#korean jazz

[forcebook]

Song Han Gyeom as Seo Do Yoon in Jazz For Two (2024)

aka

[absolutebl]

2024 BL - Top 10 Trend Report

In last year's trend report I said:

"I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit."

And Unknown happened.

I asked for it, they gave it to me. I could not be more happy. So anyway, I just wanted to crow a bit.

And now...

2024's TRENDS!

1 Trope Subversion Levels Up

My Stand In went so far as to subvert the whole damn romance genre. But in general we saw a lot of BL recognizing, highlighting and calling out it's own absurdities and tropes. From Korea commenting on the Dead Fish Kiss to Wandee Gooodday actually promoting green flag behavior (the real deal).

It was an interesting year for meta commentary, it kind of whole scale left parody behind (say goodbye, Japan) and entered almost every BL from Thailand, even the ones who should have left it alone. (Side eyes Mame.)

2 Old Tropes Revisited

Unknown revisited the step-brother trope (as did Addicted Heroin of course). But there were other old ones we haven't seen in ages, like kidnapping for love, kissing on rooftops, and all the dub con (Blossom). Love Sick rebooted with very little modernization (except where it counted) right up to and including no kisses. Mix Up even did "trapped on the rooftop" which I haven't seen in over a decade.

And then Wimpy dropped. And it felt like I was reading yaoi in my tiny attic bedroom in the 90s.

3 BL Enters All the Workplaces

I love how many adult leads and sides we are getting, even from Thailand. By which I mean, BL outside of a school setting. We still have high school and university set stuff, but that used to be ALL we got. I don't mind school settings, but I like that we have some kind of balance going on these days.

We are starting to get not just cubicles and offices (as Japan foretold) but all kinds of workplaces from retail to authors to the film industry.

4 BL Passes the Sniff Test

He smells good has always been a trope that I love. It was one of my favorite things about Bad Buddy. But this year it felt like every third BL trotted this one out. I was delighted by it. Of course I was. But it happened A LOT.

Century of Love was a key use of it since smell is so coupled to memory, I thought they dealt with it particularly well. But even Japan and Korea deployed the sniff test.

(Seoul Blues)

(Blue Boys) Same actors, different characters.

Pitt Babe

Century of Love

Meet You at the Blossom

Soul Blues

Blue Boys

Dangerous Romance

This Love Doesn't Have Long Beans

Cosmetic Playlover

Sunset X Vibes

Monster Next Door

Secret Love

Perfect 10 Liners (technically a 2025 show, but the sniff happened in 2024)

5 Fewer Shipper Characters within BL

Negative trends are always harder to call (it's easier to track the presence of something over the absence) but I'm still calling this one.

In a discussion of The Shipper @heretherebedork and I got into a discussion about this. It really seems like both we are getting less "female shipper" characters and/or they are evolving into overly interested but very supportive female friends instead. Softening, if you will.

I think partly this is because there has been a general decline in this archetype in yaoi over the past 5-10 years, but also they tend to incur pretty bad reactions in fans, and Thailand (especially) tends to pay attention to that kind of thing.

Unfortunately this also means we are seeing a worsening of the "no female representation at all" backbone of BL. We Are, which I loved, didn't have a single female character. Not even a throw away.

6 The rise of the green flag seme!

The seme (active attacker in the relationship) got a lot of green flag action this year. We saw lots of Dommy boys, Daddy types, and players asking for permission, trying to communicate, talking about safe sex. Particularly out of Thailand.

To make sure this is clear, green flag means he communicates about the relationship and sex, takes no for an answer, asks for permission for (almost) everything, and doesn't do things like (just spitballing here) take a hotel room key and go into the other mans private room when he's not around (or asleep). Okay? Christ on a cracker. (When it comes to flags Mame has red/green colorblindness.)

Some examples:

Alan from Pit Babe

God from Monster Next Door (except for the one journal reading incident)

Sun from Sunset X Vibes (almost too far)

Yak from Wandee Goodday

Latte from Knock Knock Boys

7 Japan Came to PLAY

Japan came to play and will not leave the field that they built. I may not always like JBL, but when I love it, I REALLY LOVE IT, and when it hits it hit hard (pain or joy). And even when I don't like it, it always gives me a lot to think about.

