#ku bei

[fanofspooky]

The Sadness

2021 • TV-MA • 1h39m

A young couple trying to reunite amid a city ravaged by a plague that turns its victims into deranged, bloodthirsty sadists.

[somaligovernment]

Gen Z has to be worst generation to have ever existed I hate my age mates

[fabiansteinhauer]

[galli-halli]

Mit ziemlicher Verspätung habe ich es endlich geschafft, den WSMDS-One Shot zu Folge 4, aka Wer Stiehlt Klaas Die Show, fertigzustellen:

Bezogen wird sich hier auf die gesamte Folge (und ein bisschen auch auf die Folgen davor), vor allem aber auf diesen Moment:

Ich wünsche euch ganz viel Spaß beim Lesen <3

[dino-fart]

In Reina In Waal | Chapter 2: Reunion

Pairing: Namor x Female Reader

Genre: Action, Adventure, Romance

A Sequel to This Request

Summary: You awaken in the caverns of Talokan alone. You are reunited with the great Ku'ku'lkán...Will this be a tender or bitter reunion? 

Summary | Preview | Chapter 1 | Chapter 2 | Chapter 3

“Hold still, child!” Okoye dragged the boy by the collar of his shirt to stand him up straight. 

“Let me go, lady! I gotta get back and find my mom!” He tried to run but the general grabbed him by the arm. 

“You need to answer my questions, now!” She commanded and the boy nodded his head quickly. 

“Y-Yes ma’am!” He shook with fear. 

“Who were you running from?” 

“T-This big dude! He had blue skin and big muscles and and he had a weird thing on his face! He tried to grab me but I went into the jungle and that’s...That’s how you found me.” The boy said nervously. 

“You said you need to find your mother, where is she?” 

“I-I don’t know...He attacked us and my mom told me to run.” 

“Blue skin...Did he come from the water?” 

“I wasn’t really paying attention, ma’am, I was too busy trying to hide.” The boy sighed. 

“Come with me, child. I will take you somewhere safe.” Okoye gestured for him to follow her through the jungle. 

“My name is Titus.” The boy said following behind her. 

“Titus. I would request for you to be quiet while we get there. Just in case your pursuer is hiding here.” 

“Where are you taking me?” Titus whispered. 

“To Wakanda.” Okoye smirked and led the way. Titus gasped, he had heard stories about Wakanda. He only wished his mother was here with him...

Attuma swam to the throne room and saw his king sitting on his throne, holding a small jade necklace in his hand. “Ku'ku'lkán!” He announced his presence and Namor looked up immediately. “Ts'o'ok in suut y��etel yane'... Interesantes t'aano'ob (I have returned with some...Interesting news).” Attuma said. Namor raised a brow and gestured for Attuma to continue speaking. “Lela' u asedio u reino le reina. Yaan juntúul paal yéetel xiik' le tobillos (It is about the siege of the queen's kingdom. She has a son with wings on his ankles).” Attuma said and Namor’s eyes grew wide. 

“K'axik in (Bring him to me).” Namor said firmly. 

“U intenté, u majestad, ba'ale' bey ti' le wakandianos ku u séen úuch u láaj bis (I tried, your majesty, but it seems the Wakandans have taken him).” Attuma bowed his head and Namor’s blood boiled. He grabbed his spear and swam swiftly past Attuma. The general turned around to see his king rush out. To where? Attuma had no idea...

You awoke with a jolt and sat up straight. You looked down to notice you were in a hammock then looked up to see the glow worms on the ceiling. You didn’t recognize where you were but you did recognize the woven basket by the hammock. You got out of the hammock and walked past the basket to explore your surroundings. You stopped when you saw the large pool of water to your right. 

You walked over there to see your reflection. You were still in your blood-stained armor, your hair was a wet mess and you saw the cuts on your face. The cuts didn’t bleed though, thanks to the stone that had gifted you the power of invincibility. You sighed in irritation as you realized you needed to change. You walked over to the basket that you were sure Namor or at least his people left for you. 

You took out the piece of clothing in it and changed. You were now wearing a blue, white and gold dress with a gold and jade neckpiece. You tied your hair in a ponytail and put on the brown sandals that were remaining in the basket. You walked on ahead to see a small hut with colorful walls inside. You stepped inside and froze at what you saw. 

The colorful walls were murals, murals that depicted the birth of Talokan and their leader, Namor. You rolled your eyes, “Shit.” You approached the wall across from you and ran your fingers to trace the lines that shaped his face. While you resented him for leaving you behind...You still loved him. 

“It’s been a long time...” You heard a familiar voice say behind you. 

“Has it? I’m surprised you noticed.” You snapped. 

“It’s good to see you, in reina (my queen).” 

“Bold of you to call me that.” You turned around to face him. 

“I didn’t come here to fight or to argue. I came here to check on you.” Namor said softly and approached you. You stepped away from him and pressed your back against the wall. “I...Heard something interesting...About your son or should I say our son.” Namor studied your face to see your reaction. You pursed your lips in a thin line and averted his gaze. Namor understood and nodded his head slowly. 

He moved his hand to gently cup your cheek. You moved away from his touch and glared at him. Namor felt his anger rising but remained calm. “Do I disgust you, hm? Does the mere thought that you gave birth to my offspring make you ashamed?” Namor moved his hand to grip your chin and forced you to look at him. 

You laughed at him, “You want to talk about shame? How about when you refused to let me see Talokan because you were ashamed that you slept with a surface dweller? Or how about when you were ashamed to even listen to how I felt about you when I wanted to show you my kingdom?” You retorted and grabbed his wrist roughly. Your nails dug into his skin and he hissed in pain and released you. Namor looked at you and felt his words die on his tongue. You were right...

Namor gently moved his hand to hold yours and laced your fingers with his. “I...Do not know what to say...Except I’m sorry.” Namor brought your hand to his lips. 

You moved your hand out of his grasp and crossed your arms over your chest. “Don’t be...I knew what I meant to you despite my feelings. I just...Found it hard to accept. I thought about telling you I was pregnant...But I wanted to deny that from you. I wanted you to suffer the way you made me. Jokes on me I guess, you didn't even care.” You sighed. 

Namor raised a brow at you, “Do you hate me that much? Does our son remind you of me?” 

You glared at him, “Don’t flatter yourself, Namor. Our son is nothing like you.” 

“He is a mutant. He has wings on his ankles and his ears are pointed. He is everything like me.” Namor said calmly. 

“He’s not a murderer.” 

“Neither am I. But I will protect my people at all costs as I am sure you will.” 

“Of course. But I don’t go around starting fights with people! Your obsession with Wakanda’s alliance will be your downfall and I hope that Queen Ramonda is the one to take you down.” You hissed. 

Namor’s blood boiled at your words and he gritted his teeth, “Did you know that our son is in Wakanda as we speak?” 

“Good. He’s safer there than here.” 

“So you wish for him to fight alongside Wakanda against our own people?!” Namor raised his voice. 

“Talokan is NOT our home nor our kingdom! You made that clear when you left me!” You stared him down. 

“I was a fool! And I want to make it right.” 

“Then don’t go after my son. Release me and you won’t see us again.” 

“On the contrary, in reina, I will have Attuma bring him to us and we can be a family. Then you will see. Now rest, our son will be here soon.” Namor turned his back to you and walked away. 

“He lays ONE finger on our son and I will kill you both! You hear me Namor?!” You shouted at him when he was walking away. You watched him leave and collapsed onto your knees. The tears that had been threatening to fall finally did. You covered your face with your hands and sobbed as you feared what was going to happen to Titus. You only hoped that the Queen of Wakanda would keep him safe...

Tagging: @deepbatched, @vikingqueen28, @leonkennedyslefthand, @stewardofningishzida, @icytrickster17, @onlinecemetery, @marki-moo0, @absolute-not-original, @creamecafe, @scrubb, @nightingal3-tales, @alliethedaydreamer, @strangesthirdeye, @alexa-33, @zombiedixon89, @sunnsettee, @deliciousfestsalad, @kiaradaniell, @freyafriggafrey, @criticalroleobssedperson, @avengersfan25, @lunamoonbby, @androgynouspersonapricotfan, @foxcantswim, @namorkawaiiwife, @starkiller-queen, @kyuupidwrites, @luciamajer, @renatas10, @ayamenimthiriel, @gaiagurl05, @dipsylou, @pinkthick, @hansai, @andywinter16, @iambored24601, @3-cheese-tortellini, @cumbrbatchbenedict, @ironstrange1991, @aribas-stuff, @rianumochi, @vibaracal, @lostpirateinwonderland​  

[raging-tackeydios]

shitty idea time: monster hunter monsters if they had personalities/characters and bantered with the hunter mid-fight instead of being mindless animals

for context the variant, deviant, subspecies, etc. monsters would have the same lines as the vanilla species but with different VAs, paralleling how their hunting horns are the same melody with different instruments

i didn't do all of them because i couldn't really think of personalities for all of them

okay go

———

"great/drome" monsters: somewhere between the soldier and charlie from pikmin 3: military commanders ordering about their pack members in battle with...less than effective results

(blue) yian kut ku: nervous wreck that's literally a tutorial monster. knows that a lot of hunters go after him as their first real test of skill, so he's devoted himself to the role, telling you what to do and telegraphing his attacks very blatantly. sometimes accidentally gives you helpful information trying to think out loud.

