#la marquise de sade

[tribundupeuple]

Mlle Duplay, what Monsieur, is the deal with you two?

- asking for her good and yours, my husband is a… work colleague: @marquess-de-sade-official

I know exactly who your husband is, Madame de Sade. This is why I'm not going to divulge anything about my private life. I don't know you personally well enough to confide in you.

[title777]

Lina Romay

watched:

La comtesse noire 1973

Les possédées du diable 1974

La comtesse perverse 1975

Frauengefängnis 1976

Greta - Haus ohne Männer 1977

to watch:

Plaisir à trois 1974 !

Célestine… bonne à tout faire 1974 !

Les gloutonnes 1975

Les nuits brûlantes de Linda 1975 !

L'éventreur de Notre-Dame 1975 ! // El sádico de Notre-Dame 1979

Rolls Royce Baby 1975

Des diamants pour l'enfer 1975 !

Shining Sex 1976 !

Jack the Ripper 1976

Die Marquise von Sade 1976 !

Die Sklavinnen 1976

Sinfonía erótica 1980

Vaya luna de miel 1980

Ópalo de fuego: Mercaderes del sexo 1980

Botas negras, látigo de cuero 1983

La tumba de los muertos vivientes 1982

Gemidos de placer 1983

Macumba sexual 1983

[reelaround-deactivated05312024]

Les rapports de Blamont avec sa femme reflètent sans doute assez exactement ceux de Sade avec la marquise ; Blamont se complaît à caresser sa femme dans l’instant où il trame contre elle les plus noires machinations ; infliger une jouissance — Sade l’a compris cent cinquante ans avant les psychanalystes, et nombreuses sont dans son œuvre les victimes qu’on soumet au plaisir avant de les torturer —, cela peut être une violence tyrannique ; et le bourreau déguisé en amant s’enchante de voir l’amoureuse crédule, pâmée de volupté et de reconnaissance, confondre la méchanceté avec la tendresse.

Faut-il brûler Sade?, Simone de Beauvoir

[nochvemo]

Die Marquise Von Sade (1976)

Lady Doriana Grey es cautiva en su propio castillo, y su hermana gemela,recluida en una institución psiquiátrica, se encuentra bajo los cuidados del Dr. Orloff. Ambas hermanas comparten una conexión psíquica y, junto con una apariencia idéntica, en realidad tienen mucho más en común. Doriana parece incapaz de experimentar la satisfacción sexual, pero su enigmática presencia atrae a muchos amantes, en su mayoría mujeres, que no pueden resistirse a sus encantos. Al sucumbir a la lujuria por Doriana, pagan el precio de la muerte. Es una maldición que la mantiene joven y arrebatadora, mientras que su gemela, en cambio, parece acaparar todo el deseo sexual que Doriana es incapaz de asumir, y se alimenta de los paroxismos que sus amantes proyectan antes de sucumbir.

Thumbnails

El cine de autor y el porno se entremezclan en esta película extremadamente extraña y ligeramente poética, del director Jess (Jesús) Franco. La mayoría de escenas hardcore son poco eróticas, pero eso es lo que buscaba el director, porque transmiten el hecho de que Doriana tampoco está obteniendo ningún placer en sus actos carnales. A Franco le gustan los primeros planos gráficos del acto, y su forma de filmarlos es bastante “fea” en el mejor de los sentidos. La musa de Franco, Lina Romay, se apodera brillantemente de las escenas más tórridas para convertirlas en un acontecimiento morboso.

Acceder

[nemetira]

Naissance d’une femme…fatale ? | La Marquise de Sade, RACHILDE (1887) ⭐⭐⭐⭐, 5

Plus qu’une énième démonstration décadente des diableries féminines, une sorte d’origin story à toutes les femmes fatales de Rachilde. Une virtuosité de conteuse (les chutes presque à chaque fin de chapitres), des éléments autofictionnels hyper intéressants (mère aliénée ; père militaire, rigide et blessant ; le titre de “Marquise de Sade” ; le fait de décevoir parce qu’elle est une fille, etc), des réflexions sur les relations de genre et de pouvoir ; don à la femme “fatale” d’une histoire (+ des explications sur sa construction sociale faite dans la plus haute violence) et d’un attrait, presque compulsif, pour la fiction dès l’enfance…

Beaucoup plus abouti que Monsieur Vénus : la généalogie, l’ancrage qui manquait au personnage de Raoule de Vénérande.

Je n’en dirai pas beaucoup plus puisque ma réflexion sera beaucoup plus aboutie dans les prochains mois, à la relecture et surtout à l’aune de mon mémoire. J’en reparlerai plus en détail (peut-être).

[denis-editions]

Imaginaire n°559 lundi 23 octobre 2023 inspirée par “Délicates chroniques de la flagellation” d'Émile Desjardins

Il est des passions délicieusement puissantes.