We had 19 JBLs in 2024:

Sahara-sensei to Toki-kun

At 25:00, in Alaska

Dominant Yakuza and Wimpy Corporate Slave

I Became the Main Role of a BL

Love in the Air: Koi no Yokan

Takara's Treasure

Although I Love You and You

I Hear the Sunspot

Living With Him

Love is Better the Second Time Around

Love is Like a Poison

Perfect Propose

Cosmetic Playlover

Sugar Dog Life

0.5D

Let's Eat Together Aki and Haru 2

Mitsuya-sensei no keimakutekina ezuke

Happy of the End

Ossans Love Season 2

Japan had 18 total BLs in 2023.

17-15 in 2022 (a couple I couldn't get hold of and a couple I just don't think are BL, so 2022 is vague).

7 in 2021. <- THAT was when the big jump occurred, 3 years ago. Which might have more to do with the pandemic than anything else.

But back to now: 19 in 2024 means they are actually just increasing their production gradually and in a steady way, as might be expected. In round numbers we didn't see anything unusual.

BUT

The series they've been airing in 2024 are running longer (for them) and being aired over longer periods of time. Not to mention getting better and quicker distribution.

By which I mean, Japan used to have more shorts and movies, less actual series with full run times (by their & Korea's BL industry length standard) on streaming platforms. So I think it's JBL runtime and distribution that is experiencing real growth. And the consistency of that runtime.

In other words, it feels like there are more JBL airing because we have access to most of them (for a change) and they're running long enough to cross into each other (which has been rare in the past).

What's almost more interesting to me is...

8 What the hell happened, Korea?

Korea cut back on their BLs in 2024. I am not sure if that's money drying up, a crack down within the industry over there, the political situation, or something else.

Still, it was wild to see such a stark fall off in production. They had 18 BLs in 2024 but fully half of them were shorts, and more than half were poor production quality than is prior standard. By contrast they had 21 in 2023, but only 1 was a short, and most were very high production (getting 8/10 or higher from me).

Since Korea tends to produce some of my favorite shows, it's no surprise I had no 10/10 BLs at all in 2024 with so little KBL's stepping up to the plate.

I sure hope this isn't a trend but it feels like it might be.

9 Why the hell is the not-kiss back?

Korea doubled down on being a pain in 2024 by bringing back the "they don't actually touch lips and we pretend they did by panning around the back of the head" with the camera. (Jazz for 2 sides, example. Yes, I'm still mad.)

Then Thailand did the with Addicted Heroin. AND with Love Sick.

What is this, 2016?

Color me annoyed. I thought we saw the last of that nonsense with Make It Right.

I remind you all, if they would kiss if they het but they don't kiss when they gay, it smacks of a phobia and I'm salty about it.

Yes yes, there are actor (idol, age) excuses in play. But they should cast differently if this is going to be a problem.

End of discussion.

No really, I don't wanna talk about it. I just want it to go away.

10 The rise of Great Grandmas

We have had cool grandmas before in BL but in 2024 we had so many of them. The Sign, Love for Love’s Sake, Monster Next Door, Jack & Joker, Every You Every Me, The Rebound, Wandee Goodday.

(thanks to @small-dark-and-delicious for bringing this one to my attention)

See the comments for additional discussion of the "why" behind some of these trends as well as a few I missed.

(source)

2023's Trends report here.

[sunniss]

tae-yi in glasses~

[thasorns-moved]

JAZZ FOR TWO 재즈처럼 (2024) dir. Song Soo Lim & Kang Hye Rim

[itsallaboutbl]

It brings me back an old memory... When we first met.

[soobrownie]

Jazz For Two (Opening Title Video) | Hangyeom

[wanderlust-in-my-soul]

Why... why are you doing this?

[heretherebedork]

Man, Korea really loves to make BLs about unprocessed grief and how love can help you discover a new version of yourself and a new reason to live after loss.

[ppeonppeonhan]

The way this Korean grumpy soft boi:

Reminded me of this Taiwanese pouty soft boi:

Was...rather distracting.

But nobody broods like a Korean bl actor:

They cannot be topped.

[oyeicher]

Then what is his type? Why are you curious about that?

Jazz for Two Episode 3

[zhaozi]

but you treating me like i don't exist? that's even harder

[forcebook]

reaction gifs for when you’re gay in despair for @guzhufuren

[absolutebl]

Love your blog! Do you have any recs for people (me!) who liked: Tale of 1000 Stars, Unknown, Moonlight Chicken, Secret Crush on You, My Beautiful Man, Be My Favorite, Sing My Crush, and We Are (Cute), please? I disliked My Stand In, Love Sea, and Only Friends. I tend to like character driven instead of plot driven stories, and please, no silly misunderstandings or misguided noble morons who break up because a parent suggests it!

Do I detect... a challenge? *rubs hands together* we are playing my favorite game.

