigarette is a marked improvement from the daily half pack he blazed through in his youth, before he discovered other outlets for his stress. Maybe he’ll be able to kick the habit all together by this time next year.

Assuming he lives long enough to see his next birthday, that is.

Sanemi’s in the middle of stuffing his lighter back inside his jacket pocket when he feels his phone buzz. He shouldn’t check it, not when his to do list still has one more name to cross off, but he’s already indulged in one bad habit this afternoon. Might as well go two-for-two.

And boy, is he glad he does when he spies the notification bearing your name.

Tell me you’re coming over tonight.

Sanemi’s lips twitch up with a smile he hasn’t been able to muster in days. Leave it to you to brighten his day in so few words.

What time you want me, sweetness?

A cutting gust of wind tears down the alley, whipping and tearing through the layers of his clothes. Any other time, Sanemi would simply hunch over the clutch of his bike and speed off, thinking only of someplace that wasn’t outside.

Now, he’s got you to look forward to.

Your reply arrives a few seconds later. Got a few errands to run so I’m closing up early. Owner can suck it. It’s cold.

It is, Sanemi mentally agrees, and he feels a rush of relief that closing nearly means you’ll be home — or close enough to it — before dark. The uptick in violence through the City has crept too close to your neighborhood for his comfort, and Sanemi already hates you walking home in the dark without him as it is. The season’s shortened days only makes that particular anxiety of his worse.

Thank the fucking stars you’re less inclined to weather the arrival of winter than he is.

It’s a date, beautiful. He texts back before pocketing his phone. He cups his hands around his mouth and huffs, willing his breath to unfreeze his fingers enough to grip his bike’s clutch.

Another torrent of wind rips through the alley, but this time, it brings with it the first snow of winter, pelting his face with fat, cold flakes.

Sanemi tilts his face up toward the sky and grins. It is a sharp, feral thing, full of teeth and challenge. Good. Let it snow as hard as it wants; let it suffocate the City under a thick blanket of white. He wouldn’t care; Sanemi can’t think of a way better to warm up than by crawling under the covers with you. Maybe he’ll even treat himself and convince you to sleep in with him tomorrow. It’s been a few days since he last had the chance to see you. While he knows better than to be a betting man, he’d wager his odds of keeping you in bed were pretty good.

Huffing nice, twice more on his hands and Sanemi starts his bike, its motor roaring to life underneath him. His fingers are still stiff, but he can at least grip his clutch enough to steer it. No doubt the icy sting of the wind will freeze his hands in place, but he’ll worry about how to unstick himself later.

For now, he still has work to do.

In the northwest corridor of the City is a port marina that harbors a smattering of small house boats. It’s inside one of these drafty little boats where his next target hides, no doubt relying on the sudden arrival of winter to trick his creditors into looking for him elsewhere.

That ruse might have worked if anyone else other than Sanemi had been tasked with hunting him down. Unfortunately for him, his name fell in Sanemi’s lap, and now he’s going to have to play host to some very unpleasant company.

Slowly, Sanemi treads his bike to the end of the alley, eyes squinted against the wind and the snow, sweeping the street for any unsuspecting travelers. Finding nothing but the odd plastic bag being whipped and tossed down the sidewalk, Sanemi kicks his bike into gear.

As soon as he gets this job over with, he’ll get to see you.

The engine revs, and then Sanemi is thundering down the street, a renewed warmth spreading through his chest that even the biting cold of November can’t dampen.

—

It’s just after dark when Sanemi pulls up to your apartment, quickly killing the motor on his bike. He scans the dark alleyway behind your complex once, twice, before he glances up at the series of windows. Once satisfied that there are no unwanted eyes tracking his movements, Sanemi makes his way to the building’s side entrance, and begins his steady climb up the stairs.

He twirls his key to your place around his finger. God, he can’t wait to get kick his boots off, strip down to his sweater, and climb into bed with you. Maybe you’ll let him poach off your neighbor’s cable satellite again, and that way, he can find you a movie to half-pay attention to. Or, maybe you’ve snuck away another handful of advanced release copies from work, and the two of you can get to work reading and reviewing them. Either way, Sanemi is ready for the calm he only feels when he’s with you; he’s ready to relax.

The first thing he notices when he steps into your apartment is the smell of something burning.

“Motherfucker —“ he hears your vicious snarl from the kitchen right as something clatters to the floor. “One more fucking thing go wrong, I dare you —“

Calm is not on the agenda, it seems.

The air inside your studio is hazy with smoke, enough that it tickles the back of his throat. Hastily, Sanemi pushes your door shut before it can spill into the hallway and tempt one of the building’s ancient fire alarms. The last thing he wants is to summon the City’s finest and tip them off that a high profile gang member likes frequenting this neighborhood. Or the reason why.

“It’s me.” He calls out, crossing through your living room to crank open one of the arched windows behind your bed. Cold air floods your apartment, the winter wind chasing out the thickest of the smoke into night. “Baby?”

No answer; only more furious clanging and a particularly fierce “oh, fuck you.”

Cautious, Sanemi pokes his head into your small kitchenette. “Y/N?”

He’s not sure what he expected, but he can’t say he’s prepared for the sight of you, standing in front of your oven, hands on your hips and your foot tapping irritably on the floor. A cooling tray lays by your feet, and you don’t seem to be in any hurry to collect it; not when you’re too busy glowering down at your stove.

Sanemi’s eyes follow yours, and he finds what he presumes is the source of the stench. The worst of the smoke rolls off something sitting on your stove, though it’s too black for Sanemi to even guess what it’s supposed to be.

You whirl around and Sanemi has to bite his tongue to keep from laughing.

There’s flour on your cheek and dusted all down your front, along with other smears and stains of beige — batter of some sort, if he had to guess, given the cluttered mess on your counter of used mixing bowls and measuring cups. Your hair is a mess, puffed up and frizzed out from the smoke, framing a face scrunched up in pinched fury.

All things considered, you look pretty damn adorable, but he isn’t about to tell you that. The block of kitchen knives you rarely touch are too close within your reach for his comfort.

So, Sanemi takes the pragmatic approach and casually folds his arms across his chest. He offers with a measured nod of his head toward your oven. “I thought we talked about you cookin’ without supervision.”

For all the grief he’d given you about your inability to make anything more substantive than cereal, Sanemi learned rather quickly it was the most you could be trusted with. Once, you’d tried to show off your culinary skills by making him ramen, only for you to stick the dried noodles in your microwave without water. You hadn’t even noticed the acrid smell of something burning until he pointed it out, and by then, it was too late. It was only after he’d thrown the smoking bowl of scorched, blackened noodles into your sink that he hotly declared you were not to use any appliance in your kitchen while by yourself.

He’d thought you’d agreed to that ban but, as he peers over your shoulder to inspect whatever it is that’s about to set off your fire alarm, Sanemi grimly realizes the two of you are not on the same page.

“I wasn’t cooking, I was baking.” You snap, as though the distinction matters. You yank an oven mitt off one hand and snatch a loose fork from the counter, jamming it right into the smoldering center of whatever the hell it is you’ve tried to make. It pops and sags beneath the stab of the fork, more steam hissing out of the wound you’ve opened in its surface.

You hold the fork up for inspection and your eyes widen with outrage. “How is it burnt on the outside and fucking raw on the inside —?”

Sanemi glances at your oven settings and raises an eyebrow. “‘Cuz you have it set to five hundred — didn’t even know ovens could go that high.”

You chuck the fork into the kitchen sink with more force than necessary. “I was trying to get your stupid cake done before you got here. I wanted you to be surprised!”

He blinks. “What cake?”

“Your birthday cake!” You rip the other oven mitt from your hands scrunching it up before throwing it to the counter in defeat. “It’s your birthday, and I didn’t leave the store ‘til late, so I had to rush to get it done because I couldn’t swing a present other than this stupid cake!” You jab a finger toward the blackened pan still smoking on the stove. “And I couldn’t even do that!”

Sanemi’s eyes widen and for a moment, he can’t remember to blink.

All he can do is stare.

As much as he’s tried to forget them, there were a handful of November 29ths that had stuck with him over the years; a wad of chewing gum cemented to his memory that he couldn’t get rid of no matter how hard he tried scraping it away.

His fifth birthday was spent clinging to his mother’s arm, begging her not to leave him alone in that dinky, unheated shoebox where they lived. His eyes had been teary, and he hated that he was acting like a crybaby, but he didn’t want his Ma to go — didn’t want to be left alone. He wanted her to scoop him up in her arms, to hum fragments of lullabies into his hair as she curled over him beneath their threadbare blankets, desperate for her body heat to sink into her son and keep him warm.

But it was winter, and Sanemi needed something to eat, so Shizu, heavily pregnant, had to go work.

She returned the next day with a lukewarm fast food hamburger Sanemi couldn’t stomach eating. Not when his mother came home sporting a new black eye, so dark and purple that not even her paper thin smile could dull her obvious wince, or the shadowy bruises peppered along her too-thin arms.

He spent his eighth birthday scavenging for spare coins dropped between the sagging, stained cushions of the old man’s broken down furniture.

Genya was nearly three and crying, his belly aching with a hunger he didn’t understand. Their mother was dead, and no one knew how to care for them except for Sanemi, and he’d been desperate; enough so that he’d clawed at the broken wooden couch slats until his numb fingers turned raw; bloody.

Because it was snowing and cold and Kyogo had left his sons at home in the dark, unheated apartment with nothing to eat.

He’d found enough loose change to justify running down to his neighbor’s place, and the old man had been kind enough to give him a packet of stale instant noodles. No seasoning packets, but the Shinazugawa boys had been too hungry to mind.

The only candles he had to mark the day were the mismatched stumps scrounged out of some cluttered drawer. His birthday wish — the very first one he’d ever made — a feeble plea that come December, Kyogo wouldn’t waste the month’s electric bill on booze his sons couldn’t even drink to keep warm. Winter in the Silo was harsh enough.

But December came and went, heralding in harsh winds and thick sheets of ice, and the apartment never once turned warm.

Sanemi never made another birthday wish again.

When he turned ten, Genya brought him home a tiny green race car, no doubt swiped from the basket of loose toys that sat next to the cashier at the nearby corner store. The paint was chipped, and one of the wheels had a tendency to stick whenever Sanemi skated it over the kitchen’s cracked linoleum, but it was a toy, and Sanemi hadn’t had one of those before. So, he ruffled his brother’s hair and the two spent the night rolling the car back and forth to one another across the floor, giddy with that childlike innocence they never got to keep come sunrise.

The corner store it came from closed not long after his birthday, its owner having been dragged out sometime in the night by hooded men, face too swollen and mouth too bloodied to scream.

Not that anyone would’ve helped, anyway. Not here.

Sanemi still has the car, though. It’s since lost a wheel, and the paint has nearly faded away, but it sits in his window sill; a prized token of the boy he’d never been.

For his fifteenth birthday, Sanemi’s lucky ass got not one, but two presents: a broken rib and a black eye. Courtesy of Kyogai, a sleazy had-been in the Corps’ ranks, whose penchant for downers meant he never had enough money to pay his dues to the Corps. Sanemi, a junior at the time, had been sent to collect money Kyogai refused to cough up, and in his youthful arrogance, thought he could simply strong-arm the Corps’ payment back.

That was when he learned never to get between a junkie and their fix — especially once withdrawal set in.

Sanemi returned the birthday generosity on a cold day in January, with his crowbar to Kyogai’s kneecaps. Rumor was he still couldn’t walk without a cane. But he never tried his bullshit with Sanemi again, and he thought that was probably the best gift of all.

So no, Sanemi can’t say he expects much out of his birthdays.

“No one’s ever made me a birthday cake before.”

It’s a breathless sort of admission, one that he’d probably be embarrassed about making if he wasn’t so caught off guard.

His admission monetarily stuns you into silence, and he almost feels ashamed. But you quickly recover and instead offer only a brittle laugh. “Yeah, well. Fucked that up for you, I guess.”

You finally look at him and Sanemi is startled by the tears rapidly lining your eyes.

“It’s just a cake, baby,” Sanemi soothes, hands reaching for you. “And today’s just a day. ‘S no big deal.”

Another great sniff. “It is a big deal!”

Sanemi is all too used to never having and not being allowed to want, so accepting what others want or try to give doesn’t exactly come easy to him. But the sight of you, nearly reduced to tears over the scorched disaster you’d tried desperately to make into something worth marking the day with has him reevaluating twenty-two years’ worth of trained indifference.

Beneath your frustration is clear upset with the situation. Because, you tried.

Sure, Sanemi’s birthdays passed without the usual triumvirate of cake-ice cream-presents he supposes other kids got. Frankly, he didn’t quite see the appeal of it anyway, but that may have been because Sanemi hadn’t known to miss what he never had. November 29th was just a day, after all; the mark of another year gone by without him taking a bullet to the head or having his body dumped in some faraway hole. The watery sun that rose that morning was no different all the others he’d managed to cheat his way into seeing. To him, it’s insignificant.

But not to you. For some reason, you don’t think you’ve given him enough.