SHLAG !   Avril 1768, Horace Walpole, comte d’Orford reçoit une lettre de son amie, complice de ses turpitudes homosexuelles, Madame du Deffand, marquise du Deffand. “Un certain comte de Sade, neveu de l’abbé auteur de Pétrarque, rencontra, le mardi de Pâques, une femme grande et bien faite, âgée de trente ans, qui lui demanda l’aumône ; il lui fit beaucoup de questions, lui marqua de l’intérêt, lui proposa de la tirer de sa misère, et de la faire concierge d’une petite maison qu’il a auprès de Paris. Cette femme l’accepta. Il lui dit d’y venir le lendemain matin l’y trouver; elle y fut ; il la conduisit d’abord dans toutes les chambres de la maison, dans tous les coins et recoins, et puis il la mena dans le grenier ; arrivés là, il s’enferma avec elle, lui ordonna de se mettre toute nue ; elle résista à cette proposition, se jeta à ses pieds, lui dit qu’elle était une honnête femme ; il lui montra un pistolet qu’il tira de sa poche, et lui dit d’obéir, ce qu’elle fit sur-le-champ ; alors il lui lia les mains et la fustigea cruellement ; quand elle fut tout en sang, il tira un pot d’onguent de sa poche, en pansa les plaies, et la laissa…”[1] Horace, horrifié par ce témoignage, laissa choir la missive, qui virevoltant, se posa sur le parquet plus doucement qu’une plume. Baissant la tête, il remarqua son entrejambe. “Mon dieu ! Que m’arrive-t-il ?” se mit-il à penser. […]

la suite à lire par le lien.

[melpomeneprose]

Madame la Marquise if indeed the title still holds or matters at all. G.od helped the stranger. He had best not brought her husband, Monsieur la Marquis, as well. Though, really, only time will tell that. Perhaps it's true every philosopher including Voltaire, agrees that good cannot exist without evil.

The blonde rather young-looking woman, clearly not the age she was at her passing and incredibly confused. In late rococo dress no big robe a la francaise or indeed anything extravagant despite the title.

Renée just blinked in something of quiet disdain covered well with 'Good C.atholic and French Revolution r.epublican virtue.' Donatien de Sade, her husband, the Marquis would squirm in disgust or else try to 'ruin' a model of honesty and moral rectitude, to which Renée would merely scoff and dare him do if he could fathom the consequences.

With a rather disoriented gaze, Renée tries to make sense of the thing. She is not foolish. Then she recoils in horror and confusion, "Monsieur, I do not know what you intended. Then again most men seldom do. Doing whatever they please and pursuing whatever they want with little regard for the harm they do others." De sade.

"But, if you can explain yourself," she commands. Then she sighs, "Do get up, you merely make yourself undignified."

Closed Starter for @melpomeneprose | Marquess Renee de Sade

As confident as Jett had grown in his abilities over the years, he hadn’t actually expected the ritual to work. Certainly not on the first try! It was an ancient rite he’d found in the grimoire of a Gaulish mage who had largely been described to him as a madman by the online seller. Given the oddly well-preserved nature of the journal, the young witch had initially been skeptical of its authenticity, but the more he read, aided by a translation spell and a few other texts to give much needed context, the more intrigued he became.

He had to test it.

He just had to.

In choosing whom to attempt to pull from the bowels of Purgatory, he took little care other than making sure that they were at least somewhat interesting. Language barriers could easily be crossed, so that wasn’t much of a factor. Protective wards were of greater concern to him, as he had no way of assuring that whomever he summoned would not be violent or otherwise volatile. No sense in setting the living dead loose on his sleepy North Carolina town, after all. The wards and ritual circle combined took a little over an hour to set up, and required the entire basement of his cabin. Candles lit. Runes drawn on the wooden floor with a mix of chalk and pig’s blood (sourced responsibly from a local butcher). The small windows near the ceiling opened to allow both the cool breeze and the light of the full moon to permeate the room. A smaller circle in the very center, drawn with grave dirt and surrounding a bucket of well water. And a long incantation that Jett stumbled over a few times but managed to recite entirely, finishing by loudly and clearly calling the name of the one he wished to summon.

“Marquess Renée de Sade!”

A deafening silence overtook the room, and for a moment, Jett wondered what he had done wrong, convinced that this attempt at the resurrection ritual was a bust. He should have known. Without a body for the soul to inhabit, how could one hope to raise the dead? In the next moment, however, chaos erupted. Blinding light flashed in the center of the room, followed almost immediately by a crack of thunder so loud that it shook the house, knocking Jett off his feet. Disoriented and with ears ringing, the necromancer tried to get his bearings. Easier said than done. Minutes felt like hours. Pain radiated through his skull, and blood dripped from his nose. Magic always had a cost, after all, and death magic had an especially steep price. He couldn’t get up. Couldn’t hardly move. All he could do was wait in agony while his body worked to right itself.

When the dust settled, however, and the stars had mostly vanished from his vision, he was in for quite the shock. There she was, staring down at him. He stared back up at the newly restored Marquess, his slack jaw slowly working itself into a bewildered but victorious grin. “Holy fuckin’ shit,” he drawled, still trying to catch his breath. “It worked! It actually worked!” An exhausted laugh escaped him then, relief flooding through his prone form.

[fleuromanie]

Ce livre de Rachilde (1887) est une pure merveille, @lemaldusiecle! 

[tabellae-rex-in-sui]

i want sade tied to the figurehead of a ship

How kind you are to remind me that you’re never seasick. What can I tell you on that score, my boy? I’ve long known you carry your wine and your water better than I. But while you make such a brave show up there on deck, all it would take is a pasteboard sea serpent to send you flying into the water or into hell if it opened up beneath your feet . . . Each of us has his little weaknesses, Quiros my son . . . happy is he who has the fewest.

