#kitsune America

[coralcatsea]

Do you prefer Monster!Alfred/Human!Arthur or Human!Alfred/Monster!Arthur?

Ooh! Well, I enjoy both, but I do think I lean towards either Arthur being the monster or both of them being monsters.

If there's NSFW involved, I definitely tend to prefer Arthur as the monster just because I like top Arthur and it's typically more fun for the top to be the monster (Though human Arthur can top the monster, too. 😏)

In general, here are some monsters I like to use for them:

-Zombie Alfred

-Eldritch Arthur

-Vampire Arthur

-Werewolf Alfred

-Naga Arthur

-Arachne Arthur

-Harpy Alfred

-Mermaid Arthur

-Cecaelia Arthur

-Mermaid Alfred

-Demon Arthur

-Ghost Arthur

-Demon Alfred

-Kitsune Arthur

-Dragon Arthur

-Kitsune Alfred

-Zombie Arthur

-Centaur Arthur

[franceanon]

Audio-grabbed + Clip’d by Me.

{DO NOT REPOST} {PLEASE ASK TO USE}

[astra-ravana]

A Guide To Shape-Shifting

Shape-shifting has long captivated the human imagination, holding a prominent place in the realms of witchcraft and the occult. In fact, the myth of the shape-shifting witch can be found in folklore around the world and across multiple cultures, from the British Isles to the Americas to Asia and Africa. Witches were reported to turn into rabbits, cats, deer, mice, owls, ravens, and wolves. Shape-shifting is an intriguing practice that involves altering one's physical form, or at least one's perception and is often associated with mystical abilities and spiritual connections.

What Is Shape-Shifting?

Shape-shifting, in the context of witchcraft refers to the belief and practice of altering one's form or perception through magick and ritual and can take place in the Otherworld or on our current astral plane, depending on the needs of the witch. It encompasses the idea of undergoing a physical or metaphysical transformation, allowing witches to embody different beings, animals, or even objects. Often times this occurs when the witch wears the body of an animal, we know literal transformation is not possible, but it can certainly happen on an energetic or spirit level. This can occur in one of two ways: the witch's spirit transforms into the spirit of an animal or the witch's spirit 'rides' a living animal or external spirit on the physical plane or in the Otherworld. In either case, both are considered shape-shifting and can be used for the same purposes.

Some History

By the 13th century, it was widely believed witches could turn into animals at will. Witches were believed to turn into hares, toads, dogs, cats, and other animals to steal from their neighbors, curse livestock, and otherwise create mischief and mayhem. In many cases, harm done to the animal form caused similar wounds to the human.

In 1649, John Palmer of St. Albans, England confessed to transforming into a toad in order to torment his neighbor. The neighbor reportedly kicked the toad and Palmer complained of sore shins afterward. Similar stories appear in American folklore, including Aunty Greenleaf who was said to take on the form of a white doe to torment her neighbor's livestock. When the doe was shot with three silver bullets, Aunty Greenleaf was said to later die with three silver bullets in her spine.

Of course shape-shifting myths and folklore don't end there. We also have the Navajo skinwalker, the American loup-garou, Korean kumiho, Japanese yokai, the Kitsune, and the Mexican La Lechuza.

Famous incantations come from Isobel Gowdie during the 17th century witch trials. During her confessions, Gowdie named two charms one for transforming into a hare and and one for transforming back into a woman.

To Transform Into A Hare:

"I shall go into a hare

With sorrow and such a meickle care;

And I shall go in the Devil's name

Ay while I come home again."

To Transform Back:

"Hare, hare, God send thee care.

I am in a hare's likeness now,

But I shall be in a woman's likeness even now."

Other witches reported similar shape-shifting incantations as seen below.

To Transform Into A Cat:

"I shall go into a cat,

With sorrow and such a black shat;

And I shall go in the Devil's name,

Ay while I come home again."

To Transform Into A Crow:

"I shall go into a crow,

With sorrow and such a black thraw;

And I shall go in the Devil's name,

Ay while I come home again."

Modern Uses Of Shape-Shifting

In contemporary witchcraft, shape-shifting has taken on metaphorical and symbolic significance. Modern witches utilize shape-shifting as a tool for personal growth, empowerment, and self-discovery. Through the exploration of different archetypes and primal instincts, witches seek to deepen their understanding of themselves and their connection to the natural world, develop a relationship with an animal guide or totem, or even gain new perspectives on a problem. Shape-shifting becomes a means to tap into hidden aspects of the psyche and to embrace transformative experiences. This can take many forms, including calling upon different animal spirits during spellwork, meditating on different animal aspects, working with animal spirits, journaling, ritual dances, etc.

Shape-shifting also shares a deep connection with shamanic journeying and hedge riding, a practice in which the witch traverses the different realms of the Otherworld for spiritual insight and healing. Within hedge riding and othet shamanic traditions, shape-shifting serves as a means to enter other dimensions, communicate with spirits, and tap into their wisdom and attributes. By assuming the form of a particular animal, the shamen can embody ita qualities, accessing unique perspectives and guidance on their journey. An animal form is also taken often as a form of protection during otherworldly travel, as animal spirits are often able to traverse undetected, acting as a form of invisibility, much like Celtic fith-fath incantations. An animal form also allows the witch to travel more quickly and in some cases, access areas previously unreachable, such as high mountain tops, deep within an ocean or lake, or even borrowing underground or into tight spaces.

How To Shape-Shift

Modern witches engage in shape-shifting through various techniques and practices. Visualization exercises play a significant role, where witches create vivid mental images of their desired form or archetype, often coupled with ritual work such as wearing animal skin/bones, dancing, drumming, or incantations. Through meditation, yoy can enter a state of deep focus and receptivity, allowing yourself to embody the essence and qualities of the chosen form. Energy work such as harnessing personal energy or working with elemental forces, can serve as a catalyst for the transformation, although most witches find it easier to use a mask or skin, or use an ointment to prompt the change. Needless to say, there are multiple approaches to shape-shifting and you need to experiment to find which method works best for you. Below are several ways to engage in shape-shifting from both folklore and modern witchcraft.

