#ku bei

[fanofspooky]

The Sadness

2021 • TV-MA • 1h39m

A young couple trying to reunite amid a city ravaged by a plague that turns its victims into deranged, bloodthirsty sadists.

[somaligovernment]

Gen Z has to be worst generation to have ever existed I hate my age mates

[fabiansteinhauer]

[galli-halli]

Mit ziemlicher Verspätung habe ich es endlich geschafft, den WSMDS-One Shot zu Folge 4, aka Wer Stiehlt Klaas Die Show, fertigzustellen:

Bezogen wird sich hier auf die gesamte Folge (und ein bisschen auch auf die Folgen davor), vor allem aber auf diesen Moment:

Ich wünsche euch ganz viel Spaß beim Lesen <3

[postsofbabel]

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[dino-fart]

In Reina In Waal | Chapter 2: Reunion

Pairing: Namor x Female Reader

Genre: Action, Adventure, Romance

A Sequel to This Request

Summary: You awaken in the caverns of Talokan alone. You are reunited with the great Ku'ku'lkán...Will this be a tender or bitter reunion? 

Summary | Preview | Chapter 1 | Chapter 2 | Chapter 3

“Hold still, child!” Okoye dragged the boy by the collar of his shirt to stand him up straight. 

“Let me go, lady! I gotta get back and find my mom!” He tried to run but the general grabbed him by the arm. 

“You need to answer my questions, now!” She commanded and the boy nodded his head quickly. 

“Y-Yes ma’am!” He shook with fear. 

“Who were you running from?” 

“T-This big dude! He had blue skin and big muscles and and he had a weird thing on his face! He tried to grab me but I went into the jungle and that’s...That’s how you found me.” The boy said nervously. 

“You said you need to find your mother, where is she?” 

“I-I don’t know...He attacked us and my mom told me to run.” 

“Blue skin...Did he come from the water?” 

“I wasn’t really paying attention, ma’am, I was too busy trying to hide.” The boy sighed. 

“Come with me, child. I will take you somewhere safe.” Okoye gestured for him to follow her through the jungle. 

“My name is Titus.” The boy said following behind her. 

“Titus. I would request for you to be quiet while we get there. Just in case your pursuer is hiding here.” 

“Where are you taking me?” Titus whispered. 

“To Wakanda.” Okoye smirked and led the way. Titus gasped, he had heard stories about Wakanda. He only wished his mother was here with him...

Attuma swam to the throne room and saw his king sitting on his throne, holding a small jade necklace in his hand. “Ku'ku'lkán!” He announced his presence and Namor looked up immediately. “Ts'o'ok in suut yéetel yane'... Interesantes t'aano'ob (I have returned with some...Interesting news).” Attuma said. Namor raised a brow and gestured for Attuma to continue speaking. “Lela' u asedio u reino le reina. Yaan juntúul paal yéetel xiik' le tobillos (It is about the siege of the queen's kingdom. She has a son with wings on his ankles).” Attuma said and Namor’s eyes grew wide. 

“K'axik in (Bring him to me).” Namor said firmly. 

“U intenté, u majestad, ba'ale' bey ti' le wakandianos ku u séen úuch u láaj bis (I tried, your majesty, but it seems the Wakandans have taken him).” Attuma bowed his head and Namor’s blood boiled. He grabbed his spear and swam swiftly past Attuma. The general turned around to see his king rush out. To where? Attuma had no idea...

You awoke with a jolt and sat up straight. You looked down to notice you were in a hammock then looked up to see the glow worms on the ceiling. You didn’t recognize where you were but you did recognize the woven basket by the hammock. You got out of the hammock and walked past the basket to explore your surroundings. You stopped when you saw the large pool of water to your right. 

You walked over there to see your reflection. You were still in your blood-stained armor, your hair was a wet mess and you saw the cuts on your face. The cuts didn’t bleed though, thanks to the stone that had gifted you the power of invincibility. You sighed in irritation as you realized you needed to change. You walked over to the basket that you were sure Namor or at least his people left for you. 

You took out the piece of clothing in it and changed. You were now wearing a blue, white and gold dress with a gold and jade neckpiece. You tied your hair in a ponytail and put on the brown sandals that were remaining in the basket. You walked on ahead to see a small hut with colorful walls inside. You stepped inside and froze at what you saw. 

The colorful walls were murals, murals that depicted the birth of Talokan and their leader, Namor. You rolled your eyes, “Shit.” You approached the wall across from you and ran your fingers to trace the lines that shaped his face. While you resented him for leaving you behind...You still loved him. 

“It’s been a long time...” You heard a familiar voice say behind you. 

“Has it? I’m surprised you noticed.” You snapped. 

“It’s good to see you, in reina (my queen).” 

“Bold of you to call me that.” You turned around to face him. 

“I didn’t come here to fight or to argue. I came here to check on you.” Namor said softly and approached you. You stepped away from him and pressed your back against the wall. “I...Heard something interesting...About your son or should I say our son.” Namor studied your face to see your reaction. You pursed your lips in a thin line and averted his gaze. Namor understood and nodded his head slowly. 

He moved his hand to gently cup your cheek. You moved away from his touch and glared at him. Namor felt his anger rising but remained calm. “Do I disgust you, hm? Does the mere thought that you gave birth to my offspring make you ashamed?” Namor moved his hand to grip your chin and forced you to look at him. 

You laughed at him, “You want to talk about shame? How about when you refused to let me see Talokan because you were ashamed that you slept with a surface dweller? Or how about when you were ashamed to even listen to how I felt about you when I wanted to show you my kingdom?” You retorted and grabbed his wrist roughly. Your nails dug into his skin and he hissed in pain and released you. Namor looked at you and felt his words die on his tongue. You were right...

Namor gently moved his hand to hold yours and laced your fingers with his. “I...Do not know what to say...Except I’m sorry.” Namor brought your hand to his lips. 

You moved your hand out of his grasp and crossed your arms over your chest. “Don’t be...I knew what I meant to you despite my feelings. I just...Found it hard to accept. I thought about telling you I was pregnant...But I wanted to deny that from you. I wanted you to suffer the way you made me. Jokes on me I guess, you didn't even care.” You sighed. 

Namor raised a brow at you, “Do you hate me that much? Does our son remind you of me?” 

You glared at him, “Don’t flatter yourself, Namor. Our son is nothing like you.” 

“He is a mutant. He has wings on his ankles and his ears are pointed. He is everything like me.” Namor said calmly. 

“He’s not a murderer.” 

“Neither am I. But I will protect my people at all costs as I am sure you will.” 

“Of course. But I don’t go around starting fights with people! Your obsession with Wakanda’s alliance will be your downfall and I hope that Queen Ramonda is the one to take you down.” You hissed. 

Namor’s blood boiled at your words and he gritted his teeth, “Did you know that our son is in Wakanda as we speak?” 

“Good. He’s safer there than here.” 

“So you wish for him to fight alongside Wakanda against our own people?!” Namor raised his voice. 

“Talokan is NOT our home nor our kingdom! You made that clear when you left me!” You stared him down. 

“I was a fool! And I want to make it right.” 

“Then don’t go after my son. Release me and you won’t see us again.” 

“On the contrary, in reina, I will have Attuma bring him to us and we can be a family. Then you will see. Now rest, our son will be here soon.” Namor turned his back to you and walked away. 

“He lays ONE finger on our son and I will kill you both! You hear me Namor?!” You shouted at him when he was walking away. You watched him leave and collapsed onto your knees. The tears that had been threatening to fall finally did. You covered your face with your hands and sobbed as you feared what was going to happen to Titus. You only hoped that the Queen of Wakanda would keep him safe...

Tagging: @deepbatched, @vikingqueen28, @leonkennedyslefthand, @stewardofningishzida, @icytrickster17, @onlinecemetery, @marki-moo0, @absolute-not-original, @creamecafe, @scrubb, @nightingal3-tales, @alliethedaydreamer, @strangesthirdeye, @alexa-33, @zombiedixon89, @sunnsettee, @deliciousfestsalad, @kiaradaniell, @freyafriggafrey, @criticalroleobssedperson, @avengersfan25, @lunamoonbby, @androgynouspersonapricotfan, @foxcantswim, @namorkawaiiwife, @starkiller-queen, @kyuupidwrites, @luciamajer, @renatas10, @ayamenimthiriel, @gaiagurl05, @dipsylou, @pinkthick, @hansai, @andywinter16, @iambored24601, @3-cheese-tortellini, @cumbrbatchbenedict, @ironstrange1991, @aribas-stuff, @rianumochi, @vibaracal, @lostpirateinwonderland​  

[raging-tackeydios]

shitty idea time: monster hunter monsters if they had personalities/characters and bantered with the hunter mid-fight instead of being mindless animals

for context the variant, deviant, subspecies, etc. monsters would have the same lines as the vanilla species but with different VAs, paralleling how their hunting horns are the same melody with different instruments

i didn't do all of them because i couldn't really think of personalities for all of them

okay go

———

"great/drome" monsters: somewhere between the soldier and charlie from pikmin 3: military commanders ordering about their pack members in battle with...less than effective results

(blue) yian kut ku: nervous wreck that's literally a tutorial monster. knows that a lot of hunters go after him as their first real test of skill, so he's devoted himself to the role, telling you what to do and telegraphing his attacks very blatantly. sometimes accidentally gives you helpful information trying to think out loud.