— Sade to Carteron, aka La Jeunesse, aka Martin Quiros; 4 October 1779

I have always dreaded and prodigiously detested the sea. La Jeunesse, who has seen me brave the sea, knows that this antipathy stems from my basic nature and that I absolutely cannot bear sailing. You may be sure that with the sad state of my already wasted chest, that is all it would take to finish me off. Even if it were a question, not of a post, not of the command, but of crowning me the king of an island, I would turn it down [...] And that if I am forced into it, I would sooner be chopped into pieces on the shore than forced onto any sort of ship, preferring, between two possible deaths, the one that will deliver me from my sufferings at one fell swoop rather than one which, simply prolonging them, would be more than dreadful in my view [...] I have not often asked you to dispel all the fears or nightmarish fantasies wherewith my unfortunate situation has filled me. Furthermore, there are five or six other worrisome aspects to this ridiculous scheme you leave me with, regarding which I ask you for no reassurance, if one may employ that expression. But as for this one, it has afflicted me so long and so cruelly that I believe the anxiety it has caused me, and the sleepless nights it has made me spend, are doubtless the reason behind my failing health; and I ask you with the greatest urgency to reassure me on this score. All I ask is that you allay my fears upon the single matter of shipping me off to sea, which I consider a deliberate act of killing me off in a tortuously slow manner. The shorter way would be to send me a stout dose of opium, and the matter would be done. I shall sign the request in my own blood if need be.

— Sade to Renée-Pelagie, Marquise de Sade; 25 June 1780

Also shout out to Inspector Marais who casually asked him if he was afraid of the sea while he was arresting him, for a the sole purpose of freaking him out: "a casual question Marais put to me on the road, if I was afraid of the sea, and, most of all, something analogous to that project" (same 25 june letter)

All from Letters From Prison by Marquis de Sade, Translated by Richard Seaver

[marquise-justine-de-sade]

Brindo alle parole belle che ti scaldano il cuore, del tipo:

“Ti raggiungo dove vuoi!”

Alla sincerità, alle attenzioni..

E all’anima, quella che si riconosce con la tua..

Cin.. 🍷

•

Marquise Justine De Sade..🌹

[fabioferreiraroc]

Todos os filmes em que as cenas de sexo foram para valer

A Bula reuniu em uma lista todos os filmes da história do cinema nos quais os atores se envolvem em atos sexuais reais, não simulados. A diferença entre esses longas e a pornografia é que, embora possam ser considerados eróticos, a trama deles não é meramente pornográfica. Ao todo, a lista conta com 264 títulos.

A Bula reuniu em uma lista todos os filmes da história do cinema nos quais os atores se envolvem em atos sexuais reais, não simulados. Nos Estados Unidos, esse tipo de cena era proibido no cinema convencional, mas a partir dos Anos 1960 os cineastas começaram a ultrapassar os limites. A diferença entre esses longas e a pornografia é que, embora possam ser considerados eróticos, a trama deles não é meramente pornográfica. A maioria deles foi lançada nos anos 1970 e 80, com predominância de dois diretores: o espanhol Jesús Franco e o italiano Joe D’Amato. Por repetidas vezes, também aparecem os nomes de cineastas consagrados atualmente, como Lars von Trier, Gaspar Noé e Yorgos Lanthimos.

1 — Gift (1966), Knud Leif Thomsen

2 — They Call Us Misfits (1968), Stefan Jarl

3 — F*uck (1969), Andy Warhol

4 — 99 Mulheres (1969), Stefen Thrower

5 — Double Face (1969), Riccardo Freda

6 — Quiet Days in Clichy (1970), Jens Jørgen Thorsen

7 — Groupie Girl (1970), Drek Ford

8 — The Deviates (1970), Eduardo Cemano

9 — Bacchanale (1970), John Amero

10 — Kama Sutra ’71 (1970), Raj Devi

11 — Cry Uncle! (1971), John G. Avildsen

12 — Slaughter Hotel (1971), Fernando Di Leo

13 — Uma Lagartixa num Corpo de Mulher (1971), Lucio Fulci

14 — Luminous Procuress (1971), Steven F. Arnold

15 — Secret Rites (1971), Drek Ford

16 —A Clockwork Blue (1972), Eric Jeffrey Haims

17 — Pink Flamingos (1972), John Waters

18 — Who Killed the Prosecutor and Why? (1972), Giuseppe Vari

19 — La Verità Secondo Satana (1972), Ronato Polselli

20 — So Sweet, So Dead (1972), Rose et Val

21 — The Red Headed Corpse (1972), Renzo Russo

22 — Commuter Husbands (1972), Derek Ford

23 — Delirium (1972), Renato Polselli

24 — Christina, the Devil Nun (1972), Sergio Bergonzelli

25 — Danish Pastries (1973), Finn Karlsson

26 — Ingrid the Streetwalker (1973), Brunello Rondi

27 — Thriller – Um Filme Cruel (1973), Bo Arne Vibenius

28 — Revelations of a Psychiatrist on the World of Sexual Perversion (1973), Renato Polselli