• Incantations And Charms- This is probably one of the most commonly cited historical ways to shape-shift, with the incantations from Isobel Gowdie and her fellow witches being cited most often. These incantations can be modernized and adapted to turn you into any animal you desire. Since most witches do not incorporate "God" or the Devil in their craft, these titles can be changed to reference deities or the forces you believe in such as Lord/Lady, Horned God, Hekate, Lilith, etc. Pagan musician Damh the Bard does an excellent job of this in his "Fith Fath Song" where he says "I shall go as a wren in spring

With sorrow and sighing on silent wing

And I shall go in our Lady's name

Aye, til I come home again

Then we shall follow as falcons grey

And hunt thee cruelly for our prey

And we shall go in our Horned God's name

Aye to fetch thee home again

Then I shall go as a mouse in May

Through fields by night and in cellars by day

And I shall go in our Lady's name

Aye til I come home again

Then we shall follow as black tom cats

And hunt through the fields and the vats

And we shall go in our Horned God's name

Aye to fetch thee home again... "

Of course writing your own incantations works just as well, if not better, than using others' words.

• Wearing Animal Skins, Bones, Or Masks- Apart from incantations, many witches engage in shape-shifting by animal skins, bones, or masks to encourage a transformation. This is often coupled with ritual dancing and drumming until an altered state of consciousness is reached. In Call of the Horned Piper, Nigel Jackson describes such a ritual. In order to shape-shift, the initiate would undergo a symbolic death by undressing and crossing a lake or other body of water. Upon arriving on the other side they would don a wolf skin or belt and enter into an altered state of consciousness to "be projected forth into the form of a wolf". This same practice can be replicated with any animal pelt, bone, or mask, using a cold shower as the bridge to 'death' should you not have access to a river or lake and privacy.

• Trance, Meditation, and Visualization- Reaching an altered state of consciousness coupled with one or both of the aforementioned methods is the key to actual transformation. Reaching an altered state of consciousness can be done in a variety of ways, including ritual dancing, drumming, humming, consuming psychoactive plants, or using ointments. The methods used are essentially the same as hedge-riding, however the goal of reaching the trance state is to shape-shift. With that intention firmly in your mind, you can visualize yourself shifting into your animal form, your consciousness slowly becoming that of an animal. You may find walking/crawling on all fours, growling, hissing, or otherwise behaving like the animal aids in this transformation. Become the animal you wish to transfrom into.

If you are looking to shape-shift while hedge-riding, visualizing the shift, reciting an incantation, and donning your animal garb within the Otherworld will also work. Unlike on our plane, you won't need to shift your consciousness again, as that has already occurred. While you don't necessarily need anything physical to do this, having real animal remains or a mask on your person prior to hedge-riding will greatly aid you in your work on the astral plane.

When first starting out, start small, shape-shifting for very short periods of time. Experiment with a variety of methods, combining them into a ritual that works for you.

Shape-Shifting Safety

There are dangers to shape-shifting into an animal form. This includes not being able to return to your body because tou have forgotten you're human, forgetting which realm you belong to, being captured, injured, or killed within the Otherworld or while riding a live animal. There are many tales of witches traversing the world as an animal and being injured only for the same wounds to appear on the witch's human form. These injuries sometimes resulted in the death of the witch, so be mindful of hazards while shape-shifting.

What You Can Do To Protect Yourself

1. Set clear and firm boundaries and time limits for travel. Setting an alarm or using a musical cue can help pull you back from a trance.

2. Have a spotter who can help rouse you should you not come back when originally planned.

3. Have a safe word or incantation that when spoken pulls your spirit into your body.

4. Use a red witch's thread tied around your finger or arm to anchor your spirit to your physical body. If you get lost, follow the thread back to your body.

5. Carry or wear protective charms that will prevent your spirit from being stolen or harmed while in the Otherworld. Your familiar or household pet can also act as a protector of your body, sitting on or near you during shape-shifting to ensure nothing else tries to inhabit your body.

6. When you are finished, make sure you are completely grounded in your human body.

Shape-shifting in witchcraft remains an enigmatic and alluring practice, intertwining myth, history, and contemporary spirituality. It offers a gateway to explore the depths of our own selves, connect with the primal forces of nature, and embark on transformative journeys of self-discovery. Whether through the exploration of archetypes, communion with spirits, or embracing the hidden aspects of our being, shape-shifting provides a mystical transformation that resonates with the essence of true witchcraft.

[creativecupcake]

Cult of the Human: Character Breakdown

Hey Guys! Things are finally settling down so I’m starting to get things ready for my yandere Twisted Wonderland series inspired by @kiame-sama’s Humans Are Extinct series. My story is meant to take inspiration from her series and the game Cult of the Lamb. Watch the human be thrust into a new world and have to deal with a world full of obsessed Yanderes. This entry is meant to break down what monsters each of the characters will be and a bit of the idea behind that.

Heartslabyul 

Ace- Pooka/Púca

Deuce- Wolpertinger

Riddle- Fairy (Flower)

Cater- Encantando

Trey- Brownie/Boggart 

Savanaclaw

Jack- Sköll

Ruggie- Gnoll 

Leona- Sphinx

Octavinelle 

Floyd- Eel Mer/Descendant of Charybdis

Jade- Eel Mer/Descendant of Charybdis

Azul- Cecaelia/Descendant of Scylla

Scarabia

Kalim- Shadhavar

Jamil- Naga

Pomfiore

Epel- Tree Nymph/Dryad (Apple Tree) 

Rook- Dullahan/Headless Horseman

Vil- Siren (both of land and sea)

Ignihyde 

Idia- Ignis Fatui (aka Will-o-the-wisp)

Ortho- Ignis Fatui (aka Will-o-the-wisp) 

Diasomnia

Sebek- Kobold

Silver- Mere/Nightmare

Lilia- Vampire Bat Fae

Malleus- Dragon Fae/Raven Demon

Staff

Crowley- Crow Herald (based of Huginn and Muninn) 

Crewel- Selkie

Sam- Crossroad Demon

Trein- Hippogriff 

Vargas- Minotaur

Others

Grim- Chimera

Rollo- Phoenix 

Fellow- Huli Jing/Kitsune

Gino- Bakeneko

Chenya- Matagot

Neige- Pixie/Sprite

Skully- Revenant

Reasoning:

Heartslabyul- 

Ace is a Pooka as they are mischevious nature spirits. I see him as the rabbit of Heartslabyul, he playful and full of energy, but he will use his power cruelly if he deems necessary. Plus after finding out his unique magic I feel that a creature that copy the looks of others is spot on

Deuce is another story. I wanted a bunny or rabbit due to Deuce’s bunny day card, but I was looking for something that could fit his ready to fight nature. Thus, the Wolpertinger, a cute lil bunny with antlers, wings, and fangs. Looks cute but can go for the throat!

