#knitwear material

[silkfabri]

Sustainable Fabric Supplier: Pioneering the Green Revolution in Textiles

In a world where environmental consciousness is no longer a buzzword but a way of life, the textile industry is undergoing a remarkable transformation. Sustainable and eco-friendly fabrics are at the forefront of this revolution, and finding the right sustainable fabric supplier is crucial for businesses committed to making a positive impact on the environment. In this blog, we will delve into the world of sustainable fabrics, the role of a sustainable fabric supplier, and how this industry is driving the green revolution.

3. *Tencel and Modal*: These fabrics are produced from sustainably sourced wood pulp, often from eucalyptus and beech trees. The closed-loop production process minimizes waste and water usage. 4. *Recycled Fabrics*: These include textiles made from recycled plastic bottles or post-consumer textiles, reducing the need for virgin resources. 5. *Khadi*: Khadi is handspun and handwoven fabric, and its production supports traditional craftsmanship and rural livelihoods. 6. *Peace Silks*: Also known as Ahimsa silk, these are produced without killing silkworms, making them a cruelty-free alternative.

The Role of a Sustainable Fabric Supplier A sustainable fabric supplier plays a critical role in bridging the gap between environmentally conscious businesses and the growing demand for sustainable textiles. Here are some key responsibilities of a sustainable fabric supplier: Curating a Diverse Range of Sustainable Fabrics One of the primary responsibilities of a sustainable fabric supplier is to offer a wide variety of eco-friendly textiles. This ensures that businesses can find fabrics that align with their specific needs, whether it's for clothing, home textiles, or other applications. A diverse inventory of sustainable fabrics enables designers and manufacturers to make eco-conscious choices without compromising on quality or aesthetics.

Ensuring Transparency and Traceability Transparency is essential in the world of sustainable fabrics. A reputable supplier will provide detailed information about the sourcing and production of each fabric. This includes details about the cultivation, processing, and certification of the textiles. Transparency ensures that the fabrics meet the required environmental and ethical standards. Meeting Certification Standards Sustainable fabrics often come with certifications that validate their eco-friendliness. These certifications, such as Global Organic Textile Standard (GOTS), OEKO-TEX, and Fair Trade, provide assurance that the fabrics are produced with minimal harm to the environment and fair labor practices. A reliable sustainable fabric supplier will stock fabrics with relevant certifications, making it easier for businesses to choose the right materials. Providing Custom Solutions Different businesses have different needs. A sustainable fabric supplier should offer customization options that allow businesses to tailor fabrics to their specific requirements. Whether it's custom colors, blends, or finishes, these options enable brands to create unique and sustainable products that resonate with their target audience.

Supporting Sustainable Practices Collaboration with a sustainable fabric supplier is more than just a transaction. It's a partnership in supporting sustainable practices. Suppliers often work with manufacturers to ensure responsible production and offer guidance on reducing waste and optimizing processes. Sustainable Fabrics: A Game Changer for Fashion and Beyond Sustainable fabrics are not limited to a niche market; they are gaining momentum in the mainstream fashion industry. Brands are increasingly adopting sustainable textiles as consumer awareness about the environmental impact of fast fashion grows. Sustainable fashion is no longer a trend; it's a paradigm shift.

Choosing the Right Sustainable Fabric Supplier Selecting the right sustainable fabric supplier is a decision that can impact the trajectory of your business. Here are some factors to consider when evaluating potential suppliers: 1. Product Range:* Look for a supplier with a wide range of sustainable fabrics, so you have a variety of options to choose from. 2. Certifications:* Ensure the supplier's fabrics are certified by recognized organizations, as this provides assurance of their sustainability. 3. Transparency:* The supplier should be transparent about the sourcing and production of their fabrics. They should provide.Share

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[three-atoms]

Fair Isle. More like Affair Isle, amirite? 👀 

(I'll see myself out.)

[iceonneo]

autopilot ; l.jn

request : jeno & impreg/breeding kink warnings : [ smut ] curse words, p in v, married status, riding, fingering (f! receiving) oral (m! receiving), mentions of pregnancy, unprotected, use of names, !! mdni ¡¡

˙⋆✮

maybe babysitting his nephew along with you wasn't the best idea ever.

he watched you from afar as you bombed the little boy in your arms with kisses. the child and your laughter mingled together bouncing against his ears melodiously.

something about you with a child awakened something in him. a sweet wish to want to build a family with you was always at the back of jeno's head, constantly. but to see it in a way indirectly as this almost made him want to start working on his wish right away.

after bidding his cousins a hearty goodbye, jeno's eyes were glued to your figure as you entered the house. "walk quicker, you oldie." you booed at his face as he neared you with a chuckle.

his back shutting the door as his hands slid around your hips. "oldie?"

"mhm," you giggled lightly looking up at him. "if-" your sentence cut short as a shrill call ringtone disrupted your moment.

"jen, I gotta get that." you said to him as he refused to let go of you. "get it then."

he dipped his head into the crook of your neck, hooking himself closer to you as you huffed loudly, "you're just a big baby i swear."

after heftily dragging yourself along with your husband a few steps further you reached the couch. the back of your knees hitting the edge as you fell back against the material, jeno right on top of you.

before he could drop his usual invite to get freaky tonight, he looked up at you only to see you on the phone already, soft hums escalating off your lips as you attentively listened to the opposite line.

"ofcourse you can haechan."

the mention of your closest friend leaving your mouth making jeno perk up frowning. he lowkey held a grudge with the dude. haechan was just a friend, he trusted you with that, sure.

but when he decided to crash very frequently at your place jeno couldn't help but feel irked. his intrusive thoughts begging him to throw his ass out of the house so he could get time alone with his wife without worrying about some haechan who was stuck to you like a bitchless gorilla.