(scarred, deadeye) yian garuga: basically imagine scratch from adventures of sonic the hedgehog if he wanted sonic ground into a bloody paste instead of merely hurt or captured: he even has the voice too. throws huge temper tantrums when you get knocked out of the arena or another monster intrudes because it means he can't fight you any more

cephadrome: constantly taunting the player about how he's so hard to hit under the sand, but the moment he gets dragged out he starts begging for mercy and running away

(ruby) basarios: too fat and stupid to even realize you're trying to attack him, or that he's attacking you...kinda like louie from pikmin honestly

(black) gravios: lazy, almost depressed, even, and doesn't really care about the fact that you're trying to beat the snot out of him: if you win, he dies, and if your weapons bounce off of his carapace he gets to wallow and be miserable more, so it's a win-win situation

(purple) gypceros: adhd personified. hyperactive as hell and constantly getting distracted during the fight, only to circle back and get super pissed at you: when he "dies" the first time he gets sad that his prank didn't work if you don't fall for it

(red) khezu: weird scrimbly bimbly thing that only talks in short sentence fragments, is constantly sniffing around to get a read on you, and sounds garbled like he's underwater. also the screaming. he's constantly screaming seemingly at random. kinda like a much more gooey hyness

(gold, pink) rathian: more down to earth than rathalos (because she stays on the ground.) she gets tired of having to basically babysit rathalos sometimes but she still loves him with all her heart. constantly trying to rein him in and get him to take you seriously during the fight when they're fighting together: regardless of whether he's killed or captured she breaks down sobbing and trying to avenge him

(silver, azure) rathalos: imagine a flying version of bowser from the mario RPGs. dumb as bricks, and he's not really treating the fight as life or death, but more like just a thing he does every tuesday: he's happy to see you, but he still has to act like the bad guy. you can hear him trying to practice his evil laugh as he's flying away, then berating himself for it not being good enough. if he's fighting with rathian he gets a lot more meek when she's captured and almost goes dead silent for the rest of the fight when she's killed

diablos: has a potty mouth that would put a sailor to shame. during his turf war with black diablos they both get off on the fact they're beating the crap out of each other

bloodbath diablos: basically a fusion between kai yan and tartarus from dragalia. believes that the philosophy of "might makes right" is the ultimate creed, and wipes out any monsters near him because he believes they're weak and unfit of fighting to live. meanwhile he kills humans for the slight they inflicted on him in the past. gets more desperate as the fight wears on because he cannot be anything less than the perfect being, and when he dies/gets captured he's not mad because he lost, he's mad because he lost to you.

black diablos: horny. angry and very very horny. does not care about the fact that you're a fraction of her size: she's getting off on the fact that you're dealing intense bodily harm to her and thus she wants you inside her. basically the embodiment of this meme here:

(white) monoblos: a friendly rival to diablos, and treats the entire fight as a huge pissing contest between them, even when the former is nowhere to be found. very proud of his horn. like yian kut-ku, knows hunters are always after him as a rite of passage, so he's sort of fallen into a mentor-like role, and he's always proud when he gets slain or captured

(plum, stonefist) daimyo hermitaur: scared and is constantly hiding behind his claws, prioritizing keeping you the hell away at all times. very antisocial.

(terra) shogun ceanataur: extremely proud of his claws, yelling about keeping your hands off "the merchandise" once he gets enraged, and both figuratively and literally starts foaming at the mouth once they get broken. gets really embarrassed once his shell is broken, and stays meek like that for the rest of the fight

rustrazor ceanataur: acts like a drug addict, only with the drug references replaced with references to sharpening his claws on glavenus' skull

(green, lucent, silverwind) nargacuga: wants to act like a ninja. ends up acting more like something out of naruto. also he recites his own version of darkwing duck's "i am the terror that flaps in the night" thing at the beginning of the fight

(molten, grimclaw) tigrex: dim, but a really nice guy, kind of like a large dog, and actually doesn't mind you fighting to the death that much: the problem is that he's CONSTANTLY FUCKING SCREAMING EVERYTHING HE SAYS AT THE TOP OF HIS LUNGS. his violent charges aren't actually charges he's just trying to give you a big hug. with his mouth.

(furious) rajang: imagine goku but like a minimum of ten times as violent and with the battle-obsessed stalker-ish qualities of nemona. can be sometimes heard humming parts of the DK Rap when calm. his fight is as much him showboating as he is trying to maul you

(flaming) espinas: talks in his sleep. starts off asleep and mutters stuff like "just five more minutes mom" as you hit him, then gradually starts groggily walking around. then when you hit him enough he loses his shit and starts swearing up a storm while beating the tar out of you...and then eventually the adrenaline wears off and he reverts to the passive half-asleep version of himself.

akantor/ukanlos: acts like a JRPG villain's monstrous final form, with parallels to each other's lines

arzuros: expy of banjo. one of the few monsters that actually gets along with qurupeco

(snowbaron) lagombi: sort of like a skier. less focused on fighting you and just happily slip-sliding around on the ice.

volvidon: constantly warning you to keep your distance mid-fight: since the Soiled gas is actually just flatulence, he's worried he's going to have a bit of stress-induced incontinence

(crimson) qurupeco: you know how squidward believes he has lots of talent with the clarinet but he actually plays like ass? yeah imagine that but replace the clarinet but with monster roars. all the other monsters only come to his "aid" just to shut him the hell up, and he's gleefully unaware of this even as he's being ripped to shreds

barroth: has a couple pebbles rattling around in his crown in lieu of a brain, and thus goes nuts like a dog seeing a mailman with a single minded pursuit to run you over

nibelsnarf: obsessed with food. will eat any bombs you put down and deem them delicious, even after they explode in his gullet and he calls them "a bit spicy."

(steel) uragaan: basically a goron in all but name: loud, boisterous, rolls to get around, and loves eating rocks

(rust) duramboros: basically an old miner that mostly just wants some peace and quiet. has to put a considerable amount of effort into all of his attacks, especially the one where he throws himself into the air like a shot put, and starts complaining about his back after he lands

(thunderlord) zinogre: a breakdancer. constantly boasting about his moves in battle and treats his fulgurbug tenants as "special effects."

brachydios: acts like a hammy heel wrestler such as rawk hawk or incineroar...even though he's supposed to be a boxer instead of a wrestler. sometimes he acts like he's sparring with you instead.

raging brachydios: the same heel persona from before, but now all washed up and depressed, desperately grasping at his former fame. near the end where he traps you in his lair he gets his old passion back as he goes completely apeshit for one last fight

(savage) deviljho: not really much different from his canon incarnation, except now he just moans or roars "STILL...SO...HUNGRY..." at times

(ash) kecha wacha: somewhere between a class clown and a memelord. hangs on branches and canopies specifically to cackle at you.

(desert) seltas: speaks like a stereotypical robot. not much to him unless he's being used as a puppet by the seltas queen: he is a drone, after all

(berserk) tetsucabra: somewhere between big the cat and big man. the rocks he pulls up are supposed to be for him to hide behind, but he's so dim he thinks you're gone too.

(tidal) najarala: a stereotypical snake character that speakssss like thissss. sometimes he accentuates the hissing noises by rattling his tail along with them. gets pissed off when you escape his "ring of doom" attack, as he has to spend a lot of time positioning himself to circle around you and enact it.

(shrouded) nerscylla: looks intimidating but is actually really shy and timid (sorta reflects real tarantulas tbh). her gypceros pelt is like a beloved hoodie to her and she gets really sad when it's destroyed

(tigerstripe) zamtrios: actually a really nice guy. the problem is, like real sharks, he figures out whether something is food or not by biting it. obviously most hunters don't let him nibble them and just whack him, so he ends up fighting most people he meets. also he makes the "dun dun dun dun dun dun dun dun" from Jaws while he's swimming through ice. his voice lines get pitched up super high when he's inflated.

(desert) seltas queen: speaks much like A Certain Other Queen (The One Who Is: At The Very Least Kinda Sorta Famous) and treats her seltas underlings like garbage. once she fully takes control of the seltas they speak in unison

seregios: imagine jaleel white's sonic if he could shoot his spines. and also fly. spins the fact that he's basically a refugee by saying he's spreading freedom wherever he goes, much like the real sonic. deep down, he isn't buying it.

(boltreaver) astalos: crackheaded hyperactive maniac. makes a lot of references to monster energy: this is because his electric powers don't come from his special muscles, but from him guzzling down a potent cocktail of stimulants and cans of monster by the truckload. explains the crackheadedness i guess. repeatedly denies that he's crazy to the rest of the fated four

(violet) mizutsune: huge bitch. he wants to be looked at and for everything to be about him all the time, and he throws temper tantrums sometimes when it isn't. also he's horny. very horny. he sounds snooty and effeminate like Juno Songs' portrayal of rubber band from Paper Mario: The Origami King

soulseer mizutsune: f u c k i n g sans undertale

(acidic, hellblade) glavenus: acts like a noble knight and will lay down his life to protect other members of the fated four. gets into quarrels with gammoth who is of a similar mindset. despite being a protector, his real love is cooking, which he does with his heated tailblade.

(elderfrost) gammoth: also a protector, but in a more motherly sort of way i guess. big enough to encompass the entire rest of the fated four so she just uses herself as a shield.

(nightcloak) malfestio: somewhere between a jester and a magician. constantly talks a big game about gaining sleight of hand on you, and gets flustered when you can outgambit his dirty tricks

ahtal-ka: imagine peridot's voice and personality crossbred with the mechanical ingenuity, scientific passion, and sheer psychopathic bloodlust that TotK's version of link is known for. basically treats the entire fight as a giant experiment and actively takes notes each time you defeat her ahtal-neset, so she can get rid of the weak spots you target.

(fulgur) anjanath: basically the jerk jock trope personified, fitting how it's known as the "relentless ruffian." talks a big game in battle but is quick to fold when something bigger, like a rathalos, enters the scene

(ebony) odogaron: you know that scene from gumball where it's shown from the Evil Turtle's perspective and it's like "BITE BITE BITE EAT FOOD FOR STRENGTH TO BITE BITE BITE MAKE LITTLE TURTLES TO BITE EVEN MORE" ...yeah that's basically how this guy operates

tzitzi-ya-ku: basically a paparazzi/photographer. flees peacefully once he gets good "shots" of monsters (read: blinds them) and when he's fighting you he's more concerned about getting your good side and putting you in the right light than he is about self preservation

(seething) bazelgeuse: basically a much angrier version of the soldier. barely even knows why he's in this locale or that: all he knows is that he's not going home until something dies. flies into battle screaming at the top of his lungs.

aknosom: an acrobat and a performer. more concerned with stomping on your face like a goomba than actually doing anything effective. tries to lick you once you're close to its head while it's downed.

tetranadon: another wrestler-inspired character like brachydios, but this time he's a face instead of the heel. very self absorbed and is convinced all of the small monsters watching from the sidelines are there to cheer him on and boo you.