Months of being together, and he still hasn’t figured out how to make you understand that he doesn’t need any grand gestures from you. It’s enough that you continue allowing him into your home, your bed, your life; that you soothe his fragmented heart, and chase away the cloud of numbness always lurking over his shoulder with one of your sweet smiles.

He doesn’t want for anything because he already has everything in you.

But you still want to give him more.

God, he doesn’t deserve you. And he certainly doesn’t deserve the tears swimming in your eyes or the frustration that weighs down your shoulders.

Sure, he doesn’t really give a damn about his birthday, but he sure as hell gives several about you, and your defeat is not something he’ll tolerate.

Sanemi fishes his set of keys from his pocket. “C’mon,” he nods toward the door. “We’re going to the store.”

—

“It’s not right,” you sniff an hour later as you hand him an oven mitt. “You shouldn’t be making your own birthday cake.”

“We’re making,” Sanemi corrects, seamlessly pulling the hot pan from your oven and placing it atop your stove to cool. “The present ain’t the cake, anyway.”

He tosses the mitt to your counter and turns to you, eyeing the can of frosting in your hand, one you absently stir a butter knife into, unsure of how else to help.

With a faint smile, Sanemi swipes his finger through the top layer of sprinkled sugar, dolloping it right on the tip of your nose. “You are.”

You roll your eyes, swiping your finger through the small blob of icing and bringing it to your mouth. As you suck the tip of your finger clean, you peer over his arm, nose wrinkling as you as you look down at the golden brown surface of the very much baked-through cake. “Still, box cake mix?”

“A cake’s a cake.”

The kitchen is teeming with the warm, comforting scent of sweet vanilla, one that spreads through the rest of your studio, chasing away the last remnants of burnt confectionary which lingered after your earlier baking fiasco. Boxed mix or not, you have to know that plan b smells leagues better than plan a, even if that means your ego has to take the hit.

“If you say so,” you grumble, shouldering him out of the way as you scoop out a glob of frosting, ready to slap it across the cake’s surface.

“Not yet,” Sanemi corrects, gently catching your wrist before your knife can make contact. “It’s gotta cool first, or else that’s just gonna melt all over the place.”

Your mouth twists into an annoyed grimace. “That seems stupid.” You gripe, stabbing the knife back into the canister of icing, right in its center.

“Chemistry, sweetheart. Didn’t you pay attention?”

“I slept through most of chem back in the day.”

That surprises him. “Weren’t you a goody two shoes?”

You snort. “Not when it came to science. Or math, for that matter. Always got my lowest grades in science and math.”

Sanemi rolls his eyes. “And a low grade for you would’ve been —?”

This time, you drop your head, suddenly sheepish. “Anything below an A.”

Of course. “Damn, wish I’d known.” Sanemi smirks. “Maybe I could’ve made bank tutoring instead of runnin’ around, bein’ a delinquent.” At the skeptical raise of your brow, he scoffs. “What? You think a blossoming criminal couldn’t also score a few As?”

Math had always come easily to him, though that may have been out of necessity than raw talent. Knowing numbers meant he could tally up debts quickly in his head and calculate the exact interest owed, which meant less time wasted wherein his target might be able to get one over on him. Not once had he ever finished a job short-changed. That’s what made him so valuable to the Corps, even back then.

His academic success across the various fields of mathematics and science (which was math with more words thrown in), was just an added bonus.

“Still, though — tutoring?” You laugh. “Sorry — for some reason I can’t picture you meeting some poor kid in the library to go over formulas and equations. I can’t even imagine someone willing to ask you — I mean —“ you gesture to him, and Sanemi knows that’s explanation enough.

“I might’ve. Especially if a certain pretty girl had batted her lashes and asked me all nice and sweet.” Gently, he pushes your hair back over your shoulder, his eyes watching your breath hitch in your throat; the goosebumps that spread over your skin. Smirking, he leans in and presses his lips right below your ear. “Kinda like how you did last week — ‘cept, you were asking me to give you something then, weren’t you?”

The way your cheeks darken tell him you know exactly what he’s talking about.

It was him. Specifically, his cum; you’d begged for it, actually, your recurring chant of fill me up, fill me up, baby, please! sweeter than music to his fucking ears.

You turn to grab the can of icing, defiantly putting your back to him, if only to avoid having to look at the cocky set of his mouth.

Sanemi’s gloating isn’t over. It’s his birthday, after all. “You know I’m right.”

“Oh, shut up before I make you decorate your damn cake.”

Still grinning, he lets you shoo him from the kitchen. Sanemi plops himself onto your sofa and fishes your tv remote from between the cushions. He busies himself flipping through the handful of channels you get, finally landing on some pro baseball game he only watches with half-interest.

“Ready!” You call a few moments later, and Sanemi tosses the remote aside, the game, forgotten.

You hover in front of your counter, hands together twisting nervously. The moment he appears in the kitchen’s small entryway, you step aside, revealing the fruit of your shared labor.

“Happy Birthday, Sanemi.”

The cake is small and its edges are a little lopsided. The icing looks like it was applied the same way as wallpaper paste. A lone, green candle sits lit in the cake’s center, its flame bright and merry.

Sanemi’s never seen anything more appealing in his life.

“You have to make your wish,” you sternly remind him as he leans over the cake, his eyes glued to the candle. “And you can’t say it out loud.”

A birthday cake; his very own birthday cake.

There’s a part of him that hesitates to blow out the candle, too entranced by the way the little flame dances and bends around the wick. After all, the last time he’d made a wish, it hadn’t come true.

And yet, another part of him — that silly, hopelessly optimistic part he knows better than to indulge — wonders if perhaps his eight-year-old self’s wish hadn’t worked because he’d lit the candles for light and feeble warmth. They hadn’t been intended for celebration, and he certainly hadn’t had a cake to hold them.

Maybe that was part of the magic; the spell’s missing ingredients.

This time, maybe things will be different.

His wish is simple, if not a little selfish. But Sanemi thinks that birthdays might be the chance to be selfish, and he’s not making his wish out loud anyways, so maybe he can get away with this.

Sanemi closes his eyes and he wishes for time. Time with you. Time with Genya. As much as the universe will let him have.

That would be enough.

Sanemi blows out the candle.

“C’mere you,” he says roughly, reaching for you. He pulls you into his side and presses a kiss to your temple. “Thank you.”

Your arms wind around his middle. “You did most of the work.”

“You made it a birthday cake, though.” He lays his cheek atop your head. “You turned this whole damn day into somethin’ special. Thank you.”

Without you, Sanemi would never know what it felt like to have his own birthday cake or a candle to wish upon.

Neither of you of bother with plates or cutting slices; instead, you hand him another fork and the two of you dig right in.

At the first bite, Sanemi’s eyes slide shut. Cheap box cake has never tasted so fucking good.

“Not bad,” you say thickly through your own mouthful, leaning over your counter. Another bite is already loaded on your fork. “Wonder what mine would’ve tasted like.”

Sanemi swallows. “Like raw cake batter.”

You turn over your shoulder to stick your tongue out at him, not caring that your mouth is full, or for the crumbs that fall on the counter top.

You’re about to return to the cake when a smear of white catches his eye.

“Hold it.” Sanemi sets his fork down and catches your chin between his thumb and forefinger before you turn away. He tilts your face up, and smirks.

That’s when he leans in, flicks his tongue along your lower lip. He moans at the taste of sugar, the spare bit of icing left on your lip further sweetening the honey of your kiss, his mouth capturing yours.

Your moan rights everything in his world full of wrongs, your fork clattering to the counter.

The hand he keeps on your chin slides to the back of your neck, tilting your head; the other finds purchase at your hip, tugging you closer into him. It only takes a matter of seconds before Sanemi is drunk on your lips, the warmth of the evening liquid honey that pools in his stomach.

Your kiss tastes like cake and home.

He’d stay here all night if he could, but the fervor of your lips moving with his has quickly stolen his breath away. No matter how much he craves your kiss, his body demands air.

With a faint grunt, Sanemi breaks your kiss. The hand on the back of your neck remains firmly in place, keeping you close as Sanemi traces the slope of your nose with the tip of his. “You had icing on your lip. Had to fix it.”

Through his lowered lids, he can see the quickened rise and fall of your chest as you steady your own breathing; the flush in your cheeks. Your eyes are bright, however, illuminated with equal desire and challenge.

Your tongue flicks out to dampen your lower lip and Sanemi’s eyes narrow. “Maybe you should check for more.”

Fuck oxygen. His mouth is back on yours before you can finish your next inhale.

And then, he’s moving.

Though you’re walking backwards, you’re the one guiding him, your fingers hooked through his belt loops as you tug him through your kitchenette and out into the open space of your studio.

His groan vibrates into your mouth. Sanemi doesn’t have to open his eyes to know where you’re leading him; he’s treaded this very path to your bed too many times to count.

Oh, there’s plenty of time for this later, and he’ll happily indulge himself then. Besides, you’re even more sensitive in the mornings, and that means he’s guaranteed to coax two or three orgasms out of you with just his tongue before you both have to go to work in the morning, never mind what he’ll be able to do once he’s actually inside you. It’ll be worth holding off, for now.

But right now, his heart is too full, and tonight has been mending something inside of him he hadn’t known was broken. Something shy and curious, a remnant from the boy who might have secretly longed to know what it felt like to have a birthday mean something; to matter.

Still, he can’t resist fanning the fire a little, the hand on your hip sliding to your ass and squeezing, his fingers dangerously close to the dip in your thighs.

He lets you strip him down to his underwear and you to yours, since that’s how you prefer to sleep when not otherwise naked. Only when he feels your hand sliding down his bare abdomen does he still you, his fingers wrapping delicately around your wrist.

He feels your frown before he sees it. Cautious, your mouth breaks away from his and you lower yourself down from the tips of your toes.

A dent has notched itself between your eyebrows. “You don’t want —?”

Later, he’ll be sure to tell you that he wants you all the time — so much so that it might be a problem. But that’s not what tonight is about — not for him. For now, he can’t risk you discovering that he’s half-hard already; the second your hand finds him, he’ll be too erect to function, let alone think clearly.

He shakes his head. “Actually,” Sanemi hooks his arm around your waist and tugs you back against the bed, falling into your tower of pillows and blankets with you safely encased in his embrace. “I think I just wanna hold you, if that’s cool.”

Confusion flits briefly across your face before your eyes soften. “Of course. Don’t you know that birthdays mean you get whatever you want?”

He didn’t, but that doesn’t matter. Because this is why he loves you: you know, without him ever having to explain. You understand.

With a soft smile, Sanemi rolls to capture you under him, but braces himself above you long enough to allow you to sit up against the headboard. The moment you settle, Sanemi inches up beside you until he can rest his head on your stomach, his arm hugging your waist.

He swears he can hear your smile as you ask, “Happy?”

Exuberantly so; your body is soft in every way his isn’t, and warm. He’s in a heated, dimly lit apartment with no fear of the lights cutting out or the cold outside making his toes turn numb. The girl he loves, loves him back. Everything he hadn’t dared let himself wish for is now his, carding her beautiful fingers through his hair.

it’s almost perfect. Almost.

“Nah, I’ve got one more request.”

He leans over you and pulls a novel from the top of the stack that perpetually sits on your side of the bed, never shrinking. He hands it to you, meeting your inquisitive eyebrow with his smirk. “Read to me.”

He doesn’t care what book it is — whether it’s something he’s read before, or of a genre he isn’t all that into, it doesn’t matter. He just wants to hear you.

“A bedtime story? Really?” You tease, but you’re already flipping to the first page.

Content, Sanemi turns his face further into your stomach, burrowing harder into you. One hand still smoothing through his hair, you begin to read the prologue, pausing for dramatic effect where the passage calls for it. Slowly, the hours unfold as your voice weaves together the story — some high fantasy set in a distant world. Once upon a time, Sanemi would’ve wished he could dive into the pages of his book; anything to escape his reality.

Now, he can’t imagine being any place better than right here, with you.

—

It’s nearly midnight when Sanemi remembers Genya’s unanswered text still sitting in his inbox. Carefully, so as not to disturb you and your faint snoring, he untangles himself from you. One hand pats across the surface of your bedspread, searching for the small rectangle while the other gingerly removes the book still propped between your fingers. You’d made it about five chapters, your thumb still marking the page where you’d dozed off mid-passage.

Book in hand, he turns and tosses it on your threadbare rug, and it lands with a dull thump. He finds his phone near the foot of your bed. His eyes flick to you once to confirm that his gentle movements have not disturbed your well-earned rest.

Your mouth twitches with another light snore, and Sanemi smiles.

He clicks his phone to life, taking care to keep it turned away from you, mindful of the bright little screen. Quietly, he thumbs his answer to his brother. The moment he taps the send arrow, he tosses his phone back to the ground and reaches across the duvet for you once more.

A few hundred miles away inside a sleeping boys’ dormitory, under Zenitsu’s nasally snores and the odd, violent twitch from Inosuke, Genya’s phone buzzes from its place under his pillow.

Yeah. Good birthday.

REBLOGS AND COMMENTS APPRECIATED!!