(scarred, deadeye) yian garuga: basically imagine scratch from adventures of sonic the hedgehog if he wanted sonic ground into a bloody paste instead of merely hurt or captured: he even has the voice too. throws huge temper tantrums when you get knocked out of the arena or another monster intrudes because it means he can't fight you any more

cephadrome: constantly taunting the player about how he's so hard to hit under the sand, but the moment he gets dragged out he starts begging for mercy and running away

(ruby) basarios: too fat and stupid to even realize you're trying to attack him, or that he's attacking you...kinda like louie from pikmin honestly

(black) gravios: lazy, almost depressed, even, and doesn't really care about the fact that you're trying to beat the snot out of him: if you win, he dies, and if your weapons bounce off of his carapace he gets to wallow and be miserable more, so it's a win-win situation

(purple) gypceros: adhd personified. hyperactive as hell and constantly getting distracted during the fight, only to circle back and get super pissed at you: when he "dies" the first time he gets sad that his prank didn't work if you don't fall for it

(red) khezu: weird scrimbly bimbly thing that only talks in short sentence fragments, is constantly sniffing around to get a read on you, and sounds garbled like he's underwater. also the screaming. he's constantly screaming seemingly at random. kinda like a much more gooey hyness

(gold, pink) rathian: more down to earth than rathalos (because she stays on the ground.) she gets tired of having to basically babysit rathalos sometimes but she still loves him with all her heart. constantly trying to rein him in and get him to take you seriously during the fight when they're fighting together: regardless of whether he's killed or captured she breaks down sobbing and trying to avenge him

(silver, azure) rathalos: imagine a flying version of bowser from the mario RPGs. dumb as bricks, and he's not really treating the fight as life or death, but more like just a thing he does every tuesday: he's happy to see you, but he still has to act like the bad guy. you can hear him trying to practice his evil laugh as he's flying away, then berating himself for it not being good enough. if he's fighting with rathian he gets a lot more meek when she's captured and almost goes dead silent for the rest of the fight when she's killed

diablos: has a potty mouth that would put a sailor to shame. during his turf war with black diablos they both get off on the fact they're beating the crap out of each other

bloodbath diablos: basically a fusion between kai yan and tartarus from dragalia. believes that the philosophy of "might makes right" is the ultimate creed, and wipes out any monsters near him because he believes they're weak and unfit of fighting to live. meanwhile he kills humans for the slight they inflicted on him in the past. gets more desperate as the fight wears on because he cannot be anything less than the perfect being, and when he dies/gets captured he's not mad because he lost, he's mad because he lost to you.

black diablos: horny. angry and very very horny. does not care about the fact that you're a fraction of her size: she's getting off on the fact that you're dealing intense bodily harm to her and thus she wants you inside her. basically the embodiment of this meme here:

(white) monoblos: a friendly rival to diablos, and treats the entire fight as a huge pissing contest between them, even when the former is nowhere to be found. very proud of his horn. like yian kut-ku, knows hunters are always after him as a rite of passage, so he's sort of fallen into a mentor-like role, and he's always proud when he gets slain or captured

(plum, stonefist) daimyo hermitaur: scared and is constantly hiding behind his claws, prioritizing keeping you the hell away at all times. very antisocial.

(terra) shogun ceanataur: extremely proud of his claws, yelling about keeping your hands off "the merchandise" once he gets enraged, and both figuratively and literally starts foaming at the mouth once they get broken. gets really embarrassed once his shell is broken, and stays meek like that for the rest of the fight

rustrazor ceanataur: acts like a drug addict, only with the drug references replaced with references to sharpening his claws on glavenus' skull

(green, lucent, silverwind) nargacuga: wants to act like a ninja. ends up acting more like something out of naruto. also he recites his own version of darkwing duck's "i am the terror that flaps in the night" thing at the beginning of the fight

(molten, grimclaw) tigrex: dim, but a really nice guy, kind of like a large dog, and actually doesn't mind you fighting to the death that much: the problem is that he's CONSTANTLY FUCKING SCREAMING EVERYTHING HE SAYS AT THE TOP OF HIS LUNGS. his violent charges aren't actually charges he's just trying to give you a big hug. with his mouth.

(furious) rajang: imagine goku but like a minimum of ten times as violent and with the battle-obsessed stalker-ish qualities of nemona. can be sometimes heard humming parts of the DK Rap when calm. his fight is as much him showboating as he is trying to maul you

(flaming) espinas: talks in his sleep. starts off asleep and mutters stuff like "just five more minutes mom" as you hit him, then gradually starts groggily walking around. then when you hit him enough he loses his shit and starts swearing up a storm while beating the tar out of you...and then eventually the adrenaline wears off and he reverts to the passive half-asleep version of himself.

akantor/ukanlos: acts like a JRPG villain's monstrous final form, with parallels to each other's lines

arzuros: expy of banjo. one of the few monsters that actually gets along with qurupeco

(snowbaron) lagombi: sort of like a skier. less focused on fighting you and just happily slip-sliding around on the ice.

volvidon: constantly warning you to keep your distance mid-fight: since the Soiled gas is actually just flatulence, he's worried he's going to have a bit of stress-induced incontinence

(crimson) qurupeco: you know how squidward believes he has lots of talent with the clarinet but he actually plays like ass? yeah imagine that but replace the clarinet but with monster roars. all the other monsters only come to his "aid" just to shut him the hell up, and he's gleefully unaware of this even as he's being ripped to shreds

barroth: has a couple pebbles rattling around in his crown in lieu of a brain, and thus goes nuts like a dog seeing a mailman with a single minded pursuit to run you over

nibelsnarf: obsessed with food. will eat any bombs you put down and deem them delicious, even after they explode in his gullet and he calls them "a bit spicy."

(steel) uragaan: basically a goron in all but name: loud, boisterous, rolls to get around, and loves eating rocks

(rust) duramboros: basically an old miner that mostly just wants some peace and quiet. has to put a considerable amount of effort into all of his attacks, especially the one where he throws himself into the air like a shot put, and starts complaining about his back after he lands

(thunderlord) zinogre: a breakdancer. constantly boasting about his moves in battle and treats his fulgurbug tenants as "special effects."

brachydios: acts like a hammy heel wrestler such as rawk hawk or incineroar...even though he's supposed to be a boxer instead of a wrestler. sometimes he acts like he's sparring with you instead.

raging brachydios: the same heel persona from before, but now all washed up and depressed, desperately grasping at his former fame. near the end where he traps you in his lair he gets his old passion back as he goes completely apeshit for one last fight

(savage) deviljho: not really much different from his canon incarnation, except now he just moans or roars "STILL...SO...HUNGRY..." at times

(ash) kecha wacha: somewhere between a class clown and a memelord. hangs on branches and canopies specifically to cackle at you.

(desert) seltas: speaks like a stereotypical robot. not much to him unless he's being used as a puppet by the seltas queen: he is a drone, after all

(berserk) tetsucabra: somewhere between big the cat and big man. the rocks he pulls up are supposed to be for him to hide behind, but he's so dim he thinks you're gone too.

(tidal) najarala: a stereotypical snake character that speakssss like thissss. sometimes he accentuates the hissing noises by rattling his tail along with them. gets pissed off when you escape his "ring of doom" attack, as he has to spend a lot of time positioning himself to circle around you and enact it.

(shrouded) nerscylla: looks intimidating but is actually really shy and timid (sorta reflects real tarantulas tbh). her gypceros pelt is like a beloved hoodie to her and she gets really sad when it's destroyed

(tigerstripe) zamtrios: actually a really nice guy. the problem is, like real sharks, he figures out whether something is food or not by biting it. obviously most hunters don't let him nibble them and just whack him, so he ends up fighting most people he meets. also he makes the "dun dun dun dun dun dun dun dun" from Jaws while he's swimming through ice. his voice lines get pitched up super high when he's inflated.

(desert) seltas queen: speaks much like A Certain Other Queen (The One Who Is: At The Very Least Kinda Sorta Famous) and treats her seltas underlings like garbage. once she fully takes control of the seltas they speak in unison

seregios: imagine jaleel white's sonic if he could shoot his spines. and also fly. spins the fact that he's basically a refugee by saying he's spreading freedom wherever he goes, much like the real sonic. deep down, he isn't buying it.