Riddle’s adherents to rules inspired this choice. Lots of myths go over the rules fairies have for their food, parties, homes, etc. I like the idea that Riddle didn’t quite get the playful nature most fairies do with the rules due to his mother. I see him as a flower/flora fairy, his home being a lovely rose bush. 

Cater’s encantado is similar to a selkie, coming from the encantado dolphins in South America. I envision Cater’s water form as more like a mermaid than a full dolphin. The encantado are supposed to be supernaturally gorgeous men, but I feel like that works well with Cater’s established issues with his ‘true’ self. So many see him as just a pretty face so he just keeps up the illusion.

Trey is textbook definition a Brownie. He’s helpful, cooks, cleans, and takes care of others. But I have seen some stories say that when sufficiently pissed off a Brownie can turn into a Boggart. I like to think this fits Trey quite nicely as he is scary when he gets serious. Since I don’t know if these stories are myth accurate though (I found mixed info online) I decided to make him both. His Brownie dad seduced his Boggart mom by just taking care of her an refusing to give up.

Savanaclaw- 

I like Jack as a werewolf, it fits nice but I decided to change it up a little. Sköll in Norse mythology is the son of Fenrir and chases the sun as it sets. In one of my friends D&D campaigns they made Sköll a race of celestial wolves that help lead the way for the stars at night. Very loyal, very strong at night, but weak during the day and need a pack with other creatures to help them.

I’m sorry I tried to find anything else that might fit, but Ruggie is 1000% a gnoll. It just fits him perfectly! I even found pics of a cute one selling his wares and just went, Ruggie would so do that to make a buck.

With Leona I do see how Nemean Lion works for his status as a ruler, but I feel like sphynx fits so much better. Leona is so much smarter than he pretends to be. Sphinx like to play with their food in some myths I’ve read and that reminds me of Leona’s plan for the tournament. Not to mention lots of the art I’ve seen decorates the sphinx in tons of gold and jewels. 

Octavinelle-

For the sea trio I wanted to really lean into the monster inspiration. Not only are they mermen still, but they are a monster out size. Descendents of the great monsters Scylla do Charybdis they can tear apart full ships and devour large beasts. I see the tweels circling and creating a whirlpool or teeth like Charybdis, while Azul hides in a cave and picks off any escaping like Scylla. Makes them an even deadlier trio! 

Scarabia- 

I went looking for a creature to reflect Kalim’s cheerful nature and maybe his love of music. I was lucky to find the Shadhavar, a unicorn-like creature said to bring joy to those around it. The horn on its head is hollow and is supposed to play the most beautiful sounds. Not to mention stories of kings and other royalty paying lots of gold to try and get one in their collection. 

Jamil on the other hand is a Naga, as it fits his personality and name to a tee. I’m thinking of basing him off a sand viper but I am still looking at options. 

Pomfiore-

Epel’s connection with apples is what I wanted to focus on. So I went with a simple apple tree dryad/tree nymph. 

Rook’s nature to hunt put one thing in mind for me, a headless horseman/huntsman, also known as a Dullahan. Rook refused to give up the hunt in life, or in death (joking). Rook seems to have a poisonous smoke wafting from his neck when his head is not attached (courtesy of Vil).

Vil is inspired by the original sirens or Greek myth (bird women also sometimes classified with harpies) and the more modern idea of sirens as more mermaid-like. Either way his beauty and voice draw others in, either to their doom or to heap praise upon him. But do NOT underestimate Vil, both sides of his family are viciously savage when scorned. 

Ignihyde- 

For Idia and Ortho I mixed Will-o’-wisps and a local legend of ghost lights. They are meant to be benevolent, leading lost souls home or the dead to the afterlife. But to not ever try to harm them, their fire can burn your very soul out of existence. Feel like this can really work with Idia not liking being near others (always floating just out of reach) and Ortho’s helpful nature. 

Diasomnia- 

Originally I was going for a more crocodilian monster, but then I saw Kobolds in the D&D manual. The fact that some play them off as worshiping dragons, being brash and loud, not always the most socially aware… So does Sebek know he’s a Kobold?

For Silver I thought about the Baku for a sec, but I feel like a Nightmare centaur is just perfect for Silver. Pulls on his equestrian training and his unique magic. Though instead of spreading nightmares I imagine he would fight them off. 

Lilia is a vampire bat fae, not really much different than he is in the original game. 

Malleus is also pretty similar to how he is in game. I plan to lean into how his type of dragon is different in my world and how he has more bird tendencies from his father, not to mention play with his demon heritage.

Staff- 

For Crowley I wanted to really focus on his desire to share information. He may not be a great headmage in game but he has a slightly different role in my story. I made him a Crow Herold, basically a spirit of knowledge that tries to pass it on like how crows teach their young.

Crewel needs his coat, selkie can not be beat. I know there are other tales of creature taking off their coat/skin to reveal a person beneath, but selkies just felt more like they fit Crewel (especially with how brutal seals and sea lions can be). 

Sam is a deal maker, a business man, he will get you what you ask as long as you pay the price. He is a crossroads demon who is trying to get people to see that demons stick to their deals. They have more in common with the rule following fae and fairies than most like to admit. 

Trien’s long live and knowledge of history feels most important to my story so I wanted a creature known for their intelligence. He started off as a Griffin before he shifted to a Hippogriff due to my story changing. He is calm and kind, very nurturing, but do keep in mind he still has claws.

Vargas is a Minotaur, strong, proud, and bullheaded. He can be kind, especially to the younger creatures, but he can have a hairpin trigger at times.

Others-

Grim is a chimera, though he may look like an odd cat creature now, he will grow more and more of his features over time. Right now he has some tiny bat wings and his tail has fangs (but not a full snakes head).

 Rollo is a phoenix, as he needs an association with fire, but I felt like the phoenix makes his story more tragic. He can survive what his brother could not and it haunts him to this very day. 

Fellow is a Huli Jing, while he may not be outright malicious he is a trickster and he will defend his brother to the death. He has many tricks but his magic is not the strongest.

I see Gino as a young bakeneko. Fellow is helping him learn to control his shape shifting and illusions, but the lack of voice makes some of his magic useless or difficult. 

Chenya on the other hand is an oddity among his species. Most matagots are black cats so Chenya’s colorful coat stands out. He quite likes that fact but does wonder where it came from. He’s seen as mostly a household spirit, but do remember matagots can bring ruin when necessary. 

Neige felt like he needed a cute creature that is more often overlooked. Pixies and sprites can be cute and are usually associated with light and whimsy, but they do have plenty of stories of leading others astray and attacking. Neige is genuinely sweet and wants the best for others, especially for the dwarves in his care, but he will fight when needed. 