[abrasife]

He said something he didn't mean back then? Well, it honestly didn't seem like it to Keith, but he supposed it was best to accept that reasoning. People who had crushes on other people could possibly blow things out of proportion at times (like the time he had gotten a bit too anxious, maybe jealous, for his own good when the girl he liked was being chummy with a guy they both knew). He supposed that Connor lashing out back then was similar to that feeling he had himself concerning Ophelia. Besides, that was years ago—why was he even stuck on that interpretation anyway?

❝ I'm not mad about it, ❞ Keith replied, clarifying his feelings. He wasn't; he really wasn't. It was more like... he felt hurt by those words. He didn't really know. But it was clear that because of how he seemed to be averse to mentioning Reanne's good points did rub Connor the wrong way back then. Though, that moment sure did tell him that it was others' feelings that mattered more than what he was trying to get at with his words. After all, Keith recalled mentioning her flaws as a reality check—that just because Reanne was good at times didn't mean her flaws were easy for most people to handle (hell, even now she still had the same worrying coping problems).

Now that he thought about it, what even happened with those two after that conversation? Briefly glancing toward Connor, just barely bringing the other's arm into his field of vision, Keith debated on shifting the topic away from the confession of vulnerability he had made earlier, ❝ Do you and Reanne still talk? ❞ Honestly speaking, he doubted they would get together if Connor hadn't already gotten rejected by this point.

Changing the topic was probably the only thing he could do at this point—bringing up feelings again without being asked was simply too hard to do. He couldn't say it all again unprompted. His eyes darted between the toast and the bottle, debating as to which one to reach out to. Reaching for the toast again, Keith used it as an excuse to keep his mouth shut, taking another bite to avoid having to somehow steer the conversation back to what it was supposed to be. He would've reached for the water bottle, but it wasn't like he could open it himself anyhow (and he wouldn't dare ask for help to open it unless he wanted to feel ashamed again).

Connor got up to throw the cardboard container in his hand away, knowing if he got into the bad habit of leaving trash sit out it tended to make his depression worse due to clutter in his apartment. He took the time to grab them each a water, making sure that Keith's was room temperature. He wasn't sure exactly what was going on with Keith's hands, but it seemed that anything cold made it worse and he didn't want to trigger anything that he could avoid. Especially now that he knew and realized what was going on. The raven did feel bad for not picking up on it sooner, though, and making the other male spell it out for him. Usually he was better at picking hints up than that, he must be slightly off his game.

He decided that it was okay, though, since he and Keith had never really talked like this. Connor was just starting to learn the other and his habits and in due time would be able to react to him accordingly. It was one of the things that Connor learned from being on the sidelines for so many years, even if at times it looked like his life was together. The raven honestly was fighting to stay above water with every passing breath.

He worked his way back into the living room, setting the room temperature water in front of the other and taking a drink of his own before setting it down next to his tea. Connor could go days without eating, especially if he brought himself to take a drink every once in a while. Everyone, of course, was different and Connor refused to put depression and anxiety in themselves in a box. Keith handled his depression a lot differently than the raven, and such in reverse.

Connor looked over at Keith when he talked, avoiding looking at the other up until this point. He noticed the towel had moved and a few bites were taken out of the toast. Good. Something was better than nothing. Connor wanted to give Keith more, something that would actually benefit his stomach in the long run that still would be easy to eat, but Connor mentally could only bring himself to do so much still.

"Everyone says something that they don't wholeheartedly mean in the long run. every once in a while." He'd said those words to Keith before he'd ever really gotten to know the guy. Everyone deserved to be gotten to know, and Connor tried hard to not lash out before doing so, but in the long run no one is perfect.

He gave Keith a small smile, almost wanting to reach out to him so the other knew he was being true, but didn't want to spook the guy out of being even the small amount of comfortable that he was right now. "I'm sorry that I said that to you, and I thoroughly hope that you forgive me at some point for saying it." He sighed, leaning back on the couch now and falling silent.

[certified-bi]

Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

[mostlysignssomeportents]

AI art has no anti-cooption immune system

TONIGHT (July 20), I'm appearing in CHICAGO at Exile in Bookville.

One thing Myspace had going for it: it was exuberantly ugly. The decision to let users with no design training loose on a highly customizable user-interface led to a proliferation of Myspace pages that vibrated with personality.

The ugliness of Myspace wasn't just exciting in a kind of outsider/folk-art way (though it was that). Myspace's ugliness was an anti-cooption force-field, because corporate designers and art-directors would, by and large, rather break their fingers and gouge out their eyes than produce pages that looked like that.

In this regard, Myspace was the heir to successive generations of "design democratization" that gave amateur communities, especially countercultural ones, a space to operate in where authentic community members could be easily distinguished between parasitic commercializers.

The immediate predecessors to Myspace's ugliness-as-a-feature were the web, and desktop publishing. Between the img tag, imagemaps, the blink tag, animated GIFs, and the million ways that you could weird a page with tables and padding, the early web was positively bursting with individual personality. The early web balanced in an equilibrium between the plunder-friendliness of "view source" and the topsy-turvy design imperatives of web-based layout, which confounded both print designers (no fixed fonts! RGB colorspaces! dithering!) and even multimedia designers who'd cut their teeth on Hypercard and CD ROMs (no fixed layout!).

Before the web came desktop publishing, the million tractor-feed ransom notes combining Broderbund Print Shop fonts, joystick-edited pixel-art, and a cohort of enthusiasts ranging from punk zinesters to community newsletter publishers. As this work proliferated on coffee-shop counters and telephone poles, it was visibly, obviously distinct from the work produced by "real" designers – that is, designers who'd been a) trained and b) paid by a corporation to employ that training.

All of this matters, and not just for aesthetic reasons. Communities – especially countercultural ones – are where our society's creative ferment starts. Getting your start in the trenches of the counterculture wars is no proof against being co-opted later (indeed, many of the designers who cut their teeth desktop publishing weird zines went on to pull their hair and roll their eyes at the incredible fuggliness of the web). But without that zone of noncommercial, antiestablishment, communitarian low weirdness, design and culture would stagnate.

I started thinking about this 25 years ago, the first time I met William Gibson. I'd been assigned by the Globe and Mail to interview him for the launch of All Tomorrow's Parties:

https://craphound.com/nonfic/transcript.html

One of the questions I asked was about his famous aphorism, "The street finds its own use for things." Given how quickly each post-punk tendency had been absorbed by commercial culture, couldn't we say that "Madison Avenue finds its own use for the street"? His answer started me down a quarter-century of thinking and writing about this subject:

I worry about what we'll do in the future, [about the instantaneous co-opting of pop culture]. Where is our new stuff going to come from? What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger. I didn't see it coming until a few years ago, but looking back it's very apparent.

I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees.

In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.

Ugliness, transgressiveness and shock all represent an incoherent, grasping attempt to keep the world out of your demimonde – not just normies and squares, but also and especially enthusiastic marketers who want to figure out how to sell stuff to you, and use you to sell stuff to normies and squares.

I think this is what drove a lot of people to 4chan (remember, before 4chan was famous for incubating neofascism, it was the birthplace of Anonymous): its shock culture, combined with a strong cultural norm of anonymity, made for a difficult-to-digest, thoroughly spiky morsel that resisted recommodification (for a while).

All of this brings me to AI art (or AI "art"). In his essay on the "eerieness" of AI art, Henry Farrell quotes Mark Fisher's "The Weird and the Eerie":

https://www.programmablemutter.com/p/large-language-models-are-uncanny

"Eeriness" here is defined as "when there is something present where there should be nothing, or is there is nothing present when there should be something." AI is eerie because it produces the seeming of intent, without any intender:

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

When we contemplate "authentic" countercultural work – ransom-note DTP, the weird old web, seizure-inducing Myspace GIFs – it is arresting because the personality of the human entity responsible for it shines through. We might be able to recognize where that person ganked their source-viewed HTML or pixel-optimized GIF, but we can also make inferences about the emotional meaning of those choices. To see that work is to connect to a mind. That mind might not necessarily belong to someone you want to be friends with or ever meet in person, but it is unmistakably another person, and you can't help but learn something about yourself from the way that their work makes you feel.

This is why corporate work is so often called "soulless." The point of corporate art is to dress the artificial person of the corporation in the stolen skins of the humans it uses as its substrate. Corporations are potentially immortal, artificial colony organisms. They maintain the pretense of personality, but they have no mind, only action that is the crescendo of an orchestra of improvised instruments played by hundreds or thousands of employees and a handful of executives who are often working directly against one another:

https://locusmag.com/2022/03/cory-doctorow-vertically-challenged/

The corporation is – as Charlie Stross has it – the "slow AI" that is slowly converting our planet to the long-prophesied grey goo (or, more prosaically, wildfire ashes and boiled oceans). The real thing that is signified by CEOs' professed fears of runaway AI is runaway corporations. As Ted Chiang says, the experience of being nominally in charge of a corporation that refuses to do what you tell it to is the kind of thing that will give you nightmares about autonomous AI turning on its masters:

https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way

The job of corporate designers is to find the signifiers of authenticity and dress up the corporate entity's robotic imperatives in this stolen flesh. Everything about AI is done in service to this goal: the chatbots that replace customer service reps are meant to both perfectly mimic a real, competent corporate representative while also hewing perfectly to corporate policy, without ever betraying the real human frailties that none of us can escape.

In the same way, the shillbots that pretend to be corporate superfans online are supposed to perfectly amplify the corporate message, the slow AI's conception of its own virtues, without injecting their own off-script, potentially cringey enthusiasms.

The Hollywood writers' strike was, at root, about the studio execs' dream that they could convert the "insights" of focus groups and audience research into a perfect script, without having to go through a phalanx of lippy screenwriters who insisted on explaining why they think your idea is stupid. "Hey, nerd, make me another ET, except make the hero a dog, and set it on Mars" is exactly how you prompt an AI:

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

Corporate design's job is to produce the seeming of intention without any intender. The "personality" we're meant to sense when we encounter corporate design isn't the designer's, nor the art director's, nor even the CEO's. The "personality" is meant to be the slow AI's, but a corporation doesn't have a personality.

In his 2018 short story "Noon in the antilibrary," Karl Schroeder describes an "antilibrary" as an endlessly deep anaerobic lagoon of generative botshit:

https://www.technologyreview.com/2018/08/18/104097/noon-in-the-antilibrary/

The antilibrary is a generative AI system that can produce entire librarys’-worth of fake books with fake authors, fake citations by other fake experts with their own fake books and biographies and fake social media accounts, on-demand and instantly. It was speculation in 2018; it’s possible now. Creating an antilibrary is just a matter of investing in a sufficient number of graphics cards and electricity.

https://kschroeder.substack.com/p/after-the-internet

Reading Karl's reflections on the antilibrary crystallized something for me that I've been thinking about for a quarter-century, since I interviewed Gibson at the Penguin offices in north Toronto. It snapped something into place that I've trying to fit since encountering Henry's thoughts on the "eeriness" of AI work and the intent without an intender.

It made me realize why I dislike AI art so much, on a deep, aesthetic level. The point of an image generator is to buffer the intention of the prompter (which might be genuinely creative and bursting with personality) in layers of automated decision-making that flense the final product of any hint of the mind that caused its creation.

The most febrile, deeply weird and authentic prompts of the most excluded outsiders produce images that feel the same as the corporate AI illustrations that project the illusion of personality from the immortal, transhuman colony organism that is the limited liability corporation.

AI art is born coopted. Even the 4chan equivalent of AI – the deeply transgressive and immoral nonconsensual pornography – feels no different from the "official" AI porn churned out by "real" pornographers. "Shrimp Jesus" and other SEO-optimized Facebook slop is so uncanny because it is simultaneously "weird" ("that which does not belong") and yet it belongs in the same aesthetic bucket of the most anodyne Corporate Memphis ephemera:

https://en.wikipedia.org/wiki/Corporate_Memphis

We call it "generative" but AI art can't generate the kind of turnover that aerates the aesthetic soil. An artform that can't be transgressive is sterile, stillborn, a dead end.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/07/20/ransom-note-force-field/#antilibraries

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

--

Jake (modified) https://commons.wikimedia.org/wiki/File:1970s_fanzines_(21224199545).jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[draconic-desire]

A Dance With the Dragon II — Mates

Yandere Neuvillette x Reader

[Part I] [Part II — You are here] [Part III] [Part IV]

Neuvillette brings you to your new “home”, which also comes with new challenges.

Warnings: Emotional manipulation, forced imprisonment, Neuvillette accidentally goes a little feral here, brief non-con at the end

One of the first things Neuvillette did was move you from the apartment at the Palais Mermonia (your prison for the past four centuries) to his personal residence. Securing his palms to your waist, he teleported you directly into the foyer of the massive home.

The interior was splashed with blues and whites that matched the Chief Justice’s own color palette. The upper walls were decorated with friezes depicting various marine creatures, from floating otters (how ironic) to bobbing seahorses. A grand spiral staircase led to the upper floor, while a set of double French doors connected the foyer to a massive living room adorned with plush love seats and armchairs, tasteful artwork of Fontainian landscapes, and enormous windows that overlooked the sea. It appeared the house was set into a cliffside, with the waves battering the rocks far beneath you.