29 — A Scream in the Streets (1973), Carl Monson

30 — The Devil In Miss Jones (1973), Gerard Damiano

31 — Fleshpot on 42nd Street (1973), Andy Milligan

32 — The Other Side of the Mirror (1973), Jess Franco

33 — Diary of a Nynphomaniac (1973), Jesús Franco

34 — A Virgem e os Mortos (1973), Jesús Franco

35 — O Reduto dos Monstros (1973), Vidal Raski

36 — The Devil’s Plaything (1973), Joseph W. Sarno

37 — Anita (1973), Torgny Wickman

38 — The Sex Thief (1973), Martin Campbell

39 — The Porn Brokers (1973), John Lindsay

40 — Emmanuelle (1974), Just Jaeckin

41 — The Eerie Midnight Horror Show (1974), Mario Gariazzo

42 — Zelda (1974), Alberto Cavallone

43 — I Tyrens Tegn (1974), Werner Hedman

44 — Score (1974), Radley Metzger

45 — Riot on a Women’s Prison (1974), Brunello Rondi

46 — The Girls of Kamare (1974), René Viénet

47 — La Bonzesse (1974), François Jouffa

48 — Sweet Movie (1974), Dušan Makavejev

49 — Fiossie (1974), Marie Forsa

50 — Contos Imorais (1974), Walerian Borowczyk

51 — Lorna: O Exorcista (1974), Jesús Franco

52 — Countess Perverse (1974), Jesús Franco

53 — Carnal Revenge (1974), Alfredo Rizzo

54 — Keep It Up, Jack! (1974), Derek Ford

55 — The Hot Girls (1974), John Lindsay

56 — Voodoo Sexy (1974), Osvaldo Civirani

57 — Nude for Satan (1974), Luigi Batzella

58 — In the Sign of the Gemini (1974), Werner Hadman

59 — Come To My Bedside (1975), John Hillbard

60 — The Image (1975), Radley Metzger

61 — Número Dois (1975), Jean-Luc Godard

62 — The Teenage Prostitution Racket (1975), Carlo Lizzani

63 — Emanuelle Nera (1975), Bitto Albertini

64 — Emanuelle’s Revenge (1975), Joe D’Amato

65 — Felicia (1975), Max Pécas

66 — But Who Raped Linda? (1975), Jesús Franco

67 — A Maldição da Vampira (1975), Jesús Franco

68 — Les Chatouilleuses (1975), Jesús Franco

69 — L’Éventreur de Notre-Dame (1975), Jesús Franco

70 — Justine e Juliette (1975), Mac Ahlberg

71 — The Bloodsucker Leads the Dance (1975), Alfredo Rizzo

72 — Lábios de Sangue (1975), Jean Rollin

73 — Rêves Pornos (1975), Max Pécas

74 — Wham! Bam! Thank You, Spaceman! (1975), William A. Levey

75 — Breaking Point (1975), Bo Arne Vibenius

76 — Rolls-Royce Baby (1975), Erwin C. Dietrich

77 — Girls Come First (1975), Joseph McGrath

78 — The Sexplorer (1975), Derek Ford

79 — Le Sexe qui Parle (1975), Claude Mulot

80 — Barbie Wire Dolls (1975), Jesús Franco

81 — Emanuelle em Bangkok (1975), Joe D’Amato

82 — Lust (1976), Max Pécas

83 — The Opening of Misty Beethoven (1976), Radley Metzger

84 — Alice in Wonderland: An X-Rated Musical Fantasy (1976), Bud Townsend

85 — Bedside Sailors (1976), John Hillbard

86 — In The Sign of the Lion (1976), Werner Hedman

87 — O Império dos Sentidos (1976), Nagisa Oshima

88 —Through the Looking Glasses (1976), Jonas Middleton

89 — A Real Young Girl (1976), Catherine Breillat

90 — Die Marquise von Sade (1976), Jesús Franco

91 — Girls in the Night Traffic (1976), Jesús Franco

92 — The French Governess (1976), Demofilo Fidani

93 — Inhibition (1976), Paolo Poetti

94 — Around the World in 80 Beds (1976), Jesús Franco

95 — Sex Express (1976), Derek Ford

96 — Keep It Up Downstairs (1976), Robert Young

97 — Secrets of a Superstud (1976), Morton L Lewis

98 — The Office Party (1976), David Grant

99 �� The Angel and The Woman (1976), Gilles Carle

100 — Agent 69 in the Sign of Scorpio (1977), Werner Hedman

101 — Shining Sex (1977), Werner Hedman

102 — Fate la nanna coscine di pollo (1977), Amasi Damiani

103 — Blue Rita (1977), Jesús Franco

104 — Emanuelle na América (1977), Joe D’Amato

105 — Emanuelle Around the World (1977), Joe D’Amato

106 — Sister Emanuelle (1977), Giuseppe Vari

107 — Nazi Love Camp 27 (1977), Mario Caiano

108 — Under The Bed (1977), David Grant

109 — The Mark (1977), Ilias Mylonakos

110 — The Cerimony (1977), Omiros Efstratiadis

111 — Monsieur Sade (1977), Jacques Robin

112 — Caligula’s Hot Nights (1977), Roberto Bianchi

113 — Agent 69 Jensen in the Sign of Sagittarius (1978), Werner Hedman

114 — Behind Convent Walls (1978), Walerian Borowczyk

115 — Blue Movie (1978), Alberto Cavallone

116 — Sister of Ursula (1978), Enzo Milloni