(blood orange) bishaten: an even bigger shitlord than kecha wacha. could not care less about whether he lives or dies because he had fun and he got to see you get pissed while doing it.

(magma) almudron: a cantankerous old dude. he's less interested in actually protecting his territory and more so just chasing you off it. constantly complaining and bellyaching regardless.

somnacanth: a parody of an idol. her singing voice is actually really good but she gets so passionate that she releases her signature narcotic dust, which puts any prospective audience to sleep. still, she tries to put on the best performance she can even mid-fight

auroracanth: the idol from before but now jaded and disillusioned with life.

(pyre) rakna-kadaki: a wicked witch-archetype character that cares really deeply about her rachnoid minions. gets really distraught when you kill them or knock over the sac she's using to incubate them. this does not stop her from eating the rachnoids that are males. basically imagine Magica deSpell (2017) if she had an entire army of lenas instead of just one

(scorned) magnamalo: a mirror to the fierce flame, constantly spouting out cheesy puns and one liners with almost all of his attacks. starts laughing like a maniac once he does that move where he runs around like crazy.

garangolm: very peaceful, even to the point that he's willing to forgive you up to a certain HP threshold or if captured. but this guy hates anyone who would disturb the peace or bully others, and eventually lose his shit and decry you going "YOU! ARE NOT! A NICE! PERSON!!!" or something like that

lunagaron: tries to put on a sonic.exe-esque vibe to seem more intimidating, contrary to what his werewolf-like design would suggest. he's very terrible at it and ends up flubbing his "lines" often.

(ashen) lao-shan lung: basically that hobo who sits on the street holding the "The End Is Near" sign. only this time the end is actually near because the only reason he's there is because he's fleeing from fatalis.

kirin: h o n s e

chameleos: basically scampton from deltarune chapter rewritten if he was a magician as well as a jester. his entire fight is, from his perspective, mostly a bunch of cool magic tricks, but he's also screwing with you a bit too. the problem is that he's not satisfied until you're having as much "fun" as he is, and he's insane and his desire for fun is insatiable. kinda like caine from the amazing digital circus

teostra: basically @darbycupit's portrayal of king leongar, but as a good guy. he's revered and treated by a noble king by all the other monsters.

lunastra: violently protective of teostra. will go apeshit on anything that so much as looks at him funny and he often sheepishly has to reel her back in. basically the opposite of rathian.

yama tsukami: basically a super-sized supernatural patrick star. doesn't really care about what he's doing or where he ends up as long as he gets to eat stuff.

alatreon: kinda like a mixture of Jevil and Barnaby from billy bust-up. isolated for eons, and has gone so insane that he treats the fight as a massive party. unfortunately for you he thinks the end-goal of said party is for the guests do die so that they can party forever. gets disappointed when you topple him and when you cart prematurely bc he thinks you "don't want to see his grand finale."

amatsu: believes it is his divine right to take territory he wants, blowing out all others with mighty storms, and treats the fierce flame (and other animals in general really) with nothing but contempt. gets more desperate and rageful as the fight goes on because he doesn't want to be killed by what's basically an ant to him

gore magala: acts aloof and ominous in an attempt to appear cool. however, he's basically still just a kid on the inside, and as such his true childish personality often slips through the cracks

chaotic gore: incapable of making any speech other than pained howls. when killed he thanks you for ending his suffering.

shagaru magala: basically @stelyos' portrayal of fecto elfilis: a YHWH-like warlord god who sees all life as beneath him and worthy only of subjugation

nakarkos: starts the fight trying to keep up the facade that he's a two headed bone abomination, using his tentacles like puppets to keep up the con. however, as the fight rolls on and the tentacles get uncovered, he half-heartedly tries to keep up appearances before going "fuck it" to pop out and reveal his true form, and with it his true personality: a very gluttonous and boisterous pirate

(crimson glow) valstrax: the fastest thing alive, more concerned with showing off his incredible speed than actually fighting you. once he realizes he might actually be in trouble, he just doubles down and starts showboating harder instead of making an effort.

(blackveil) vaal hazaak: a mysterious necromancer-like character. what he actually wants is friends due to being holed up in the bottom layers of the vale and being too hazardous to approach, and when killed, he'll lament that he could really only have friends through effluvium necromancy.

(ruiner) nergigante: yet another bowser expy, this time of juno songs' portrayal of the character

velkhana: actually pretty chill. however, she has to keep up appearances, namely those from the frozen corpses she leaves around, and acts like a supervillainess while fighting you

namielle: dumb as a rock and only really cares about looking cool in battle and looking cool in general. basically an inkling in all but form and name.

malzeno: despite his elegant appearance he's actually a huge chuunibyou. he's really new to this whole "bad guy" schtick after becoming the qurio's host to protect everybody, so he's putting all the effort in all the wrong places of his performance.

primordial malzeno: a noble hero that willingly accepts the fact that he needs to die for the sake of everyone else at the beginning of the fight. as the infection progresses further he becomes less and less coherent and at the end he's basically only making pained screeches, begging for the fierce flame to end his misery during his brief periods of lucidity

zorah magdaros: the entire fight dialogue is basically a never ending long winded rambling old man monologue

shara ishvalda: basically imagine that thing about monika knowingly shutting down any streams she detects at her part of the story in DDLC, except different. shara ishvalda's banter isn't directed at the hunter. it's directed at you specifically. if you have an xbox kinect maybe the game would turn it on to look at you and better fit said banter.

safi'jiiva: similar to the other part of @stelyos' portrayal of fecto elfilis: a world-shaping godlike being that firmly believes that survival of the fittest is the only way the world can work, and since he is by definition the fittest, he's the only one that deserves to survive

ibushi: no thoughts only horny

narwa: constantly talking smack to you through the twins

gaismagorm: sounds like a massive mishmash of voices sort of like @darbycupit's portrayal of fecto forgo. it's not actually anything supernatural the voices just echo around in his weird flower mouth thing and they all sound different

all of the fatalises: somewhere between tartarus from dragalia lost on steroids and calamity ganon: a being that was so consumed by its hatred it turned into a nearly mindless shade of its former self

[queenmeraairam]

P.P

Namor x Reader Don't own character Established relationship Reader is on their period and is in pain. Also they are from Talokan.

Comments are appreciated.

Fluff and  Mention of proposal

"Blergh" this sucks you think to yourself as you throw up in the toilet. You are feeling nauseated, fatigue and an ache in your stomach. Your period had just began so you knew for the next three days you were gonna feel like shit. You stand up and make your way to the bedroom you share with your former boyfriend now fiancée. It still didn't seem real you are engaged to the love of your life your king. Your god. You remember the proposal like it was yesterday. You were at your favorite spot a clearing near the whales "dancing" to the sounds of the whales you had just finished a spin when you spot Kukulkan with a smile that made your heart beat like it was gonna jump out of your chest. You smile and swam over to him he reached you first. You immediately sensed something was up. " Ba'ax in yaakunaj taan ma'alo'ob tu laakal. Bey tenso." ( my love is everything okay? You seem tense.) You asked concern in your voice. " Lelo' yaantal yo'osal u a nuukik in yaakunaj." ( that depends on your answer my love) Kukulkan responds you sense apprehension in his voice.

He gets down on one knee and out of his shorts he pulls out an huge oyseter.

"In yaakunaj in ujo' yéetel in k'áak'náabo'. In yaakunech. Teech ts'o'ok in amado tak ka' ta pateaste le tuméen le a in ts'áaj wa taak ka'ach in wilech óok'ot ka'a. Uts tin t'aan u páajtalil ku ken sonríes iluminas le naja' ku. Uts tin t'aan bix mina'an teech sajakil ti' Attuma wa Namora. Uts tin t'aan u páajtalil ku le cangrejos a asustan. Uts tin t'aan u páajtalil ku ma' cha'ik u le demonios persiguen ti' a wayak ganen. Uts tin t'aan u páajtalil ku ka wóok'ot bey je'el bix t'aane' ti' uláak' kin tuukul. Ts'o'ok in vivido ya'ab k'iin ka ts'o'ok u experimentado ya'ab emociones, ba'ale' ninguna beya'. Bejla'e' táan in tu taan Te'exe' ma' bey juntúul k'uj wa juntúul Ajaw, sino bey juntúul máak táan sijnáalil, taam yéetel impotentemente enamorado ti' te'ex. A k'at a ts'o'ok a bel tin weetel? Yéetel in wojel in watan in reina na' Talokan." Kukulkan asks you with hope in his voice his eyes full of love.

(My love my moon and sea. I love you. I've loved you ever since you kicked my ass because it was the condition you gave if i wanted to see you dance again. I love the way when you smile you light up the room. I love how you are not afraid of Attuma or Namora. I love the way crabs scare you.I love the way you don't let the demons that haunt you in your dreams win. I love the way when you dance you seem otherworldly. I have lived long and i have experienced many emotions but none like this. Today i stand before you not as a god or a king but as a man who is truly, deeply and helplessly in love with you. Will you marry me? And be my wife my queen the mother of Talokan.)

With that he opens the oyster and you see his mothers bracelet which you know means the world to him. And a vibranium ring with an opal in the center with two pearls on either sided. Your body moves before you can think and you crash your lips kissing him with so much passion and he responds with equal passion. "Ba'ax le je'elo' jump'éel sí. In yakunaj." Kukulkan asks his eyes full of love he knows your answer but he wants to hear the words (Is that a yes? my love.) "Je'el! Je'el! Ya'ab Óoxten je'el!" (Yes! Yes! Many times Yes!) And with that he kisses hand and puts the ring on your finger and the bracelet on your wrist. And kisses you deeply with so much happiness that the both of you can't help but break the kiss because you can't help but smile.