Skully as a revenant just makes sense for me. A spirit who can never pass on, drifting in and out of places. He usually sticks around the area where he died, feeling lost anywhere else. It is unsure if Skully was a human in his past life or one of the other human-like creatures since he can’t really remember too much of his past. 

[cupcakeslushie]

Rise of the TMNT is my current hyper fixation and I’m loving your AU.

I am curious about your version of Shredder/Saki. What’s his beef with Splinter in this AU? I know you’re using a lot of 2012 Shredder and a bit of IDW for him.

Also, what were his views/interactions/plans regarding the other turtles? I personally figure he planned on eventually having Leo kill Mikey and Raph, but maybe sending someone else to kill Donnie. Just to be safe. He spent a lot of time grooming Leo to be his pawn and that would be wasted if Donnie decided to blow them both up or something equally insane.

bad guy lore. Please!

Below is a bit from the big timeline located in my EW master post! Saki’s hatred is really based off being lied to for his entire life, and later finding out his parents were murdered by the man who basically raised him like a son. Regarding Yoshi, Saki’s mad at him for abandoning him to go run off to America. They were raised as brothers, but when Saki found out the truth, he killed Sho so quickly that it wasn’t very satisfying, so Saki vowed to end the Hamato clan.

Saki didn’t know about any of the turtles at all until Kitsune brought Leo before him. But even with the knowledge that there were two more out there, Shredder was only focused on poisoning Leo against Splinter—that was his main goal. He figured they’d be eventual collateral, but that he had enough control over Leonardo he’d follow any commands to kill them without question. But this hubris is what ultimately leads to Leonardo retaining a fond view of his brothers, and then finding the strength to leave to keep them safe.

And Saki had no idea that Donatello was related.

[writingwithcolor]

Creatures of Folklore Who Represent Cultures Preventing Wars Throughout History

Anonyomous asked:

Hi! I’m writing a story which is set in a fantasy version of our world. The main difference between our real world and my fictional version is that the spirits and fairies of each culture and folklore exist, and that the majority of them basically stop war from happening because they react very badly (and potentially violently) when invading forces etc try to start battles. 

I’m doing a lot of research into the histories of the various cultures that will be featured in the books set in this world so I can hypothesise how they might have developed without, for example, violent colonialism, and where trade and so on might have flourished in its place. However, it’s possible for colonialism to happen through more insidious ways, such as assimilation. In one of my books, I’m intending to use this as part of the plot, where Japan will try to colonise the Ryukyuan Kingdom through assimilation, but will be stopped by the Ryukyuan Kingdom making allies with other nations (amongst other tactics), but I was wondering if you had any advice for respectfully handling the colonialism that very much did happen in real life in a fantasy setting where it didn’t manage to occur, without erasing the history and ramifications etc of what actually happened?

Do fox spirits have citizenship? 

You mean well with this concept, but there are multiple key problems. 

One major issue with cordoning off spirits and folklore creatures by “patron” culture and have them fight said patrons’ battles is that there’s a lot of overlap. It’d be hard for there not to be a conflict of interest. 

For example, everyone knows about the kitsune fox spirit from Japan. But the story of the fox spirit was introduced to Japan and Korea by China, where they are called húlijīng. These foxes are remarkably similar, with their characteristics and stories almost borrowed wholesale. Are they all the same “species?” If so, when small differences emerge in the countries’ folktales, how do you resolve this? Do these spirits also morph and specialize, or does one interpretation win out? How about when kingdoms are unified, like the Korean Three Kingdoms–do separate versions of the kumiho reverse-evolve into a single variant? What side do they pick when these kingdoms and empires try to battle? If they live apart from humans or aren’t very friendly with them, why would they have a reason to care about invasions when they have no reason to be allegiant to said borders, or whatever name they’re called in whichever country whose land they live on?

Folkloric beings are never static, and are influenced over time by cultural shifts and exchanges, including shifting borders. Human history is stuffed cover-to-cover with events of what we called “conquest” then and “occupation” or “colonization” now. And through these changes, cultures diverged and came together, creating new stories. In other words: not even fairy tales are immune to colonization. 

Leigh can explain the rest. 

~ Rina

The Problem with Retconning War

A very simple question for you:

How are you going to rectify every single historical war that’s ever existed?

Like, the whole plot of the Trojan War as we know it is that the gods of the same culture were on different sides! And the gods made the war last as long as it did. Alexander the Great was a colonizer. Romans were definitely colonizers. Ottomans and Mongols, also colonizers. It wasn’t to the scale of modern colonialism, but it happened. If you look at census records from the 1800s of Indigenous populations in North America, you’ll find that the men 20+ have way lower numbers because they died in war! 

I’m not of the opinion that the basic state of humanity is war and we are barely contained by base instincts. But I’m also not so far in the other direction that I believe humans lack any sort of warring instincts. It shows up in chimps and other primates, so it shows up in humans.

In a way, it sounds like you’ve taken a very Christian-fundamentalist-centric view of things, which is: humans need religion to be “contained”. That humans are amoral without some sort of religion or folklore or spirits telling them to not do a “bad thing.”

This is ignoring how people have been using religion to justify wars since religion was invented. As Rina said, there can be overlap in groups’ beliefs and deities so there’s the side-picking issue, which as I mentioned is the whole plot of the Trojan War. Even when humans write about gods meddling in war, they have the gods not all be on the same side.

Humans have war. Humans try to take over other groups because they want the resources that group has. Alliances shift. Territories shift.

This is also treating humans as a monolith—there are populations within the colonized groups that agree with the colonizers because they get benefits. Claiming that all colonized groups hate all aspects of their colonialism all of the time is deeply ahistorical and flattened. Sometimes the benefits were only for a small group, but sometimes the benefits were far-reaching. It’s in the India tag on WWC, varying views of the Mughals. 

Also, how will you handle the Christianization of Europe? How will you handle all of this folklore that only got written down via monks and nuns making notes and modifying beliefs to fit the Bible? Will any area with only Christianity’s records written down not have folklore? 

And how will you handle folklore drift? Religions are not static. If you look at Greek myths, there are ten to thirty versions of each story and those are just the ones that survived. Each city-state had its own mythology, using the same gods, modified to fit the local needs.

And what about folklore that deals with war and thrives in war? What about the gods of war and destruction? I know Norse mythology is Christianized beyond recognition, but even in its Christianized form half of it is about war. Would the Valkyries, whose whole purpose is to find valiant soldiers slain in battle, not want war? Their whole purpose is war.