You paced into the living room, running your hand along the blue silk couch cushions. To your left, a door led out to what appeared to be an inclosed courtyard with a miniature fountain. To the right was a closed door, a familiar dragon carved into its exterior. Your arm burned in resonance.

Though you were loathe to admit it, the place was beautiful.

“Do you like it?”

Shifting your gaze to him, it was clear that Neuvillette was desperate for your approval. Ever since he let you outside to discover the true length of your imprisonment, you had rarely spoken a word to him. Clearly, your silence had done a number on him, as the normally composed man was fidgeting nervously.

When you kept quiet, Neuvillette cleared his throat. “I admit, part of why things took so long was due to my insistence that everything be perfect for your arrival. I rearranged our bedroom perhaps a dozen times, and I couldn’t for the life of me decide what your personal room should entail.” When you glanced out towards the fountain, he coughed, rubbing the back of his neck. “Ah, that was a…sentimental addition. It makes me think of how we met.”

You’d never forget that Archons-damned fountain. If only you hadn’t been so naive. Hydro Dragon, Hydro Dragon, go away.

Neuvillette extended his palm towards you in what appeared to be both a peace offering and an order. “Shall I give you a tour?”

Suddenly your feet appeared very interesting. What were you supposed to say? This technically was your home now, like it or not. You’d become painstakingly familiar with it with time. Although you weren’t imprisoned within the Palais as before, your new life still promised shackles nonetheless.

“Could you just show me my personal room?” You sighed. “I’d prefer to just rest after that.”

Neuvillette smiled softly, relishing the sound of your voice. “Of course.”

Twisting his fingers through your own, he led you towards the dragon door. Once again, your hidden tattoo pulsed with energy. It felt like a pull forward, a welcoming embrace. You realized then that there must be some sort of warding spell on this room, likely meaning only you and your captor could enter.

Marvelous.

Pushing the door open, Neuvillette swept his arm gracefully through the entrance. “After you, my love.”

You stepped in and immediately went still.

For in every direction around you was rows upon shelves upon stories of books.

Neuvillette had build you your own personal library.

And not just that. You noticed that entire sections pertained to your personal interests—marine biology, photography, even your personal favorite genres of novels. A separate door labeled Dark Room promised an avenue for you to pick up photography again. Similar couches and chairs as the living room were arranged around a huge coffee table, and a cracking hearth added to the cozy atmosphere.

Your throat bobbed. You had always dreamed of owning a room like this, a place where all your passions converged. But to have it under these circumstances…you didn’t know how to react, torn between frustration and a grateful little voice in the back of your head that you buried at once. No, I didn’t earn this. I don’t want this. It was forced on me.

All you could choke out was, “This is…mine?”

“Down to the last book.” You could hear the pride in his voice. “I spent the most time on this room. Over a century to get it right.”

You startled. A century? Your heart stumbled, but your hands fisted by your sides. So much given, yet what had it cost you?

Shaking your head, you simply said, “I’d like to be alone.” Connecting your eyes with his, you could see his hurt, the expectation of a grand reaction on your part that you refused to indulge.

However, the look was quickly wiped from his face, for he must have seen something broken in your facade. A muscle in his jaw feathered as he approached you, a gloved hand stroking your cheek. “I understand you must be overwhelmed. I’ll leave you to explore,” Neuvillette said, placing a kiss on your forehead before heading for the exit.

“Neuvillette?”

Said man turned back towards you, a hopeful look in his eyes.

“Why me?” You grabbed your arm where the shadow of your draconic tattoo hid. “Why…all this?”

His gaze immediately softened. “My dear, we have centuries for me to show you.”

~*~

It was times when Neuvillette was vulnerable that it was hardest to hate him.

He had returned home after a long day at court to find you sitting in the courtyard on the edge of the fountain, peering up at the night sky as if the stars held some answers. Moonlight bathed you in an ethereal glow, and if he didn’t already think you a goddess, he would have pledged himself to you then and there.

You hadn’t noticed him yet, too involved in your own thoughts. True to his word, Neuvillette had given you time and space to enjoy your new (cage) home. You had to admit, it was a major upgrade from the Palais, and you knew the Iudex would continue to let you explore Fontaine, if you tolerated his presence beside you. However, you knew this dance wouldn’t last—it was only a matter of time before Neuvillette expected something in return. It was abundantly clear that he desired your affections, but how far would he go in order to sway you? To fully make you his?

A sea breeze whipped around you, eliciting an involuntary shiver to rip up your spine.

A sudden warmth enveloping your form brought you back to reality. Blinking in surprise, you peered up to see the Chief Justice smiling softly at you, his purple irises sparking with longing and care. His elaborate attire was gone, leaving only his pale undershirt.

He’d given you this coat.

“I…thank you,” you mumbled, averting your eyes from the man.

“Do my ears deceive me? Did my dear (Y/n) actually acknowledge me?”

Your grip on his robes tightened. “Don’t mistake my words for kindness. I haven’t forgotten what you are.”

A sigh. “Despite what you may believe, I’m not a monster.”

You deadpanned. “You’re quite literally the Hydro dragon.”

“Archons above,” Neuvillette whispered, glancing up at the sky as if it held the key to winning your heart. “I was referring to a monster in the definition you humans use.”

“What? You mean like a man who would kidnap and imprison an innocent person—”

“Considering you are not in the Fortress of Meropide, I’d hardly consider this imprisonment.”

“What, have I offended you?” A scoff left escaped you. “If you want to play house, at least own up to your actions. Don’t pretend you’re some sort of gentleman.”

Neuvillette was silent for a beat, his mouth a thin line. Unexpectedly, his muscles relaxed as he released his tension. He lowered his large frame, taking a seat next to you. “You’re right.”

You sketched a brow in surprise.

Neuvillette trained his eyes on his palms, facing upwards in his lap. “I understand neither what it means to be human, nor what it means to be a god. I was given this duty to protect and uphold the laws of Fontaine, and yet I cannot save those who need it most.” His fingers formed fists, and his lids closed solemnly. “Carole, Vautrin…all of the others I have failed…”

You worried your lower lip. Although he had already informed you of his friends’ fate in your absence, it was still a raw wound for the both of you. Yet the anguish in Neuvillette’s eyes twisted your heart. How could a man be so duplicitous, so capable of both justice and blind obsession?

As if sensing your conflict, Neuvillette gently took your face in his hands, tilting your chin so that your eyes locked once again. His eyes danced with silver sparks of emotion, like cracks of lighting across a dark sea. A thumb brushed away a tear you hadn’t even realized had fallen.

“So if I can protect but one thing, one person, I will do it.”

~.~

You often noticed that Neuvillette’s horns got stuck in his robes.

Honestly, it was kind of humorous. In the beginning, watching him struggle gave you a sick sense of satisfaction. You’d take any circumstance that inconvenienced him, however petty that might be.

But today, seeing the Chief Justice pouring over a case regarding the protection of Fontaine’s sea life at an ungodly hour, head propped on a fist to keep him awake, you couldn’t help but feel sympathetic when he emitted a low hiss as his horns tangled into the ornamentation of his attire once again. “Damned human attire,” he cursed.

Neuvillette wasn’t an inherently bad man. In fact, your own case aside, he had invoked significant and positive change in Fontaine’s legal system. He judged cases fairly and prudently, working himself ragged each day to ensure the nation’s safety. It would have been admirable to you in any other circumstance.

You didn’t know what possessed you when you stepped behind him and carefully untangled his twin blue horns.

At your touch, Neuvillette immediately froze. His heart rate skyrocketed and his mind went blank because you were touching him.

And not just anywhere, but his horns. Unbeknownst to you, a dragon’s horns were the most sensitive part of its body, only to be handled by itself or its mate. One brush was akin to a lovers embrace, the whisper of a kiss, the hot breath shared between partners in the thralls of passion. Not only was the touch intensely intimate, it was also an acknowledgement—an acceptance of the male’s advances onto his partner.

Oh, if only you knew how many times he had fantasized about this, your acknowledgement of him and his love for you. Although his rational, human side knew your touch as unintentional, the dragon within Neuvillette reared and roared against his skin, demanding to be set free upon its mate.

“Your horns were caught,” was all you said as you settled back into the sofa, flipping to the marked page of your novel.

If you had looked up, you would have witnessed the Iudex gently touching his horns in awe. He swore he could still feel the brush of your palm against him, shivering delightfully at the mere memory of your touch.

Little did you know that your simple act of kindness would unleash the storm.

~*~

The one unfortunate deviation of your current accommodations from the Palais Mermonia was Neuvillette’s unyielding insistence on sharing a bed.

You had foolishly thought escaping him, even if just within the confines of your shared home, would be simple. You believed the library, what he even referred to as your room, would be your bedroom as well. Despite the lack of an actual bed, the plush couches and ever-lit fire provided more than enough comfort to lull you to sleep.

But when you had opened your eyes, you were mere inches away from Neuvillette’s shirtless, sleeping form.

You had assumed it was due to the draconic symbol guarding the room; perhaps it linked you to him more than you had thought. So, the next night, you decided to sleep in the parlor instead.

Only for your hopes to be shattered the next morning when you awoke not only in bed with your captor, but with your limbs entwined.

Anger, shame, and a touch of something you couldn’t quite place—something not entirely unpleasant—flooded you as you tore yourself out of his embrace. How was he doing this? Was it magic, or would he physically carry you to bed each night?

This pattern repeated itself. You would pick various places around the huge house to retire for the night. However, you would wake up in bed next to Neuvillette each morning without fail.

You had even reverted to your previous stubbornness and slept on the ground a few nights, but to no avail. It seemed you were bound to his bed.

Tonight, you decided to face the issue head-on. You stormed up the stairway and into the spacious bedroom, ignoring the pain in your lower back due to all the errant surfaces you had tried to sleep on. The downy pillows and lush, cream comforter practically begged you to surrender to the king-sized bed and its occupant.

Instead, you halted at the foot of the bed and crossed your arms. “You have to stop this.”

Neuvillette immediately looked up from the tome in his lap, his reading glasses slipping down his nose. He hadn’t yet changed out of his white dress shirt, and the buttons revealed a hint of his toned chest as he set the book down. “And what exactly are you demanding I stop?”

You huffed a laugh. “I wish I could say all of this,” you waved your hands around, as if that would convey the entirety of the situation, “but I mean putting me in your bed each morning.”

“Our bed,” he corrected, as if that were the issue.

“No, your bed. Are you really telling me that with all this space, you can’t just let me sleep alone?”

He removed his glasses with a sigh, setting them on the nightstand. “I could, but I don’t want to.”

You seethed. “Well, I do.”

Neuvillette’s violet gaze pinned you with something like hurt. “Have I truly done something to upset you? It seemed as if you were settling into our new home quite nicely. Our conversation and touches were…” His throat bobbed. “Pleasant.”

You narrowed your eyes and bit out, “Don’t take any of that as complacency. You’re still a monster.”

Neuvillette flinched in response and, for just a moment, you felt a piece your heart falter. That is, until he whispered, “Mates don’t sleep apart.”

The room went utterly still.

Your voice came out as a breath of air, but the words were clear: “I am not your mate.”

It was then that you noticed the claws emerging from his fingertips, piercing into the sheets under his form. His eyes flashed silver, dangerous as knives. You could have sworn you saw a pair of elongated canines as he grit his teeth. “You have no idea how difficult it has been,” he breathed, voice tight, desperate.

On instinct, you took a pace back. You suddenly felt like a cornered animal, unable to avert your gaze from those claws that looked ready to tear into you. Clearly you had misjudged the situation—the Hydro Dragon was a starved, deadly predator, and you were practically served on a silver platter as its next meal.

Icy panic raced through your veins. You’ve never seen him like this, so out of control and inhuman. Trying to mediate the situation, you put your hands up in surrender. “Neuvillette, listen to me. Just calm down.”

You had hoped that saying his name would do just that, but it seemed to only rile him up further. The Chief Justice of Fontaine actually growled in response. You couldn’t tell if it was a warning or a plea. “You deny your mate, and now you’re telling me to simply calm down?”

Another step back. Just put out the fire and deal with the consequences later. “I apologize for being confrontational. I think it’s best if I just go—”

Before you could react, Neuvillette pounced forward and grabbed you by the shoulders, pulling you onto the bed. You released a cry and tried to scramble away, but he spun you around and pinned your back against the mattress with his muscular frame. He loomed above you on all fours, his hands gripping your arms and applying just enough pressure to hold you still without hurting you. The glint in his eyes, however, promised pain that was yet to come. You were the prey about to get its throat torn out.

“Wh-what are you doing?” You struggled, heart skyrocketing at the feel of his arousal pressing against your core.

"Something I’ve needed to do for four hundred years," he growled huskily, his breath fanning your lips moments before they slammed against yours.

The kiss was hungry, predatory. Obsessive. You could feel the release of each year, each century, as his mouth devoured yours. You arched your back in an attempt to get away, but Neuvillette was quicker. He lifted your form easily and slammed your back against the bed once again. At your gasp of shock, he took the opportunity to slip his tongue into your mouth.

You fumbled around for something, anything that you could take purchase of. Your arms were pinned, but you were just barely able to grab onto the first thing and tug: his horns.