You smile at the memory you haven't taken the ring or bracelet since that day. You plop yourself on the bed you share with him and curl on your side trying to ease the pain from your period. The shift of weight wakes you. you had fallen asleep and didn't realized it. You feel strong arms wrap around your waist and pulls you close. The warmth radiating brings you comfort and you put his hands on your stomach and indicate you want him to rub your stomach he does and you feel relief. "Ba'ax yaan ma'alo'ob tu láakal in yaakunaj. Tin wu'uyaj in xeej. Táak wáaj a consiga le médicos." Kukulkan asks he hates seeing you in any sort of discomfort (Is everything okay my love? I heard you throwing up. Want me to get the medics?) "Uts in yaakunaj. Táant u comenzar in período, lelo' tuláakal. Je'el in manchar le sábanas wa lelo' jump'éel talamil, je'el in weenel táanxel." You respond reasuring him that it is nothing serious. (I am okay my love. I just began my period that is all. I may stain the sheets if that is a problem i can sleep somewhere else.) "Ma', ma', ma'. In yaakunaj ka p'áatal tin yéetel wa sangras ti' le sábanas le yaan in meentik p'o' ma'alob. Leti' jump'éel tuukula' normal. Chéen a'al ti' teen ba'ax je'el in meentik utia'al wáantik." Kulkukan hurriedly responds he doesn't want you to feel like you should be ashamed over something that is natural. (No, no, no. My love you stay with me if you bleed on the sheets i'll have them washed it is fine. It is a normal process. Just tell me what i can do to help.) "Ts'o'ok a meentik áantaj ti' le masaje ku kutaj uts, ma' a detengas, much bey ma' tak ka weeneko'. Ka jump'íit chukwa' chokoj juum ma'alob." You respond already feeling sleepy from the warmth and comfort he brings (You are already helping the massage feels good don't stop please at least not until i fall asleep. And some hot chocolate sounds good.) Kukulkan chuckles at your want for hot chocolate it is your favorite drink you would drink it all of the time if he let you. "Jach uts in yaakunaj. Ku weenel bejla'e' yéetel ken a despiertes a prepararé nuxi' lak chukwa' chokoj.j" he responds kissing your forehead. (Very well my love. sleep now and when you wake i'll make you a big cup of hot chocolate) He did not have to tell you twice his warmth was lulling you to sleep and soon you were. Fast asleep. Held by the love of your life you couldn't wait for your wedding.

[444namesplus]

Ba Baa Baas Bae Baes Bais Bam Ban Bao Baos Bau Baus Be Bees Bei Beis Bem Ben Beo Beos Beu Beus Bi Bias Bie Bies Bii Biis Bim Bin Bio Bios Biu Bius Bo Boes Bom Bon Boo Boos Bou Bous Bu Bua Bues Bui Buis Bum Bun Buo Buu Buus Chi Chia Chias Chie Chies Chii Chiis Chim Chin Chio Chios Chiu Chius Chu Chua Chuas Chue Chues Chui Chuis Chum Chun Chuo Chuos Chuu Chuus Da Daas Dae Daes Dais Dam Dan Dao Daos Daus De Dea Deas Dee Dei Deis Dem Den Deo Deu Deus Dha Dhaa Dhaas Dhaes Dhai Dhais Dham Dhan Dhaus Dhe Dhea Dheas Dhee Dhees Dheis Dhem Dhen Dheo Dheu Dhi Dhia Dhies Dhiis Dhim Dhin Dhio Dhios Dhiu Dhius Dho Dhoa Dhoas Dhoes Dhois Dhom Dhon Dhoo Dhoos Dhou Dhous Dhu Dhua Dhue Dhues Dhum Dhun Dhuo Dhuu Dhuus Di Die Dies Dii Diis Dim Din Dio Diu Dius Do Doa Doas Doi Dom Don Doo Doos Dous Du Duas Due Dues Dui Duis Dum Dun Duu Fa Faa Faas Fae Faes Fai Fais Fam Fan Fao Faos Fau Faus Fe Fea Feas Fee Fees Fei Feis Fem Fen Feo Feus Fi Fia Fias Fiis Fim Fin Fios Fius Fo Foa Foe Foi Fois Fom Fon Foos Fous Fu Fua Fuas Fue Fues Fui Fuis Fum Fun Fuos Fuus Ga Gaa Gaas Gae Gaes Gam Gan Gaos Gau Ge Gea Geas Gee Gei Geis Gem Gen Geo Geu Geus Gi Gia Gias Gie Gies Gii Giis Gim Gin Gios Giu Gius Go Goe Gom Gon Goo Goos Gous Gu Guas Gue Gui Guis Gum Gun Guo Guos Guu Guus Ha Haa Haas Hae Haes Hai Hais Ham Han Haos Hau He Hea Heas Hee Hees Hei Heis Hem Hen Heo Heu Heus Hi Hie Hies Hii Hiis Him Hin Hio Hios Hius Ho Hoe Hom Hon Hous Hu Huas Hui Huis Hum Hun Huo Huu Huus

Ja Jaa Jae Jaes Jai Jais Jam Jan Jaos Jau Jaus Je Jea Jeas Jee Jem Jen Jeo Jeos Jeu Jeus Ji Jia Jias Jie Jies Jii Jiis Jim Jin Jio Jios Jiu Jo Joa Joas Joe Joes Jois Jom Jon Joos Jou Jous Ju Jua Juas Jue Juis Jum Jun Juo Juos Juu Juus Ka Kaas Kae Kai Kais Kam Kan Kao Kaos Kau Kaus Ke Kea Keas Kee Kei Keis Kem Ken Keo Keos Keu Keus Ki Kia Kie Kies Kim Kin Kio Kios Kiu Kius Ko Koe Koes Koi Kois Kom Kon Koo Koos Kou Kous Ku Kua Kue Kues Kum Kun Kuos Kuu Kuus La Laa Laas Laes Lais Lam Lan Laos Lau Laus Le Lea Leas Lee Lees Lei Lem Len Leo Leos Leu Leus Li Lia Lie Liis Lim Lin Lio Lios Liu Lo Loa Loas Loe Loes Lom Lon Loo Loos Lou Lu Lua Lue Lui Luis Lum Lun Luo Luos Luus Ma Maa Mae Maes Mai Mam Man Mao Maos Mau Maus Me Mea Mee Mei Meis Mem Men Meo Meu Mi Mias Mie Mies Mii Miis Mim Min Mios Miu Mius Mo Moa Moas Moe Mois Mom Mon Moo Mous Mu Mua Muas Mues Mui Mum Mun Muo Muu Muus Na Naa Naas Nae Naes Nai Nais Nam Nan Nao Naos Naus Ne Nea Neas Nee Nees Neis Nem Nen Neo Neos Neu Neus Ni Nii Niis Nim Nin Nio Nios Niu No Noa Noas Noe Noes Noi Nom Non Noo Nou Nous Nu Nua Nuas Nues Nui Nuis Num Nun Nuo Nuos Nuu Pa Paa Pae Paes Pai Pam Pan Pao Pau Paus Pe Pea Peas Pee Pees Pei Peis Pem Pen Peo Peos Peu Pi Pias Pie Pii Piis Pim Pin Pio Pios Piu Po Poas Poe Poes Pois Pom Pon Poo Poos Pou Pous Pu Puas Pue Pues Pui Puis Pum Pun Puo Puu Puus Ra Raa Raas Rae Rai Rais Ram Ran Raos Rau Raus Re Reas Ree Rees Rei Reis Rem Ren Reo Reos Reu Reus Ri Ria Rii Rim Rin Rio Rios Riu Rius Ro Roa Roas Roe Roes Roi Rois Rom Ron Roo Roos Rou Rous Ru Rua Rues Rui Ruis Rum Run Ruo Ruos Ruu Ruus Sa Sae Saes Sais Sam San Sau Se Sea Seas Sees Sei Seis Sem Sen Seos Shi Shia Shias Shie Shies Shii Shiis Shim Shin Shio Shios Shiu Shius Shu Shua Shuas Shue Shues Shui Shuis Shum Shun Shuo Shuos Shuu Shuus Si Sia Sii Siis Sim Sin Sio Sios Sius So Soe Soes Sois Som Son Soos Sous Su Suas Sui Suis Sum Sun Suo Suu Suus Ta Taa Taas Taes Tai Tais Tam Tan Tao Taos Tau Taus Te Tea Teas Tees Tei Tem Ten Teo Teu Thi Thia Thias Thie Thies Thii Thiis Thim Thin Thio Thios Thiu Thius Thu Thua Thuas Thue Thues Thui Thuis Thum Thun Thuo Thuos Thuu Thuus Ti Tias Tie Tiis Tim Tin Tio Tios Tiu Tius To Toas Toe Toes Toi Tom Ton Toos Tou Tous Tu Tua Tuas Tue Tues Tui Tuis Tum Tun Tuo Tuu Tuus Va Vaa Vaas Vae Vaes Vai Vam Van Vaos Vau Vaus Ve Vea Veas Vee Vees Vei Vem Ven Veo Veos Veu Veus Vi Vie Vii Viis Vim Vin Vio Viu Vo Voa Voe Voes Voi Vois Vom Von Voo Voos Vou Vous Vu Vue Vues Vui Vuis Vum Vun Vuo Vuus Wa Waas Wae Wai Wam Wan Wao Waos Wau Waus We Wea Wees Wei Weis Wem Wen Weos Weus Wi Wia Wias Wie Wies Wii Wim Win Wio Wiu Wo Woa Woe Woes Woi Wois Wom Won Woos Wou Wu Wua Wuas Wue Wui Wum Wun Wuo Wuos Wuu Wuus Za Zaa Zaas Zae Zaes Zai Zais Zam Zan Zaos Zau Zaus Ze Zea Zeas Zee Zees Zei Zeis Zem Zen Zeo Zeos Zeu Zeus Zha Zhaa Zhae Zhaes Zhai Zhais Zham Zhan Zhao Zhaos Zhau Zhaus Zhe Zhea Zhee Zhees Zhei Zheis Zhem Zhen Zheo Zheos Zheu Zheus Zhi Zhia Zhie Zhies Zhii Zhim Zhin Zhio Zhios Zhiu Zhius Zho Zhoa Zhoas Zhoe Zhoes Zhoi Zhom Zhon Zhou Zhous Zhu Zhuas Zhuis Zhum Zhun Zhuos Zhuu Zhuus Zi Zia Zias Zim Zin Zio Ziu Zius Zo Zoe Zoes Zois Zom Zon Zoo Zoos Zou Zous Zu Zuas Zue Zues Zuis Zum Zun Zuos Zuu

[randatapak]

Buya, aku mendengar nasehat, katanya "jika aku dibuat bingung sama sikap seseorang; kadang ada dan kadang hilang, tidak berusaha meyakinkankanku bahwa aku tujuannya, tandanya aku hanya menjadi pilihan"

Buya, kalau aku pamit, aku tidak boleh menyesal kan? Karena aku hanya kehilangan seseorang yang tidak menginginkan aku. Sementara dia, kehilangan aku; yang selalu berusaha menunjukkan bahwa dia absolut dalam duniaku.