117 — The Coming of Sin (1978), José Ramón Larraz

118 — Pleasure Shop on the Avenue (1978), Joe D’Amato

119 — You’re Driving Me Crazy (1978), David Grant

120 — Immoral Women (1979), Walerian Borowczyk

121 — Caligula (1979), Bob Guccione

122 — Images In a Convent (1979), Joe D’Amato

123 — Play Model (1979), Mario Gariazzo

124 — Giallo a Venezia (1979), Mario Landi

125 — Malabimba (1979), Andrea Bianchi

126 — A Prisão (1980), Oswaldo de Oliveira

127 — Beast in Space (1980), Alfonso Brescia

128 — Blow Job (1980), Alberto Cavallone

129 — La Gemella Erotica (1980), Alberto Cavallone

130 — Erotic Nights of the Living Dead (1980), Joe D’Amato

131 — Orgasmo Nero (1980), Joe D’Amato

132 — Flying Sex (1980), Joe D’Amato

133 — Libidomania (1980), Bruno Mattei

134 — When love is obscenity (1980), Roberto Polselli

135 — Hard Sensation (1980), Joe D’Amato

136 — Hotel Paradise (1980), Edoardo Mulargia

137 — Sex and Black Magic (1980), Joe D’Amato

138 — Porno Esotic Love (1980), Joe D’Amato

139 — The Porno Killers (1980), Roberto Mauri

140 — Sem Controle (1980), Paul Verhoeven

141 — Táxi para o Banheiro (1980), Frank Ripploh

142 — Os Frutos da Paixão (1981), Shuji Terayama

143 — Emmanuelle in Soho (1981), David Hughes

144 — Porno Holocaust (1981), Joe D’Amato

145 — Calígula: A História que Não Foi Contada (1982), Joe D’Amato

146 — Scandale (1982), George Mihalka

147 — Apocalipsis Sexual (1982), Carlos Aured

148 — Aphrodite (1982), Robert Fuest

149 — Il Nano Erotico (1982), Alberto Cavallone

150 — My Nights With Messalina (1982), Jaime J. Puig

151 — The Virgin for Caligula (1982), Jaime J. Puig

152 — Luz del Fuego (1982), David Neves

153 — Perdida em Sodoma (1982), Nilton Nascimento

154 — Killing of the Flesh (1983), Cesari Canevari

155 — Satan’s Baby Doll (1983), Mario Bianchi

156 — Taking Tiger Mountain (1983), Tom Huckabee

157 — Emmanuelle 4 (1984), Francis Leroi

158 — Lilian, The Perverted Virgin (1984), Jesús Franco

159 — Alcova (1985), Joe D’Amato

160 — James Joyce’s Women (1985), Michael Pearce

161 — Diabo no Corpo (1986), Marco Bellocchio

162 — Emmanuelle 5 (1987), Walerian Borowczyk

163 — Emmanuelle 6 (1988), Bruno Zincone

164 — Hotel St. Pauli (1988), Svend Wan

165 — Kindergarten (1989), Jorge Polaco

166 — Kinski Paganini (1989), Klaus Kinski

167 — Tokyo Decadence (1992), Ryu Murakami

168 — The Soft Kill (1994), Eli Cohen

169 — A Vida de Jesus (1997), Bruno Dumont

170 — Os Idiotas (1998), Lars von Trier

171 — O Tédio (1998), Cédric Kahn

172 — Fiona (1998), Amos Kollek

173 — Jesus is a Palestinian (1999), Lodewijk Crijns

174 — Romance (1999), Catherine Breillat

175 — Pola X (1999), Leos Carax

176 — The Man-Eater (1999), Aurelio Grimaldi

177 — Olhe por Mim (1999), Davide Ferrario

178 — Vampire Strangler (1999), William Hellfire

179 — Baise-moi (2000), Virginie Despentes

180 — Scrapbook (2000), Eric Stanze

181 — Intimacy (2001), Patrice Chéreau

182 — O Pornógrafo (2001), Bertrand Bonello

183 — Lucia e o Sexo (2001), Julio Medem

184 — Dias de Cão (2001), Ulrich Seidl

185 — O Centro do Mundo (2001), Wayne Wang

186 — La Novia de Lázaro (2002), Fernando Merinero

187 — Le loup de la côte Ouest (2002), Hugo Santiago

188 — Eternamente Sua (2002), Apichatpong Weerasethakul

189 — Coisas Secretas (2002), Jean-Claude Brisseau

190 — Ken Park (2002), Larry Clark

191 — Brown Bunny (2003), Vincent Gallo

192 — Faça Isto (2003), Tinto Brass

193 — Rossa Venezia (2003), Andreas Bethmann

194 — The Principles of Lust (2003), Penny Woolcock

195 — Anatomia do Inferno (2004), Catherine Breillat

196 — 9 Canções (2004), Michael Winterbottom

197 — Story of The Eye (2004), Georges Bataille

198 — Kärlekens språk (2004), Anders Lennberg

199 — Garotinho Bobo (2004), Lionel Baier

200 — All About Anna (2005), Jessica Nilsson

201 — 8mm 2 (2005), J. S. Cardone

202 — Beijando na Boca (2005), Joe Swanberg

203 — O Sabor da Melancia (2005), Tsai Ming-Liang

204 — Princesas (2005), Fernando Léon de Aranoa

205 — Deite Comigo (2005), Clement Virgo

206 — Destricted (2006), Gaspar Noé e outros

207 — Shortbus (2006), John Cameron Mitchell

208 — Taxidermia (2006), Gyorgy Pálfi