"you'll be here in an hour? that's alright."

jeno emphasized his frown as a question to which you signaled him to wait for a few minutes. jeno sulked, dropping his head onto your stomach. his hands soon enough reaching the hem of your knitwear as he pulled the fabric over his head.

the action making you yelp slightly, soon enough replacing it with a wide grin on your lips. his round head was sticking out of your shirt as he blinked at you. you suppressed a giggle, pushing your arm under your top to caress his back.

you closed your eyes, absent mindedly listening to haechan ramble about how he destroyed yet another karen at work today. the emphasis and extraordinary vocabulary he used in his speech making you laugh occasionally, but that only reduced the gap between jeno's brows as he watched you.

without notice, his fingers fumbled with your top button until it undid. his eyes sparkled and lips rose by the side as he unbuttoned your top. you only realized when the sudden cool air hit your body. your eyes snapped open as you took a double take at yourself. sweater flapped to the side leaving you in your bra. a hysterical expression fixated over your features, looking at the boy questionably.

jeno only smiled sillily as he stuck his finger to his lips, mouthing a shhh as he motioned over to the call.

you gulped rolling your eyes, refocusing on the conversation, trying to pick up which mischief haechan was upto now.

your eyes twitched close once you felt jeno's palms slide over you waist. his lips slowly kissed your neck which was replaced by his tongue as he sloppily left dark marks. his teeth nipped the area softy before pulling back to take a good look.

missing the feeling of his mouth on your body already, you felt a shiver run down your spin when he unhooked your bra. you finally snap your eyes open before scrambling to sit up with your phone gripped tightly. the knitwear and loose bra falling off your shoulders onto the couch as you do so. jeno sucked a breath in sitting opposite to you.

"u-uh haech! i gotta go, let me know when you arri-vf!" your words scattered as jeno engulfs your tits into his warm mouth. his inviting toungue swirling around the nub as he looks up at you through his lashes.

ignoring the uproar of haechan who claims he was about to get to the best part, you drop the device from your hands, hooking them onto jeno's hair instead. you detached your husband away from yourself, "I was on a call!"

jeno scoffed, pulling you over his lap. "that damn fucker can wait." your sentence dismissed in your throat as you felt him grind against you throwing his head back. "I've been horny since forever, fuck." your hands immediately dragged jeno's shirt over his head, throwing it off somewhere.

"I think you holding my nephew was my awakening. I can't stop fucking thinking of us with a child of our own. would you want me to put a baby in you tonight?" jeno asked breathless, in a hurry as he yanked your sweatpants off you. the yelp leaving your mouth turned into silence at the sudden question.

realizing, jeno looked up to you. "wait, we don't have to rea-" "yes."

you grabbed his cheeks pulling him towards you. the impact causing him to fall over you right back on the couch. "jen, Ive been thinking about this since forever."

the sparkle and love in your eyes almost made him collapse on spot. his own grin spread over his features before those monstrous strong arms of his slid under your ass.

before you could even process what was happening, you felt him lifting you and slamming you on the bed once you reached the bedroom.

you shot your eyes open looking at your husband standing against the edge on the bed.

your movements halted as jeno placed his knee between your legs, poking your entrance earning a gasp from your lips as his eyes darkened, “stay. still”

he pulled off his pants as he climbed on top of you.

“all I've been thinking of is knocking you up lately fuck... I'd do anything to start our own family.” he said, his voice deep and sultry as his hands roamed around your body.

you smiled before feeling his lips against yours. not even wasting a second, his tongue was already out, deep into your mouth as he tasted you from everywhere.

the loving look in his eyes darkened as if some beast had taken over him. he looked at you now with such surity, oh, he was a man on a mission tonight.

your fingers tangled in his hair and moaning in his mouth as he ate your lips. one of his hands on your hip to keep you in place and the other on your breasts, massaging you as he occasionally flicked his thumb over your nipples making you clench your insides as you felt yourself getting wet.

If the kiss wasn’t enough, his hands started to dip lower, until they finally reached the lace band of your underwear. you gasped into his mouth when you felt his two of his fingers against your clit.

his long fingers rubbing over your wet cunt so fast, your entire body shaked up and down at the impact. you moaned his name loudly as he inserted another finger in, moving you in circles. “look at you, you’re already so dripping wet just by my fingers.”

all shame leaving your body as you felt his hands inside you. letting out the most lewd and loud moans ever as you held onto his hands, urging him to go faster. jeno held your hands as he applied more pressure, “want me to put a baby in you hm? gonna fuck you real good babe.” he commanded pumping his fingers up and down leaving you in shambles. “I asked a fucking question” he grunted as he slapped your ass loudly.wincing at the impact you got out a few words between your shaky breaths, “y-yes!”

“good mama.” he said as you cried out feeling yourself cum over his fingers. jeno gawked at the sight of your glistening entrance before lifting his wet fingers and inserting them in your mouth making you taste yourself. you moaned against his fingers as you sucked them clean, looking at him with your eyes as he let out a soft curse under his breath.

his lips pressed to yours and your body crashed against him entirely. you could feel his erection underneath as you slid your hands down, palming him over his pants as he moaned into your mouth. your other hand reaching over to unzip his pants while the other stroked his clothed length.

once the pants were discarded, you let down his boxers, his full and throbbing dick springing out slapping against his abs. jeno hissed at the cold air hitting him as he pulled your waist, “fuck, get down.”

without obligations, you got down to your knees as you stroked his length. edging him just to see the sight of his head throwed back and his throbbing, twitching dick begging you to suck it. you finally moved your hands away letting your mouth take place.

you took his dick in by the tip first, sucking on it until you eventually moved lower, bobbing your head up and down. the way your tongue lay flat against his dick, your cheeks hollowing and how your pretty eyes looked up at him with his length in your mouth made jeno see stars. the trail of whispers and needy moans of your name from jeno’s voice were enough to get you wet. your fingers moved down to pull out your wet panties off. throwing the underwear elsewhere, you let your fingers move around your own clit, relieving yourself. you moaned against his dick, the vibrations sending him out of control as he gripped your hair, getting you as close as he could to his crotch, signaling him coming.

and he did. warm streams of his cum shot in your mouth as you swallowed him obediently. the rest of it, splattered over you chin and down to your chest, dripping off the valley between your breasts. the sight almost made jeno cum again. “so fucking pretty,” he mumbled, grabbing your waist, bringing you over to his lap as you straddled him.