Buya, semoga nanti di halaman yang baru, aku bertemu dengan orang yang juga menjadikan aku dunianya, meyakinkan aku ada dalam masa depannya, yang bisa mengajakku menata hal-hal yang akan kami lalui nanti, bukan obrolan-obrolan yang tidak perlu. dan tentunya seseorang yang bisa tetap ku panggil dengan sebutan 'Bey' (sebuah doa yang aku sematkan dalam panggilan, agar dia memimpin di skala yang dia inginkan).

Buya, aku berlindung dibawah instruksimu bahwa "setiap yang patah akan tumbuh. Setiap yang hilang akan berganti" Meski aku tahu akan ada banyak hal yang harus aku ikhlaskan. Mungkin hari ini aku masih menangis, di hari-hari berikutnya juga aku tidak bisa berjanji untuk tidak menangis. Karena ketika menghapus seseorang, dengan terpaksa juga aku mesti menghapus mimpi yang sebelumnya sudah ku susun.

Aku hanya mesti beradaptasi dan menerima, barangkali masing-masing kami memang ditakdirkan bertemu dalam perjalanan, bukan pada tujuan.

Kepada Buya Natsir, 26 Desember.

[eyenaku]

Ji ji fu ji ji

a o e i i er ai ei ao ou an en ang eng ong i ia iao ie iu ian in iang ing iong u ua uo uai ui uan un uang ueng ü üe üan ün a o e er ai ao ou an en ang eng yi ya yao ye you yan yin yang ying yong wu wa wo wai wei wan wen wang weng yu yue yuan yun b ba bo bai bei bao ban ben bang beng bi biao bie bian bin bing bu p pa po pai pei pao pou pan pen pang peng pi piao pie pian pin ping pu m ma mo me mai mei mao mou man men mang meng mi miao mie miu mian min ming mu f fa fo fei fou fan fen fang feng fu d da de dai dei dao dou dan den dang deng dong di diao die diu dian ding du duo dui duan dun t ta te tai tei tao tou tan tang teng tong ti tiao tie tian ting tu tuo tui tuan tun n na ne nai nei nao nou nan nen nang neng nong ni niao nie niu nian nin niang ning nu nuo nuan nü nüe l la le lai lei lao lou lan lang leng long li lia liao lie liu lian lin liang ling lu luo luan lun lü lüe g ga ge gai gei gao gou gan gen gang geng gong gu gua guo guai gui guan gun guang k ka ke kai kei kao kou kan ken kang keng kong ku kua kuo kuai kui kuan kun kuang h ha he hai hei hao hou han hen hang heng hong hu hua huo huai hui huan hun huang z za ze zi zai zei zao zou zan zen zang zeng zong zu zuo zui zuan zun c ca ce ci cai cao cou can cen cang ceng cong cu cuo cui cuan cun s sa se si sai sao sou san sen sang seng song su suo sui suan sun zh zha zhe zhi zhai zhei zhao zhou zhan zhen zhang zheng zhong zhu zhua zhuo zhuai zhui zhuan zhun zhuang ch cha che chi chai chao chou chan chen chang cheng chong chu chua chuo chuai chui chuan chun chuang sh sha she shi shai shei shao shou shan shen shang sheng shu shua shuo shuai shui shuan shun shuang r re ri rao rou ran ren rang reng rong ru rua ruo rui ruan run j ji jia jiao jie jiu jian jin jiang jing jiong ju jue juan jun q qi qia qiao qie qiu qian qin qiang qing qiong qu que quan qun x xi xia xiao xie xiu xian xin xiang xing xiong xu xue xuan xun

[fabiansteinhauer]

História de uma lei inconstante e polar

Bricolage/ Gestellschieberei/ Ameisenwege

1.

Das Gesetz, das kann ein lesbares Objekt sein oder ein Objekt, das lesen lässt (und damit aus den Mahlen und klammen Sendungen sich bildet, die man auch Letter nennt, weil sie Objekte sind, die lassen).

Es gibt eine Formulierung von Walter Benjamin, die auch auf Aby Warburg bezogen wird, und zwar aus den Anstössen heraus, die Walter Benjamin Mitte der zwanziger Jahre (wieder einmal scheiternd) dazu getrieben haben, Anschluss an die Bibliothek Warburg zu bekommen. Diese Anstösse liegen in dem, was Walter Benjamin in zensierten Passagen (von ihm selbst gestrichenen Passagen) des Haufens flatternder Zettel oder Blätter, den man seine geschichtsphilosophischen Thesen nennt, die magischen und mantischen Praktiken nennt. Zensieren ist auch eine magische und mantische Praktik, vor allem vor der 'Enteignung der Wahrsager': zur Zeit der Censoren (die insoweit Sensoren sind) geht die juridische Kulturtechnik mit Divinationen, Schätzungen, Messungen und Musterungen einher. die Bronzeleber von Pienza, die Warburg am Anfang des Atlasses abbildet, ist ein instituierendes Objekt der Censur, mit ihm übte man, Wahrheit zu sagen.

Walter Benjamin teilte insoweit mit Aby Warburg ein Interesse an demjenigen Teil des römischen Rechts, der so unterschwellig ist, dass manche bestreiten, dass es sich hierbei überhaupt um römisches Recht handelt. Auch Marie Theres-Fögen, von der die Geschichte und Theorie der Enteignung der Wahrsager stammt, bestritt mit einer Vorstellung, nach der auch das römische Recht schon System und ausdifferenziert gedacht wird, dass es sich bei der magischen und mantischen Praxis, also auch bei den juridischen Kulturtechniken der römischen Censoren und der ratgebenden Wahrsager um Recht handelt. Zum Recht soll das erst geworden sein, als es verboten wurde. Das sehe ich anders. Was die Rechtswissenschaft davon brauchte, hat man später teilweise vorsorglich zur Hilfswissenschaft erklärt, heute spricht man teilweise auch (in speziell deutscher Großzügigkeit und Gastlichkeit) von Nachbarwissenschaften (also mit Tschühüss-Vorbehalt).

Mit der Forschung zur Multinormativität bei Thomas Duve und um Thomas Duve sowie in der Forschung zur Multidisziplinarität bei Marietta Auer und um Marietta Auer herum wird eine solche Praxis glücklicherweise auch wieder Gegenstand der Rechtsgeschichte und Rechtstheorie. Was daran marginal oder peripher sein soll, zieht sich kapillar mitten durch das Recht, durch alle seine Stellen und Passagen, denn dieses Recht ist elementar zeitlich und gemessen. Neben dem Forschungsprojekt zu Warburgs Staatstafeln sind in Bezug auf das MPI auch die Forschungsprojekte von Karolyne Mendes Mendonca Moreira ("Incarnated Spirits") zu afrikanischen Praktiken und und Hoachen Ku (u.a. zu customs oder in Warburgscher Lesart: Trachten) zu erwähnen, die beide ebenfalls magischen und mantischen Praktiken nachgehen.

2.

Warburg ist durch seine Kenntnis dieses Teils des römischen Rechts berühmt geworden: das betrifft seine Arbeiten zur Messung und Verwaltung von Zeit, seine Kenntnisse der Kalendergeschichte. Er hält einen berühmten und legendären Vortrag von Rom (nicht nur Lacan), den hält er 1912 in der Bibliothek, die heute zum Max-Planck-Gesellschaft gehört und die den ehrwürdigen Titel Hertziana trägt. Ihm gelingt aufgrund seiner Kenntnisse über die Messung und Verwaltung von Zeit, aufgrund seiner Kenntnisse der Kalendergeschichte eine Entzifferung des ikonographischen Programms im Palazzo Schifanoia Ferrara (das einer Synopse und Umrechnungstabelle gleicht). Diese Kenntnis geht mit einer Kenntnis in Astronomie und Astrologie einher, weiter mit einer Kenntis der Geschichte der Alchemie und Hermetik - und immer mit einer Kenntnis magischer und mantischer Praxis. Aus einer Begegnung mit magischer und mantischer Praxis heraus, dem Reigen, das unter dem Begriff Schlangenritual bekannt geworden ist, hat Warburg überhaupt erst angefangen, seine Geschichte und Theorie römischen Rechts oder aber eines Rechts, in dem Antike nachlebt, zu entfalten. Auf die Idee, deswegen Kunst und Irrationalität aufeinander zu verpflichten und insoweit Recht und Kunst zu ausdifferenzieren, auf die Idee kommen weder Warburg noch Benjamin, aber beide gehören ja auch nicht zur Kritischen Theorie Frankfurter Schule Abteilung Nichtbenjamin und Benjamin ist ja sogar der Gründer der Kritischen Theorie Frankfurter Schule Abteilung Benjamin.