209 — Os Anjos Exterminadores (2006), Jean-Claude Brisseau

210 — Amour Fou (2007), Felicitas Korn

211 — Ex Drummer (2007), Koen Mortier

212 — Its Fine. Everything is Fine! (2007), David Brothers

213 — The Story of Richard O (2007), Damien Odoul

214 — Import Export (2007), Ulrich Seidl

215 — Serviço (2008), Brillante Mendoza

216 — Tropical Manila (2008), Sang-woo Lee

217 — Otto, ou Viva Gente Morta (2008), Bruce LaBruce

218 — À l’aventure (2008), Jean-Claude Brisseau

219 — Amateur Porn Star Killer 2 (2008), Shane Ryan

220 — Gutterballs (2008), Ryan Nicholson

221 — House of Flesh Mannequins (2009), Domiziano Cristopharo

222 — Anticristo (2009), Lars von Trier

223 — Viagem Alucinante (2009), Gaspar Noé

224 — The Band (2009), Anna Brownfield

225 — Canino (2009), Yorgos Lanthimos

226 — Angels With Dirty Wings (2009), Roland Reber

227 — Now & Later (2009), Philippe Diaz

228 — Bedways (2010), Rolf Peter Kahl

229 — Rio Sex Comedy (2010), Jonathan Nossiter

230 — The Bunny Game (2010), Adam Rehmeier

231 — Ano Bissexto (2010), Michael Rowe

232 — Gandu (2010), Qaushiq Mukherjee

233 — LelleBelle (2011), Mischa Kamp

234 — Desire (2011), Laurent Bouhnik

235 — O Amor é um Saco! (2011), Scud

236 — Caged (2011), Stephan Brenninkmeijer

237 — Léa (2011), Bruno Rolland

238 — The Wrong Ferrari (2011), Adam Green

239 — Clip (2011), Maja Milos

240 — Uma Estranha Amizade (2012), Sean S. Baker

241 — Paradise: Faith (2012), Ulrich Seidl

242 —And They Call It Summer (2012), Paolo Franchi

243 — I Want Your Love (2012), Travis Mathews

244 — Crônicas Sexuais de Uma Família Francesa (2012), Pascal Arnold

245 — Azul é a Cor Mais Quente (2013), Abdellatif Kechiche

246 — Ninfomaníaca (2013), Lars von Trier

247 — Pornopung (2013), Johan Kaos

248 — O Desconhecido do Lago (2013), Alain Guiraudie

249 — Zonas Úmidas (2013), David Wnendt

250 — Pasolini (2014), Abel Ferrara

251 — Diet of Sex (2014), Borja Brun

252 — Angry Painter (2015), Kyu-hwan Jeon

253 — Love (2015), Gaspar Noé

254 — Muito Amadas (2015), Nabil Ayouch

255 —Theo e Hugo (2016), Olivier Ducastel

256 — Tenemos la Carne (2016), Emiliano Rocha Minter

257 — Needle Boy (2016), Alexander Bak Sagmo

258 — Love Machine (2016), Pavel Ruminov

259 — A Noite (2016), Edgardo Castro

260 — A Thought of Ecstasy (2017), Rolf Peter Kahl

261 — Ana, Meu Amor (2017), Calin Peter Netzer

262 — Picture of Beauty (2017), Maxim Ford

263 — Marfa Girl 2 (2018), Larry Clark

264 — Mektoub, My Love: Intermezzo (2018), Abdellatif Kechiche

Todos os filmes em que as cenas de sexo foram para valer Publicado primeiro em https://www.revistabula.com

[arwainian]

I find this quote very striking, and because of it I went through the link and read the article itself, and it contains discussion of a lot of historical authors who were (what we today consider) queer and who's works had queer themes, as well as modern scholars bringing their works into a modern light! I've actually collected a list of most/all of the writers and works in case anybody (besides myself) is interested! it's a bit long haha

Specific historical writers and works:

Rachilde (the pseudonym of Marguerite Vallette-Eymery) - works including: Monsieur Venus, Madame Adonis, La Jongleuse, and La Marquise de Sade

Henry James (lots of scholarship on this guy)

Vernon Lee (pseudonym of Violet Page) - works including: Miss Brown, Renaissance Fancies and Studies

Walter Pater - Studies in the History of the Renaissance

The Sins of the Cities of the Plain (1881) - apparently pornographic, author debated

Teleny (1893) - apparently pornographic, author debated

Sexual Inversion (1897) by Symonds and Havelock Ellis. Symonds also did translations of Michaelangelo's sonnets apparently which are very gay

Howard Stugis - work: Tim (1891)

Abel Hermant - work: Le Disciple Aimé (1895) apparently not yet translated into English

Achille Essebac - work: Dédé (1901)

Georges Eekhoud - work: Escale-Vigor (1889) apparently already translated but might need to be again?

Chains of Love and Beauty. the Diary of Michael Field, ed. by Carolyn Denver (this is a joint diary of a lesbian couple that wrote under the same name i think?)

