#kim hong pa

[somanykdramas]

THE WHIRLWIND

GENRES: Drama, Political Procedural

SUMMARY: One man will stop at nothing to root out corruption in the highest ranks of government, one step at a time.

THIS SHOW HAS EVERYTHING: Phone calls, slush funds, chaebols pulling government strings, safe houses, cliffs, pant suits, comas, traumatic memories, hidden cameras, hidden recorders, press conferences, backstabbing, grave visits, and election tension.

HOT TAKE: I haven't seen this much back-and-forth scheming since watching 'Doctor Prisoner.' Everyone has an answer for every turn against them and they came up with it four steps ago.

Corruption in government is sadly something that we're also living with in the real world. I would say that the only redeeming value to watching something similar to our own news cycle is that here the bad guys get their due punishment, but it does take a whole 12 eps to get to that satisfaction.

Here's hoping we see it too.

[binging-asian-dramas]

Whisper. / Gwitsotmal 7

Story: 6

Acting: 10

Chemistry: 10

Comparable to: Stranger (kdrama); Punch (kdrama); Cruel City (kdrama)

Going into this you’re going to have to sort of switch your moral brain off, especially if you’re watching for the romance. Everyone is a total asshat, especially the main male lead. The chemistry between both main leads are beyond excellent, just morally questionable. I mean the only sort of decent moral compass character is the female lead, even though she does some black mailing herself, to the male lead. To me the the male lead, Lee Sang Yoon’s character, was a total scumbag. Especially throughout the first half. Essentially the whole drama is about who can betray who the most. I can’t count how many times each character double crossed each one another. Was it entertaining, yeah. I quite enjoyed it. I did however fast forward through some scenes.

[horrorcrypt12]

Now Watching:

Ghost Mansion (2021)

Original title: Goe-gi-maen-syon

"A reporter collects stories from a supposed "haunted" apartment complex and the tenants who have gone missing"

Days Until October: 7

Spooky Season!

[movienized-com]

Payback

Payback (Serie 2023) #LeeSunKyun #MoonChaeWon #ParkHoon #KimHongpa #KangYouSeok #SeoJungyeon Mehr auf:

Serie / 법쩐 / Beobjjeon Jahr: 2023- Genre: Action / Drama Hauptrollen: Lee Sun-kyun, Moon Chae-Won, Park Hoon, Kim Hong-pa, Kang You-Seok, Seo Jung-yeon, Son Eun-seo, Park Myung-shin, Kim Mi-sook, Yoon Jung Il, Choi Deok-moon, Kim Hye-hwa, Dong Hee Han, Kwon Tae-won … Serienbeschreibung: Eun kehrt nach Korea zurück, als ihn sein Cousin engagiert, um einen Krieg gegen korrupte Kräfte zu führen,…

[cosmosbeelover]

Women considered to be the most beautiful in Korean History - Part 1

More than a century ago, a remarkable group of women known as Kisaengs captivated the elite with their captivating performances, without ever compromising their dignity.

These extraordinary women, often referred to as the celebrities of their era, were renowned for their beauty and talent, as evidenced by historical records that ranked the most enchanting kisaengs of that time!

Oh San-wol (오산월;吳山月)

Oh San Wol, a gisaeng from Pyongyang in the 1920s, remains a mysterious figure due to the lack of detailed information about her background and life. Despite the scarcity of material, her photos have managed to capture attention because of her stunning beauty. She was known to have been a graduate of the Pyeongyang Gisaeng School, gaining immense popularity among men during the Joseon Dynasty era. Her fame was measured by the number of postcards featuring her image that were sold, indicating her widespread appeal.

Kisaeng's Oh San-wol (오산월) and Lim Chun-hong (임춘홍) posing together for a picture.

At the time they were both among the best kisaeng's of there time.

Both in black and white and colour and remastered.