Okay, likes:

Tale of 1000 Stars

Unknown

Moonlight Chicken

Secret Crush on You

My Beautiful Man

Be My Favorite

Sing My Crush

We Are

I crossed out the ones that don't fit the trend (outliers) and congratz your wheelhouse is:

moody, atmospheric, angsty, tiny bit cerebral, bit gritty, higher production value, soft focus, lower heat levels but yearning, bit of domesticity, acting chops

Dislikes: My Stand In, Love Sea, Only Friends

Okay not too far into angst, no nasty characters, no dubious tropes or anti-heros, no mame, no high heat, university or older. CHECK! Got it.

Ready?

Right in your damn wheelhouse:

The 8th Sense

(20 points to whoever knew that would be my pull out the gate)

One of the longest BLs Korea has given us (like Blueming) and it feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and then a ton of angst to drive the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.

I think you'd really love this one.

Trigger warnings - suicide, loss of a family member.

Blueming

It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love (for BL), but if you want your mind ever-so-slightly messed with and your intimacy hellishly sweet, this BL will do it for you in a coldly distant manner, while bitch slapping you with self worth issues. I wasn’t into it at first, but the leads are solid and by ep 5 it got really good, becoming a narrative about self discovery meets understanding and accepting others people’s flaws without hurting them. Ultimately, we witnessed two characters maturing because of each other and their mutual affection, without that affection becoming the conflict point. Instead, tension was built around other aspects of identity, popularity, and self-worth. While production values were a touch lower than usual for Korea, Blueming included decent kisses and beyond plus a satisfying ending and come judicious and very elegant use of tropes. It is, in the end, simply a great BL.

Also Bleuming paved the road for 8th Sense and other gritty KBL to follow.

Love For Love's Sake

Isekai-based KBL is about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. I personally found the narrative a touch disjointed with overworked filming angles and poorer than average captions, but the consistency of tone, script, and immersion is beyond the norm for BL. You will drown in this show and like it that way. The leads have fantastic chemistry and it's ultimately highly rewatchable and utterly charming, which counts for a lot.

Trigger warning - suicide.

Unintentional Love Story

OMG the plot! Uke forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the PAIN in those gorgeous eyes. Gah. Okay, so: A boy loses his job due to trumped-up corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back, if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya).

My Personal Weatherman AKA Taikan Yoho

You mentioned My Beautiful Man so if you're feel like that energy, grown up, watch this. It's a style of live action yaoi really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's higher heat than we usually get from Japan's HEA stuff, and that part is also very well done, but it leaned into the "why don't they just talk for fuck's sake?" trope which is only exacerbated into undiluted frustration by the fact that they're already fucking. However, that's angst for Japan. And you like angst. Honestly? It's great, but watching requires more patience than usual, even for Japan.

My Ride

Thai BL grew up with this pulp (the first ever to make my end of year top 10). It’s a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine (AKA a cinnamon roll couple) plus mature explorations of relationships using one of the softest, sweetest and most innocent friends to lovers vehicles. Kindly, overworked doctor meets broken-hearted motorcycle taxi driver in an “other side of the tracks” slow burn romance. The support cast is excellent, making for great friendship groups and family dynamics. With honest queer rep that adds to, but doesn’t impede, the story, and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple.

It won't have the production values you're used to but it is a great show.

A Breeze of Love

Tsundere insomniac grump reunited with his sunshine jock ex (human sleeping pill) who now hates him. Basketball is also involved. While the simplicity of a reunion plot makes this more cohesive than most KBLs, it is a tad stiff and slow, never managing to lift itself out of "pretty, angsty, and pretty enjoyable." I liked it more than I thought I would, and think about it more too. 

Jazz for Two

This was basically what I wanted from Given and didn’t get. So I’m pleased. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases.

Trigger warning - suicide.

Like In The Movies AKA Gaya Sa Pelikula

Karl, a student living alone, runs short of funds and ends up becoming housemates with Vald an out and proud chaos gay. This leads Karl into an identity crisis and journey of self discovery. This kind of forced proximity trope is really common in BL, but what Gaya does is handle it in a messy honestly queer way. It includes Vlad’s attitude in response to Karl’s shaken behavior and the frustration many out queers feel. For that alone it has to be applauded.

DNA Says Love You

DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but PLEASE have patience, it's worth it I promise! The second half is really special and life/love affirming - and the end is big-grin charming.

