#knd talk

[dexlabs]

So, let me get this as straight as possible here.

In the FF universe, Numbuh 3 and Numbuh 4 are sent by Numbuh 1 to investigate a new possible KND outpost in the jungle, where a plane crashed, to see if they can built a treehouse there.

When the war starts, Wally LEAVES KUKI ALONE because he wants to go back to Sector V and fight in first line, but as he does, KUKI IS ALMOST KILLED IN A FREAKING FUNSION ATTACK. So Wally returns to the jungle outpost, PROBABLY FEELING LIKE SHIT BECAUSE HE MIGHT THINK IT WAS HIS FAULT KUKI ALMOST DIED BECAUSE HE LEFT HER ALONE.

Somewhere in the story, but something tells me it might happen after the attack because, again, he feels guilty and he almost lost her, he FINALLY decides to reveal his feelings for her.

And Kuki feels the same, but STRAIGHT OUT REJECTS HIM BECAUSE, and I'm using the same words I read, "SHE CAN'T EVEN COMMIT TO A FAVOURITE COLOUR, LET ALONE A RELATIONSHIP".

So the poor boy is stuck in the middle of a forest, with someone who REJECTED HIM, someone who ALMOST DIED BECAUSE OF HIS ACTIONS, someone that he still LIKES and probably LOVES but has to keep a cool face because there's a FUCKING WAR going on and he needs to think about ANYTHING ELSE.

Now I get things: I get why Wally and Kuki are positioned on OPPOSITE SIDES for the outpost, BARELY INTERACT or TALK ABOUT EACH OTHER and why WALLY FEELS SO OFF IN FUSIONFALL LIKE HE'S NOT BEING HIMSELF.

THE POOR BOY HAS A LOT ON HIM AND HE CAN'T EVEN THINK ABOUT IT BECAUSE HELLO THERE'S AN INVASION GOING ON GOTTA SAVE EARTH AND STUFF!

I JUST REALLY HOPE THE WRITERS PLANNED SOMETHING LIKE, AT THE END OF THE WAR KUKI REALIZES HE'S REALLY IMPORTANT AND THEY FINALLY GET TOGETHER OR SOMETHING BECAUSE I SWEAR

LET

THE

BOY

BE

HAPPY

DAMMIT

/rant out

[kidsnextdoorsoopersecretpage]

If you were around for 2021's Valentine's Day, you msy remember some old Valentine's Day meme quotes I did. With help from a friend, you can now use these tackily made KND-Themed Valentine's Day cards to whoever your heart yearns for.

Credit to Numbuhbee for creating these Valentine's Cards! Check out her Instagram here: https://instagram.com/numbuhbee?igshid=YmMyMTA2M2Y=

[gale-gentlepenguin]

Gale talks: Father from Codename Kids Next Door is absolutely HORRIFYING

We often forget with the silly nature of the show. But Father was an Absolute DEMON!

The man had insane powers! Like his pyrokinesis. His Shapeshifting, his ability to tank insane amounts of physical damage. Oh and let’s not forget the time he BLEW A HOLE THROUGH THE EARTH BIG ENOUGH TO BE SEEN FROM SPACE!

Father was also strong enough to make Grandfather, (his own father, who had enslaved the entire planet) legit stop in shock when he was getting super angry. If father did continue being pissed it’s arguable he could have matched or even surpassed Grandfather.

Let’s not forget how he brainwashed sector Z, the arguably most competent group of operatives in KND legend. Was smart enough to configure a weapon that could turn every operative of the KND into an animal. Had MULTIPLE death robots. Also capable of building a STARSHIP SIZED cake that was fully functional as a weapon and arguably the best ice cream cake in the galaxy.

Father is a man of means and an absolute beast.

[fluffernuttermushroom]

Come to think about it the sector V is just a bunch of 11 year old kids left to fight a LITERAL HUMAN FLAME THROWER so yeah. I’m kinda suprised the kids are not BBQed at this point.

I wonder if the KND has a special unit that takes care of the aftermath of a death during a mission.

