#kindness campaign

[poorly-drawn-mdzs]

Flower Empowered.

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[yudol-skorbi]

a friend

[nellasbookplanet]

The thing is, I can get behind most of the desicions bells hells have taken regarding predathos, it’s more that the road to getting there didn’t really work or was sometimes skipped over entirely in favor of circular discussions.

'Keeping predathos sealed will never work in the long run now that the truth is out, and we'd rather see us as the ones controlling it/keeping it from harming people than risk ludinus/someone else using it as a weapon in the future' and 'the exandrian accord will never agree to anything that would risk predathos being freed/endanger the gods and therefore we must make this desicion without their input' and 'as long as the betrayers exist as gods there will be a risk of a second calamity and it’s wise to seek a way to minimize that power differential' and 'if the gods remain gods and predathos can't be killed they will eventually clash and mortals will suffer in the struggle' and 'the primes will never seek to kill the betrayers or assist mortals in doing so because that is their family' and 'the gods themselves have been hurting and unable to heal since leaving tengar, and perhaps the change of permanently becoming mortals not as strictly tied to their domains will allow them change previously withheld from them by their natures' are all valid arguments.

But the hells rarely if ever touch on these arguments, rather focusing in on individual slights and imagined ideas of the gods being tyrants needing to be humbled. They never slow down to discuss the practical implications of the changes they want to implement (the gods will be back on their side of the divine gate now!), or to consider the good the gods and their followers do (have we already forgotten the changebringer helping fcg find self-worth or the everlight helping resurrect Laudna?), or the nuance behind their harsher decisions and actions (aeor was going to murder them! the primordials were in the process of exterminating all mortals!!), or the sacrifices the primes have made to protect mortals (they went to war against their own family!), or the importance of faith to much of the exandrian populace. No matter how many sensible arguments there are for the end decision, if the characters won’t engage with said arguments leading up to it while dismissing anything opposing it the decision will still feel largely empty and self-centered in the end.

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[helimir]

the fact that orym was working up the courage to go to dorian’s room for 20 minutes… and then immediately admits that he’s been working up the courage for 20 minutes.

he has such a hard time opening up, but once he’s made the decision and the opportunity is there? it’s an instant shift as he can finally put down the weight of hiding anything he’s feeling from dorian.

[hadopelagian]

cannot stop rotating wl!gem in my head after that episode. encouraging pearl and impulse to go after her enemies and then gossiping with scott about them afterwards. insane behaviour. the discussion about impulse. missing secret life. fucking helllll. i'm obsessed with how dedicated she is to the anti pearl and impulse campaign. how dedicated she is to painting them as aggressors, antagonizers, going into her base and looking through her fields, when she's undeniably the one starting shit with them. that one stream clip of her saying she's going to channel breakup coldness dialogue from subnautica against pearl. iconic behaviour. i love divorce

[elementalladymallorie]

"I was kind of shitty back there. I don't like. I put my shit on you. This isn't math. You don't trade people for people. I know that. And I am sorry. Just do good. Just do good."

-Ashton's apology to Evoroa

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[caemidraws]

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[sigsfigs]

featherfowl

[gravitycosplays-solarflareart]

“Maybe you’re just the first beautiful, kind face I’ve ever seen. But I don’t care. I could never ask anything of you, but tonight, may I simply hold you?”

Dorian Storm: @jara_b_sewing

Orym of the Air Ashari: @gravity_cosplays

📷: @jelliclekacie

Edits by @jara_b_sewing

These cute photos are definitely giving me the motivation to work on Level 15 Orym 👀

[ludinusdaleth]

"And you watch something break inside Cassida."

-Critical Role Campaign 3, Episode 101, "Downfall Part Three"

[shorthaltsjester]

me when the campaign with characters i’ve praised for being essentially pawns/npcs in the greater world is ending by underserving the main characters by [checks notes] highlighting the role those characters have played as quasi-npcs who are nonetheless still the narrators of their destinies within the limits of a world beyond their control

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.