#kids dont even give a fuck about this

[rodent-king-buunii]

I'm not sayin this to bee mean but yall really need to stay about Disney castin poc ppl in "yt" roles.

Its honestly not that serious.

They can say its not about the actress being black/brown but damn does it come off that way.

Mulan

Moana

Tiana

Pocahontas

Jasmine

Are always the ones being called on for cultural inclusion, not realizing[or ignoring] the fact that their stories are BASED around their culture.

Nothing about Snow White, Rapunzel, Aurora*[Sleeping Beauty], Cinderella, or Ariel were based in culture of any kind. If it were Anna, Elsa or Merida*[hoping I spelled her name right gimmie a minute its 2am] I could understand bc their stories are BASED in culture. Even if fictional [Frozen].

If yall weren't mad a British woman was playing a French role why are yall mad now??

Besides, none of these stories are Disney originals.. like almost none of them at all..

If yall wanna be mad at Disney, be mad but not for live action casting on a cash grab movie that just so happened to case a POC. There's SO MUCH SHIT to be mad at this company for and yall chose the unofficial fan casting of a live action movie that hasn't even come out yet.

Thats wild...

But, yo, didn't Disney cast Selena Gomez to play Cinderella?? Didn't we all bang to that??

Again. Shut the actual fuck up about fictional characters being brought to life bc yall have a non-issue over "culture". Yall sound childish as fuck.

*the names have been fixed, thank you :>

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[treasureplcnet]

btw i love revenge stories i dont think anyone should ever move on peacefully. a bit obsessed with the way weissman went to the synagogue and rabbi and asks, "my choices killed a child. would god take mercy on someone like me?" and the rabbi says "it's not god's mercy you should look for. its the child's" and like you think that would spur this man into charitable activities and to maybe look out for orphans but instead he goes on a 24 hour revenge bender that ultimately ends in two revenge killings and his own death. what's better than righteous anger and wrath and love twisting someone into the worst but also a truer version of themselves <3

[sprimpfriedrice]

White dungeon meshi fans sound like this to me:

It's extremely fascinating and frightening to me how hateful some of you people are towards shuro, a man who is clearly depicted as japanese, (a man who could look like me or literally any member of my family in real life) for being a normal, complex, and flawed human being.

Why do you single him out for getting frustrated with and mad at laios when chilchuck and marcille do the same literally all the time? What's the difference between them and shuro?

Why do you feel the unnecessary need to protect these white women from a japanese man?

Do you expect that this japanese man is inherently going to have some kind of ugly negative quality that has not been once hinted at canonically? Do you know what that's called? Because i do and it's fucking racism.

You people get scared the moment a character that is a person of color isnt a quiet little model minority or a sweet mammy archetype. You grasp at your pearls the moment they are revealed to have complex personalities and histories; when they feel negative, big emotions that are literally part of the human experience. Or god forbid, when they show romantic interest in a pure, helpless, little white woman.

And when a person of color stops behaving good and docile the way you want, when they decide that theyre not going to put up with a situation that makes them uncomfortable or miserable or RIGHTEOUSLY FURIOUS, they become the bad guy. As seen countless times in the medias demonizing depiction of the Black Lives Matter protests and even of black people who get punished for just living their lives. It happens so often i shouldnt have to reiterate it to you but it somehow keeps flying over your head.

And when that dirty, conniving, perverted, slant eyed, buck toothed, stumpy little japanese man understandably snaps at the white person you guys are projecting onto and all you see is this:

So dont be surprised when i say that id rather kill myself than entrust the safety of my oldest aunts and uncles or my youngest cousins with any of you who act like this. Im terrified of what could have happened if people like you worked at the facility that my great grandmother lived out her final years in. Would you have seen her as a wild animal that needed to be subdued too when she had one of her many dementia-induced violent episode?