They'll need a pretty good explanation to give to the parents/guardians why their kids had been: (A)Eaten by a giant asparagus(Operation: A.F.L.O.A.T. what if) (B)Been roasted to a crisp(Father) (C)Gotten lost in the arctic(Arctic base)

(D)Got turned into mindless zombies and follows some randos orders(Sector Z) Or other cases.

Since a lot of sector V's shenanigans usually ends in disaster, if it wasn't for the plot armour I feel like they'd be 'decommissioned' pretty quickly in more ways than one

On one hand I desperately need to rewatch KND but on the other hand am I prepared for the angst I'd end up crafting before the end of it???

[fluffernuttermushroom]

Weird headcanon that I have for the Uno family

There is this headcanon I have for the Uno family's powers and how thay work.

Basically the Uno family grows stronger every generation even if it skips a generation.

I based off this headcanon over the 4 fundamental states of matter

+ @fallen-gabrielle's berserker au(where Monty Uno has lightning powers)

Solid, liquid, gas and plasma. The states of matter change depending on how much thermal energy a particle has.

And the thermal energy is highest in plasma and lowest in solids.

Solid < Liquid < Gas < Plasma

So I based my headcanon on the 4 fundamental states of matter and that the thermal energy in the Uno family's power increases every generation.

Grandfather, the first of the generation has control over gas-like substances and limited control over fire.

Whlie Father, the next in the generation has full control over over fire(Fire is kind of a between state of gas and plasma. it isn't hot enough to break apart atoms completely. Correct me if I am wrong I am no scientist)

So in my headcanon, Nigel(Numbuh 1) and Numbuh 10(Nigel's cousin) can control lightning(Lightening is a form of plasma).

But the powers grow more unstable as it is powerful. So Nigel and Numbuh 10 are tickling time bombs.

Anyhow- so this is my headcanon! What are your headcanons for the Uno family?

[numbuh]

can you imagine having to deal with dolphins farting as your final knd mission ever and then 3 weeks later you get decommissioned and your little sister (who was way too happy about it) gives you a card with a photo of you inside that you've never seen in your life

[torra-and-the-toons]

As is tradition on my blog, Torra must carry someone like a precious little cub and unfortunately, that someone was Nigel.

Help him

[kommandonuovidiavoli]

What ever happened to Ray from the Aussie sector?

Little Ray! The real life Spider Boy! I need to work on him more but I know what happens to him in the future!

He gets decommissioned at 13 and his spider family decides it's time for him to live in the human world, so they make sure a family adopts him (don't ask me how, in this freaking show a human made of black and flames exists so...), giving him the name Raynold Walckenaer III.

He meets again with Sydney in high school, the two bond over being outcasts (Ray is a metalhead and Syd just hates being around people and loves videogames) and become best friend (again). Ray actually is Syd's conscience and helps him to not get into too serious problems. He also saves his life at some point.

Then he's kind of forced to go to law school, to conform to everyone else's standard, which is something he always said he didn't want to do. He becomes a boring, normal lawyer, unsatisfied with his job (even if he's one of the bests) and were his life is going, feeling like there's something from his past he needs to know.

He still has a fascination for spiders. Feels like they're family.

He and Syd still exchange emails (since calls and texts are too expensive between Countries) and sometimes chat on AOL (at least, when they manage to get online at the same time and it's a decent hour for both of them).

Wally does know about him, and he's the one that introduced him to metal music, actually!

Teen AU? Meh...

Adult AU? OH BOY...

[bugtoonz]

numbuh 35?

I. LOVE. BARTIE.

He is so silly !!!!

Also i’m gonna break my headcanons down into a list because it’s easier that way:

he’s a big dork. he spends most of his downtime at work reading comics or doodling in the margins of important documents

100% joins his high school DnD club when he’s older

really likes dogs. his family has a golden retriever, and he’d bring it to moonbase with him if he could

met Virginia on the first day of cadet training. they were immediate best friends, despite their opposite personalities, and they still meet up as much as possible. they have a habit of getting into trouble together

as a communications officer, he does a lot of traveling to major KND outposts. his favorite is the European Undercover Communications Hub (inside of Big Ben). his least favorite is Arctic Base. he hates the cold and being in such close proximity to villains

since he’s part of the sooper-stealthy communications unit, he also has access to some crazy top-secret files. he tries really, really hard not to peak, but he may or may not know the newest ice cream flavor that’s just been invented by KND candy researchers

very clumsy. the kind of kid to have bruises all over their legs and not even know where half of them came from