3.

Es gibt also eine Formulierung, die von Walter Benjamin stammt und die Georges Didi-Huberman in seinem Buch über den Atlas oder die unruhige fröhliche Wissenschaft auf Aby Warburg bezogen hat. Lesen, was nie geschrieben wurde: das sei etwas, zu dem Benjamin und Warburg Routinen, Rechniken oder Verfahren entwickeln würden. Lesen, was geschrieben nie steht, auch so weit gedehnt will ich das deuten. Die magischen und mantischen Praktiken haben es mit einem Lesen jenseits der Begriffe der Schrift, jenseits des Schreibens und jenseits des Stehens zu tun. Lesbar werden hier auch andere Graphien und andere Choreographien, solche, die nicht allein begriffen werden und damit nicht im Begriff aufgehen, die nicht Schrift sind und die auch etwas anderes tun als zu stehen und darin (be-)ständig zu sein.

Die Kenntnisse solcher magischen und mantischen Praktiken werden unter anderem im römischen Recht in einem Material archiviert, das unterschwellig oder minor ist. Nach Cornelia Vismann: Das Material ist nicht verfasst, ist keine Verfassung römischen Rechts und bietet dem römischen Recht keine Verfassung, nur Fassungen, nur Versionen und damit Drehungen und Verdrehungen, nur Verkehr und Verkehrungen. Dieses Material verwaltet nur und ist nur verwaltet, sortiert laufend um ohne jemals die Ordnung zu sein. Es ist aktenförmig, wird teilweise zwar mit dem verwechselt, was ein Buch sein soll, ist und bleibt aber Aktenmaterial, voller Listen, Tabellen und Bildern. Das Material ist so unbeständig, das es ab dem 19. Jahrhundert mit dessen nationalen und universitären Bemühungen um Homogenisierung, Systematisierung , Authentifizierung und Aneignung als zu zwielichtig gilt, um ernsthaft am Stolz des Wesens römischen Rechts teil zu haben. Eventuell überlässt Mommsen sogar darum seinem Schüler Otto Seeck die Edition des unbeständigen und damit zwielichtigen Materials. Insofern ist schon fraglich, ob diese Material, das weder auf Heterogenität noch auch Homogenität verpflichtet werden kann, Text ist. Fabrikat ist es. Das berühmteste Material ist die notitia dignitatum (jenes Material, das auch als Atlas lesbar ist und lauter Tafeln auf Tafeln zeigt). Was die Zeitmessung und die Kalender anbetrifft interessiert sich Warburg explizit in seinem Atlas für den Kalender von 354, den Kalender des Filocalus (er bildet Auszüge daraus ab und nutzt für Tafel 78 noch die kalendarische Struktur, um das diplomatische Protokoll eines diplomatischen Protokolls zu entfalten).

4.

Für eine Geschichte und Theorie unbeständigen und polaren Rechts schlage ich vor, einmal den Affinitäten zwischen demjenigen nachzugehen, was Aby Warburg Gestellschieberei nennt, demjenigen, was Lévi-Strauss bricolage nennt und was Jesper Svenbro in seiner Geschichte und Theorie der Kulturtechnik Lesen Ameisenwege nennt. Südamerika bietet sich an, dann das ist ein Ort, an dem die Ameisen mit dem Laub abhauben, dauernd (vermutlich, weil hier eine Flat-Rate-Sommerlichkeit noch die anderen drei Jahreszeiten belegt). In Deutschland wird saisonal stoßgelüftet, in Brasilien hauen die Ameisen mit dem Laub ab: Das sind Reihenfolgen, Sequenzen, denn alles was hier vorkommt, kommt auch dort vor, nur in anderen Reihenfolgen.

Solche Ameisenwege sind Dienstwege der bricolage, auf ihnen werden Gestelle geschoben - und auch die sind zu den gründlichen und vorgeschobenen Linienzügen zu zählen: Das wäre eine Arbeitsthese. Ameisen, die mit dem Laub abhauen, erlauben auch was, dazu entlauben sie allerdings. Ameisen sortieren auch, selbst wenn sie die Blätter so sortieren, wie es auf den Blättern von Benjamins Thesen nicht nur beschrieben wird, sondern wie es Benjamins Blättern passiert ist, also auch wenn darin Kippen, Kehren und Wenden vorkommen, die mit katastrophalen und apokalyptischen Wirbeln oder Ventilierungen einhergehen.

[sasa-chan]

Day 10

The Sadness (Ku bei)

Year Released: 2021

Run Time: 1hr 39m

Director: Rob Jabbaz

Rating: TV-MA

Genres: Horror

Incantation (Zhou)

Year Released: 2022

Run Time: 1hr 50m

Director: Kevin Ko

Rating: TV-MA

Genres: Horror, Mystery

*~*~*~*~*~*~*~*~*~*~

Halloweentown

Year Released: 1998

Run Time: 1hr 24m

Director: Duwayne Dunham

Rating: TV-G

Genres: Adventure, Comedy, Family

[pollonegro666]

2023/03/19 En el paseo por las entrañas de la fortaleza del centro de la ciudad, nos dimos cuenta que ha mantenido su esencia de calles pequeñas y estrechas con multitud de detalles góticos de su contrucción original.

On a walk through the bowels of the fortress in the center of the city, we realized that it has maintained its essence of small, narrow streets with a multitude of Gothic details from its original construction.

Google Translation into French: Lors d'une promenade dans les entrailles de la forteresse au centre de la ville, nous nous sommes rendu compte qu'elle a conservé son essence de petites rues étroites avec une multitude de détails gothiques de sa construction d'origine.

Google translation into Italian: Durante una passeggiata nelle viscere della fortezza nel centro della città, ci siamo resi conto che ha conservato la sua essenza di stradine strette con una moltitudine di dettagli gotici della sua costruzione originale.

Google Translation into Portuguese: Durante um passeio pelas entranhas da fortaleza no centro da cidade, percebemos que ela manteve sua essência de pequenas ruas estreitas com uma infinidade de detalhes góticos de sua construção original.

Google Translation into German: Bei einem Spaziergang durch die Eingeweide der Festung im Zentrum der Stadt stellten wir fest, dass sie ihre Essenz kleiner, enger Gassen mit einer Vielzahl gotischer Details von ihrer ursprünglichen Konstruktion bewahrt hat.

Google Translation into Albanisch: Duke ecur nëpër zorrët e kalasë në qendër të qytetit, kuptuam se ajo ka ruajtur thelbin e saj të rrugëve të vogla e të ngushta me një mori detajesh gotike nga ndërtimi i saj origjinal.

Google Translation into Armenian: Քայլելով քաղաքի կենտրոնում գտնվող ամրոցի խորքերովմե��ք հասկացանք, որ այն պահպանել է փոքր, նեղ փողոցների իր ��ությունը իր սկզբնական շինարարության բազմաթիվ գոթական մանրամասներով:

Google Translation into Bulgarian: Разхождайки се из недрата на крепостта в центъра на града, разбрахме, че тя е запазила същността си от малки, тесни улички с множество готически детайли от първоначалната си конструкция.

Google Translation into Czech: Při procházce útrobami pevnosti v centru města jsme si uvědomili, že si ze své původní stavby zachovala podstatu malých úzkých uliček s množstvím gotických detailů.

Google Translation into Croatian: Šetajući utrobom tvrđave u središtu grada, uvidjeli smo da je ona od izvorne gradnje zadržala svoju bit malih, uskih uličica s mnoštvom gotičkih detalja.

Google Translation into Danish Når vi gik gennem indvoldene af fæstningen i centrum af byen, indså vi, at den har bevaret sin essens af små, smalle gader med et væld af gotiske detaljer fra sin oprindelige konstruktion.

Google Translation into Slovak: Pri prechádzke útrobami pevnosti v centre mesta sme si uvedomili, že si zachovala svoju podstatu malých úzkych uličiek s množstvom gotických detailov z pôvodnej stavby.

Google Translation into Slovenian: Ko smo se sprehajali po drobovju trdnjave v središču mesta, smo ugotovili, da je ohranila svoje bistvo majhnih, ozkih uličic z množico gotskih detajlov iz prvotne gradnje.

Google Translation into Estonian: Kesklinnas asuva kindluse sisikonnas jalutades mõistsime, et see on säilitanud oma algsest ehitusest pärit väikeste kitsaste tänavate olemuse, kus on palju gooti detaile.

Google Translation into Suomi: Kävellessämme kaupungin keskustassa sijaitsevan linnoituksen sisätiloissa huomasimme, että se on säilyttänyt olemuksensa pienistä kapeista katuista, joissa on lukuisia goottilaisia ​​yksityiskohtia alkuperäisestä rakennuksestaan.

Google Translation into Greek: Περπατώντας στα έγκατα του φρουρίου στο κέντρο της πόλης, συνειδητοποιήσαμε ότι έχει διατηρήσει την ουσία του από μικρούς, στενούς δρόμους με πλήθος γοτθικών λεπτομερειών από την αρχική του κατασκευή.

Google Translation into Dutch: Toen we door de ingewanden van het fort in het centrum van de stad liepen, realiseerden we ons dat het zijn essentie van kleine, smalle straatjes met een veelheid aan gotische details uit de oorspronkelijke constructie heeft behouden.

Google Translation into Norwegian: Når vi gikk gjennom innvollene til festningen i sentrum av byen, innså vi at den har beholdt sin essens av små, smale gater med en mengde gotiske detaljer fra den opprinnelige konstruksjonen.

Google Translation into Polish: Spacerując po trzewiach twierdzy w centrum miasta zdaliśmy sobie sprawę, że zachowała ona swoją esencję wąskich uliczek z mnóstwem gotyckich detali z pierwotnej konstrukcji.