Modern scholars and scholarly works on the above:

Nancy Erber, William Peniston, Michael Rosenfeld (mentioned together bc they collaborated on several of the following): The Italian Invert: A Gay Man's Intimate Confession to Émile Zola

Queer Lives: Men's Autobiographis from Nineteenth Century France

Marc-Audré Raffalovich's Uranism and Unisexuality

Lesbian Decadence (by Nancy Erber specifically i think)

Rachilde and French Women's Authorship from Decadence to Modernism by Melanie Hawthorne

Before Trans: Three Gender Stories from Nineteenth Century France by Rachel Mesch (I've read this recently and it's really good and includes some more historical writers)

Epistemology of the Closet by Eve Kosofsky Sedgwick

The Other Henry James by John Rowe

Henry James and Queer Modernity by Eric Haralson

Henry James and the Queerness of Style by Kevin Ohi

Henry James and Queer Filiation by Michael Anesko

The Apparitional Lesbian by Terry Castle

The Literature of Lesbianism ed. by Terry Castle

Disturbing Practices: History, Sexuality, and Women's Experiences of Modern War by Laura Doan

Time Binds: Queer Temporalities, Queer Histories by Elizabeth Freeman

Queer/Early/Modern by Carla Freccero

happy reading!

Once you start looking, you see queer presentism everywhere. It pops up when politicians espouse our “unprecedented” ability to love who we love, and when recent book bans are said to “roll back the clock” on LGBTQ+ rights, implying that clocks tick continually toward progress. It manifests in Oscar Wilde hagiography, which elevates him to the status of singular queer martyr and extrapolates an epochal paradigm from his 1895 trials. It seeps into our everyday speech, in our references to “forbidden love” and our use of the term “Victorian” to imply prudish homophobia. It both stems from and structures the editorial projects that publishers pursue, giving rise to catalogues like the NYRB Classics, where the oldest work tagged LGBTQ+ is Colette’s The Pure and the Impure (1932) — as if nothing queer was written before.

The truth is that there’s a world of queer writing that predates Colette, volumes of manuscript and books that aren’t so much products of historical suppression as they are suppressed by today’s “it’s gotten better” mindset. This is convenient for a culture industry in search of the sui generis and always eager to pat itself on the back for its own enlightenment. But the almost total neglect, outside the academy, of the queer literary archive is a shame, and not only because it propagates factual errors. In limiting our horizons for understanding how our predecessors lived, loved, and wrote, we end up narrowing our own vistas. When we apply the repressive hypothesis, we’re actually repressing ourselves.

Colton Valentine, “Against Queer Presentism​ | How the Book World Neglects the Archive,” The Drift, October 25, 2022.

[bluanice]

Ci sono due persone per le quali vale sempre la pena combattere. Una è te stesso, l'altra anche. (Marquise-justine-de-sade) https://www.instagram.com/marilenagentile/p/BwnBj-YH7E8/?utm_source=ig_tumblr_share&igshid=w8dx5uxn2x42

[verver]

SANS MOBILE APPARENT

EXTRAIT 36

Elle continue son récit à l'oreille de Blotin :

Son premier scandale fut un 3 Avril 1768 à Arcueil, c'est là qu'a éclaté l'émeute eh !

écoute bien cette histoire mec, elle est superbe déglutit Sylvie en buvant verre sur verre.

- Came toi Sylvie

Elle reprit son débit : c'est la marquise de Delfond qui fut la première à classer Sade parmi les meurtriers ou les fous, elle avait écrit à Horace Warpole

" Sade le neveu de l'abbé savant qui fait des recherches sur Petrarque, rencontra le Mardi de Pâques une femme mendiant vers chez lui " .... tu imagine la suite....à l'époque déjà !

- Oui , continue ! lui dit Blotin qui depuis un moment à perdu le fil de l'histoire, je commande une autre boutanche.

Il pense qu'elle est vraiment frappée et qu'elle aurait bien été capable de buter les nains.

Oui! je te dit mec ! la fille était mendiante. Sade lui a offert un poste de bonne pour sa petite maison près de Paris.

Sylvie balance un rot sonore.

Elle poursuit la discussion intarissable donc la fille accepte, arrivés là-bas Sade la menace d'un pistolet et lui demande d'obéir ce qu'elle fit immédiatement.

- Tu piges mec ? demande Sylvie un peu bourrée .

Se que Blotin pige c'est qu'elle est totalement tarée.

- J'suis pas con ! gueule Blotin.

La dingue continue son baratin en expliquant à Bloblote que le marquis attache les mains de la pauvre bonne et la fouette cruellement, il prend un couteau et lui fait des incisions partout sur le corps.

Mais la bonne parvient à se défaire de ses liens et se sauver par la fenêtre en hurlant et c'est là que l'émeute, le scandale commence.

Blotin demande où il a fait précisément ses incisions.

La follasse le lui dit en donnant de amples détails :

partout sur le corps ! avec son surin ! et il enduisait de baume les plaies et les meurtrissures.

Elle ajoute exaltée :

Il avait l'âme d'un disséqueur, d'un illustre médecin aux doigts de fée.

- Eh ! Eh ! hurla Blotin.

Il ajoute :

- Qu 'est-ce que tu penses du mec qui bute les nains ?

Sylvie riait comme une démente en secouant la tête comme un âne.

- Pourtant d'une certaine manière il ressemble à ton Sade !