[kidsnextdoor-doodles]

I’m thinking about how Mr Boss in the negativeverse

Because in the regular world, Mr Boss is a corrupted business man who actively takes part in the oppression against children and just generally has a dicky personality. But he loves his children. And I do genuinely think he loves them like any good dad would. He must adore them if he’s okay with his children being apart of the organisation that he actively fights against almost every day.

So in the negativeverse, Boss is probably a working class man. Who sees the oppression around him and decides that he will fight against it, even if in this world he has no status, power, or control. He chooses to fight. He’s a nice, caring guy who might even act as somewhat paternal figure because he must love kids. Except his own. For some reason, his children are the exception and they disappoint him everyday. Because his children are apart of the DNK. It’s probably unfair, because for other DNK operative he will try and reach out, try to change their ways, but he wouldn’t offer that to his own kids. Maybe because he sees his kids joining the DNK as a failure on his parenting, maybe because he sees it as nothing but his kids disappointing him, maybe it’s another reason. Nevertheless, I’m sure that negative Boss’s favourite thing to say to his kids is “Why can’t you be like them?”

[loveselenade]

Crisis of the family in n25 (Part 1)

The case of the Daughter’s talent erasing the Father.

Right from the very prologue, Nīgo's story presents us with the idea that Kanade’s family life has been obliterated— with that of her father’s hospitalization and her mother’s demise. The literal, physical absence of her parents serves to map her (more abstract) experience of child abuse through neglect into something visually concrete, as well as highlighting the precarity of her position as a child within the private (heterosexual) couple-based family.

Categories in crisis.

The segments in the main story detailing Kanade’s backstory center her relationship with her father, apparently long after her mother has passed away. Mr. Yosiaki’s status as a widowed freelancer complicates his position in relation to hegemonic masculinity[1]: while he still is the ultimate authority of his household and carries the responsibility of financially maintaining it as the head of the family, he goes from the very image of success— being a heterosexual, married man who’s the sole provider for his family to a certain degree of financial security (if we’re to judge by his equipment)— to a single father struggling to both secure work and successfully complete his client’s requests. As a freelance composer, his ability as a Father is predicated on his talent, and his struggle for this talent to cover his family’s needs threatens his masculinity.

Even after becoming a widow, Mr. Yosiaki rarely participates in domestic life due to work commitments— “the couple-based heterosexual household (is) built upon a gendered division of tasks, not least via the naturalization of particularly intensive mothering[2]”. The gap in reproductive labor (in the form of caretaking and housework) left by his wife’s demise then falls onto his middle-schooler daughter to fulfill. Kanade’s efforts underline her quality as a child: her attempts at cooking involve using pre-made ingredients and food from the convenience store, evidencing her status as a beginner cook. Her efforts to ensure her father’s well-being through cooking and cleaning, monitoring his needs are met and tending to his dejected moods often are politely declined and/or ignored. Even though she’s taking on the (invisible) labor a wife would undertake, she has no real way to influence her father or affect their family life. Furthermore, in the absence of her mother, there is no one left to ensure Kanade’s own needs are met, and she will often spend long periods of time ignored by her father and trying to come up with ways to earn his attention and love.

The place of a Daughter.

The ideal of the family promises the “grasping at a chance of guaranteed belonging, trust, recognition, and fulfillment[3].” This promise keeps Kanade and her Father motivated to continue their beleaguered maintenance of their household. For Mr. Yosiaki, to secure his place in the world as a parenting man that provides for his family and wisely guides and nurtures Kanade; his role as a Father is meant to secure him love, care and fulfillment. For Kanade as a Daughter, to have her material needs provided for and her future potential properly guided and eventually realized. Familial love is supposed to instill in her a sense of security in her place in the world and her agency in it.