Neuvillette moaned, a deep, throaty sound that sent heat flooding through you.

It was in that moment you realized your mistake. You recalled how some marine animals with horns had millions of nerves within them, making these appendages a source of sensory stimulation. When you had started adjusting his horns after they were getting stuck, it must have been like touching his—

Oh, fuck.

Neuvillette released you arms, grinding against your thigh. “Do that again,” he begged, though it came out as more of a growled order.

“Neuvillette, stop—” An involuntary whine escaped your lips.

Your lewd noises only instigated him. His movements became more erratic as he slid a clawed hand up your leg and to your core, which was protected by only a nightgown. You jerked as his finger pinched your clit, eliciting another whine.

Neuvillette’s eyes sparked with heat, dual purple flames that devoured your form. “That’s it, my dear. Let me take care of you.” He bit down on your neck, causing you to cry out. He was marking you before he took you fully.

“Tonight, you become more than my wife. You become my mate.”

~*~

You laid there limply in Neuvillette’s arms. He peppered you with kisses and whispered words of protecting you and lofty dreams of your future together, but it fell on deaf ears. None of it made you forget about the bites along your neck or your throbbing core.

You couldn’t believe you had let his kindness fool you for even a second.

You had to escape this prison.

[hellishjoel]

ungodly and unprofessional

5.6k / pairing: linecook!frankie x waitress f!reader

Series Masterlist l Previous Chapter | Main Masterlist | Notifications Blog

summary: who said anything about falling in love? you're just co-workers. warnings/information: MA 18+ (minors DNI), smoking, descriptions of food and drink, reader is described to have hair (not descriptive of what color/length/etc.) and wears a waitress uniform, explicit smut, consensual somnophilia, swearing, pet names, allusions to bad parenting/parental abuse, descriptions of a parent abusing drugs and alcohol (please heed these warnings and do not read if you are concerned these may be triggers), lastly not beta'd (lmk if you're interested!) A/N: five or six months later, who really knows. believe it or not, I was never not working on this or thinking about it for all of those months... which is crazy. I completely wing these chapters which is probably why it takes so long but you guys don't mind, right? enjoy these cuties falling deeper <3 I almost forgot - shoutout to BistroHuddy on TikTok because one of their segments inspired something in here (but no spoilers!)

“To love someone is firstly to confess: I'm prepared to be devastated by you.” Billy-Ray Belcourt. 

You have this silly poetry book someone gave you as a birthday present or holiday gift exchange a few years ago. You’ve never picked it up until now. You’re shocked to say all of these cheesy love quotes and poems make you think of one very specific person: a guy with dark curls, a scruffy beard, amber eyes, and the perfect smile. Francisco. 

Falling for a man like Frankie feels like growing up— a sign of maturing compared to the ghosts of terrible boyfriend's past. 

Come to find out, it’s easier to go for the wrong guys, easier on your heart in a way — you don’t feel like you are actually losing anything. 

That’s why you would bet on losing dogs. Invest your emotions and need for romance in those who don’t reciprocate. The ones who despise commitment or lack emotional availability leave you in a state of disappointment. 

Better that than full-blown heartache. Better than ripping yourself open at the seams for another, only to be the one to sew yourself back up again. But not better than winning. 

The letter Frankie’s father sent him weeks ago had been burned into your brain. Every single word, each break of a new paragraph, lines of apologies, and convincing stories of ‘the good times’ they used to have. 

Frankie appeared to be just as wary about the letter as you were, neither of you so easily trusting. Frankie didn’t trust his father, but you did trust Frankie—end of story. 

You’ve never known Frankie to be so tightly closed about something that bothers him. He was the type of man who wears his heart on his sleeve, an open book. 

Aside from allowing you to read the letter, you two have barely spoken about it. And not due to your lack of trying. 

There wasn’t a need for you to bring clarity to the situation, it wasn’t up to you to encourage Frankie to allow his father back into his life. But there was still a lot of emotional trauma that he carried that he didn’t have to bear alone. You just wanted him to know that you support him in whatever avenue he decides is best. 

To forgive or to forget. 

Frankie releases a sigh from his parted lips, squeezing his eyes closed tighter as your alarm chimes from your phone on the bedside table. He hates the fucking morning shift. 

The air is sticky and thick, and the fan on his bedroom ceiling is doing little to help. Late August is still taking its toll on Texas and its residents, but he’s reminded that this time last year, he sunk down on his knees in the back kitchen and tasted you on his tongue for the first time. Can’t believe it’s been a year since then. Plus all the events that have transpired since. 

There’s no label between you two other than the fact you are exclusive— putting your focus on each other and not seeing other people. It was good, better than nothing with you. 

His eyelashes finally flutter open, seeing you shift in the dark to turn off the alarm, only to dig your face deep into your pillow. He thinks you’re fucking adorable. 

Frankie is by no means a morning person, but waking up beside you has changed his perspective. Your hair is a scattered mess, the ponytail having fallen loose in the tosses and turns of last night. The sunlight peaking through the blinds highlights the slope of your nose and Cupid’s bow. Arms tucked into your front, leg hiked up like a ballerina.

His mind starts to swirl at the conversation you shared recently, that you wanted to try something… new. To be surprised. To be taken by him in your sleep. 

He was shocked to hear you say it, all shy and meek - it’s not a side of you he sees often. But it’s the vulnerability talking, advocating the trust you share together. 

“I want to wake up with you inside me.”

Frankie had to blink a few times, his large hand cradling your jaw as you spoke in whispers between the sheets. “You— I didn’t know you’d be into that sort of thing.”

“We don’t have to if it’s not your thing. But there’s something about you moving me where you want me to be, being completely under your control, even a little helpless,” you pause, uncertain if your words would scare him off. 

The exact opposite. Frankie was intrigued. 

“The thrill of trying not to wake you up.” He continues, watching your glowing smile return, indicating that Frankie understands why this would feel good to you. 

“My natural reaction, trusting you, knowing that you’ll be careful, knowing that you’re using me— it’s hot, Frankie. You have my consent, I wanna try.” 

Frankie’s stomach churns with excitement, butterflies spreading through his abdomen and up to his chest, his heart thunking eagerly. 

He was slow and methodical, not wanting you to stir from your sleepy state. Nipping at his lower lip, teeth piercing the skin, he works up the courage to touch you. A rough and calloused hand travels up your side, pushing up your sleep tee and watching goosebumps line the tips of his fingers.

Frankie presses slow kisses to the top of your shoulder, feeling his cock swell against the plump of your ass in all of the excitement. He whispers your name, soft and raspy with the morning hour. Other than a small twitch of your nose, you’re out cold. 

“Shh, s’okay angel, m’gonna make you feel good.” The desire stirs in his stomach, urging him to please you in your sleep just like you asked. 

With two crooked fingers, he curls them around the band of your panties and slowly drags them down your soft thighs. You let out a slow sigh between your parted lips, Frankie pausing to watch as you settle once more. 

 Slipping two skilled fingers between your legs, he slowly massages up and down your folds. He’s surprised to already feel the slick between your legs, a low groan of approval leaving the depths of his throat. 

There’s a shift, your hips squirming for more of his touch. You’re so perfectly pliant for him, causing the embers low in his belly to grow with anticipation, the blood rushing to his cock as it hardens against the curve of your ass. 

“Good girl,” he remarks as you let out a little whimper upon the pads of Frankie’s fingers finding your swollen clit. “Even asleep, you’re nice and wet for me, princess.” 

Goddammit, he thinks, how does she have this much of an effect while perfectly asleep? He can’t stand the feeling of not touching her, the carnal need to take her was strong like a magnet, forcing their bodies together. 

One yank and he was out of his briefs, chewing on his lower lip in concentration. He needed to move you, to perfectly fit in the nook of your body, you’d have to be good and yield to him. 

Frankie hikes up your leg and fills in the spaces between your bodies, stroking over himself as he slowly lines his leaking tip along your entrance. Just as he notches his tip inside, a quiet and sleepy gasp leaves your perfect pillowy lips. 

“Right there, baby, you just stay right there for me,” Frankie growls against your ear, his hips flush with yours as he slowly lets inch by inch of him be swallowed by your warm cunt. 

After that, there wasn’t a lot of nicety to him. The level of control he carried was lost. He just wanted to take and take, feel and fuck. He wants to use you like his own personal toy; do whatever he pleases with no resistance. You were his to devour. 

He’s still inside you, but he’s gotten this far, and you’re still out. Even in sleep, you’re pulsing around his cock, so fucking tight around him that it steals the air from his lungs. There’s a hint of discomfort in your face, a quiet gasp held within your expression. 

“Fuck,” he grunts, the hand he holds firmly on your hip now moving under your sleep tee. 

You were so fucking accessible to him, so beautiful, so peaceful being fucked raw. 

He rolls your nipple between his thumb and index finger, getting the reaction he’s been waiting for all morning. A sweet, slow moan tumbles loose from your throat, your hips reeling back to grind against Frankie’s lap. 

He’s somewhat pleased he knows you this well, knows what gets you worked up and gushing. The fact that even in your sleep, you have this reaction towards him makes the fire burning inside his abdomen grow. Maybe a deep part of him gets off on knowing you so well. 

Frankie lets out a sigh at his own thoughts, lightly nipping the skin of your exposed shoulder as he slowly rolls his hips back and glides in again, feeling the drag of your tight pussy keeping him lubed up and warm.

If he weren’t so desperate to fuck you, he’d love to just sit inside you like this all goddamn day. It would probably give him the same comfort as the first cup of coffee. 

He gives your breast one more firm squeeze before returning the attention back to your clit, all desperate and tingling with each eager circle he gives you. 

“So fucking perfect,” he whispers against your ear, his hips continuing at a steady pace until he simply needs more. He hikes up your leg once again to allow himself more movement, smirking as your ass smacks against the front of his hips with each thrust that now jostles your body. 

You’ll surely wake any moment, shocked and sleepy and startled at his cock so deep inside your perfectly spent cunt. 

You whimper each time he fills you, your face digging into the pillow as you moan against the cover. Frankie’s efforts grow needy and demanding, fisting your hair out of his way as he sucks marks into your neck; teeth and tongue massaging the skin before leaving a bruise in its wake.

A sweet little sob exits your parted lips, Frankie groaning at the pretty little noises you make. 

“Take me so well, princess. You want me to keep fuckin’ you, huh?” He snarls against your neck, smirking as you hiss at the sensations you’re feeling all throughout your body.  

Suddenly, your eyes flutter open. They absorb the settings around you and it all clicks. A long, desperate moan crawls from the depths of your throat, your movements sluggish but your hand eventually clasps onto Frankie’s forearm, his fingers still swirling around your clit. 

“Ohmy— Frankie, fuck,” you gasp as you feel the full force of his cock drilling deep inside your pussy. Your voice is still thick with sleep, eyes cloudy with lust, and skin-prickling sensations that you had never felt before; a million emotions, but the standout being desperation to come undone like this with a man you trust. 

“This what you wanted, angel? Wake up with my cock stuffed between your legs?” Frankie smirks as he presses his lips against your cheek, jaw dropping against your own as you ride out the high together. 

You cry out something wrecked, a garble of syllables as your spine arches against his front. You weren’t given the pleasure of feeling the orgasm build and build; you woke up at its high heat. 

In an instant, your skin was clammy, hair sticking to your skin as desperate pants filled the room, along with broken moans of Frankie’s name. 

It’s exactly what you wanted, maybe better. Yes, way better. 

You’re so tight, literally clinging to every single inch he gives you as your slick drenches his cock. Your nails dig into his tan skin, feeling the muscles and tendons work to play with your clit. 

A whimper leaves you as the warmth in your stomach boils over, turning your head over your shoulder to catch a glimpse of his face. His eyes are dark, cast over with lust as he stole you in your sleep. In an instant, he meets you with a messy kiss, your bodies and the bed still jolting with each rough thrust he gives you. 

“Please,” you moan against his lips, nodding your head as you look into his eyes. “Come inside me, I wanna feel it, please, give it to me, Frankie,” your words turn into a whine as he begins to fuck you harder, deeper, his tip tickling your cervix as you damn near blackout from the pleasure. 

The pleasure inside of you finally reaches the surface. The feeling was like a wave breaching over your rocky shores, washing over you both in pleasure as your cunt spasms around his thick cock. 

Frankie spoils your clit as his hips snap against your ass, one, two, three more times before the feeling of you overcomes him. He braces you tightly in his arms, panting against your shoulder, eyes clenching closed as he lets out broken grunts of release. He paints your insides with his spend, both of you relaxing in one another’s hold as you slowly descend from heaven. 

“Jesus Christ,” Frankie breathes, shaking his head with a tilted smirk. “You don’t know what you do to me.” He remarks as you look over your shoulder in a haze. 

You whimper as you pull him in closer, fingers weaving into the curls at the back of his head and encouraging him to meet your parted lips. 

The words are at the tip of your tongue, and you can feel them spread heat throughout your body. You can hear both of your hearts beating, thundering against the human flesh, and signaling the feeling of being alive. 