Google Translation into Romanian: Plimbându-ne prin măruntaiele cetății din centrul orașului, ne-am dat seama că aceasta și-a păstrat esența de străduțe mici, înguste, cu o multitudine de detalii gotice din construcția sa inițială.

Google Translation into Russian: Прогуливаясь по недрам крепости в центре города, мы поняли, что она сохранила свою сущность маленьких узких улочек со множеством готических деталей от своей первоначальной постройки.

Google Translation into Serbian: Шетајући недрима тврђаве у центру града, схватили смо да је она задржала суштину малих, уских уличица са мноштвом готичких детаља од првобитне градње.

Google Translation into Swedish: När vi gick genom fästningens tarmar i centrum av staden insåg vi att den har behållit sin essens av små, smala gator med en mängd gotiska detaljer från sin ursprungliga konstruktion.

Google Translation into Turkish: Kasabanın merkezindeki kalenin bağırsaklarında dolaşırken, orijinal yapısından çok sayıda Gotik ayrıntıyla küçük, dar sokakların özünü koruduğunu fark ettik.

Google Translation into Ukrainian: Прогулюючись надрами фортеці в центрі міста, ми зрозуміли, що вона зберегла свою суть маленьких вузьких вуличок з безліччю готичних деталей від первісної конструкції.

Google Translation into Arabic: أثناء السير في أحشاء القلعة في وسط المدينة ، أدركنا أنها احتفظت بجوهرها المتمثل في الشوارع الضيقة الصغيرة مع العديد من التفاصيل القوطية من بنائها الأصلي.

Google Translation into Bengali: শহরের কেন্দ্রে দুর্গের অন্ত্রের মধ্য দিয়ে হাঁটতে হাঁটতে আমরা বুঝতে পেরেছিলাম যে এটি তার মূল নির্মাণ ��েকে অনেক গথিক বিবরণ সহ ছোট, সরু রাস্তার সারাংশ ধরে রেখেছে।

Google Translation into Simplified Chinese: 穿过镇中心堡垒的内部，我们意识到它保留了其狭窄街道的精髓，以及其原始建筑中的大量哥特式细节。

Google Translation into Korean: 마을 중심에 있는 요새의 내부를 걷다 보면 원래 건축 당시의 수많은 고딕 양식의 세부 사항이 있는 작고 좁은 거리의 본질을 유지하고 있음을 깨달았습니다.

Google Translation into Hebrew: כשטיילנו בין בטן המצודה במרכז העיר, הבנו שהוא שמר על המהות שלו של רחובות קטנים וצרים עם שפע של פרטים גותיים מהבנייה המקורית שלו.

Google Translation into Hindi: शहर के केंद्र में किले की गहराई से चलते हुए, हमने महसूस किया कि इसने अपने मूल निर्माण से गॉथिक विवरणों की भीड़ के साथ छोटी, संकरी गलियों के अपने सार को बरकरार रखा है।

Google Translation into Indonesian: Berjalan melalui perut benteng di pusat kota, kami menyadari bahwa itu mempertahankan esensinya dari jalan-jalan kecil dan sempit dengan banyak detail Gotik dari konstruksi aslinya.

Google Translation into Japanese: 町の中心部にある要塞の内部を歩いていると、当初の建設から多くのゴシック様式の細部を備えた小さくて狭い通りの本質が保持されていることに気付きました。

Google Translation into Kyrgyz: Шаардын борборундагы чептин ичин аралап жүрүп, биз анын баштапкы курулушунан көптөгөн готика деталдары менен чакан, тар көчөлөрдүн маңызын сактап калганын түшүндүк.

Google Translation into Malay: Berjalan melalui perut kubu di tengah-tengah bandar, kami menyedari bahawa ia telah mengekalkan intipati jalan-jalan kecil dan sempit dengan banyak butiran Gothic dari pembinaan asalnya.

Google Translation into Mongolian: Хотын төвд ��айрлах цайзын дундуур алхаж байхдаа бид анхны бүтээн байгуулалтаасаа готик олон нарийн ширийн зүйлс бүхий жижиг нарийн гудамжны мөн чанарыг хадгалсан болохыг ойлгосон.

Google Translation into Nepali: सहरको बीचमा रहेको किल्लाको आन्द्राबाट हिंड्दै, हामीले महसुस गर्यौं कि यसले यसको मूल निर्माणबाट धेरै गोथिक विवरणहरूको साथ साना, साँघुरो सडकहरूको सार राखेको छ।

Google Translation into Panjabi: ਕਸਬੇ ਦੇ ਕੇਂਦਰ ਵਿੱਚ ਕਿਲ੍ਹੇ ਦੀਆਂ ਅੰਤੜੀਆਂ ਵਿੱਚੋਂ ਲੰਘਦੇ ਹੋਏ, ਅਸੀਂ ਮਹਿਸੂਸ ਕੀਤਾ ਕਿ ਇਸ ਨੇ ਆਪਣੇ ਮੂਲ ਨਿਰਮਾਣ ਤੋਂ ਬਹੁਤ ਸਾਰੇ ਗੋਥਿਕ ਵੇਰਵਿਆਂ ਦੇ ਨਾਲ ਛੋਟੀਆਂ, ਤੰਗ ਗਲੀਆਂ ਦੇ ਆਪਣੇ ਤੱਤ ਨੂੰ ਬਰਕਰਾਰ ਰੱਖਿਆ ਹੈ।

Google Translation into Pashtun: د ښار په منځ کې د کلا د کنډکونو څخه تیریدل، موږ پوهیږو چې دا د خپل اصلي ساختمان څخه د ډیری ګوتیک توضیحاتو سره د کوچنیو، تنګو کوڅو جوهر ساتلی دی.

Google Translation into Persian: با قدم زدن در داخل دژ در مرکز شهر، متوجه شدیم که جوهره خود را از خیابان‌های کوچک و باریک با انبوهی از جزئیات گوتیک از ساختمان اصلی خود حفظ کرده است.

Google Translation into Sundanese: Leumpang ngaliwatan bowels tina bénténg di puseur kota, urang sadar yen eta geus dipikagaduh hakekat na leutik, jalan sempit jeung multitude of Gothic rinci ti konstruksi aslina.

Google Translation into Tagalog: Sa paglalakad sa mga bituka ng kuta sa gitna ng bayan, napagtanto namin na pinanatili nito ang kakanyahan ng maliliit, makikitid na kalye na may maraming detalye ng Gothic mula sa orihinal nitong konstruksyon.

Google Translation into Thai: เมื่อเดินผ่านส่วนลึกของป้อมปราการใจกลางเมือง เราพบว่าที่นี่ยังคงรักษาแก่นแท้ของถนนเล็กๆ แคบๆ ที่มีรายละเอียดแบบโกธิกมากมายจากการก่อสร้างดั้งเดิม

Google Translation into Urdu: شہر کے وسط میں واقع قلعے کی آنتوں سے گزرتے ہوئے، ہم نے محسوس کیا کہ اس نے اپنی اصل تعمیر سے گوتھک تفصیلات کے ہجوم کے ساتھ چھوٹی، تنگ گلیوں کے جوہر کو برقرار رکھا ہے۔

[everythinggoeswrongxo]

Hallo liebe Tumblr Community,

ich denke es ist für viele sehr schwer nach Hilfe zu fragen und so ist es auch in diesem Fall. Ich möchte euch aus der Sicht von Kai (23) und Laura (24) deren schmerzvollen Schicksalsschlag nahe bringen.

Wir sind Laura (24) und Kai (23), Schwester und Bruder aus Schleswig-Holstein die unfassbar dringend um eure Hilfe bitten. Das Jahr 2022 war ein beinahe unerträglicher Schicksalsschlag für uns, es ist unsere schwerste Zeit bisher.

Unsere Mama, Leyla (46) erkrankte am 4. Februar 2022 unbemerkt an einem Hirnaneurysma.

Dies war der Tag, an dem ich (Kai) alleine mit ihr Zuhause war und den Rettungsdienst bzw. Notarzt gerufen habe.

Leider konnten mir die Rettungskräfte an diesem Abend nichts genaues sagen, sie wurde aufgrund der medizinischen Notwendigkeit jedoch ins Uniklinikum Kiel gebracht. Am Folgetag, dem 5. Februar 2022 haben wir dann das letzte Mal mit ihr gesprochen. Sie konnte sich nicht erinnern, was passiert ist und von diesem Moment an nahm alles seinen Verlauf. Aufgrund der Gefahr, nicht mehr aufzuwachen haben sich die Ärzte entschieden, ein natürliches Koma zu verhindern und sie deshalb in ein künstliches Koma versetzt. Dieser Zustand hielt einige Zeit an, bis zu dem Tag an dem wir den Anruf erhalten haben "ihre Mutter hat die Augen geöffnet". Diese Nachricht hat uns Hoffnung gegeben, leider aber nur für kurze Zeit... Trotz der offenen Augen hat sie leider nicht reagiert, konnte auch nicht sprechen oder sich bewegen. Im späteren Verlauf berichtete man uns dann, man "habe sie in den Rollstuhl gesetzt, auf den Balkon gefahren und gefragt, ob sie weiß wo sie ist". Unsere Mama konnte diese Fragen nicht "beantworten", sie schien sich nicht mehr zu erinnern. Das Hirnaneurysma hatte zu diesem Zeitpunkt bereits großen Schaden angerichtet.

Leider hat sich dieser Zustand so gehalten. Immer, wenn wir unsere Mama besucht haben befand sie sich in einer Art Wachkoma. Die Augen waren mal geöffnet und mal nicht, auf Ansprache hat sie nur selten bis teilweise reagiert. Meine Schwester und ich vermuten jedoch, dass sie uns wahrgenommen hat und so haben wir sie auch behandelt. Bei einem unserer Besuche in der Pflegeeinrichtung bäumte sie sich ein kleines bisschen in Richtung meiner Schwester auf.