(boltreaver) astalos: crackheaded hyperactive maniac. makes a lot of references to monster energy: this is because his electric powers don't come from his special muscles, but from him guzzling down a potent cocktail of stimulants and cans of monster by the truckload. explains the crackheadedness i guess. repeatedly denies that he's crazy to the rest of the fated four

(violet) mizutsune: huge bitch. he wants to be looked at and for everything to be about him all the time, and he throws temper tantrums sometimes when it isn't. also he's horny. very horny. he sounds snooty and effeminate like Juno Songs' portrayal of rubber band from Paper Mario: The Origami King

soulseer mizutsune: f u c k i n g sans undertale

(acidic, hellblade) glavenus: acts like a noble knight and will lay down his life to protect other members of the fated four. gets into quarrels with gammoth who is of a similar mindset. despite being a protector, his real love is cooking, which he does with his heated tailblade.

(elderfrost) gammoth: also a protector, but in a more motherly sort of way i guess. big enough to encompass the entire rest of the fated four so she just uses herself as a shield.

(nightcloak) malfestio: somewhere between a jester and a magician. constantly talks a big game about gaining sleight of hand on you, and gets flustered when you can outgambit his dirty tricks

ahtal-ka: imagine peridot's voice and personality crossbred with the mechanical ingenuity, scientific passion, and sheer psychopathic bloodlust that TotK's version of link is known for. basically treats the entire fight as a giant experiment and actively takes notes each time you defeat her ahtal-neset, so she can get rid of the weak spots you target.

(fulgur) anjanath: basically the jerk jock trope personified, fitting how it's known as the "relentless ruffian." talks a big game in battle but is quick to fold when something bigger, like a rathalos, enters the scene

(ebony) odogaron: you know that scene from gumball where it's shown from the Evil Turtle's perspective and it's like "BITE BITE BITE EAT FOOD FOR STRENGTH TO BITE BITE BITE MAKE LITTLE TURTLES TO BITE EVEN MORE" ...yeah that's basically how this guy operates

tzitzi-ya-ku: basically a paparazzi/photographer. flees peacefully once he gets good "shots" of monsters (read: blinds them) and when he's fighting you he's more concerned about getting your good side and putting you in the right light than he is about self preservation

(seething) bazelgeuse: basically a much angrier version of the soldier. barely even knows why he's in this locale or that: all he knows is that he's not going home until something dies. flies into battle screaming at the top of his lungs.

aknosom: an acrobat and a performer. more concerned with stomping on your face like a goomba than actually doing anything effective. tries to lick you once you're close to its head while it's downed.

tetranadon: another wrestler-inspired character like brachydios, but this time he's a face instead of the heel. very self absorbed and is convinced all of the small monsters watching from the sidelines are there to cheer him on and boo you.

(blood orange) bishaten: an even bigger shitlord than kecha wacha. could not care less about whether he lives or dies because he had fun and he got to see you get pissed while doing it.

(magma) almudron: a cantankerous old dude. he's less interested in actually protecting his territory and more so just chasing you off it. constantly complaining and bellyaching regardless.

somnacanth: a parody of an idol. her singing voice is actually really good but she gets so passionate that she releases her signature narcotic dust, which puts any prospective audience to sleep. still, she tries to put on the best performance she can even mid-fight

auroracanth: the idol from before but now jaded and disillusioned with life.

(pyre) rakna-kadaki: a wicked witch-archetype character that cares really deeply about her rachnoid minions. gets really distraught when you kill them or knock over the sac she's using to incubate them. this does not stop her from eating the rachnoids that are males. basically imagine Magica deSpell (2017) if she had an entire army of lenas instead of just one

(scorned) magnamalo: a mirror to the fierce flame, constantly spouting out cheesy puns and one liners with almost all of his attacks. starts laughing like a maniac once he does that move where he runs around like crazy.

garangolm: very peaceful, even to the point that he's willing to forgive you up to a certain HP threshold or if captured. but this guy hates anyone who would disturb the peace or bully others, and eventually lose his shit and decry you going "YOU! ARE NOT! A NICE! PERSON!!!" or something like that

lunagaron: tries to put on a sonic.exe-esque vibe to seem more intimidating, contrary to what his werewolf-like design would suggest. he's very terrible at it and ends up flubbing his "lines" often.

(ashen) lao-shan lung: basically that hobo who sits on the street holding the "The End Is Near" sign. only this time the end is actually near because the only reason he's there is because he's fleeing from fatalis.

kirin: h o n s e

chameleos: basically scampton from deltarune chapter rewritten if he was a magician as well as a jester. his entire fight is, from his perspective, mostly a bunch of cool magic tricks, but he's also screwing with you a bit too. the problem is that he's not satisfied until you're having as much "fun" as he is, and he's insane and his desire for fun is insatiable. kinda like caine from the amazing digital circus

teostra: basically @darbycupit's portrayal of king leongar, but as a good guy. he's revered and treated by a noble king by all the other monsters.

lunastra: violently protective of teostra. will go apeshit on anything that so much as looks at him funny and he often sheepishly has to reel her back in. basically the opposite of rathian.

yama tsukami: basically a super-sized supernatural patrick star. doesn't really care about what he's doing or where he ends up as long as he gets to eat stuff.

alatreon: kinda like a mixture of Jevil and Barnaby from billy bust-up. isolated for eons, and has gone so insane that he treats the fight as a massive party. unfortunately for you he thinks the end-goal of said party is for the guests do die so that they can party forever. gets disappointed when you topple him and when you cart prematurely bc he thinks you "don't want to see his grand finale."

amatsu: believes it is his divine right to take territory he wants, blowing out all others with mighty storms, and treats the fierce flame (and other animals in general really) with nothing but contempt. gets more desperate and rageful as the fight goes on because he doesn't want to be killed by what's basically an ant to him

gore magala: acts aloof and ominous in an attempt to appear cool. however, he's basically still just a kid on the inside, and as such his true childish personality often slips through the cracks

chaotic gore: incapable of making any speech other than pained howls. when killed he thanks you for ending his suffering.

shagaru magala: basically @stelyos' portrayal of fecto elfilis: a YHWH-like warlord god who sees all life as beneath him and worthy only of subjugation

nakarkos: starts the fight trying to keep up the facade that he's a two headed bone abomination, using his tentacles like puppets to keep up the con. however, as the fight rolls on and the tentacles get uncovered, he half-heartedly tries to keep up appearances before going "fuck it" to pop out and reveal his true form, and with it his true personality: a very gluttonous and boisterous pirate

(crimson glow) valstrax: the fastest thing alive, more concerned with showing off his incredible speed than actually fighting you. once he realizes he might actually be in trouble, he just doubles down and starts showboating harder instead of making an effort.

(blackveil) vaal hazaak: a mysterious necromancer-like character. what he actually wants is friends due to being holed up in the bottom layers of the vale and being too hazardous to approach, and when killed, he'll lament that he could really only have friends through effluvium necromancy.

(ruiner) nergigante: yet another bowser expy, this time of juno songs' portrayal of the character

velkhana: actually pretty chill. however, she has to keep up appearances, namely those from the frozen corpses she leaves around, and acts like a supervillainess while fighting you

namielle: dumb as a rock and only really cares about looking cool in battle and looking cool in general. basically an inkling in all but form and name.

malzeno: despite his elegant appearance he's actually a huge chuunibyou. he's really new to this whole "bad guy" schtick after becoming the qurio's host to protect everybody, so he's putting all the effort in all the wrong places of his performance.

primordial malzeno: a noble hero that willingly accepts the fact that he needs to die for the sake of everyone else at the beginning of the fight. as the infection progresses further he becomes less and less coherent and at the end he's basically only making pained screeches, begging for the fierce flame to end his misery during his brief periods of lucidity

zorah magdaros: the entire fight dialogue is basically a never ending long winded rambling old man monologue

shara ishvalda: basically imagine that thing about monika knowingly shutting down any streams she detects at her part of the story in DDLC, except different. shara ishvalda's banter isn't directed at the hunter. it's directed at you specifically. if you have an xbox kinect maybe the game would turn it on to look at you and better fit said banter.

safi'jiiva: similar to the other part of @stelyos' portrayal of fecto elfilis: a world-shaping godlike being that firmly believes that survival of the fittest is the only way the world can work, and since he is by definition the fittest, he's the only one that deserves to survive

ibushi: no thoughts only horny

narwa: constantly talking smack to you through the twins

gaismagorm: sounds like a massive mishmash of voices sort of like @darbycupit's portrayal of fecto forgo. it's not actually anything supernatural the voices just echo around in his weird flower mouth thing and they all sound different

all of the fatalises: somewhere between tartarus from dragalia lost on steroids and calamity ganon: a being that was so consumed by its hatred it turned into a nearly mindless shade of its former self

[queenmeraairam]

P.P

Namor x Reader Don't own character Established relationship Reader is on their period and is in pain. Also they are from Talokan.