“mine.” he kissed you, as you kissed him back, his hands capturing your ass. the kiss turning messier by every passing second, the feeling of his dick hardening beneath your behind was too tempting to not give in. without breaking the kiss, you lift your hips up, angling your entrance right above him before taking him in slowly.

the action making both you moan out as he stretched you out. feeling ready enough, you started bouncing slightly as jeno hummed, his hands on the both your thighs, making sure you’re always spread out and he gets a view. you bounced harder, unable to keep your voice in your throat as your moans broke with every bounce. the sight of your pussy pooling wet grinding his dick, your tits that bounced with every movement, the sweat trailing down your body and finally your face, so fucked out. lips captured between your teeth, eyes rolling back and your uneven breath, all of it driving jeno crazy. “jesus...” he breathed out, latching his mouth to your neck, sucking and biting it roughly before pulling back and taking a good look at it, making sure it left a mark.

jeno gripped your behind as he lifted you off along with him taking you to the bed. he plopped you down the bed as he stared at you. He let his dick tease around your hole, not giving what you wanted just yet. you whined, so desperate and so sex drunk. all you wanted was him. “je-no.. please baby..” you whispered, your core aching to feel him. “use your words babe.” Jeno commanded, holding back the urge to pound into you with every force in his body. trails of whines left your lips, “please fuck me, I… I want to feel your dick in me.” and that’s all it took for his last nerve to snap.

jeno gave you no time to adjust as he thrashed his dick in you. You gasped, the impact causing your head to hit the pillows as you held your palms against the headboard for a good grip. He pulled out as you stared at his dick, erect and hard as ever, all drenched in your slick. you didn’t get much time to see more before he thrusted into you again, the pleasure too strong to take until you felt tears prick up.

jeno's pace was relentless, his thrusts deep and powerful, each one driving you closer to the edge. rhe room filled with the sounds of your combined moans and the rhythmic slapping of skin against skin. you clung to the headboard, barely able to hold on as waves of intense pleasure washed over you, feeling yourself teetering on the brink of euphoria. “oh god, so fucking big." you managed to whisper between gasps, your body trembling under his touch.

he really fucked like he was on autopilot, it were almost like his strength never ran out. you felt your walls cave tighter around his length with every thrust. the headboard was shaking so loud, he practically yanked your body up and down, fucking you like it was the last day of planet earth. “fuck baby, you’re so tight and a-all for me shittt, I’m going to leave you fucking pregnant tonight.”

jeno pulled one of your legs over his shoulders, turning you slightly sideways as he kept pounding. the angle made you holler out loud as tsunamis of pleasure splashed over and over you. feeling his cock in you wholly, from every corner of your walls. you gripped the headboard behind, feeling yourself reaching your high.

just as you were about to release your fluids, your husband pulled out. you looked at him, with a flurry of emotions stirring in you. unable to take it, your hands landed on his cock, urging him to get back inside you. jeno loved edging you, seeing you like this, covered in sweat, whining and begging for his dick just to fuck you.

“do you want it?” he asked, hands over yours holding his sloppy dick. “yes… please” you mumbled out, feeling hazy at the mere sight of his body. every sex night was a reminder you had a man with such a godly built by your side. “are you sure angel?” jeno breathed out, connecting his head with yours momentarily. “so much baby, so fucking much, please, please fuck me, i-i can’t take it…” your pretty voice begging him so desperately. how could he refuse?

his hands slid down your thighs, pulling your other leg over his shoulders too. the sight almost surreal, both your legs flung over him, trembling and his eyes received a view of what he was working with. your face all red and sweaty, your body spasming and your swollen clit shining with slick covered, begging for his length to get in. without tormenting his wife further, jeno pounded right inside you. moans were let out from the both of you. jeno felt your walls tighten around his dick.

“fuck, keep going.” you begged as he kept fueling to your loud moans and lust filled whimpers with every thrust. your mind couldn’t wrap around how he did it so well. the way his long hard cock entered your wet walls, stretching you out and thrusting you making your head hit the headboard everytime he collided into you, but you couldn’t care, the dick was just too good. the way your voice didn’t even start to sound like it were yours anymore. shamelessly moaning out to let the entire street know how good he fucked you.

you saw stars the moment his dick hit a particular spot as your jaw was left open and you choked on your own groan. “Is that the spot?” jeno smirked, rubbing his dick against it and you felt yourself ascend to the skies. “please, faster, go faster and cum in me please.” his speed accelerated as each thrust got heavier and stronger. “Yeah that’s it baby.” you moaned out feeling yourself advancing yourself towards your high. to stimulate you further, jeno detached one of his arms from your thighs to your core as his hand slipped between your bodies, his fingers finding your clit and rubbing it sickly with expert precision. the feeling making you grip the sheets as your back arched completely, letting out a silent gasp.

he increased his speed, keeping his eyes on you as he looked at your form, all out of it. your mouth letting out moans as if it were on repeat, your eyes shut and brows in a frown, tits heaving up and down, legs spread open, sweat sliding, pussy all pink, swollen, tight and his bulge visible in your stomach. he felt like wallpaper-ing this imagery on the biggest wall of your house, too good to forget.

a sweet smile spread across his face as he leaned down, his lips brushing against your ear. "I love you, really." he exclaimed, after noticing you about to reach your high. his voice dripping with love and more love. and there it was, your orgasm. you came all over his dick as your body twitched and shivered. slow whimpers left your mouth and jeno kept his eyes on the sight. your body convulsed, your walls clenching around him as you rode out the intense waves of pleasure. jeno groaned at the feeling of you tightening around him, his own release not far behind. with a few rolls against your overstimulated cunt, jeno came inside you. his warm fluids filling up your insides, grunts leaving his mouth.

after pulling out, he looked at the the mess he made. your legs still wide open, body panting, breath uneven, pussy stretched out and dripping with his cum. “fuck baby,” he leaned down to kiss you on your cheeks before getting back up, “this might as well be my sight every night.” and as if hypnotized by him, you nodded your head shamelessly before your eyes gave in, closing shut.

˙⋆✮

somewhere distant, actually just by the main door, stood a impatient haechan. his foot tapping against the ground as he kept ringing the bell, getting looks from around every one of your neighbors.

haechan, on the verge of ringing the bell again instead looked down at the ding on his phone.

y/n: listen now you twinkbait. you're gonna turn your ass around and walk right back into the elevator. my wife is currently very tired and very exhausted and is currently sleeping in my arms. it'd be appreciated if u leave us alone for the night^^

haechan: damn ok cockblocker 😂😂

y/n: HOW AM I SUPPOSED TO COCKBLOCK MY OWN WIFE??

an original iceonneo work.

[xinfinityl0ve17]

Yukari Ōba

Yukari Ōba is the exclusive fashion designer for MALICE MIZER. All of their costumes are her work.