What we see in the time the main story takes place is quite literally the opposite: her parents’ literal absence means that she will often neglect herself through denying herself food and rest for as long as possible, not to mention the fact she's a hikikomori whose only source of companionship are her online friends. She is single-mindedly dedicating all her energy and resources to redeem her existence through “creating music that can save anyone.” This attitude didn't originate from her Father's hospitalization, however. During the flashback segments, Kanade is weighted down by the sense she's burdensome: after all, she is the reason her father has to work himself so hard (nearly to the point of karōshi). So, she attempts to ease the burden she represents through being a dutiful daughter dedicated to caring for him and to her studies; she feels responsible for his happiness as the sole other member of their household. Post-hospitalization, she's haunted by the fact she is the reason he can no longer enjoy music (untrue), that she has killed his passion and reason d'etre, robbed him of his place in the world. Rather than fulfilling her role as his Daughter to ensure his happiness and fulfillment, she has failed and made him miserable.

Kanade’s status as a virtually parentless hikikomori highlights two things: 1. The precarity of children's position within the private household, and 2. The untenability of the Family Ideal. With regard to the former, one only needs to remember that there aren’t viable structural alternatives to child care, in Japan or globally. When Japanese children cannot be cared for/live with their parents, they’re more likely to end up institutionalized in state child care institutions[4] than to be fostered or adopted (98% of adoptions in Japan involve adult men)[5]. This is because “parental rights trump those of the child’s even when there is evidence to suggest the child is being abused or neglected by their parents(...);”[6]  “parents prefer ‘to have their child placed in an institution than they are for the child to be fostered or adopted…as it allows them [children] to maintain a link with birth parents’.” This facilitates the parent to disengage from “the stresses of child-rearing without giving up their child or their legal rights over their child.[7]” So even in the case of Mr. Yosiaki being unable to care for Kanade due his hospitalization, it’s considered preferable for him to retain custody of her; Kanade’s living situation as a child that lives completely alone with no one to care for her represents the reality of many neglected, virtually parentless children.

(On this topic, the only thing that prevents Kanade from being homeless or institutionalized is the narrative convenience of having someone covering her expenses so that she can remain in her family residence. I might be the only one who cares about this, but I do wonder if it’ll come up more in detail eventually. Also, for more information on a contemporary issue with regards the structural lack of support for neglected and abused children, check this article on Toyoko children. Abusive or neglectful families, bullying and harassment, impossibly high academic expectations, are all considered to be the shared causes behind the phenomena of Toyoko children and hikikomori).

Having it all.

“The hegemonic cultural ideal of the man as husband, father, and provider (...) has traditionally been embodied in the image of the daikokubashira— literally the central pillar of a house, but applied metonymically to the male breadwinner “supporting” the household. (...) (This) ideology (...) defines and determines hegemonic masculinity primarily through work.(...) This notion (can impart) a sense of strength, empowerment and achievement to (...) masculine self-esteem.(...) The “fundamental” qualifications for shakaijin masculinity—becoming a daikokubashira, (are) supporting and looking after a family.”[8]

Even though Mr. Yosiaki’s position as a freelance composer, an artisan with no regular, full-time work hours, complicates his engagement to hegemonic masculinity, that his sense of self and achievement is predicated on his ability to complete his work is undeniable:

Mr. Yosiaki’s diary: “30th. I won the competition. But it seems that I’m not entirely happy about it. It was Kanade’s phrase that was highly evaluated. It’s her song. I cannot say it’s mine.”

His growing discontent over his (in)ability to secure and complete work is not solely predicated on practical concerns about securing their livelihood, but on the growing disruption of his sense of self and his certainty in his masculinity; his confidence on his talent becomes eroded:

Mr. Yosiaki’s diary: “They all laugh that the music I make belongs to the past. Even though it was so refined in that commercial, they say. What am I missing?”