Also, on top of it—how will you handle revolution?

You say yourself, colonialism could still happen subtly. Colonialism and injustice can still happen. Will these subjugated spirits force an already disadvantaged group to exclusively use a rigged system to try and politely ask for their rights back? Or would these spirits want to be free and support the means necessary to take it back?

War has happened to upend the divine right of kings. War has happened to free slaves (Haiti). War has happened for basic workers’ rights (some union strikes have resulted in war). 

You’re basically removing a whole toolbox in the fight for a better world. Yes, not being able to colonize because of fantasy AU sounds fine, until you realize that pretty much all of human history from the Romans has been created via war to some degree.

You’re basically just saying “violence is bad and humans need fantasy babysitters to not dive into it”, which really doesn’t sound that great once you sit with it. It removes human agency, removes human nature, and ignores the entire history of the planet.

-Leigh (Lesya)

Marika interjecting here:

We had an ask (Linked here) envisioning a story set in a de-colonized Hawai��i and the socio-political issues with that. Same problem.

[elbiotipo]

Why did medieval europeans make a legend about men that turn into wolf monsters but not about men turning into any other kind of animal-monster? What's with the focus on wolves specifically

Therianthropism, the motif of people shape-shifting into animals and viceversa, is a phenomenon that is found all over the world and in all cultures. It would be reductive to say that people always associate themselves with the top predators of their environment, but for example, much like there are werewolves in Eurasia, there are Jaguar-men in the Americas (Yaguareté-Abá in the Guaraní cultural sphere). But it isn't always a top predator, one interesting example are the fox spirits in East Asia (kitsunes in Japan, huli-jing in China), "were-hyenas" in Somalia and Eastern Africa and the Leopard Society in Western Africa... I could start listing every single case of therianthropism here and I wouldn't even scratch the surface. Humans have been identifying with animals and had legends about transforming into animals everywhere in every time. Cave paintings (the Sorcerer of Trois-Freres, though that one is controversial) and sculptures (the Lion-man of Hohlenstein-Stadel) are proof this motif is deep, very deep into our "collective unconscious", to use a controversial term which I don't necessarily believe in. Anthropomorphism in general, giving non-human things (especially animals) human features, is probably innate to us.

In the case of the werewolf in particular, I always thought that the main "origin", or at least the prototype story of the lychanthrope, the werewolf, in Europe, the Greek story of the king Lycaon (that's where lychanthrope comes from, as any wolf character named Lycaon). And yes, that's where many of our modern ideas (in Western-influenced cultures) about werewolves come from. But it's actually based in much, much older folktales from all over the place. Which makes sense as Germanic, Slavic, Turkic cultures all had similar tales with regards to wolves. Some have said they come from a common Indo-European legend but to me, there's no need to go that far.

Because wolves in particular, are in my opinion especially interesting because they are the ancestors of dogs, and dogs are our oldest domesticated animal, our oldest domesticated ANYTHING, nothing comes close to our relationship with dogs, and so, with wolves. There is a fair bit of romanticization about wolves and dogs, but do imagine that when humans first entered Eurasia, wolves were and still are some of the closest things to us, deeply social apex predators. Is it any wonder that humans feel identified with them? They are our competitors, our best friends as dogs, the biggest threat to us and also magnificent beasts, and as urban civilizations grew, the contrast between the "civilized" and the "wild". And as I've said before, the eyes of wolves, like dogs, have a human-like glint to them, perhaps because they are social animals like us. To me it's no wonder the legend of a man that blurs the barrier between human and beast, and especially between man and wolf, was so appealing and widespread. Wolves are not the only animals that display these characteristics, hyenas, painted dogs, and many others do too. But I think there are some reasons why they catched the attention of humans in Eurasia especifically. And after all, dogs were domesticated from there, and there are no human populations(!!!) that don't have domesticated dogs.

But like I said, this isn't a phenomenon limited to wolves. Both shape-shifting and anthropomorphism of animals are deep in our psyche, so to speak. You will find this phenomenon in cultures all over the world with all sorts of animals.

If you want to learn more about dog domestication with more nuance, I recommend the youtube channel of David Ian Howe which also covers lots of other anthropology topics

[foxy-kitsune-fox]

It’s a wrap, that’s it, game over. Donald Trump win the election, I voted for Donald Trump as a Black/Brown African American, you can thank me for voting. Donald Trump 2024 and 2025, number 45 and 47, Make America Great Again 🇺🇸. ❤️

~ Baron Tremayne Caple A.K.A. Foxy Fox/Foxy Kitsune Fox/Fox Man/Fox King/King Fox/Gemini Man/Autism Man/Rainbow Man Is A Metrosexual/God Of Autism/King Of Autism/God Of Asperger/King Of Asperger 🦊

[djbunnie]

I'm curious: what type of Yokai do you think Danny would be?

Just imagine if Danny Phantom were set in Japan instead of America! The possibilities would be endless! I've been watching supernatural anime that have inspired me, so I just had to ask. 

I have 4 in mind: 

Yurei: (i think it would be cute to see danny wear those white triangle headbands)

Kitsune: (Generic, I know.) 

Yuki Onna: (Because of his Ice powers) 

Oni: (thought that would be badass)

[theearthquaketrackingfox]

I used to wonder why foxes - red foxes in anime are most often depicted as white or blond and sometimes light brown whereas in western literature are often depicted with rich rusty red or bright orange fur. Orange foxes do exist in anime, but not as common as white and flaxen-furred foxes. I knew not to let the species term fool me as I was aware of the existence of albino, leucistic, and melanistic(silver and black) foxes a long time ago as well as the color mutations of domesticated red foxes. However, I also knew that red foxes can vary in color in the wild as well in various parts of the Earth. I can understand why most kitsune are drawn with gold to white fur. I have seen photos of foxes in Japan and a lot of them are pale or brown. The foxes at the famous Zao Fox Village are probably not native to Japan. A lot of them look like they were rescued from fur farms where they were bred with color variants(including marble, silver, and pearl). The rest of them look like red foxes from North America as shown here:

However, there is the subspecies in Hokkaido known as the Ezo fox that does not look much different:

Otherwise, most foxes in Japan seem to look like this:

They appear to have a top coat that can shed in the Summer which is sort of similar to their arctic cousins. Many of the red foxes with the more classical red coat with prominent markings with the black feet and white-tipped tail are most common in Europe and North America.