People with titles like "planner," "editor," or "writer" often like to separate their jobs into small roles. As a result, some people end up with two or three titles and end up saying how busy they are. Among them i think the profession of designer is currently being broken down into the most minute distinctions. It’s not just about people who create design sketches, cut fabrics, or shape the garments—there are specialists in hats, accessories, knitwear, and so on. I can understand if someone with a foot fetish only wants to make things related to feet, but recently, something’s been bothering me. It starts with the question of whether it's okay to refer to Ōba-san simply as a "costume designer."

She’s responsible for the image of MALICE MIZER after their revival. Under the name of costumes, accessories, and hairstyling, she handles everything from patchwork to welding (pay attention to KAMI's hands this time) to even the stage props. Can we really call her a "designer" or "costume person" in just one second?

However, as I was agonizing over this, Ōba-san spoke enthusiastically, saying, "This part was really difficult, look at it! Oh, and here too..." She talked joyfully about how she changed the fabrics little by little and factored in lighting effects. She said with a laugh, "People often tell me, 'No one will notice you went that far,' but I love doing it." Through her words, I understood one thing: Ōba-san doesn't care what she's called, as long as she can create costumes. It’s her passion. That's why such lively, remarkable costumes are born from her work.

Mana

Mana had told me, "I imagine the feathers gently falling off!" (laughs). It wasn’t meant to change that much, but after making it, I thought, "I want to make it cuter," partly because too much of the legs were showing. I used a fabric called washer organza for the feathers, and also incorporated it into the underskirt, creating a tutu-like effect with about four layers to add volume. The pom-poms were something Mana brought in, saying, "I want to attach these somewhere," and when he attached them herself, she said, "It's cute!" (laughs). Actually, he also made the wig and chains with his own hands.

The butterflies on the wings aren’t real, of course (laughs), but I dyed each one individually. Even in places where it seems casual, there’s a lot of effort behind it (laughs). The fabric for the costume was something Mana requested, saying he wanted a luxurious material that looks like beads. I brought various options and he was especially fond of this one fabric because it’s very light. He even said, "It feels like I’m wearing nothing, this is perfect!" (laughs). It was a hit (laughs). As for the accessories, he said he wanted something with the feel of a wedding fountain with light shining inside it (laughs). I remade it several times to create something that bounces back when touched.

We also tore up light blue feathers and embedded them. We worked hard on even the smallest details that might seem like nothing at first glance (laughs). To make sure the guitar strap doesn’t get tangled, I discreetly made the wings detachable with Velcro (laughs).

Közi

Közi is someone who likes to plan everything from the start. When I first saw the design, I thought of a fiery phoenix, so I decided to make it based on that image. The fabric is the same as Mana's but in a different color. He said, "I've worn something like this before." This time, he wanted something that resembled a jumpsuit. Even though it has no elasticity, I went ahead and made it, but when he wore it, he said, "It's tight..." (laughs). Even though it was restrictive, he’s someone who enters the role through appearance.

The feathers on the chest were dyed with a gradient because I wanted to add that effect, but balancing it was tricky. While adjusting during the fitting, I mixed in red, which is his signature color. This jumpsuit also has Velcro to make it easier for the guitar strap to pass through. The accessories ended up looking very different from the design sketches because when we attached them to the sleeves, it made playing the guitar difficult (laughs). So, when we finished one sleeve, we decided to wrap it around his neck, creating a more luxurious design. The wings on his back are made from aurora film, which changes color depending on the light, appearing red or gold. The material is aluminum, making it very heavy, but the overall cohesiveness of the costume is strong, so he managed to play with it as it was. As for the strawberry hat, we added three-dimensionality using feathers, doubling its size at Közi’s request.

By the way, when he wears the costume, he’s 196 cm tall, from his shoes to the top of his head (laughs). All the members end up being around that height, right? So we make the inseam 100 cm. People always ask, "Who on earth is going to wear these?" (laughs).

Yu~ki

He had an image of a "beast" in mind, and even Yu~ki himself said, "This is quite an adventure." The skirt was actually his first try—a dress made of enamel, something we figured out together during the fitting process. It’s a double-layered design, with the back being longer and slits cut into it, creating this eerie look. The bones are designed to resemble human bones, adding shadow to enhance the effect. The back is made of two layers of umbrella-like fabric, with a sheer fabric sandwiched in between to create a shadow effect. At first glance, it looks like a single layer, but there's a lot of depth (laughs). In terms of time, his costume was the fastest to make because once Yu~ki decides on a design, he sticks to it.

Yu~ki, from the start, based his look on the initial image and always strives to get as close to it as possible. The hardest part was dealing with the enamel fabric's texture. Although we wanted it to look big, enamel has this shiny, slick look, so we used a technique like gathering to create a pinched effect, making it appear more three-dimensional, even under lights. This time, it's sleeveless, but the tattoos he recently got give it a good balance. However, it seems it takes quite a long time to paint his arms, which is a challenge (laughs).

Kami

For Bel Air, it seems that the design he envisioned was difficult to realize. This time, I adjusted the shape of the collar slightly upwards to make it easier to take off. Since taking off the costume was a concern, I incorporated his favorite Rurubar lace in two layers and embroidered it with CD sequins to give off a subtle shimmer, ensuring that the fans could see the light reflecting off it. The sequins were also added to the wings, inspired by his recent thematic focus. They create a fantastical effect, with a gradient from blue to purple as the light shines on them. The wings are the largest element, but they’re lightweight, which allowed Kami to say, "I want to perform while wearing them" (laughs).

For the headpiece, i dyed a cup and embedded black feathers as an accent giving it a mysterious shape that he can just throw on. Lately, he’s been wanting to wear a pink wig that he bought himself, but it’s a bit too intense, so I’m thinking of adding some mesh to tone it down (laughs). The overall concept was inspired by looking at an insect encyclopedia, specifically butterflies. Additionally as Kami insisted from the beginning, there’s a tail attached (laughs).

Gackt

This time, all the members wanted to have wings, so that served as the basis for the design. The members had very detailed requests, particularly Gackt, who was inspired by his favorite movie, The Crow. He wanted the outfit to highlight his beautiful body lines, so while the design is simple, it also needed to allow for movement. Ideally, I would have preferred a stretchy material, but I was determined to use cotton velvet, which has a dark and moody atmosphere, while also creating the effect of gold shining through the darkness.