This insecurity is what sparks his jealousy over his daughter’s talent. While he does not express his feelings directly to her, they drive his need to reaffirm and express his ego through his music— and his long hours at work. Despite being a freelancer that, in theory, can define his own working hours since he’s not bound by any company, he still pulls in the typical salaryman work schedule in order to validate his own sense of masculine identity, nearly driving himself to an early grave. However, upon being confronted with the enormity of Kanade’s talent through her gift to him, he becomes convinced he has no place in the present, and like his daughter, loses his sense of place in the world:

Mr. Yosiaki’s diary:  “8th. Kanade gave me a song as a gift. Now I finally know. What is missing in my song. Why they laugh that my music is old-fashioned. What I create is merely an imitation of music I heard in the past. But Kanade’s music is different. It touches the hearts of the people who live in the present.”

However, despite his engagement with his own masculinity being very in line with trying to fulfill the image of the daikokubashira, he’s far from the image of the typical domineering father[9]. He shows himself gentle and supportive of Kanade whenever they speak, in spite of his insecurities. His diary confirms his commitment to looking after her despite the sacrifices to his ego this signifies:

Mr. Yosiaki’s diary: “But I still must keep on creating. To make a living. And for the sake of Kanade. I must create music that makes money. Yet is that… the music I want that makes someone happy?”

Even if his words try to establish his daughter, his family, as his reason to continue living, this falls in line with Ueno’s statement “that even today, some men mistake money and success at work for love for their family”[10] (and given Kanade’s grandma ends up supporting all of her expenses after his collapse, it further cements the ego component to his financial struggles). This inability to successfully negotiate his embodiment of the daikokubashira ideal and a redefinition of his masculinity to be more centered around being a Nurturing Father is what drives him into a nervous crisis where his poor health ultimately catches up to him. Narratively, his stasis is portrayed through his partially-amnesiac, convalescing state in which he can only remain himself through limited, sparse recollection of Kanade (and I have to wonder if the resolution —or lack thereof— to his identity crisis will play a role in the climax of Kanade’s own conflicted identity).

"In Everything for Everyone, Abdelhadi explains how (...) “you were supposed to still do all the things everyone was going while also raising the kid or kids, and everyone kind of questioned your work if it wasn’t 100-percent true. If you couldn’t do it all or have it all—which no one could.”[11] This passage captures the heart of the conflict in the Yosiaki household— that is that the couple-based family unit is “overburdened with work and worry about financial security and children’s unfolding lives[12]”, and such an overwhelming amount of labor and needs easily overtook both Father and Daughter’s capacities.

[1] “(Ryōta) is depicted as successful, ambitious and accomplished: an architect at a Tokyo firm, he leads a large team and works long hours. (...) The film establishes the Nonomiya family as a model of conventional gender roles and relations, within which the father rarely participates in domestic life due to work commitments while the mother takes the majority of responsibility for childcare and housework (...). Ryōta is also portrayed as an embodiment of the hegemonic model of masculinity in Japan, the salaryman: the heterosexual, married, white-collar office worker.” Christie Barber, 2018, ‘Beyond the absent father stereotype: Representations of parenting men and their families in contemporary Japanese film’. in Fabienne Darling-Wold (ed), Routledge Handbook of Japanese Media, pp 230.

[2] Sarah Brouillete (2023), Domestic Heteropessimism, as accessed in 06/01/2025 https://post45.org/2023/07/domestic-heteropessimism/

[3] Brouillete (2023)

[4] Alyssa Pearl Fusek (2018a), Life in Limbo: How Japan is Failing its Institutionalized Children. Unseen Japan, 2018. As accessed on 06/01/2025.

[5] Alyssa Peark Fusek(2018b), Why do Adult Adoptions Abound in Japan’s Business World? Unseen Japan, 2018. As accessed on 06/01/2025.

[6] Fusek (2018a).

[7] Idem

[8] Dasgupta, Romit, 2005, ‘Salarymen doing straight: Heterosexual men and the dynamics of gender conformity’, in M. McLelland and R. Dasgupta (eds), Genders, transgenders and sexualities in Japan, pp168,170-171

[9] “Ryōta’s conversations with Keita recurrently consist of instructions or admonishments about such things as table manners or learning piano—- an expression of Ryōta’s general judgement that Keita is unable to meet his expectations and therefore deficient. In these depictions, Ryōta conforms to a model of masculinity that Michele Adams and Scott Coltrane (2005) argue demands that a man not only be in a position of authority and responsibility, but also autonomous and uninvolved with his family.” Barber (2018)

[10] Quoted in: Gordon Matthews, 2003, ‘Can ‘a real man’ live for his family?: ikigai and masculinity in today’s Japan’ in James E. Roberson and Nobue Suzuki (eds), Men and masculities in Contemporary Japan: Dislocating the salaryman doxa, pp 110.