Frankie waits for the words. The feeling of anticipation has been lingering for quite some time. Your touch of nervousness was welcome, expected even. A moment in time when your heart feels exposed but also overwhelmingly full. Only hoping that the other person feels the same way, yet uncertain of how they will respond. A game of chicken of who will say it first and who will have to respond. The leap of faith one will be forced to make and the right words the other will have to find.

Both roles are downright frightening. 

You’re risking everything, the biggest gamble one can make without physical currency. 

But he sees the panic behind your eyes, the nervewracking feeling of saying the sacred words to someone, maybe even for the first time. And he knows that they will be worth it to hear. 

“I know,” he whispers against your lips, shaking his head in a way that tells you he knows what you’re thinking. “I know.” 

You don’t attend church, so you have one question: why the fuck is God sending people to get brunch after Sunday’s service? Why is that their beck and call? 

Every Sunday morning, like clockwork, a flock of people flood the diner with their church clothes and a hankering for waffles and Frankie’s house lumberjack skillet (you wanna know what’s in it, don’t you?)

Frankie’s Secret Ingredients:

Potatoes: 1/4 lb (about 4-5 small potatoes)

Olive Oil: 1/2 tablespoon

Breakfast Sausage Links: 3 oz (about 4 links)

Onion: 1/8 of a whole onion, chopped

Red Pepper: 1/4 of a whole red pepper, chopped

Jalapenos: 1/2 jalapeno, sliced (omit if person looks too old to handle)

Butter: 1 tablespoon

Hickory Maple Seasoning: 1/2 teaspoon

Eggs: 2 large eggs

Milk: 1 tablespoon

Cheddar Cheese: 2 tablespoons, shredded

Anyway, Tommy’s Diner is slammed by mid-morning, and you’re working up a sweat. You’re wiping at your neck and forehead every few minutes, and the sun filtering through the windows does little justice to cool your skin. Tina called out sick, which is code for hungover from Saturday. It’s overwhelming. Your brain feels like the scrambled eggs you just plated for that family of four.

“Enjoy,” you whisper a little breathlessly, tucking your notepad into the front of your apron, rubbing at your temple with the heel of your hand as you walk past the rest of your tables. 

By the time you lift your head, you see a large potbelly man who is waving an arm up above his head, fingers already snapping incessantly. He looked like a chubby rat, with a large dark-haired mustache and a shirt that didn’t fully cover the beer gut he was sporting.

“Uhm, hello? Miss, can we get some service over here?” 

Jesus fucking Christ. Your jaw tightens a few notches, pushing your hair out of your face and wrapping around to their table. You remember them; you took their table’s order a bit ago now - shit, did you forget their plates? No, you didn’t. 

Stopping at the head of their table, you smile politely at the large family. 

“Hi, can I get you something while you wait?”

The man scoffs and snaps, “Uh, yeah, our food.”

Taking a deep breath wasn’t enough; you were a ticking time bomb. “Sir, do you see how many people are in the diner? We’re at capacity with a line out the door. I understand you’ve been waiting, but our kitchen is backed up and-” 

“Bull-honkey-bullcrap, little miss,” the man raises his voice, spitting violently with each syllable, “This is ridiculous! We’ve been sittin’ here for nearly an hour. How hard is it to make some eggs and Mickey Mouse pancakes, huh? You just that stupid? What the hell is goin’ on back there? Are you people completely incompetent, or are you just ignorin’ us?”

Worse things have been said to your face, but you’re at your breaking point. You can feel your face flush with warmth radiating throughout your body. Now, the entire diner is staring at you from all the commotion. Your lungs feel tight, a headache casting heavy behind your face. Tears line your eyes, but you don’t dare let them fall. 

“Again, I’m really sorry, but like I said, the kitchen is backed up.” But apologizing isn’t enough. This guy just wanted someone to take his punches. 

“Don’t even try to apologize. I don’t wanna hear your pathetic excuses. How hard is it to cook some damn eggs? This place is a joke. You must be the worst server I’ve ever dealt with. ‘Nd I swear, if I wanted this kind of useless service, I’d go to a fast food joint. Is this how you treat payin’ customers, or ya’ll just this lazy? Do your job, or I’ll make sure everyone knows how worthless you and this diner is.”

You clutch the empty coffee pot tightly, biting your tongue. Turning swiftly, you head straight for the back swinging door. You don't intend to contribute to the chaos or the bustling mess in the kitchen, but here, in the safety of the back section, you allow a few stray tears to escape.

Shoulder blades hitting the cold brick, you wish to blend into the wall. It feels like the air’s been knocked out of you, your chest heavy and tight. Every sound around you blurs as the man’s harsh words replay in your mind, louder and louder each time. Your hands shake just enough to want to hide them behind your back, feeling afraid to have eyes on you in such a vulnerable state. Exposed. You’ve absorbed the anger meant for something or someone else, so now, it sticks to you, something you can’t wash away. 

Your name echoes once, twice. 

“Hey,” A calm amongst the rushing waves - it’s Frankie. You blink him into focus, bleary tears slowly fading away. His red bandana is tied tight around his forehead to catch the sweat from his forehead and hair. His face is laced with concern. He wipes his hands off on his apron, gently capturing your face as he shields you from the rest of the kitchen. 

And just like that, life returns to your body. You can feel the tips of your fingers, previously tingling, wiping under your eyes as you hiccup through your breaths. Frankie knows this high-traffic area will only make your anxiety worse. 

“It’s okay, take a deep breath and tell me what happen.”

The eyes of the kitchen staff are slowly starting to turn to you, asking if you’re alright and why you’re upset. Shaking your head dismissively, you blink away your tears and look down at the grubby floor that probably hasn’t been mopped since the invention of flip phones. 

“I’m fine. This customer just got pissed and yelled at me. He was upset that his food was running behind, and I tried to explain that the kitchen was backed up.” You part your lips to continue, but the jaw drops of the kitchen staff signal shock by your words. 

They all start honking in unison like a flock of geese. 

“He what?”

“Which fuckin’ table?”

“You okay, sweetheart? Fuck them.” 

Frankie's back straightens stiff, having previously been craning to see your face, now strict with annoyance. 

“Is that him?” Frankie asks as he walks to the window between the kitchen and the back counter, narrowing his eyes on the rat man and his family. 

“Frankie, please don't,” you huff, already refilling your pots of coffee and hoping to just forget the whole thing ever happened. "It's okay, it happens."

But it’s not okay. Because this guy made you cry, and what the hell was it for? Some scrambled eggs and bacon on delay?

The rest of the line cooks have abandoned their food to gawk at the asshole who thinks he can get away with yelling at one of their own like that. 

Frankie tightens his bandana and peels off his gloves, slapping them down in the trash. 

His boots thunder across the linoleum, catching the attention of many of the patrons on his way to the booth by the window where the rat man has continued to reside angrily. Even worse, he chuckles at the sight of Frankie. 

“Take a load of this guy," the rat man appears to mutter to his wife who looks between them both with startled eyes. "Okay, okay, just bring back the pretty waitress. I’ll tell her I’m sorry.” He sneers, shaking his head. 

“No, you’re done with her. You’re dealin’ with me now.” Frankie snags an empty chair from a nearby table, turns it around, and straddles the seat as he gets in the burly man's face. 

“I just feel terrible that we’re not meeting the quality of service you expected. So what exactly is the problem?” Frankie asks with a hint of venom lining his words. 

“Well- we’ve been waitin’ here for half an hour and-”

“Right, and what did the pretty waitress say?”

The man scoffs lightly, feeling embarrassed with all the eyes on him not once but twice now. “Well, she said the kitchen was backed up.”

“That’s right, that’s right, well, I’m the fuckin’ kitchen. You wanna yell at someone? Well, I thought I’d give you the chance to yell at me since, hey, I'm in charge of the kitchen today. Please, tell me your honest review.”

The rat man stares blankly, looking from left to right in surprise, but his family all gawks at Frankie. 

Frankie waits, eyes unblinking, face hardened as the man sputters up something weak in response. 

“This is ungodly and unprofessional,” he gargles, shifting uncomfortably in his seat. 

“You’re absolutely right!” Frankie says, smacking the table with his closed fist before pointing at the rat man, the tip of his finger inches from his face. “I am unprofessional, but that’s because I don’t have the great customer service skills of our waitresses. That’s her job,” Frankie juts a thumb backward towards the kitchen in your direction. “So now, instead of cookin’ you and your ugly wife and kids some food, I gotta come out here and knock some sense into ya since you seemed to have lost your manners. So you gonna let her do her job so I can get back to mine?”

You can only watch from the window in shock, hand over mouth, unblinking eyes - but it’s like a car crash you can’t look away from. The man is shocked into an embarrassed silence. 

“We’ll just… we’ll wait. There’s-uh-there’s a lotta people here.” 

Frankie sighs and smiles with fake relief. He stands from the chair, looking around the quiet restaurant. 

“Anybody else have somethin' they wanna say?”

They all seem too scared of Frankie to complain again to the psycho chef. Chants of ‘Everything’s great!’ or “Thank you!” echo through the dining room. 

You smile warmly, forcing yourself to turn away from the scene and clean up your teary makeup in the bathroom. But all you can think about is Frankie. Francisco. Stupid Catfish. Stepping in like that to protect you, to make that jerk take accountability. It makes your heart flutter knowing how much he cares. And you feel the same way.

It’s about time you tell him. 

Knuckles wrap against the bathroom door, and an echo of, “You okay?” follows. 

He comes in without a response, somewhat relieved to find you adjusting your hair and wiping at the smeary makeup. Your eyes soften at the sight of him, watching in the reflection. He looks disheveled and annoyed, shaking his head as he starts ranting about rat man. 

“I don’t get how people like that- the God-loving church people- come in here and act like they weren’t just told at a sermon to love thy neighbor or whatever bullshit.”

He continues, but all you do is stare.

A part of you thinks he defends others due to his childhood. No one picks on the people Frankie cares about. That letter riled him up, maybe more than either of you had realized. He’s thinking about those times of the past, the innocent hurt by the deviant. 

“You didn’t deserve that, I’m sorry, he’s a fucking dick. You don’t have to take his food out, I’ll do it. Honey,” he breathes, hand resting on your shoulder as he gently turns you around to face him. “Are you mad at me? I know you told me not to go out there, but no one makes you cry if I can help it, y’know? I don’t want him to think he can get away with that.”

Once Frankie starts ranting, it’s really hard to get him to stop. 

“Frankie,” you breathe out, resting your hand over the one he holds on your shoulder. 

“I mean, does he really think that it’s smart to be rude to the staff? I’ll spit in his food, and it will feel really good because he’ll have no idea.”

“Frankie,”

“You’re a good fucking waitress! Doesn’t he see the entire breakfast bar and all the booths filled with guests? The line out the door wasn’t an indication of how busy it is? Get a fuckin’ brain, I mean-”

In an instant, you tilt your chin up, catching his gaze just long enough to see the shift in his eyes before your lips meet. Your hands slide around his neck, fingers weaving into the soft curls at the nape, gently tugging him down toward you. The kiss begins with an urgency, part playful, part to silence his words, but mostly, it's to thank him in a way that words never could.

Frankie’s initial surprise fades quickly as he melts into you, his breath hitching for a moment. His hands travel to your waist, sliding around until they lock just above your hips, anchoring you to him. He presses closer, his touch firm yet tender, and slows the kiss, savoring the warmth of your lips. You feel the way his body relaxes, how he leans in, letting the world around you both fall away as he holds you, close and unmoving, like he’s never letting go.

It takes every ounce of courage in your body to pull away, your lips lingering against his for a heartbeat longer than necessary, as if tethered by an invisible force. Slowly, you break the kiss, your breath shaky, heart racing. His forehead rests against yours for a moment, his eyes still half-closed, unaware of the words hanging on the edge of your lips.

You gently pull back just enough to meet his gaze, your fingers still laced in his hair, trembling slightly. His eyes search yours, soft and expectant, filled with something unspoken but unmistakable.

With a deep inhale, you let the words slip out, vulnerable and raw, barely louder than a whisper, but heavy with meaning.

“I love you.”

The world stands still as the words hang in the air, your heart pounding as you wait for the weight of what you’ve just said to settle between you.

And then he smiles like an idiot. And you’re joining him. 

“Did you say what I think you said? Did you say that you love me?" His voice is soft, teasing, as he presses his forehead against yours, capturing your lips with a few playful, quick kisses between his words. “Come on, say it again.”

You feel your heart flutter, overwhelmed by the intensity of the moment. Frankie’s eyes twinkle with amusement. “I heard you say it. Now you can’t take it back,” he adds with a grin, pulling you tighter, his arms leaving no space between you.

You giggle, your hands pushing lightly against his shoulders, though he doesn’t budge. “Stop, that was really hard,” you huff, breathless, as though the words had stolen all the air from your lungs.

Frankie just shakes his head, his smile fading into something softer, more real, as the weight of the moment catches up with him. “I’ve thought about better places or times to tell you this, I wanted to wait until you were ready,” he whispers, his voice hushed with disbelief, eyes locking onto yours, “but I love you more than you’ll ever know. More than you’ll ever understand or dream. I love you.”