Comments are appreciated.

Fluff and  Mention of proposal

"Blergh" this sucks you think to yourself as you throw up in the toilet. You are feeling nauseated, fatigue and an ache in your stomach. Your period had just began so you knew for the next three days you were gonna feel like shit. You stand up and make your way to the bedroom you share with your former boyfriend now fiancée. It still didn't seem real you are engaged to the love of your life your king. Your god. You remember the proposal like it was yesterday. You were at your favorite spot a clearing near the whales "dancing" to the sounds of the whales you had just finished a spin when you spot Kukulkan with a smile that made your heart beat like it was gonna jump out of your chest. You smile and swam over to him he reached you first. You immediately sensed something was up. " Ba'ax in yaakunaj taan ma'alo'ob tu laakal. Bey tenso." ( my love is everything okay? You seem tense.) You asked concern in your voice. " Lelo' yaantal yo'osal u a nuukik in yaakunaj." ( that depends on your answer my love) Kukulkan responds you sense apprehension in his voice.

He gets down on one knee and out of his shorts he pulls out an huge oyseter.

"In yaakunaj in ujo' yéetel in k'áak'náabo'. In yaakunech. Teech ts'o'ok in amado tak ka' ta pateaste le tuméen le a in ts'áaj wa taak ka'ach in wilech óok'ot ka'a. Uts tin t'aan u páajtalil ku ken sonríes iluminas le naja' ku. Uts tin t'aan bix mina'an teech sajakil ti' Attuma wa Namora. Uts tin t'aan u páajtalil ku le cangrejos a asustan. Uts tin t'aan u páajtalil ku ma' cha'ik u le demonios persiguen ti' a wayak ganen. Uts tin t'aan u páajtalil ku ka wóok'ot bey je'el bix t'aane' ti' uláak' kin tuukul. Ts'o'ok in vivido ya'ab k'iin ka ts'o'ok u experimentado ya'ab emociones, ba'ale' ninguna beya'. Bejla'e' táan in tu taan Te'exe' ma' bey juntúul k'uj wa juntúul Ajaw, sino bey juntúul máak táan sijnáalil, taam yéetel impotentemente enamorado ti' te'ex. A k'at a ts'o'ok a bel tin weetel? Yéetel in wojel in watan in reina na' Talokan." Kukulkan asks you with hope in his voice his eyes full of love.

(My love my moon and sea. I love you. I've loved you ever since you kicked my ass because it was the condition you gave if i wanted to see you dance again. I love the way when you smile you light up the room. I love how you are not afraid of Attuma or Namora. I love the way crabs scare you.I love the way you don't let the demons that haunt you in your dreams win. I love the way when you dance you seem otherworldly. I have lived long and i have experienced many emotions but none like this. Today i stand before you not as a god or a king but as a man who is truly, deeply and helplessly in love with you. Will you marry me? And be my wife my queen the mother of Talokan.)

With that he opens the oyster and you see his mothers bracelet which you know means the world to him. And a vibranium ring with an opal in the center with two pearls on either sided. Your body moves before you can think and you crash your lips kissing him with so much passion and he responds with equal passion. "Ba'ax le je'elo' jump'éel sí. In yakunaj." Kukulkan asks his eyes full of love he knows your answer but he wants to hear the words (Is that a yes? my love.) "Je'el! Je'el! Ya'ab Óoxten je'el!" (Yes! Yes! Many times Yes!) And with that he kisses hand and puts the ring on your finger and the bracelet on your wrist. And kisses you deeply with so much happiness that the both of you can't help but break the kiss because you can't help but smile.

You smile at the memory you haven't taken the ring or bracelet since that day. You plop yourself on the bed you share with him and curl on your side trying to ease the pain from your period. The shift of weight wakes you. you had fallen asleep and didn't realized it. You feel strong arms wrap around your waist and pulls you close. The warmth radiating brings you comfort and you put his hands on your stomach and indicate you want him to rub your stomach he does and you feel relief. "Ba'ax yaan ma'alo'ob tu láakal in yaakunaj. Tin wu'uyaj in xeej. Táak wáaj a consiga le médicos." Kukulkan asks he hates seeing you in any sort of discomfort (Is everything okay my love? I heard you throwing up. Want me to get the medics?) "Uts in yaakunaj. Táant u comenzar in período, lelo' tuláakal. Je'el in manchar le sábanas wa lelo' jump'éel talamil, je'el in weenel táanxel." You respond reasuring him that it is nothing serious. (I am okay my love. I just began my period that is all. I may stain the sheets if that is a problem i can sleep somewhere else.) "Ma', ma', ma'. In yaakunaj ka p'áatal tin yéetel wa sangras ti' le sábanas le yaan in meentik p'o' ma'alob. Leti' jump'éel tuukula' normal. Chéen a'al ti' teen ba'ax je'el in meentik utia'al wáantik." Kulkukan hurriedly responds he doesn't want you to feel like you should be ashamed over something that is natural. (No, no, no. My love you stay with me if you bleed on the sheets i'll have them washed it is fine. It is a normal process. Just tell me what i can do to help.) "Ts'o'ok a meentik áantaj ti' le masaje ku kutaj uts, ma' a detengas, much bey ma' tak ka weeneko'. Ka jump'íit chukwa' chokoj juum ma'alob." You respond already feeling sleepy from the warmth and comfort he brings (You are already helping the massage feels good don't stop please at least not until i fall asleep. And some hot chocolate sounds good.) Kukulkan chuckles at your want for hot chocolate it is your favorite drink you would drink it all of the time if he let you. "Jach uts in yaakunaj. Ku weenel bejla'e' yéetel ken a despiertes a prepararé nuxi' lak chukwa' chokoj.j" he responds kissing your forehead. (Very well my love. sleep now and when you wake i'll make you a big cup of hot chocolate) He did not have to tell you twice his warmth was lulling you to sleep and soon you were. Fast asleep. Held by the love of your life you couldn't wait for your wedding.

[444namesplus]

Ba Baa Baas Bae Baes Bais Bam Ban Bao Baos Bau Baus Be Bees Bei Beis Bem Ben Beo Beos Beu Beus Bi Bias Bie Bies Bii Biis Bim Bin Bio Bios Biu Bius Bo Boes Bom Bon Boo Boos Bou Bous Bu Bua Bues Bui Buis Bum Bun Buo Buu Buus Chi Chia Chias Chie Chies Chii Chiis Chim Chin Chio Chios Chiu Chius Chu Chua Chuas Chue Chues Chui Chuis Chum Chun Chuo Chuos Chuu Chuus Da Daas Dae Daes Dais Dam Dan Dao Daos Daus De Dea Deas Dee Dei Deis Dem Den Deo Deu Deus Dha Dhaa Dhaas Dhaes Dhai Dhais Dham Dhan Dhaus Dhe Dhea Dheas Dhee Dhees Dheis Dhem Dhen Dheo Dheu Dhi Dhia Dhies Dhiis Dhim Dhin Dhio Dhios Dhiu Dhius Dho Dhoa Dhoas Dhoes Dhois Dhom Dhon Dhoo Dhoos Dhou Dhous Dhu Dhua Dhue Dhues Dhum Dhun Dhuo Dhuu Dhuus Di Die Dies Dii Diis Dim Din Dio Diu Dius Do Doa Doas Doi Dom Don Doo Doos Dous Du Duas Due Dues Dui Duis Dum Dun Duu Fa Faa Faas Fae Faes Fai Fais Fam Fan Fao Faos Fau Faus Fe Fea Feas Fee Fees Fei Feis Fem Fen Feo Feus Fi Fia Fias Fiis Fim Fin Fios Fius Fo Foa Foe Foi Fois Fom Fon Foos Fous Fu Fua Fuas Fue Fues Fui Fuis Fum Fun Fuos Fuus Ga Gaa Gaas Gae Gaes Gam Gan Gaos Gau Ge Gea Geas Gee Gei Geis Gem Gen Geo Geu Geus Gi Gia Gias Gie Gies Gii Giis Gim Gin Gios Giu Gius Go Goe Gom Gon Goo Goos Gous Gu Guas Gue Gui Guis Gum Gun Guo Guos Guu Guus Ha Haa Haas Hae Haes Hai Hais Ham Han Haos Hau He Hea Heas Hee Hees Hei Heis Hem Hen Heo Heu Heus Hi Hie Hies Hii Hiis Him Hin Hio Hios Hius Ho Hoe Hom Hon Hous Hu Huas Hui Huis Hum Hun Huo Huu Huus