[11] Quoted in Brouillete (2023)

[12] Brouillete (2023).

[some-loozzr]

PLEASE REPORT THIS PROJECT!! (TW: NSFW and Uncomfortable topics)

So, I found a KND 18+ fangame on itch.io by the name of Operation: NOVEL (which I'll link here:)

I've played the whole game, and It's basically those 18+ anime games but with KND operatives (and OCs). The game claims that all of it's characters are 18+ and claims that is is "faithfully" inspired by the show even though..

The school background used in the 5th episode is the ELEMENTARY SCHOOL THAT SECTOR V ATTENDS

(One of the game's BG)

(And Sector V's School in comparison)

And has some..questionable people working on it alongside them

SoulCentinel: And infamous pr0sh1pper artist in the Twitter community Rodrick Scorpion: Repost pr0sh!pper art on their Baraag account

But the co-creator themself is ATTRACTED to characters whom are minors

(NOTE: Beth is a teen (mentioned in the show's description), and Panini is 10) The characters' height and weight matches the ones by 10-12 yr olds

(Screenshots by me)

Worst of all, people actually are blind by these creators' controversies and some people are REALLY weird in the game's comments

That's all I have to say for now, please report the project off of itch

(First of all, please do NOT harrass any of the creators or people mentioned in this post, Second, I just want you all to report the project and the people working on it.)

-Ann

[midnight-the-goth-artist]

Operation: M.I.D.N.I.G.H.T

(I’m not good with the naming stuff like the show is, I’m sorry😭)

I finally remembered to post my updated design of my KND persona, Numbuh 333!

Facts:

💖Pronouns are she/her/they/them

🖤Lesbian, asexual

💜Undercover gaining information from the Teen Ninjaz and other adult villains

💖TND operative (as said in her photo ref)

🖤Likes to alternate styles between scene, goth, and lolita (although scene is her favorite)

💜Likes to “go big or go home”

💖Often likes to be involved in more “action” missions and physically fight people

🖤LOVES explosives :3

💜Favorite music artists are Shinedown, Melanie Martinez, Kesha, 6arelyhuman, Avril Lavigne, My Chemical Romance, FNAF music (sorry not sorry), and just broadway music in general