His thumb traces the curve of your cheekbone, a gentle, affectionate touch that sends shivers down your spine. The intensity in his gaze mirrors your own, both of you lost in this shared vulnerability, your hearts speaking in unison.

“I love you, too,” you breathe, the words falling effortlessly this time, as if they’ve always been waiting for this moment.

So, yeah. You sort of love your co-worker Francisco Morales. 

The sun is blinding—orange and yellow streams of light as it is forced to set along the horizon. It’s slow but noticeable, sinking into the land beyond what you can see.

The sun goes down in Texas once again. 

Frankie raises his cigarette, its glowing tip mirroring the fiery hues of the sunset.

His neighborhood is tranquil, lined with single-story homes and tree-bordered streets where autumn's touch is just around the corner. Children ride bikes, joggers and dog walkers pass by, and new parents push their baby strollers—a picturesque scene that feels meticulously arranged yet somehow distant. Frankie, too, feels out of place here.

"You got pretty worked up today—more than usual," you say softly.

Frankie lets out a dry chuckle, cigarette between his lips as he leans back on his elbows, squinting at the fading sun. "Yeah, maybe. You think I’m off right now?" He tilts his head, genuinely curious, as if searching for what’s changed.

You shrug, glancing at him with a fond smile. "I think that letter from your dad has you more rattled than you realize. I found it in your sock drawer this morning."

Frankie’s gaze drops to his lap, a flicker of shame crossing his face.

"I thought you said you were gonna toss it?" you muse gently, watching as his mind churns, cigarette hovering at his lips before he sighs deeply.

"You’re too observant," he smirks. "I don’t know why I haven’t crumpled, burned, or shredded it into pieces by now. I have every right to."

You rest a comforting hand on his shoulder, squeezing the tension there. "But you didn’t. Why?"

Frankie bites his lower lip nervously, glancing your way. "At the end of the apology letter, he asked to take me out for my birthday. Put down the time, place—everything. Said he’d wait for me."

Your expression softens, letting him know you’re here, really listening. "And you’re thinking about it?"

"Yeah… I guess so. But I don’t even know what I’d say. I’ve only seen him once or twice since I moved out. It’s been years. And when I do see him, I’m thirteen all over again, just yelling at him, so angry. I see his face, and it’s like a switch flips. And that’s not me. You know that’s not me," Frankie stammers, panic flickering in his eyes.

"I know," you whisper, wrapping an arm around his shoulders. He pulls you closer, resting his head against yours as the weight of it all settles.

After a deep breath, Frankie gathers himself. "He used to bring out the worst in me. I don’t know if I still hate him as much. Time’s passed, maybe he’s changed. But I’m not holding my breath."

He’s an adult now, more guarded, wiser to the people who’ve hurt him. He’s fought through battles and traumas you don’t even know about. Yet, in his eyes, there’s a flicker of hope. Maybe his dad has turned a corner, maybe he’s cleaned up, seen his mistakes. But you know better than to trust in maybes.

And you’d protect him from being let down again.

"Do you want me to go with you?" you offer quietly.

Frankie’s eyes snap to yours, wide and searching.

"Okay," he says after a long pause. "Let’s do it."

[fancyfeathers]

Just Like Rosemary

(Yandere William James Moriarty x Ballerina Reader) (feat. Platonic Yandere Louis James Moriarty and Albert James Moriarty)

inspired by this post about Williams with a historically accurate ballerina darling which was inspired by @yandere-wishes

A bit of background, during the 19th century, the ballet world, including the esteemed Paris Opera, operated under a disturbing norm of sexual exploitation. The company essentially functioned as a brothel, exploiting the vulnerability of impoverished young girls who aspired to become ballerinas. Malnourished and lacking support, these girls were often coerced into relationships with wealthy patrons, their only perceived avenue to a better life. These affluent men wielded their power to objectify and proposition the ballerinas both on and offstage, effectively creating a demeaning "men's club" atmosphere. Their influence extended beyond mere harassment, dictating who would rise to star roles and who would face dismissal from the ballet.

TW//pr*stitution, slightly graphic murder, work place abuse, implied human trafficking, kidnapping

You stepped out backstage as the performance finally ended, the applause of the audience fading away into the background as the chatter of your fellow dancers took over the sound of the back halls of the Royal Opera House. You yawned but quickly gasped as you felt arms wrap around your torso along with a high pitched giggle that you quickly placed as belonging to Sorelli, one of your friends and fellow dancers at the ballet.

“Seems like your new costume is fitting wonderfully.” She spoke with a melodic tone which made you roll your eyes as her arms slipped from your waist.

“It only took two weeks of complaints to the costuming department to get a new one.” You sighed as she came to walk next to you. You looked around the backstage, and it seemed like a few of the gentlemen from the audience had already made their way backstage, slipping away from their seats before the show had ended so they could have first pick of the ladies of the ballet. You glanced at Sorelli and she was doing the same, looking over the men present trying to pick out the ones who would be able to pay for her time. “Your rent is due, huh?”

“Yes, and I do not think my landlady will be willing to take a late payment this time around.” You were slightly tempted to stay and help her but looking over the people present you thought it better if you did not since you had already engaged in more unsavory activities the night prior and it seems like Sorelli recognized this as well since she leaned over to whisper in your ear. “You should head home before they come into the dressing rooms.”

“Will you be alright?” You asked and she nodded before pressing a kiss on your cheek. “Fine, but please promise me you will not go home with any of them, you remember what happened to Rosemary.”

“I promise, you have my word.” 

With those words you scampered off to the dressing rooms to avoid any flings that may take place in there tonight. You managed to avoid many of the clientele on the way to the dressing rooms, only receiving a handful of comments and compliments that you responded to with false gratitude in your voice.

“I could not take my eyes off you this evening.”

“Thank you Earl, you are too kind.”

“The way your body moves was mesmerizing.”

“O-oh, thank you, my lord.”

“Ah why don’t you join us for drinks, I have a friend I would like to introduce you to.”

“Oh no thank you, perhaps another night.”

You clicked the dressing room door locked as you began to remove your pointe shoes and slip out of your costume, hanging it up on the rack by your name label on the wall and placing the shoes in a box underneath it. You made note of your worn down shoes, it had only been two weeks but it seems like you would need a new pair sooner than later, but to find ones that actually fit you would cost more money than you currently had so you would probably have to settle on some that were a side to big or small.

You sighed as you slipped on your scarf as you stepped out of the dressing room, closing the door behind you. You managed to spot Sorelli talking to two gentlemen, a viscount and earl you believe, in a doorway, it seems like she will be able to pay rent tonight. You slipped through the back halls of the opera house, ignoring the sounds from all around you as hard as they were to drown out.

You pushed open one of the back doors of the opera house that led into a back alley and the cold winter hair hit your skin like cold water washing away sweat from your hot skin after a summer’s day. You began your long walk home through the dark streets of London, the streets were still populated enough that no one would try anything but it did not stop you from feeling the heat of eyes burning into your skin. You picked up your pace ever so slightly as you felt it begin to drizzle, you did not wish to catch a cold in this weather, you did not have the money to pay for a doctor right now. 

…and it seems you spoke too soon.

A carriage moved past you, the wheel driving through a puddle and the splash landed on you, soaking you to the bone with both water and mud. The carriage did not even stop when you saw the face of someone finally dressed peer out and completely ignored you, speeding down the street. You huffed and shook out your hands  to get the freezing water off of them.

“Miss, are you alright- oh my you are soaking!” You heard a voice from behind you exclaimed. You turned around to see a young man with blond hair and scarlet red eyes, he was dressed in fine clothes, a noble it seemed, but his eyes were filled with worry for your freezing form. You watched as he stepped towards you, removing his own jacket to wrap around your shoulders. “What on earth are you doing out in this weather?”

“I could ask you the same thing, sir.” You replied as his gloved hands pulled the jacket tighter around your shaking form. “But I am fine, really, I was just on my way home.”

“Then please let me escort you home, you will catch a cold out in this weather .” He said and he gestured to the carriage across the way and you could see the silhouettes of two other men within. “I am sure my brothers would have no problem with a detour on the way home.”

Remember what happened to Rosemary.

Those words you spoke echoed in your mind as you thought of a response as the scarlet eyed man looked at you. You remember the cries of Sorelli when you found out what happened while you could only stand there, wide eyed, in shock. The photos that were published in the paper were horrific, but the truth was never written and went unspoken by the girls of the ballet. You suppose money can buy anything and everything, even silence.

“Are you alright over there, William?” A voice from one of the two men in the carriage pulled you back into reality. You turned your head to the carriage to see an attractive brown haired man who opened the door to call out to his brother.

“Yes, Miss (Name) here just seemed to be out of it for a moment.” He replied to the man who nodded at his response. The man you now knew as William turned to you once more, extending his hand out to you. “Shall we?”

“I… um….” What happened to Rosemary was a rare occurrence, right? These were not the same people you last saw here with, besides they did not seem to be regulars at the ballet, you would recognize them if they were, then William gave you his coat in the freezing cold, no one, let alone a noble, has ever done something like that for you. You set your own hand in his, feeling his larger fingers wrap around the back of your hand. “Yes, I will take you up on that offer.”

“Lovely.” He led you towards the carriage that had the door open from when the brown haired man called out. William braced your arm as you stepped up into the carriage, along with the assistance of the brown haired man who helped you up by offering you his hand.

 You sat down across from the two other gentlemen in the carriage, the brown haired man and another blond haired man who looked almost identical to William besides the glasses he wore and the hair that seemed to cover a scar of sorts. You did not make eye contact with either of them despite the kind smiles they offered you as William said something to the driver before stepping in and sitting alongside you, his arm pressing against your shoulder that was covered by the jacket he had given you.

You felt the carriage begin to move as you just tried to remind yourself this was not going to end like Rosemary, they were just taking home, nothing else, you were perfectly safe, but what if-

“Miss (Name), are you alright? You look quite pale.” The voice of William stopped you from spiraling even deeper. You jumped at first but managed to regain your composure, but that did not go unnoticed by the three brothers.

“Y-yes, just caught up in my thoughts, apologies.” You responded and he hummed in response and you all were resolved to silence for a moment before you mustered up the courage to speak again. “What brings you to this side of the city, sir-“

“William James Moriarty, but please just call me William, and to answer your question, I was just attending a meeting with one of my clients.” He cut you off as you tried to remember his name. He extended his hand, gesturing to his two brothers, the blonde first and then the brunette. “These are my brothers, Louis and Albert.”

You pieced the names together in your mind…

…Louis James Moriarty.

…Albert James Moriarty.

You had heard the name of the brown haired man before, whispered in conversation of the nobles after shows at the ballet when you were hanging on one of their arms. You learned quite a lot when listening in to those conversations, gossip and dirty secrets kept in hushed tones among the nobility, and even a few names, the Earl you sat across from being one of them.

“Earl Moriarty, correct?” You asked and an almost embarrassed smile came across the man’s face.

“Yes, but how did you know?” He asked, a playful curiosity coming into his voice.

“I am a ballerina at the Royal Opera House.” You answer but not one of the brother’s expressions turned to one of shock, it is as if they already knew. “It is honestly surprising what you learn when the aristocracy get drunk and already have no filter around someone they already deem as insignificant- I should not have said that, apologies.”

“No need to apologize, I promise no one here will be offended.” William responded on Albert’s behalf with a small laugh, you glanced at Albert for confirmation and he nodded along with a smile. William’s red eyes fixed on you as your gaze went from Albert to him. “Now I am curious, what does a lady like you hear from such nobility?”

“Well mostly meaningless gossip, whose wives are having affairs with other men, failed business deals or scams, but currently the unknown Lord of Crime has caught the attention of the ton.” You looked at William as you spoke, unable to see the narrowing eyes of Albert and Louis as you did. “But I suppose none of it truly applies to me, just something to listen to in order to pass the time of the last few hours of the work day.”

“Hm, but would your day not end at the end of the performance?” You heard Louis chime in, finally hearing him speak. You shook your head no, your smiling fading ever so slightly. “How so?”

“One unfamiliar with the ballet may be surprised by what happens within those walls.” Your eyes fell down to your skirt, your gloved hands gripping the fabric of it as you spoke. “ It is not all as beautiful as it may seem after the show.” 

You jumped a bit when you felt and saw William’s hand come to rest atop your own, his thumb running circles over your knuckles. Your eyes shot up to him and he offered you a comforting smile.

“It is alright, you can tell us.”

“You… you promise you will not tell a soul that I told you this.”

“You have our word, my dear.”

You hesitated for a moment, glancing over at Albert who nodded in agreement, then at Louis who also nodded in agreement, then back at William. He smiled down at you with those lovely scarlet red eyes and it felt like any hesitation melted away.

“Well… after shows many gentlemen of the aristocracy will come to… socialize with the female performers of the ballet.” Everyone’s attention and gazes were fixed on you as you began to explain. “Sometimes it is just harmless flirting with some conversation and drinks, other times it becomes a bit… more. But it pays, keeps a roof over my head and enough food on my plate so I don’t starve.”

“I see….” You did not notice the drop in William’s voice as he responded and pondered over what you just explained. “And I could imagine the money one would make if one was to go home with one of them for the evening.”