Ja Jaa Jae Jaes Jai Jais Jam Jan Jaos Jau Jaus Je Jea Jeas Jee Jem Jen Jeo Jeos Jeu Jeus Ji Jia Jias Jie Jies Jii Jiis Jim Jin Jio Jios Jiu Jo Joa Joas Joe Joes Jois Jom Jon Joos Jou Jous Ju Jua Juas Jue Juis Jum Jun Juo Juos Juu Juus Ka Kaas Kae Kai Kais Kam Kan Kao Kaos Kau Kaus Ke Kea Keas Kee Kei Keis Kem Ken Keo Keos Keu Keus Ki Kia Kie Kies Kim Kin Kio Kios Kiu Kius Ko Koe Koes Koi Kois Kom Kon Koo Koos Kou Kous Ku Kua Kue Kues Kum Kun Kuos Kuu Kuus La Laa Laas Laes Lais Lam Lan Laos Lau Laus Le Lea Leas Lee Lees Lei Lem Len Leo Leos Leu Leus Li Lia Lie Liis Lim Lin Lio Lios Liu Lo Loa Loas Loe Loes Lom Lon Loo Loos Lou Lu Lua Lue Lui Luis Lum Lun Luo Luos Luus Ma Maa Mae Maes Mai Mam Man Mao Maos Mau Maus Me Mea Mee Mei Meis Mem Men Meo Meu Mi Mias Mie Mies Mii Miis Mim Min Mios Miu Mius Mo Moa Moas Moe Mois Mom Mon Moo Mous Mu Mua Muas Mues Mui Mum Mun Muo Muu Muus Na Naa Naas Nae Naes Nai Nais Nam Nan Nao Naos Naus Ne Nea Neas Nee Nees Neis Nem Nen Neo Neos Neu Neus Ni Nii Niis Nim Nin Nio Nios Niu No Noa Noas Noe Noes Noi Nom Non Noo Nou Nous Nu Nua Nuas Nues Nui Nuis Num Nun Nuo Nuos Nuu Pa Paa Pae Paes Pai Pam Pan Pao Pau Paus Pe Pea Peas Pee Pees Pei Peis Pem Pen Peo Peos Peu Pi Pias Pie Pii Piis Pim Pin Pio Pios Piu Po Poas Poe Poes Pois Pom Pon Poo Poos Pou Pous Pu Puas Pue Pues Pui Puis Pum Pun Puo Puu Puus Ra Raa Raas Rae Rai Rais Ram Ran Raos Rau Raus Re Reas Ree Rees Rei Reis Rem Ren Reo Reos Reu Reus Ri Ria Rii Rim Rin Rio Rios Riu Rius Ro Roa Roas Roe Roes Roi Rois Rom Ron Roo Roos Rou Rous Ru Rua Rues Rui Ruis Rum Run Ruo Ruos Ruu Ruus Sa Sae Saes Sais Sam San Sau Se Sea Seas Sees Sei Seis Sem Sen Seos Shi Shia Shias Shie Shies Shii Shiis Shim Shin Shio Shios Shiu Shius Shu Shua Shuas Shue Shues Shui Shuis Shum Shun Shuo Shuos Shuu Shuus Si Sia Sii Siis Sim Sin Sio Sios Sius So Soe Soes Sois Som Son Soos Sous Su Suas Sui Suis Sum Sun Suo Suu Suus Ta Taa Taas Taes Tai Tais Tam Tan Tao Taos Tau Taus Te Tea Teas Tees Tei Tem Ten Teo Teu Thi Thia Thias Thie Thies Thii Thiis Thim Thin Thio Thios Thiu Thius Thu Thua Thuas Thue Thues Thui Thuis Thum Thun Thuo Thuos Thuu Thuus Ti Tias Tie Tiis Tim Tin Tio Tios Tiu Tius To Toas Toe Toes Toi Tom Ton Toos Tou Tous Tu Tua Tuas Tue Tues Tui Tuis Tum Tun Tuo Tuu Tuus Va Vaa Vaas Vae Vaes Vai Vam Van Vaos Vau Vaus Ve Vea Veas Vee Vees Vei Vem Ven Veo Veos Veu Veus Vi Vie Vii Viis Vim Vin Vio Viu Vo Voa Voe Voes Voi Vois Vom Von Voo Voos Vou Vous Vu Vue Vues Vui Vuis Vum Vun Vuo Vuus Wa Waas Wae Wai Wam Wan Wao Waos Wau Waus We Wea Wees Wei Weis Wem Wen Weos Weus Wi Wia Wias Wie Wies Wii Wim Win Wio Wiu Wo Woa Woe Woes Woi Wois Wom Won Woos Wou Wu Wua Wuas Wue Wui Wum Wun Wuo Wuos Wuu Wuus Za Zaa Zaas Zae Zaes Zai Zais Zam Zan Zaos Zau Zaus Ze Zea Zeas Zee Zees Zei Zeis Zem Zen Zeo Zeos Zeu Zeus Zha Zhaa Zhae Zhaes Zhai Zhais Zham Zhan Zhao Zhaos Zhau Zhaus Zhe Zhea Zhee Zhees Zhei Zheis Zhem Zhen Zheo Zheos Zheu Zheus Zhi Zhia Zhie Zhies Zhii Zhim Zhin Zhio Zhios Zhiu Zhius Zho Zhoa Zhoas Zhoe Zhoes Zhoi Zhom Zhon Zhou Zhous Zhu Zhuas Zhuis Zhum Zhun Zhuos Zhuu Zhuus Zi Zia Zias Zim Zin Zio Ziu Zius Zo Zoe Zoes Zois Zom Zon Zoo Zoos Zou Zous Zu Zuas Zue Zues Zuis Zum Zun Zuos Zuu

[randatapak]

Buya, aku mendengar nasehat, katanya "jika aku dibuat bingung sama sikap seseorang; kadang ada dan kadang hilang, tidak berusaha meyakinkankanku bahwa aku tujuannya, tandanya aku hanya menjadi pilihan"

Buya, kalau aku pamit, aku tidak boleh menyesal kan? Karena aku hanya kehilangan seseorang yang tidak menginginkan aku. Sementara dia, kehilangan aku; yang selalu berusaha menunjukkan bahwa dia absolut dalam duniaku.

Buya, semoga nanti di halaman yang baru, aku bertemu dengan orang yang juga menjadikan aku dunianya, meyakinkan aku ada dalam masa depannya, yang bisa mengajakku menata hal-hal yang akan kami lalui nanti, bukan obrolan-obrolan yang tidak perlu. dan tentunya seseorang yang bisa tetap ku panggil dengan sebutan 'Bey' (sebuah doa yang aku sematkan dalam panggilan, agar dia memimpin di skala yang dia inginkan).

Buya, aku berlindung dibawah instruksimu bahwa "setiap yang patah akan tumbuh. Setiap yang hilang akan berganti" Meski aku tahu akan ada banyak hal yang harus aku ikhlaskan. Mungkin hari ini aku masih menangis, di hari-hari berikutnya juga aku tidak bisa berjanji untuk tidak menangis. Karena ketika menghapus seseorang, dengan terpaksa juga aku mesti menghapus mimpi yang sebelumnya sudah ku susun.

Aku hanya mesti beradaptasi dan menerima, barangkali masing-masing kami memang ditakdirkan bertemu dalam perjalanan, bukan pada tujuan.

Kepada Buya Natsir, 26 Desember.

[fabiansteinhauer]

História de uma lei inconstante e polar

Bricolage/ Gestellschieberei/ Ameisenwege

1.

Das Gesetz, das kann ein lesbares Objekt sein oder ein Objekt, das lesen lässt (und damit aus den Mahlen und klammen Sendungen sich bildet, die man auch Letter nennt, weil sie Objekte sind, die lassen).

Es gibt eine Formulierung von Walter Benjamin, die auch auf Aby Warburg bezogen wird, und zwar aus den Anstössen heraus, die Walter Benjamin Mitte der zwanziger Jahre (wieder einmal scheiternd) dazu getrieben haben, Anschluss an die Bibliothek Warburg zu bekommen. Diese Anstösse liegen in dem, was Walter Benjamin in zensierten Passagen (von ihm selbst gestrichenen Passagen) des Haufens flatternder Zettel oder Blätter, den man seine geschichtsphilosophischen Thesen nennt, die magischen und mantischen Praktiken nennt. Zensieren ist auch eine magische und mantische Praktik, vor allem vor der 'Enteignung der Wahrsager': zur Zeit der Censoren (die insoweit Sensoren sind) geht die juridische Kulturtechnik mit Divinationen, Schätzungen, Messungen und Musterungen einher. die Bronzeleber von Pienza, die Warburg am Anfang des Atlasses abbildet, ist ein instituierendes Objekt der Censur, mit ihm übte man, Wahrheit zu sagen.