The cotton velvet, combined with cut velvet, made sitting difficult for Gackt, but when the light hits it, the gold stands out clearly against the black backdrop. The wings, which he was very particular about, were designed in three layers. When closed, they fold up slightly, but when fully opened, they span 4 meters. For live performances, Gackt uses strings to control them, allowing the wings to spread open. The construction is sturdy, with hidden mechanisms for the strings, making the wings quite heavy. The wings were made using about four different patterns, and sequins were added so that when the light hits them, they appear three-dimensional. We used an incredible amount of feathers for the wings as well.

The end

[auspexsims]

The 1910's are my favorite decade and I would be remiss to let them pass by without dressing my heir up even if she's still a teenager!

Olivia comes from a lower middle class family - there aren't going to be any rich, vibrant, expensive colors to her wardrobe, but her interest in sewing means that she at least stays on top of the latest silhouettes and trends. She is very proud to be the most talented seamstress in her family, and hopes very much to work with better and more beautiful materials and colors one day.

Her daily outfits are always supplemented with knitwear from her mother or aunt - around the 1900's and 1910's knitwear began to gain mainstream popularity anyways - and she always wears her same trusty hat. The only parties in her neck of rural Brindleton are when the Xue's (family friends of the Rheist-Calaises) throw their annual summer garden parties, so her party outfit is summery and light and meant for socializing in a familiar, informal setting. Her hair is almost never formally, appropriately done up - she lives in the country, by the windy sea, and is her free-spirited mother's daughter.

CC links under the cut! If I didn't link it, it's base game.

Daily - hat / hair / skirt / shoes

Daily (warm) - hat / hair / skirt

Funeral - hair / dress / shoes

Sleepwear - nightgown / hair

Underwear - underwear & socks / hair

Party - hat / hair / dress / shoes

Swimming - hair / outfit

Summer - hat / hair / dress / shoes

Winter - hat / hair / dress / cardigan

Winter Alt - hat / hair / dress / shoes

[389]

knitwear made in spain all natural materials from local spanish farmers, artisans and shepherds babaà

[weekendviking]

Further adventures in Experimental Archaeology.

So, throughout my many years as a reenactor and aspiring bang the rocks together experimental archaeology adjacent loon, it's always interesting to be at the cutting (or bruised, bleeding or dazed) edge.

So when this paper crossed various blogs, we couldn't resist:

Collins, R., & Sands, R. (2023). Touch wood: Luck, protection, power or pleasure? A wooden phallus from Vindolanda Roman fort. Antiquity, 1-17. doi:10.15184/aqy.2023.11

After reading the various hot takes, a few of us decided that it was worth trying out the various non bodily penetrative possible uses of the item to see if we could match the wear patterns.

Construction: We don't have readily available European Ash where we are, so the green roundwood to hand this weekend was Poplar, of which I'd felled a sapling to supply billets for the spoon carvers. I roughed out the taper with a side axe, and then used one of the early medieval utility knives I made earlier in the week to whittle the phallus down to about the dimensions described, but a little larger to account for the variously cited 5-8% shrinkage of ash as it dries, and a little more for post burial archaeological shrinkage.

Part of the build montage:

It was very quick to make - around two hours from first cut to finished object. Would take a little longer in seasoned wood or hardwood.

Because the different possible uses of the object may leave different wear patterns, more than one will need to be made. First proposal: It's a Pestle, and any wear patterns are from the pounding of food or mineral materials, rather than the pounding of the denizens of Vindolanda.

As we were about to cook the evening meal, some coarse salt needed to be ground, with a spare bowl standing in for the mortar, and the freshly carved phallus as pestle:

It works really well as a pestle, and reduced 4-8mm grainsize coarse salt down to a sub millimeter size in a minute or two, and was a comfortable shape to use, with the slope of the glans against the base of one's palm, and thumb and middle finger on the underside of the shaft, forefinger on the top near the bulge of the base for control.

While a single use isn't going to show much wear, because this is fresh green poplar, the base quickly started rounding, with a distinct patch of abrasion obscuring the tooling marks from my whittling knife:

I'll continue to use this in my kitchen mortar for a few weeks, and see if it develops any more distinctive wear patterns. Just from this weekend's use, one could see a little wear and high points on the shaft beginning to pick up use marks from my hands, mostly just discolouration from soot and so forth on my hands from being busy around an open fire cooking site:

This is an ongoing project, and there will be further iterations, with each replica only used for one tool type, to see if the wear patterns are specific to the different uses:

Drop Spindle, to see if it functions as a dealgan type drop spindle. Personally, I think the detailing on the glans section is a little light to provide an effective tye point for use as a drop spindle.

Mallet, for woodworking, driving chisels, etc. Probably unlikely, as this would leave very distinct impact marks on the flared base, especially if it was used while still greenwood.

Darning mushroom, for repairing knitwear. Some of us think this is quite likely, so it's a hot favourite.

Further details will be posted here :-)

[shifting---patterns]

Wearing Time: Carpe Diem and the Artistry of Anti-Fashion (Pt. 1 / 2)

In today's article, I want to tell you something about what I consider the most important and influential artist collective in avant-garde fashion.

A collective whose artists, their labels, and their design language have impressed me so much that it has completely changed my perspective on how clothing is created, what its purpose really is, and the impact it can have.

/// Carpe Diem, an avant-garde designer collective, was founded in 1996 in Perugia, Italy, by Maurizio Altieri. There are conflicting reports on the founding year, with sources mentioning 1994, 1998, and 1999 (the latter mentioned by Maurizio Amadei of M.A+ in a podcast with Lucentement). The visionary minds, particularly Maurizio Altieri, initially specialized in leather design, working with materials such as horsehide, cowhide, and anaconda.

These materials underwent intricate hand treatments, including washing, distressing, crushing, and burial in the ground for months. Carpe Diem quickly established itself as an avant-garde trailblazer, gaining recognition for its commitment to quality and craftsmanship. Originally concentrating on shoes, the brand later expanded its offerings to include clothing.

In 2006, Carpe Diem disbanded due to its increasing mainstream popularity, paving the way for other brands to follow its innovative path. This marked the peak of Carpe Diem's fame, with celebrities like Brad Pitt seen wearing their leather shirts. The surge in investor interest eventually led to Maurizio Altieri abandoning the label.

In recent years, Carpe Diem has been acquired by a Japanese company, resulting in the reissue of some designs and the introduction of new ones. However, signs indicate that Altieri and his colleagues are no longer actively involved in the design process.