I'm not shore where this picture came fronm, i think a book, but it talks about Oh Sal-wol and Lee Chun-hong. This is what the text says in Korean: 기생 오산월(吳山月) 당대의 유명한 기생이었던 오산월. (사진 왼쪽) 산월이는 오늘 저녁에도 이저바컷든 것처럼 제 나회를 따저 보았다. '홍 수물납금! 기생은 갓 수물이 한갑이라는데………………." 산월이는 머릿맛을 더듬어 자루 달닌 거울을 집어드럿다. 그리고 수물닙급은커녕 서른 살도 넘어 보히는 제 얼굴을 한참이나 홀터보다가 화가 나는 드시 거울을 내던지고 거이 입버릇처럼 "망한 녀석!" 하고는 한숨을 지엿다. 이 산월이의 '망한 녀석' 이란 늘 두 녀석을 가리킨 것이다. 한 녀석은 지금으로부터 오륙 년 전에 산일 이에게 밋처서 단이다가 산월이가 그럿케 말니는 것도 듯지 안코 아편을 찌르기 시작해 마 음씨 착한 산월이의 알돈 사천 원을 드러먹고 나중에는 산월이 집에서 독약을 먹고 죽어 송장 감장도 감장이려니와 죄 없는 산월이를 수십 차례나 경찰서 출립을 식힌 윤가(哥) 라는 녀석이요 다른 한 녀석은 산월이가 수물네 살 되든 해 봄인데 그도 화채 한 푼 제법 이럿타 못하는 똑 건달녀석 하나가 꿈결 가치 하룻밤 지내고 간 뒤에 산월이의 그 매부리 코만은 그냥 붓처 두엇슬지언정 특자백이」 하나로 궁지는 안을 만큼 불려단이든 그의 목 청을 그만 절벽으로 맨드러놋코 간 일홈도 성도 모르는 녀석이……………….

李泰俊,「妓生山月이, <별건곤> 제25호(1930)

I hope the translation makes sense in English:

Gisaeng Osanwol (吳) Osan Wall, a famous kisaeng of the time. (photo left) Sanwol watched my nahoe as if she was busy this evening. 'Flood payment! Gisaeng says that there is a pack of fresh water...……………." San-Wol followed the taste of his hair and opened the mirror with a bag. After looking at my face for a long time, let alone a water nip, Bo-hi, who was over 30, threw out the mirror and sighed, "Done guy!" as his habit. This "Done guy" of San-Wol always refers to two guys. One guy was a mere mortician to San-Ill five or five years ago, and it seems like San-Wol is doing the same thing. He began to poke at San-Ill's opium, exposed San-Wol's aldon of 4,000 won, died of poison at home, and later, San-Wol was cut off from the writing of the invoice. The other guy is Yoon-ga (哥), who cooled San-Wol from the police station dozens of times. He was 24 years old in spring, and after a night of dream value was spent on a straight stone that couldn't do anything like this, San-Wol's every-buckled nose was just a brush or two, but a special porcelain bag, and no matter how hard he was called into a corner, he might have stopped his neck and went to the cliff……………….

Lee Chun-hong, Oh Sang-wol, <Byeolgungon> No. 25 (1930)

When i looked further down the page i found these only two comments the last one being my favourite. I love the roaring 20s fashion especially in eastern countries like Korea, China and Japan.

In 1918, Oh San Wol was part of the Pyeongyang Association, a group that included other notable kisaengs such as Kwon Yeong-wol, Kim Geum-pa, and Park Geum-hong. Details about these women, including their backgrounds, skills, and current addresses, were documented in the 1918 publication 『朝鮮美人寶鑑』. Oh San Wol's image was also featured on postcards during the Japanese colonial period, alongside another famous kisaeng named Lim Chun-hong. These postcards were widely circulated and even appeared in newspapers multiple times, highlighting the popularity of these talented women during the early 20th century.

These two picture are of Oh Sal-wol in Western styles clothing both in black and white and colour. Because Kisaeng's enjoyed there fame and popularity compared to modern celebrities, they were lavishly dressed up in fur coats and Western style clothes.

The kisaengs of that time were not only known for their beauty but also for their skills in various art forms such as dance, singing, calligraphy, and painting. They were graduates of specialized schools that provided modern education, transforming them into well-rounded artists.

Oh San Wol and her contemporaries were not just entertainers but also respected figures in society, showcasing their talents and charm through their performances and appearances on postcards that have since become iconic symbols of that era.

I found this blog that shows the front and the back of the photo postcard of Oh Sal-wol. Oh Sal-wol's popularity among men was so immense that the benchmark for measuring popularity back then was the number of photo postcards men bought, and it was widely believed that she sold the highest amount.

I also found this picture on Café Naver .

Comments at the end of the blog, I'm not sure what the word means?