Walter Benjamin teilte insoweit mit Aby Warburg ein Interesse an demjenigen Teil des römischen Rechts, der so unterschwellig ist, dass manche bestreiten, dass es sich hierbei überhaupt um römisches Recht handelt. Auch Marie Theres-Fögen, von der die Geschichte und Theorie der Enteignung der Wahrsager stammt, bestritt mit einer Vorstellung, nach der auch das römische Recht schon System und ausdifferenziert gedacht wird, dass es sich bei der magischen und mantischen Praxis, also auch bei den juridischen Kulturtechniken der römischen Censoren und der ratgebenden Wahrsager um Recht handelt. Zum Recht soll das erst geworden sein, als es verboten wurde. Das sehe ich anders. Was die Rechtswissenschaft davon brauchte, hat man später teilweise vorsorglich zur Hilfswissenschaft erklärt, heute spricht man teilweise auch (in speziell deutscher Großzügigkeit und Gastlichkeit) von Nachbarwissenschaften (also mit Tschühüss-Vorbehalt).

Mit der Forschung zur Multinormativität bei Thomas Duve und um Thomas Duve sowie in der Forschung zur Multidisziplinarität bei Marietta Auer und um Marietta Auer herum wird eine solche Praxis glücklicherweise auch wieder Gegenstand der Rechtsgeschichte und Rechtstheorie. Was daran marginal oder peripher sein soll, zieht sich kapillar mitten durch das Recht, durch alle seine Stellen und Passagen, denn dieses Recht ist elementar zeitlich und gemessen. Neben dem Forschungsprojekt zu Warburgs Staatstafeln sind in Bezug auf das MPI auch die Forschungsprojekte von Karolyne Mendes Mendonca Moreira ("Incarnated Spirits") zu afrikanischen Praktiken und und Hoachen Ku (u.a. zu customs oder in Warburgscher Lesart: Trachten) zu erwähnen, die beide ebenfalls magischen und mantischen Praktiken nachgehen.

2.

Warburg ist durch seine Kenntnis dieses Teils des römischen Rechts berühmt geworden: das betrifft seine Arbeiten zur Messung und Verwaltung von Zeit, seine Kenntnisse der Kalendergeschichte. Er hält einen berühmten und legendären Vortrag von Rom (nicht nur Lacan), den hält er 1912 in der Bibliothek, die heute zum Max-Planck-Gesellschaft gehört und die den ehrwürdigen Titel Hertziana trägt. Ihm gelingt aufgrund seiner Kenntnisse über die Messung und Verwaltung von Zeit, aufgrund seiner Kenntnisse der Kalendergeschichte eine Entzifferung des ikonographischen Programms im Palazzo Schifanoia Ferrara (das einer Synopse und Umrechnungstabelle gleicht). Diese Kenntnis geht mit einer Kenntnis in Astronomie und Astrologie einher, weiter mit einer Kenntis der Geschichte der Alchemie und Hermetik - und immer mit einer Kenntnis magischer und mantischer Praxis. Aus einer Begegnung mit magischer und mantischer Praxis heraus, dem Reigen, das unter dem Begriff Schlangenritual bekannt geworden ist, hat Warburg überhaupt erst angefangen, seine Geschichte und Theorie römischen Rechts oder aber eines Rechts, in dem Antike nachlebt, zu entfalten. Auf die Idee, deswegen Kunst und Irrationalität aufeinander zu verpflichten und insoweit Recht und Kunst zu ausdifferenzieren, auf die Idee kommen weder Warburg noch Benjamin, aber beide gehören ja auch nicht zur Kritischen Theorie Frankfurter Schule Abteilung Nichtbenjamin und Benjamin ist ja sogar der Gründer der Kritischen Theorie Frankfurter Schule Abteilung Benjamin.

3.

Es gibt also eine Formulierung, die von Walter Benjamin stammt und die Georges Didi-Huberman in seinem Buch über den Atlas oder die unruhige fröhliche Wissenschaft auf Aby Warburg bezogen hat. Lesen, was nie geschrieben wurde: das sei etwas, zu dem Benjamin und Warburg Routinen, Rechniken oder Verfahren entwickeln würden. Lesen, was geschrieben nie steht, auch so weit gedehnt will ich das deuten. Die magischen und mantischen Praktiken haben es mit einem Lesen jenseits der Begriffe der Schrift, jenseits des Schreibens und jenseits des Stehens zu tun. Lesbar werden hier auch andere Graphien und andere Choreographien, solche, die nicht allein begriffen werden und damit nicht im Begriff aufgehen, die nicht Schrift sind und die auch etwas anderes tun als zu stehen und darin (be-)ständig zu sein.

Die Kenntnisse solcher magischen und mantischen Praktiken werden unter anderem im römischen Recht in einem Material archiviert, das unterschwellig oder minor ist. Nach Cornelia Vismann: Das Material ist nicht verfasst, ist keine Verfassung römischen Rechts und bietet dem römischen Recht keine Verfassung, nur Fassungen, nur Versionen und damit Drehungen und Verdrehungen, nur Verkehr und Verkehrungen. Dieses Material verwaltet nur und ist nur verwaltet, sortiert laufend um ohne jemals die Ordnung zu sein. Es ist aktenförmig, wird teilweise zwar mit dem verwechselt, was ein Buch sein soll, ist und bleibt aber Aktenmaterial, voller Listen, Tabellen und Bildern. Das Material ist so unbeständig, das es ab dem 19. Jahrhundert mit dessen nationalen und universitären Bemühungen um Homogenisierung, Systematisierung , Authentifizierung und Aneignung als zu zwielichtig gilt, um ernsthaft am Stolz des Wesens römischen Rechts teil zu haben. Eventuell überlässt Mommsen sogar darum seinem Schüler Otto Seeck die Edition des unbeständigen und damit zwielichtigen Materials. Insofern ist schon fraglich, ob diese Material, das weder auf Heterogenität noch auch Homogenität verpflichtet werden kann, Text ist. Fabrikat ist es. Das berühmteste Material ist die notitia dignitatum (jenes Material, das auch als Atlas lesbar ist und lauter Tafeln auf Tafeln zeigt). Was die Zeitmessung und die Kalender anbetrifft interessiert sich Warburg explizit in seinem Atlas für den Kalender von 354, den Kalender des Filocalus (er bildet Auszüge daraus ab und nutzt für Tafel 78 noch die kalendarische Struktur, um das diplomatische Protokoll eines diplomatischen Protokolls zu entfalten).

4.

Für eine Geschichte und Theorie unbeständigen und polaren Rechts schlage ich vor, einmal den Affinitäten zwischen demjenigen nachzugehen, was Aby Warburg Gestellschieberei nennt, demjenigen, was Lévi-Strauss bricolage nennt und was Jesper Svenbro in seiner Geschichte und Theorie der Kulturtechnik Lesen Ameisenwege nennt. Südamerika bietet sich an, dann das ist ein Ort, an dem die Ameisen mit dem Laub abhauben, dauernd (vermutlich, weil hier eine Flat-Rate-Sommerlichkeit noch die anderen drei Jahreszeiten belegt). In Deutschland wird saisonal stoßgelüftet, in Brasilien hauen die Ameisen mit dem Laub ab: Das sind Reihenfolgen, Sequenzen, denn alles was hier vorkommt, kommt auch dort vor, nur in anderen Reihenfolgen.

Solche Ameisenwege sind Dienstwege der bricolage, auf ihnen werden Gestelle geschoben - und auch die sind zu den gründlichen und vorgeschobenen Linienzügen zu zählen: Das wäre eine Arbeitsthese. Ameisen, die mit dem Laub abhauen, erlauben auch was, dazu entlauben sie allerdings. Ameisen sortieren auch, selbst wenn sie die Blätter so sortieren, wie es auf den Blättern von Benjamins Thesen nicht nur beschrieben wird, sondern wie es Benjamins Blättern passiert ist, also auch wenn darin Kippen, Kehren und Wenden vorkommen, die mit katastrophalen und apokalyptischen Wirbeln oder Ventilierungen einhergehen.

[sasa-chan]

Day 10

The Sadness (Ku bei)

Year Released: 2021

Run Time: 1hr 39m

Director: Rob Jabbaz

Rating: TV-MA

Genres: Horror

Incantation (Zhou)

Year Released: 2022

Run Time: 1hr 50m

Director: Kevin Ko

Rating: TV-MA

Genres: Horror, Mystery

*~*~*~*~*~*~*~*~*~*~

Halloweentown

Year Released: 1998

Run Time: 1hr 24m

Director: Duwayne Dunham

Rating: TV-G

Genres: Adventure, Comedy, Family

[mondobizarr35]

Freitag 2.2. 20:30 Uhr

CHINOS Y MINIFALDAS DIE RACHE DES DR. KUNG aka. DER SARG BLEIBT HEUTE ZU Italien 1967 · 85 min · DF · 35mm · FSK 16 R: Rámon Comas · B: Keith Luger, Chris Chatterley, José Luis Madrid, Ramón Comas · K: Eloy Mella · D: Adrian Hoven, Wolfgang Preiss, Karin Feddersen, u.a.