Carpe Diem's influence extends to avant-garde brands like Carol Christian Poell, Boris Bidjan Saberi, Layer-0, and others, incorporating designs such as twisted seams, dropped-crotch trousers, asymmetric plackets, and J-cut pants. The brand's collections, including L'Maltieri (knitwear), Sartoria (made-to-measure), and Linea (jackets, pants, and T-shirts), aimed to diversify offerings.

The Linea collection, utilizing a 3x3 modular system, features interchangeable and conceptually connected laser-cut jackets, cotton pants, and T-shirts.

Sartoria, a customized line derived from Linea, maintains the "arte povera" aesthetic with crumpled, washed, and treated leather. Custom items required visits to a Parisian garage for fitting and digital photography, and delivery took 60 days, utilizing leather buried in the deserts of Afghanistan.

The distinctive feature of hanging garments on meat hooks pays homage to the label's origins as a leather house. The Sartoria line has evolved into the fifth line named Anatomica, propably my favorite collection of Carpe Diem.

Now, let's introduce the creative minds behind Carpe Diem in detail: Maurizio Altieri Maurizio Altieri, the visionary founder of Carpe Diem, is a perfectionist who brings an academic background in business and law to the world of fashion. His professional journey began at Chrome Hearts, where he honed fundamental skills in craftsmanship and leather treatment. In 1996, Altieri departed from Chrome Hearts to establish Carpe Diem, driven by a philosophy to craft timeless, useful, and handmade pieces from the finest materials.

Altieri's unique approach materialized through the application of distinctive treatments and washes, setting his creations apart. Notably, Maurizio Altieri rejects traditional editorials and advertising, firmly believing that the craftsmanship and quality of his pieces should speak for themselves. This commitment to craftsmanship is vividly demonstrated through a series of collections known as the "Continues Collection," showcasing an enduring dedication to the art of craftsmanship and the creation of timeless fashion experiences. Post-Carpe Diem, Altieri embarked on various projects, including m_moriabc, active in the fashion world since 2012.

Beyond demonstrating Altieri's exceptional talent for creating memorable brand names, m_moriabc is renowned for its handmade footwear crafted through special Norwegian craftsmanship. Altieri's ambitious pursuit involves capturing the essence of time itself in his creations, symbolized by the names A, B, and C, each representing distinct lines that embody aspects of the past, present, and future.

Avantindietro, launched in 2009, stands out as another notable project, offering a minimalist response to Carpe Diem's initial collection. In a collaborative effort two years later, Altieri partnered with Alessio Zero, the Italian designer behind Layer-O, to produce a small offering of shoes made from leather buried years earlier, adding a fascinating narrative to the creations.

Altieri's current venture, the art project Vnapersona, further underscores his dedication to pushing artistic boundaries. Through these endeavors, Maurizio Altieri continues to leave an indelible mark on the fashion landscape, weaving together elements of time, craftsmanship, and innovation.

Maurizio Amadei Maurizio Amadei played a pivotal role in shaping the distinctive identity of Carpe Diem's leather products, encompassing accessories and jackets. During his tenure as a designer at Carpe Diem, Amadei demonstrated a unique exploration of human anatomy, sculpting pieces to follow the lines of the body's muscles. This innovative approach not only left an indelible mark on his designs at Carpe Diem but continued to influence his subsequent work.

Following the conclusion of Carpe Diem in 2006, Maurizio Amadei founded M.A+ as a spiritual successor to the renowned "Continues Collection." The unmistakable parallels between the two collections are evident in Amadei's inaugural M.A+ collection, where a standout piece was a large shoulder bag crafted from a single seamless piece of leather—a hallmark reminiscent of Carpe Diem. The introduction of the cross motif in this collection became the emblem of Amadei's design ethos, defining sought-after pieces like the 925 Sterling Silver Cross Belt.

M.A+ seamlessly carried forward many of the distinctive design techniques for leather while integrating cozy cotton fabrics into seamless one-piece silhouettes. Amadei's deliberate use of blunt knives for cutting and processing garment hems serves as a nod to Altieri's design philosophy. The overarching objective was to envelop the wearer in a second skin—an uncomplicated construction that is seamless yet refined.

In the present day, M.A+ stands out with flawlessly crafted garments in an array of materials such as silk and satin, garnering significant attention for their luxurious functionality. The allure extends to the patterned garments within the M.A+ collection, complementing the outstanding leather and shoe products. Amadei's design DNA is deeply rooted in principles of simplicity and minimalism, with stitches employed only when necessary. This commitment to minimalism is further emphasized by the absence of tags conveying fabric or size information—a testament to Maurizio Amadei's sophistication and meticulous attention to detail in his designs.

Simone Cecchetto Simone Cecchetto, during his tenure at Carpe Diem, brought an exceptional perspective and creative flair to the realm of shoe and accessory design. Influenced by his background in body art, Cecchetto delved into the "Second Body" project of Sartoria or Anatomica at Carpe Diem, an exploration of the concept of leather as a second skin on the human body.

His visionary approach extended to innovative ideas such as integrating chips into leather jumpsuits, enabling the tracking of digital images and movements—a seamless fusion of traditional craftsmanship with modern technological elements.

Despite Maurizio Amadei's primary responsibility for leather goods, Cecchetto collaborated directly with Altieri to optimize their products. Despite lacking formal training as a shoemaker, Cecchetto's deep passion for shaping leather led him to assume the role of footwear design at Carpe Diem, allowing him to preserve the brand's legacy in shoe design.

Following the closure of Carpe Diem, Cecchetto sought refuge at Rick Owens briefly, only to realize a misalignment with Owens' avant-garde aesthetic. This experience served as a catalyst for him to chart his own course, resulting in the establishment of his label, Augusta, later renamed A Diciannoveventitre and A1923. The name Augusta pays homage to his grandmother, embodying the brand's principles of simplicity inherited from her. A1923 revolves around the principle of Wabi-Sabi, a Japanese philosophy seeking beauty in natural irregularities.

Cecchetto's unwavering dedication is evident in the meticulous sourcing and processing of leather, compensating for his lack of formal training with experimentation and craftsmanship. A1923 stands out with its niche offerings, featuring handmade leather shoes and bags for men. The collection includes distinctive elements such as boots with double zippers and sneaker-boot hybrids, adorned with worn-out laces and intense colors. This testament to Simone Cecchetto's ability to preserve creative integrity while forging his own path underscores his continued contribution to the creation of influential and unique designs.

/// Part two is coming in a couple of days!