[papaya2000s]

Photo collection of kisaeng's - Part 1

All photos below have been AI enhanced for a more clear viewing (there may be some errors in the pictures), i will be listing there names in both English and Korean below the photos.

There names go from top left to bottom right.

English - Gisaeng List - Kim Bok-hee, Kim Hwa-jung-seon, Kim Chae-wol, Kim So-hong, Kim Unjo, Kim Wol-pa, Kim Hong-ryeon, Kim Myeong-hwa Korean - 기생명부 - 김복희, 김화중선, 김채월, 김소홍, 김운조, 김월파, 김홍련, 김명화

English - Gisaeng List - Kim Nan-ok, Kim Ho-shin, Kim Ho-jo, Kim Byeok-jo, Kim Geum-bong, Kim Jeong-ok, Kim Wol-hong, Kim In-ok Korean - 기생명부 - 김난옥, 김호신, 김호조, 김벽조, 김금봉, 김정옥, 김월홍, 김인옥

English - Gisaeng List - Kim Chae-un, Kim Chun-taek, Kim Myeong-ja, Kim Geum-hee, Kim Ran, Kim Yeon-hyang, Kim Ok-jin, Kim Ok-hye Korean - 기생명부 - 김채운, 김춘택, 김명자, 김금희, 김란, 김연향, 김옥진, 김옥혜

English - Gisaeng List - Kim Gan-seon, Kim Wol-seon, Kim Seon-nyeo, Kim Eun-deok, Kim Mun-sook, Kim Young-wol, Kim Ok-seon, Kim Yeon-wol Korean - 기생명부 - 김간선, 김월선, 김선녀, 김은덕, 김문숙, 김영월, 김옥선, 김연월

[double-croche1]