Leider wurden wir in einer furchtbaren, finanziellen Lage zurückgelassen (Familienunternehmen). Es gab viele Dinge, über die wir nicht Bescheid wussten und deshalb leider nie geredet haben. Es war wirklich nicht leicht, finanziell auf den Beinen zu bleiben und nebenbei genug Zeit für unsere Mama zu finden, die eigentlich am aller wichtigsten für uns ist. Nicht zuletzt weil wir 3 Hunde und 5 Katzen haben, um die wir uns nach wie vor kümmern.

Unsere Mama ist am 26. Oktober nach 8 Monaten Kampf, drei verschiedenen Kliniken, einer Pflegeeinrichtung und dutzenden Operationen verstorben.

Wir können gar nicht in Worte fassen, wie erschöpfend und schwer der Weg für unsere Mama und uns war.

Es ist auch nicht das erste Mal in unserem Leben, bei dem wir zu kämpfen haben. Als meine Schwester und ich 3 Jahre alt waren hat unsere Mama unseren Vater verlassen, der uns selbstverständlich gefehlt hat. Im Jahr 2007 wurde unsere Mama von einer ihrer Mitarbeiterinnen schwer betrogen. Durch dieses Ereignis haben wir kurz vor dem Einzug unser Haus verloren, welches unsere Mama gerade erst organisiert hatte. Sie hat extra ein Baumhaus für uns anfertigen lassen, in dem wir hätten spielen können. Im Jahr 2009 wurde ich (Kai) im Alter von 9 Jahren von einem Pferd gegen den Kopf getreten. Mit unfassbar viel Glück und schneller Hilfe konnte ich mich von diesem Unfall erholen. Wir haben mehrere Male das Bundesland gewechselt, Freunde verloren und keine Chance gehabt, eine feste Bleibe zu finden. Und auch dieses Jahr, nach dem Ereignis mit unserer Mama hat uns das Pech nicht in Ruhe gelassen. Ich (Kai) musste aufgrund von einer alten Wunde, die sich erneut entzündet hat operiert werden und kurz danach ist unsere Hündin fast verblutet.

Diese kurz nacheinander kommenden, schweren Ereignisse haben meiner Schwester und mir unfassbar zugesetzt. Wir wissen gerade nicht mehr, um was wir uns als erstes kümmern sollen bzw. wie wir das alles bezahlen sollen. Es ist auch noch unklar, ob unsere Mama eine Lebensversicherung hatte bzw. wer die Bestattungskosten übernimmt.

Deshalb bitten wir heute das erste Mal um eure Hilfe. Wir haben bereits mehrere Banken um Hilfe gebeten bzw. Kredite aufgenommen, um uns finanziell zu stabilisieren, kommen aber trotzdem nicht mit den Kosten hinterher.

Derzeit setzen sich unsere Kosten wie folgt zusammen:

• 1,200 EUR. Mietrückstand (wird aktuell in Raten beglichen)

• 1,200 EUR. Ausgleich für das Girokonto (Kontostand -1,400 EUR.)

• 2,500 EUR. Tierarztrechnung für die Behandlung unserer Tiere

• falls keine Lebensversicherung vorhanden ist: 2,800 EUR. für die Bestattung

• 800 EUR. für offene Rechnungen, die wir versuchen zu tragen

• 500 EUR. um uns finanziell zu stabilisieren

Wir werden so viele Nachweise wie möglich für unsere finanzielle Lage erbringen (weitere folgen).

Derzeit haben wir niemanden außer uns gegenseitig und Menschen wie euch.

Wir erwarten nichts und sind dankbar, auch wenn ihr 5 Euro spendet.

Wir bedanken uns aus tiefstem Herzen bei jedem von euch, der versucht uns zu helfen und wünschen euch alles Gute dieser Welt. Auf unserem Weg bis hierhin sind uns sehr viele, herzliche Menschen begegnet die uns mit Worten und Taten unterstützt haben. Danke an euch alle, ihr seid super.

Falls ihr unsere Kampagne teilen möchtet, könnt ihr den Hashtag #lauraundkai benutzen. Damit soll ein höherer Wiedererkennungswert geschaffen werden.

-Laura und Kai

Unter folgendem Link könnt ihr euch weitere Fotos ansehen und dadurch mehr Informationen erhalten. Wir würden uns freuen, wenn ihr dies teilen würdet, damit die Geschichte von Kai Tok und Laura Tok so viele Menschen wie möglich erreichen würden. Und über Spenden würden sich die beiden ebenfalls sehr freuen.

https://www.gofundme.com/f/bitte-helft-uns-durch-unsere-schwerste-zeit

Ich bedanke mich für im Voraus über eure Unterstützung. Vielen Dank.

[postsofbabel]

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[pitert-news]

Ermittlungen gegen umstrittenen Krebsarzt

Die Staatsanwaltschaft von Löwen (Flämisch-Brabant) ermittelt gegen einen heute in Köln tätigen Krebsspezialisten, der vor zwei Jahren sowohl die Uniklinik (Foto), als auch die Universität Löwen nach einer einvernehmlichen Vertragsaufhebung verlassen hat. Der durch eine TV-Sendung bekannte „Spitzenarzt“ soll sich bei Experimenten an Patienten nicht an die geltenden Regeln gehalten haben, wie interne und externe Ermittlungen ergeben haben. Zu diesem Sachverhalt gab es 2017 eine Wende, wie eingangs dieses Beitrags angemerkt wird.

Neuer Sachverhalt: Gütliche Einigung für „Spitzenarzt“ Stefaan Van Gool

Der renommierte Krebsspezialist Stefaan Van Gool, bekannt aus der vierteiligen Serie „Top Doctors“, hatte sich 2017 durch einen Vergleich mit der belgischen Justiz gütlich geeinigt und damit einen Rechtsstreit vermieden. Dies schrieb De Standaard damals und wurde unserer Redaktion gegenüber bestätigt.

Vor 2015 wurde Van Gool - eine Autorität auf dem Gebiet der Hirntumore - von der UZ Leuven und der KU Leuven aus dem Verkehr gezogen. Der Grund? Es gab ernsthafte ethische, rechtliche und wissenschaftliche Probleme mit seinen klinischen Krebsstudien. Er setzte experimentelle Krebstherapien ein, hielt sich aber bei der Verabreichung seiner experimentellen Tumorimpfstoffe nicht an die Vorschriften. So wurden beispielsweise nicht alle Patienten darüber informiert, dass sie an einer Studie teilnahmen, deren Wirksamkeit ungewiss war.

Die Staatsanwaltschaft Leuven hatte im Sommer 2015 nach einer Inspektion durch die Bundesagentur für Arzneimittel und Gesundheitsprodukte eine Untersuchung eingeleitet. Auf Verstöße gegen die Regeln für klinische Studien stehen Haftstrafen von bis zu zwei Jahren. Die Staatsanwaltschaft befand 2017, dass genügend Beweise vorlagen und schlug eine außergerichtliche Einigung vor, die der Arzt bezahlte. Infolgedessen entging er dem Prozess. Wie hoch der Betrag der gütlichen Einigung war, ist nicht bekannt.

Bezüglich der Arbeit von Dr. Stefaan Van Gool, der bis 2015 als Facharzt für neurologische Onkologie an der Uniklinik von Löwen (ZU Leuven) tätig war, sind ernsthafte ethische und juristische Fragen aufgetaucht, mit denen sich inzwischen auch die Staatsanwaltschaft auseinandersetzt. Der Kinderarzt und Fachmann für die Behandlung von Hirntumoren wurde im belgischen Bundesland Flandern durch eine Sendereihe eines Privatsenders bekannt, der die Arbeit von „Spitzenärzten“ vorstellte.

Doch internen und externen Untersuchungen zufolge hielt sich Dr. Van Gool bei seinen Forschungen bezüglich der Entwicklung von Medikamenten und neuen Behandlungsmethoden nicht an die geltenden Regeln und Vorschriften. So soll er Patienten zwecks Experimenten Impfstoffe gegen Tumore verabreicht haben, ohne dass diese wussten, dass sie als Testpersonen eingesetzt wurden und demnach auch ohne deren ausdrückliche Zustimmung.

Problematisch war dabei, dass es nicht als erwiesen galt, dass die bei der Studie Van Gool gebrauchten Impfstoffe überhaupt wirkten, bzw. wie deren Nebenwirkungen waren. Bei der Uniklinik in Löwen reagierte man zurückhaltend auf dieses Thema und gab an, dass zu keiner Zeit eine Gefahr für die betroffenen Patienten bestanden habe und dass „alle Patienten und betroffenen Instanzen auf der Höhe waren“.

Die Diskussion betreffe nicht die möglichen Nebenwirkungen, sondern die mögliche Wirkung. Und doch trennten Uniklinik, Universität und der eigentlich renommierten Arzt sich 2015 nach einer einvernehmlichen Vertragsaufhebung. Inzwischen distanzierte sich auch die in Flandern bekannte Aktion „Kom op tegen Kanker“ (Steh auf gegen Krebs) von Dr. Van Gool, der zeitweise eine der tragenden Figuren von bestimmten Aktionen war.

Patienten stehen im Regen… Ein weiteres Problem tut sich übrigens jetzt für die betroffenen Patienten auf. Normalerweise müssen (Krebs)Patienten in unserem Land, wenn sie sich für medizinische Forschungen zur Verfügung stellen, für ihre Behandlung nicht selbst aufkommen. Doch nach dem Dr. Van Gool Löwen in Richtung Immunologisch Onkologisches Zentrum Köln (IOZK) in Köln abwanderte, bzw. nach seiner einvernehmlichen Vertragsaufhebung in Löwen, sind die Experimente zu Ende und die Patienten müssen ihre Behandlung auf eigene Kosten finanzieren, denn sie sind nicht mehr durch die hiesigen Kassen geschützt, wie die flämische Tageszeitung De Standaard, die den Vorgang an die Öffentlichkeit brachte, dazu schreibt.