Davis Jahn

[schtrawberry]

oh, to dress as your venus sign.ᐟ

[!] featuring my aries venus in the ninth house.

brief description: focusing on the more malefic side of mars in comparison to my previous post. in venus, aries is boyish and energetic— leaning heavily into bright reds to combat various shades of monochromatic blacks, whites, greys, and paler shades.

short hair, short cuts, and an even shorter temper.ᐟ

rather than the vibrant pinks and neons i've mentioned before, this venus in aries uses varying shades of red to cut through dark purples, greys, blacks, and army greens.

felt incredibly inspired by this picture from the musier paris spring 2023 lookbook— the use of grey leather on plain white with the model's very sleek pair of black boots made for such a carefully-monochromatic outfit that allowed for her red hobo bag to absolutely shine through. and the hair! just the perfect amount of short and playful that i associate with venus in this sign.

in this interpretation, venus in aries is a minimalist. yes, there may be a mix of revealing cuts and varying textures of leather and denim, but the colors always speak for themselves. sparkles, crazy patterns, belts, and excessive pieces of jewelry are to be kept at a minimum (but not forgone) in order for the singular addition of red to be the forever star of the show.

leather, cargo, and denim are truly the primary fabrics that bring body to each outfit for this sign— layered on top of cotton or modal to create emphasis for these more structured fabrics.

brands that come to mind: BAPE, maje paris, musier, AMI paris, zadig et voltaire, A.P.C, this piece from the isabel marant spring 2024 collection, jil sander, helmut lang.

brief description: venus in the ninth house is big on travel and expanding their horizon by visiting unfamiliar places. in this house, venus seeks pieces of clothing that make moving easy and comfortable— preferably in muted blues, pinks, greens, and oranges but with a loud pop of red to show their bright, jupiterian spirit.

something to camp in, something outdoorsy, something easy to move in.ᐟ

the ninth house also represents ethics; making this sign highly attracted to fashion brands that make use of eco-friendly fabrics and materials. they have a soft spot for brands that put special effort into ensuring that they are operated in an ethical manner.

colorful knits and sturdy hiking boots as seen in this aries x ROA hiking collaboration! such a perfect blend of comforting knitwear and natural colors to support the rugged life of their dreams.

too keep up with this sign's active spirit, i also envisioned a more boyish and sporty wardrobe and felt particularly inspired by the most recent sporty & rich x adidas collaboration. cotton tees, jersey shorts, and bejeweled sambas that are best for movement and activity!

in terms of jewelry, a charmed anklet first comes to mind. this sign is also a minimalist to, so they would rather put their energy into accessorizing their shoes with charms, bags with trinkets, and beltlines with functional pouches.

more energy moves towards functionality in this sign; with multi-pocketed jackets and pants, compact crossbody bags, and shoes that can be paired with a multitude of outfits.

brands that come to mind: forét (fw24), adidas sambas, aries x ROA collab, thinking mu, AMI paris, sporty & rich, marni, pangaia, comptoir des cotonniers.

[vampire-connoisseur]

ive been getting into (the idea of) surreal or fantasy knitwear and i wonder if i could make and sell a proper pattern. my main concern is the size grading, especially with cables.

so first, no promises attached, id like to gauge interest for two things i feel like i have the materials and definitely have the skill for

They are both crop tops and the initial sketches assume feminine bodies, but i could also do them for boobless people and theyd be as unisex as crop tops can be.

Its probably hard to say based on initial sketches because theyre pretty vague but

You might also notice that the ophanim pattern back doesnt match the front. the back is how it might be as a longer top, but im worried it would hang awkwardly so I would be more comfortable attempting the cropped option.

please ignore that my sketches are so rough i swear i can do better

[laundryandtaxes]

Wait wait youre saying i shouldnt be using the free metal wire hanger i get from the dry cleaners????

I use them for casual jackets and absolutely nothing else, yes. Hanging a suit jacket on one of those hangers isn't likely to ruin it permanently, but most jackets have at least some padding in the shoulder, and without proper support for that padding, a standard hanger will basically push up on the padding every second that the jacket is hanging on it. Over time, this results in this issue

where the right shoulder is stiffly and unnaturally raised. It's especially clear that the issue is not with the padding itself because not only do we know for sure that he has his suits made, we also know he eschews traditional English tailoring with its heavier use of shoulder padding. A suit jacket should only be hung on a jacket hanger, which has a little bit of extra material at each end specifically to support the shoulders.

This is also why you should never hang knitwear, and why I fold all my sweaters, cardigans, and polo shirts. Their weight means that, over time, you will see exactly this same shoulder problem as a result of hanging a heavy sweater.

[wonderarium]

ive gotta design more knitwear for characters so i have something to knit. its been so long. i havent really found any projects that grab me in a long time or if i have the material cost is in the hundred dollar range. i miss knitting. i dont even wear the stuff i make i just enjoy the process of making it

[serialkillerbettycooper]

if betty were a brunette and veronica were a blonde, what do you think their wardrobes would look like?

okay interesting! we, at least to an extent, know how veronica would look as a blonde. true to the monica posh wig, i think if she was going to go blonde she'd go platinum. she needs the drama. betty would be more of a mousy brown, the colour that you end up with when you're a blonde kid who slowly becomes a brunette adult (and you can even show this process and do obvious but fun symbolism as betty ages and becomes increasingly aware of/fixated on her own inner darkness!)

as for how it affects their wardrobes! i will do my best but uh. i am not a fashion person and i have a childrens-hospital-post understanding of colour theory so this is just. spitballing. but here's the vibes i'm picturing.

so for veronica, turning once again to the monica posh outfits, lots of black, of course, i think more black hair accessories in particular for the contrast. more geometric patterns, losts of houndstooth. also a lot more white in her wardrobe, i think, which is fun for the images that evokes - innocence, but also brides, which... very striking for a lot of veronica moments.

betty i don't think changes too much, at least not at first. i kind of love the way her fashion sense pre-timeskip mostly stays relatively static good girl pastels, overalls and knitwear, even as she's calling herself serpent queen and doing serial killer stuff. but if we're leaning into darkening hair as a symbol of the direction her character is taking why not go all out and change her fashion, too. early on mostly the same as in canon, and then slowly phasing out the softness and working in darker colours and edgier materials (plus she should wear the serpent jacket WAY more often), though i think post time-skip she'd end up exactly the same in more earth tones and plaid.