However, they don't all look the same in these regions. I have seen photos of red foxes in Wyoming and Alaska where many of them can have pale fur that tends to be long. There are even red foxes with light-colored fur in the eastern U.S. I have seen one before here in Tennessee.

[royakahoshiart]

okay fine. I need people to know this.

I feel like most tbhk fans are Christian from America and Europe. So they probably don't really think about the religion in tbhk but it actually has such a big role.

I'll get straight to the point, all of tbhk (or at least main charactes and the plot) is revolved around the worship of Kami ( 神 ) gods, spirits and supernaturals alike.

ThE most obvious ones are the seven mysteries themselves, yako in a kitsune (litterally fox) a fox spirit/yokai whom like to pull pranks of humans either by shaoeshifiting, seducing or even killing at points, this can be seen in yako's sort of cocky personality. Yako is more specifically an Inari statue of an Inari temple for the goddess of agriculture, they say it protects crops and foxes.

Tsuchigomori is a tsuchigomo (literally earth spider) it's a giant spider who can be at least as tall as 10 meters. In one story, minamoto no yorimitsu (or raiko) killed one and had found multiple skulls inside, obviusly implying that the creature eats humans.

Hakubo is an Oni, a general word for demonic creatures in Japanese, thought I can't pin point which exact one. Another story involving yorimitsu is the drunken demon, when hakubo was found by the exorcist he said to have given the biggest Oni poisoned sake, as the real story says that three old men gave yorimitsu and his men sake that revealed the oni's real appearance but didn't hurt humans because he prayed at 3 nearby shinto shrines, and later slashed his neck like in the original text.

Hanako is straightforward but it is different in almost all prefectures of japan.

The gist of it is that hanako was a little girl who died either by herself of by her classmates in the girls bathroom around 5-10 years old. She can grant your wish but is you make her angry she'll curse you with a painful and slow death that'll happen very soon. One prefecture even says that she died in the nuclear blast during the last years of ww2.

Im not sure where nº3, nº1 and nº4 come from.

Now Onto the more subtle details, you might ask "hold up Roy, but Japanese buddhisim is very in touch with supernaturals aswell, how do you know if it's japanese buddhisim or shinto?"

Well let's talk about the minamotos. As you might've read, yorimitsu killed many yokais, so he would be called an exorcist where now are kou and teru, the staff kou has is real and is in some temples, teru's bracelet wards off evil spirits in shinto (rather not talk about the Buddhist thoughts on it....) .well teru's blade is obviously not real as a sword like that would've been impractical.

The temple where Teru and Akane go during the severance is a shinto shrine, we can see this from the Torii gates and the architecture as well. The workers at the temple are also not bald therefore they aren't Buddhist monks. It was also very customary to serve tea to the visitors. On the front gate of the shrine there at this 'weird Rope' with papers attached on it, it's on most temples and its a direct reference to a story involving amaterasu , the sun goddess, wich i wont get into.

The train to the farshore is actually a story itself and the place being full of water isn't just an artistic choice but it rapresents the river to the farshore.

Haha wow this is all to conviniet, yeah I believe in shinto bye I'm writing this in the fucking school bathrooms. Need to start school soon bye.

[hwsevents]

MYTHTALIA MARCH

List of some mythological creatures/figures for inspiration:

-Selkie, Will o’ the Wisp, Wolfwalker

-Harpy, Nymph, Centaur

-Lamia, Siren, Sphinx

-Odysseus, Athena, Heracles

-Yuki-onna, Kitsune, Oni

-Circe, Calypso, Poseidon, Cassandra

-Valkyrie, Giant, Dwarf

-Loki, Thor, Odin

-Dullahan, Banshee, Changeling

-Huldra, Lorelei

-Frey, Freyja, Ymir

-Osiris, Nephthys, Amun

-Arachne, Medusa/Gorgon, Echidna

-Mars, Venus, Pluto

-Tsurara-onna, Kuchisake-onna

-Tengu, Kaguya, Ameterasu

-Adonis, Galatea, Hecate

-Chang'e, Hou Yi

-Rusalka, Baba Yaga, Alkonost

The HWS characters can be these creatures/figures (e.g. nyo Japan as Kaguya, France as Adonis, Russia as a centaur, nyo China as Chang'e, Egypt as Osiris)...

...or interact with them (e.g. Ireland following Wisps, England meeting Hecate, America running from the Dullahan/Headless Horseman).

Doing both is also an option (e.g. human Lithuania interacting with rusalka Belarus).

Link to Prompt Themes

@hetaliahappenings @nsfhetalia @heta-on-the-books @hetaliacalendar

[akingnotaprincess]

Fic: red string

Read on Ao3

Fandom: Star Trek AOS

Rating: Teen

Pairing: Kirk/Bones

WC: 1,715

Notes: For @kitsune-scribe for Fic in a Box.

Summary: Only the ones on each end of a red string can see it. Leonard has never gotten close to meeting whoever is on the other side.

And he doesn't really care.

Snippet: Iowa is the nearest Starfleet base from his home in Georgia—which is such horseshit. What in God's name possessed Starfleet to only have a handful of bases throughout North America, usually outside major cities, so somehow Leonard has to travel two days to get to a base outside of Des Moines. It's a long time to be with his own thoughts—too long. Especially after his life seems to have collapsed, burying him under its rubble.

Leonard puts in his two weeks notice at the hospital, but ends up staying two months so that the staff can find a suitable replacement. He breaks the lease on his apartment that he's been renting since the separation with Jocelyn. He doesn't shave; he buys a flask and some cheap whisky. He doesn't look back.

[colorfuldonutrunaway]

Made the ref sheet for my other main oc, a character who is a romantic asexual.

So I'm going to edit this to explain the metrics a bit more.

*Name: Rei was created by rogue Japanese scientist Akira Watanabe, using the DNA of a deceased Vulpine (a race of sapient fox folk thought to be extinct) and his own genes, effectively creating a strange hybrid son. Legally, this would be his name (in western order) if the Japanese Government knew he existed.

*Nicknames: Americanized version of his first name, and Fox generally being what he's called by employees.

*Race: On account of being a human hybrid, he takes DNA from Dr.Watanabe, and immigrated to America, making him Japanese-American on his human side. His other half is a Vulpine, a race of sapient fox-men who lived on the Japanese isles thousands of years ago and potentially inspired the stories of the kitsune.

*Age: 21 as of 2024, thus being created in 2003.

*Gender: Male, biologically and identifies as such.

*Alignment: Chaotic Good. Ray is willing to do good things, even if it means breaking the rules or doing something risky.