Oh no, hatten die Schwurbler doch recht? Die chinesische Sekte „Goldener Skorpion“ unter Führung des perfiden Dr. Kung will per Impfstoff die geistige Kontrolle des UN Generalsekretärs übernehmen! Knallbunt und ziemlich abgedreht: Nur Top Agent Paul Rivière (Adrian Hoven, auch bekannt als Regisseur des legendären IM SCHLOSS DER BLUTIGEN BEGIERDE) kann diesen Wahnsinn stoppen!

ca. 22:30 Uhr:

CHE NU YU CHAO DAS GEHEIMNIS DER TODESSCHLANGE Hongkong 1978 · 80 min · DF · 35mm · FSK 18 R: Joseph Kong, C.Y. Yang · B: Ku-Yao Yang · K: Wan Chieh-Li · D: Bruce Li, Chen Sing, Bolo Yeung, u.a.

Die günstigsten Eastern sind auch zumeist die Lustigsten: Bei BRUCE LEE IN NEW GUINEA (Alternativtitel) bleibt dem Betrachter so einige Male der Mund weit offen stehen: Prominent besetzt mit Bruce Li, dem chinesischen Charles Bronson Chen Sing und Muskelpaket Bolo Yeung bietet dieses psychedelische Werk einen Schlangenkult und Menschenaffen, die in einer der wirklich unglaublichsten Szenen des Films auch tatsächlich von Menschen gespielt werden…seeing is believing!

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Samstag 3.2. 15:30 Uhr SHE HERRSCHERIN DER WÜSTE Großbritannien, USA 1965 · 101 min · DF · 35mm · FSK 12 R: Robert Day · B: David T. Chantler · K: Harry Waxman · D: Ursula Andress, Peter Cushing, Christopher Lee, u.a.

Basierend auf den Abenteuer Romanen Henry Rider Haggards wagten die Hammer Studios in den 60ern auch durchaus Ausflüge in exotische Gefilde - natürlich nicht ohne die Stammbesetzung der berühmten Horrorfilme des Studios: Van Helsing Peter Cushing ist ebenso am Start wie Dracula Christopher Lee! Und DAS Bond Girl schlechthin, Ursula Andress als SHE, grausame Herrscherin eines verschollen geglaubten Volkes betört durch ihre unnachahmliche Ausstrahlung!

Samstag 3.2. 18:00 Uhr MIDNITE SPARES CAR CRASH – WIR FAHREN DEN HEISSESTEN REIFEN Australien 1983 · 87 min · DF · 35mm · FSK 16 R: Quentin Masters · B: Terry Larsen · K: Geoff Burton · D: James Laurie, Max Cullen, Bruce Spence, u.a.

Ein kleiner OZploitation Kulthit: Wir lieben australisches Kino, und MIDNITE SPARES verdient eine Wiederentdeckung! Die australische Antwort auf GONE IN SIXTY SECONDS taucht tief in die Autodieb-Szene ein und bietet stylishe Optiken,derbe Sprüche, wunderbares 80er Jahre Kolorit und ein Wiedersehen mit Bruce Spence, dem „Gyro Captain“ aus MAD MAX 2 – THE ROAD WARRIOR!

Samstag 3.2. 20:30 Uhr MANIAC USA 1980 · 88 min · DF · 35mm · FSK 18 R: William Lustig · B: William Lustig, C. A. Rosenberg · K: Robert Lindsay · D: Joe Spinell, Caroline Munro, Gail Lawrence, u.a.

Vor nicht allzu langer Zeit hätten wir MANIAC quasi nur „unter der Ladentheke“ präsentieren können: William Lustigs ultrahartes Slasher Psychodrama war jahrelang in Deutschland beschlagnahmt und ist dreckige 42nd Street pur, ein Abstieg in die Hölle, blutig und atmosphärisch. Joe Spinell als Frauenmörder spielt sich die Seele aus dem Leib und Tom Savini steuert ein paar der wildesten Effekte seiner Karriere bei. Untermalt wird das ganze von einem brillianten elektronischen Score von Jay Chattaway, welcher das äußerste aus den verfallenen „Dirty ole New York“ Locations herausholt. Ein wahrer Kultklassiker.

--------------------------------------------------------------------------

Sonntag 4.2. 13:00 Uhr MACISTE CONTRO I MOSTRI GERMANICUS IN DER UNTERWELT Italien 1962 · 82 min · DF · 35mm · FSK 12 R: Guido Malatesta · B: Arpad de Riso, Guido Malatesta · K: Giuseppe La Torre · D: Reg Lewis, Margaret Lee, Andrea Aureli, u.a.

Germanicus heißt ja eigentlich Maciste. Im Film wird er dann plötzlich Maxus genannt. Verwirrend? So war das eben in der deutschen Bahnhofskino Titelschmiede der 60er Jahre! Eben jener Muskelmann darf in diesem Jugend Matinee Klassiker Scharmützel mit diversen Kreaturen bestreiten und gerade das bedeutet einen Riesenspaß: Eingeölte Muskelberge gegen warziges Gummi! Hauptdarsteller Reg Lewis begann übrigens bereits als Teenie mit dem Bodybuilding und wurde mit 18 von der legendären Mae West entdeckt, welche ihn zum Teil ihrer Bodybuilder Entourage (dazu gehörten auch Gordon Mitchell, Dan Vadis, Mickey Hargitay) machte.

Sonntag 4.2. 15:30 Uhr THE TIME TRAVELERS 2071 – MUTAN BESTIEN GEGEN ROBOTER USA 1964 · 82 min · DF · 35mm · FSK 12 R: Ib Melchior · B: Ib Melchior, David L. Hewitt · K: Vilmos Zsigmond · D: Preston Foster, Philip Carey, Merry Anders, u.a.

Der Film entstand bereits im Jahre 1964, gelangte aber erst 1970 in die deutschen Kinos und ist eine interessante Mischung aus Zeitreise Spektakel und Dystopie: Denn das Jahr 2071 sieht nicht gerade rosig aus und wird von Mutanten und Androiden bevölkert! Die Credits lassen den Kenner durchaus mit der Zunge schnalzen: Vilmos Zsigmond (MCCABE & MRS. MILLER, DELIVERANCE, CLOSE ENCOUNTERS OF THE 3RD KIND) gilt als einer der feinsten Kameramänner des überhaupt. Regisseur Ib Melchior schenkte uns bereits den wunderbaren THE ANGRY RED PLANET und verfasste die Vorlagen für REPTILICUS, ROBINSON CRUSOE ON MARS und DEATH RACE 2000!

Sonntag 4.2. 18:00 Uhr ZUI JIA PAI DANG 4: QIAN LI JIU CHAI PO MAD MISSION 4 – MAN STIRBT NICHT ZWEIMAL Hongkong 1986 · 86 min · DF · 35mm · FSK 16 R: Ringo Lam · B: Ringo Lam, Karl Maka · K: Sander Lee · D: Sam Hui, Karl Maka, Sylvia Chang, u.a.

Das Regiezepter für den vierten Teil der berühmten Actionkomödien Reihe nahm Kultregisseur Ringo Lam (die RESERVOIR DOGS Vorlage CITY ON FIRE, FULL CONTACT), welcher sich schon bald neben John Woo als einer der Könige des Hongkong Actionkinos etablieren sollte, in die Hand: Von daher geht es in dieser Episode auch um einiges rüder zur Sache. Das wunderschöne Neuseeland ist diesmal Schauplatz des wilden Spektakels, welches sich diesmal um einen Superkräfte-verleihenden Kristall dreht!