I will not apologize for saying that i find it deeply disconcerting to see so many of you happily posting hateful vitriol or even about committing acts of violence against a man that looks like me, solely because he was experiencing his humanity

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[unforth]

Hey if you're a white person (as I am too!) and reading the stuff about End OTW Racism (@end-otw-racism) is making you uncomfortable CONGRATULATIONS THATS THE POINT bipoc have been uncomfortable in fandom for decades and some of yall can't face being uncomfortable for five seconds and still have the gall to have shit like BLM in your descriptions.

Put your money where your mouth is. Be uncomfortable. Actually read what they're talking about and what changes they're proposing instead of jumping right to BuT wHaT aBoUt My DaRk FiC (they want to protect your dark fic and help ensure you're safer from harassment over it!)and ThEy'Re PrO-cEnSoRsHiP (they are explicitly not).

I'm so fucking tired of having my posts and those I reblog on this topic largely ignored on my personal account, but ESPECIALLY I'm furious about how ignored posts on racism in fandom are when I put them on the danmei art sideblogs.

I see racism every single fucking DAY as part of running those accounts. This isn't some nebulous thing happening elsewhere, this is us!

If you don't care, I really need you to take a long hard look in the mirror and ask yourself WHY DONT I CARE?

Because YOU SHOULD FUCKING CARE.

[bucket-puns]

Ishmael death stranding au stuff I was cooking. Also a faust kromer and Before team Ishmael doodle.

[nemotakeit]

i think that if we dig all the way down to the roots of tøp's musical theme, it all comes down to that constant internal conflict between desperately wanting to be seen and desperately wanting to stay hidden. we can see how they've been making gradual progress in "managing the tension" but it's still there on Clancy. dare i say it's the central theme of the lore as well.. the reason the character & the era Clancy feels so rebellious is because he's actively fighting to Be Seen. the oscillation continues, but a subversive variable has emerged.

[dickheadcanons]

Your brain is literally gynormous. Do you think Damian's and Dick's relationship is paternal? Because, as someone who has actually had to raise their sibling (do not recommend) it looks more like a guy that had too much in his plate trying to be the best caregiver he could, but not really being a parent, if that makes sense. I feel like the idea of him wanting to adopt him feels like kind of a retcon, couldn't really see it in the og run. But of course, it could be because it's not exactly the same as my experience (abusive father, incapable mother, yknow the drill). What do you think? All your posts are so good.

Also while you're at it, what do you think of Dick as a parent? Some elseworlds have played with the concept, and main continuity did something too with Olivia but T*m Tayl*r fucked that up too. I also wonder how Damian would be as a dad, but I don't think I've ever seen any stories with it.

omg anon thank you and thank you for asking!! this is literally one of my favorite topics!! i was thinking about making a post on this and now you gave me the excuse for it!!

Long story short, I don't think that “parental” is a binary thing. I mean, I know several bio-parents who are just guys with too much on their plates, trying to be the best they can, you know? And people can see parent figures in all kinds of relationships that aren’t blood or traditional moms/dads, especially with people who didn't know each other from birth. There are a million ways to be parented, and a million ways to act as a parent.

The way I think about it is, is Dick Damain's John Grayson? No, I don't think so.

But is Dick Damian's Bruce Wayne? Yes. Totally. Absolutely.

More under the cut bc I have a lot of thoughts.

I think to talk about Dick and Damian, we have to start with Dick and Bruce. So much about Dick and Damian is a reflection of the original Dynamic Duo, and I think that's very much the case with this element as well. From the start of their very long comic history, Dick and Bruce have been dancing around their relationship. We get early comics that say they're "like" father and son, we have Bruce saying he couldn't care about Dick more than if he was Bruce's son, but we also have places where they call each other their best friends, where they act more like brothers, etc etc.

When it comes to who our parents are, I think there is the responsibility, and the result. Certain people have the responsibility, the duty, to be our parents, and sometimes (because death or illness or being shitty people), they aren't able to meet those responsibilities. That never removes the responsibility; they don't stop being the parent. But they aren't able to create the result of us becoming good stable adults. That's where other people can step in, where the parental figure appears, and those are the people that we actually point to when we say "they made me the person I am today."