“That… that does not happen anymore, not since Rosemary.” 

“Rosemary?”

“She was another ballerina at the opera like myself, I performed alongside her and her sister, Sorelli.” You responded to Louis, explaining who she was. “She was a kind lady, too kind for her own good. She went with some Baron after a performance, she told us that she would see us in the morning but that was a lie. Two weeks later, a shop owner, a tailor I think, found her body in the river, gutted like a fish.”

“That must have been horribly hard for you.” Albert was the first to respond after hearing your explanation.

“What I went through was nothing compared to what Sorelli went through. I remember her crying when we found out, it was after a performance and I had to drag her away to not start a scene, but you can’t blame her, the law enforcement did not even bother telling her until the death was published by the papers.” You could feel the tears welling up in your eyes as you recalled that horrible day, there was not even a funeral, just the grave marked when the body was identified. You had taken Sorelli to visit the grave and she was just broken. “But that is not the worst part, that man still goes to the ballet and even paid off the owner, every single girl there knows he did it but no one will say anything, not if they value their life.”

“I am sure they will receive their punishment in due time.” William spoke to you after a moment, his hand coming up from your hand that he held and up to your cheek to wipe away your salty tears. The leather felt warm against your cheek, from the heat between your hands. “I will see to it personally.”

“If only the world worked like that.” 

The rest of the carriage ride was peaceful, a few more pleasantries exchanged here and there but soon enough you arrived outside of the apartment building you lived in. Like before, William helped you out of the carriage and as soon as your feet touched the ground he took your hand that he held and brought it up to his lips, kissing the back of it.

“It was a pleasure finally meeting you, Miss (Name).”

“It was a pleasure to meet you as well, William.” 

He released your hand and you quickly made your way inside the warm apartment building and scurried up into your own one room apartment, it was not much but it was home. Your landlord finally repaired the ceiling so it would not leak during the rain and freeze you during the winter, but you still had to stuff whatever extra bedding you had in the window because it would never close all the way. 

You went to remove your coat, only to find that you were still wearing William’s coat, you had forgotten to return it and he forgot to take it back. You sighed and peered out the window, the carriage was gone so you doubted you would be able to return it now so you simply decided to hand it up alongside your own clothes in the closet. As you were beginning to strip out of your wet clothes to change into a nightdress, you reflected on your conversation with the three brothers, they were so kind to you especially when you mentioned such a sour topic as murder. Then the way William looked at you, it was like he knew you better than any man alive, like those lovers who attend performances with one another and they gaze into each other’s eyes when the romantic music begins to swell…

You felt your breathing stop…

You pushed yourself to turn your head to gaze out the window once more…

Looking over the streets…

The other buildings…

The people that walked the streets and dwelled in these houses were nothing like the brothers, they were commoners and the Moriarty family was nobility, you should have no prior interactions with one another…

But how did they know your address without you telling him…

And how did he know your name…

You felt your stomach lurch at those thoughts…

Has he been watching you?

Were you going to end up like Rosemary?

—————————

A week had passed since your encounter with the Moriarty brothers and life carried on like it always had, minus the pocket knife you had bought off from one of the stagehands at the opera house. It was after another performance and you were going to go straight home with Sorelli tonight since she had begun walking you home due to your growing paranoia. You both had stepped into the dressing rooms and Sorelli immediately ran off to her own things and reached into her coat pocket and pulled out a box.

“Macarons!” She exclaimed as she opened the box and sat on the floor, gesturing for you to sit next to her. “Come on, I got these for both of us.”

“You are an actual angel, Sorelli.” You replied, going to sit down next to her, not caring about ruining your costume by sitting in it or eating in it, it was already old enough that it needed to be replaced. 

“Well with all the stress you have had as of late, it was the least I could do.” She spoke as you both reached in to grab one and you brought it up to your lips-

“What are you two doing in here?!” You heard a voice angrily shout as the dressing room door slammed open. You both gasped as your eyes shot up to see the ballet mistress in the doorway. She stomped over to you two and you immediately stood up and fell silent. You felt her eyes look you two over, scanning over you like fire covering the room. “Eating and sitting in costume, do you even care for the things you are provided? Do you know how much these cost?”

“No madam.” You both said in unison like you had been taught, along with not making eye contact with the old hag out of fear.

“Well you better pay for the damages you caused.” She snapped at the two of you, her voice like nails on a chalkboard. “I want the money for them before the opera house closes for the night, do you understand?”

“But madam, I-“

You were cut off with a sharp pain across the face as she stuck you.

“I did not ask for buts, do you understand girl?”

You had to bite back tears as you replied.

“Yes Madam.”

“Good, now fix your makeup, no man would want to be seen with a girl who looks like that.” She stated as she finally walked out the door and you finally broke, weeping in your hands. Everything has finally become too much for you. You felt Sorelli rub circles into your back.

“I hate that witch.” You muttered through your tears.

“Have to agree with you on that one.” Your fellow ballerina replied as she helped you stand up straight and wipe away your tears. “Why don’t we fix you up and we can deal with this together.”

“You are too sweet for your own good.”

Sorelli sat you down and began to do your make up again, cleaning up the tear stains on your cheeks and taking special care to hide away the red hand print that was forming on your skin. You sadly had to put the box of treats away to enjoy some other time since you did not wish to get caught again. 

“I can take care of my hair, Sorelli.” You said as you picked up the brush from the vanity. “You can go on ahead, I think I will find that viscount that is here tonight.”

“Alright, see you at closing?”

“I will see you then.”

You watched as she scampered out of the dressing room and you began to brush through your hair in near silence minus the chatter and other noises from outside the dressing room walls. Sometimes with Sorelli it did not even seem like she had a sister, her name had become a warning among the dancers of the ballet so that is what Rosemary’s identity had melted into.

“You look lovely tonight.” Your eyes shot up into the mirror when you heard that voice and in the reflection of the glass you saw those same red eyes from that carriage ride once more, Williams was standing behind you and you did not even notice.

“Thank you… William.” He stepped towards you again, his feet clicking against the old wood floor. You felt his hand slip into your own, grabbing the brush you held and he took a strand of your hair and began brushing through it himself.

“You have been crying, your eyes are swollen under your makeup.” He stated this as a matter of fact and you could only nod as he brushed through a knot. “Now why do you stain your face with such tears? What is wrong, my dear?”

“Everything, everything is wrong.”

“Everything?”

“Yes, there is not a day I don’t imagine leaving this hell hole, but there is no day where I do because I have nowhere to go. The way they look at me and touch me, it feels like I am nothing but just something for their amusement.” You wrapped your arms around your shaking form as you tried to hold back your tears. “The sometimes it feels like Sorelli has all but forgotten what happened to Rosemary, she is in the ground now.”

“Oh you poor thing, I was in the audience tonight and I have to admit I noticed their looks as well, a terrible thing for you to go through.” He pulled a little harder as he combed through a tangle. “But as for your friend, I am sure she will come to terms with her grief in time, sometimes it just takes action in order to recover.”

“I just wish this all would go away, I want none of it, I just want to see this place burn up in smoke and flames.”

“Then your wish is my command.” Before you could question his words he spoke as he tied up your hair with a ribbon. He reached into his pocket and took out more than enough money to pay back the ballet mistress. “Why don’t you go home early, I am sure you need your rest after such a long day.”

“Thank you, William.”

After he left the dressing room, you scampered to get changed so you may go and find Sorelli. You made your way through the halls looking for her and you found her in the oddest of places with the oddest of people, you found her near the entrance to the storage cellars talking to.

“Lord Albert? Sorelli?” You called out to the duo who were talking, but they did not seem to share the same playful chatter as most others in the building did. Sorelli and the eldest Moriarty brother looked at you with a bit of surprise.

“Oh (Name), are you ready to go?” She asked, a false smile coming across her face.

“Um… yes, are you not coming?”

“Oh well, Lord Albert and I were just having the most interesting conversation.” She replied, gesturing to the man beside her. “I think I would like to talk to him a bit longer if you would like to head home.”

“Talking? About what?”

“Pyrotechnics.” Albert answered on her behalf and your gaze shifted to him. “Some theaters in the Americas and France are using them in their stage performances.”

“Sounds dangerous.” You replied and your eyes shifted back at her, you were about to say something, but sighed, deciding to let it go. “I am going to head home, I already paid both of our portions to the old hag so just head home when you are done.”

“I will.”

“Alright, see you tomorrow.” You turned on your heel and began walking down the hall, slowly…

You waited for a reply but all you got was a simple…

“Goodbye.”

—————————

“Fire at the Royal Opera House: Three Dead, Ten Casualties.”

That was the first headline you saw in the morning when you picked up this morning’s paper from a newsboy. 

You threw up on the spot.

Apparently after the opera house closed last night, a candle fell over and ignited the whole building, or at least that was the most logical guess but the other part of it was a mystery. Two men were found with bullet holes in their heads in the rubble while a girl was simply found, most likely suffocated to death…

Sorelli…

Not only were you out of the job but your best friend was dead.

You raced to the scene immediately, your warm breath showing white fog in the cold as you ran through the streets of London like a mad woman. Then upon arriving at the sight, all that was left was the burnt ruins of the opera house. The sight was being contained by law enforcement since the ruins were still smoking and the sight was being investigated. You could see three bodies, covered in a black tarp in the the distance, two larger and one smaller…

Sorelli…

She did not deserve this…

No…

Please god no…

You must have stood in the street for hours, just staring at your friend’s dead body in shock…

Just like you did when Rosemary died…

You had to be told to go home by one of the officers since you looked exhausted, so you did.

Your mind just felt numb…

You felt dead…

Why…

Why…

Why…

You pushed yourself back inside your apartment building and your landlord who was reading the morning paper, the same edition as the one you bought, looked up at you.

“Someone is here to see you, I let him into your apartment.” You nodded at his statement and as you went to walk up stairs he spoke again. “Oh and rent is due by the end of the week.”

You gritted your teeth…

Selfish bastard…

He is literally reading about how you just lost your best friend and job and that is what he says.

You rolled your eyes and walked back upstairs, not even remembering the fact that you have a guest. You pushed open your already partially opened apartment door and you immediately dropped your keys and paper…

“William… what are you doing here?”

William James Moriarty sat on your bed, holding his coat he gave you that night in his hands. He looked up at you with a smile, but this time it did not feel kind, it felt almost wicked.

“I am here to take you home.”

“Home?”

“Yes, with the opera house burnt down I figured that you would be out of the job so the least I could do was provide you with a safe place to rest your head.” Your lips were slightly agape in shock when he said those words. He looked at you, a new pity coming into his eyes. “I am also here to extend my condolences for your loss.”

“Sorelli…”

“Yes, I am afraid so.” He nodded at your words as he stood up from the bed. “We tried to get her out before she got trapped in the flames, but she just would not listen.”

Your eyes went wide when he said those words and you felt your heart stop beating in your chest.

“What…”

“She told me to tell you to live for both her and Rosemary and told me to take care of you since she knew you would be quite grief stricken.” You felt your mind grow numb again in shock as he continued to speak. “She did it for you, she did not want to see you end up like her sister.”

“She… she did what?”

“Well she murdered both the owner of the opera house and the man who killed her sister.” You felt the bile building up in your throat as he began to explain again. “The fire… that was her idea, to burn it all away so you would never have to go back there.”

“Oh my god…”

“I know it must be a lot to take in, my dear.” You felt William’s ungloved hand come to rest against your check, raising your head up to look at him. “But I will be here to help you through it, my brothers as well. Louis already has your room prepared, and Albert was expressing to me at breakfast how happy you will be there-“

“Don’t touch me!” 

You slapped his hand away, backing up towards your door. Your eyes were wide with both rage and fear.

“Dearest-“

“You are the Lord of Crime, aren’t you?” You cut him off, raising your eyes to look up at him. William’s smiling expression had all but disappeared at your words and instead was replaced by something darker. “You knowing my name, where I lived, it all makes sense, you were trying to kill those two men all along.”

“While you are not incorrect with your first guess, you are with your second.” He stepped towards you after you stepped back. “I was originally looking for someone to assist in the removal of those two men but when I was looking into you, you were just too pure to do such an act.”

“What… what are you on about?”

“You have been tossed around all your life, forced into this work by your mother and kicked out when you said you did not want to do it anymore. Then your ballet mistress, who abused you for even making a mistake. Then those men, who took advantage of you because of your weak state.” You were frozen as he finally stood before you again. “Did you even know that you were the next target of the man who killed Rosemary?”

“…no…”

“You were, and if it was not for me and your late friend, you would be dead.” The breath left your lungs as he spoke. You could barely process the feeling of him draping his coat over your shoulders, just like that night when you first met. “She told me to take care of you and who am I to refuse a request from a dying woman?”

You did not process anything after he spoke those words…

Not you being led downstairs by him…

Not him handing over your keys to the landlord…

Not him taking you outside…

Not him helping you into the carriage…

Not the carriage beginning to move as William placed a kiss upon your lips, just like all the men who have done that before….

The only thought that came into your mind came to you as William laid your head in his lap as you began to daze off into sleep…

…You were just like Rosemary.