[CANNES 2023] NOTRE TOP

Le Festival de Cannes est désormais terminé. On a vu pas moins de 85 films (dont 19 sur les 21 de la Compétition), toutes catégories confondues ! Le classement de nos films préférés parmi ceux-ci, avec les dates annoncées de sortie en salles, ci-dessous :  1. ‘Eureka’ de Lisandro Alonso (CPR) 2. ‘Le Procès Goldman’ de Cédric Kahn (QC, 27/09) 3. ‘Anatomie d’une chute’ de Justine Triet (SOC, 23/08) 4. ‘Jeunesse (Le Printemps)’ de Wang Bing (SOC, 03/01/24) 5. ‘L'Enlèvement’ de Marco Bellocchio (SOC, 01/11) 6. ‘Les Feuilles mortes’ d’Aki Kaurismaki (SOC, 20/09) 7. ‘Fermer les yeux’ de Victor Erice (CPR, 16/08)  8. ‘May December’ de Todd Haynes (SOC) 9. ‘La Zone d’intérêt’ de Jonathan Glazer (SOC, 31/01/24) 10. ‘L'Eté dernier’ de Catherine Breillat (SOC, 13/09) 11. ‘The Sweet East’ de Sean Price Williams (QC) 12. ‘Los Delincuentes’ de Rodrigo Moreno (UCR, 27/03/24) 13. ‘La Grâce’ d’Ilya Povolotsky (QC) 14. ‘Only the River Flows’ de Shujun Wei (UCR) 15. ‘Les Herbes sèches’ de Nuri Bilge Ceylan (SOC, 12/07) 16. ‘Conann’ de Bertrand Mandico (QC, 28/11) 17. ‘La Chimère’ d’Alice Rohrwacher (SOC, 06/12) 18. ’La Fille de son père’ d’Erwan Le Duc (SM, 20/12) 19. ’Lost Country’ de Vladimir Perisič (SC, 11/10) 20. ‘Conte de feu’ de Weston Razooli (QC) 21. ‘Mars Express’ de Jérémie Périn (CPL, 22/11) 22. ‘Vers un avenir radieux’ de Nanni Moretti (SOC, 28/06) 23. ‘L’Autre Laurens’ de Claude Schmitz (QC, 04/10) 24. ‘Elémentaire’ de Peter Sohn (HC, 21/06) 25. ‘Banel & Adama’ de Ramata-Toulaye Sy (SOC, 30/08) 26. ‘Anselm, le bruit du temps’ de Wim Wenders (SS, 18/10) 27. ‘Le Règne animal’ de Thomas Cailley (UCR, 04/10) 28. ‘Simple comme Sylvain’ de Monia Chokri (UCR, 08/11) 29. ‘Ama Gloria’ de Marie Amachoukeli (SC, 30/08) 30. ‘Club Zéro’ de Jessica Hausner (SOC, 27/09) 31. ‘Linda veut du poulet !’ de Chiara Malta et Sébastien Laudenbach (ACID, 18/10) 32. ‘Si seulement je pouvais hiberner’ de Zoljargal Purevdash (UCR, 27/12) 33. ‘L’Amour et les forêts’ de Valérie Donzelli (CPR, en salles) 34. ‘La Mère de tous les mensonges’ d’Asmae El Moudir (UCR) 35. ‘Légua’ de Filipa Reis et João Miller Guerra 36. ‘The Feeling That the Time for Doing Something Has Passed’ de Joanna Arnow (QC) 37. ‘Augure’ de Baloji (UCR, 22/11) 38. ‘Les Colons’ de Felipe Galvez (UCR, 20/12) 39. ‘Vincent doit mourir’ de Stéphan Castang (SC, 15/11) 40. ‘De nos jours...’ de Hong Sang-soo (QC, 19/07) 41. ‘Merle merle mûre’ d’Elene Naveriani (QC) 42. ‘Dans la toile’ de Kim Jee-woon (HC, 08/11) 43. ‘The Old Oak’ de Ken Loach (SOC, 25/10) 44. ‘Monster’ de Hirokazu Kore-eda (SOC, 27/12) 45. ’Sleep’ de Jason Yu (SC) 46. ‘Occupied City’ de Steve McQueen (SS) 47. ‘Bonnard, Pierre et Marthe’ de Martin Provost (CPR) 48 ‘Goodbye Julia’ de Mohamed Kordofani (UCR, 08/11) 49. ‘L’Arbre aux papillons d’or’ de Thien An Pham (QC, 13/09) 50. ‘Chambre 999’ de Lubna Playoust (CC) 51. ‘Le Livre des solutions’ de Michel Gondry (QC, 13/09) 52. ‘Les Meutes’ de Kamal Lazraq (UCR, 19/07) 53. ‘Le Ravissement’ d’Iris Kaltenbäck (SC, 11/10) 54. ‘Little Girl Blue’ de Mona Achache (SS, 01/11) 55. ‘Creatura’ d’Elena Martín Gimeno (QC) 56. ‘Perfect Days’ de Wim Wenders (SOC, 29/11) 57. ‘Lost in the Night’ d’Amat Escalante (CPR, 04/10) 58. ‘La Fleur de Buriti’ de João Salaviza et Renée Nader (UCR) 59. ‘Le Syndrome des amours passées’ d’Ann Sirot et Raphaël Balboni (SC, 25/10) 60. ‘Un hiver à Yanji’ d’Anthony Chen (UCR, 22/11) 61. ’Power Alley’ de Lillah Halla (SC, 22/11) 62. ‘Asteroid City’ de Wes Anderson (SOC, 21/06) 63. ‘Une nuit’ d’Alex Lutz (UCR, 05/07) 64. ‘Les Filles d'Olfa’ de Kaouther Ben Hania (SOC, 05/07) 65. ‘Indiana Jones et le cadran de la destinée’ de James Mangold (HC, 28/06) 66. ‘Chroniques de Téhéran’ d’Ali Asgari & Alireza Khatami (UCR, 27/12) 67. ‘Acide’ de Just Philippot (SM, 20/09) 68. ‘Un prince’ de Pierre Creton (QC, 18/10) 69. ‘Déserts’ de Faouzi Bensaïdi (QC, 20/09) 70. ’Il pleut dans la maison’ de Paloma Sermon-Daï (SC) 71. ‘Rien à perdre’ de Delphine Deloget (UCR, 22/11) 72. ‘La Passion de Dodin Bouffant’ de Tran Anh Hung (SOC, 08/11) 73. ‘How to Have Sex’ de Molly Manning Walker (UCR, 15/11) 74. ‘Le Jeu de la reine’ de Karim Aïnouz (SOC, 28/02/24) 75. ‘A Song Sung Blue’ de Zihan Geng (QC, 06/12) 76. ‘Jeanne du Barry’ de Maïwenn (HC, en salles) 77. ‘Rosalie’ de Stéphanie di Giusto (UCR, 24/01/24) 78. ‘In Flames’ de Zarrar Kahn (QC) 79. ‘Hopeless’ de Kim Chang-hoon (UCR) 80. ’Tiger Stripes’ d’Amanda Nell Eu (SC, 13/03/24) 81. ‘The Idol’ (série, épisodes 1 et 2) de Sam Levinson (HC, 05/06) 82. ‘The New Boy’ de Warwick Thornton (UCR) 83. ‘Omar la Fraise’ d’Elias Belkeddar (SM, en salles) 84. ‘Hypnotic’ de Robert Rodriguez (SM, 23/08) 85. ‘Agra’ de Kanu Behl (QC) SOC : Sélection Officielle - Compétition UCR : Un Certain Regard CPR : Cannes Première CPL : Cinéma de la Plage HC : Hors Compétition QC : Quinzaine des Cinéastes SC : Semaine de la Critique SM : Séances de Minuit CC : Cannes Classics ACID : L’ACID Nos chroniques de ces films sont à retrouver dans les articles Daily #1 à #11 sur notre page dédiée.