[lexicals]

I think genuinely I didn't realise just how much warmer wool is than most other fibres (synthetic ones especially) until I started making my own stuff out of it. The wool scarf I made the other day keeps me so much warmer than the acrylic one I made a few years ago, the wool jumper I made this year isn't even very thick (it's only a light dk yarn) but it feels so much warmer now at 5c outside than any of my store-bought acrylic or polyester knitwear. Like admittedly I am a fibrecrafts freak but it's so wild to me that wool garments have fallen so out of fashion, given the amount of fleeces that are just burned or composted every year bc of lack of demand I can't imagine it'd be more expensive than plastic fibres to produce - maybe it's a washability thing, but superwash wool exists..... idk just I wanna grab people and be like wool is such an undervalued material pls try to get yourself wool garments over synthetic fibre ones if you can access/afford it, especially if you live in a colder climate. If you have sensory issues or sensitive skin you can wear a more comfortable shirt underneath, that's what I do and it also means I can wash the shirt and not the wool garment itself unless it really needs it. For warmer climates cotton is more breatheable and keeps you cool, though idk what the environmental/social impact of cotton farming is as much as sheep farming. Cotton socks from egypt are the oldest known knitted objects!! Flax was spun and woven for linen for centuries upon centuries!! Plant fibre usage goes back to prehistory!! This isn't where I intended to take this but this has been a natural fibres propaganda post!!

[barbeygirl]

A quick introduction to 1940’s fashion

I've been so obsessed with Band of Brothers recently and I love reading the fanfics. Here’s my contribution, for your OC's.

(soon!) Part 2. Hair, makeup etc

(soon!) 1940's lookbook (photos)

The war had a major impact on 40's fashion. There were shortages and rations, and women were entering the workforce as men went off to war, leading to a more simplistic, utilitarian style.

Rations and regulations:

In the UK, clothing was rationed from June, 1941 to March, 1949, in varying strictness. So although you still payed for clothing with money, you'd need coupons to be allowed to buy them altogether. In the US, the Regulation L-85 (1942), rationed natural fibers and restricted how clothing could be made in order to save fabric. This meant regulating the skirt length, the fullness of pants and jackets, and even banned cuffs.

Silhouette:

The early 40's silhouette had strong, boxy shoulders, but by the mid forties and as the restrictions grew more strict, the silhouette softened to save materials. A nipped-in and high waistline stayed popular for the whole decade, and a hemline below the knee was fashionable until 1947, when Dior came out with the "New Look".

Fashion:

Because restrictions and shortages, the look was simple but stylish. Showy, over the top clothing was considered unfashionable to wear in wartime Britain.

The "military style" bled into every day fashion. It was common for men, who were not on active duty, to still wear bomber jackets, trench coats and aviator glasses. It's visible on women's fashion as well, which is why some of the clothing have a sort of a uniformly look.

Popular outfits for women were square-shouldered jackets with matching A-line skirts, shirtwaist dresses, and thanks to actresses, pants were now also a stable part of women's wardrobes. The pants had wide, straight legs and high waists, and were often paired with a colorful blouse or sweater and a matching jacket.

Hand knitting in Britain was at peak popularity during the war. Women on the home front were encouraged to "knit your bit" and contribute to the war effort by knitting for the troops. The warmth of woollen items also made knitwear popular for civilians.

Working women:

Women were entering the workforce to replace men, who went off to war. This required more practical attire, such as sturdy shoes, head scarves, overalls etc.

Some jobs (such as the WAVES) felt it important to emphasize that women wouldn't become any less feminine by working or wearing a uniform. This is why makeup, nail polish and feminine hairstyles weren't just largely allowed, they were encouraged.

Actress Veronica Lake, famous of her highly imitated "Peek-a-boo" hairstyle, where her hair covers one of her eyes, encouraged women working in factories to tie their hair up into safer styles to avoid injury. In this Safety Styles video, she has her hair up in a "victory roll" style.

The New Look by Dior:

After the long war, and as life was slowly returning back to normal, there was a want of "returning to femininity" among women. At the same time, some women feared that this ultra-femininity would set back all the progress they had made working outside the home during the war.

In 1947, Christian Dior released a new collection called ”The New Look” which featured a full, calf-length skirt. After the simple lines of the utility clothing, such a dress seemed desirable by contrast. The full skirt was also controversial for how much fabric it used, since rationing in the UK wouldn't end for another two years and there were still material shortages in both UK and the US.

Despite the controversies, the New Look was hugely popular and became the predominant silhouette well into the 1950's.

A/N: To keep this short, I had to paste and delete like half of what this originally was onto part 2. Also, lmk if there's interest in men's fashion ver. of this!

Hopefully this was legible. All the ”not my first language blah blah” stuff <3

sources: (links)

Imperial War Museum National Museum of American History centralcasting.com V&A Museum (free 1940's knitting patterns!!) NationalWW2museum.org

[elu-is-reading]

3, 13, 23 and 33 from the fifty rook qs?

Thanks for the ask and for creating the questions in the first place.

3. What was Rook’s life before their faction?

Fallon lived a fairly quiet life before joining the Shadow Dragons. As a mage their studies were a great time sink, which they happened to enjoy greatly. Even after becoming a full mage, they've continued learning more just for learning's sake. Fallon also spent time with their family when able to and otherwise kept a low profile. They were fairly on top of what's happening in Tevinter due to their family and just trying to stay updated but didn't join the Shadow Dragon until much later.

13. Did Rook bring any trinkets/sentimental items to the Lighthouse?

They brought a modestly decorated pocket knife that they sometimes carry around with them. It was a gift from their father when Fallon completed the majority of their studies. It's a promise that their family is there to support them and, in an emergency, some way to possibly protect themself if Fallon's magic happens to fail them for any reason.

23. What does Rook wear in the off hours? Do they like dressing up?

Fallon likes to be comfortable. Soft fabrics, maybe something flowy, nothing restrictive like for example leather. They prefer mostly cotton and silk and also wool knitwear when it's colder. Despite this, Fallon also likes dressing up when the occasion calls for it as long as the materials are still easy to move in.

33. What do fear demons look like to Rook?

I thought about this for a bit and I think Fallon would see faceless Venatori or slavers in general. They definitely aren't blind to what's happening in Tevinter, especially to elves. It's most of the reason why they've been so fine with kind of disappearing into the background, to draw as little attention to themself as possible. Fallon can only imagine what would happen if they were to slip up and get captured.