*Job: Scientist who wants to follow in his father's/Creator's footsteps by uncovering secrets of the universe and contributing to the knowledge of humanity.

*Perception and Communication: Has decent sense, and a good communicator, but will sometimes doubt his senses or get nervous.

*Persuasion and Mediation: He can do a decent job convincing people to do stuff by pointing out pros and cons. Mediation is something he isn't great at because he doesn't like getting in the middle of a situation between other people that he's not already a part of.

*Literacy and Creativity: Dr.Watanabe gave Ray access to mountains of literature to learn how to read and absorb information from the world around him. His sense of creativity has blossomed as a result. He can think of many creative ways to solve problems at any given moment, and has been taught how to speak Japanese, English, and Chinese fluently.

*Cooking: Do NOT let this poor bastard cook! It will not end well!

*Tech savvy: Watanabe raised him surrounded by lab machinery, computers, and engineering tools so that he could take care of himself. This has led Ray to be able to efficiently repair most machines, operate with any type of computer, and code effectively.

*Combat: He was given some martial arts training by a local school, but he's still a bit physically weak.

*Survival: Again, given mountains of books and personal training by Akira have given him a good grasp on how to survive in the wilderness (or at least Hokkaido's wilderness) as well as being prepared for emergency situations.

*Stealth: His small size allows him to slink around without detection, but his bright orange fur and tendency to carry gadgets in his pockets can hinder this easily.

*Street smarts: Oof, he hasn't had a chance to socialize growing up, and only left the lab to run errands. So he's not fully familiar with the nuances of how humans behave. This especially hit hard when he arrived in America after Roman found him.

*Seduction: Infertile hybrid + asexuality means he struggles hard. Doesn't help that he's seen more as 'cute' rather than 'sexy', so it destroys any attempts at him being seductive.

*Luck: Isn't anymore or less lucky than the average person I suppose.

*Handling Animals: His fox appearance leads to most animals, especially dogs and cats, being scared or aggressive to him.

*Pacifying children: Children crying or screaming hurts his ears severely, so he refuses to assist in calming one down unless absolutely necessary.

*Strength: Not very physically strong.

*Dexterity: Great with rapidly typing, using weapons, and putting things together quickly.

*Health: Excellent care has led to him having a good body, but he's not going to take a lot of hits in a fight.

*Energy: Very energetic bundle of fur.

*Beauty: Some people find the curly fur on his face aesthetically pleasing.

*Style:...But he wears a lab coat almost 24/7.

*Hygiene: Very fastidious about his fur and how he smells. Being a fox though, he's naturally a little musty.

*Intelligence: Watanabe created him with a brain that can retain insane amounts of information and can learn at quick speeds. Therefore, he's highly intelligent as he knows a few languages, learned the sciences of Astronomy, biochemistry, mathematics, aerodynamics, and ballistics, and is a fan of old literature.

*Happiness: Being raised in an isolated laboratory has made him very self-critical and introspective. Being abruptly taken from his home country to America has also impacted his sense of self with the culture shock. He becomes more chipper when Roman lets him work in his lab and experiment with stuff.

*Spirituality: Raised without religion, Ray becomes agnostic after reading about things relating to the idea of a higher power. But he does no rituals or ceremonies, and attends no place of worship.

*Confidence: He's ready to take on the world and show how intelligent he is. And nothing can stop him.

*Humor: Akira entertained him with access to television, which helped him not be so far removed from the world outside the lab. This also led to him discovering comedy. Ray loves surrealist humor.

*Anxiety: It significantly spiked after Dr.Watanabe's passing and his subsequent kidna-immigration to America by Romanov. But after awhile, he settled into his new home and began to use the lab as his own, reminding him of the good ol' days.

*Patience: He feels like time is a valuable resource, so he refuses to be in a situation that doesn't need his attention.

*Passion: Should've been higher, because he's extremely passionate about science and changing the world for the better.

*Charisma: He knows some basic psychology about humans that he can exploit, but he's not a master of social cues.

*Empathy: This is where it gets kinda strange...Ray has a supernatural power. Referred to as the "Memory-Empath" skill, it allows him to see and feel the memories of others by making eye contact with them for an extended period of time. For example, looking into the eyes of a happy child with their father shows a memory of the child playing a game of catch with their father, and Ray can also feel the sun on the kid's face, the sense of approval from the father, the smell of the grass nearby. This has created a person who is very sensitive to the emotions of others, and he cares deeply for the welfare of his friends.

*Generosity: He's willing to give for a cause and donate things he doesn't need to someone who needs it more, but don't expect big handouts from him.

*Wealth: Not sure what to put here.

*Aggression: Not very aggressive, as he was raised to be very polite and well-behaved by Dr.Watanabe, who in his own right, is a great-grandfather. He's pretty old world.

*Libido: As stated before, being a sterile hybrid and asexual has led to him having a decreased libido. (disclaimer: I'm not saying that asexual people lack them, it's just difficult to turn him on)

I'll add more when I can, but I'm good for now.

[sasouken]

rosalia carmen herrera

rosalia, also known as rosie, is a vampire. she never states how old she is unless you are a trusted friend, but she is approximately 130 years old. she was turned against her will because her sire wanted to keep her as something to parade around for her beauty. rosalia has always had a fighting spirit and she made sure her sire knew that when she killed him. she fled home, leaving her family behind with the hope of never returning so that she would not harm them. she spent many years learning how to control her hunger, but in the process, she took many lives. she has also learned over time not to give her trust so easily. rosie is adventurous, charismatic, clear-headed, resourceful, private, strong-willed, and can be petty. she is a no-nonsense kind of woman, not wanting the drama that comes with living in the supernatural world. which comes in handy at her bar, BLOODY MOON ( location is verse dependent, but usually located in a city ). it's a bit on the nose, but she's come to find that sometimes doing so makes things blend in a little easier. her bar is a place where supernatural creatures can come to get drinks and mingle. she doesn't care what individuals do with their lives off of her property so long as they don't bring the drama to her and hers. she has lily who mans the bar but also doubles as security. you do not want to piss lily off. garrette is her bouncer, who is a werewolf. humans are allowed in the bar, but they are not to be harmed. . . on the premises. sometimes rosie helps lily handle the bar. it lets her get information from patrons and build comradery with them — and she gets extra tips. overall, she lives a quiet life and tries to keep it that way for her employees, too. she does do business with locals in order to. . . precure certain drinks and foods for her clientele. her eyes are dark brown but are red when feeding. she has long, dark brown hair that falls into waves past her waist, standing at 5'5".