A&B

[beritalkorea22]

'Serendipity's Embrace' sejauh ini mencatat rating di kisaran 2-3 persen. Namun, alur drama tvN yang juga dibintangi oleh Lee Won Jung menuai pujian dari para penonton.

 "Serendipity's Embrace" menayangkan episode keempat pada 30 Juli. Dalam episode itu, penonton dibuat speechless melihat bagaimana Kang Hu Young (Chae Jong Hyeop) melontarkan kata-kata vulgar kepada Lee Hong Ju (Kim So Hyun).

Cuplikan episode keempat "Serendipity's Embrace" memperlihatkan Hong Ju yang berbaring di kamar Hu Young usai mengalami cedera kaki. Wanita itu membuka mata dan melihat Hu Young sedang bersandar melihatnya. "Apa makan malamnya?" tanya Hong Ju.

Hu Young secara tidak terduga menjawab dengan jawaban vulgar, "Kamu." Pria itu lantas mendekati Hong Ju yang masih berbaring dan membuat gestur hendak mencium bibirnya. Hong Ju memejamkan mata dan bibirnya siap menerima ciuman pria itu.

Namun, Hong Ju tersadar kalau adegan tadi hanyalah mimpinya semata. Hong Ju bergegas meninggalkan rumah Hu Young karena menganggap tempat itu memiliki roh jahat yang membuatnya membayangkan hal-hal tidak senonoh.

Adegan di mana Hu Young melontarkan dialog vulgar, meskipun hanya di mimpi Hong Ju ini langsung membuat speechless penonton "Serendipity's Embrace". Banyak warganet yang awalnya kegocek, tapi akhirnya kecewa karena itu semua hanya mimpi Hong Ju.

"Pas scene ini tuh aku kek speechless beberapa detik trus blg anjayyy seberani itu Hooyoung wkwkkw. Eh taunya cuma mimpinya Hongju[sic!]," tulis seorang warganet. "Kirain beneran, mukanya cool bgt nyantuy, DEG DEG AN WOIII[sic!]," tambah yang lain.

"Shock banget untung cuma bayangan si hongju[sic!]," sahut warganet lainnya. "Pas nonton auto ngucap, sangat au sekali writernim[sic!]," imbuh lainnya. "Walaupun mukanya lempeng2 gitu tp tdk dgn mulutnya[sic!]," lanjut warganet lain.

Sementara itu, "Serendipity's Embrace" sejauh ini mencatat rating di kisaran 2-3 persen. Namun, alur drama yang juga dibintangi oleh Lee Won Jung menuai pujian dari penonton. Sayangnya, "Serendipity's Embrace" hanya memiliki total 8 episode saja.

[myramglina]

EXO 'TEMPO' MUSIC VIDEO from Daniel Jon on Vimeo.