My Tooth Your Love

Earnest dentist hottie with sad eyes who worries too much is smitten by an adorable sunshine neurotic bar owner with serious anxiety issues. They fall madly in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus crumbs = 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a unique premise, killer dialogue, there was a solid lead pair with charming chemistry, soft flirtation, delightful smiling kisses, and stinkingly cute domesticity. All that said, I wasn’t wild about some of the darker themes it explored, even though it did a good job with them. And while the sides were adorable, they were underused. In the land of May/December, baby boy kabedon is my kryptonite! Why so little of it? (Kabedon is My Kryptonite = also the name of my indie band’s first single.)

Trigger warning - parental abuse.

The Eclipse

GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just good. We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.

Never Let Me Go

Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t). Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Of GMMTV handing out new series to established pairs in 2023 this is one of the most successful IMHO. It's typically Thai in that it's a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. The Our Skyy 2 follow up is great too. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than 12.

Some real oddball and sophisticated suggestions

Addicted (original)

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been. Just stop watching it after The Sex Scene. Okay?

It might not be right in your wheelhouse but what even fans forget about is how stunning the atmosphere is with this show. I mean we can feel the cold and the grunge. When they living poor it's REAL poor. It's a super immersive show. Unforgettable.

Began Beginning

Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other. For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia. And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions. All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.

Stay Still

What to say about this offering from Hong Kong? It’s different, a mix of early CBL, Taiwanese shorts, and Pinoy visuals. It felt like the story was 2 independent shorts that had been lengthen and then stuck together, and I wish they'd been approached as separate and tighter entities. Nevertheless, this was a complex little piece, interesting in a sweaty grungy way, with a certain aura of queer authenticity that made it simultaneously tense, unpredictable, and refreshing. I’m not sure I would necessarily call it BL, but any county’s early foray into the genre usually starts out this way, so perhaps nascent BL? Worth watching, especially if you enjoy stuff from the Philippines and Taiwan.

On the lighter end but probably still in your wheelhouse

I Cannot Reach You AKA Kimi ni wa Todokanai

Classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

To My Star

Hwang Da Seul directs this show about a neurotic actor (actual puppy) who takes refuge with a grumpy chef resulting in sparks, cooking lessons, and LOVE! It’s is a touch quirky to get into, but utterly charming once it hits its stride. This is the ultimate grumpy/sunshine pairing plus the most appealing light-filled kitchen of our dreams. I adore this show so much. Limited use of BL tropes makes this feel more of a sweet contemporary gay romance between an actor plagued by scandal and the grumpy chef who adopts him, but the gentleness will appeal to fans of the BL genre.

Old Fashion Cupcake

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said boss with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s a stunningly filmed late-in-life comg of age/queerness story packaged in a subtle critique of expectations around masculinity, love, and loneliness... and it’s beautiful.

Cherry Magic (Thai remake) - this is my We Are & SCOY match pull

A soft charming warm hug of a show about crushes and mind reading and self worth that really worked for me. With no-fuss execution from a consummate team (at GMMTV) and an OG lead pair (proving why they remain eternal and deserve to grow up). Look, here’s the thing, Cherry Magic is a great Thai BL in its own right - not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it stand strong. I, personally, like the Thai BL slightly better than the Japanese live action yaoi, but I think that’s because I just really enjoy Thai BL's style and I LOVE TayNew. Also all the kissing was both present and better in this version. As it should be from Thailand.

Make a Wish

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not Ohm, but who cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and made of swagger. The cast is excellent but the comedic stylings are a bit overblown and tonally off. It has sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

I thought about it but I'm not sure

still you can put these on your "maybe" list

Until We Meet Again

I Feel You Linger in the Air

La Pluie

Restart After Come Back Home

His the movie

Life: Love on the Line

Perfect Propose

Tokyo in April is

Love is Better the Second Time Around

Ocean Likes Me

My Only 12%

After Sundown

I Told Sunset About You

These might be a bit too cerebral, dark, and/or plot-heavy for you. But are worth it if you feel in the mood for something very chewy.

Currently airing

It's set in high school but it scratches the Unknown itch:

The On1y One

Sirs not appearing on this list but if you follow my blog and ask me for tips it's kind of required watching:

Seven Days.

Because everyone should watch it no matter what your taste. So there.

(source)

[sunniss]

if your friend's a boy, he's your boy-friend~

[thasorns-moved]

Why? Why are we hiding? Because it's a prohibited area. Is it? Of course. We might have got into trouble! I didn't even realize it, I was so confident...

JAZZ FOR TWO 재즈처럼 (2024) dir. Song Soo Lim & Kang Hye Rim

[itsallaboutbl]

I don't understand your intentions at all. - It's because of you...