lily kitagawa

lily kitagawa is a kitsune, an old and powerful one. ever since she was a kit, lily had a knack for using magic well. she learned from her father how to harness this power. she excelled in all areas, especially illusions and protective spells that come with serious repercussions if someone breaks past them. the older she got, the more destructive her spells got— but only if someone was doing something they weren't supposed to. lily is cheerful, witty, loyal, sociable, whimsical, deceptive, blunt, and often times vindictive. while working at blood moon, she does her best to behave, but if someone is stepping out of line, she has rosie's full support in doing what she needs to get that person out. if she has to put her glass down to use her magic, everyone knows it's serious and they best stay out of her way. lily met rosie while rosie was traveling. they spent some time together and grew close, and when rosie told lily of her plan to head back to america to open up her bar, lily decided she wanted to join her. she had grown attached to rosie and wanted to be by her side. it wasn't often she found others who would be able to live as long as she and appreciate what she could do. lily often changes her appearance depending on her mood. her hair is mostly seen as brown, but has been light brown to blonde sometimes. her eyes are a soft blue. she is 5'7". she also has fox ears and multiple tails. when she's working behind the bar, her tails are hidden, just so that she doesn't knock things over.

[ryuzakemo128]

Cod Prompt List

Credit for Dividers: @cafekitsune + @strangergraphics

This is a list of prompts for requests, if you have any, here are some prompts you are more than welcome to request.

Characters I will write for:

Simon 'Ghost' Riley

Johnathon Price

John 'Soap' MacTavish

Kyle 'Gaz' Garrick

König

Other (Message me if there is a specific one you want that isn't on this list.)

Genres to pick from:

Angst

Fluff

Smut

Dark Content

Unlisted option, aka if you have a specific one. Let me know.

Female Reader insert Versions to pick from

Career:

MMA fighter

Kick boxer

Gymnast

Artist

Onlyfans Creator

Porn Star

Black Ops Spy

Spec Ops Operator

Close Combat Specialist

Baker

Seamstress

Photographer

Professor

Physicist

other, aka your choice.

Hybrid Animals

Wolf

Coyote

Mountain Lion

Wolverine

Siberian Tiger

Siberian Lynx

Snowy White Owl

Black Cat

Fennec Fox

Pygmy Owl

Crow

Raven

Rook

Folklore Based:

Nogitsune

Oni

Inari - Light Kitsune, basically the opposite of the Nogitsune.

Fire Giant or Frost Giant aka Jötnar.

Siren

Harpy

Fae

Dark Fae

Demigod

Mermaid

Wyvern

Werewolf

Vampire

Succubus

Other aka unlisted

Nationality Based: (Listed by country)

France

Norway

England

Australia

America

Russia

Italy

Germany

Iceland

Austria

Greece

Other/ unlisted

Based on Code Name:

Boomer

Grim Reaper

The Iron Maiden

Gorgon

Rook

Crow

Pearl

Opal

Sapphire

Emerald

Ruby

Diamond

Whiskers

Jade

Onyx

Sentence Prompts

Like the sun's eclipse, nothing seemed to be terribly impossible or out of reach.

A rose of endless thorns amongst those who cannot hope to keep up with you.

Everything has a cure, except for death.

A lie to justify yourself into thinking you were doing the right thing.

You should have known better than to ask a question you weren't ready to hear the answer to.

What else were you supposed to do? Let him kill you?

You can't lie. You're too selfless to lie.

There is a sickness inside his soul. Just like there was a sickness inside yours.

Why would you care about his size? Sex is just that sex, kinks are just kinks, and trying to complicate the matter won't help anyone.

You don't care about the repercussions. You saved his life because you wanted to.

Don't bother. He won't notice you either way.

There is his truth, your truth and the all encompassing truth.

There is no such thing as failure.

Death and life come to us hand in hand.

No one wants a goth girl with all these blondes around.

To be a goth amongst the pastel colours.

If it bleeds. You can kill it.

Dialogue Prompts

"Push me, and you will find out the extent of my audacity."

"I would sooner die than be stuck with someone who will only 'tolerate' my existence. Move aside, or I will be forced to what I must to move you."

"You can't hope to do the things I need to do. Save your breath and go back to what you do best."

"Do not question my mental state, and I won't question yours. I will push past this with or without your approval."

"I have no intention of staying around people who don't want me."

"No means no. Not maybe, and it certainly doesn't give you permission to blackmail me with it either."

"I hope karma finds a way to fuck you over like you did to so many other women in your life."

"See? This is why I'm filing for divorce."

"You are never in the mood. Ever. It's like you would rather be a deadbeat father and a cheating whore."

"Men can and will always be called whores. Whore behaviour knows no gender."

"I bought a 30kg cheese wheel. I'm keeping it to myself. Everyone else can fuck off."

"Great job genius, you fucked it up."

"I have no intention of telling any of you anything."

"You and I are nothing alike."

Song Lyric Prompts

“Waiting for me to free him by coming home” – ‘Jimmy’ by Tool

“Opening me within a gesture” – ‘Jimmy’ by Tool

“You were the voice calling me back home” – ‘Jimmy’ by Tool

“I'm your nightmare while you're fast asleep” – ‘Bad Things’ by Summer Kennedy

“You won’t see it coming” – ‘Bad Things’ by Summer Kennedy

“My heart is painted black, I’m never going back.” – ‘Bad Things’ by Summer Kennedy

“I know that you like my style, I look like this on purpose” – ‘Bad Things’ by Summer Kennedy

“I'm carrying my heart but it's made of stone. I'm carrying my heart but my heart is made of stone.” – ‘Made of Stone’ by Matt Corby

“Run from me darlin’. Run my good wife. Run from me darlin’. You better run for your life. Run from me baby. Run my good wife.” – ‘Run from Me’ by Timber Timbre

“Its killing time” – ‘Let me live/ Let me die’ by Des Rocs

“Oh my, give me the night. Just give me the night and I’ll give you the truth” – ‘Give me the night’ by Des Rocs

“Are you so damn unforgettable, so damn impossible to leave?” – ‘Give me the night’ by Des Rocs

“I don't care if it hurts. I wanna have control. I want a perfect body. I want a perfect soul. I want you to notice. When I'm not around. You're so fuckin' special. I wish I was special.” – ‘Creep’ by Radiohead

“Your beauty never scared me.” – ‘Mary on a cross’ by Ghost

“I hate you for what you did and I miss you like a little kid” – Motion sickness

“I’ll stare directly at the sun but never in the mirror” – Anti-Hero