EXO THE 5th ALBUM ‘DON’T MESS UP MY TEMPO” ’TEMPO’ MUSIC VIDEO Produced by SM ENTERTAINMENT Creative Director: Heejin Min Arrangement & Coordination: Yemin Kim PD: Imzooo - Music Video Director: Daniel Jon 1st AD: Choheyo 2nd AD: Ji Hyo Jo - DOP: In Mo Yun 1st AC: Joo Seung Kim, Young Chae Lim 2nd AC: Jea Hwan Ryu 3rd AC: Ji Hyuk Yim DIT: Seo hee Seo, Yeong Hyeon Han - Gaffer: Jun Hee Park Lighting crew: Gangmin Jeong, Daun Jong, Solbin Kang, Haesang Yun Wonky Choi, Subin Lee, Jong Man Kim, Jong Su Kim - Visual Director for Art & Props: Balko Art team Director: Boram Jung Art team: Mini Kim, Sein Jang, Junsu Lee, Sungeum Jung Florist: Taehee Kim Set: CMPARK - Jimmy Jip: Dong Jin Lee, Ki Tae Kim, Jun Young Park Steady Cam: Dae Lim Kim - Show Lighting: Jongrak Chun SPECIAL EFFECTS MCP: Jung Il Park, Jun Young Park Luminous Laser: Chong Sik Byun - Edit: Choheyo, Daniel Jon DI: TD - VFX artist: Jun Goo Lee (adenine) - Sound for Teaser/Main intro&outro: Miolt - PA: Jun su Kim, Alexandro of Korea, Jae Myung Doe - Extra Cast: Digital seoul culture arts university (Modelling), Seoul arts-occupational training college (Modelling) Bikers: Eun Kyo Lee, Hyun Il Choi, Wonjoo Seo, Donghyuk Choi - Catering: Drovedog Myoung Sun Bae, Yu Jin Seon - Special thanks: Sejung Hong - c)2018 SM ENTERTAINMENT Co.,Ltd. All RIGHT RESERVED.

[nctwish]

231019 aimnine Instagram Update

Production l AIMUS (@aimus.official) Director | Cho Joonkoo (@aimnine) 1st AD | Hyun Sujin (@sudingjell) 2nd AD | Kim Jinhyoung E. Producer | Jang Voram (@jangramee) Line PD l Yi Seulgi PM l Kim Seongyong PA l Jeon Sowon, Lee Hakyoung, Kim Soyoun, Lee Byeongcheol, Song Seungwon, Lee Yonghak, Nam Siyeon, Kim Oksik, Lee Dongkeun, Hwang Chanwon, Kim Dongjun, Choi Hyunjun, Lee Keunyoung, Lee Yoonji D.O.P | Shin Jam (SCENE JAM) Focus Puller | Min Sungju (Day1,2), Kim Jun (Day3) 2nd | Kim Insu Data Manager | Hong Seongmin 3rd | Lee Jungeun Jimmy jib Operator (Day1) | Kim Youngjung 1st | Kim Hyunin 2nd | Choi Hojun 3rd | Kim Byoungjong Jimmy jib Operator (Day2,3) | Lee Dongjin (@jimmyjib_motion) 1st | Lee Jiyong 2nd | Yoo Jeonghyun 3rd | Jung Sungeum Gaffer (Day1,2) | Park Byungju (@b.think_light) 1st | Yang Minwoo 2nd | Jeon Jongwon, Jeong Woohyeong, 3rd | Choi Yeonggyu, Kim Jeongseo, Lee Changyup, Lee Eunsoo, Eun Seungsu Gaffer (Day3) | Park Junhee (TEAMJJUN) 1st | Lee Seungchul 2nd | Choi Doohyun,, Kim Jeongwook 3rd | Lee Jaehoon, Jeong Chan, Choi Seonggwan, Jin Yerim, Hwang Geumseong Electric l Song Hyeonggeun (Day1,2), Duk Ja (Day3) Art Director l Jeon Minkyu Art Team l Kim Yesol, Kim Youngmi, Kim Hantae, Han Yena, Seol Kyungil, Park Jaehong, Kim Dongsu, Park Seon, Hwang Inseo Submodel Cast l HM Agency Location Manager l Park Eunjung (Zonesystem) Co-Produced by : HANEUL inc. Tokyo scene Producer : Hashimoto Masaki Conti l Park Gyeonghee Bcam l Kim Jinhyoung (AIMUS) NLE | Kim Taeeun (AIMUS) 2D Cleaning | JIN Chaeyoung (AIMUS) 2D VFX l Kim Hyeji 2D Compositing, Clean up l Go Moonyoung (Emotion Creative) 3D VFX VFX Production l WHaM (@studio.wham) VFX Supervisor l Oh Zeon VFX Producer l Ahn Sohyun VFX Artist l Kim Doyeon, Lee Hyunjun, Jeon Jiwon, Kim Yumin, Kim Hyeji, Jang Kyutae, Kang Minyoung MatchMove l Park Junseon VFX Production l 3EZ (@3rdeyezone) Jeong Hyunkyun (@ohiomood), Seong Chiyoung (@calllmechi) D.I l LUCID COLOUR Colorist l Yeom Jiyun D.I Crew l Na Somi, Lee Mirim, Seo Jiwon, Choi Eunseo, Ko Hyeonsong D.I Producer l Kim Onew (c)2023 SM ENTERTAINMENT Co., Ltd. ALL RIGHTS RESERVED.