In fandom, we see a lot of Dick not wanting Bruce to replace his father, of him asking not to be adopted. I think this is a fine characterization that works with who Dick is, but Bruce is actually the one to say that he is not going to replace Dick's father. He says it completely unprompted, too. This is withholding the responsibility of being Dick's parent from Bruce, keeping him at a distance and reserving it as an honor for someone who can't hold it anymore, even as Bruce demands responsibility for literally everything else about Dick.

And I think that it's very telling of what Bruce's idea of a father is. The thing about having a dead parent at a young age is that the person of your parents is still tangled in the role of parent in your life; Mom is mom, not Martha, and because she's dead, the image of both Martha and "mom" is frozen. For Bruce, the relationship of father and son is frozen in the relationship of specifically his father and him. Of course Bruce is not Dick's father; Bruce himself is so different from what his conception of a father is. And as a fellow son, for Bruce, someone who just got back from 7 years abroad studying to be Batman, for whom the nearly 20 year old wound is still fresh, the idea of even wanting another father doesn't make sense, particularly for a boy that Bruce identifies with so hard that he becomes the third person ever to know who Batman is.

This looming memory is even worse when it's Dick's turn to be Batman. While Bruce looks at Dick and sees the memory of his own loss, the shadow of his own grief, Dick is looking at Damian and seeing Bruce. Dick knows very well who Damian lost; Dick is grieving what Damian lost more than Damian is. Bruce couldn't conceive of replacing a father, but Dick is struggling to imagining himself replacing Bruce at his job, much less who he was in his personal relationships.

But even if Damian isn't Dick's responsibility, Dick doesn't hesitate to care about Damian's future. "Who's going to save him if we don't?" At the start of the DickBats era, Dick isn't looking at Damian as a family member, really. He's looking at Damian as a victim, abet a very involved, very dangerous one. It's how Bruce looked at Dick too, before he had any reason to know that this kid would become something more to him. But, like Bruce, what Dick does to save Damian is bring him into the thing that is most precious to him; Batman. The mission. Saving people. A way to live in the world.

I know saying someone is the Batman to their Robin is like, a joke at this point. Something unbelievably cheesy. But you google "iconic duos" and Batman and Robin are one of the first responses. There's a reason for the joke. So imagine you are Robin, and your Batman is dead. And you have to go and find a new partner. Dick making Damian his Robin is heavy, just as heavy to me as adoption papers. Bruce made Dick his partner without any idea of what that meant. Dick, and the audience, had 70 years of expectation on what Dick and Damian could be. Dick making Damian Robin was a very specific claim, far stronger imo than just claiming him as a son would have been.

Because, to be honest (and speak to your other question), I don't think Dick thinks a lot about being a parent. I don't really think it's that important to him. Dick is a leader, a mentor, he deals with a ton of teenagers and kids through his vigilante work, he goes to Tim's sidekick parent's meetings and takes Jason skiing and more than that, he's also young. He's in his 20s. He should be at the club. I think he probably thinks he'll have kids in an abstract way, but it's not something he's looking for, consciously or unconsciously. He's not searching for connection, or to fix his mistakes or his past, the things that lead Bruce to adopting sidekicks. He'd be a great dad, and I think we see him being pretty good with his Elseworlds kids, but Dick is a very practical person, and him taking a kid in (vs finding somewhere else they can go) is not really the practical choice.

Except for one kid. There's just been one kid with legitimately no where else to go, where Dick is truly the only option, because going home meant only bad things for him. Dick made Damian part of his family in the ways that mattered to them both in that moment. With their lives, adoption doesn't really make a huge material difference on custody (if Damian wanted to leave, Dick couldn't have stopped him; Damian has access to basically unlimited money and can feed and clothe and wash himself. and possibly already has a phd.), and Dick wanted Damian to choose, anyway. If I recall correctly, Dick says he didn't think about taking Damian with him until Bruce comes back. He thought about taking Damian with him, thought that Damian might be better with Dick (his partner!!!!) than even with Bruce, his dad, the person Dick loves so much, only in the face of them being separated.