[turisiancom]

TURISIAN.com  – Penjabat Gubernur Jawa Barat, Bey Machmudin, mengungkapkan bahwa Pesta Kuliner Jawa Barat 2025 dengan tema Sono Ku Rasa, Sono Ku Nikmat menjadi ajang istimewa. Terutama, bagi masyarakat yang merindukan kelezatan kuliner legendaris dari 27 kabupaten/kota di Jawa Barat. "Pesta Kuliner ini hadir untuk mengobati rasa kangen terhadap makanan-makanan legendaris Jawa Barat. Di sini, masyarakat dapat menikmati berbagai kuliner autentik dari setiap daerah di Jawa Barat,” ujar Bey Machmudin usai membuka acara di Gedung Sate, Kota Bandung, Jum'at 31 Januari 2025. Lebih lanjut, Bey menjelaskan keunggulan utama dari Pesta Kuliner Jawa Barat ini adalah menghadirkan makanan legendaris dari seluruh daerah dalam satu tempat. "Semua makanan khas dari 27 kabupaten/kota hadir di sini. Menghadirkan cita rasa asli daerahnya masing-masing. Ini kesempatan bagi masyarakat untuk bernostalgia,” katanya. BACA JUGA: Kuliner di Blok M Jakarta 2024, Surga Baru untuk Pecinta Makanan Kuliner sebagai Penggerak Ekonomi dan Pariwisata Bey Machmudin menekankan bahwa Pesta Kuliner Jawa Barat bukan sekadar ajang pelestarian kuliner tradisional. Namun,  juga berperan sebagai strategi dalam pembangunan ekonomi daerah. "Dari hulu ke hilir, sektor kuliner mampu menggerakkan berbagai industri lainnya. Semua mendapat manfaat dari geliat sektor kuliner,” ujarnya. Bey juga menyoroti pentingnya gastronomi sebagai daya tarik wisata. Menurutnya, gastronomi dapat menjadi magnet bagi wisatawan, baik domestik maupun internasional. "Saya percaya bahwa melalui penguatan gastronomy tourism, kuliner lokal Jawa Barat akan semakin dikenal luas. Ini adalah langkah penting untuk memperkenalkan Jawa Barat ke kancah dunia,” tuturnya. Selain itu, acara ini juga berdampak langsung pada perekonomian sekitar. Kehadiran wisatawan yang datang menikmati hidangan khas akan berkontribusi pada sektor lain seperti perhotelan dan industri fesyen. "Wisatawan tidak hanya datang untuk menikmati kuliner. Tetapi juga berbelanja dan menginap di hotel-hotel sekitar. Ini memberikan dampak ekonomi yang sangat positif bagi Jawa Barat,” tutur Bey. Misi  ke Kancah Internasional Dalam kesempatan tersebut, Bey Machmudin juga mengajak Dinas Pariwisata dan Kebudayaan Provinsi Jawa Barat untuk menjajaki peluang pembukaan restoran khas Sunda di luar negeri. "Saya sudah berdiskusi dengan Pak Kadisparbud, apakah memungkinkan untuk membuka restoran khas Jawa Barat di luar negeri. Ini tentu membutuhkan sinergi dari berbagai pihak, namun saya yakin potensinya sangat besar,” kata Bey. Selain membuka restoran, Bey juga mendorong inovasi dalam bentuk kemasan makanan khas Jawa Barat agar bisa diekspor sebagai oleh-oleh bagi diaspora Indonesia di luar negeri. "Seblak goreng dalam kemasan sudah mulai masuk ke luar negeri dan menjadi favorit. Ini adalah salah satu cara untuk mengobati rasa kangen para diaspora terhadap makanan lokal,” katanya. Pesta Kuliner Jawa Barat 2025 digelar di Area Gedung Sate, Kota Bandung, mulai 31 Januari hingga 1 Februari 2025. Acara ini menghadirkan beragam kuliner khas Jawa Barat yang autentik dan menggugah selera. Tak hanya soal makanan, acara ini juga dimeriahkan oleh penampilan artis-artis ternama, seperti Ade Astrid Gerengseng Team, Club Dangdut Racun, Reza Smash, serta bintang tamu lainnya yang siap menghibur pengunjung. Dengan semangat melestarikan kuliner tradisional dan memperkenalkannya ke kancah internasional, Pesta Kuliner Jawa Barat 2025 diharapkan menjadi momen penting dalam pengembangan sektor kuliner dan pariwisata daerah.  ***  

[postsofbabel]

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[pitert-news]

Ermittlungen gegen umstrittenen Krebsarzt

Die Staatsanwaltschaft von Löwen (Flämisch-Brabant) ermittelt gegen einen heute in Köln tätigen Krebsspezialisten, der vor zwei Jahren sowohl die Uniklinik (Foto), als auch die Universität Löwen nach einer einvernehmlichen Vertragsaufhebung verlassen hat. Der durch eine TV-Sendung bekannte „Spitzenarzt“ soll sich bei Experimenten an Patienten nicht an die geltenden Regeln gehalten haben, wie interne und externe Ermittlungen ergeben haben. Zu diesem Sachverhalt gab es 2017 eine Wende, wie eingangs dieses Beitrags angemerkt wird.

Neuer Sachverhalt: Gütliche Einigung für „Spitzenarzt“ Stefaan Van Gool

Der renommierte Krebsspezialist Stefaan Van Gool, bekannt aus der vierteiligen Serie „Top Doctors“, hatte sich 2017 durch einen Vergleich mit der belgischen Justiz gütlich geeinigt und damit einen Rechtsstreit vermieden. Dies schrieb De Standaard damals und wurde unserer Redaktion gegenüber bestätigt.

Vor 2015 wurde Van Gool - eine Autorität auf dem Gebiet der Hirntumore - von der UZ Leuven und der KU Leuven aus dem Verkehr gezogen. Der Grund? Es gab ernsthafte ethische, rechtliche und wissenschaftliche Probleme mit seinen klinischen Krebsstudien. Er setzte experimentelle Krebstherapien ein, hielt sich aber bei der Verabreichung seiner experimentellen Tumorimpfstoffe nicht an die Vorschriften. So wurden beispielsweise nicht alle Patienten darüber informiert, dass sie an einer Studie teilnahmen, deren Wirksamkeit ungewiss war.

Die Staatsanwaltschaft Leuven hatte im Sommer 2015 nach einer Inspektion durch die Bundesagentur für Arzneimittel und Gesundheitsprodukte eine Untersuchung eingeleitet. Auf Verstöße gegen die Regeln für klinische Studien stehen Haftstrafen von bis zu zwei Jahren. Die Staatsanwaltschaft befand 2017, dass genügend Beweise vorlagen und schlug eine außergerichtliche Einigung vor, die der Arzt bezahlte. Infolgedessen entging er dem Prozess. Wie hoch der Betrag der gütlichen Einigung war, ist nicht bekannt.

Bezüglich der Arbeit von Dr. Stefaan Van Gool, der bis 2015 als Facharzt für neurologische Onkologie an der Uniklinik von Löwen (ZU Leuven) tätig war, sind ernsthafte ethische und juristische Fragen aufgetaucht, mit denen sich inzwischen auch die Staatsanwaltschaft auseinandersetzt. Der Kinderarzt und Fachmann für die Behandlung von Hirntumoren wurde im belgischen Bundesland Flandern durch eine Sendereihe eines Privatsenders bekannt, der die Arbeit von „Spitzenärzten“ vorstellte.

Doch internen und externen Untersuchungen zufolge hielt sich Dr. Van Gool bei seinen Forschungen bezüglich der Entwicklung von Medikamenten und neuen Behandlungsmethoden nicht an die geltenden Regeln und Vorschriften. So soll er Patienten zwecks Experimenten Impfstoffe gegen Tumore verabreicht haben, ohne dass diese wussten, dass sie als Testpersonen eingesetzt wurden und demnach auch ohne deren ausdrückliche Zustimmung.

Problematisch war dabei, dass es nicht als erwiesen galt, dass die bei der Studie Van Gool gebrauchten Impfstoffe überhaupt wirkten, bzw. wie deren Nebenwirkungen waren. Bei der Uniklinik in Löwen reagierte man zurückhaltend auf dieses Thema und gab an, dass zu keiner Zeit eine Gefahr für die betroffenen Patienten bestanden habe und dass „alle Patienten und betroffenen Instanzen auf der Höhe waren“.

Die Diskussion betreffe nicht die möglichen Nebenwirkungen, sondern die mögliche Wirkung. Und doch trennten Uniklinik, Universität und der eigentlich renommierten Arzt sich 2015 nach einer einvernehmlichen Vertragsaufhebung. Inzwischen distanzierte sich auch die in Flandern bekannte Aktion „Kom op tegen Kanker“ (Steh auf gegen Krebs) von Dr. Van Gool, der zeitweise eine der tragenden Figuren von bestimmten Aktionen war.

Patienten stehen im Regen… Ein weiteres Problem tut sich übrigens jetzt für die betroffenen Patienten auf. Normalerweise müssen (Krebs)Patienten in unserem Land, wenn sie sich für medizinische Forschungen zur Verfügung stellen, für ihre Behandlung nicht selbst aufkommen. Doch nach dem Dr. Van Gool Löwen in Richtung Immunologisch Onkologisches Zentrum Köln (IOZK) in Köln abwanderte, bzw. nach seiner einvernehmlichen Vertragsaufhebung in Löwen, sind die Experimente zu Ende und die Patienten müssen ihre Behandlung auf eigene Kosten finanzieren, denn sie sind nicht mehr durch die hiesigen Kassen geschützt, wie die flämische Tageszeitung De Standaard, die den Vorgang an die Öffentlichkeit brachte, dazu schreibt.