[enterenews]

Moon Chae-won woke up after being stabbed with a weapon..

Moon Chae-won of 'Bob' woke up.

On the afternoon of the 27th, in the SBS Friday-Saturday drama 'Beopjeon', the scene of Moon Chae-won, who was hospitalized after being hit by a weapon, regained consciousness was broadcast.

On this day, Eun-yong (Lee Seon-gyun), who handed over the information to Hong Hanna (Kim Hye-hwa), started a reverse operation, saying that he would hit short sellers with grass. When Eun-yong thought about Chairman Myeong's (Kim Hong-pa) choice, Hanna Hong said, "I'm sure," and when asked about Jang Tae-chun (Kang Yoo-seok), she said, "I couldn't contact him for a while, but he borrowed money a few days ago."

Hearing from Nam (Choi Deok-moon) that Kim Seong-tae's (Lee Geon-myung) gang seems to be dealing drugs, Jang Tae-chun set foot in a gambling house.

While investigating Yoo Chang-hae undercover, the police found Jang Tae-choon following him. Jang Tae-choon, whose identity was discovered by Kim Seong-tae's gang, was in danger of being arrested, and the police were dispatched to rescue him. Let each of us do our duty. The police are at the scene and the prosecutor is in court.”

In response to Jang Tae-chun's apology, the police said, "Lee Jin-ho (Won Hyeon-jun), who is wanted, I am aware of the intelligence that he is being supplied with drugs. go to the hospital Park Joon-kyung (Moon Chae-won) is back in consciousness.”

[wangmiao]

One Ordinary Day (2021) | Episode 5

[binging-asian-dramas]

The Grotesque Mansion / The Night Shift. (movie) 7

Story: 7

Acting: 10

Chemistry: 10

Comparable to: Strangers From Hell (kdrama) ; Goedam (kmovie)

So this is a semi horror (more leaning on thriller type) with multiple stories intertwined into one type of deal. It does work out well with small twists here and there. I’m not sure if I like the drama version more then the movie version since the drama version explores a tiny (very tiny) bit more details on the characters. 🤷‍♀️ it’s still a nice watch nonetheless.

[movienized-com]

My Happy End

My Happy End (Serie 2023) #JangNara #HoJoonSon #KimMyungsoo #SoYihyeon #KimHongpa #ParkHoSan Mehr auf:

Serie / 나의 해피엔드 Jahr: 2023- (Dezember) Genre: Drama / Thriller Hauptrollen: Jang Na-ra, Ho Joon Son, Kim Myung-soo, So Yi-hyeon, Kim Hong-pa, Park Ho-San, Ki-Taek Lee … Serienbeschreibung: Das perfekte Leben der Direktorin und Influencerin zerbricht, während sich Geheimnisse enthüllen und ihr unterstützender Ehemann und ihre vertrauenswürdigen Kollegen nach und nach verborgene Wahrheiten…

[simplykdramathings]

[jiaminying]

Korean Drama Review Romantic Doctor, Teacher Kim 2 RDTK2

Korean Drama Review Romantic Doctor, Teacher Kim 2 RDTK2

Sigh, I entered another kdrama drought. I scanned through It’s Okay to Not Be Okay and Flower of Evil. There are some things good about them but to me, they are not suitable for me to watch episode by episode. Perhaps for It’s Okay to Not Be Okay, it is dRoue to the setting? I felt that there is not enough thrill. For Flower of Evil, it is crime-related so I skipped through the cases. Felt that…