💖Theatre and art kid

🖤Likes to “bully” Chad with no regrets

💜EX girlfriend of [̷͕͙̼̝̬̘̮̠̗͋̍͆̍̒̿͐͒͋̐̐̂͋̉͜͝Ḝ̶͓͕̖̝̩̞̲̙̯̟͎̥̲̥̤̱̬͈̼̾̆͆̆̔̃͐͐̈́̕͜R̶̢̦̹̰͕̯̳̞̙̦̩͍̽͛͜Ŗ̸̨̡̙͍̠̠͇̳̹̤̻̗̙̳̹̏̑͑̈́̌̏̈́̑̇̀́̈́̕̚͝͝O̶̧̗͍̭̐̃͐̿́̎̓̆͌͋͝R̶̡̗͇̩͖͉̪̱͓͉̻̈̂́̉̆̐́̔̔̉̈́͜]̸̲̯̅̐̆̓̏́̔̓̂͌̈́̒͆͐̍͊̉͌̕̚͠͠

~~~

Got any questions? INBOX IS OPEN✨

[starlizlia]

Why tf did it looked like Lincoln loud wth

[gelu-the-babosa-multiversal]

OK I just remembered this show but, all the Transformers shows where they have kids but is Kids Next Door crossover AU!

So I guess that it would be something like this-

Character like Spike, Carly, and Chip don't count but others above 13 like Charlie, Memo, and Jack can become Undercover Teenagers (TND) but still not be part of the team sorry.

-Secto - Name (Numbuh)

-Sector_A_Witwicky - Robby Malto (8) and Mo Malto (9). Both transferred to conduct an investigation into GHOST and help their mom adapt to her new job. But the Terrans bring some complications for the mission

-Japanese Sector - Japan - Koji Onishi (7), Bradley "Rad" White (TND 12), Carlos Lopez (TND 13), Alexis Thi Dang (TND 14), Chad "Kicker" Jones (TND 18 and about to leave the team soon), Coby Hansen (20), Bud Hansen (TND 19) and Lori Himenez (TND 17). The biggest team conformed with kids from other regions. Their operation consists of helping the Atobots find new resources they can use for their survival like Energon, living metal for replacement parts, and any alien technology, and maybe locate other Autobots lost on Earth.

-Detroit Sector - Sari Sumdac (number unknown). A time traveler from the year 2050 who came to the 2000s for an unknown reason to be discovered. She helps the Japanese and Witwicky kids a lot.

-Las Vegas Sector_USA Jasper Nevada - Jack Darby (TND number 32 and about to leave the team soon), Miko Nakadai (TND number 11), and Rafael "Raf" Esquivel (37 and soon to become a TND). A small team assigned to help Team Prime as their guides and partners to help them disguise themselves with the humans of Earth. Fowler, a former ex Kid Next Door member helps them with the task.

-America_Crown City Secot - Russel Clay ( 21 once in Sector HHH but moved to a new team), Buth (25), and Hank (24). A new team formed by rockies that was made to test the new Sector until Bumblebee crashed on Earth with a tone of Predacons so the mission has changed...

-Griffin Rock Sector - Cody Burns (28), Francine ¨Frankie¨ Elma Greene (29), Celine ¨CeCe¨ Greene (83), Priscilla Pynch (30), Kyle Frazier (TND 39), Billy Frazier (70), Nancy Morrison (TND number 42), George Tracker (40), Jimmy Tracker (68), Timmy Smith (41), Rosita Neederlander (38), Elsie Rubio (71), Corey Perkins (35), Charlene Pruitt (82) etc etc... All the kids on Griffin Rock are Kids Next Door and is probably one of the most chaotic teams in all the world. Their mission, guide and make the Rescue Bots feel at home so other Cybertronians can also be comfortable on Earth.

That is mostly what I have so if anyone else is a KND fan feel free to add more stuff to this post 👍

[fluffernuttermushroom]

🔊 NOTICE TO THE KND FANDOM🔊

Hello! Fluffernuttermushroom here. And this is a story board for an animation I am working on. (Sorry if the sketch is crappy it was done in a hurry)

The story is about numbuh 20000(a trigger happy guy from Operation B.R.I.D.G.E. and Operation O.U.T.B.R.E.A.K. ).

This is the intro for my story Operation S.P.L.I.T.(on hiatus). And it begins with a regular operative who finds out about the GKND on accident.

Animation info

Music for the animation: Touch-Tone telephone (By: lemon demon)

Type of animation: digital animation, Full colour, Sci-fi

I've been looking for a few GKND ocs and regular KND ocs for fillers for background character fillers for the animation.

I was considering making my own ocs but I'm currently short on ideas.😅

Since this animation is a school project and on a time limit it might not get finished. So not all of the ocs might be used.

And the animation is planned to be posted on YouTube later.

Every oc will be credited to their creators!

You can send your ocs to be featured in the animation by sending me a dm to me with their reference sheets, key personality etc.

Please send the requests with the information listed below!

Note that characters with too much detail will be toned town slightly for the animation. And your oc might be shown for only few seconds at a time and might not get animated!

Requirements for GKND or ex GKND ocs:

• Name

• key features

• personality

• Human form ref sheets (front and back if possible. If not possible, only front ref sheets are okay)

• colour palette

Requirements for KND ocs:

• Name

• key features

• personality

• reference sheets(front and back if possible. If not possible, front ref sheets are okay)

• colour palette

Please send them as soon as possible! The animation is on a time limit. The story board is planned to be Finnished on October 31st

Thank you for reading my request and hope you have a good afternoon good evening and goodnight.