Meanwhile Damian, for all his blustering about how Dick needs to "earn" his respect, warms up to Dick startlingly quickly. For Damian, who had never known a father, who in his initial run hadn't even known his mother for more than two years, whose other male family is Ra’s al Ghul, his father is Batman. Even in Tomasi's kinder depiction of Damian's childhood, Damian only knows the Bat. And when he meets Bruce, the first thing he expresses is disappointment. Bruce the man is underwhelming and then goes and dies. So much for the mythic hero!

And then he meets Dick. Who manages to teach Damian something, who doesn't discount his skills even when he's wrong. Who proves that he is better at being Batman than Damian, and shows that he wants Damian around. And, even more importantly, who doesn't die. Dick is stable in a world constantly in flux. Damian screws up a lot in that run, and he leaves for long stretches of it, but Dick is always there when he gets back. There's no blame here, but the truth is that Dick is the one who stays.

Bruce was Damian's father, but what does that mean to someone whose never met a father at all? Bruce might have tried to connect with Damian before he died, but he doesn’t do it in a way that works. He doesn’t give Damian trust, he doesn’t encourage him in the ways Damian finds important…the first person to do that is Dick. Dick gives Damian responsibility, makes him part of the team. It could be argued that Damian didn’t deserve it, but we’re not talking about deserving. We’re talking about what worked. It sounds like as good an idea as making a tiny 8 year old acrobat a sidekick, but it undeniably worked for both Damian and Dick. Does that mean that either of these relationships were parental in the way that we think of it in the real world, in the way that a child psychologist would say is good and healthy? I have no idea. But they are the most parental in the absence of any other parents, and I think that means a lot.

Unfortunately, we don't get to actually see the dissolution of Dick and Damian's partnership. DC conveniently skips over showing us Bruce coming back and Dick becoming Nightwing again; preNew 52, Dick is still Batman with Damian even when Bruce returns, and in the New 52, he's been Batman "Before" and we don't really see the end, just a vague aftermath. But if it did take that kind of change to make them realize their relationship had a flavor of "parent and child", had the makings of something like a father and son, well, they'd just be following in the original Batman's footprints.

[sapphorror]

my top controversial Zim headcanon is that Zim actually performs absurdly well at skool because

1. he's a perfectionist with a compulsive reaction to ANY system of scoring

2. I 100% believe test scores are this guy's forte because he had to become an Invader SOMEHOW and he sure as hell wasn't passing based on the practical

3. He has hyper-advanced alien AI to do his homework for him. like come on.

meanwhile Dib is really only scraping by on raw intelligence and the inherent educational advantage of having a mad scientist father. He doesn't have TIME to study, there's an evil alien he has to stalk and besides, you know what's better than a high school diploma? The Nobel Peace Prize for proving the existence of extraterrestrial life.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[softest-butch]

i started reading the vampire armand. btw

[bruqh]

seeing a lot of disappointment that the rat grinders aren’t getting any sort of redemption arc which i understand because i think it would make a more interesting and complex story but yall are not taking into account that this is a dnd show and the best part about dnd is killing people u hate without having to go to jail or face repercussions soooooo

[hella1975]

the closest ill ever get to being a pick me girl is the joy that fills me when the chefs at work so clearly favouritise me. like im there nicely cleaned up in my smart-casual uniform just a 20 year old waitress smiling my customer service smile and behind me spawns Scary Dog Privilege 10x in the form of several burly middle-aged chefs at least three of which have criminal records and would all stick a bread knife in someone for bothering me

[innalheid]

Feeling very Ascension by Gorillaz ft Vince Staples at 2:18

[splanana-bitz]

*scrolling through tumblr and sees immaculate, mouth-watering art*

"Wow!"

*it's of a toxic couple back when they were together/them being bitter exes in present time*

"Oh, these two aren't healthy in any way, shape, or form"

...

*likes it anyway*

(Read tags)