- Pas du tout répondit Sylvie outrée, offensés, Sade est un artiste.

[parischarles-oreo]

Fontainebleau, Napoléon.

C. et C., either non nah, Italia. Si y a bonne journée. La France.

Lilly, y sûr ca so. Ba, va très bien. D’accord. La France.

Medicore, bonne journée. dunhill, bonne journée, ici. Bonne journée, salut. La France:

/

Bonne journée.

Bienss

Ven’nêss

Bon

Si

GIORGIO

Sade

Yellow

Jeudi

Mardi : Vendredi

Si a y coso, all

:

Diamond

Ring

/

&repost @ciprianojoaillier

・・・

#Nouveauté 💍

Voici notre nouvelle bague 5 anneaux ornée de son diamant marquise de 1.66 ct et de ces 18 diamants de 0.40 ct.

(Or blanc paladié : 20 gr)

#ciprianojoaillier

.

.

.

.

#bague #diamant #orblanc #joaillerie #joaillier #or #paris #fontainebleau #jewelryaddict #jewelry #nouveauté #news #lisbonne #france #artisan #artisanatfrancais #design #creation #createur #joailleriefrancaise

#paris #gordon #val

https://instagram.com/p/CScWF_qpr0U/

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A post shared by L. Palcinées G’Horuç (@fawdio)

[ziouranio]

Raccolgo il testimone di geova e frugo nel liquido cerebro-spinale alla ricerca di 5 neuroni caratteristiche per cui mi autopiaccio (o forse utopiaccio).

1) l’inventiva (o fantasia). Impagabile sensazione di superiorità quando a distanza di anni, in un fascicolo dell’ufficio tecnico di un cliente trovi un tovagliolo di carta su cui tu stesso hai scarabocchiato qualche meccanismo e constati che è stato conservato accuratamente in un porta listìni di plastica manco fosse la sindone. Oppure quando inizi a sparare quelle che credi cazzate in una riunione e vedi due o tre che cominciano a prendere appunti ansiati come il secchione al liceo che si aspetta l’interrogazione subito dopo.

2) la faccia come il culo. Siccome praticamente non mi frega un cazzo di niente e di nessuno, se inciampo nella predella della cattedra chiedo ai ragazzi “Chi è lo stronzo che ha portato la criptonite?”. Oppure importuno la milf al supermarket esordendo “scusi, ma siccome sono uomo etero non sono geneticamente programmato per fare la spesa, mi indica dove trovo la pastafrolla?” Oppure alla trombabilissima vigilessa “scusi, mi sono perso, mi può indicare la via più breve per portarla a cena a fine turno?”

3) la smorfia che faccio mentre penso, arricciando un poco solo la narice sinistra ed inclinando la testa mentre guardo un punto fisso tra gli occhi del mio interlocutore, alla Cal Lightman, fino ad avvertire la sensazione di disagio del dirimpettaio (procura orgasmi multipli?). Ma l’ho sempre fatta fin da quando ero bambino per cui è il telefilm ad avermela copiata.

4) la capacità di ricordarmi a memoria cose idiote come passi di Keats o di Catullo, oppure episondi salienti della vita di santi, martiri o scienziati, e di tirarle fuori a cazzo per tagliare le lunghe discussioni quando cominciano a triturare le gonadi. (il concetto è “siccome non c’entra una minchia gli altri rimangono inebetiti a cercare di capire la connessione”, e intanto saluti e te ne vai)

5) Non mi viene in mente niente di fisico. Magari da giovane il bulbo e la cartola (traduco dal bolognese, capigliatura e faccia). A detta altrui ho un bel culo, ma non l’ho mai personalmente considerato un punto chiave (neanche chiavabile, se è per questo) perché non è che me lo possa rimirare. Il mio pizello vale come cosa, o rispetto ai pompini di martina è troppo osè e mi shadowano il profilo?

Dimenticavo.... taggo (pelle d’oca al solo uso della parola) anche io! @meryweird77 @marquise-justine-de-sade

La mia fedelissima taggatrice toscana (si può dire taggatrice?? Fa tipo macchina industriale ... vabbè) @hope-now-and-live mi chiede di sbómbinare, che, detto tra noi, è la prima volta che lo faccio in vita mia, e sono sempre curioso di cose nuove. Che si sbómbini a tutto vapore!

Ecco 5 cose che mi piacciono di me 🔥🚿👨🏻‍🚒

1) (preparate gli unfollow) la mia voglia di stare sempre in mezzo agli altri

2) la curiosità, anche nelle cose più sceme

3) il fatto di saper sfruttare le occasioni ogni volta che si presentano (questa è una qualità che valuto sempre a posteriori, dovessi dirlo in anticipo direi che mi cago sempre sotto, scusate la finesse)

4) (penso di) avere delle buone doti di diplomazia, che mi hanno tolto il 99% delle volte dai casini. Se volete chiamarla paraculaggine, va bene uguale.

5) il mio lato esibizionista, e credo che ieri se ne siano accorti anche i miei nuovi dirimpettai.

Allora ... oggi non si spiega, si sbómbina ... venghino su Tumblr: @martinastalla @19eighty4 @mafedericascusami @azzurrocartadazucchero @mat-tonto (ando' scappi?) e @pestobarilla , così impari a togliere i video di Zia Consiglia!! 😠